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I'm Maggie Smith and this is the Slowdown. When I see the word productivity, it's hard not to see the word product nestled inside it, reminding me again of capitalism. I think we should try to keep whatever we can from getting chewed up and spit out by capitalism, creativity included. Creativity especially. I'm often asked questions about my writing process because people are curious about how the sausage gets made. What a gross analogy, but a useful one too. The truth is, my writing process, like cooking, is messy, and it hasn't changed much since I wrote my first poem at 13 years old. I usually start with a scrap of language, a metaphor, an image, one phrase that occurs to me, and then I listen and wait to see what else might want to come along for the ride. That listening and waiting part of the creative process looks a lot like doing nothing. If you walked into a room full of writers writing, you might catch more than half of them. Not scribbling with a pen and a notebook, not typing furiously on a laptop, but staring into the middle distance for a period of time. Spacing out, you might be tempted to call it. But it's not spacing out, it's dialing in. It's listening and waiting for whatever else the mind has to say. It's pausing to make connections. Sometimes it's even listening to or eavesdropping on others in the room to borrow a bit of dialogue. Whatever is happening inside the writer that far off look on their face is evidence of thinking, and thinking is part of the writing process. Thinking, though, it looks like doing nothing is the job. When I'm in the shower washing my hair and an idea comes to me, I'm writing. When I take a little extra time getting out of bed in the morning because I'm replaying a memory or trying to recall a dream, I'm working. Today's poem takes something banal, something we do every day, lying in bed doing nothing but thinking, and totally transforms it. From Mosaic By Supritha Rajan Stone58 I have no desire to do anything, or I possess immense desire but lack motivation. Or even if I possess motivation, something in me lies paralyzed to act on my desires and motivations. I am so comfortably uncomfortable I curl inward like the tip of a fern on my 100% organic nature's cloud mattress with latex linings sourced serendipitously, no doubt, from Sri Lanka, where it flows white as the milk that once nursed me to sleep. I could lie here forever, softly breathing this breathable latex cloud and think of all the things I ought instead to be doing as I watch dust glow and float through the air like the continuous stream of materialism that animates the world, while I remain inert on a surface where every atom adjusts to my shifting weight and outline and holds the imprint of my body who whose history, as with all organic nature, emerges from pieces both given and made. The Slowdown is a production of American Public Media in partnership with the Poetry Foundation. To get a poem delivered to you daily, go to slowdownshow.org and sign up for our newsletter and find us on Instagram, LowdownShow and Bluesky. Slowdownshow.org the slowdown is written by me, Maggie Smith. The show is produced by Micah Kielbon and Maria Wurtel. Our music is composed by Kyle Andrews, engineering by Josh Savageau and Maurizio d'. Arico. Our editor and digital producer is Jordan Turgen. Additional production help by Susanna Sharpless, Ruby Sigmund, and Lauren Humpert. APM's Director of Distribution is Amy Lundgren, and our president is Chandra Cavati. Hi, it's Maggie. Thanks for listening to the Slowdown. Whether you press play to find calm or vivid inspiration, we're glad you're here. As a public media podcast, we rely on listener support to share these moments of poetry. Please consider donating today@slowdownshow.org donate.
Episode Title: 1481: from Mosaic by Supritha Rajan
Date: March 20, 2026
Host: Maggie Smith
In this episode of The Slowdown, host Maggie Smith explores the intersection of productivity, creativity, and reflection. She shares personal thoughts on the misunderstood "still" moments in the creative process and introduces Supritha Rajan's poem, "from Mosaic," which meditates on desire, inertia, and the subtle richness of inaction. The episode revolves around the value of pausing and the deep contemplative work that can happen when we seem, from the outside, to be "doing nothing.”
[01:06] Maggie immediately frames the episode with a critique of productivity:
“When I see the word productivity, it's hard not to see the word product nestled inside it, reminding me again of capitalism. I think we should try to keep whatever we can from getting chewed up and spit out by capitalism, creativity included. Creativity especially.”
Messiness of the Creative Process: She reflects on the frequent questions about her writing process and resists the desire to make it sound neat and mechanical.
“My writing process, like cooking, is messy, and it hasn't changed much since I wrote my first poem at 13 years old. I usually start with a scrap of language, a metaphor, an image, one phrase that occurs to me, and then I listen and wait to see what else might want to come along for the ride.”
Rebranding “Doing Nothing”: Maggie explains how the apparent idleness of writers is misunderstood.
“If you walked into a room full of writers writing, you might catch more than half of them... staring into the middle distance for a period of time. Spacing out, you might be tempted to call it. But it's not spacing out, it's dialing in. It's listening and waiting for whatever else the mind has to say.”
Thinking as Work:
“Thinking, though it looks like doing nothing, is the job. When I'm in the shower washing my hair and an idea comes to me, I'm writing. When I take a little extra time getting out of bed in the morning because I'm replaying a memory or trying to recall a dream, I'm working.”
“Today's poem takes something banal, something we do every day, lying in bed doing nothing but thinking, and totally transforms it.”
“I have no desire to do anything, or I possess immense desire but lack motivation.
Or even if I possess motivation, something in me lies paralyzed to act on my desires and motivations.
I am so comfortably uncomfortable I curl inward like the tip of a fern on my 100% organic nature's cloud mattress with latex linings sourced serendipitously, no doubt, from Sri Lanka, where it flows white as the milk that once nursed me to sleep.
I could lie here forever, softly breathing this breathable latex cloud and think of all the things I ought instead to be doing as I watch dust glow and float through the air like the continuous stream of materialism that animates the world, while I remain inert on a surface where every atom adjusts to my shifting weight and outline and holds the imprint of my body who whose history, as with all organic nature, emerges from pieces both given and made.”
On the danger of letting creativity be commodified (Maggie Smith, [01:10]):
"I think we should try to keep whatever we can from getting chewed up and spit out by capitalism, creativity included. Creativity especially."
The honesty in creative process (Maggie Smith, [01:45]):
"My writing process, like cooking, is messy... I usually start with a scrap of language...and then I listen and wait to see what else might want to come along for the ride."
Reframing “doing nothing” (Maggie Smith, [02:08]):
"Spacing out, you might be tempted to call it. But it's not spacing out, it's dialing in. It's listening and waiting for whatever else the mind has to say. It's pausing to make connections."
Validation of unproductive time (Maggie Smith, [02:52]):
"Thinking, though it looks like doing nothing, is the job."
This episode is a gentle, insightful meditation on the power of intentional stillness and the misunderstood work of the mind at rest. Maggie Smith’s reflections, paired with Supritha Rajan’s evocative poem, invite listeners to recognize the creative richness found in apparent inactivity—a comfort for anyone who’s ever felt the pressure to "be productive." The message is clear: thoughtfulness and waiting are not wasteful; they are indispensable parts of making art—and living a reflective life.