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I'm Maggie Smith, and this is the Slowdown. Poetry is everywhere. You don't have to look far, but you might do well to look up. Look up and listen. If I do that in my own backyard at any time of year, I see and hear many varieties of birds. House finches, robins, crows. The list goes on. I think we humans are more enamored with birds than with other creatures that fully live on land. Just think of all the idioms we use. Birds of a feather flock together. The early bird catches the worm, and even the unfortunate kill two birds with one stone. We identify with these creatures in some ways as night owls or odd birds, for example, and we envy them in others. Oh, to be free as a bird. There is so much poetic potential in bird songs and calls. Their freedom of movement, their nest building. Their names alone are poems in themselves. The Screaming Cowbird. The Middle American Leaf Tosser. The Splendid Fairy Wren. The Society Kingfisher. The Milky Stork. The Diabolical Nightjar the long Waddled Umbrella Bird. The Dark Eyed White Eye. The bare faced Go away bird. Yes, that's a real animal. I didn't make that up. It has a featherless face, and apparently its call sounds like it's saying go away. Once, during a Q and A after a reading, a woman raised her hand to ask, what's with all the birds in your poems? I had to laugh. She was right. The hawks, grackles, and starlings of my neighborhood have called and swooped into many of my poems. I told her that birds are wildlife that we all have access to no matter where we live. Birds are everywhere, in cities and suburbs, in the country. They make cameo appearances in many of my poems, and sometimes they're even the stars. Today's poem looks up, listens, and leans into the many things we can become open to by finding closeness with these familiar and strange animals. Northern Flicker Reconsidered By Susan Rich if a bird could become a poem, and why not promenade through wayward stanzas, lift their couplets of wings, what then A high wave? Wicca, Wicca alchemical spell, A cry of the unprintable? Could a flicker know heartbreak? Practice self restraint? Their fashion leans bold polka dots and stripes bright cinnamon to morning fog hues the male handsome with his patch of mustache I would become his lifelong mate should I return as a bird celebrated shad spirit cotton rump with the longest bird tongue in North America this ode to to plurality, this epic boundless, then cross stitched together on the pages of Northwest Sky. The Slowdown is a production of American Public Media in partnership with the Poetry Foundation. To get a poem delivered to you daily, go to slowdownshow.org and sign up for our newsletter and find us on Instagram, LowdownShow and Bluesky. Slowdownshow.org. Summer is starting, meaning graduations, wedding season, and annual holidays where we come together to celebrate. We are also marking a less rosy milestone. One year ago, federal funding for public media like the Slowdown was cut. Listeners like you stepped up to keep this program going. As our budget year comes to a close, your support helps to make sure a daily moment of poetry stays a part of your routine. Donate now@slowdownshow.org or click the link in the show notes.
Episode 1547: Northern Flicker Reconsidered by Susan Rich
Host: Maggie Smith
Date: June 29, 2026
In this episode, host Maggie Smith guides listeners into the poetic and symbolic world of birds, focusing on their presence in language, daily life, and poetry. Smith introduces and reflects on Susan Rich's poem "Northern Flicker Reconsidered," inviting us to look up, listen closely, and consider the connective potential birds hold—not just in nature, but in our imagination and our poetry.
"Once, during a Q and A after a reading, a woman raised her hand to ask, what's with all the birds in your poems? I had to laugh. She was right." (02:06)
"Their names alone are poems in themselves. The Screaming Cowbird. The Middle American Leaf Tosser. The Splendid Fairy Wren..." (01:45)
"Today's poem looks up, listens, and leans into the many things we can become open to by finding closeness with these familiar and strange animals." (02:28)
Read aloud by Maggie Smith [03:10]
Text (excerpted):
if a bird could become a poem, and why not
promenade through wayward stanzas,
lift their couplets of wings, what then
[...]
The male handsome with his patch of mustache
I would become his lifelong mate
should I return as a bird
[...]
This ode to to plurality, this epic boundless,
then cross stitched together on the pages of Northwest Sky.
On the intimacy and accessibility of bird-watching:
"I told her that birds are wildlife that we all have access to no matter where we live. Birds are everywhere, in cities and suburbs, in the country." (02:18)
On bird names evoking wonder:
"The Diabolical Nightjar, the long Waddled Umbrella Bird. The Dark Eyed White Eye. The bare faced Go away bird. Yes, that's a real animal. I didn't make that up. It has a featherless face, and apparently its call sounds like it's saying ‘go away.’" (02:00)
On poetic metamorphosis:
"If a bird could become a poem, and why not promenade through wayward stanzas, lift their couplets of wings, what then?" (from poem, 03:15)
Maggie Smith transforms a simple act—looking up at birds—into a meditation on accessibility, creativity, and poetic imagination. By showcasing Susan Rich’s poem, Smith invites us to reconsider ordinary encounters as extraordinary, to find connection with the fleeting and the beautiful, and to let both birds and poetry inspire openness in our daily lives.