The Mark Anthony Green Interview with Throwing Fits

Summary

Podcast Summary: Throwing Fits – Episode Featuring Lawrence Schlossman

Episode Title: The Mark Anthony Green Interview with Throwing Fits
Release Date: March 12, 2025
Guest: Lawrence Schlossman, Director of Opus

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Introduction and Welcome

In this episode of Throwing Fits, hosts Mark Anthony Green and James Harris welcome director Lawrence Schlossman—affectionately referred to as "Mag"—to discuss his debut feature film, Opus. The hosts express their excitement about having Mag back in New York after a two-year hiatus, highlighting his recent achievements and the anticipation surrounding his film.

Lawrence Schlossman’s Return to New York

Mag shares his experiences during his time away from New York, explaining that he took a break to focus intensely on creating Opus. He emphasizes how being buried in work—editing, shooting, and producing his film—kept him away from the city.

Lawrence Schlossman [01:50]: "I was buried in the work, editing, shooting, that whole thing."

The Making of Opus

Vision and Themes

Mag delves into the conception of Opus, describing it as a thriller that intertwines elements of celebrity culture and personal introspection. He aimed to create a film that balances intense themes with moments of levity, reflecting his own personality.

Lawrence Schlossman [12:53]: "I want exists in a world where two intelligent people like you guys can interrogate. Does this still serve us?"

Collaborations and Casting

A significant highlight of the episode is Mag’s collaboration with renowned actor John Malkovich. He recounts the rigorous process of securing Malkovich for the lead role, including an adventurous trip to Riga, Latvia, to meet him in person.

Lawrence Schlossman [34:36]: "I wanted to sit down with him and be like, I'm dead serious with you."

Mag also discusses working with esteemed musicians Nile Rogers and Dream on the film’s soundtrack, detailing the creative synergy and challenges of producing music on a limited budget.

Production Challenges

Mag provides an insider’s look into the production of Opus, particularly the demanding 19-day shooting schedule in New Mexico. He describes the logistical hurdles, such as extreme weather conditions and the necessity of maintaining a strict, minute-by-minute schedule.

Lawrence Schlossman [28:06]: "Like a 14-hour day and is scheduled in like 7 minute. That's crazy."

Despite these challenges, Mag praises his dedicated crew and the collaborative spirit that made the intense shoot manageable. He shares memorable on-set moments, including a transformative scene with Malkovich that exemplified the film’s emotional depth.

Fashion and Music in Opus

As someone deeply entrenched in the fashion industry, Mag emphasizes the meticulous attention to sartorial details in Opus. He explains how uniform styling for characters was both an aesthetic choice and a practical necessity due to budget constraints.

Lawrence Schlossman [55:27]: "Everybody was kind of like, because they knew how specific I was about the clothes and how I was ready to blow all the budget to make sure we got these Rick Owens boots and shit."

On the musical front, Mag discusses his collaboration with Nile Rogers and Dream, highlighting their willingness to contribute creatively despite the film’s limited financial resources. He expresses profound respect for their craftsmanship and the seamless integration of music into the film’s narrative.

Handling Criticism and Reviews

Mag candidly addresses the emotional toll of receiving and reading reviews. While acknowledging the impact of negative feedback, he underscores his commitment to fostering discourse through his work rather than seeking external validation.

Lawrence Schlossman [85:27]: "I think that the discourse is part of the film."

He advocates for a balanced perspective, encouraging listeners to engage thoughtfully with the film rather than fixate on polarized opinions.

Reflections on the Film Industry

The conversation shifts to Mag’s views on the contrasts between legacy media and Hollywood, particularly critiquing the latter’s corrupt practices and exploitative power dynamics.

Lawrence Schlossman [24:43]: "In Hollywood, at least. That's been my po."

Mag contrasts this with his positive experience collaborating with A24, praising the studio’s trust and creative freedom, which allowed him to realize his vision without undue interference.

Future Projects and Aspirations

Looking ahead, Mag expresses excitement about continuing his filmmaking journey. While he doesn’t reveal specific details about upcoming projects, he mentions aspirations to work with other talented individuals like Quinta Brunson, Daniel Kaluuya, and Sarah Paulson. He emphasizes his desire to maintain artistic integrity and continue creating meaningful, thought-provoking work.

Conclusion

As the interview wraps up, Mag reflects on the personal growth and community support he experienced while making Opus. He conveys deep gratitude for the crew, collaborators, and the supportive relationship with the hosts. Mag reiterates his invitation for listeners to watch Opus, highlighting its blend of intellectual depth and entertainment.

Lawrence Schlossman [119:42]: "And so I think it's sick when people in interviews, they get up in like, we only got paid this to do this thing."

The episode concludes with a heartfelt endorsement of Opus, encouraging listeners to experience the film’s unique narrative and emotional resonance.

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Notable Quotes

• Lawrence Schlossman [01:50]: "I was buried in the work, editing, shooting, that whole thing."
• Lawrence Schlossman [12:53]: "I want exists in a world where two intelligent people like you guys can interrogate. Does this still serve us?"
• Lawrence Schlossman [34:36]: "I wanted to sit down with him and be like, I'm dead serious with you."
• Lawrence Schlossman [28:06]: "Like a 14-hour day and is scheduled in like 7 minute. That's crazy."
• Lawrence Schlossman [55:27]: "Everybody was kind of like, because they knew how specific I was about the clothes and how I was ready to blow all the budget to make sure we got these Rick Owens boots and shit."
• Lawrence Schlossman [85:27]: "I think that the discourse is part of the film."
• Lawrence Schlossman [24:43]: "In Hollywood, at least. That's been my po."
• Lawrence Schlossman [119:42]: "And so I think it's sick when people in interviews, they get up in like, we only got paid this to do this thing."

---

Final Thoughts

This episode of Throwing Fits offers an in-depth exploration of Lawrence Schlossman’s journey as a first-time director, the passionate creation of Opus, and his insights into the complexities of the film industry. Through candid conversations and shared experiences, Mag provides listeners with a compelling look into the art of filmmaking, the importance of creative collaboration, and the resilience required to bring a vision to life.

Listeners who are interested in independent cinema, behind-the-scenes filmmaking processes, and the intersection of fashion and film will find this episode particularly enriching. Opus promises to be a thought-provoking addition to the thriller genre, blending intense narrative elements with stylistic flourishes that reflect Mag’s unique creative vision.

For more content from Throwing Fits, visit their Substack and stay updated with future episodes that continue to delve into diverse and intriguing topics.

Transcript

[Mark Anthony Green]

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[James Harris]

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[James Harris]

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[Mark Anthony Green]

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[Lawrence Schlossman]

ADFreePodcasts that's Amazon.com ADFreeP Podcasts to catch.

[James Harris]

Up on the latest episodes without the ads.

[Mark Anthony Green]

Throw gang, we are joined by the John Malkovich of making the real switch. He a real.35 millimeter high caliber shooter so slate the sticks he's got mags and clips. Call him Sid Smashburn the way he's crushing the box office's necks. Morehouse stayed GQ raised Hollywood paid Dropping fillers like MJ the black Stanley Kubrick. You wax, dance, chew dicks, real eaters stay feasting on his mag. Nom, nom, nom, nom Opus I yo, mix the opus with the hocus pocus. Now that's movie magic. Don't be surprised when he makes your bitch disappear. He must be Drake the way he's fucking with a 24 oh, he must be Alec Baldwin the way he's killing it on set. Circumvented the circumstances, now we're yelling cut. No circumcision. The only Mark Anthony that matters, he's our Roman Empire motherfucker. Rip a ticket because this brother's fucking sick with it.

[Lawrence Schlossman]

Whoa.

[James Harris]

Hard A on the brother.

[Mark Anthony Green]

Mr. Glamboing himself. Don Diva, the Velvet collar, the wizard of Wiggle. He's back. My babies. Writer and director of the new movie Opus, coming to a theater near you this weekend. Mark Anthony Green. Mag. How the hell are you? I don't normally do these.

[Lawrence Schlossman]

No, I know.

[James Harris]

Do you miss us? I do.

[Lawrence Schlossman]

I really do. We miss you.

[James Harris]

Welcome back to New York.

[Lawrence Schlossman]

Yeah, it feels good to be back.

[Mark Anthony Green]

Yeah.

[Lawrence Schlossman]

Holy shit, it feels good to be in New York.

[Mark Anthony Green]

How often are you going back and forth?

[Lawrence Schlossman]

I took like two years off.

[Mark Anthony Green]

Okay.

[Lawrence Schlossman]

I didn't. I didn't come to New York for a minute.

[James Harris]

Intentionally. Or was that just like your buried in the work?

[Lawrence Schlossman]

I was buried in the work. Editing, shooting, that whole thing, but.

[James Harris]

Oh, that little thing?

[Lawrence Schlossman]

No, I'm just saying, like, I was. I was buried in the work, but also, I. Yeah, me in New York. We just needed to take a little break.

[Mark Anthony Green]

We're so happy to have you back, bro.

[Lawrence Schlossman]

I feel. I feel in the city, on the.

[Mark Anthony Green]

Show, in the cut.

[James Harris]

What's like the first thing you do when you make it back besides call the homies? Because I know that you know, you're with the hearts. Few nights ago.

[Lawrence Schlossman]

Yeah, I was. I love the homies. I usually see Will.

[Mark Anthony Green]

Big bro.

[Lawrence Schlossman]

I usually see Will and then he's usually the last. The first person I see in the last person I see.

[Mark Anthony Green]

Wow. Beautiful.

[Lawrence Schlossman]

I don't know that I have like a usual. I mean, there's places that I always eat I always end up at like Jack's wife, Frida, because I don't know where else to eat.

[Mark Anthony Green]

Because you're a basic white bitch.

[Lawrence Schlossman]

Exactly. Okay. Yes.

[Mark Anthony Green]

With the palate of a 22 year old woman.

[Lawrence Schlossman]

I have a palette of a 20. Have the.

[James Harris]

Of a 20 palette.

[Lawrence Schlossman]

A basic food palette for sure.

[James Harris]

What's the order of Jack's wife?

[Lawrence Schlossman]

The chicken Peri. Peri chicken, sauteed spinach and a ginger beer.

[James Harris]

All right, well, that sounds delicious.

[Lawrence Schlossman]

This is the dumb.

[James Harris]

I believe he's off.

[Mark Anthony Green]

Magnum. Nom nom. Opus.

[Lawrence Schlossman]

Yeah, we're starting off. Yo, we're starting off on the bottom, fellas.

[James Harris]

Going hard with Opus. No, Magnum.

[Mark Anthony Green]

So you can't.

[James Harris]

Let's think. The first thing we're going to do before we get into the meat and potatoes of the podcast mag is we're going to do a fit check. You're going to run us through everything you're wearing, top to bottom, bottom to top, middle out. Your choice.

[Mark Anthony Green]

Run it.

[James Harris]

There's a lot to go over here.

[Lawrence Schlossman]

Middle out. I rewatched that the other day.

[James Harris]

Silicon Valley. Yeah, I weirdly rewatched it too, like the first few episodes.

[Lawrence Schlossman]

I think it holds up.

[James Harris]

Yeah, I definitely prescient of like. The times are in.

[Mark Anthony Green]

Yeah, yeah, they called their own shot 100%.

[Lawrence Schlossman]

100%.

[Mark Anthony Green]

Can we start with this fucking fire jacket?

[Lawrence Schlossman]

Oh yeah, that's a jacket that we. We made at Sundance. Um, which was cool. Sundance is really cool. My whole family.

[Mark Anthony Green]

Is it exactly like the documentary Entourage? So did you have a threesome with your boy?

[Lawrence Schlossman]

No, but. But I would be Vinnie in this situation.

[Mark Anthony Green]

You're Vinnie Chase. If he's humble. Ladies and gentlemen, if you were doing.

[Lawrence Schlossman]

The one to one.

[Mark Anthony Green]

Yeah, no, of course. I mean, it's your movie and you.

[Lawrence Schlossman]

Would be Turtle and he would be Johnny.

[James Harris]

I would be John Drama.

[Mark Anthony Green]

Honestly, that's fair, dude.

[Lawrence Schlossman]

Yeah.

[James Harris]

Oh, because we'd have a threesome.

[Lawrence Schlossman]

So you guys.

[James Harris]

You wouldn't be Billy the Crossing, the indie darling director that's like.

[Lawrence Schlossman]

I don't. I'm not that cool.

[James Harris]

You don't have a shirt that says fuck suits.

[Lawrence Schlossman]

Yeah, I don't.

[Mark Anthony Green]

He is the suit more tied to a Podcast.

[James Harris]

Real talk.

[Lawrence Schlossman]

This is a podcast?

[Mark Anthony Green]

Yeah.

[James Harris]

Did you start a movie? Did you do the movie just so you could make set specific crew specific merch?

[Lawrence Schlossman]

No, but I made entirely too much.

[James Harris]

Really?

[Mark Anthony Green]

Well, you got extras because I got an ebay account, bro.

[Lawrence Schlossman]

Yeah, yeah. No, I just. There was always, like, something for the crew or every. You know, like, I just was like, oh, yeah, this was a lot.

[Mark Anthony Green]

Yeah.

[Lawrence Schlossman]

But I think it's fun when Mag eats.

[James Harris]

Everyone eats.

[Lawrence Schlossman]

Yeah.

[James Harris]

What'd you make besides this wonderful fucking puffer, man?

[Lawrence Schlossman]

We did this super, super dope thing with acg.

[Mark Anthony Green]

Oh.

[Lawrence Schlossman]

They fit it out, everybody. And we went on a hike, the whole crew, which is, like, the illest thing ever.

[Mark Anthony Green]

All cinema gear. Yeah.

[Lawrence Schlossman]

Yeah. Levi's made us trucker jackets.

[James Harris]

Fire.

[Mark Anthony Green]

You made a whole wardrobe.

[Lawrence Schlossman]

A capsule collection. Yeah, truly.

[Mark Anthony Green]

That's it.

[Lawrence Schlossman]

We. We did a sneaker with acg. What? Bro, you gotta.

[Mark Anthony Green]

Wait. You have a signature Opus sneaker? The Moretti threes.

[Lawrence Schlossman]

The Moretti. The Marty ones, but yes.

[James Harris]

What silhouette is it?

[Lawrence Schlossman]

It's the. It's the boot. The hiking boot?

[James Harris]

Yeah.

[Lawrence Schlossman]

What, Tori, like the Teramax or something? No, I think it's T O O T R R E. They always have.

[James Harris]

Like, weird names and.

[Lawrence Schlossman]

Yeah, it's usually like a mountain or like a.

[James Harris]

Or like a. Like a Kia car.

[Lawrence Schlossman]

Yeah.

[James Harris]

Yeah, the acg. So.

[Lawrence Schlossman]

From Kansas City. I haven't been to any of those places.

[James Harris]

What was opusified about it?

[Mark Anthony Green]

The sneaker.

[Lawrence Schlossman]

It says, this film is not camp on it. And I did the colors and the fabrics and says Opus on the back. The laces are also, like, pink. And.

[Mark Anthony Green]

Oh, if someone leaves Opus and they're like, I loved it. It was camp. They missed the point.

[Lawrence Schlossman]

No, I think that's cool. For me, it was like a. It was like a rule. I didn't want us to go into it having the safety net of it being campy.

[Mark Anthony Green]

That's like an excuse, kind of.

[Lawrence Schlossman]

It felt like they're. They're amazing campy films. Like a recent one. I thought the substance was.

[Mark Anthony Green]

Oh, yeah, for sure. Oh, dude. They jam it up.

[Lawrence Schlossman]

Yeah. But, like, I think that movie's 10 out of 10. No notes. It's incredible to me.

[Mark Anthony Green]

But that's not what you were trying to do. You're trying to.

[James Harris]

You were trying to respect the balance.

[Lawrence Schlossman]

Yeah, I was trying to think in production. I wanted John IO, Murray, everyone to. We. I wanted it to feel real. I wanted them to bring, like, Tony.

[James Harris]

Hill was a bit. A bit campy.

[Mark Anthony Green]

I mean, my baby now, like, in.

[Lawrence Schlossman]

The editing room, in the. In the. In the perception, the way you receive it.

[Mark Anthony Green]

Right.

[Lawrence Schlossman]

But if he. If we started that way, I think it would have. It would have gone off the road.

[James Harris]

Gotcha.

[Mark Anthony Green]

That's totally fair.

[James Harris]

So the approach immediately at the outset was, this is not camp because we don't want to be safe.

[Lawrence Schlossman]

200 mantras.

[Mark Anthony Green]

We're making a serious film. Not serious. I think for certified cinephiles, it's cool. We can move on. What else?

[Lawrence Schlossman]

I came here like, I'm here on my own.

[Mark Anthony Green]

Oh, come on, dude.

[James Harris]

We're having fun.

[Lawrence Schlossman]

Most fun.

[James Harris]

A24 is about to clear their PR team up. Okay, so we got.

[Lawrence Schlossman]

I have missed y'all.

[James Harris]

We missed you.

[Mark Anthony Green]

Yeah.

[Lawrence Schlossman]

I'm glad to see you.

[James Harris]

We are here 9am on a Tuesday morning.

[Lawrence Schlossman]

I'm exhausted.

[Mark Anthony Green]

If I told you that this is the earliest we've ever, like, allowed someone to come into our sanctuary, would you be surprised? We don't. We don't pod before 2pm I could see that.

[Lawrence Schlossman]

Yeah.

[Mark Anthony Green]

But for you.

[Lawrence Schlossman]

I can see that for you, Mag.

[James Harris]

The world.

[Lawrence Schlossman]

We've known each other for so long.

[James Harris]

True.

[Mark Anthony Green]

And it's crazy to see how far you've come. Let's get through this fit check so we can get.

[Lawrence Schlossman]

Yeah, let's talk about my outfit because that's what's important.

[Mark Anthony Green]

Yeah. Well, you can just rattle off everything. You look great today.

[Lawrence Schlossman]

Celine boots, 501 jeans. As I wear almost every day of my life. Sid Mashburn shirt. Old polo tie. Lemaire. The deep V. Yeah, deep. I like my V to touch my navel. We need more navel V's.

[Mark Anthony Green]

James Cameron designed that fucking V neck.

[Lawrence Schlossman]

Yeah, yeah.

[James Harris]

The submarine V neck on the navel. Yeah, That's a Drake line. Yeah, it is. For the V in navel.

[Lawrence Schlossman]

Yeah, yeah, yeah.

[Mark Anthony Green]

What about the jewels in the watch?

[Lawrence Schlossman]

Oh, Cartier from my birth year. Bracelets.

[Mark Anthony Green]

Cartier ring because he loves himself. Love ring from you.

[Lawrence Schlossman]

You married.

[Mark Anthony Green]

You married the game?

[Lawrence Schlossman]

I definitely. Yeah, something like that.

[James Harris]

What. What happened to. Used to have, like, rings on every finger? Like mj, is that kind of like.

[Lawrence Schlossman]

That was outrageous. I look back, there's a great. There's a great photo. Yeah. I look back at a lot of my old fits and I'm like, holy. What the was I doing? But I look back at a lot of yalls old fits and I'm like, yeah, yeah, I wasn't that.

[Mark Anthony Green]

But you haven' Would say you haven't. This is a compliment. You're consistent. I feel like you haven't changed as Much as, like, maybe me. I want to put that on him.

[James Harris]

No, please.

[Lawrence Schlossman]

Well, yeah, you went through, like, a black phase. Oh, so I'm already black?

[Mark Anthony Green]

Say I'm still in it.

[James Harris]

Yeah. Larry Eilish. Alex Ki's voice is just Lawrence's fits. No, no, no.

[Mark Anthony Green]

These are all people he'd like to work with one day.

[Lawrence Schlossman]

She's tight.

[Mark Anthony Green]

You give her the pass.

[James Harris]

That black sense a bit.

[Lawrence Schlossman]

Okay, let me. Let me.

[Mark Anthony Green]

Let me say New York.

[Lawrence Schlossman]

Let me say something very important. Real important. Disclaimer. I've been under a rock.

[James Harris]

Okay?

[Lawrence Schlossman]

So if somebody has done something that has crossed a line, right. I probably don't know about it.

[James Harris]

When you emerge, y'all included.

[Mark Anthony Green]

Yeah, dude, that's why you're here.

[Lawrence Schlossman]

You know what I'm saying? Like, I shouldn't be here. I don't know what's been going on.

[James Harris]

You shouldn't be here.

[Lawrence Schlossman]

Yeah, yeah.

[Mark Anthony Green]

You done up. Mag, when you.

[James Harris]

When you emerged from your rock, what was, like, the most jarring? You're like the baggy jeans.

[Lawrence Schlossman]

Nah, it wasn't like. But it was. There were like, buildings that had architecture. Yeah, yeah, 100. I had a friend, Elon Musk, a close friend, who texted me that they had a kid.

[James Harris]

Oh.

[Lawrence Schlossman]

Or that they were pregnant and. But I was in production and you're.

[Mark Anthony Green]

Like, I'm the father.

[Lawrence Schlossman]

No, no, but I. I got out of production and was like, man, I haven't talked to this person. I won't say their name in a while.

[Mark Anthony Green]

Right.

[Lawrence Schlossman]

And wanted to check in on her, and she's married to a homie, and I hit them up and they just had like a two month baby.

[Mark Anthony Green]

Wow.

[Lawrence Schlossman]

So I'm a shitty friend.

[Mark Anthony Green]

No, you're not. You're. You were working. And also you were under the rock long enough for skinny jeans to come back. I don't know if you saw that.

[Lawrence Schlossman]

Oh, no. Are they back?

[Mark Anthony Green]

Yeah, yeah.

[James Harris]

You yourself had a baby that we're talking about. Yeah, yeah, yeah.

[Mark Anthony Green]

Anyway, let's get into the, like. James, let's talk about the baby.

[James Harris]

Oh, wait, what about the panties?

[Mark Anthony Green]

Oh, right. The what? The pants.

[James Harris]

Your underwear, Your draws.

[Lawrence Schlossman]

Oh, draws. They're Calvin.

[Mark Anthony Green]

He makes movies in his Calvins.

[Lawrence Schlossman]

Ladies and gentlemen, I really. My. My dream is to. To be half naked on the lafayette billboard.

[Mark Anthony Green]

Yeah, I like that. You're looking good under the V neck.

[James Harris]

He's going on physically. Are you still jumping rope?

[Lawrence Schlossman]

Yeah.

[Mark Anthony Green]

Are you still. Are you still fucking busting ropes, too?

[Lawrence Schlossman]

This is like. This is like Nardwar meets, like, your worst friend, Howard.

[Mark Anthony Green]

Stern.

[Lawrence Schlossman]

Yeah, it's the worst.

[Mark Anthony Green]

You're gonna ride a sib.

[James Harris]

This just homies roasting each other. Except it's all on camera, we think. We hope. We're not sure if it's recording.

[Mark Anthony Green]

Yeah. Yeah.

[Lawrence Schlossman]

We don't know.

[Mark Anthony Green]

Mark Anthony Green. When I attended a screening for Opus. Thank you, by the way, for the invite. Very generous of you. You intro the movie by saying James was too busy.

[James Harris]

I was too busy. It was 2pm on a Friday. I was working.

[Mark Anthony Green]

I don't want to get into this because I just. I've been getting dragged for taking a work day off to go see a movie that we're bonding about. When you intro the movie, amongst other things, you mentioned that you clearly still couldn't figure out how to introduce the movie itself. Have you figured it out?

[Lawrence Schlossman]

Yes.

[Mark Anthony Green]

The floor is yours.

[James Harris]

Yeah, Please.

[Lawrence Schlossman]

Opus is a thriller. No, I haven't. Yeah, Like. I don't know. Like, here's the problem. Let's. Let's just go to the. It's more of a. Like, I spent six years making this movie. Damn.

[Mark Anthony Green]

Grad school.

[Lawrence Schlossman]

Yeah, Medical school.

[Mark Anthony Green]

Medical school.

[Lawrence Schlossman]

I spent six years making this film, and whenever I go to introduce it, you're 30 seconds away from people just experiencing it.

[Mark Anthony Green]

Right.

[Lawrence Schlossman]

So nothing that you could say you want to say. You just are like, oh, you're here. You're going to see it. I am immensely grateful for any human being that watches this film.

[Mark Anthony Green]

In theaters this weekend.

[Lawrence Schlossman]

Yeah, in theaters this weekend. Please go see this movie.

[James Harris]

At this point, when you see it after six years, do you see, like. Do you see anything new? Does anything, like, change for you? Or are you just. You're so fluent with it front to back that you're just like, hit the fucking tape.

[Lawrence Schlossman]

You know what has been interesting?

[James Harris]

Dina Simone, people.

[Lawrence Schlossman]

Yeah, yeah, people. People.

[Mark Anthony Green]

Simone.

[Lawrence Schlossman]

People's perception of certain things. Things that I'm saying, things about myself that are in the film. I've. I've watched it now that people, like, Will have seen it.

[James Harris]

Okay.

[Lawrence Schlossman]

And I'm like, oh, wow. Yeah.

[Mark Anthony Green]

This character is based off of you.

[Lawrence Schlossman]

Well, no, let me. I can dispel that right now.

[Mark Anthony Green]

Stan Sullivan based on any real Conde. Editor or it's just an amalgamation of every.

[Lawrence Schlossman]

Stan Sullivan is not based on Will Welch and he's not based on Jim Nelson.

[Mark Anthony Green]

Okay.

[James Harris]

Is he based on Will Welch at the fader?

[Lawrence Schlossman]

No.

[James Harris]

Okay.

[Lawrence Schlossman]

No, he is not based on those dudes. Also, y'all know, like, those dude. Like, they wanted me to do whatever I wanted to do.

[James Harris]

They're the opposite of stand. They were like, yeah, do this. Like go. Go dive into the deep end.

[Lawrence Schlossman]

Yeah. Yeah. For. For the. Y'all don't know who. Stan Sullivan's. But Murray Barley plays this character. He's an editor. Edits.

[Mark Anthony Green]

He's a shine blocker.

[Lawrence Schlossman]

Yeah, exactly.

[Mark Anthony Green]

100 exactly. Based on my experience. Not with Will or Jim Nelson. Well, maybe Jim.

[Lawrence Schlossman]

We don't do Jim Nelson.

[Mark Anthony Green]

No. No. Is he. What does he do now? He's retired.

[Lawrence Schlossman]

Nelson. Yeah. He's just living his life. He wrote a play and a novel.

[Mark Anthony Green]

And more work for you to adapt.

[Lawrence Schlossman]

Yeah. I mean I would be. That would be sick. But he's amazing. He's in. He's in the bay. Yeah. Lives with his partner.

[Mark Anthony Green]

Sick. He's nice to be rich.

[Lawrence Schlossman]

He's aging in reverse.

[James Harris]

Okay, so Benjamin Button.

[Mark Anthony Green]

Yeah.

[James Harris]

Truly sticks getting smaller.

[Mark Anthony Green]

Here's a question for you, man. Why'd you make it?

[James Harris]

I was born with an adult hog.

[Mark Anthony Green]

Hi. Yo, Mag. Why'd you make the jump from legacy media editor to movie director instead of the usual career path, which is media editor to influencer?

[Lawrence Schlossman]

I'm not that influential.

[Mark Anthony Green]

Shut up, bro. You just directed a movie for a 24. Give yourself some credit.

[James Harris]

You're single handedly keeping Celine alive.

[Mark Anthony Green]

Did you always want to direct movies?

[Lawrence Schlossman]

Yes, yes, I always wanted to make movies.

[Mark Anthony Green]

Because you were an artist for a while to. Your pedigree speaks volumes.

[Lawrence Schlossman]

Yeah, I don't know about that.

[Mark Anthony Green]

Editor. Artist. And not that a director is an artist, but you know what I mean. Yeah.

[Lawrence Schlossman]

I always wanted to make films. The fifth element. When I watched the Fifth Element as a kid banger, it like blew my brain. Yeah. And I always wanted to make films. And when I made this short film, I don't know, eight years ago, which is crazy to say. It was eight years ago.

[Mark Anthony Green]

That's right.

[Lawrence Schlossman]

Remember that? What was that? It was called Trapeze USA and it was 30, like five minutes or something.

[James Harris]

That's not that short.

[Lawrence Schlossman]

I know. I'm long winded.

[Mark Anthony Green]

The star is the friend of the show. What's the homie?

[Lawrence Schlossman]

Oh, rants. Yeah, yeah. Shout out to Rance, Nick's real legend.

[Mark Anthony Green]

Stylish guy.

[Lawrence Schlossman]

Yes, yes. Always best dressed in any room he walks in. But yeah, so I like did that, spent all this money, went into debt over it and was like, ah, this is. I'm in love with this. This is what I want to do. But then I also give another reason why you get no slander out of Jim Nelson from me. In addition to him just being a great human being. But they always. Him and Will both. They let me work on this movie. They let me, like, I would be like, hey, I'm gonna go to la. I didn't lie about what I was doing. I didn't hide what I was doing.

[James Harris]

The time theft was. Okay.

[Mark Anthony Green]

The time theft was heist of the century.

[Lawrence Schlossman]

It was crazy.

[Mark Anthony Green]

So you're shirking your responsibilities at your day job to write a screenplay?

[Lawrence Schlossman]

I wouldn't say that. My response, I still had to deliver. Yeah. But I also got, you know, there was an understanding again. Jim Nelson and Will, they've known me since I was 19.

[Mark Anthony Green]

Right.

[Lawrence Schlossman]

So I'd be lying if I said that they didn't look at me like a little brother and was like, okay, we know that this is what you want to do.

[Mark Anthony Green]

They want to see you win.

[Lawrence Schlossman]

We. They wanted to see me win, which I think is the mark of a good leader.

[Mark Anthony Green]

Yeah, 100%.

[Lawrence Schlossman]

And so I would. As long as my work was done and at a standard that we all had, which I would never not have it be, then you know, where I was wasn't necessarily like, yeah, yeah. You know what I mean?

[James Harris]

Imagine how much easier the time theme would have been done if I existed. When you're an editor.

[Mark Anthony Green]

Yeah. How much was used in making this movie?

[Lawrence Schlossman]

Zero. We use zero. Partially because I think is bogus, but also partially because I'm not smart enough to.

[James Harris]

Well, I meant you could use AI to, like, do your GQ assignments. Could never, like, 10 sunglasses.

[Lawrence Schlossman]

You. That was.

[Mark Anthony Green]

Yeah, I'm sure I could spit out a list, bro.

[Lawrence Schlossman]

10 sunglasses.

[James Harris]

Were you ever. Were you ever slightly shook that developing this movie while on the clock meant that GQ on the ip.

[Lawrence Schlossman]

Oh, no, never. It was never, like. I never was, like, in the office making the movie. Okay.

[Mark Anthony Green]

Don't give Will and him any ideas.

[James Harris]

Dude, that's a plot line in Silicon Valley.

[Lawrence Schlossman]

It is. Yeah. And it's real.

[Mark Anthony Green]

No, you have to use your work laptop to write a screenplay. Could be. I'm not a lawyer.

[Lawrence Schlossman]

I think it's cool that y'all think they gave us work. Laptops didn't give us work.

[James Harris]

You didn't have a chauffeur in a black car.

[Lawrence Schlossman]

Yeah, I did not.

[Mark Anthony Green]

This was.

[James Harris]

Oh, you were in the pre. You're in the post.

[Lawrence Schlossman]

I saw both eras.

[Mark Anthony Green]

Can we go fund me to get Sam Hein an iPad?

[Lawrence Schlossman]

Sam Hine has everything. He's got the keys to the castle. And he does. Deserves, though.

[Mark Anthony Green]

He does. Absolutely.

[James Harris]

You saw both errors of the. The glitz and glamour of the Etorati. I don't know if that's the word or not.

[Lawrence Schlossman]

Yeah, yeah.

[James Harris]

Like mortgage loans and private drivers.

[Lawrence Schlossman]

Yes.

[James Harris]

Do you feel shortage that you, like, weren't, you know, fully in that era, that it kind of. I had passed you by a little one.

[Lawrence Schlossman]

I had fallen in love with a different world.

[James Harris]

Okay.

[Lawrence Schlossman]

So again, I've been making this movie for six years.

[James Harris]

Right.

[Lawrence Schlossman]

So, you know, so, no, I never was like, I want to be editor in chief or I want to, but I don't know. I know I'm biased because I love Will, but I think Will makes it look glamorous. I think that's a job, so. Makes it glamorous. Yeah.

[James Harris]

I think that job, chrome heart suit will do that.

[Mark Anthony Green]

Yeah.

[Lawrence Schlossman]

You feel me? Like, I don't know. I think it still looks. It is still an amazing job.

[James Harris]

Yeah.

[Lawrence Schlossman]

And it look. I don't know. They make it look good to me.

[James Harris]

Who's pulled off chrome heart suits in the last 10 years? Will Welch and Timothy Charlemagne.

[Lawrence Schlossman]

Yeah, yeah, yeah. He killed it.

[Mark Anthony Green]

The difference between Will and the rest of you editors, Will makes his look good. Which brings me to my next question, man. How did being an editor train you for being a director?

[Lawrence Schlossman]

Not really.

[Mark Anthony Green]

No. There's no crossover skill.

[Lawrence Schlossman]

Not that there's no crossover. I just think. People think there would be more. And it. I don't know.

[Mark Anthony Green]

That Venn diagram, it's a sliver in the middle, you're saying.

[Lawrence Schlossman]

So it's a small.

[James Harris]

Okay.

[Lawrence Schlossman]

It's a small window. But the people that I met, the wills of the world, they taught me a lot.

[Mark Anthony Green]

Your network is your net worth.

[James Harris]

Did you struggle at all with.

[Lawrence Schlossman]

Which is why. Yeah.

[James Harris]

Do you struggle at all with, like, the. The job skills of a director, like, telling people what to do?

[Lawrence Schlossman]

Struggle with it? No, but I also. No, but. But I had an amazing crew. I didn't. I, like, I do think that you could get on set and you could have people that just reject you because the way you look your age, you haven't done it before. Whatever. And I had an amazing ad, Todd Amitau, shout out to him, a legend. And my crew in New Mexico, they were fucking incredible, you know? So, like, there's a little bit of a feeling out, period. You can tell people, like, kind of sizing you up.

[Mark Anthony Green]

Yeah.

[Lawrence Schlossman]

But show them proof if they can tell how serious you are about it.

[James Harris]

Right.

[Lawrence Schlossman]

It's not like I'm so talented, but, like, they knew what this meant to me.

[James Harris]

They saw the rings.

[Lawrence Schlossman]

They didn't see the ring.

[James Harris]

M.J. game six.

[Lawrence Schlossman]

Yeah, yeah, yeah.

[James Harris]

Wait, so being a first time director, did a 24 not give you just the B team, like replacements and you had to like, you just had a ragtag crew of like reject rejected folks and wannabes and fading stars that you had to make this movie with?

[Lawrence Schlossman]

The A24 doesn't pick your crew.

[James Harris]

Okay.

[Lawrence Schlossman]

That's not.

[James Harris]

I don't know.

[Lawrence Schlossman]

Yeah, I could tell.

[Mark Anthony Green]

Yeah.

[Lawrence Schlossman]

That's why I'm driving. It's like they're like, you go and you, you, you staff the crew that makes your film. They, they weigh in on creative decisions. They weigh in on department heads. Okay. But they were super. They're who you want them to be. They're really collaborative. They trust the filmmaker. They also make such avant garde weird films that, you know, if you're making lamb or you're making uncut gems, the idea of you like weighing in, the crews are going to be so different.

[Mark Anthony Green]

Yeah.

[Lawrence Schlossman]

You know what I mean? Yeah.

[Mark Anthony Green]

Speaking of this amazing support that you got, let's get real. Which industry is more corrupt, Legacy media or Hollywood?

[Lawrence Schlossman]

Corrupt. Yeah, Hollywood.

[James Harris]

Really?

[Mark Anthony Green]

How many casting couches have you been on?

[James Harris]

Oh, my God.

[Lawrence Schlossman]

Casting couches.

[Mark Anthony Green]

You're familiar.

[James Harris]

He's behind the camera on the casting couch.

[Mark Anthony Green]

You do. You don't have a casting couch. Are you familiar with the casting couch?

[Lawrence Schlossman]

I don't know what you're talking.

[Mark Anthony Green]

Maybe we should just move on. I don't want to get this cut from the episode.

[Lawrence Schlossman]

That's fine. But wait, tell me what you're saying. I don't.

[Mark Anthony Green]

That's sucking to get a role on a couch.

[Lawrence Schlossman]

Oh, man. No, brother. What? Yeah, no.

[James Harris]

Well, so we're barely did any sucking and we're familiar with the corrupt.

[Mark Anthony Green]

Yeah.

[James Harris]

Mechanisms of the fashion industry. Right. Very quid pro quo.

[Mark Anthony Green]

Very.

[James Harris]

Like the advertiser gets the, gets the coverage, etc.

[Lawrence Schlossman]

Like metaphorical sucking and.

[James Harris]

Sure, yeah, it's been literal.

[Mark Anthony Green]

No, no, we could go metaphorical like that.

[James Harris]

But in Hollywood, is it like, is a lot of like favor for favor, horse trading, like blackmail, you know, airing dirty laundry, that type of. Or like what's.

[Lawrence Schlossman]

Yeah. I think the biggest difference, the reason why you see so many like bad actors. Like the phrase not like performers, but like bad, bad people that have terrible behavior.

[Mark Anthony Green]

Metaphors are beautiful.

[Lawrence Schlossman]

If you were making like if you're a musician and you're making an album, you go into a studio, but you could do that for very little money. To make a film, you need millions of dollars. You don't need millions of dollars, but like a two Million Dollar Movie is.

[Mark Anthony Green]

A micro, but it looks like shit, too. Yeah.

[Lawrence Schlossman]

Not all of them. Like, Sean Baker's pulled off.

[Mark Anthony Green]

Okay, that's fair. Like, it's not always, but.

[Lawrence Schlossman]

But it is. It is. It is just a very different.

[Mark Anthony Green]

They don't look like Opus, by the way, because the movie looks like it's worth every penny.

[Lawrence Schlossman]

Thank you. Yeah. And we shot it in 19 days. We did not have it.

[Mark Anthony Green]

Really. Holy.

[James Harris]

And you had time for a hike.

[Lawrence Schlossman]

And we had time for a hike. Look at that.

[Mark Anthony Green]

That's like half of the time that they gave. What's his name, Corbett, for the brutalist dude. Because he did that like 30.

[Lawrence Schlossman]

Yeah. But, you know, I think it's all. Yeah, you get. You get what you get. But again, that's why I go back to my crew being like, y'all are brilliant.

[James Harris]

So when you introduce a shitload of money into the process, that's when things get weird about that.

[Lawrence Schlossman]

Yeah. So then you're like all of these people that are in the way. Right. Be they execs, be them financiers, be.

[James Harris]

It suits.

[Lawrence Schlossman]

Yeah, whatever. There's so many people. Because it's such a collaborative art form, and I think that that power dynamic is. Is. It's the most exploitative.

[Mark Anthony Green]

Sure.

[Lawrence Schlossman]

In Hollywood, at least. That's been my po.

[James Harris]

It's also, like, where there's so much money sloshing around, everyone wants to stick their hand in the little pocket.

[Lawrence Schlossman]

It takes forever. So that gives people more time after. And I will say this, I had the most charmed experience. It was the hardest thing I've ever done, making this film. Every film. Everything can go wrong. Goes wrong. All the things. But I worked with so many amazing people that I don't know.

[Mark Anthony Green]

Takes a village, right?

[Lawrence Schlossman]

It takes. Yeah, it takes a.

[James Harris]

Takes a call.

[Lawrence Schlossman]

Yeah, it takes a call.

[Mark Anthony Green]

Speaking of this being the hardest thing you've ever done, what would you say, just personally, right. Is more stressful trying to get the film made, Making the actual film, or now seeing how it's going to be received, which is obviously outside of your control.

[Lawrence Schlossman]

Oh, not the. Not the third one.

[Mark Anthony Green]

Really? You're just happy that you birthed it?

[Lawrence Schlossman]

No, it's not that I care for sure, but my priority is in the making of the film. My priority is like.

[Mark Anthony Green]

So that was the most stressful on set, getting this done in 19 days.

[Lawrence Schlossman]

Stress. Yeah, I guess stress. Would you equate that to, like, what do you care the most about.

[Mark Anthony Green]

Yeah.

[Lawrence Schlossman]

So then, yes, production.

[James Harris]

Was there a moment? Was there, like, a specific thing like whether it's without giving anything away, like maybe like a stunt or like a moment of action where you were like, fuck, this is like truly where shit could go left.

[Lawrence Schlossman]

Go left. Yes. So many, so many times. Like there was one moment. I don't know if this is where things like a lot of the go left moments you kind of put out of your memory because they didn't sounds healthy. PTSD or like. Or it's my job when the thing does go left to fix it.

[Mark Anthony Green]

Right.

[Lawrence Schlossman]

So. But there were like, there are magical moments on set. One of them. So there's a scene in the film that y'all have seen where John's character, he has this kind of call and response.

[Mark Anthony Green]

It's so good.

[Lawrence Schlossman]

And so John's incredible in this movie. So we're in this space for two days and in order to shoot in this space, the compromise I had to make was now we have to do like a bunch of other shit in this space. And the days were entirely too packed. Sorry if this is nerdy.

[Mark Anthony Green]

No, that's what we want to hear.

[Lawrence Schlossman]

So we get to like, you know, the Average day is 12 hours. You go over every minute you go over it's like you're bleeding money and everybody's freaking out and you're not going to be able to do this thing. And. And so we went over by a couple hours the day before. Uh oh, I stay up the entire night. I redo, you know, my shot list. I simplify a bunch of shit. I make some things more complicated, but they'll take less time. You know, I'm like sending all these notes so everybody wakes up to. And so I like show up on set, everyone shows up on set and we're like fucking warriors, right? I get there an hour early because I couldn't sleep. So I might just get there an hour earlier than I usually get there. And so we're in it and the day for the first 10 hours, flawless.

[Mark Anthony Green]

Wow.

[Lawrence Schlossman]

Even the fucking crafty was flawless. Like no one I've like well oiled machine. Everybody's on their game. We know we can't come back to this place and so we're fighting for our lives. And it's like literally scheduled minute to minute.

[Mark Anthony Green]

Damn.

[Lawrence Schlossman]

Like the day like a 14 hour day and is scheduled in like 7 minute.

[Mark Anthony Green]

That's crazy.

[Lawrence Schlossman]

Which is nuts, right? With all these people, all these moving parts. Anyway, so John comes up to me and he had been the best collaborator, like thoughtful, so directable and. And amazing. Just a gentleman, right? And so he starts Telling me the story about his granddaughter. And he's like, you know, my granddaughter, she's such a faker. And, you know, she falls on the floor and. And we. We kind of fight like cats and dogs. And she throws these temperatures. And I. I love him to death. That's my man. I'd get a tattoo of his face, but I'm like. I don't know what the fuck he's talking about.

[Mark Anthony Green]

Wrap it the fuck up, John.

[Lawrence Schlossman]

I have no time.

[Mark Anthony Green]

Yeah.

[Lawrence Schlossman]

To catch up. Like, maybe he thinks I'm, like, stressed out maybe right now, and he's, like, trying to make me feel better, but I'm like. I. I was like. I was four seconds away from putting my hand on his shoulder and being like, shut the.

[Mark Anthony Green]

Yeah.

[Lawrence Schlossman]

Like, I love. I cannot have this conversation right now. And then he says, oh. And I think I'm gonna do that. And I was like, oh, he's talking about the scene. Wait a minute.

[Mark Anthony Green]

Okay.

[Lawrence Schlossman]

What? And so he's like, yeah, my granddaughter, she's a big. And so you guys will see it when you see the film. But, like, I didn't know what he was going to do. I went to my dp. I was like, let's put. You know, let's change it. Let's put the camera on the floor because he's talking about on the floor. And then let's just make one really, really wide because I don't know what he's about to do. And then he comes in and he's crying, and he does this whole thing. And I don't know, like, that felt those moments. You see everybody in the crew and everyone's working, but then lightning in a bottle kind of happens.

[Mark Anthony Green]

Divine intervention.

[James Harris]

Now that you go.

[Mark Anthony Green]

Riff.

[James Harris]

Riff.

[Lawrence Schlossman]

Yeah, yeah. And. And everybody. And you see people that do this for a living, that have worked with all these talented actors, and you see them like, oh, so they knew.

[James Harris]

They knew what was about to happen.

[Lawrence Schlossman]

They. No, no, no. While it was happening.

[James Harris]

But, like, they felt the tingle near. Like, this is special.

[Lawrence Schlossman]

They knew because I came in and I was like. I changed everything at the.

[James Harris]

Right.

[Lawrence Schlossman]

Right. And I. I took the time to change it, right?

[James Harris]

But then you're like, guys, I don't know what the Malovich about to do.

[Lawrence Schlossman]

Literally.

[Mark Anthony Green]

Mal. Going to Malkovich, dude.

[Lawrence Schlossman]

Those might have been my words. I was like, I don't know.

[Mark Anthony Green]

To get the wi. Child know what the. Is going on.

[Lawrence Schlossman]

Yeah, yeah. Like. Like, literally, the visual Hail Mary.

[James Harris]

Like, you know, how much did Malkovich bring to the Moretti character?

[Lawrence Schlossman]

So much. I Mean, you know, when crafting a character, you know, it starts on a page.

[James Harris]

Yeah.

[Lawrence Schlossman]

But then the, even the thing on the page, once you commit to an actor, that changes. Right. Like.

[Mark Anthony Green]

Right.

[Lawrence Schlossman]

It's different if Brad Pitt is John Malkovich.

[Mark Anthony Green]

Yeah.

[Lawrence Schlossman]

Or if Jamie Foxx is John Malkovich.

[Mark Anthony Green]

Did you write the role for John?

[Lawrence Schlossman]

I had a very, very short list of names.

[Mark Anthony Green]

Could you, could you say who else is on the short list? Or does that kind of ruin the experience for someone who hasn't seen the movie, imagining.

[Lawrence Schlossman]

Well, I'll say, I'll say one.

[Mark Anthony Green]

Not from Moretti.

[Lawrence Schlossman]

I'll say one name that I think would have been sick and, and he's no longer with us, but it would have been Robin Williams.

[Mark Anthony Green]

Oh, my God, dude. Yeah. I love Rip to the God.

[Lawrence Schlossman]

Yeah. Sometimes when I was writing, I would picture Great compromise.

[Mark Anthony Green]

Thank you for that. Yeah.

[Lawrence Schlossman]

You know what I mean? I'm here. I'm here to pod, brother. I'm not gonna let you.

[Mark Anthony Green]

Thanks, brother.

[Lawrence Schlossman]

You didn't have to say hard. Yeah.

[Mark Anthony Green]

Damn.

[Lawrence Schlossman]

I thought I didn't have to say it like that. You know what I mean? I, I, I welcomed you. But you didn't.

[Mark Anthony Green]

It's so line stepper.

[Lawrence Schlossman]

Yeah. Yeah. Habitual line. Yeah. I don't know. I like it. You know, that's one of those things that they tell you. I didn't go to film school, but, like, they tell you on websites and, like, picture screenwriting for Dummies, quite literally.

[James Harris]

Were you YouTubing, like, how to make a movie?

[Lawrence Schlossman]

All the time.

[James Harris]

Fire.

[Lawrence Schlossman]

That's not how to make a movie. But, like, I definitely learned the expectations of what a screenplay looked like. And I learned, you know, there are definite. There are parts of Opus where technical things, like with the camera. Right. I don't even know if it can do this and.

[Mark Anthony Green]

Right.

[Lawrence Schlossman]

I would Google it on my phone.

[Mark Anthony Green]

Sure.

[James Harris]

How to do the Matrix 360.

[Lawrence Schlossman]

Yeah. Yeah. You know what I mean? Like, can we get bulldog moments? It's somewhere in the middle of your, your joke and the thing. It's like, you're like, cool, you know, you somebody.

[James Harris]

Hey, Siri.

[Lawrence Schlossman]

Yeah. Quite literally.

[James Harris]

But with Malkovich, obviously, like, he. For people that see, like, he kills it. What was the process like of getting him on board with this project? Was it immediate? Yes. Or was it like, Juliette Lewis?

[Lawrence Schlossman]

No, it was cool. It was like, you know, John, we had a, a funny exchange where I wrote the script, they sent him the script. He said he liked it, and then I had to go meet him, and we had a really Good meeting at his crib. And that was like, totally great. And he's like, you know, I want to do this with you. And. And I was like, I like you. He's like, I like you. And we. And we agreed to do it. But then as you know, a couple months went by and I. I needed to make sure that John knew how serious I was. Okay. Because as a first time filmmaker, a thing that you'll feel is like, you're such an unproven entity.

[Mark Anthony Green]

The definition of literally.

[Lawrence Schlossman]

And that's. And so people, you know, they. Sometimes they'll show up and they'll be like, cool, I'm going to do just enough or I'm going to do this thing that I really want to do. And it just doesn't work like that. I needed everybody, from John to whoever, we all had to be on the same page. And the page is what I wrote. And so I call his agent, who I love, shout out to Brent Morley. And I was like, hey, where? I need to sit down with John. Tell me where he's at and I'll fly to him. And you know, but I want to sit down with him. And we had been talking about the character, but I was like, I gotta look him in the face and be like, yo, I'm dead serious with him.

[Mark Anthony Green]

I'm not fucking around, bro.

[James Harris]

Dead ass Jay.

[Lawrence Schlossman]

So he calls me back, his agent, and he's laughing and he's like, jon is in Riga, Latvia, and doing what? If you want to go, he said, you can go, but you know, he'll be back in a couple months. Months or. Yeah, it was like in. Back in a month. And I was like, no, I'm gonna go. I'll meet him in Riga. Now. I don't know how much you know about Riga.

[Mark Anthony Green]

Nothing. So I know nothing about Latvia.

[Lawrence Schlossman]

Yeah, me neither, brother.

[James Harris]

It's where Dr. Doom is from. Victor Von Doom.

[Lawrence Schlossman]

Like, maybe. I don't know. Oh, is it really?

[James Harris]

Pretty sure, yeah.

[Mark Anthony Green]

RIP Doom.

[Lawrence Schlossman]

I forget. Y'all are nerds.

[Mark Anthony Green]

Yeah, yeah, y'all are nerds.

[Lawrence Schlossman]

Expensive clothes. It's tight. We are, yeah. So I go to Latvia now when I go. The war in the Ukraine and Russia, it's raging on. And Latvia used to belong to Russia.

[Mark Anthony Green]

Yeah. Eastern block shit.

[Lawrence Schlossman]

And so a lot of Russian, like, refugee, like people that they're in Latvia.

[Mark Anthony Green]

Yeah.

[Lawrence Schlossman]

And there was a warning that something could happen in Latvia. As I'm on my way to Latvia, my flight from London to Riga, I was the only person on the plane.

[James Harris]

Are you serious?

[Lawrence Schlossman]

I bullshit you now, I thought you.

[James Harris]

Said you're black person. You're the only person.

[Lawrence Schlossman]

I was the only person on the plane.

[Mark Anthony Green]

There's never been. You're the first black man in Latvia. You're the Neil Armstrong of the way.

[Lawrence Schlossman]

They were looking at Hoopers. They were definitely like, what's up with you?

[Mark Anthony Green]

They thought you were. You're a Hooper.

[Lawrence Schlossman]

They were like, you look American. You dressed American.

[James Harris]

Is this guy in Drain Gang?

[Lawrence Schlossman]

What's. What's happening? You know what I'm saying? Y'all, Y'all. Who raised y'all? Anyway, so I go there, I sit down with him, and he thought it was funny that I was there. And he was like, why are you here?

[Mark Anthony Green]

And impressed, I would imagine, right.

[Lawrence Schlossman]

I think, by the end of it. But at first he just was like, what? What's. Like, what's going on? And I was like, I need you to know that this isn't a B movie, and I need you to. Fudgeing. Bring it.

[Mark Anthony Green]

Yeah.

[Lawrence Schlossman]

And then he laughed. He ordered a bottle of wine, and he didn't know I didn't drink, and.

[Mark Anthony Green]

Oh, this is just for me, anyway.

[Lawrence Schlossman]

Yeah, yeah, yeah, exactly. And we. We. We. We hung out that basically that whole night.

[Mark Anthony Green]

Sick.

[Lawrence Schlossman]

Talked about film and basketball. He loves basketball.

[James Harris]

Oh, shit.

[Lawrence Schlossman]

Real Hooper music and all these things. And I. I had a few songs that I had worked on with Dream and Nile, but they. They turn out to not be the songs, but I had a few. So we listened to that. And. And. And then he was directing a play in Latvian.

[Mark Anthony Green]

Oh, wow.

[James Harris]

Doesn't speak Latvian as one does.

[Lawrence Schlossman]

He also was wearing an eye patch.

[James Harris]

Does he have one eye?

[Lawrence Schlossman]

He had eye surgery.

[Mark Anthony Green]

Okay.

[Lawrence Schlossman]

And so in the eye that wasn't covered. He only has 20% vision in it.

[Mark Anthony Green]

Jesus.

[Lawrence Schlossman]

This is how cool this man.

[Mark Anthony Green]

Yeah.

[Lawrence Schlossman]

So I show up in the world. Yeah. Literally. So I show up in his place, and he's got an eye patch on. He only has 10% of his total vision. I know. You're bad at math.

[James Harris]

Somehow. He somehow still has the vision.

[Lawrence Schlossman]

Yeah. Yeah. And. And he's directing a play in a language he doesn't speak. And so I pushed my flight because I'm like, I have to see him.

[Mark Anthony Green]

Oh, yeah. Go to rehearsal, see him cook.

[Lawrence Schlossman]

I have to. Whatever. This is gonna.

[Mark Anthony Green]

You're, like, taking notes. He's directing. You're like, I'm a director.

[Lawrence Schlossman]

Yeah. And I just am like, how are you going to even have an opinion, let alone. And I swear to you, he was directing and making the play better.

[Mark Anthony Green]

He Was locked in. He just.

[Lawrence Schlossman]

I think, you know, one thing I learned that day is just how emotional the craft is. Is. Yeah, I think that he was there, and what he was reacting to was just pure emotion in. In. In. At least in the rehearsal that I went to.

[Mark Anthony Green]

That's incredible.

[Lawrence Schlossman]

And I thought that was the coolest thing in order. He. He really is the man. He's. He's more interesting than I could have ever thought he was.

[Mark Anthony Green]

Yeah. Speaking of most interesting men in Malkovich, Alfred Moretti is like, the kinetic energy center of this film. Is he like, an amount. You're writing this role, is it like. Or this character, rather, is it an amalgamation of, like, obvious legends like MJ or Prince or Elvis? Or is it, like, grounded in the reality of the celebrities that you've profiled in the past? Or a combination?

[Lawrence Schlossman]

It's a. I'm sure that it's a combination. I really thought, like. I'm surprised at how much of, like, my experience in my pov, I thought I was kind of masking a little bit, and I. I.

[Mark Anthony Green]

You know, I mean, the character in the movie is a writer at a magazine.

[Lawrence Schlossman]

Yeah. But then I was person of color.

[Mark Anthony Green]

But it's a young person of color.

[Lawrence Schlossman]

Person of color.

[Mark Anthony Green]

Poc.

[Lawrence Schlossman]

Yeah. Yeah.

[Mark Anthony Green]

Is that not the term?

[Lawrence Schlossman]

Well, yeah, you can say black color.

[Mark Anthony Green]

Oh, sure.

[James Harris]

Color with an R. You hard R. Like.

[Lawrence Schlossman]

Yeah. You say it when it's wrong, and then when you can say say it.

[Mark Anthony Green]

You'Re like, I can't catch a break.

[Lawrence Schlossman]

Well, yeah.

[Mark Anthony Green]

A young black writer at a magazine.

[Lawrence Schlossman]

Yeah.

[Mark Anthony Green]

You thought you were masking.

[Lawrence Schlossman]

Well, but that's so. But that experience is not my experience at all.

[Mark Anthony Green]

That was not even right, because you were.

[James Harris]

You were never. You were never taking notes.

[Lawrence Schlossman]

I was never. Like, when I got to gq, you.

[James Harris]

Never dated an Asian.

[Mark Anthony Green]

Shout out young man. Xeno.

[Lawrence Schlossman]

Shout out to young man.

[James Harris]

Zeno.

[Lawrence Schlossman]

Yeah, shout out to young man.

[James Harris]

Great cast. Great, like, side. Kind of like not Easter eggs, but, like, you know, small roles.

[Lawrence Schlossman]

Yeah. Cindy Lumet. No, no such thing as a small role.

[Mark Anthony Green]

Oh, bars.

[Lawrence Schlossman]

Just. Just small actors, I think, is what he said.

[James Harris]

Did. Like, when you thought that, you. Massive. But then when will, like, people that know you see it and, like, bro, come on.

[Lawrence Schlossman]

It's less in that. It's more in, like, certain mannerisms. Okay. Like a certain speech patterns, but for all the characters. Things like that where, you know, it's. It's cool for people that know you super well to see that. Yeah. And to be like, wow, that really feels like it's from you.

[James Harris]

And so did Moretti.

[Mark Anthony Green]

Did.

[James Harris]

Did the character Moretti. Were you injecting, like, celebrity osmosis mannerisms and stuff onto this character?

[Lawrence Schlossman]

There were certain people that I definitely have spent time around that I would like, use as a reference for John.

[Mark Anthony Green]

Like, megalomaniacs.

[Lawrence Schlossman]

I wouldn't say megalomaniacs, because they're people that I admire so much. Like Tom Ford.

[Mark Anthony Green]

Oh, shit.

[Lawrence Schlossman]

Like, Tom. Like, I know he's not a musician, but, like, Tom Ford to me, loves head. What?

[James Harris]

Yeah, bro. In the last interview he did with Will Welch, he talks about, I think, a lot of sucking and getting sucked off. Slob.

[Lawrence Schlossman]

That's. That's one of the things I must have missed.

[Mark Anthony Green]

Yeah, I know. Moretti likes getting slopped up for show. He dated Sidney Crawford.

[Lawrence Schlossman]

Why the. For sure. Like that? Why did you like. I'm just trying, like, what was the Was.

[Mark Anthony Green]

That's how I talk, dude.

[Lawrence Schlossman]

That is not, brother.

[James Harris]

Where are you from?

[Mark Anthony Green]

New Jersey. Yeah, this is. I'm not getting interviewed here. Brick city. Brick City.

[Lawrence Schlossman]

That's how I talk is crazy.

[Mark Anthony Green]

Yo, chill, bro.

[Lawrence Schlossman]

Yeah.

[Mark Anthony Green]

We'Re having fun, man.

[Lawrence Schlossman]

Yeah, I'm having a ball.

[Mark Anthony Green]

This is a loose show.

[Lawrence Schlossman]

That's my. That's my kind of.

[James Harris]

How much Kanye was in? More?

[Lawrence Schlossman]

None.

[James Harris]

Thank God.

[Mark Anthony Green]

Trick question.

[James Harris]

Tough correct answer, man.

[Mark Anthony Green]

I stuck the landing.

[Lawrence Schlossman]

I hope Kanye gets.

[Mark Anthony Green]

Gets mental help.

[Lawrence Schlossman]

Yeah. I hope he gets the help he needs.

[James Harris]

Hope he gets logged off.

[Lawrence Schlossman]

I'm so scared.

[Mark Anthony Green]

Deplatformed.

[Lawrence Schlossman]

I'm so scared. We're gonna, like, see that one day, and he. He's.

[James Harris]

Oh, this only ends in tragedy.

[Lawrence Schlossman]

It feels like we're headed. It's the reason why, like, I try, like, yeah, it's intense right now, and everything is funny, and I get it. I just am, like, it looks funny.

[Mark Anthony Green]

Is it funny?

[James Harris]

Funny how?

[Mark Anthony Green]

It's sad.

[Lawrence Schlossman]

Yeah, it's just. That's how I feel. I'm like, this feels like we are headed towards just the worst ending, and.

[Mark Anthony Green]

That'S our Kanye allotment. Let's talk about other musical Goats Mag. You mentioned Nile Rogers and the Dream, who did the original music on this film. How the do you pull that off?

[Lawrence Schlossman]

We had no money to do it, right. So they had to want to do it for creative reasons, which was cool.

[Mark Anthony Green]

Those friends?

[Lawrence Schlossman]

No.

[Mark Anthony Green]

Colleagues.

[Lawrence Schlossman]

No. I had known. Dream a little bit. Like, I didn't have his number.

[Mark Anthony Green]

Okay.

[Lawrence Schlossman]

But if we saw each other somewhere, we'd be like, oh, yeah, we. We've met each other.

[James Harris]

Yeah. Shiv's number.

[Lawrence Schlossman]

Yes. Wow. Shout out to Shiv.

[Mark Anthony Green]

Shiv.

[James Harris]

A fellow goat.

[Lawrence Schlossman]

I. The. There are the people that make the things happen.

[Mark Anthony Green]

The man behind the man.

[Lawrence Schlossman]

And they never get the. The shout out and the shine.

[Mark Anthony Green]

So we do not hear.

[Lawrence Schlossman]

You are a legend.

[Mark Anthony Green]

Yeah.

[Lawrence Schlossman]

Thank you for everything, brother. Yeah. So I met the both of them in Miami, and I'd sent them the script. One of our executive producers, Sarah Newkirk, who I met through Will Welsh, she knows everybody in music and is. Is fearless and has great taste. And I really wanted Niall and Dream to do this. I kind of approached the Moretti songs. You know that Michael Jackson album Invincible. Like, that album isn't that good.

[Mark Anthony Green]

No, it's ridiculous. Honestly.

[Lawrence Schlossman]

It's ridiculous. Right. But there's, like, three good songs on it. Like Butterflies, Invincible, You Rock My World. Yeah. But it was really a genius trying to modernize his sound.

[Mark Anthony Green]

Emphasis on trying.

[Lawrence Schlossman]

Yeah. I don't think the album is successful, but to me, it's, like, cool. I want to succeed where MJ failed.

[Mark Anthony Green]

Yo, that takes. That's hubris, dude.

[Lawrence Schlossman]

Yes.

[James Harris]

I mean, strive for greatness.

[Lawrence Schlossman]

I don't. I don't. I think it's. I think it's whack if you're, like, scared to say that you tried talking with it. I'm not saying that I made a better album. We made a better album than Mike, honestly. I'm not saying that. I'm saying that. That I'm in front of the world. I'm cool to say that. That was the task that I gave Nile Rogers and the Dream and John Malkovich. And I would argue that Nile and Dream. You could easily make the argument that those are two of the best, most successful music producers in human history.

[Mark Anthony Green]

Songwriters. Producers.

[Lawrence Schlossman]

Yeah. Now made like a version and let's.

[Mark Anthony Green]

Dance and is on Random Access Memories.

[Lawrence Schlossman]

He's on for the best songs on that. Out like that. That human being is one of the greatest.

[Mark Anthony Green]

He got lucky, you feel me? But he's actually very talented.

[Lawrence Schlossman]

He's the.

[Mark Anthony Green]

I don't want to make that a true.

[Lawrence Schlossman]

A true goat. And Dream is a true, true goat umbrella single ladies. Like, I don't. You know, to me, it was like, if. If I'm working with them, then I can give them such a difficult marker to hit. And they. To their credit and to. To. You know, I have such deep appreciation for that. They let me push them. They let me with like, giving them zero money and working with Beyonce at the same time.

[Mark Anthony Green]

Wow.

[Lawrence Schlossman]

Making songs that went. Make one Grammys.

[Mark Anthony Green]

Yeah. Album of the year.

[Lawrence Schlossman]

And they're letting me be super picky and be the thing. And we're arguing over it at four in the morning, five in the morning, and doing the, doing the work. And they didn't, like, low bro me. They didn't say, oh, you have to take this because, you know, whatever.

[James Harris]

Nile fucking Rogers.

[Lawrence Schlossman]

Yeah, yeah, yeah.

[Mark Anthony Green]

The fucking dream.

[Lawrence Schlossman]

They never did it. They never did that. They always stepped into it as if they were getting a big check or I was a big name.

[Mark Anthony Green]

So what kind of input do you get then, as a director? Are you in the stew? Like, cooking up with the fellas? Like, ye. Awesome.

[Lawrence Schlossman]

It was the best makeover to watch, like, Dream make 12 songs in 20 minutes.

[Mark Anthony Green]

Wow.

[Lawrence Schlossman]

Is insane to watch him go to multiple studios and work on multiple.

[James Harris]

We're like, bro, I'm not paying by the hour.

[Lawrence Schlossman]

Yeah, brother, we were not paying you at all. We were like, brother, again, I don't, I can't even tell y'all some of the, the, the financing on the studio time and, oh, I'm sure you were.

[James Harris]

Creative with the robbing Peter to pay Saul. You know what I mean? That's a Hollywood joke.

[Lawrence Schlossman]

I, I, I don't, I don't, I don't know what he's saying, what with.

[Mark Anthony Green]

That'S what James talking.

[Lawrence Schlossman]

You mentioned that opus in theaters.

[James Harris]

You mentioned that you went to Latvia. The only person flying there in an active, potentially active war zone.

[Lawrence Schlossman]

Yeah.

[James Harris]

And you already had music. Was getting the music done on spec that wasn't, you know, make the final cut after locking in the, the screenplay in the script. Was that the next creative step in the process? And was that kind of like the, like, people have, like, you know, reference boards and moods and shit. But, like, was the music the reference board?

[Mark Anthony Green]

No. No.

[Lawrence Schlossman]

Well, that was the thing. The tough thing with the music is it was the first thing I wanted John to do. Okay. I wanted the very first thing he, he did as Moretti was to go into the studio and us record the song.

[Mark Anthony Green]

Oh, hell yeah.

[Lawrence Schlossman]

Getting that mindset logistically is problematic for a few reasons. One, I don't, I don't have John's time yet. Right. So you have production, and it's, it's, you know, if it's June 1st to June 19th. Right.

[James Harris]

Juneteenth.

[Lawrence Schlossman]

I expect that from him. Honestly.

[James Harris]

Honestly.

[Lawrence Schlossman]

I expect.

[Mark Anthony Green]

Honestly, you know, unnecessary.

[Lawrence Schlossman]

I expect more from you.

[James Harris]

We should recognize it, we should speak it as if it's the 4th of.

[Mark Anthony Green]

July as a POC and expect more from me.

[Lawrence Schlossman]

And how do you celebrate? Celebrate? Juneteenth.

[James Harris]

I celebrate.

[Lawrence Schlossman]

How do you Recognize Juneteenth.

[Mark Anthony Green]

Fireworks, hot dogs. Yeah, Us.

[James Harris]

I go to the beach.

[Mark Anthony Green]

So you don't have John's time yet.

[James Harris]

So you're putting John in the steel.

[Mark Anthony Green]

On.

[Lawrence Schlossman]

You're.

[James Harris]

They're. They're making you work on Juneteenth. What the is that about?

[Lawrence Schlossman]

I picked a random date. We shot in the winter.

[Mark Anthony Green]

Move on. Good grief.

[Lawrence Schlossman]

So you have to do that before you have his time, before he's locked. You also have to open up your film budget, okay? Because you got to pay for the studio time.

[James Harris]

You got to get him there, whatever unions.

[Mark Anthony Green]

Not a second has been shot, and you're opening up the wallet.

[Lawrence Schlossman]

Yeah. And so most studios, you know, films are so flimsy. They're like sandcastles and they fall apart every day, like. Yeah, every single day. And every studio, the good ones, the bad ones, whatever, you know, whoever's financing your film, they want to protect against spending a bunch of money and then you don't come back with a movie.

[James Harris]

Right.

[Lawrence Schlossman]

So, you know, there was a level of trust that A24 had to have in me to let us go in to do that, and they did. Which I think was one of the, like, showing up in New Mexico with the songs done and John embodying that, having to go into the studio. You know, he put on some boots of mine and, like, be that guy.

[Mark Anthony Green]

What. What boots?

[Lawrence Schlossman]

Some Saint Laurent. Some Eddie era Saint Laurent. But the. The really big.

[Mark Anthony Green]

Yeah, yeah.

[Lawrence Schlossman]

You know. You know the ones. So that was like, really, really a special moment for me. Also, like the Venn diagram of. Of my interest. Like that. That sliver is Nile Rogers dream. John Malcolm. You know what I mean? Like, that felt very personal.

[James Harris]

You made it happen.

[Mark Anthony Green]

Yeah.

[Lawrence Schlossman]

To me in the universe, I had great help.

[Mark Anthony Green]

Is Dina Simone about to be the song of the summer or song of the spring? Slap.

[Lawrence Schlossman]

I think 35 millimeter is going to be this.

[Mark Anthony Green]

Yeah, that's the one for you?

[Lawrence Schlossman]

Yes, that's the one for me. Because Dina Simone is like a. Yeah, yeah. It's like a 90s joint. I love that song.

[Mark Anthony Green]

Karaoke joint as.

[Lawrence Schlossman]

Yeah, it's like. Yeah, yeah. Wow. You're really locked in. And I've seen it twice. Yeah, yeah, locked. I'm doing my job, you know, and.

[Mark Anthony Green]

Supporting a friend and a person of color.

[James Harris]

The soundtrack is gonna. Do you get royalties on the stream?

[Mark Anthony Green]

Yeah. How does that work?

[Lawrence Schlossman]

Do I get royalties on the stream? I don't know.

[Mark Anthony Green]

Are you co writer on the music.

[Lawrence Schlossman]

On some of the songs?

[Mark Anthony Green]

Yeah.

[James Harris]

Hell, yeah. When you're publishing.

[Lawrence Schlossman]

Well, and there's, like, song. There's, like, scoring songs.

[Mark Anthony Green]

Right, Right?

[Lawrence Schlossman]

Yeah. I'm in, like, ass.

[James Harris]

Catch that pause. What? IO Stop trying to make IO happen.

[Mark Anthony Green]

No, it's my.

[Lawrence Schlossman]

Oh, he's doing.

[Mark Anthony Green]

You know. Oh, you just got it 51 minutes later.

[Lawrence Schlossman]

I did not know that that was the terrible.

[James Harris]

That's the Jersey accent.

[Mark Anthony Green]

Yeah, that's my terrible joke.

[Lawrence Schlossman]

Don't talk like this. I'm from New Jersey. I had no clue. You were trying to. You were summoning my goat.

[Mark Anthony Green]

Yeah. Let's talk about IO, Right?

[Lawrence Schlossman]

Yeah.

[Mark Anthony Green]

Is that someone. So that's. Is that a. That's a friend.

[Lawrence Schlossman]

Is.

[Mark Anthony Green]

And what is it like approaching a friend as someone who. You guys are friends, but you're unproven in this arena where she is quickly becoming the rising star? Yeah, deservedly so. How do. What's that pitch to the homie to be like, I want you in this role.

[Lawrence Schlossman]

I was an artist, man. Like, I think her approach. If you look at the projects that she does, you look at, you know, I think the stuff that she's going to direct, I feel like this statement will be true in the future. I think that she just works on things that she gravitates towards. And whether it's Luca or whoever, I think that it's just about the material. So to me, you know, it's like, if they respond to the script, great.

[Mark Anthony Green]

If they don't, then what's the contingency plan for rejection?

[Lawrence Schlossman]

I don't. I didn't have.

[James Harris]

You're not invited to my birthday party anymore.

[Mark Anthony Green]

My Juneteenth party. My Juneteenth barbecue.

[Lawrence Schlossman]

Okay. All right.

[James Harris]

Why did she. Can I ask you a question? Can I ask you a fashion question?

[Lawrence Schlossman]

Yes.

[James Harris]

Why does she. How does she do menswear better than most dudes?

[Lawrence Schlossman]

I was the goat.

[Mark Anthony Green]

Yeah.

[Lawrence Schlossman]

I think that that's actually. That's, like, light work for her.

[James Harris]

Is it the confidence? Is it just, like, the hap. Just so happy to be here. The gratefulness, the joy?

[Lawrence Schlossman]

No, I just. I think she 1. She's beautiful, and she carries it in a way that, like, first of all, most menswear dudes are like, y'all. So y'all are her competition nerds in expensive clothes. Yeah, that's exactly.

[Mark Anthony Green]

Someone once said.

[Lawrence Schlossman]

Yeah, yeah. Someone once said. So that's like a layup for her. Sorry, gentlemen. And then. Yeah, it's just fair. But then, you know, shout out to Danielle Goldberg, like. Like, I think what those two are doing as a Just a human being that loves clothes. Like, they're on a tear.

[Mark Anthony Green]

Yeah.

[Lawrence Schlossman]

But, yeah, IO, she's, she makes everything look cool.

[James Harris]

Very easy, too.

[Lawrence Schlossman]

Yeah, she's very like. Because I think it's genuine to her. It's not. She's.

[James Harris]

Do you guys nerd out over clothes, the two of you?

[Lawrence Schlossman]

Never.

[James Harris]

Oh, are clothes just like in your rear view mirror now?

[Mark Anthony Green]

Yeah.

[Lawrence Schlossman]

Nah, I, I just don't know what's going on.

[James Harris]

Okay, guy, not much.

[Mark Anthony Green]

Because you're under that rock getting a film done.

[Lawrence Schlossman]

Well, that and I'm working on the next film.

[Mark Anthony Green]

Okay, we'll talk about it.

[Lawrence Schlossman]

Yeah, I just don't, I don't. Like, it's one of those things, like, I was so I, like, I knew where every designer was and all the rumors and all the things, and now.

[James Harris]

I don't know when you remove yourself from that and. Sorry if I'm skipping ahead here. Lawrence, are you driving? But when you remove yourself from that and then, like, you know, you kind of turn back and you're like, like, oh, okay. Does it feel, like, trivial or silly where it's like the musical chair. Oh, the high school rumor mill.

[Lawrence Schlossman]

Absolutely not. No. I, I, it's just a different arena. Yeah, but I love bro. I'm, I. Part of the reason I'm so happy to be back in New York is, like, walking through soho. I feel like a kid again. No. Nothing on the planet. There's nothing in la. LA has been so kind to me.

[Mark Anthony Green]

Thank you. It's a different arena, like you said. But you're still a motherfucking gladiator. Let's talk about the fashion in the movie.

[Lawrence Schlossman]

Yes.

[Mark Anthony Green]

Right, Right. So you're a fashion guy, and it shouldn't shock anyone to know that there's, like. And we've talked about this a bit, some of these, like, and I don't know if they're, like, intentional. We can ask you, but there's, like, these fun little Easter eggs of the sartorial variety throughout the film.

[Lawrence Schlossman]

Yeah, yeah.

[Mark Anthony Green]

Without going full spoiler alert mode, do you have, like, a particular fashion moment that you were, like, super proud of for getting on the big screen?

[Lawrence Schlossman]

There's one that y'all will appreciate is so, so back in the day, gq, we would go on these retreats, which is not crazy, right? Like, every company goes on a retreat. What was different about gqs is the fashion team would make these, like, gift bags for everybody. It was, like a yearly thing, and it was like a way of, like, thanking the editors and stuff.

[James Harris]

Free swag.

[Mark Anthony Green]

Yeah. From the closet.

[Lawrence Schlossman]

Yeah. Yeah. Well, they would have, like. Like, you know, Todd Snyder and J. Crew and Michael Bastian and, you know.

[James Harris]

Like, it was that era, like, access, like, accessories. Like, here's a scarf.

[Lawrence Schlossman]

Here's gloves, Here's a shirt. Here's a blazer. Here's a pair of real. Yeah, yeah. It was. It was.

[Mark Anthony Green]

It was not getting paid. Otherwise, it was.

[Lawrence Schlossman]

Well, yes, yes, brother. And so it was, like, extensive. But what would happen is everybody started to dress alike. And so if you're like, me, the bag, you're like, I love all of these clothes. And, like, I like these. A lot of these designers. But then I can't wear any of this because I don't want to come to the office dressed, like, clone everybody. So there's a scene when they're on their way to the. To the. To Moretti's compound, and Murray and IO's characters are dressed alike. Like, oh, and.

[Mark Anthony Green]

Oh, wow.

[Lawrence Schlossman]

Everybody was kind of like. Because they knew how specific I was about the clothes and how I was like, ready to blow all the budget to make sure we got these Rick Owens boots and shit.

[Mark Anthony Green]

The Kiss boots do make an appearance.

[Lawrence Schlossman]

Like, I was doing all of this. And then they were like, they have the same outfit on. And everyone thought it was a mistake.

[Mark Anthony Green]

Oh, damn, dude.

[Lawrence Schlossman]

Like, assistants were talking to me. Shelly Corrado. So talented costumes. I know. We had several conversations about it. I even think that Murray said something at one point, but it was like, I. I don't think anyone else in the world cares. But for me there, that you care.

[Mark Anthony Green]

That's real. That's real life.

[Lawrence Schlossman]

Well, you're like, yeah, that's like, a thing. And I kind of approached the, like, the journalism. The opus is not about the media, and it's not about being a journalist. But it no more than, like, white man can't jump is about basketball.

[Mark Anthony Green]

Sure.

[Lawrence Schlossman]

It's like, that's not what the movie's about.

[Mark Anthony Green]

Vessel.

[Lawrence Schlossman]

But you. But you want the basketball to be as authentic as possible.

[Mark Anthony Green]

Yes.

[Lawrence Schlossman]

So to me, I was like, man, if. If I don't get that part of it right, then that would be because I lived it. And that just felt authentic.

[James Harris]

Were the uniforms worn by Moretti staff? Those were fucking pretty hard. It felt like they were like some visvim Japan dip dyed. Like, you could see the fading nicely.

[Lawrence Schlossman]

Yeah, yeah. And they. Man, again, this is another thing about the crew. Like, you have very, very little money. So in my brain, I'm like, well, we can get away with. You want to make it them uniform because then it gives them a Bigger presence.

[James Harris]

Right.

[Lawrence Schlossman]

Film. And. And they're cult like, you know, you want to have some type of sartorial element that they share.

[Mark Anthony Green]

Absolutely.

[Lawrence Schlossman]

And y'all, y'all love Japan. I. I think the most interesting process for clothes still is in Japan, for sure. Japan and Italy. And so that felt like a cool homage to something that I love. But also from a practical standpoint. Right. We're able to cheat some things. And Indigo dye exists. It exists that you can buy in bulk.

[James Harris]

You guys. Indigo died.

[Lawrence Schlossman]

Yeah.

[James Harris]

Those short coats.

[Lawrence Schlossman]

I posted a photo while like in pre production and so you can see on my Instagram, but they basically had got like old, like super janky. I think they were like washing machines and they. Or like washing machine or dryer. But like the old ones where like the door doesn't open this way, it opens from the top.

[Mark Anthony Green]

Yeah.

[Lawrence Schlossman]

You know what I mean? And. And they were just like swashing around, laying. But like during pre production, I would come in some days and like you would see all the.

[Mark Anthony Green]

That's hilarious. Yeah, there's. I believe there's even an indigo dying like insert towards the end of the movie, right?

[Lawrence Schlossman]

Yeah, exactly.

[Mark Anthony Green]

But again, don't want to spoil anything. Throw gang. Long time listen to the show. Already know what is good when it comes to the underwear that we put on as the goddamn boys and you already know is Skims. Thank you so much to Skims for sponsoring the only podcast that matters.

[James Harris]

Larry, you and I are skipping across the pond over to the United Kingdom Dome and you know, already packed all my pants as they're called over there. They call under our pants.

[Mark Anthony Green]

Yeah.

[James Harris]

So you know that the suitcase is blessing full of skims. Can't wait for the. The bloomers and the knickers and the pants man make an appearance over in the uk.

[Mark Anthony Green]

The cultural exchange is strong, just like our unstoppable travel rotation of boxer briefs. Courtesy of Skims. You already know I'm gonna be flying in first class in my 100 business class. That's what we're calling it now. Okay.

[James Harris]

That's what it is.

[Mark Anthony Green]

I'll be in business class, flying high in my 100% cotton 3 inch inseam boxer briefs courtesy of Skims Shop, Skims Men's and [e-mail] or at the SKIMS New York flagship on 5th Ave. Let them know we sent you after you place your order, select podcast in the survey and select our show in the dropdown menu that falls. Skims is the official underwear partner of the NBA, WNBA and USA Basketball. Throw Gang, wouldn't you like to look a little younger? Maybe get a few more compliments on your skin or just feel more confident when you look in the mirror? That's exactly what Caldera Lab is here for. Their high performance skin care is designed specifically for men. It's simple, effective, and backed by science.

[James Harris]

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[Mark Anthony Green]

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[Lawrence Schlossman]

Is really locked in on this move.

[Mark Anthony Green]

Yeah, I'm doing my job. That's wonderful to hear. And honestly, I think could make up for some of my missteps and those still to come, so.

[Lawrence Schlossman]

Yeah, yeah, exactly.

[James Harris]

Despite building up the credit.

[Mark Anthony Green]

Yo, put on my tap, dog. So this idea of like having a vision for the sartorial elements of the movie but not having the budget. I believe some of your own clothes are in the movie.

[Lawrence Schlossman]

Correct? Yeah.

[Mark Anthony Green]

Did anyone take that or did you get it back?

[Lawrence Schlossman]

No, no, I got everything back.

[Mark Anthony Green]

Did you take anything like any of these indigo pieces?

[Lawrence Schlossman]

No, no, I. You know what's funny, man? I'm such a sentimental person that I thought that I was like, oh, I want that and I want that and I want that. And then, I don't know, like I just became so overwhelmed with wanting the film. Like the work of it. It just became the thing right now.

[Mark Anthony Green]

Like, I got bigger fish to fry than, you know, like. Like souvenirs.

[Lawrence Schlossman]

Yes. It's so not where my brain was. I cry like a baby on the last day of production.

[Mark Anthony Green]

Tears of joy, relief, sadness. Combination. Combination.

[Lawrence Schlossman]

Gratitude. Okay, yeah, gratitude. Like for them for us to pull this movie off in 19 days.

[Mark Anthony Green]

That is crazy.

[Lawrence Schlossman]

That took a hustle from strangers.

[James Harris]

That's insane.

[Lawrence Schlossman]

People that I don't know. Some people I probably will never see ever again.

[James Harris]

Three weeks.

[Mark Anthony Green]

Yeah, right.

[Lawrence Schlossman]

Like over delivered.

[Mark Anthony Green]

And you owe them your life, your career.

[Lawrence Schlossman]

And I'm just saying, like for me and nobody.

[James Harris]

I'm sure they like the overtime pay when you went over.

[Lawrence Schlossman]

Yeah, but. But even that, like, you also not seeing your family. Like, you're not.

[Mark Anthony Green]

Right?

[James Harris]

Yeah.

[Lawrence Schlossman]

There's no amount. Everybody making that movie was underpinning. Everybody. John Malkovich was underpaid.

[James Harris]

Really?

[Lawrence Schlossman]

I got the DGA minimum. Yeah, it's googleable.

[Mark Anthony Green]

Who is the biggest diva on set?

[Lawrence Schlossman]

The biggest diva? I made a deal that I was going to answer every single question when I came here, the biggest diva, honest, honest, honest answer was New Mexico. And here's why. I'll say that.

[Mark Anthony Green]

The fickle known as nature.

[Lawrence Schlossman]

No, the people.

[James Harris]

I miss the old Mexico, brother.

[Lawrence Schlossman]

People couldn't have been better. I had no idea that New Mexico got that cold.

[Mark Anthony Green]

Oh, at night I.

[James Harris]

You're in the desert, bro.

[Lawrence Schlossman]

It was seven degrees.

[Mark Anthony Green]

What?

[Lawrence Schlossman]

Some days you needed the puffer.

[Mark Anthony Green]

Yeah, not for Sundance, for New Mexico.

[Lawrence Schlossman]

We had heated the corniest. Electric heated vest and pants and like underwear. It was this. It was the worst.

[James Harris]

Was it cheaper to shoot in the winter or that's just like what the production.

[Lawrence Schlossman]

I didn't know.

[Mark Anthony Green]

I had no idea.

[James Harris]

Hey, Siri, how cold is New Mexico?

[Lawrence Schlossman]

Like, like that for real? Like, it would have. I don't know that it would have changed when I would have shot. I'd have shot at any time they.

[James Harris]

Let me shoot it.

[Lawrence Schlossman]

But like, bro, it would be brutal. And then, you know, you're outside for a lot of it. It dumped snow. Like two feet of snow. One day. We had a snow day. Like, when you're shooting for 19 days, losing an entire day, it's like, that's.

[Mark Anthony Green]

1 19th of the shooting. It is scheduled the worst.

[James Harris]

So for your next film, are you like thinking of a little like thriller set in, I don't know, Italy in the summer.

[Mark Anthony Green]

Or literally, White Lotus mode.

[Lawrence Schlossman]

Yeah, I get it.

[James Harris]

Somewhere in Hawaii maybe.

[Lawrence Schlossman]

You know who's really good at that is Luca.

[Mark Anthony Green]

Oh, yeah, dude.

[Lawrence Schlossman]

He's like, I'm gonna go someplace that actors want to be. Someplace beautiful. We'll figure it out.

[Mark Anthony Green]

Out. Take a little queer vacation to Mexico after being summering in Italy. No, that's the name of the movie. Anyway, let's talk about something that you do. You have a follow up?

[James Harris]

No.

[Mark Anthony Green]

Okay.

[Lawrence Schlossman]

Wait, is this gum?

[James Harris]

No, no, no.

[Mark Anthony Green]

It's nicotine.

[Lawrence Schlossman]

Oh, you took Gum out of you.

[Mark Anthony Green]

No, no. I took a. A Zin out because it was done.

[James Harris]

Imagine if it's white.

[Mark Anthony Green]

Yeah.

[Lawrence Schlossman]

Oh, I pictured something black.

[Mark Anthony Green]

No, you would.

[James Harris]

He wishes you would.

[Lawrence Schlossman]

Stop, stop, stop. I pictured it to look like. Like chewing tobacco.

[James Harris]

No, it's just pure chemical. There's no tobacco. There's no plants. There's no tobacco plant. It is just pure nicotine chemical.

[Mark Anthony Green]

It's good for you.

[James Harris]

No, it's not.

[Mark Anthony Green]

Okay, so you said something that I thought was fascinating, which is that the movie isn't about magazines, but all the magazine stuff. Just, like, with white men can't jump in basketball. It needs to be authentic for you, for it to be real. Would you say that part of this movie, or maybe this movie is about, like. Or it is a commentary on the celebrity worship that we have in a culture that is basically a celebrity industrial complex these days.

[Lawrence Schlossman]

Yeah. But also, tribalism is, like, bigger than entertainment. Right. So shout out.

[James Harris]

Stussy.

[Mark Anthony Green]

The International.

[Lawrence Schlossman]

It's tight because if you're, like, a fashion person, you get that joke, but if you're not.

[Mark Anthony Green]

Is it a joke? Well, it's a shout out.

[James Harris]

It's a quip.

[Lawrence Schlossman]

It's. Yeah, it's definitely not. Whatever it is.

[James Harris]

I'm riffing like Malky.

[Mark Anthony Green]

I think jokes need to be funny by definition. Right.

[Lawrence Schlossman]

You don't think that.

[Mark Anthony Green]

That was good, though?

[James Harris]

Don't think so. It's more about, like, blind faith to the cult of personality or.

[Lawrence Schlossman]

Yeah, and I. And I. I don't know. I guess the. You know, I've said this a bunch, but, like, I don't pretend to have the answers. I don't. I don't know, you know, who's good, who's bad, whatever. I just think it's tight. It would. It's my dream for us to have conversations where we interrogate. Does this still serve us? And right now I feel like. And it's global. It's a global pandemic. Like, my guy's bigger than your guy. If you like my guy, then you can do no wrong. If you hate my guy, then you can do no right, and my guy can't do anything wrong. And I just don't think that's how any of us actually feel.

[Mark Anthony Green]

How do you feel?

[Lawrence Schlossman]

I think that there is no perfect human, and there's nobody that I think is right all the time.

[Mark Anthony Green]

We need space for nuance.

[Lawrence Schlossman]

We have zero space for it. And not only do we have no space for it, but we attack those that try to explore it. And so I think we're going in the wrong direction. But again, I made Opus. Hopefully for people to have that conversation. Not. Not for me to give you the answer.

[Mark Anthony Green]

Right.

[Lawrence Schlossman]

Or to tell you how I think the world should be.

[Mark Anthony Green]

I think. And that's really interesting to say that because for me, what I enjoyed the most about the movie and why you should see it in theaters, honestly, is that it's fun. And I wonder if as someone who loves movies and is making movies, like right now, can movies be fun or does there need to be a ham fisted message for it to get made or for people to give a shit?

[Lawrence Schlossman]

I don't. I think movies can. Obviously, they can be fun. There are super fun films. I wanted Opus to be. To have a lot of Honey with the Medicine.

[Mark Anthony Green]

Right.

[Lawrence Schlossman]

Because that's. That is who I am. Like, I know, you know, buried under y'all with a bunch of clumsy ass jokes and some terrible outfits. Damn. Go off bitch and some. And y'all talking about sex that y'all not having.

[Mark Anthony Green]

Damn.

[Lawrence Schlossman]

And you know what I'm saying. And all the. The black jokes and the humor and. And the slang and all that. I know that there is true introspection and value. And you're saying something and I think to your audience, something that y'all, the two of y'all have always done, truly.

[Mark Anthony Green]

Thank you.

[Lawrence Schlossman]

Even down to four pins to the show that y'all had.

[Mark Anthony Green]

Fashion Bros.

[Lawrence Schlossman]

Fashion Bros. Like, there is real value. There's. There's genuine smart joke construction and humor.

[James Harris]

And that's a Honey with the medicine.

[Mark Anthony Green]

Yeah, baby.

[Lawrence Schlossman]

Yeah.

[Mark Anthony Green]

This is the nicest thing anyone's ever said. Swagless. No getting geniuses.

[James Harris]

Yeah.

[Mark Anthony Green]

Yeah, yeah, yeah, yeah.

[Lawrence Schlossman]

Yes. That's kind of it, is it not?

[James Harris]

That's all I aspire to be.

[Mark Anthony Green]

Yeah.

[Lawrence Schlossman]

You know what I mean? And so. I don't know. I just suppose it would be nice.

[Mark Anthony Green]

Just a crumb of Boone, sir. Please, man.

[Lawrence Schlossman]

May I have some more?

[Mark Anthony Green]

May I have some.

[Lawrence Schlossman]

Anyways.

[Mark Anthony Green]

Honey with the medicine.

[Lawrence Schlossman]

Honey with the Medicine.

[Mark Anthony Green]

Because the.

[James Harris]

The movie does kind of like in the. Almost like at the buzzer have, like again, I go see it.

[Mark Anthony Green]

Yeah.

[James Harris]

But there is, like, it's no it. There's a nice. Nice almost like double twist towards the end.

[Lawrence Schlossman]

Yeah.

[James Harris]

I'm not even gonna. That's all I'm gonna say.

[Lawrence Schlossman]

No, that's. I think that's great. You know, that's cool.

[Mark Anthony Green]

Like, which.

[James Harris]

Which I think opens it up for nuance where it's like.

[Lawrence Schlossman]

Yeah. Interpretation up for you to talk about it. Like one of the My favorite conversations.

[Mark Anthony Green]

Besides this one?

[Lawrence Schlossman]

No. Well, I was more of like a. A macro sense conversation is. Well, this is a bit of a spoiler, but it.

[Mark Anthony Green]

Are you sure?

[James Harris]

It. We're an hour, nine minutes in, I.

[Mark Anthony Green]

Think, so you could tiptoe around it.

[Lawrence Schlossman]

Well, yeah, like, this is a spoiler. If you don't want part of the film kind of spoiled for you.

[James Harris]

Skip ahead 30 seconds.

[Lawrence Schlossman]

Yeah. Or maybe. Or maybe pause this. Go see the movie.

[James Harris]

Oh, okay.

[Mark Anthony Green]

Yeah. Wow. A little double feature.

[Lawrence Schlossman]

Yeah. Yeah, exactly. I like that. Like, so people have asked me, why. Why did Moretti murder? Like, why those people? But we kind of understand why those people. But, like, why. And the cool thing that was happening at Sundance is, like, you know, you screen in and people talk after, and everybody kind of. There were a few people that talked about Luigi. Now, if Luigi stood on a corner with a sign, and he was like, healthcare, you know, insurance companies, bad. I wouldn't know his name. You wouldn't know his name. If he walked up to that guy, he punched him in the mouth, I wouldn't know his name. You wouldn't know his name. But. And I'm not saying Luigi's good or bad. I'm not saying it matters where you fall on the politics of it, or if you think he's a hero or should be free. Shouldn't be free.

[James Harris]

What about his loafers?

[Lawrence Schlossman]

Or care about his loafers? But the idea of murdering somebody, Murdering somebody in such a grand fashion to get a message out there, like, we.

[Mark Anthony Green]

Have means to an end.

[Lawrence Schlossman]

We have proof in real time. There's. There's that line at the end of the film. I'm already talking about the Crusades. And there are real examples of that, you know, and so Opus is very dense, and it is heady, which I hope people enjoy, but still fun as hell. Yeah. But I really did want it to. To still be extremely, extremely fun. And that at a lot of times was like, the. The priority, because we all knew on the page we were really saying something.

[Mark Anthony Green]

Right.

[Lawrence Schlossman]

You know, so it was like, okay, well, let's make sure people want to go on this ride. Right.

[Mark Anthony Green]

Okay. That was beautiful and I think very insightful. So let's continue down that path of insightfulness. Mag, when you go to these high powered Hollywood parties and you rub elbows with the master of the universe, do you still order Shirley Temples?

[Lawrence Schlossman]

I. I used to. So I've known these. These humans for a long time. I used to. I don't drink alcohol. I've never drank alcohol. And so I would order Shirley Temples everywhere I went. I don't order Shirley Temples anymore.

[Mark Anthony Green]

What's the drink of choice?

[Lawrence Schlossman]

If I'm gonna have something, it'd be like a ginger beer.

[Mark Anthony Green]

Okay.

[Lawrence Schlossman]

But like, that's rare.

[James Harris]

Why do you grew up. Why do you have showy temples? Was the sugar catching up to you or is it just like.

[Lawrence Schlossman]

Yeah, it was fucking terrible.

[Mark Anthony Green]

It is so bad for you.

[Lawrence Schlossman]

Really bad for you. You.

[James Harris]

What is your seven up in, like.

[Mark Anthony Green]

And Grenadine.

[James Harris]

Grenadine, yeah. Which is just pure sugar.

[Lawrence Schlossman]

It's terrible. But also drink Shirley Temples if you want to. Like, I, I'm not one of those people that, like, started eating right. And. And then I'm like, you should. Right? I don't actually care.

[James Harris]

Did LA change you? Are you like, oh, I'm in LA now.

[Lawrence Schlossman]

It was, it was before la, okay. Oh, yeah, it was before la, but. But I'm glad. But I also got old, bro. We're not young anymore. Anymore. I'm 36.

[James Harris]

Damn, that's young as hell.

[Lawrence Schlossman]

You can't fit.

[Mark Anthony Green]

They're old. As for Hollywood, dude, you're expired.

[Lawrence Schlossman]

Yeah, I know. I mean, but like, you know, you gotta. At some point, you look in the mirror and you're like, damn, I got titties. I gotta. Yeah. Like, I'm either gonna go this direction, I'm gonna go this direction.

[Mark Anthony Green]

Right, Right. I think you made. I think you made the right choice. How. Okay, so how has LA and Hollywood changed you the most? Would you say? Are you like a full on clout chaser now? Are you worshiping celebrities or are you like, oh, that's actually grosser than I ever imagined.

[Lawrence Schlossman]

Like, no, I don't.

[Mark Anthony Green]

You think I love celebrities.

[Lawrence Schlossman]

You don't know any celebrities.

[Mark Anthony Green]

I know you. I got your number.

[Lawrence Schlossman]

You do have my number. I don't know. I'm grateful that I'm doing this at 36, because I think I know who I am.

[Mark Anthony Green]

Oh, great call.

[Lawrence Schlossman]

Like, if I were fresh out of Morehouse and in that world, I think I'd be way more impressionable.

[James Harris]

You would have gotten corrupted by the evil forces of Hollywood.

[Lawrence Schlossman]

And I don't.

[James Harris]

I mean, chasing economy, I think that.

[Lawrence Schlossman]

I'd be way more vulnerable.

[James Harris]

Okay.

[Mark Anthony Green]

Susceptible to.

[Lawrence Schlossman]

Yeah, but like, I have, I have great people in my life. Like, Will's not gonna let me do something too corny.

[James Harris]

Does he check you Shut the up.

[Lawrence Schlossman]

He doesn't say it like that.

[James Harris]

Well, yeah, but, you know, but yeah.

[Lawrence Schlossman]

But all the time. I mean, mean, I, I. You can tell who has OGs that, that they Call on that. Tell them, hey, yo, you. You need to tighten up. You need to do this. And you can tell who doesn't. And I have great older people in my life that, you know, let me know and. And great friends. I have such a great community.

[James Harris]

Respect your elders.

[Lawrence Schlossman]

Yeah, yeah, yeah. Will is my elder for sure.

[Mark Anthony Green]

He's your fucking. He's your Jedi master.

[Lawrence Schlossman]

Yes.

[Mark Anthony Green]

That's a movie. That's a movie reference from a little thing called Star Wars.

[Lawrence Schlossman]

Yeah, yeah, yeah, yeah.

[Mark Anthony Green]

Indie flick. Ever heard of it? So you're talking about, like, being a little bit of a late bloomer, which has its pros and its cons. Based on what you figured out thus far, how many movies you have to make before they let you in to the Illuminati.

[Lawrence Schlossman]

I think it's not just how many movies you make. I think you have to gross.

[Mark Anthony Green]

Oh.

[Lawrence Schlossman]

I think if you can gross a 500 at the box office.

[Mark Anthony Green]

Yeah.

[James Harris]

And you get a free adrenochrome for life.

[Mark Anthony Green]

The.

[James Harris]

It's a supplement made from children's blood. You at the Illuminati?

[Lawrence Schlossman]

Yeah.

[James Harris]

It's how they stay so young and powerful.

[Mark Anthony Green]

When they say crack a cold one, they mean a zygote, a fetus. And you just. The Clintons do that.

[Lawrence Schlossman]

You know.

[Mark Anthony Green]

You know the vibes.

[James Harris]

This what Pizza Gate was about.

[Lawrence Schlossman]

There's no way. There's no way that, like, QAnon would accept. Except y'all. Because of those outfits. They would look at y'all and be like, nah.

[Mark Anthony Green]

Yeah.

[Lawrence Schlossman]

Do y'all feel like men with no country because of that?

[Mark Anthony Green]

Yeah. No country for old men. Yeah. That's us.

[James Harris]

No country for no getting men.

[Mark Anthony Green]

No. Yeah. Yeah. Swaggers. No getting geniuses. Do you.

[James Harris]

Will you be paying attention to box office, or is it just kind of.

[Mark Anthony Green]

Like to be real?

[Lawrence Schlossman]

Yeah, but not because of the money. I like. I. It's. It's not because of the money. Money. I. I learned that about myself, and everybody close to me, for better and for worse, would be like, man, you really do not. You're not making financial decisions. You're not. I. I lost money, too.

[James Harris]

Left brained. Really?

[Lawrence Schlossman]

Yep. Personally, I lost money making this movie.

[Mark Anthony Green]

Wow.

[James Harris]

All those flights to Latvia.

[Lawrence Schlossman]

You feel me? Not. Not. Not free.

[James Harris]

Not all the studio time with Niall.

[Lawrence Schlossman]

Yeah. Like you end up. But I wouldn't change it for the world. I think that the box office to me is like, okay, this is how many people saw this film.

[Mark Anthony Green]

And eyeballs, straight up. Not dollar signs.

[Lawrence Schlossman]

Not dollar signs, but eyeballs. And also a success. Of, like, marketing this. I think we definitely got X amount of people in, and this worked. This was helpful. I wish we had done this because, you know, it's like, I'm. I used to play ball. I think I approach a lot of things like an athlete, and I want to get better, and I want to be better at promoting a film. I want to be better at. At communicating at making a film.

[James Harris]

You wasn't with me shooting on set.

[Mark Anthony Green]

So getting your reps up right now.

[Lawrence Schlossman]

Oh, yeah. But also, this is. It's. I. I know that this is what I'm supposed to be doing, because the hardest parts are. Are, like, some of the most fun to me. And then this part of it, the, like, promotion part of it is cool. Like, I'm not, like, you're the flex.

[Mark Anthony Green]

Nuts because you did this thing.

[Lawrence Schlossman]

I'm not. I don't know about that, but, like.

[Mark Anthony Green]

But it's a small club, dude. Like, the people. Like, I'm like, yeah, more people can be, like, so many things. And I made a movie. It's a fraternity, at least one that's theatrically released. Let's be real.

[Lawrence Schlossman]

Yeah, yeah, yeah. I don't. I. I. I think if I'm just being honest, and I've also. I've known y'all, so, like, it's tough for me to posture in front of y'all.

[Mark Anthony Green]

My.

[Lawrence Schlossman]

Where I'm at right now is I'm deeply overwhelmed emotionally to the point where I feel my. I'm like, we'll. We'll tap into that at a later date.

[James Harris]

What are you gonna do on release date? Are you gonna, like, hide under the covers? Gonna go sneak into a theater in the Valley, Entourage, buy a ticket.

[Lawrence Schlossman]

But I definitely will want to see it with whoever. Like, the people that go opening day.

[Mark Anthony Green]

Hell, yeah.

[Lawrence Schlossman]

You could tell that, right?

[Mark Anthony Green]

You know March 14th.

[Lawrence Schlossman]

Yeah, March 14th. So, yeah, I definitely wanted to. Theater PI Day. I didn't do that intentionally, everybody. That's how I know you were good at school.

[James Harris]

I know my dates.

[Mark Anthony Green]

Yeah, he's half Asian.

[Lawrence Schlossman]

Huh?

[Mark Anthony Green]

He's half Asian.

[James Harris]

Juneteenth Pie Day. I know my. I know my holidays.

[Mark Anthony Green]

This guy knows all the holidays.

[Lawrence Schlossman]

I was trying. I was going to defend you on that. And you.

[Mark Anthony Green]

Okay, so you lost money making the movie. But there's got to be some perks when you make a film with a 24. Like, the hottest studio in the game, arguably. Like, what. What are the LA Cool guy perks? I get a free membership to San Vicente Bungalows or some shit.

[Lawrence Schlossman]

No, bro.

[James Harris]

You would Think.

[Lawrence Schlossman]

I'm sure that there's, like, gente. There's probably ways to, like, exploit that for your benefit, but it's really like. No, you, you, you. The. The film is the reward.

[Mark Anthony Green]

Well said.

[Lawrence Schlossman]

And I'm so, so happy about, like, I'm. I feel the happiest that I have ever felt. I'm tired, as.

[James Harris]

Did the studio offer to get you a stylist for your promo run or.

[Mark Anthony Green]

You'Re like, they did.

[James Harris]

I got this.

[Lawrence Schlossman]

And I said, I got this.

[James Harris]

Yeah, you said, you know what? Take that budget for the stylist and let me have it.

[Lawrence Schlossman]

It. Let me fly to New York so I can talk to y'all.

[James Harris]

Yeah.

[Mark Anthony Green]

Let us posture on your behalf. Have you thought about. About what would be like. I don't want to name any specific award shows, but some. Have you thought about some red carpet, black tie fits?

[Lawrence Schlossman]

Oh, every day. I had a dream when I made my short.

[James Harris]

You had the dream?

[Lawrence Schlossman]

I had what?

[James Harris]

You had the dream.

[Mark Anthony Green]

Yeah, I have the dream.

[Lawrence Schlossman]

Yeah. I really. Here's the thing. I thought that's what you were doing.

[James Harris]

No, I was just.

[Lawrence Schlossman]

And then he's for. And he took it.

[James Harris]

He went, mlk.

[Lawrence Schlossman]

That's kind of on. On me. I want.

[James Harris]

It's more on him. It's more on him.

[Mark Anthony Green]

What day? What. What day of the year is that?

[James Harris]

MLK day?

[Mark Anthony Green]

Yeah.

[James Harris]

January. Mid January. Depends.

[Mark Anthony Green]

I. I thought you knew your day.

[James Harris]

It's the second or third Monday in January.

[Lawrence Schlossman]

It's funny, he doesn't know that one.

[James Harris]

Well, it's not a specific day.

[Lawrence Schlossman]

Neither is Juneteenth.

[Mark Anthony Green]

Oh, really?

[James Harris]

I thought it was June 19th.

[Lawrence Schlossman]

Juneteenth is a celebration for when slaves got the news that we are free. Black people are free.

[James Harris]

Some slaves got it later than others.

[Lawrence Schlossman]

That's why we call it Juneteenth. Because there's a window.

[Mark Anthony Green]

Got it.

[Lawrence Schlossman]

Because, you know, it wasn't like they were texting back then.

[James Harris]

Well, in 2025, Juneteenth is on June 19th, so maybe I was just thinking.

[Lawrence Schlossman]

Of white people's Juneteenth.

[James Harris]

So fraught, you know, before it's a Thursday.

[Mark Anthony Green]

He's just planning his schedule out.

[James Harris]

The Friday off.

[Lawrence Schlossman]

You definitely should take the Friday off.

[Mark Anthony Green]

Because it's for you.

[Lawrence Schlossman]

Wait, we were saying something.

[Mark Anthony Green]

You had a dream.

[Lawrence Schlossman]

Oh, I had a dream. This is silly. I had a dream that when I made my short, I was accepting an award and my. My ears were pierced, and I didn't have my ears pierced.

[Mark Anthony Green]

Really?

[Lawrence Schlossman]

That's how long ago I made the short? Eight Years. Yeah. I didn't have my ears pierced, and then two days later, I went and got my ears.

[Mark Anthony Green]

That's. You got to. That's a message.

[Lawrence Schlossman]

It was weird to see yourself in a dream with something with more swagger bag. Yeah, yeah, kinda. But I was like, oh, I don't. That was weird.

[James Harris]

Have you had any dreams about, like, potential red carpet fits? You know what? I should go buy that Saint Laurent suit.

[Mark Anthony Green]

Yeah, that would look good.

[Lawrence Schlossman]

I.

[James Harris]

Strong show mag and pinstripes. Oh, I would love to see that.

[Lawrence Schlossman]

You know what I mean? That's what I wore to the premiere. Not Saint Laurent. It was Husbands. But I love.

[Mark Anthony Green]

Oh, the. The jacket and jeans combo.

[Lawrence Schlossman]

Yeah.

[James Harris]

The thinking man at the Egyptian Theater at the contemporary Saint Laurent. Have you met the founder of Husbands? He looks exactly like Yves Saint Laurent.

[Lawrence Schlossman]

He does, yeah.

[Mark Anthony Green]

Handsome hair.

[Lawrence Schlossman]

Yeah. All of those dudes that work in that store. It's cool. They. It. It reminds me a bit of sids, but in Parisian.

[Mark Anthony Green]

Yeah, absolutely.

[Lawrence Schlossman]

Like a Parisian city.

[James Harris]

They have a trunk show coming to New York in a few weeks.

[Lawrence Schlossman]

Are you gonna go?

[Mark Anthony Green]

Yeah.

[James Harris]

You might even be. He doesn't know. Having a little conversation.

[Lawrence Schlossman]

Oh, I love that.

[Mark Anthony Green]

News to me. Let's talk. Let's talk a little bit more about fashion. Right. What do you miss most about working in the fashion industry? And what are you happy that you never have to deal with again?

[Lawrence Schlossman]

I loved going to the shows because it's such a big presentation.

[James Harris]

Is that the director in you? It's like this is a spectacle.

[Lawrence Schlossman]

A lot of.

[Mark Anthony Green]

Yeah.

[Lawrence Schlossman]

Like the. There's a big performance in the film where John performs. And I, for my production designer, I had all of these fashion shows references. In fact, he's done fashion show. He's based in your. Robert Pizzoka, a real legend and based in New York. And one of the reasons that I hired him was because he had. He had worked in fashion, both build outs and shows.

[Mark Anthony Green]

That's a great scene.

[Lawrence Schlossman]

Thank you. Yeah. And so I think that's the coolest thing in the world is like, they spend so much money. It's so grand. It's so opulent. It's truly the creative director's vision. And you go there and y'all know you're there for 15 months. Minutes.

[Mark Anthony Green]

Yeah. If that. If that depends on how many looks.

[Lawrence Schlossman]

There are, I think that's the coolest thing in the world. And then you go into someone else's, and, you know, especially in Milan, Italy, they're in, like, old cathedrals or they're palazzos. Yeah. Or like this bookstore that's 700 years old.

[James Harris]

Right. And, and it looks great from the third row.

[Lawrence Schlossman]

I wouldn't know.

[Mark Anthony Green]

That was a test.

[James Harris]

Well, it's called, it's sight lines, you know.

[Lawrence Schlossman]

Yeah, yeah, exactly.

[Mark Anthony Green]

You got it.

[James Harris]

But, like, it is. They're always in super interesting, like, spaces.

[Lawrence Schlossman]

Yeah.

[James Harris]

That you wouldn't normally have access to.

[Lawrence Schlossman]

Yes. And, and, you know, the way the music, the clothes.

[Mark Anthony Green]

Yeah.

[Lawrence Schlossman]

The, the room, you're the movie.

[Mark Anthony Green]

It's cool, Truly.

[Lawrence Schlossman]

It really, really is cool. So. No, I, I, I can't wait to, like, get some of that energy back in me.

[Mark Anthony Green]

Speaking of energy, some of the positive variety and sometimes negative. Do you read reviews?

[Lawrence Schlossman]

I did.

[Mark Anthony Green]

Oh, how's that going?

[Lawrence Schlossman]

Terribly.

[Mark Anthony Green]

Why would you do that to yourself? And what, did you get any advice about that?

[Lawrence Schlossman]

Yeah, everybody told me not to. For me, I look at it like this one. There's been, like, a pushback on the critics from people that I've talked to in interviews. And, and some coaches don't play well.

[James Harris]

I don't, they don't build. They don't build statues of critics.

[Lawrence Schlossman]

But I don't, I don't see it like that. Like, to me, truly, I made this film for there to be a discourse. I think that the discourse is part of the film. Critics and journalists, to me, on and off the field, play such a valuable role. Even if they don't like the thing that I labored over, I don't want to ever say something or, or pretend to, like, discredit what they do. So, like, it hurt my feelings. And again, there are tons of good reviews. You. Those don't stay with you, which is why.

[Mark Anthony Green]

Yeah, no, we know. Yeah.

[Lawrence Schlossman]

Those don't stay with you, which is why they tell you don't read it.

[Mark Anthony Green]

Right. Because the one bad comment will haunt you.

[Lawrence Schlossman]

And so that's the cliche.

[James Harris]

Kind of like what happened to Martin already.

[Lawrence Schlossman]

The, the you feel me? The cliche, which is part of the, you know, but, like, the, the cliche is true. But I, I look like. If you see Opus and you enjoy it, great. If you don't enjoy it, then I hope I get you on the next one and there's no hard feelings.

[James Harris]

Right. You know, if Frasier the Summer Man Tharp doesn't give the movie a glowing review in gq, are you gonna burn the house down and tell everyone where all the skeletons are buried? Freed.

[Lawrence Schlossman]

I know we're free. I'm going to Frasier.

[Mark Anthony Green]

Okay. Yeah. And you're gonna beat his ass.

[James Harris]

He's in LA yeah. What's his address?

[Lawrence Schlossman]

It is 266Eastman.

[Mark Anthony Green]

You can find him at the San Vicenze bungalow.

[Lawrence Schlossman]

Shout out to Frazier. Man, it's good, Good people.

[James Harris]

Summer, man.

[Mark Anthony Green]

Are you on letterboxd?

[Lawrence Schlossman]

I am, but I don't, it's not a public.

[Mark Anthony Green]

Okay, I'll get that off. Mike. Yeah.

[Lawrence Schlossman]

What do you, it's not like that, like, I just, just, I don't, I'm not there like on movies.

[Mark Anthony Green]

Right. You just log in.

[Lawrence Schlossman]

But I like, I really like reading what especially like these kids respond to.

[Mark Anthony Green]

Right.

[Lawrence Schlossman]

So I'm really just there.

[James Harris]

Real Watchers has IO reviewed Opus on letterboxd on her now Power Letterbox.

[Lawrence Schlossman]

I have no clue.

[Mark Anthony Green]

I don't think she has, cuz I follow her. But she's a power user.

[Lawrence Schlossman]

Nobody, nobody has asked me that question. I don't know.

[Mark Anthony Green]

Well, that's why you're on the.

[Lawrence Schlossman]

I feel like if she had, I would know.

[James Harris]

Yeah. Oh, yeah, you would.

[Mark Anthony Green]

What, what do you think about people that make their letterboxd accounts their entire personality? Like the guy asking you this question.

[Lawrence Schlossman]

Your letterbox is your entire personality?

[Mark Anthony Green]

Well, I love movies and Letterbox is my favorite app. Follow me. Is that cool? Is it cool? All right. As someone who's a director and who's made a movie, is it cool that the, there's an average person that just like, is obsessed with cinema to the level that they're on a social media network for it?

[Lawrence Schlossman]

I think Letterbox, that's the, the, to me, letterboxd is the coolest of the social media apps because you're galvanizing around something artistic.

[Mark Anthony Green]

But what about, what about you see what I'm saying?

[James Harris]

Yeah, yeah. What about the folks that are watching movies and just like, and you can tell, I think that they're just kind of like brainstorming what quip to make, you know, it's like, like on so that they can, so that their response, their review of it can be, you know, understood. Like, oh, he's so witty.

[Lawrence Schlossman]

Yeah, I think that's cool. Yeah, I like, again, I, I, I think it's corny to get millions of dollars from somebody, to get time from super talented actors to, to get composers and all this. And you put this thing together, you spend years of your life and then you try to police how people engage with it. I, I, I am very, very prepared to let Opus go. Interesting. Whatever happens after that, I emotionally, I think that that's why you move on, why you work on the next thing and you pray you get to make a Next thing. And it's the greatest gift ever. But I, you know, you. If we didn't want to have people engaged with our films, then you don't have to put it out. I didn't put out my short.

[Mark Anthony Green]

Really.

[Lawrence Schlossman]

I had a bunch of offers to put it out into the world and for a myriad of reasons, I didn't put it out.

[Mark Anthony Green]

Was that bad. I've never seen it. No, I'm kidding.

[Lawrence Schlossman]

You have seen it, right?

[Mark Anthony Green]

No, I have not. Why? Yeah. What's the decision? But because you're like, it's not. Not ready to or you like.

[Lawrence Schlossman]

I just. It's one of those things in all the festivals we were in and like, when I watched it, I just saw all of these flaws.

[Mark Anthony Green]

Oh, you're.

[James Harris]

You're your own worst critic.

[Mark Anthony Green]

Yeah. Self critical. Yeah.

[Lawrence Schlossman]

That's why I'm like, whatever y'all are writing, brother, I promise you can't hurt.

[Mark Anthony Green]

I hate myself. Yeah.

[Lawrence Schlossman]

You can't do that.

[James Harris]

How has working on Opus? Because it's not.

[Lawrence Schlossman]

Is.

[James Harris]

You mentioned that you're already kind of working on the next project. I imagine that there was overlap between the two.

[Lawrence Schlossman]

Yes.

[James Harris]

How has the experience of working on Opus maybe changed or affected every how you've approached the next project?

[Lawrence Schlossman]

It's like, not even really. Yeah. I mean, I learned part of the thing when you don't go to film school, when you make a film with a 24 with IO debris, with John Malkovich, the Dream and Niall Juliet Lewis. Yeah.

[James Harris]

Young Manzino Lewis.

[Lawrence Schlossman]

Young man.

[James Harris]

Tony Hicks.

[Mark Anthony Green]

Hill.

[Lawrence Schlossman]

Tony Hill. Stephanie Suganami. You know Lenny Kravitz.

[Mark Anthony Green]

That's right. I mean, little cameo.

[Lawrence Schlossman]

A little cameo from Lenny. Like when life, like.

[James Harris]

Cameo.

[Lawrence Schlossman]

Yeah, yeah, yeah. Bill Burr, like.

[Mark Anthony Green]

Oh, that's right.

[Lawrence Schlossman]

Dude, bro, go see this movie. It's incredible. But like, when you do that, you're like, cool in a lot of ways. The. Your. Your. There's no, like, hiding for better and for worse. And it's a lot of. For better. Yeah. You're just naked.

[Mark Anthony Green]

Yeah.

[Lawrence Schlossman]

And it's. I was talking to a friend of mine yesterday and, you know, he's a filmmaker and we were just kind of like trading notes and commiserating and he's being really supportive and it's like Evel Knievel, you know, you're like, you're doing this. This stunt in front of the world and you might make it, you might not not. But the only thing that you know for sure is that you're going to get back in the canon after, you know, and that's the thing. And so, and, and the only thing you want is to get back in the canon. So like that for me, that's where.

[Mark Anthony Green]

My, my, your safe space, ironically is in the canon.

[Lawrence Schlossman]

My safe space, ironically, in the canon. Which is why it's such an unhealthy profession.

[Mark Anthony Green]

Yes, yes.

[Lawrence Schlossman]

And I acknowledge that fully. I have enough good people around me to make sure that, you know, I don't spill. But like, yeah, I'm excited to get back in the canon, but I'm also the support. I mean, people have really, really, really so far come out and been really great. Who's about this film?

[Mark Anthony Green]

Positive experience. Seeing the movie has meant the most to you. Is it like will your mom, the cast, someone unexpected that you're like, damn, you're a fan.

[Lawrence Schlossman]

We're not out yet. As we record this. They're. They're like Daniel Kaluuya.

[Mark Anthony Green]

Oh, right.

[Lawrence Schlossman]

Because I think he's one of the best actors on the.

[Mark Anthony Green]

He's incredible young.

[Lawrence Schlossman]

Taco Travis. Yeah, Travis.

[Mark Anthony Green]

Incredible friend of the show.

[Lawrence Schlossman]

Lionel. Lionel was the person I was the most nervous to show.

[James Harris]

Oh, really?

[Lawrence Schlossman]

And I showed him a really early cut because I knew partly because they were going to go make the bear, I was going to lose him during like a pivotal time in editing.

[James Harris]

Yeah.

[Lawrence Schlossman]

And so it felt too early, but I knew, I knew that because he and I go to the movies a lot together and we talk about films like basically every day. And he's so knowledgeable. But I knew that if I sat next to him, I know him well enough to know what he's responding to or not. Okay, so the, like the download, he's going to tell me things but like the download of it is going to be really intense sense.

[Mark Anthony Green]

He's watching Opus. You're watching him.

[Lawrence Schlossman]

Yes. Yeah. And so that one was like. And so he's seen it. He's seen it like four times.

[Mark Anthony Green]

Wow.

[Lawrence Schlossman]

God bless that man. He's so sweet. But that one was like nerve wracking. Right.

[James Harris]

I can't remember what was his or.

[Lawrence Schlossman]

His thoughts on the first cut. He was like, brother, get back in the stew. Yeah, yeah, yeah, yeah. Nah, he's been, he's been supportive and they're like specific notes and specific thoughts and. But with the final thing, man, like, the amount of people that have really, really like shown up for me is overwhelming.

[Mark Anthony Green]

That's great, dude.

[James Harris]

You can hear in your voice.

[Mark Anthony Green]

Yeah.

[Lawrence Schlossman]

It's wild.

[James Harris]

The gratitude.

[Lawrence Schlossman]

Yeah.

[Mark Anthony Green]

Sociality is real. It's palpable.

[Lawrence Schlossman]

It's a tough. It, it Almost makes me feel. You know, I never really understood why when something good happened to somebody, they say they're humble. Because when bad things happen to me, I always felt like, you're humbled.

[Mark Anthony Green]

You've been humbled.

[Lawrence Schlossman]

Yeah.

[Mark Anthony Green]

My God.

[Lawrence Schlossman]

But I mean, literally, like. And, you know, everybody gets their teeth kicked in by the universe, and, like. And so when good things would happen to me, I'd be like, I'm grateful. I'm so happy. I was nervous, whatever. And then I don't. I just. This has been so overwhelming. I think I actually get it where I'm like, oh, like, you. You got on a plane as, like, big and famous as you are, as cool as you are. You got on a plane to come to Sundance to support me.

[Mark Anthony Green]

Right, right, right.

[Lawrence Schlossman]

In this thing. You watch this film, and you've called me every day to talk about it.

[Mark Anthony Green]

That's crazy.

[Lawrence Schlossman]

There are certain people where I'm just, like, blown away. I am overwhelmed.

[Mark Anthony Green]

So, look, so from Opus now being. I mean, it still needs to come out. And again, see it March 14, but with that in the rear, we're looking forward. What can you tell us about, like, if you're blessed to get to do the next thing, the next project.

[Lawrence Schlossman]

Project.

[Mark Anthony Green]

What can you tell us right now? And is it Black Joker?

[Lawrence Schlossman]

It's not Black Joker, which is a. From the first time we did this.

[Mark Anthony Green]

Pod, I think it would. It would bang. I got. I got ideas if you want to cook up.

[Lawrence Schlossman]

No one wants your Black Joker ideas.

[Mark Anthony Green]

Yeah.

[Lawrence Schlossman]

I want you to know I love you, man, but, like, my father was.

[James Harris]

A bit of a Hooper.

[Mark Anthony Green]

It should be Lakeith this.

[James Harris]

Oh, yeah.

[Mark Anthony Green]

It should be the key.

[Lawrence Schlossman]

This sick. He's such a good actor.

[James Harris]

Do you have a dream actor you would love to work with?

[Lawrence Schlossman]

Yes.

[Mark Anthony Green]

Let's manifest.

[Lawrence Schlossman]

I really want to work, man. There's so many. I want to work with Quinta Brunson. I want to work with Kaluuya. I want to work with Rosario Dawson does a voice in Opus. She does the puppet. Oh.

[James Harris]

Oh, I saw it. Yeah. I saw in the opening credits. I was like, oh, yeah.

[Lawrence Schlossman]

And did not know. And I really want to do something else with her. Sarah Paulson.

[Mark Anthony Green]

Oh, goat.

[Lawrence Schlossman]

Yeah. Holy. She's so good.

[James Harris]

She could be Black Joker.

[Lawrence Schlossman]

I think she can do anything in blackface. Like, I didn't say that, but I think Tropic Thunder style, she commits. Dude, that's your favorite movie, isn't it?

[Mark Anthony Green]

Well, no. And here's the thing. It is.

[James Harris]

I don't wanna Tom Cruise's Harvey Weinstein's pretty good. Yeah, it's pretty good.

[Mark Anthony Green]

Good.

[James Harris]

He's got comedic chops.

[Mark Anthony Green]

It's a great movie.

[Lawrence Schlossman]

He is.

[Mark Anthony Green]

It's all time. But it's not my favorite movie, if that's what you're trying to say. What's your Boys in the Hood? That's a joke too, but that's a good movie.

[Lawrence Schlossman]

You've never seen Boys in the Hood?

[Mark Anthony Green]

Of course I have. Dude, are you kidding me, bro? I. Check my letter box. Bro. Check my letter.

[Lawrence Schlossman]

I. I actually am interested.

[James Harris]

His IG bio is John Singleton.

[Lawrence Schlossman]

Thank you.

[Mark Anthony Green]

Oh, now we're handing out trophies. Okay.

[James Harris]

All right.

[Mark Anthony Green]

Okay.

[Lawrence Schlossman]

Let's.

[Mark Anthony Green]

Let's talk about. Let's talk about movies real quick. As a fan mag. Right?

[James Harris]

Let's talk about movies real quick.

[Mark Anthony Green]

This movie is thrilling. There are horror elements. It is stylish. We would just love to know suit quick Mount Rushmore. So top four unranked. What are your Mount Rushmore of horror movies and then stylish movies as well. Let's just. Whatever comes to mind.

[Lawrence Schlossman]

Top four horror movies in no order.

[James Harris]

Yeah.

[Lawrence Schlossman]

The Audition. Takashi Mik is the audition. Which is.

[Mark Anthony Green]

This is the guy you mentioned in your. Your introduction, which you bombed.

[Lawrence Schlossman]

Yeah, I've bombed every introduction of this movie, guys.

[James Harris]

That's okay.

[Lawrence Schlossman]

I highly recommend Ichi the Killer and.

[Mark Anthony Green]

Oh, and stylish as each of the killer kind of kill kills both.

[James Harris]

Supreme collaborator, the killer.

[Lawrence Schlossman]

Oh, yeah. Yeah, they did. They did a T shirt or something.

[James Harris]

There's just like screenshots on a T shirt.

[Lawrence Schlossman]

Yeah, yeah, yeah, yeah. Shout out. Shout out to. Yeah.

[Mark Anthony Green]

Shout out to the graphic designers.

[Lawrence Schlossman]

Yeah. Shout out to graphic designers out there.

[James Harris]

I got screen shooters.

[Lawrence Schlossman]

Yeah. I would say the audition. I think Silence of the Lambs is the best. Thank you for pound like that's like the. The one.

[Mark Anthony Green]

It's funny you should mention that.

[James Harris]

Lawrence is showing his cool movie tattoo.

[Lawrence Schlossman]

So that's tight.

[Mark Anthony Green]

Thanks, bro. I mean, you know, you're really.

[Lawrence Schlossman]

You're really. You're really.

[Mark Anthony Green]

No, it's just cool. I mean, listen, people can change. That's what it's really about.

[Lawrence Schlossman]

That's what that means to you.

[Mark Anthony Green]

It's one of many things.

[Lawrence Schlossman]

That's what. Yeah.

[Mark Anthony Green]

What do you me?

[Lawrence Schlossman]

I was picturing you as Buffalo. Yeah. Yeah.

[Mark Anthony Green]

Trans lives matter, bro.

[James Harris]

Tuck rule.

[Lawrence Schlossman]

Stop. See you. You had the Tuck joke. You could have went there and then.

[Mark Anthony Green]

You honestly just go left.

[Lawrence Schlossman]

Even if right is nice.

[James Harris]

Tuck this whole pot in Lawrence good.

[Mark Anthony Green]

Creep. Hang a Louie on the Zeitgeist.

[Lawrence Schlossman]

Art flop.

[Mark Anthony Green]

Silence of The Lambs.

[Lawrence Schlossman]

Silence of the Lambs. The audition.

[Mark Anthony Green]

Each of the killer. Or you were just referencing another one.

[Lawrence Schlossman]

I think. Yeah. I think just the audition. Silence of the Lambs. I would go, probably Carrie. Carrie fucked me up.

[Mark Anthony Green]

Yeah.

[Lawrence Schlossman]

And then I would go, Thriller.

[Mark Anthony Green]

Really?

[Lawrence Schlossman]

Thriller's the first thing that Ever. First piece of art that scared me.

[Mark Anthony Green]

Oh, wow. Interesting. I mean, it is. It is intense.

[Lawrence Schlossman]

I was a kid too. Like.

[Mark Anthony Green]

Yeah, a lot of kids scared of Michael Jackson.

[Lawrence Schlossman]

And I had never. I had never seen. Seen a celebrity or a person that I knew that wasn't scary. Then scare me.

[Mark Anthony Green]

Oh, I see.

[Lawrence Schlossman]

So my little brain trusted him.

[James Harris]

Right?

[Lawrence Schlossman]

In a way.

[James Harris]

That's how he gets.

[Mark Anthony Green]

Would it be the first.

[Lawrence Schlossman]

All right, all right. And you know what? That one's also on me. The phrasing on that was not ideal style.

[Mark Anthony Green]

Yeah.

[Lawrence Schlossman]

I'm sorry. Style movies fashion wise. Yeah. Each of the Killers definitely banger in the top four was a lot of.

[James Harris]

Just, like, sick, like, 90s suits.

[Lawrence Schlossman]

Oh, yeah. Shiny.

[James Harris]

Yeah.

[Lawrence Schlossman]

Suits real, like, kind of flowy. And then the tattoos, like, blonde hair. And then weapons crazy piercings. Is so sick. I gotta put. I gotta put. Do the right thing. Just Mookie alone.

[Mark Anthony Green]

Yeah.

[Lawrence Schlossman]

But, like, it's just one of, like, Spike. He. He really just was so ahead of his time.

[James Harris]

Lawrence. Inspired by the medical rap for character.

[Lawrence Schlossman]

I know. I know you are.

[Mark Anthony Green]

I hate Michael Rappaport. He gives white people a bad.

[James Harris]

But you love Larry Bird.

[Mark Anthony Green]

Gives Jews a bad name.

[Lawrence Schlossman]

You.

[Mark Anthony Green]

We don't need any help. I could say that. That. Okay. Do the right thing.

[Lawrence Schlossman]

Do the right thing. As far as, like, a costuming thing. I really thought what Ruth did with Black Panther blew me away.

[Mark Anthony Green]

She wanted an Oscar, right?

[Lawrence Schlossman]

Yeah. That was like. I was like, man, the. The jewelry alone was incredible.

[Mark Anthony Green]

Yeah.

[James Harris]

And if not for Black Panther, we wouldn't have the Rizzler. You probably don't know who that is because you've been on a rock for two years.

[Lawrence Schlossman]

What is the. Who's the Rizzler?

[Mark Anthony Green]

Just cast him in your next movie, dude. The Rizzler. He's a child on TikTok. Who is a generational talent.

[James Harris]

Yeah. And his alter ego. His alter ego is Black Panther.

[Mark Anthony Green]

Yeah. This is a young Italian fat child.

[Lawrence Schlossman]

He's a black Italian.

[Mark Anthony Green]

No, no.

[Lawrence Schlossman]

Why did you say Black Panther?

[Mark Anthony Green]

Yeah, he.

[James Harris]

His alter ego. He dressed up in the Black Panther.

[Mark Anthony Green]

Dressed in black.

[Lawrence Schlossman]

He's. That. He's the heavyset kid. He's a little Shubster. Yeah, yeah, yeah, yeah, yeah, yeah, yeah. That kid is incredible.

[Mark Anthony Green]

Yeah.

[Lawrence Schlossman]

I Hope he's in school, though.

[James Harris]

Sneaker shopping.

[Mark Anthony Green]

He's too busy sneaker shopping with Joel Puma and not eating his vegetables. Shout out the Rizzler, though.

[Lawrence Schlossman]

Shout out Joe, come on the pod.

[Mark Anthony Green]

Yeah, shout out Joe the Puma. Shout out Joe La Puma also come on the pod.

[James Harris]

All right, last one.

[Mark Anthony Green]

Yeah, One more slot. We can move on.

[Lawrence Schlossman]

Stylish, stylish, stylish movies. Oh, man.

[Mark Anthony Green]

People say Ripley. Talented Mr. Ripley.

[Lawrence Schlossman]

I'm going to do Harlem Nights.

[Mark Anthony Green]

Oh, okay.

[Lawrence Schlossman]

Or actually take that Back under the Cherry Moon, the Prince film that they shot in the south of France. Just the tuxes in that.

[Mark Anthony Green]

Here's a question for you. This is what really matters now that you have a movie in theaters is every first date that you go on just fishing with dynamite might. Because they ask you what you do and you're like, oh, little movie. It's coming out. Maybe you heard of it.

[Lawrence Schlossman]

I, I, I think that valuable people don't give a about.

[Mark Anthony Green]

Really? You wouldn't. You won't want to use your clout for a little bit of evil.

[Lawrence Schlossman]

I think. You think I have clout?

[Mark Anthony Green]

You made a movie with a 24 that is being marketed nationally. That's crazy.

[Lawrence Schlossman]

Globally.

[Mark Anthony Green]

Globally. Excuse me. I thought I was on a first date with Mag for a second there.

[James Harris]

Yo, you better do huge numbers in.

[Lawrence Schlossman]

Latvia now, to be honest. We open day and date with Latvia, and I'm. And I'm excited to see the Latvian numbers.

[James Harris]

Yeah, very excited. Latvian connection.

[Lawrence Schlossman]

I'm, I'm, I'm very excited.

[Mark Anthony Green]

Shout William Fred.

[Lawrence Schlossman]

I would tap in with Latvia if, If I could sit on a tap in, like, I would show up. Like, let's.

[James Harris]

Hey, Lavia.

[Lawrence Schlossman]

Pull up, like, five listeners at Lavia. Riga. Let's do it.

[James Harris]

Riga.

[Lawrence Schlossman]

Let that go. Let it go, Let it go.

[Mark Anthony Green]

What? Oh.

[James Harris]

Oh, yeah, yeah.

[Mark Anthony Green]

What is your. I'm good, dude. It only took an hour and 40 minutes. We're almost done here. Oh, what's your dating app profile look like? You're like Raya. And does it say, like, writer, director?

[Lawrence Schlossman]

I, I've never been on a dating app.

[Mark Anthony Green]

Oh, really?

[Lawrence Schlossman]

But I don't have nothing. Like, I'm not, like, I'm never gonna. I just never been.

[Mark Anthony Green]

Well, you're on the best dating app, which is Instagram. So what are the DMS looking like? Are they looking like a Latvian war zone? Jesus, let the bodies hit the floor.

[Lawrence Schlossman]

I don't, I only respond to DMS of people I follow flow. Like, I don't, I don't go to the Other folder. Like.

[Mark Anthony Green]

Okay.

[James Harris]

It's set up like that.

[Lawrence Schlossman]

Yeah. Yeah. Is it? I thought everybody's was.

[Mark Anthony Green]

No, customer service, bro, this is our job.

[James Harris]

You gotta double tap every.

[Mark Anthony Green]

Yeah. You gotta at least throw them a heart. These are the kids.

[Lawrence Schlossman]

Oh, that's cool. Yeah, I. I don't.

[Mark Anthony Green]

Okay.

[Lawrence Schlossman]

I don't. I don't go into the.

[James Harris]

Into the requests.

[Lawrence Schlossman]

That's what. I don't go into the request. Yeah.

[Mark Anthony Green]

Okay, so don't DM mag if he doesn't follow you because it's fallen on deaf ears. Ain't no requests like John Malkovich's mag. How much money do you make?

[Lawrence Schlossman]

The DGA minimum.

[Mark Anthony Green]

Okay, so, like, when you say you lost money, you're not being hyperbolic. Like, this wasn't. Like, this isn't a financial endeavor for you in any.

[Lawrence Schlossman]

No. Form. Exactly opposite. Yeah, I. I had a day job, bro.

[James Harris]

What? You know your per diem is only 75 a day?

[Lawrence Schlossman]

Yeah.

[Mark Anthony Green]

Yikes.

[Lawrence Schlossman]

Yeah.

[Mark Anthony Green]

It smells like broke up in here.

[Lawrence Schlossman]

Yeah, it's tough.

[James Harris]

What does that get you? New Mexico enchiladas.

[Mark Anthony Green]

Like, so much food, probably.

[Lawrence Schlossman]

Yeah.

[Mark Anthony Green]

Yeah.

[Lawrence Schlossman]

Yeah.

[Mark Anthony Green]

Yo, you could honestly get so much meth in new Mexico with 75 bucks a day.

[Lawrence Schlossman]

Yeah. I'm really hoping that they fix that.

[Mark Anthony Green]

The opioid crisis or the drug problem in America.

[James Harris]

Yeah.

[Lawrence Schlossman]

In Albuquerque in particular. Because I love. I love the city, but, you know, it's tough.

[Mark Anthony Green]

You're gonna go back on your own without having to shoot there. Yeah.

[James Harris]

Great vintage. In Santa Fe.

[Mark Anthony Green]

Yeah. Santa Fe is.

[Lawrence Schlossman]

Santa Fe is incredible.

[Mark Anthony Green]

Many call it the Paris of New Mexico. Mexico.

[James Harris]

Damn. The DJ is.

[Mark Anthony Green]

Yo, my man's got the whole PDF out.

[Lawrence Schlossman]

Now.

[Mark Anthony Green]

He's looking at race.

[James Harris]

Oh, wait, that's weekly. Never mind. It's pretty good.

[Lawrence Schlossman]

Yeah. But. But you gotta also think. And look, I'm gonna say it like this. Like, let me make something very clear.

[James Harris]

Yeah.

[Lawrence Schlossman]

I have the best job on the planet.

[Mark Anthony Green]

Facts.

[Lawrence Schlossman]

So I think it's corny when people in interviews, they get up in like, we only got paid this to do this thing. And then you're. I've been the kid at home who, like. I was housekeeping in a hotel, you know, like, which was one of the worst jobs I've ever had. Mostly because of the hotel. Not because. But it was just, like, bad. It was just terrible.

[James Harris]

That was your worst job?

[Lawrence Schlossman]

My worst job. I was housekeeping.

[Mark Anthony Green]

Damn.

[Lawrence Schlossman]

At the Great Wolf Lodge in Kansas City, which. Y'all don't know what that is.

[Mark Anthony Green]

It's a tough gig, bro.

[Lawrence Schlossman]

Bro.

[Mark Anthony Green]

I can only Imagine.

[Lawrence Schlossman]

Not only was it a tough.

[Mark Anthony Green]

You have a black light on you.

[Lawrence Schlossman]

And I was. I was. I was. I worked nights. Oh, and the Great Wolf Lodge is a. There's a water park in the hotel.

[James Harris]

Oh, God.

[Lawrence Schlossman]

So it's all kids and so kids throw up.

[James Harris]

Diarrhea.

[Lawrence Schlossman]

Yeah. And so I had to clean all of that.

[Mark Anthony Green]

Damn.

[Lawrence Schlossman]

For. For four months. I did it for a whole summer.

[James Harris]

So you can't ever. Like.

[Mark Anthony Green]

You're always.

[James Harris]

You're already playing with house money. The fact that you've like, this far.

[Lawrence Schlossman]

Yes. Life is so sick right now.

[Mark Anthony Green]

Circumvented the circumstances to yelling cut. No circumcision decision.

[James Harris]

What is etiquette for tipping housekeeping, in your opinion?

[Lawrence Schlossman]

I think you should always tip. I think you should tip at the end of your stay.

[James Harris]

Is it per night? Like the total?

[Lawrence Schlossman]

If for me, like, if I'm like, you know, like, I've been in New York for five days, so I'll definitely.

[Mark Anthony Green]

What is. If you in a wave pool, do you tip more?

[Lawrence Schlossman]

What? What. How. How are you on that? Because I feel like.

[Mark Anthony Green]

Yeah, I never have. It's never happened. But I'm not saying it won't, you know?

[Lawrence Schlossman]

Yeah.

[Mark Anthony Green]

I go to a lot of water parks.

[Lawrence Schlossman]

You're not taking it off the table. Table. No.

[Mark Anthony Green]

No, dude. Who knows, man? I'm just waiting for God to kick my teeth in.

[James Harris]

Yeah, he's an emergency. The wave pool fund in his wallet.

[Lawrence Schlossman]

Yeah, yeah. For a shitty day.

[Mark Anthony Green]

Yeah, exactly. Mag, how much money does Opus need to make for you to get that chance at a second film? Is there like a number in mind?

[Lawrence Schlossman]

I don't know. That's a great question.

[Mark Anthony Green]

Thank you.

[James Harris]

How does it work, though? Are you already, like, green lit or you just like it still in the development process?

[Lawrence Schlossman]

Not already green lit.

[Mark Anthony Green]

Green's in his name, dude. My man's always.

[Lawrence Schlossman]

Yeah, I don't know because, like, how many. How many great directors? You know, most movies lose money, especially.

[Mark Anthony Green]

If they're one of the new Marvel joints.

[Lawrence Schlossman]

Yeah, well, because those suck ass. I haven't seen the latest one, but I heard it's not. I heard it's. I heard it's good, actually.

[Mark Anthony Green]

No, you are living under a rock, bro. It's getting. They're saying it's worse than Madame Word Web.

[Lawrence Schlossman]

Okay.

[James Harris]

Sup with phase four? You know?

[Lawrence Schlossman]

Yeah, I'm a. I'll say. Can I say this?

[Mark Anthony Green]

Phase four hiccups.

[Lawrence Schlossman]

It happens. My. I went and saw Endgame. I used to. To go to the Battery park movie theater.

[James Harris]

Oh, great theater.

[Lawrence Schlossman]

Kande was right there. And I went and saw in game on the Thursday that it came out like it was like a fluke. There was like one ticket.

[Mark Anthony Green]

Yeah.

[Lawrence Schlossman]

And I'm not. I like went with like the head. Heads.

[Mark Anthony Green]

Yeah.

[Lawrence Schlossman]

And I sat next to this woman and she had a, like a panic attack in the theater. And I thought it was the coolest thing I'd ever seen.

[Mark Anthony Green]

Yo, everyone, check out this lady. Tony Stark just died. She's having breakdown. She.

[Lawrence Schlossman]

When I get like, paramedics assemble. When all of the Avengers come back. Right in that moment.

[Mark Anthony Green]

Spoiler alert.

[Lawrence Schlossman]

Sorry, y'all. She freaked out and I just was like, I don't care that much. Yeah, I think that's cool. I would be like lying if I was like, I don't want to make something or participate in something that would make people feel that strongly. I think that's really cool.

[James Harris]

On the flip side of that, I was at Sundance one year and was watching this documentary called Meru about alpinists climbing this mountain.

[Lawrence Schlossman]

Yeah.

[James Harris]

And it was maybe a year after the mass shooting in Colorado in a movie theater during the Dark Knight. And somebody had a panic attack and people freaked, freaked out. Oh, so that sucked.

[Lawrence Schlossman]

She didn't, to be clear, she didn't actually have a.

[James Harris]

She was just like.

[Lawrence Schlossman]

She was like. She couldn't catch her breath. I mean, so excited.

[Mark Anthony Green]

She was so blown away. She was so happy by phase two.

[James Harris]

Are you, are you. Do you think you're ready to do a full green screen, CGI ass, big budget film? Would you ever do that?

[Lawrence Schlossman]

I want to do that. No.

[James Harris]

Yeah. She's like, no. See, the tennis ball is like a dragon.

[Lawrence Schlossman]

Just imagine that.

[James Harris]

Yeah, right.

[Lawrence Schlossman]

I think it's. I. I'm amazed when. Obviously it's easy. Like we can make fun of it, but when somebody does it and it turns out great, how amazing is that? Think about that.

[Mark Anthony Green]

Trying to think of an example.

[Lawrence Schlossman]

I mean, how many of those films are successful?

[James Harris]

I guess like Game or Civil War.

[Lawrence Schlossman]

Or even like look at Black Panther.

[Mark Anthony Green]

Yeah, sure.

[Lawrence Schlossman]

Like Black Panther is great. Yeah, I think. Yeah.

[Mark Anthony Green]

Yeah. I'm not going to get caught in this trap. Yeah, it's fucking phenomenal. Five stars on Letterbox 100 Wakanda Forever. And you could clip that. Don't, don't clip that. Besides Marvel tickets, what do you like to spend your hard earned money on? Mark Anthony Green?

[Lawrence Schlossman]

I have been spending my money on. On Opus. I've been spending my money on the same thing I always like. Clothes, homies, good food. No, I'm not a Food. Foodie.

[Mark Anthony Green]

This was the man who drank Shirley Temples for his entire life.

[Lawrence Schlossman]

Yeah, I don't. I don't care about food at all.

[James Harris]

Do you cook or you just order it every time?

[Lawrence Schlossman]

Nope, don't cook.

[James Harris]

Just ordered some slop.

[Lawrence Schlossman]

I eat chicken and rice a lot. Oh, grilled chicken and rice.

[Mark Anthony Green]

Healthy boy.

[Lawrence Schlossman]

Is.

[James Harris]

What was the. What was the craft services like on set to keep the actors and crew happy?

[Lawrence Schlossman]

They. It was great, like, for. For me, you know, I'm sure that we could have spent more money on.

[Mark Anthony Green]

The guy who eats real chicken and rice.

[James Harris]

Chicken and rice?

[Lawrence Schlossman]

Yeah, it was great.

[James Harris]

The bars were chicken and rice.

[Lawrence Schlossman]

No, there wasn't always chicken. That'd be pretentious if I was like, just make sure that that's what I want. Yeah, it's just fuel. But it was also. I think so much of that is, like, the energy of the people making the food. Not. Not like a. Like a spiritual way, but just like, we had a great. Our. The folks that did craft services on our. On our film.

[Mark Anthony Green]

Everyone is locked in. John. To.

[Lawrence Schlossman]

Yeah, yeah, truly. And that was just. Just, you know, it's also 19 days, like, right. You're not eating this.

[Mark Anthony Green]

We're working.

[Lawrence Schlossman]

Yeah. You can figure it out.

[James Harris]

Just meal prep, obviously. Make a big batch of lentil soup.

[Mark Anthony Green]

Yeah, exactly. Chicken and brown rice for 19 days. Okay. Mag, when the movie was picked up by a24, did you get yourself an attaboy gift?

[Lawrence Schlossman]

No, no, that was the attaboy gift.

[Mark Anthony Green]

Wow.

[James Harris]

Nice.

[Mark Anthony Green]

The deep. You're right. You didn't. You weren't, like, pat myself on the back with a little tasty treat. No pun intended.

[Lawrence Schlossman]

No, I wanted extra rice today.

[Mark Anthony Green]

Whether it was a dark meat.

[Lawrence Schlossman]

The idea of, like, that being that never seemed like success to me.

[Mark Anthony Green]

Material items.

[Lawrence Schlossman]

No, no. Like a 24. Picking up the movie.

[James Harris]

When will it feel like a success to you?

[Lawrence Schlossman]

I don't know that it ever does, really. I think that that's not the way you. Yeah, it's not healthy, but I don't feel like success.

[James Harris]

Okay. I think you should a little bit.

[Lawrence Schlossman]

I. I don't know that. It's. I don't know that it's like, I'm actively not doing something. I just think nothing will feel like the last day of shooting. Right.

[Mark Anthony Green]

You can't. Can't bottle that. That's.

[Lawrence Schlossman]

That. If ever there was a moment where I was like, oh, I know I have the. I have them movie. It needs some things. But I knew that what we did in those 19 days was really special. And so that, like, to get back to that feeling is the thing. But success, I don't. I don't think that that's how, like, it sucks. Artists are wired.

[Mark Anthony Green]

Really?

[Lawrence Schlossman]

I don't think so. I don't think that you look at it as success because guess we're not artists or y'all not successful.

[Mark Anthony Green]

Damn.

[Lawrence Schlossman]

Sorry.

[Mark Anthony Green]

Wow. You've given me a lot to think about, Mac.

[Lawrence Schlossman]

No, I'm saying I don't think. I don't know that you look at it like that. You're like, it's always about the next thing, and. And it's always about improving, leveling up the thing that you just made or following the curiosity that you have. And film takes so long, so by the time this thing is coming out, you. There's a new obsession.

[James Harris]

But you don't absorb any of the external validation where we're like, yo, congrats on literally, just, like, accomplishing this.

[Lawrence Schlossman]

I have not so far and maybe will one day and it may be. But, like, I think that that's another. Like, the human in me is, like, flooded. Like, I used to eat a lot of candy when I was a kid. That was, like, a big part of my DNA. It's like I would go to 711 every day. I'd get a Slurpee and sour.

[Mark Anthony Green]

Got a sweet tooth, bro.

[Lawrence Schlossman]

Yeah. It's insane. That's why I had. I really have. I had to work on it, and diabetes is. I have to do the work I had to do.

[Mark Anthony Green]

That's true.

[Lawrence Schlossman]

I had to do the work.

[Mark Anthony Green]

Yeah. We both feed for those Saint Laurent boots.

[Lawrence Schlossman]

I was going to. Not always. Am I about to make one of your jokes? But, like, that was really.

[James Harris]

Can't go Lavar Ball mode.

[Mark Anthony Green]

Yo. Prayers off.

[James Harris]

We don't know what happened. We don't know what happened.

[Lawrence Schlossman]

We don't know what happened.

[Mark Anthony Green]

He lost his right foot. That's what happened.

[Lawrence Schlossman]

Yeah. I hope that man's good, man. He's thinking he's better.

[James Harris]

Those Lamello checks are hidden.

[Lawrence Schlossman]

Yeah.

[Mark Anthony Green]

Lavar Ball biopic. Owl family. Like, Lavar Ball biopic Iron Claw style.

[Lawrence Schlossman]

I would watch the out of that.

[Mark Anthony Green]

Why don't you make it Iron Claw.

[Lawrence Schlossman]

For the Ball Brothers is also incredible. You're.

[James Harris]

You're Iron Ball.

[Lawrence Schlossman]

That's incred. That is incredible.

[Mark Anthony Green]

Yo, Jamie Fox is available.

[Lawrence Schlossman]

Okay. So who would you c. Who would you. Who would you.

[Mark Anthony Green]

I'm. Well, I think Lavar Ball should be the centerpiece of the movie. Right? So we got to go big on that. That's your Malovich.

[Lawrence Schlossman]

Right?

[Mark Anthony Green]

So it's like, I'm gna say, Jamie Fox, Academy Award winner.

[Lawrence Schlossman]

Okay. I would go Lionel Boyce. But I would make. But I'd age him.

[James Harris]

It's like, oh, okay.

[Mark Anthony Green]

I'd age him through Benjamin Button.

[Lawrence Schlossman]

Because then you could do young Lavar, right?

[Mark Anthony Green]

Oh, sure. See, this is why you're a director.

[Lawrence Schlossman]

You see what I'm saying?

[Mark Anthony Green]

We're just. Right now.

[Lawrence Schlossman]

We're just. And then you age them.

[Mark Anthony Green]

That's cool.

[Lawrence Schlossman]

All right. Would watch that.

[Mark Anthony Green]

Who are the brothers?

[Lawrence Schlossman]

Timothy Chalamet.

[Mark Anthony Green]

Yeah, for sure.

[James Harris]

I think you should cast the brothers to play themselves. Castle Mellow at least.

[Lawrence Schlossman]

Yeah, yeah, that's tight.

[Mark Anthony Green]

Chalamet's Lamello is incredible.

[Lawrence Schlossman]

Awesome.

[Mark Anthony Green]

Oscar.

[Lawrence Schlossman]

Yeah.

[Mark Anthony Green]

If he doesn't get it for Bob Dylan.

[Lawrence Schlossman]

Oscar.

[Mark Anthony Green]

Yeah. He could spend six years preparing.

[Lawrence Schlossman]

Yeah.

[James Harris]

Robert Downey Jr.

[Mark Anthony Green]

He's a hooper.

[Lawrence Schlossman]

He's just. Yeah, exactly. He's just in there.

[James Harris]

Robert Downey Jr. For obvious reasons. Drop a thunder callback.

[Lawrence Schlossman]

Yeah, yeah, yeah. No, you didn't have to.

[Mark Anthony Green]

We got it.

[James Harris]

Yeah.

[Lawrence Schlossman]

We were there with you.

[Mark Anthony Green]

He thought.

[Lawrence Schlossman]

We didn't go there with him. We were.

[Mark Anthony Green]

We were. We were with you, brother. Okay. All right, so listen again. Black joker. Lavar Ball. The iron ball. As James said, we got a lot of stuff.

[Lawrence Schlossman]

I'm glad y'all are not running my career.

[Mark Anthony Green]

No, not at all. All right, Mag, let's send it out with a little flipping the table here. Is that the term Turning?

[Lawrence Schlossman]

Turning.

[Mark Anthony Green]

Okay, let me do that again.

[Lawrence Schlossman]

Flipping the script or turning the table?

[Mark Anthony Green]

Oh, that's. Honestly, I'm gonna steal that. All right, Mag, let's flip this. All right, Mag, let's flip the script, as they say in the biz. Before we get you out of here, is there any constructive criticism you'd like to give us after potting for nearly two hours?

[James Harris]

We'll take it.

[Lawrence Schlossman]

I know y'all would.

[Mark Anthony Green]

You love notes.

[Lawrence Schlossman]

I just. I think criticism isn't really my thing. I. What I will say is I. I think a. I want to exist in a world where two intelligent people like you. Guys. Guys.

[Mark Anthony Green]

Wow. I'm liking this so far.

[Lawrence Schlossman]

Abuse their intelligence.

[Mark Anthony Green]

Yeah, yeah.

[Lawrence Schlossman]

On some of the dumbest jokes that I've ever. That can ever be conceived.

[Mark Anthony Green]

Thank you, Hater.

[James Harris]

Love it. You giggled.

[Mark Anthony Green]

Hey. Whether we're being laughed with or at, I'm getting that laugh. We're getting that laugh.

[Lawrence Schlossman]

Yeah. I think. And I think it's a. It's sick that y'all are still doing it. I think it's sick that y'all are doing it together.

[Mark Anthony Green]

Thank you.

[Lawrence Schlossman]

That nobody went solo, you know, cuz I know James has had offer.

[James Harris]

Yeah. Sorry to turn. Sorry to turn down the role of a lifetime.

[Lawrence Schlossman]

I was just busy.

[James Harris]

I was busy podcasting with some writer.

[Lawrence Schlossman]

Some.

[James Harris]

I don't know.

[Lawrence Schlossman]

Yeah. No, I mean, I think it's cool that I feel like we kind of all started at the same time, and.

[Mark Anthony Green]

Look at us now, and it's total. Peers.

[Lawrence Schlossman]

Peers. I. I'm not trying to. I'm saying, like, there, you and I, we know people that started with us, and they're, like, not doing something that they love. They're not doing something where they laugh at their job all day.

[Mark Anthony Green]

Yeah. And they suck at whatever they're doing.

[Lawrence Schlossman]

Yeah. And I'm like, so whenever. I just think it's sick when you find something. And y'all have, like, a real fan base.

[Mark Anthony Green]

Thanks, bro.

[Lawrence Schlossman]

Of actual voice in the. I might cringe at what you think is funny. I think it's sick that y'all exist. Also, you should bring your wife around more.

[Mark Anthony Green]

She did a pot a million years ago.

[Lawrence Schlossman]

She's the best thing about you.

[Mark Anthony Green]

Thanks, dude. I agree. That's. What.

[James Harris]

That's why without her, he'd be dead. That's so many times.

[Lawrence Schlossman]

Yes. Like, and. And really uncool deaths, too.

[James Harris]

No.

[Lawrence Schlossman]

Like, embarrassing.

[James Harris]

Like walking into a manhole cover.

[Lawrence Schlossman]

Yeah, yeah, yeah.

[James Harris]

Like an open manhole.

[Mark Anthony Green]

Like a Looney Tune.

[Lawrence Schlossman]

Yeah.

[Mark Anthony Green]

I think Grand Pian would fall on my head.

[Lawrence Schlossman]

The keys.

[Mark Anthony Green]

My teeth type.

[James Harris]

Like driving on a bridge, and it says, take a right, and he just drives off the bridge.

[Lawrence Schlossman]

Like that.

[James Harris]

Type of.

[Mark Anthony Green]

I love going left. We established that.

[Lawrence Schlossman]

Yeah, yeah, yeah, yeah.

[Mark Anthony Green]

Mag. What a treat. He's back. My babies. He did it. Where can the kids follow you? What would you like to plug?

[Lawrence Schlossman]

The floor is yours, man. I just want y'all to go see this film.

[James Harris]

Yeah.

[Lawrence Schlossman]

It's extremely fun. It was a labor of love. Yeah. It. I promise, will make you think, make you feel, make you laugh.

[James Harris]

Thrills, spills.

[Lawrence Schlossman]

Incredible. She's so incredible. So special.

[James Harris]

Whole cast, dude.

[Mark Anthony Green]

Malkovich having the time of his life.

[Lawrence Schlossman]

Dude. John. One of John's best performances, I would say.

[Mark Anthony Green]

If you're a fan of John Malkovich, this is, like, his best role in a long time.

[Lawrence Schlossman]

In a long time.

[Mark Anthony Green]

And that's, I think, is very much a credit to you, sir.

[Lawrence Schlossman]

It's a credit to everybody.

[Mark Anthony Green]

Yes.

[Lawrence Schlossman]

Did he.

[James Harris]

Did he.

[Mark Anthony Green]

Did he.

[James Harris]

Sorry, just. I know we're at the end here, but did he acknowledge. He's like. Oh, you're. This is a Character I can really have fun with and really fall into and go for it.

[Lawrence Schlossman]

He doesn't zoom out. It's. It's really a thing that I learned from him. I've learned a lot from him. But John does not zoom out. Even if I tried to force him sometimes, like people were seeing it and they were freaking out over his performance and, and I don't know, I, I do think that that's kind of part of the thing that I think you guys probably feel for me of like, like the success and did it like, I think the way you sustain a career in something that is this intense, making a movie is very intense. It's intense when you're making it. It's intense when you're trying to get it made. It's intense when you're promoting it. There's never a. Like, I don't feel like I've had a passive chill week.

[Mark Anthony Green]

Six, six year pregnancy.

[Lawrence Schlossman]

Yeah. Yeah. It's intense sense. And I think that if you allow yourself to zoom out, you can really get psyched out. And the, the work isn't in the zoom out. So you don't, you don't, you don't ever really need to do that.

[Mark Anthony Green]

Right. It benefits nobody.

[Lawrence Schlossman]

I don't think so. Yeah.

[Mark Anthony Green]

So that's great advice. Honestly. Don't zoom out. Don't crash out. I think that's what the kids say.

[Lawrence Schlossman]

Don't crash out. Don't zoom out. Never zoom out. Never crash out.

[Mark Anthony Green]

Unless you're behind the camera. Camera as never. Marshall Anthony Green's dp.

[Lawrence Schlossman]

Yeah. Yeah. And then sometimes you gotta never pull out.

[Mark Anthony Green]

Never pull out.

[James Harris]

Always pull out. Actually. Always pull out. I like, never.

[Mark Anthony Green]

I would never pull out.

[Lawrence Schlossman]

Honestly, I just. Again, virgins. Like, there's no, it's, it's like you guys so knowledgeable. Until we talk about that one subject and then it gets.

[Mark Anthony Green]

Oh, is that what it looks like?

[Lawrence Schlossman]

Yeah, yeah. Yes. 40 year old version with the sandbag bag.

[Mark Anthony Green]

Bags of sand.

[Lawrence Schlossman]

Bags of sand.

[Mark Anthony Green]

Mark Anthony Green, you are a legend. We're proud of you.

[Lawrence Schlossman]

Proud of you.

[James Harris]

Thank you for having bag. Jeff, Take us out.

[Mark Anthony Green]

Take us out.

[Lawrence Schlossman]

All right.

[James Harris]

Marketing is hard, but I'll tell you a little secret.

[Lawrence Schlossman]

It doesn't have to be.

[Mark Anthony Green]

Let me point something out.

[Lawrence Schlossman]

You're listening to a podcast right now, and it's great.

[James Harris]

You love the host.

[Lawrence Schlossman]

You seek it out and download it.

[James Harris]

You listen to it while driving, working out, cooking, even going to the bathroom. Podcasts are a pretty close companion.

[Lawrence Schlossman]

And this is a podcast ad. Did I get your attention?

[James Harris]

You can reach great listeners like yourself.

[Lawrence Schlossman]

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[James Harris]

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[Lawrence Schlossman]

Ad like this one across thousands of shows. To reach your target audience in their favorite podcasts with Libsyn ads, go to Libsynads.com that's L I B S Y N ads.com today.