Writer and translator Bela Shayevich joins the Unseen Book Club to talk about Mikhail Bulgakov’s The White Guard. Bulgakov is primarily known in the West for his novel The Master and Margarita, but his most successful work in his lifetime was The Days of the Turbins, a wildly successful play about a family of White Guard officers in the besieged city of Kiev during the winter of 1918. The White Guard, first serialized in 1925, was the model for this work. Bulgakov was a doctor-turned-literary-bourgeois with reactionary sympathies who sought success from life and work in the Soviet Union. His work was praised by Stalin, yet by the 1930’s he was all but banned from publishing.

The White Guard is an incredible document of nostalgia, family, sacrifice, and the fraying social fabric of a beloved city. Russian intelligentsia, Ukrainian nationalists, peasants, Jews, Cossacks, Germans and at least one Bolshevik clash, scheme, betray and survive in the complex wartime politics of Kiev. We talk about the political chaos of the Civil War, artistic and aesthetic reaction, bourgeois nostalgia in a revolutionary society, and for the very first time on the Unseen Book Club, address ‘the Jewish question.’

Bela Shayevich:
https://www.belashayevich.com/
https://twitter.com/bela6_bela

Unseen Book Club:
Twitter: https://twitter.com/unseenbookclub
Instagram: https://www.instagram.com/unseenbookclub_podcast
Music by ex-official: https://exofficialexo.bandcamp.com/
Art by Eli Liebman: https://elimack.weebly.com/

The White Guard by Mikhail Bulgakov

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