[encore] 908: After the Farm was Sold to FedEx by Carlie Hoffman

Summary

Podcast Summary: The Slowdown: Poetry & Reflection Daily Episode: [encore] 908: After the Farm was Sold to FedEx by Carlie Hoffman
Release Date: December 26, 2024
Host: Major Jackson
Produced by: American Public Media in partnership with The Poetry Foundation
Supported by: National Endowment for the Arts

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Introduction

In this encore episode of The Slowdown: Poetry & Reflection Daily, host Major Jackson delves deep into the intricate emotions surrounding nostalgia and its broader societal implications. Released on December 26, 2024, this episode features the poignant poem "After the Farm was Sold to FedEx" by Carlie Hoffman, exploring themes of loss, memory, and the relentless march of progress.

Host's Reflections on Nostalgia

Major Jackson opens the episode by expressing a heartfelt connection to his past, reflecting on the bittersweet nature of nostalgia:

“I am drippingly sentimental about anything that makes me yearn for my youth. [...] Back then, I blissfully saw the world through innocent eyes.”
[00:50]

He discusses how nostalgia often serves as a refuge, allowing individuals to momentarily escape the complexities and challenges of the present:

“Nostalgia, like what we see being weaponized today, requires loss. Some exist forever in a state of mourning because of the belief that something has passed from their lives.”
[04:15]

Jackson critically examines the tendency to idealize the past, cautioning against overlooking the harsher realities that accompanied those times:

“On the surface, mental travel to a quote unquote simpler time is a quick and narrow journey. It blocks out the larger context of our memories or the less than perfect reality for other people.”
[02:30]

He further connects nostalgia to the current political climate, suggesting that a longing for bygone eras can contribute to societal divisions and resistance to change:

“Much of what fuses the agitation and political discourse is this sense of the elegiac. Today's complex, though seemingly easy poem understands the powerful set of symbols and archetypes that are employed in the service of toxic nostalgia.”
[05:10]

Exploring "After the Farm was Sold to FedEx"

Transitioning from his reflections, Major Jackson introduces Carlie Hoffman’s poem, "After the Farm was Sold to FedEx," which poignantly captures the essence of loss and transformation in a changing landscape.

Poem Summary and Analysis

The poem narrates the decline of a rural farm as it succumbs to modernization and corporate takeover, symbolized by FedEx's acquisition. Through vivid imagery, Hoffman juxtaposes the enduring presence of Major Jackson's grandfather with the fleeting lives of the younger generation:

“my grandfather is still alive and living upstate, smoking on the porch with one leg up. He's watching a cloud of boys toss a baseball back and forth with such grace and economy sneakers kicking dust into apricot mouths, sweating backs colorful and clawed.”
[04:45]

The poem underscores the tension between preserving tradition and embracing change. The grandfather represents the steadfast connection to the past, while the boys symbolize the inevitable progression toward a new, perhaps less grounded, existence:

“He is watching them move toward their most primitive selves, flaming horses in the old barbed wire farm.”
[05:20]

Hoffman’s use of vibrant and sometimes jarring imagery—such as "apricot mouths" and "flaming horses"—highlights the clash between nostalgia and the relentless push for modernity. The poem evokes a sense of mourning for what is lost, both tangible and intangible, as the farm becomes obsolete:

“Soon every voice around wills the present tense like their country's flag. All the mothers wave dish towels out the kitchen windows for their sons to come inside and wash their hands.”
[06:10]

Concluding Reflections

After presenting the poem, Major Jackson ties the themes back to his initial discussion on nostalgia, emphasizing the importance of acknowledging and understanding the past without being trapped by it. He encourages listeners to reflect on their own experiences of loss and change, and to appreciate the complexity of emotions that nostalgia evokes.

“Yet in our mind exists as a golden age, one we urgently grasp, for we hold on because on many levels, we are in the midst of a sea change with strong winds.”
[03:50]

Jackson concludes by reinforcing the poem’s message that while the future is inevitable and often shaped by positive forces, it’s essential to recognize and honor the remnants of the past that continue to influence our present.

Notable Quotes

• Major Jackson: “Nostalgia, like what we see being weaponized today, requires loss.”
  [04:15]

• Major Jackson: “On the surface, mental travel to a quote unquote simpler time is a quick and narrow journey.”
  [02:30]

• Major Jackson: “Today's complex, though seemingly easy poem understands the powerful set of symbols and archetypes that are employed in the service of toxic nostalgia.”
  [05:10]

• Carlie Hoffman (via poem): “He is watching them move toward their most primitive selves, flaming horses in the old barbed wire farm.”
  [05:20]

• Carlie Hoffman (via poem): “Soon every voice around wills the present tense like their country's flag.”
  [06:10]

Conclusion

In this evocative episode, Major Jackson masterfully interweaves personal reflection with Carlie Hoffman’s compelling poetry to explore the multifaceted nature of nostalgia. Listeners are invited to engage deeply with their memories and the evolving world around them, finding solace and understanding through the shared human experience of reflection and poetic expression.

For more episodes and to subscribe, visit slowdownshow.org or follow The Slowdown on Instagram @slowdownshow.

Transcript

[A]

Glad Shrink fill up on so fresh Glad Stretch Drink with scent that take you back Grandma's place always smells like pine she said get out the chat room and clean mine Stretch Feeling Pine.

[B]

Sole Fresh the GLAAD girl group coming at you with a throwback jam that was Glad Force Flex Drawstring Trash bags featuring Pine Sol original scent and that's better than All Good.

[C]

It's all Glad Hi, it's Major. All year long you rely on the Slowdown for moments of pause, reflection and poetry. This show is powered by poems and by the generosity of our listeners. Give Today to help us power the show into the new year. When you donate, you can choose a special thank you gift like our tote bag or ceramic mug. Visit slowdownshow.org donate or find the link in the show notes. Thank you for your support. I'm Major Jackson and this is the Slowdown. I am drippingly sentimental about anything that makes me yearn for my youth. Old Sesame Street Episodes members only windbreakers and 1980s synth heavy British bands like Loose Ends, Soul to Soul and New Order. In no way is this a complete list. Back then, I blissfully saw the world through innocent eyes. The complexities of the era were beyond my reach, like those wearing red hats signifying their longing for another age. I too embrace melancholy and wistfulness. Those are awesome feelings, feelings that make us feel socially connected and our authentic selves. But on the surface, mental travel to a quote unquote simpler time is a quick and narrow journey. It blocks out the larger context of our memories or the less than perfect reality for other people. Often nostalgia can look like that wood block key handed to us at the interstate rest stop. It opens a door, but the past is really a little room and kind of smelly. Yet in our mind exists as a golden age, one we urgently grasp, for we hold on because on many levels, we are in the midst of a sea change with strong winds. Our current state of political gridlock in America is mostly a reaction to perceived demographic shifts. Nostalgia, like what we see being weaponized today, requires loss. Some exist forever in a state of mourning because of the belief that something has passed from their lives. Much of what fused the agitation and political discourse is this sense of the elegiac. Today's complex, though seemingly easy poem understands the powerful set of symbols and archetypes that are employed in the service of toxic nostalgia, images that exploit people's unwillingness to forsake the past and its harmful values. The future, the poem seems to say, is not only an inevitable fact, but is rightly willed by forces of good. After the farm was sold to FedEx by Carly Hoffman, my grandfather is still alive and living upstate, smoking on the porch with one leg up. He's watching a cloud of boys toss a baseball back and forth with such grace and economy sneakers kicking dust into apricot mouths, sweating backs colorful and clawed. He is watching them move toward their most primitive selves, flaming horses in the old barbed wire farm. So much of what's been lost belongs to the ground. Newspaper headlines, the family name all drunk and dreamed away. Soon every voice around wills the present tense like their country's flag. All the mothers wave dish towels out the kitchen windows for their sons to come inside and wash their hands. Wait, he says, and the wind catches. The boys drop their mitts offhandedly on the grass. The Slowdown is a production of American Public Media in partnership with the Poetry Foundation. This project is is also supported in part by the National Endowment for the Arts. On the [e-mail] to get a poem delivered to you daily, go to slowdownshow.org and sign up for our newsletter and find us on Instagram lodownshow.

[A]

Take you back Grandma's place always swims like pine, she said. Get out the chat room and clean my stretch. Feeling pine so fresh the glad girl.

[B]

Grew, Coming at you with a throwback jam that was glad for Slex drawstring trash bags featuring pine salt Original scent and that's better than all good. It's all glad.