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Maggie Smith
I'm.
Maggie Smith and this is the Slowdown.
Recently I was invited to speak at the Chautauqua Institution in New York State. It was actually a conversation event with author Kwame Alexander, which was wonderful. Spending a few days at Chautauqua was a special treat. Boating on the lake with friends, going to see Leve in concert and just enjoying the energy and spirit of the place and the people there. If you've been, you know what I mean. It's pretty magical. One of the things I did while there was attend a church service in the amphitheater, which holds more than 4,000 people. I was there to hear Sister Teresa Maya speak and I'm so glad I went. She spoke about the environment and about the wonder we experience in nature not being enough on its own. We have to work to protect the world, not just be in awe of its beauty. But the most surprising thing that happened was that as soon as the choir sang, I felt a lump in my throat and my eyes welled up. I was sitting among strangers in the Chautauqua Amphitheater on a Sunday morning with tears rolling down my face from the choir. I was talking to a friend about this the other day and she understood. I know, she said. Every time I went to one of my kids choir concerts, I'd cry. And then I remembered that I did the same thing going to the elementary school choir concerts and winter music festivals. I got teary every time the kids sang. I told myself it was because of their sweet little kid voices. But that's not the whole story. Something about hearing voices in unison. It's powerful and communal and comforting and deeply moving. I wonder how much of my emotional response is because I grew up in church, singing in choir and even playing in the bell choir, singing with others and listening to others singing together around me was part of my life growing up. Being away from it for so many years hasn't dulled me to its power, though like so many things we grow up with, it's in there, baked in. In fact, I still remembered the melodies and words of most of the hymns we sang that morning at Chautauqua. That recall surprised me. Today's poem sang to me and moved me like a choir. What is this air changing this warm aura, these threads of air vibrating rows of people? By Ariel Yellen this small effort because this little singing, this little sound, small song, this fathomless effort, this voice which comes from the gut, this soft effort at making songs, this effort at song, this effort to make song which birds do effortlessly, what birds do effortlessly, this tiny bird, this tender, worthy effort. And sometimes it is no effort, no effort to sing. Sometimes I've had a drink or two. Sometimes it's effortless to make song. If enough people sing in a group, if I'm part of that group, I cry. I'm holding a thing that breathes and makes sound. Where Song comes From and Goes to.
The Slowdown is a production of American Public Media in partnership with the Poetry Foundation. To get a poem delivered to you daily, go to slowdownshow.org and sign up for our newsletter and find us on instagram, slowdownshow and blueskylowdownshow.org the slowdown is written by me, Maggie Smith. Our lead producer is Micah Kielbon, and our associate producer is Maria Wurtel. Our music is composed by Kyle Andrews, engineering by Derek Ramirez. Our editor is Joanne Griffith. Additional production help by Susanna Sharpless, Cece Lucas, Marcel Malikibu, and Lauren Humpert. Our executives in charge are Chandra Kavati and Mark Crowley.
Hey, it's Maggie. Every weekday, the Slowdown delivers the creativity and care of poetry to all free of charge, and your support makes it possible. Donating to the Slowdown is easy. Just go to slowdownshow.org donate to make your gift in less time than it takes to listen to an episode.
The Slowdown: Poetry & Reflection Daily
Host: Maggie Smith
Episode 1381: What Is This Air Changing, This Warm Aura, These Threads of Air Vibrating Rows of People by Ariel Yelen
Date: October 24, 2025
This episode of The Slowdown centers on the profound communal power and emotional resonance of singing—how collective voices can both comfort and move us, evoking deep personal memories and a sense of connection. Host Maggie Smith reflects on her own experiences with choral music and church singing before introducing Ariel Yelen’s poem, which meditates on the human impulse and effort to make song. The episode thoughtfully explores how both listening to and participating in communal singing can stir powerful emotions and illuminate the small but profound efforts of being alive together.
Personal Experience at Chautauqua:
"As soon as the choir sang, I felt a lump in my throat and my eyes welled up. I was sitting among strangers in the Chautauqua Amphitheater on a Sunday morning with tears rolling down my face from the choir." (02:12)
Connection to Childhood and Memory:
"Something about hearing voices in unison. It's powerful and communal and comforting and deeply moving... like so many things we grow up with, it's in there, baked in." (03:35)
Universality of the Response:
"Every time I went to one of my kids choir concerts, I'd cry... I told myself it was because of their sweet little kid voices. But that's not the whole story." (03:08)
"We have to work to protect the world, not just be in awe of its beauty." (01:43)
"Today's poem sang to me and moved me like a choir." (04:14)
Central Themes:
Notable Lines:
"This small effort because this little singing, this little sound, small song, this fathomless effort, this voice which comes from the gut, this soft effort at making songs..." (04:32)
"If enough people sing in a group, if I'm part of that group, I cry." (05:30)
On Emotional Resonance of Song:
"Something about hearing voices in unison. It's powerful and communal and comforting and deeply moving." – Maggie Smith (03:35)
On the Persistence of Early Experiences:
"Like so many things we grow up with, it's in there, baked in." – Maggie Smith (03:51)
On the Poem’s Effect:
"Today's poem sang to me and moved me like a choir." – Maggie Smith (04:14)
Poem’s Emotional Climax:
"If enough people sing in a group, if I'm part of that group, I cry. I'm holding a thing that breathes and makes sound. Where Song comes From and Goes to." – Ariel Yelen (05:37)
Maggie Smith’s tone is warm, reflective, and deeply sincere. Her storytelling invites listeners into her lived experience, then gently guides them into collective reflection through the featured poem. The episode lingers on the subtle, powerful threads that connect us all—especially when we lift our voices together.
Even without listening, this episode provides a moving meditation on why communal singing can stir us so deeply, and how poetry—like song—can channel wonder, connection, and the small but vital efforts of hope.