*PATREON PREVIEW* Triple-Breasted

Summary

Throwing Fits: "Triple-Breasted" – Patreon Preview (May 6, 2026)

Main Theme & Purpose

In this Patreon teaser of Throwing Fits, hosts Jimmy and Larry look back at their recent big-brain, cerebral, and comedic episode with stylist Julie (full name not stated here), reflecting on her impact as a street style icon and professional stylist. The discussion is peppered with their signature playful banter and irreverent tone, as they muse on the fashion industry, the current state of celebrity culture, the economics of styling, and their own relationships with both street style and shopping. The episode offers insights into the mechanics of the red carpet, stylist work behind the scenes, and the intangible pressures of fashion credibility.

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Key Discussion Points & Insights

Julie's Impact and Street Style Iconography

• Introduction to Julie

  • Larry recalls first meeting Julie during her BPMW and Fader days, where her reputation as a top-tier stylist preceded her.
    • "Make sure the good original penguin polos are out." – Larry [00:33]
  • Jimmy met her through Pesco (her assistant at Fader):
    "No, I've definitely met her through Pesco because he was her assistant at the Fader." – Jimmy [00:58]

• The Realities of Styling in NYC

  • Jimmy and Larry get nostalgic and jest about the classic "garment bag on the subway" look – a quintessential New York fashion industry moment.
    • "A young frazzled person overheating on a sub on the subway with garment bags." – Jimmy [01:17]
    • "It's a very New York moment. You guys wouldn’t get it." – Larry [01:27]

Navigating Street Style and Visibility

• Julie’s Relationship with Visibility

  • The hosts discuss their personal and Julie's possible complicated feelings about being constantly photographed as a street style icon.
    • "She is like very visible because she's an icon. And I just wonder how she... how she feels about being flicked up constantly." – Jimmy [02:03]
    • Larry jokes: "I mean, what's she going to do, dress like shit? No, allergic to that." [02:20]

• Comparisons to Nick Wooster and Functional Street Style

  • Jimmy notes that street style can be a career mechanism for some, while for Julie, her relationship to it may be different:
    • "Wooster, it's a mechanism for, you know, his bottom line... I wonder how much it does or doesn't help her, you know, pursuit when it comes to styling professionally." – Jimmy [02:28]

The Economics and Reality of Styling for Celebrities

• Why Julie's Moving Away From Celebrity Work

  • Larry and Jimmy agree that dealing with celebrities is a nightmare, with poor economics and generally underappreciated work.
    • "She was like, yeah, I'm kind of moving away from celebrity, which is like... that seems like the worst... aspect of anything." – Larry [02:50]
    • "Their schedules, everything's on their time, everything's their final decision. They're usually stupid." – Larry [03:01]
    • "You don’t get paid even remotely accurately for what you’re doing and the impact you’re making. Studios have, like, no budgets." – Jimmy [03:12]

• Changing Nature of Celebrity and Red Carpet

  • Larry references an article from The Cut, noting new-gen stars drive virality rather than box office:
    • "There's no longer Brad Pitt or a Tom Cruise... Jacob Elordi's, the Austin Butler's, the Timothy Chalamet's... create sensation and virality... around red carpet appearances, around press junkets..." – Larry [03:43]

• Styling Work's Media Value

  • Despite viral fashion moments being worth millions in marketing impressions, stylists rarely see fair compensation:
    • "Let’s say a Pedro Pascal fit goes crazy viral. The price of impressions would be like, you know, $50 million... She’s not getting any of that." – Larry [04:28]
    • "Hell no." – Jimmy [04:45]

Personal Style: The Fit Check Segment [04:49–05:36]

• The hosts perform their traditional fit check—a ritual where each details their outfit. Highlights include:

  • Jimmy: Gucci slides, Manresa socks, Jean Erica fatigues, vintage Wake Forest Budweiser T-shirt, Orley cardigan, Sun Buddies sunglasses.

  • Larry: Martin Rose Clark mules (dubbed "scrotum mules"), Lusso Cloud socks, Second Layer jeans, Orley SS26 T-shirt (color: "top brown"), Pen Ed shells jacket, Hanes boxers, Thistle sunglasses.

  • Memorable banter:

    • "Kind of like they're scrotums." – Jimmy on the mules [05:15]
    • "Diseased ball sacks." – Larry [05:17]
    • "The color is called top brown." – Larry [05:32]
    • "Top brown." – Jimmy [05:33]

Shopping Habits and Fashion Pressure [05:47–06:48]

• Julie's "Dangerous Game"

  • Jimmy admires Julie’s ability to shop without clocking the price first—a professional move that the hosts find aspirational but intimidating.
    • "I could never... The first thing I look at after I just see something that I'm, like, interested in... the price tag." – Jimmy [05:47]
    • "If price was out... then you should judge something based, like, purely on its merits and not necessarily just like its cost." – Larry [06:09]

• Menswear Shopping at Vêtements

  • Larry mentions the anxiety-inducing tactic of covering price tags at elite stores to weed out the "pussy or broke."
    • "The hangers cover up the price tags, which I think creates a little bit of a high pressure situation for dudes where it's like, yo, you're pussy or you're broke if you ask about the price..." – Larry [06:29]

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Notable Quotes

• "She is like very visible because she’s an icon. ...I just wonder how she feels about being flicked up constantly."
  — Jimmy [02:03]

• "What’s she going to do, dress like shit? No, allergic to that."
  — Larry [02:20]

• "You don’t get paid even remotely accurately for what you’re doing and the impact you’re making."
  — Jimmy [03:12]

• "There’s no longer Brad Pitt or a Tom Cruise... The new generation… can create sensation and virality."
  — Larry [03:50]

• "Let’s say a Pedro Pascal fit goes crazy viral. ...The price of impressions would be, you know, $50 million... she’s not getting any of that."
  — Larry [04:28]

• "I’m wearing Gucci sleds ... vintage Wake Forest Budweiser Flip..."
  — Jimmy [04:51]

• "Kind of like they're scrotums."
  — Jimmy [05:15]

• "If price was out of the equation, then you should judge something based … purely on its merits..."
  — Larry [06:09]

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Timestamps for Important Segments

• Julie Discussion & Street Style: [00:33]–[02:28]
• Economics & Challenges of Styling: [03:01]–[04:46]
• Celebrity-Driven Virality: [03:43]–[04:28]
• Fit Check: [04:49]–[05:36]
• Shopping Psychology & High-Fashion Stores: [05:47]–[06:48]

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The Throwing Fits Tone

Throughout the episode, Jimmy and Larry maintain their irreverent and self-deprecating tone—mocking fashion, themselves, and the industry at large with both affection and cynicism. The episode combines insider perspective with relatable anxieties and plenty of playful ribbing.

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Summary for New Listeners

This episode offers an inside look at the daily grind of fashion stylists, the odd pressures of street style culture, and the business realities behind the glamorous red carpet. With characteristic Throwing Fits wit, the hosts break down the ecosystem of celebrity style, perceive shifts in what constitutes fashion virality for Gen Z stars, and joke about the anxieties of shopping at intimidating boutiques. If you care about what’s cool in fashion—or just want to hear two dirtbags overthink the meaning of street style—this preview delivers both laughs and uncommon insight.

Transcript

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[Larry]

Boys only fucking around and getting silly with Jimmy Larry after a delightful big brain. Pleasurable. That sounded weird. Incredible. Cerebral, hilarious episode.

[Jimmy]

One of the best in a long time. What a lady. What a woman.

[Larry]

When did you first meet Julie? I think I met her from like BPMW days where she was just kind of a stylist that would come by maybe working for the Fader. Maybe working for like, like W or something. I don't know, like kind of like a higher end fashion magazine that was always like, oh, Julie's coming. Make sure the good original penguin polos are out.

[Jimmy]

No, only. Only bring out the best for Julie. I think I met her through pesco.

[Larry]

Make sure all the shades of gray by M. Cohen.

[Jimmy]

Yeah, every present and accounted for, every shade of every gray. No, I've definitely met her through Pesco because he was her assistant at the Fader. Right. I think he mentioned this morning.

[Larry]

Yeah. And he would take. There were no messenger services or Uber, so he would just subway every sample to and from.

[Jimmy]

That's like a New York showroom thing that I still will see every so often. Like a young frazzled person overheating on a sub on the subway with garment bags.

[Larry]

Yeah, it's hilarious.

[Jimmy]

It's just a very, very. It's a very New York moment.

[Larry]

You guys wouldn't get it.

[Jimmy]

Yeah, no, she's. She's amazing. And honestly, just like pure class dude. And just so fucking good job. One thing that we didn't get to talk about and maybe it's for the best because we really went into this with Wooster her as like a street style icon. Yeah. I'm always curious and obviously this is partly because of like my problems with street style.

[Larry]

But like what, you're not getting flipped up?

[Jimmy]

No, no, no, no. Just like my relationship with it is definitely unhealthy and it's like an ego thing. We've joked about it, but your addiction

[Larry]

to it, but validation through it.

[Jimmy]

Yeah, yeah, I'm just being sincere. Like I do wonder with someone like her who, you know, likes her safe space, who likes anonymity sometimes that wants to let the work speak for itself. She is like very visible because she's an icon.

[Larry]

Right.

[Jimmy]

And I just wonder what she. How she feels about being flicked up constantly.

[Larry]

I mean, what's she going to do, Dress like shit? No, allergic to that.

[Commercial Announcer]

Yeah.

[Jimmy]

Anyway, shout out to her.

[Larry]

You got to go to the shows.

[Jimmy]

Yeah, yeah, of course. I mean. Yes. Right. I just think that. And this is not being me, being rude, but I'm sure she has a different relationship with it to Wooster, like, where it's. Wooster, it's a mechanism for, you know, his bottom line. Right. Whereas with Julie, I wonder how much it does or doesn't help her, you know, pursuit when it comes to styling professionally.

[Commercial Announcer]

Sure.

[Jimmy]

It can only help, but you never know.

[Larry]

Anyway, it sounds like she's very, very in control of her career, which is cool. Like, she was like, yeah, I'm kind of moving away from celebrity, which is like. Yeah, that seems like the worst God aspect of anything.

[Jimmy]

Sure.

[Larry]

With celebrities.

[Jimmy]

Yeah. And she made it.

[Larry]

Not just the celebrities themselves being like, sk. Their schedules, everything's on their time, everything's their final decision. They're usually stupid. Yeah. Things like that.

[Jimmy]

And she made a great point. The economics and. And I'm a little bit aware of this for my, you know, small amount of time. And I obviously never did red carpet, but hear from. From people that, you know, did similar stuff, like you don't get paid even remotely accurately for what you're doing and the impact you're making. Studios have, like, no budgets. Sometimes you're doing stuff on your own dime, hoping that, like, you know, it'll be paid forward or paid back in this case. And it's just, it's such a racket. And I'm. I'm happy for her that she realizes, like, this is not what I want to do. So you. I'm out.

[Larry]

Even though there's an article maybe in the cut about how, like, there's no longer Brad Pitt or a Tom Cruise.

[Jimmy]

Okay.

[Larry]

In this new generation of movie stars in that they can't command huge box office takes. What they can do. The Jacob Elordi's, the Austin Butlers, the Timothy Chalamet's. They can, like, create sensation and virality.

[Jimmy]

Yep.

[Larry]

Around red carpet appearances, around press junkets, around eating spicy chicken wings.

[Jimmy]

Sure. Around chrome hearts.

[Larry]

Yeah. But they. Yeah. So like, she. Her take on it was the fact that it's, like, underappreciated for creating the sensationalism that does, like, actually create huge marketing opportunities.

[Jimmy]

Needle.

[Larry]

But you're not necessarily paid. Like, I'm sure, you know, let's say a Pedro Pascal fit goes crazy viral. Right. The exposure, whatever they call it, like the cost of exposure. Whatever. Impressions, impressions. The price of impressions would be like, you know, $50 million. Like PR dollars. Sure she's not getting any of that?

[Jimmy]

Hell no.

[Larry]

Yeah, but why don't we go viral with a fit check, Larry?

[Jimmy]

Yeah, okay. I am. Where fit?

[Larry]

So viral.

[Jimmy]

I'm wearing Gucci sleds. The socks are Manresa. The fatigues are Jean Erica. The T shirt is vintage. Is a vintage Wake Forest Budweiser Flip. The cardigan is orally. The sunglasses are sun Buddies.

[Larry]

James. The mules, which Julie complimented.

[Jimmy]

Oh, wow.

[Larry]

I hope that made it in Martin Rose Clarks.

[Jimmy]

Yep. Kind of like they're scrotums.

[Larry]

Diseased ball sacks.

[Jimmy]

They are scrotum mules for sure.

[Larry]

Yeah. The socks are lusso cloud. The jeans are second layer. The T shirt is brand new. Orally. Spring, summer 26. Oh. The color is called top brown.

[Jimmy]

Top brown.

[Larry]

Yeah.

[Jimmy]

Okay. All right.

[Larry]

And the little jacket is motherfucking pen ed shells, Hanes boxers, thistle sunnies, lower sides, finest in the hydro flask. Let's get into it, buddy. What are you talking about?

[Jimmy]

First and foremost, what do you think of her? Of the most dangerous game that she's playing? I could never listen. Must be nice. That's like a pro. Maybe veteran move making shopping fun. Maybe I need more novelty games to make me enjoy shopping, but I cannot even. This is the first thing I look at after I just see something that I'm, like, interested in remotely. Right. The price tag.

[Larry]

I respect it, and I do wish I could do that. Not in terms of it being a flex, but I do think that if price was out. Sure was out of the equation. Then you should judge something based, like, purely on its merits and not necessarily just like its cost. Obviously, its merits factor into the cost. Sure, but that's what. That's like the whole thing at Vent. Oh, right.

[Jimmy]

Well, no label, no price.

[Larry]

The hangers. The hangers cover up the price tags, which I think creates a little bit of a high pressure situation for dudes where it's like, yo, you're pussy or you're broke. If you ask about the price, you're put your pussy are broke. If you bring it up to the cash register and they bring it up, you're like, oh, actually, never mind. Yeah, I'm good. Because that happened to me.

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