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Major Jackson
Hi there, it's me, Major Jackson. As I transition from my role as host of the Slowdown, we're taking a look through our archive of episodes. With such a deep well of poetry and reflection, it's a pleasure to revisit these moments together. Here's an episode from my time on the show. I'm Major Jackson and this is the Slowdown. In ninth grade, my friend John walked the neighborhood early mornings with his father and two brothers. They scoured the streets in the dark for empty bottles and aluminum cans that they sold at a scrapyard on Ridge Avenue. John's father suffered from a work related inj which disqualified him from many jobs, yet it seemed he always found a way to earn a dollar. The dull clack of a crushed soda can or the bright ping of a glass bottle landing into an old rickety grocery cart often woke me up, as it did other boys in our crew. The first time we learned it was John and his siblings making the noise in the pre dawn hours. He denied it. One guy, Artrice, teased him all the time during lunch break, which made John feel ashamed of his family's lack of resources. Eventually he stopped coming to the basketball court where we gathered after school. But the truth was that all of our parents sought some kind of way to cut corners to save or make extra money. A side job on the weekends, food coupons hand me down clothes. A small plot in the community garden. My mother even called John's family industrious. Today's poem dignifies the lives of people in low income neighborhoods whose early practices of thrift and ingenuity created intrinsic values of sustainability, personal style and care for human habitats. Ecohood by Melania Luisa Marte I learned environmentalism from my hood. I learned sustainability from my hood. I learned to be frugal and fly from my hood. I learned to reuse Tupperware from repurposed T shirts, tie plastic bags to my head this be a shower cap, an umbrella, luggage, a container for more bags. This be a conversation starter, an educational tool, a reminder to do what you can with what you got. I learned environmentalism from my hood. I learned to make aluminum jars, pretty vases and pencil holders. I learned to not hoard, to be creative, to be brilliant. I learned scraps of wood make tables from my cousin Manolo. I learned T shirts can be dish rags from my mother in law. I learned to throw seeds back into soil for my abuelita. I learned they blame the hood and not the heist by conglomerates. I learned that the most vulnerable are the most targeted. I learned real taste is not taxable, only renewable. You can't buy this kind of intrinsic desire to make one man's trash another man's dream. At the edge of a landfill is a hood repurposing waste. My favorite environmentalist don't call themselves environmentalists. They just honor the earth and the land. The Slowdown is a production of American Public Media in partnership with the Poetry Foundation. This project is also supported in part by the National Endowment for the Arts. On the web@arts.gov to get a poem delivered to you daily, go to slowdownshow.org and sign up for our newsletter. Find us on Instagram @downdownshow and bluesky.downdownshow.org.
Host of This Old House Radio Hour
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Major Jackson
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Find this Old House Radio Hour in your favorite podcast. Applause.
Podcast: The Slowdown: Poetry & Reflection Daily
Host: Major Jackson
Episode: [encore] 1005: eco-hood by Melania Luisa Marte
Release Date: July 28, 2025
In this special encore episode, Major Jackson revisits an earlier installment of The Slowdown, offering listeners a poignant blend of personal narrative and poetic exploration. Major begins by sharing a heartfelt memory from his ninth-grade years, setting the stage for the themes addressed in the featured poem.
"In ninth grade, my friend John walked the neighborhood early mornings with his father and two brothers. They scoured the streets in the dark for empty bottles and aluminum cans that they sold at a scrapyard on Ridge Avenue."
— Major Jackson (00:50)
This anecdote not only personalizes the episode but also underscores the resilience and ingenuity found within low-income communities. Major highlights the daily struggles and silent strengths of his peers, drawing a connection between personal experiences and broader societal themes.
Major delves deeper into the dynamics of his friendship with John and the socio-economic challenges they faced together. He paints a vivid picture of resourcefulness born out of necessity, emphasizing how these early lessons in sustainability and frugality were ingrained through lived experiences.
"The dull clack of a crushed soda can or the bright ping of a glass bottle landing into an old rickety grocery cart often woke me up, as it did other boys in our crew."
— Major Jackson (01:15)
He further explores the stigma associated with economic hardship, revealing the emotional toll it took on young individuals like John, who faced teasing and shame despite their families' industrious efforts to survive.
"One guy, Artrice, teased him all the time during lunch break, which made John feel ashamed of his family's lack of resources."
— Major Jackson (01:40)
Transitioning seamlessly from his personal story, Major introduces the poem "eco-hood" by Melania Luisa Marte. He articulates the poem's essence, highlighting its celebration of environmentalism nurtured within the confines of a low-income neighborhood.
"Today's poem dignifies the lives of people in low income neighborhoods whose early practices of thrift and ingenuity created intrinsic values of sustainability, personal style and care for human habitats."
— Major Jackson (03:45)
Major passionately reads "eco-hood," allowing the evocative verses to resonate with listeners. The poem eloquently captures the intersection of environmental stewardship and community resilience, showcasing how creativity flourishes even in the most challenging circumstances.
"I learned environmentalism from my hood. I learned sustainability from my hood. I learned to be frugal and fly from my hood."
— Melania Luisa Marte, as read by Major Jackson (04:10)
She continues to illustrate the innovative repurposing of everyday items, transforming them into tools for survival and expression:
"I learned to reuse Tupperware from repurposed T shirts, tie plastic bags to my head this be a shower cap, an umbrella, luggage, a container for more bags."
— Melania Luisa Marte (04:25)
The poem further delves into the communal efforts to reclaim and repurpose waste, turning it into something valuable and beautiful:
"I learned that the most vulnerable are the most targeted. I learned real taste is not taxable, only renewable."
— Melania Luisa Marte (04:50)
In the concluding moments of the episode, Major reflects on the powerful message conveyed through "eco-hood." He emphasizes the often-overlooked environmental consciousness that emerges from necessity and community solidarity.
"The most vulnerable are the most targeted. You can't buy this kind of intrinsic desire to make one man's trash another man's dream."
— Reflecting on the poem (05:15)
Major underscores the importance of recognizing and honoring the environmental efforts rooted in marginalized communities, advocating for a broader understanding of sustainability that encompasses social and economic dimensions.
Conclusion
This encore episode of The Slowdown masterfully intertwines Major Jackson's personal narrative with Melania Luisa Marte's evocative poem "eco-hood." Through poignant storytelling and profound poetic expression, the episode sheds light on the symbiotic relationship between environmentalism and community resilience in low-income neighborhoods. Listeners are invited to reflect on the ingenuity and sustainability practices that emerge from necessity, celebrating the hidden strengths within marginalized communities.
For those who have not yet experienced this episode, it offers a compelling reminder of how poetry can illuminate underlying social issues, fostering a deeper appreciation for the collective human journey toward sustainability and environmental stewardship.
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Produced by APM Studios in partnership with The Poetry Foundation and supported in part by the National Endowment for the Arts.