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We stick close to this program's namesake this week as we look up, way up at the building which called itself the world's tallest for almost six years until Dubai's Burj Khalifa took the title to new heights. This particular super tall has seen a surge in interest recently thanks to a live TV event, But it's what's inside the tower and keeping it upright that is the real story. Here. You're listening to Tall Stories, a Monocle production brought to you by the team behind the Urbanist. I'm Andrew Tuck. In this episode, Clarissa Way Climbs Taiwan's Most Famous Tower.
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Taiwan's tallest building, Taipei 101, takes its cues from bamboo. Its segmented pagoda like silhouette is modeled after the native building material which grows wildly and widely across the island. Long used in construction, furniture and craft, bamboo's advantage is that it doesn't resist force head on, it bends. When it opened in 2004, Taipei101 briefly became the tallest building in the world, holding the title for six years until 2010, when it was surpassed by the Burj Khalifa in Dubai. At the time, it was intended to signal Taiwan's arrival as a financial and technological hub, a vertical landmark for a trading economy still emerging from the Asian financial crisis. Unlike the corporate skyscrapers that came before it in Chicago or New York, here was a super tall tower designed for a country that sits at the boundary of two highly active tectonic plates and directly in the path of seasonal typhoons. Of course, Taipei101 isn't actually made out of bamboo. Like most modern skyscrapers, it's built from reinforced concrete and structural steel. But the tower's eight stack sections, an auspicious number associated with wealth, taper upward in a rhythm meant to evoke bamboo stalks, hollow and built to flex without breaking. The question wasn't how to build higher, but how to build in a place where the ground itself moves. The answer? An architectural intervention near the top of the tower.
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So I'm going to be free Soling
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Taipei101 one of the tallest In January of this year, more than 6 million people watched the free solo climber Alex Honnold scale the side of Taipei 101 without ropes on Netflix, a climb that briefly propelled Taiwan's tallest building back into the international spotlight. When my two year old sees the livestream, he announces that he wants to climb it too. And so on Friday morning, we join the queue with others who have the same idea, though we all ascend, of course, via elevator. After a 20 minute wait alongside a group of European and Korean tourists, we board one of the fastest lifts in the world. 37 seconds later, we are on the 89th floor. At the top, a 360 degree view of the city stretches out below. Low rise concrete walk ups temple roofs wedged between expressways and the slow spill of the Dam Sui River. I'm not entirely sure my toddler is aware we had just ascended one of the tallest buildings on Earth, but he is mesmerized nonetheless, pressing himself against the window, deeply impressed by the tiny cars threading through the streets below. Behind us, at the center of the observatory, sits the secret to the building's a 660 ton tuned mass damper, a vast steel pendulum designed to counteract the tower's movement during earthquakes and typhoons. Made from 41 stacked steel plates, each about 12.5cm thick, the sphere is suspended by four bundled steel cables and stabilized by hydraulic pistons. HOW IT WORKS when the building sways during strong winds or earthquakes, the suspended mass moves in the opposite direction, counteracting the motion of the tower. The hydraulic pistons then dissipate that energy, reducing side to side movement by up to 30 to 40%, keeping sway within levels that are structurally safe and, just as importantly, too small for visitors to feel. Like bamboo, it's designed to absorb force rather than resist it. Visitors gather around it to take pictures. In many skyscrapers, this type of system is hidden behind concrete or tucked away in mechanical floors. But at Taipei 101 it is deliberately exposed, lit dramatically for visitors. Painted in gold, it seems less like a piece of machinery than a deity. Off to the side signage introduces a cast of mascots known as the Damper Babies. Designed by Sanrio, they are small, round characters with oversized heads and stick limbs, each assigned a personality and color according to the display. Their favorite extracurricular activity is swimming, meaning their favorite weather typhoon. Their stated mission? To protect Taipei 101. You can naturally, of course, buy one as a souvenir in the gift shop. We last about 15 minutes at the observatory before my toddler loses interest and declares that he is hungry. We make our way back down to street level and walk to a restaurant a couple blocks away to meet our friends for lunch. Halfway through the meal, my son announces, quite proud proudly, that we had just climbed Taipei 101. From a certain perspective, he is right, except the elevator had done all the work for us.
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Tall Stories is a monocle production from the team behind the Urbanist. This episode was written by Clarissa Way and produced and edited by David Stevens. Be sure to subscribe to the podcast to receive new episodes every week. I'm Andrew Tuck. Goodbye, and thank you for listening, city lovers.
Date: March 23, 2026
Host: Andrew Tuck
Guest/Narrator: Clarissa Wei
This episode delves into the architectural marvel of Taipei 101, exploring not just its iconic exterior but primarily what makes it resilient against Taiwan's earthquakes and typhoons: the tuned mass damper at its core. By blending historical context, personal narrative, and engineering insight, the episode reveals how Taipei 101’s ability to “bend without breaking” is the true key to its survival and symbolism.
“The question wasn’t how to build higher, but how to build in a place where the ground itself moves. The answer? An architectural intervention near the top of the tower.”
— Clarissa Wei, 01:58
“Like bamboo, it’s designed to absorb force rather than resist it.”
— Clarissa Wei, 04:45
“Painted in gold, it seems less like a piece of machinery than a deity.”
— Clarissa Wei, 05:09
The episode combines informative urbanist detail with human, playful narrative—especially via Clarissa Wei’s personal observations. The explanations are accessible and contextual, weaving cultural, architectural, and engineering perspectives with a sense of wonder and humor.