Transcript
Medical Professional (0:00)
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Major (0:46)
Hey there. It's major. As we take a look back at the Slowdown's deep well of episodes, we're revisiting some standout moments from past hosts. Today, we're going into the Vault to bring you an episode from Tracy K. Smith, one of the voices that helped shape the Slowdown into what it is today. This is just one of the many special selections from our archives.
Tracy K. Smith (1:15)
I'm Tracy K. Smith, and this is the Slowdown. Sometimes a dance party is the only means of conflict resolution in my house. The kids are beginning to feel restless and cagey. We're all feeling that way, so when tempers flare, we crank Lizzo, David Bowie, James Brown and a bevy of 1980s dance hits that take my husband and me back to an awkward and oddly comforting mental place. Everyone gets to shake their thang, and then, magically, our household is restored to harmony. Or semi harmony. The other morning I woke up to the almost alarmingly adorable sight of all three kids eating breakfast while singing along to Space Oddity. If Atticus had decided to don the rainbow colored wig he sometimes wears, I would have had to lie back down. It would have been too much cuteness to bear, even for me. I wonder if it might be a good idea, while homeschooling is in effect for most of us to delve still deeper into the archive of useful and danceable music. Mondays roll up to the school week with Grace Jones. If it's Tuesday, it must be Earth, Wind and Fire day. Wednesdays, all prints all the time. You get the picture. More than just fun, it could be an empowering exercise in boundary busting and Persona building. Today's poem is Minneapolis lipstick by Rachel McKibbins 1 Santa Ana, CA 3:00am in my cousin's basement lights out. Television volume spun low. We are huddled around the screen, a small congregation of forgotten children, brown faces illuminated by a 5 foot 2 black man decked out in lace under eyeliner, spandex and the gutsiest high heeled boots big enough to fit only a mannequin. This Minnesota royalty freaks and splits, his body biblical throat raw with screeching doves, he pirouettes with his truest love, a pale pawn shop guitar we daydream of buying someday with our lunch money. 21984 what planet is this? A third grade heartbreak apostle I got a butch haircut my father calls a Dorothy Hamill. Nah Pops watch me pin the girls against the handball courts bold answering their tongues with my tongue My forbidden schoolyard brides, my makeshift apollonias. Once they're in love I pull away, bite my lower lip, wink then walk away. I am not yet a king but I got moxie and I move like I know I'll die young. Three boys will be boys unless they aren't four. This is what it sounds like to praise our heavenly bodies in spite of the hells that singed us into current form. For the permission you granted in sweat and swagger, for the mascaraed tears you'd shed on screen, for the juicy curls that hung over your right eye like dangerous fruit, for the studded shoulder pad realness and how your falsetto gospel rang our young queer souls awake, we say Amen.
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