My Favorite Cameraman - Andrew Huebscher

Summary

Tosh Show: Episode Summary – "My Favorite Cameraman - Andrew Huebscher"

Podcast Information:

• Title: Tosh Show
• Host/Author: iHeartPodcasts and Daniel Tosh
• Episode: My Favorite Cameraman - Andrew Huebscher
• Release Date: March 18, 2025

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Introduction

In this engaging episode of the Tosh Show, host Daniel Tosh sits down with his longtime cameraman, Andrew Huebscher. The conversation delves deep into Andrew's professional journey, his experiences working on the show, and his personal life, offering listeners a comprehensive look into the life behind the lens.

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Opening Banter and Humor

The episode kicks off with Daniel's signature humor, sharing a relatable family anecdote about his son's accidental farts during a chase. This light-hearted start sets a relaxed tone for the ensuing conversation.

Daniel Tosh [02:25]: "He's running, farting, says, does that make me go faster?"

Andrew Huebscher [02:47]: "Perfect."

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Introducing Andrew Huebscher

Daniel warmly welcomes Andrew to the show, expressing gratitude for his consistent support behind the scenes. Their camaraderie is evident as they transition from humorous exchanges to more substantive topics.

Daniel Tosh [12:08]: "Population is often laced into illicit drugs and used to make fake versions of prescription pills."

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Personal Journey: Growing Up and Coming Out

Andrew shares his upbringing in Minnesota and the challenges he faced growing up closeted. His candid recounting of his father's unexpected coming out as bisexual adds depth to the conversation, highlighting the complexities of familial relationships and self-acceptance.

Andrew Huebscher [16:33]: "I just didn't see this coming at all."

Daniel Tosh [17:05]: "He was giving you the easy coming out, and you said, nope, I'm not going to fall for this."

Andrew reflects on how his father's revelation initially pushed him back into the closet, leading to a delayed but sincere coming out two years later. This pivotal moment underscores the emotional turmoil and eventual reconciliation within his family.

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Professional Insights: Cinematography and the Industry

Transitioning to his professional life, Andrew discusses his passion for cinematography. He reminisces about his early interest in filmmaking, influenced by his admiration for dramatic weather events and the aesthetic appeal of Midwest light.

Andrew Huebscher [22:38]: "I made Super 8 films. I made like, videos with my brothers."

He elaborates on his education at USC Film School, highlighting the competitive environment and his determination to succeed despite not being traditionally "book smart."

Andrew Huebscher [23:24]: "I wasn't really book smart, but I had drive and I was creative."

Andrew emphasizes the importance of practical experience over formal education, especially in the ever-evolving landscape of filmmaking.

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Working on Tosh0: Behind the Scenes

Andrew provides an insider's perspective on working as the director of photography for Tosh0. He details the demanding schedule, which included early morning shoots from 4:00 AM to 8:00 AM, and the creative challenges of adapting to Daniel's spontaneous comedic style.

Andrew Huebscher [27:05]: "If you have passion, you don't think about the long hours or the challenging conditions."

They discuss the technical aspects of the show, such as lighting and set design, with Andrew offering constructive critiques on Daniel's lighting setup in real-time.

Andrew Huebscher [49:45]: "That light source there, it's a bit harsh. It could be a little softer."

The dynamic between Daniel and Andrew showcases a blend of professionalism and personal rapport, essential for the show's success.

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Personal Life and Relationships

The conversation shifts to Andrew's personal life, particularly his long-term relationship. He narrates how he met his husband in college, their subsequent breakup, and eventual reunion after 17 years. This segment offers a heartfelt look into Andrew's journey towards finding lasting love and the resilience required to maintain a relationship over decades.

Andrew Huebscher [43:03]: "We were boyfriends for about a year, broke up, and then got back together 10 years ago."

Andrew discusses the balance of honesty and faithfulness in his marriage, emphasizing open communication as the cornerstone of their relationship.

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Industry Evolution and Advice for Aspiring Cameramen

Andrew shares his insights on the shifting landscape of the film and television industry. He speaks about the transition from traditional studio systems to creator-driven projects, the impact of digital technology, and the democratization of filmmaking tools.

Andrew Huebscher [46:21]: "Learn filmmaking, learn the basics, and then try stuff out and play."

He advises aspiring cinematographers to passionately pursue their craft, leverage online resources like YouTube for education, and to focus on creating personal projects to build their portfolios.

Andrew Huebscher [47:23]: "Absolutely not. Particularly now, you can learn so much on YouTube."

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Anecdotes and Humorous Exchanges

Throughout the episode, Daniel interjects with humorous anecdotes and playful teasing, particularly about Andrew's fashion choices and the physical demands of handling camera equipment. These moments not only entertain but also humanize the professionals behind the scenes.

Daniel Tosh [31:40]: "Why would you say that?"

Andrew Huebscher [31:41]: "Right. Carry stuff around."

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Closing Remarks and Final Thoughts

As the episode concludes, Daniel expresses his appreciation for Andrew's contributions, both professionally and personally. The episode ends on a light note with discussions about future projects and mutual gratitude, reinforcing the strong working relationship between host and cameraman.

Daniel Tosh [54:00]: "Just say, that's not fair for the straights. How much better would college be..."

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Notable Quotes with Timestamps

• Daniel Tosh [02:25]: "He's running, farting, says, does that make me go faster?"
• Daniel Tosh [12:08]: "When it comes to your health and well being, the right care can change everything."
• Andrew Huebscher [16:33]: "I just didn't see this coming at all."
• Andrew Huebscher [22:38]: "I made Super 8 films. I made like, videos with my brothers."
• Andrew Huebscher [23:24]: "I wasn't really book smart, but I had drive and I was creative."
• Andrew Huebscher [27:05]: "If you have passion, you don't think about the long hours or the challenging conditions."
• Daniel Tosh [31:40]: "Why would you say that?"
• Andrew Huebscher [46:21]: "Learn filmmaking, learn the basics, and then try stuff out and play."
• Andrew Huebscher [47:23]: "Absolutely not. Particularly now, you can learn so much on YouTube."

---

Conclusion

This episode of the Tosh Show offers an intimate glimpse into the life of Andrew Huebscher, blending professional insights with personal narratives. Daniel Tosh and Andrew’s heartfelt and humorous exchanges provide listeners with valuable lessons on resilience, creativity, and the importance of authentic relationships both on and off the set.

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Additional Resources:

• For more episodes and episodes’ transcripts, visit iHeartPodcasts.
• Explore more about Andrew Huebscher’s work and cinematography at Eddiegosling.com.

Transcript

[Daniel Tosh]

From the executive producers of Hell and Gone comes a new podcast investigating the serial murders orchestrated by South African cult leader Cecilia Stein. She conditioned them to be monsters. She was telling people the Bible says she must go and kill, but actually.

[Eddie Gosling]

She was taking revenge.

[Daniel Tosh]

We are all so horrified by the idea that a mother would sully her daughter in this way. Listen to Queen Havoc and her murder cult on the iHeartRadio app or wherever you get your podcasts.

[Ryan Seacrest]

Hey, it's Ryan Seacrest for Albertsons and Safeway. Spring is here, which means it's time to do some spring cleaning, because a clean home is a happy home. Now through March 25th. Shop in store or online and get great savings on all your spring cleaning essentials like Windex glass cleaner, Lysol disinfectant, spray scrubbing bubbles, bathroom cleaner and Febreze fabric refresher. Hurry in before those deals are gone. Offer ends March 25. Promotions may vary. Restrictions apply. Visit albertsons or safeway.com for more details.

[Daniel Tosh]

When it comes to your health and well being, the right care can change everything. That's why Cleveland Clinic has been elevating world class patient care for over a century. From the latest in heart, neurology and cancer care to advanced diagnostics and beyond, Cleveland Clinic is here for every care in the world. Explore a wide variety of health and wellness info by visiting clevelandclinic.org today.

[Jamie Petras]

45 years ago, a Virginia soul band called the Edge of Daybreak recorded their debut album, Behind Bars Record Collection. Consider it a masterpiece. The band's surviving members are long out of prison, but they say they have some unfinished business.

[Daniel Tosh]

The Edge of Daybreak, Eyes of Love was supposed to have been followed up by another album.

[Jamie Petras]

Listen to Soul incarcerated on the iHeartRadio app, Apple Podcasts, or wherever you get your podcasts.

[Daniel Tosh]

What do you think of the lighting in here?

[Eddie Gosling]

I have notes.

[Daniel Tosh]

You want to tinker, don't you?

[Eddie Gosling]

Yeah.

[Daniel Tosh]

Every part of you wants to tinker. PA Tosh Show. Tosh show for show. Welcome to Tosh Show. I am your host, Daniel Tosh, and with me is Eddie Gosling. Eddie, hello.

[Andrew]

Daniel Tosh.

[Daniel Tosh]

Welcome to the show.

[Andrew]

Thank you. Thanks for having me.

[Daniel Tosh]

Well, it's good to have you. I don't want to start this podcast with a fart joke, but here goes.

[Andrew]

All right.

[Daniel Tosh]

My son the other day was running and I was chasing him, and while I was chasing him, he farted. He gets excited sometimes and it comes out. It doesn't matter. By the way, my son can't fart without my wife screaming. Go to the bathroom. You need to go to the bathroom. I'm like. And I'm always like, one doesn't mean the other.

[Andrew]

I agree with you.

[Daniel Tosh]

She's like, no, no. If you're farting, you have to go poop. I'm like, okay, anyway, sorry about that. So he farts. And then he said, we're laughing about it because he's a kid. He's a 5 year old. 5 year olds are allowed to laugh at farts. 50 year olds are allowed to laugh at farts. Anyway, he says to me, hey, dad, do you think that while I was running when I farted that the fart made me run faster? And then before I even got to say anything, my wife just chimes in, yes, that's your nos button. I'm like, well, they don't even need me anymore for comedy. The both of them got it all figured out. I thought it was the funniest exchange ever. I just sat there and was like, well, you guys did it. That's hysterical. He's running, farting, says, does that make me go faster? And she's like, it's your nos button. You don't want to press it too soon in a race.

[Andrew]

Perfect.

[Daniel Tosh]

Pretty good stuff. All right, what are we doing today, Eddie? Dear Tosh show this is quickly becoming one of my favorite segments. Dear toshow is where I take a question or a thought from one of our subscribers or a family member or someone that I just randomly heard on the street, and I solve their problems.

[Andrew]

All right, here we go. People that listen to music, watch videos, or use speakerphone without using headphones around other people. How do you solve that problem? Thank you, Alan.

[Daniel Tosh]

Alan. That is a real problem, and I have a real solution that's also fun for almost everyone within earshot. Okay, it's very simple. Just stand up, walk as close as you can to them and pretend you have Tourette's. Shit, fuck, pussy, shit, fuck. Cook, pussy and throw in a twitch. Shit, pussy, shit, pussy, pussy, pussy, shit. Okay, they're gonna wrap up a call.

[Andrew]

It's gonna end the call.

[Daniel Tosh]

No one, no one's explaining that on a business conversation. That's immediately that they're going to quickly. Oh, oh, shoot.

[Andrew]

Hey, I got to go. I'll call you back.

[Daniel Tosh]

And then if they. They approach you like, what's wrong, man? What are you doing? I have Tourette's. This is a disease. Imagine. Shit, shit, Mexicans. Tourette's is fine if it's just swear words. It's when the. The racist terms start Flying. You're like, oh, okay, this guy's gonna get himself beat up or elected president. Hey, hey. All right. Speaking of big orange orangutans, did you see the new planet of the 8s movie?

[Andrew]

I did not see it.

[Daniel Tosh]

By the way, new is relative. I think it's a few years old. Whatever. The latest one now, I loved the semi new installment of the trilogy that they did. I thought those were great with Caesar. But I, I recently watched the new one, which is set many generations into the future and, and the monkeys have won and the humans don't talk anymore. Okay, whatever the. Here. I just want to get to the.

[Andrew]

I could listen to you talk about movies like this. The monkeys have won.

[Daniel Tosh]

The monkeys won. They're. They're the, the top of the pecking order. Although that, that and there was a disease or something that went around and people can't talk. All right, whatever. And monkeys talk, but they're still, they still haven't figured out a lot of shit. Who cares about the movie? This was my problem with the movie and possibly a problem with Hollywood in general that you might not think that I have this take on. But when we let, like, anyone be a model, not just the pretty people, you get where I'm going. This movie. I didn't think the star monkey was attractive. He didn't seem cool. He looked, you know, like little doofus, like a character actor, like a, like an idiot. I don't know. Yeah, he didn't seem like. He didn't have the star power that Caesar had. Caesar, like, was such a good looking monkey. Like, holy cow, I would follow this monkey. I would have been the first human to fall in line and be like, no, no, this is my king. This is my prophet. But anyway, this new one, I just was like. Kept looking at this monkey and I'm like, hollywood, come on. Can you make the star of the movie a little sexier? It was just hard to believe that this would be like the one that everyone would, would turn to. He just didn't seem like a leader. And I guess that was kind of part of it. Like, oh, I just feel like he could have got beat up by like a ton of other monkeys. He didn't have. He didn't have that it factor as far as monkeys go. The whole time, I'm just watching this movie going, I don't. I'm not attracted to this monkey in any way. This isn't a Brad Pitt. This is like, what's his name? Who's the guy from the brutalist? Oh, Adrien Brody. Yeah, this is. This is an Adrien Brody type. He's won an Oscar. I know. I'm not saying that this monkey's not talented. I'm just saying that he's not. He's not like popcorn.

[Jamie Petras]

Sure.

[Daniel Tosh]

Yeah. This is the Messiah. This looks like something you come home from the fair with. You know, he looks. He looked more like the rally monkey at a Dodgers game where you. You get the little velcro hands and you hook it around your head, you know? You know, kind of remind me of. What's that TV show with this sniper? Day of the Jackal. Yeah, that. That. That guy, Eddie Redmayne. He's like. He's such a. He's like a little doofus looking guy. And then his wife in there is just so beautiful. And I'm like, oh, man, snipers get all the hot chicks. I could do this conversation all day long. But I'll tell you one more problem about this monkey movie. Very dark and just not tonally. Just. Actually, I get night. I can't see anything that's going on. You know who's going to love this talk is today's guest, my cameraman. Oh, nobody. Nobody can bore me more about lighting and talking about film than today's guest. Enjoy.

[Ryan Seacrest]

Hey, it's Ryan Seacrest for Albertsons and Safeway. Stock up sale is on now, which means you can save big on all your favorite essentials throughout the store. Stock up on participating items and earn four times points to redeem for your discounts on groceries or gas. Now through March 25th. Saved by shopping in store or online for participating items from your favorite brands like Pampers, Dove, Band Aid, Playtex and Premier protein. Offer ends March 25. Promotions may vary, restrictions apply. Visit albertsons or safeway.com for more details.

[Damien Hirst]

Do you remember what you said the first night I came over here?

[Daniel Tosh]

Ow.

[Damien Hirst]

Go slower. From Blumhouse TV, iHeart podcasts and Ember 20 comes an all new fictional comedy podcast series. Join the flighty Damien Hirst as he unravels the mystery of his vanished boyfriend. And Santi was gone. I've been spending all my time looking for answers about what happened to Santi. And what's the way to find a missing person. Sleep with everyone he knew, obviously.

[Daniel Tosh]

Hmm.

[Damien Hirst]

Pillow talk. The most unwelcome window into the human psyche. Follow our out of his element hero as he engages in a series of ill conceived investigative hookups. Mama always used to say God gave me gumption in place of a gag reflex. And as I was about to learn no amount of showering can wash your hands of a bad hookup.

[Daniel Tosh]

Now take a big whiff, my bruh.

[Damien Hirst]

Listen to the hookup on the iHeartRadio app, Apple Podcasts, or wherever you listen to your favorite shows.

[Jamie Petras]

September 1979. Virginia's top prison band, Edge of Daybreak, is about to record their debut album, Behind Bars in just five hours.

[Daniel Tosh]

Okay, we're rolling. One, two, three, four.

[Jamie Petras]

I'm Jamie Petras, music and culture writer. For the past five years, I've been talking to the band's three surviving members. They're out of prison now and in their 70s, their past behind them. But they also have some unfinished business.

[Daniel Tosh]

The end of Daybreak, Eyes of Love was supposed to have been followed up by another album.

[Jamie Petras]

It's a story about the liberating power of music, the American justice system, and ultimately, second chances. Listen to soul incarcerated on the iHeartRadio app, Apple Podcasts, or wherever you get your podcasts.

[Young Pueblo]

Some people won't give you the real talk on drugs, but it's time we know the facts. Fentanyl is often laced into illicit drugs and used to make fake versions of prescription pills. You can't see it, taste it, or smell it. Suppliers mix fentanyl into their products because it's potent and cheap and the dealer might not even know. Keep yourself and others safe by knowing the real deal on fentanyl. Get the facts. Go to realdealonfentanyl.com this message is brought to you by the Ad Council.

[Daniel Tosh]

Posh. My guest today lit some of the most beautiful sets you ever saw on Tosh zero. For over a decade, this man tried to turn my comedy gold into cinematic art. But unfortunately for him, it was a low budget show and everyone else just wanted to finish and go home. Please welcome my former director of photography and the only member of the crew I wasn't scared to talk to.

[Eddie Gosling]

Andrew, good to see you, Daniel.

[Daniel Tosh]

Andrew, thank you for being here. By the way, do I have a good side?

[Eddie Gosling]

All sides.

[Daniel Tosh]

That is true. Andrew, do you believe in ghost?

[Eddie Gosling]

Absolutely. I have a friend who worked on UFO Hunters and the ghost equivalent of it, and he said absolutely. Like, Ghosts are real. UFOs, not so much.

[Daniel Tosh]

Also, he doesn't believe in any alien life form, but he does believe in goats.

[Eddie Gosling]

This was as of like 10 years ago, but yeah.

[Daniel Tosh]

Okay, well, the evidence now. Yeah, no, I would. You could. You could maybe get me to go the other direction, but not that way. All right. Did you like growing up in Minnesota?

[Eddie Gosling]

Well, Minnesota is a beautiful place.

[Daniel Tosh]

It's Wonderful.

[Eddie Gosling]

But as somebody who was closeted, like, it was tough.

[Daniel Tosh]

I just thought it was always such a blue wall up there. No, I'm wrong.

[Eddie Gosling]

Yeah. I think the blue wall kind of is around parts of, like, downtown and some of the suburbs.

[Daniel Tosh]

But I'm doing two shows in your hometown of Minneapolis.

[Eddie Gosling]

Okay.

[Daniel Tosh]

The Twin Cities. How come we call it the Twin cities, but yet St. Paul gets no love ever?

[Eddie Gosling]

Well, I think in St. Paul, things tend to close earlier. It's more like government cultural. Whereas Minneapolis is where, like, you know, the stadiums are. It's where the nightclubs are. It's where probably the best restaurants are.

[Daniel Tosh]

Where's the big spoon with the cherry on it? I like that thing.

[Eddie Gosling]

That's the Walker Arts Center.

[Daniel Tosh]

Oh, man, I love seeing that big spoon.

[Eddie Gosling]

Yeah.

[Daniel Tosh]

You ever go walk that, Eddie?

[Andrew]

Haven't seen the spoon.

[Daniel Tosh]

You've never seen the spoon?

[Andrew]

Never seen it.

[Daniel Tosh]

You've gone to Minneapolis for 30 years.

[Andrew]

I know.

[Daniel Tosh]

And you've never walked by the big spoon?

[Andrew]

No.

[Daniel Tosh]

That is bonkers to me. I got so many photos of me on dates with comedy club waitresses. In front of the big spoon.

[Andrew]

In front of the big spoon.

[Daniel Tosh]

By the way, you also lived in Florida.

[Eddie Gosling]

That's right.

[Daniel Tosh]

For two years. As a child.

[Eddie Gosling]

Yeah. So grew up in a suburb of Minneapolis called Edina. I lived there until I was about 11, and then my dad got transferred for work to Florida. We lived in a suburb of Orlando called Lake Mary for a year and a half, two years.

[Daniel Tosh]

Did you love Orlando area or. No?

[Eddie Gosling]

It was a culture shock for me. Kind of coming from suburban, like, conservative, you know, Minneapolis suburbs to, you know, central Florida.

[Daniel Tosh]

When I moved to Florida as a 12 year old, I just hated it. I grew to love it. But I didn't know that you were supposed to be embarrassed to live there. But immediately when I moved there, though, I hated it. And everyone would ask me. I know they asked you something similar. They asked you, are you a redneck or a surfer? Those were the two things a white kid could be.

[Eddie Gosling]

They always wanted to know if I was a surfer or a skater.

[Daniel Tosh]

And what did you answer?

[Eddie Gosling]

That was the first question. I remember the first time I heard it. I didn't know how to respond.

[Daniel Tosh]

Right, because you liked to roller skate, I'm sure.

[Eddie Gosling]

Why would you say that?

[Daniel Tosh]

I don't know.

[Eddie Gosling]

I was a terrible skater. So actually I was just uncoordinated altogether. So I fell into the yearbook team. I was in the group that wrote the yearbook, took all the photos.

[Daniel Tosh]

And then you put so many photos of yourself. In there?

[Eddie Gosling]

Yeah. Not many of me. I was behind the camera.

[Daniel Tosh]

What was your dad doing at the time? What job was he getting? Transfer around it.

[Eddie Gosling]

My dad had his own business. He sold construction materials, so, like PVC piping, that sort of thing. And what happened was there was a recession in the late 80s that caused his business to shift around a little bit. And so he chased some clients in Florida. And then eventually that fizzled away and work went to overseas markets and whatever, and my dad's business kind of like, imploded. And so things got really tough and my mom came in and ended up taking care of us.

[Daniel Tosh]

By the way, your father recently passed away.

[Eddie Gosling]

He did, yeah.

[Daniel Tosh]

I'm very sorry to hear that. He came out to you when you were 18 years old.

[Eddie Gosling]

Yeah. By this point, I knew that I was gay, and I wanted to tell my parents about it, but my dad beat me to it. Like, he sat me down. I just didn't see this coming at all.

[Daniel Tosh]

I mean, this. This just shatter your world.

[Eddie Gosling]

It kind of pushed me back in the closet in the sense that, like, I was just. I just didn't know how to respond to it. And it was like there was too many emotions that were coming up. You know, when you're closeted, you compartmentalize it. You learn to hide it. And so I kind of went back into the closet. And then it was two years after that that I came out to them.

[Daniel Tosh]

I remember some details that you may have purposely left out. Your dad once came to you before he came out and asked you if you were gay.

[Eddie Gosling]

He told me that he asked me that when he came out to me.

[Daniel Tosh]

Because he knew his son and had probably a pretty good read.

[Eddie Gosling]

I think he probably did.

[Daniel Tosh]

He was giving you the easy coming out, and you said, nope, I'm not going to fall for this, because I.

[Eddie Gosling]

Knew I wasn't fully ready to do it yet. And you couldn't be in the middle. You can't sort of half come out because that would just create too much skepticism.

[Daniel Tosh]

That's bisexuals that have come out. No.

[Eddie Gosling]

Well, my dad at the time actually said he was bi. Okay. He says I'm bi. I have a preference towards men. And I was confused by that because that doesn't really define being bi. But I just. I didn't ask him any more questions about it because I was still processing it.

[Daniel Tosh]

Looking back on that moment, did you react the way that you wanted to react?

[Eddie Gosling]

I mean, in hindsight, I would have. I would have come out to him then because why wait?

[Daniel Tosh]

Well, no, I Know, I have always felt when any, you know, the handful of times I've been fortunate enough for a friend to come out to me, I've always been like, the only thing that's ever bothered me is like, oh, I hate that you had to, like, not, you know, keep something, or that's always the thing that you. And then when it's your parents, that's such a weird thing. Did you, like, side. I mean, how'd your mom handle this, first of all?

[Eddie Gosling]

Well, she had already known for some time, several years, I think. I think it was difficult for her, but she had started to move on. They had already been separated for several years at this point, even though they still had, you know, relationship in the sense that they were taking care of us together.

[Daniel Tosh]

And did their relationship get stronger over the years after this, between them? Yeah. I mean, as far as a friendship, did it ever turn back into a friendship or.

[Eddie Gosling]

No, it was a friendship.

[Daniel Tosh]

By the way, did your father have many female relationships in his life or. No?

[Eddie Gosling]

No. I mean, I think they met when she was right out of nursing school. You know, they were in their early mid-20s, actually. Yeah, mid-20s. And got hitched right away.

[Daniel Tosh]

You have twin brothers?

[Eddie Gosling]

Twin older brothers and a younger sister.

[Daniel Tosh]

And all of them are gay?

[Eddie Gosling]

No.

[Daniel Tosh]

No, no, no. How did they handle this?

[Eddie Gosling]

They were accepting of it. My sister, even when I came out to her.

[Daniel Tosh]

Well, I just meant. I mean, accepting of you seems easy. It was the father one. That seems like it'd be the tougher pill to.

[Eddie Gosling]

I mean, it would have been more difficult for them not understanding it, you know, not knowing what it's like to live with the secret and how you could have, you know, a life that's. That's in a sense, not being totally honest to your. Your true self.

[Daniel Tosh]

I've thought multiple times, I. How would I react if my father came out to me just because of your situation? And I was like, I, this really makes sense. I can piece it all together. Where did you come out to them at? Where were you guys?

[Eddie Gosling]

I told my parents I wanted to take them to dinner.

[Daniel Tosh]

Both of them together?

[Eddie Gosling]

Yep.

[Daniel Tosh]

Public place?

[Eddie Gosling]

No, no, actually, at my dad's house, we did it. And. And I just point blank told them because I didn't want there to be.

[Daniel Tosh]

Any beginning of the meal at the end of the meal.

[Eddie Gosling]

No, it was after the meal.

[Daniel Tosh]

What did you guys eat?

[Eddie Gosling]

I have no idea.

[Daniel Tosh]

You don't remember what you ate that night?

[Eddie Gosling]

This was like 30 years ago.

[Daniel Tosh]

I don't care. What was your dad's reaction when you actually finally came out to him, the.

[Eddie Gosling]

First thing he said was, I need a drink.

[Daniel Tosh]

But kind of tongue in cheek, more like a cocktail. He's like, let's party, kid.

[Eddie Gosling]

No, like, I think he just appreciated the irony or coincidence of the situation and probably enjoyed that he would have somebody, you know, close that he could relate to.

[Daniel Tosh]

Listen, I have always said that I think a gay man would make the best father and husband to a woman.

[Eddie Gosling]

When I was, I don't know, in my, my late 20s, he came out to visit and he helped me move into a new apartment in West Hollywood. It was my first West Hollywood apartment. And it was like a Sunday night. We had finished moving and I had some friends over, we ate dinner and I thought that was going to be the end of it. And as we were, I was saying goodnight to everybody. He turned to me and he said, well, wait, we haven't gone out yet. And so everybody had surprised looks on their faces like they knew about my dad. But he wanted to go out for a night on the town. So we did a bar crawl along Santa Monica Boulevard.

[Daniel Tosh]

Rage. Did you go to Rage?

[Eddie Gosling]

We didn't go to Rage. We went to Trunks. We went to Mickey's.

[Daniel Tosh]

I love you.

[Eddie Gosling]

I think we went by a place called the Normandy Room, which was a lesbian bar back then. He got kicked out of there for trying to smoke inside.

[Daniel Tosh]

God damn, he's mad. Minnesota, he had the coolest dad in the world. You didn't even know it. Talk about how, you know, as a young child you got into wanting to be a cinematographer. Filming all of it.

[Eddie Gosling]

I would say from a very early age, before we had any cameras, I'd walk around the house and I would like make a little frame. Like I was composing shots. For a while I thought I wanted to be a meteorologist.

[Daniel Tosh]

That doesn't make sense.

[Eddie Gosling]

Yeah, I mean, I can attribute some of it to admiring the light. But I, I, I love thunderstorms, I love snowstorms. I love weather events. Like, I liked the drama of, you'd be watching a TV show and there'd be that little beep, beep, beep. The weather call would, would come at the bottom of the screen and issue a, you know, tornado warning. I would also say that I, I, I noticed light, like growing up in Midwest was beautiful. You get four seasons. You know, the light is very dramatic at different times of day.

[Daniel Tosh]

All right, so as a child, you, you were into it.

[Eddie Gosling]

Yeah. So I made Super 8 films. I made like, videos with my brothers. Like, we got a hold of A camcorder, like a friend's family friend lent us one.

[Daniel Tosh]

And so did you have a Hi8?

[Eddie Gosling]

It was a VHS.

[Daniel Tosh]

Oh man, that's real cool.

[Eddie Gosling]

We'd set it up and we discovered quickly that if you put it on a tripod and you start and stop it, you could make like objects move around if you didn't move the camera.

[Daniel Tosh]

How old were you when you took your first dick pic? And do you set it up before you take it? Right.

[Andrew]

Light the area?

[Daniel Tosh]

Sure.

[Andrew]

Filters?

[Daniel Tosh]

You don't have to answer that. You went to USC film school. How competitive of an environment was that?

[Eddie Gosling]

I mean, I. At the time, I think they said they accept like 20 or 30 applicants out of one or 2,000. So, you know, I was surrounded by people who wanted to be writers and directors. There weren't as many people that were, you know, into editing, cinematography, production design.

[Daniel Tosh]

Were you super smart?

[Eddie Gosling]

No, I wasn't really book smart, but I was, I had drive and I was creative. And, you know, it took me five applications to get into the film school. And ultimately I think they were. They were looking for somebody who could, you know, express themselves creatively. And I remember I ended up writing a letter in my final application. This was the last time I was trying to apply to the school before I pursued a different tack. I came out, you know, I described my coming out story to my best friend at the time.

[Daniel Tosh]

You played the gay card hard, didn't you?

[Eddie Gosling]

Yeah, I mean, I had been told I had met all these graduate students who were telling me that they wanted to see some kind of personal statement and I didn't have the, you know, I came from.

[Daniel Tosh]

You had a personal statement, you just didn't want to share it at the moment. By the usc. Crazy expensive.

[Eddie Gosling]

Yeah.

[Daniel Tosh]

How'd you. Did you do. You forced the parents just to like deal with it.

[Eddie Gosling]

We weren't able to do that. So I got grants, a lot of financial aid and some help from other family members.

[Daniel Tosh]

Were you in debt after you graduated?

[Eddie Gosling]

I was.

[Daniel Tosh]

Oh, that's good. But you stayed out in la. Did you ever give up on the dream and moved back? Do you care about usc?

[Eddie Gosling]

Sure.

[Daniel Tosh]

Do you go to the football games ever?

[Eddie Gosling]

No.

[Daniel Tosh]

Did you ever go to a football.

[Eddie Gosling]

I have gone to the football games.

[Daniel Tosh]

I went to a.

[Eddie Gosling]

But the seats at the Coliseum were really uncomfortable.

[Daniel Tosh]

They're not good. I always liked going. When I went to the Coliseum, I was excited because they had like big old sausages that were like chicken based or something. Well, because I can't. I don't Eat beef. So I was always like, oh, there was something fun to eat there.

[Eddie Gosling]

I don't eat beef. I don't eat pork.

[Daniel Tosh]

I used to not eat pork. And then I have children.

[Eddie Gosling]

But you have a pig.

[Daniel Tosh]

I know.

[Eddie Gosling]

And you eat, like, around it.

[Daniel Tosh]

Well, I don't like, go, ha, ha, ha. Look what I'm eating. Yeah, I eat. Here's the thing. I don't order it, but my children, we let them eat what they want to eat right now. And if they're eating something that has bacon in it and then they don't finish it, I have this weird thing where I don't let food go to waste, so I just end up eating it.

[Eddie Gosling]

Okay.

[Daniel Tosh]

I'm not proud of myself. By the way, the American Society of Cinematographers gave the Greg Tolan Heritage Award to the best up and coming cinematographer. And you won that in 1999. Who the fuck is Greg Tolan?

[Eddie Gosling]

Greg Tolan is a cinematographer who most famously is known for having shot Orson Welles, Citizen Kane. And he was a pioneer. He actually shared a title card with Orson Welles in the film, which was considered a big deal at the time. But he design lenses. He built lenses like he. He was one of those, like, craftsmen that just knew, like, when there was a need for something, he would design it, he would figure out how to build it.

[Daniel Tosh]

All right, so you got this award in 1999.

[Eddie Gosling]

Yeah.

[Daniel Tosh]

That's pretty great. That was right out of the gate.

[Eddie Gosling]

It was basically a big deal.

[Daniel Tosh]

And then you ended up on Tosh Point zero. That seems not like the normal trajectory of somebody. Do you hate green screen?

[Eddie Gosling]

No, but I don't think I can see the color green anymore because I was around it so much during the time I worked on the show that.

[Daniel Tosh]

Do people realize how much stuff you shot? Because they always just think of the show like, oh, didn't you just stand in front of a green screen the whole time? I don't think they realize how many other things were shot for that show.

[Eddie Gosling]

Yeah, I mean, there was the Selena Gomez music video parody we did.

[Daniel Tosh]

Carrot Top still talks to me about that dumb thing. He's like, that was great. He couldn't memorize a word. Talk about what a good time working on Tosh0 was and how easy I am to work with.

[Eddie Gosling]

The hours were great, huh?

[Daniel Tosh]

Yeah, that's something. I'll take it.

[Eddie Gosling]

We had summer hours. We'd come in at, I think, 4:00am to light a set to be rolling by 6 or 7:00 and then wrapped at 8:00am heading home in morning Rush hour.

[Daniel Tosh]

It is bonkers.

[Eddie Gosling]

Go get breakfast at the end of the day.

[Daniel Tosh]

Yeah, well, listen. What are you talking about? We always had those nice little breakfast burritos.

[Eddie Gosling]

That's true.

[Daniel Tosh]

All right, so you didn't have a good time, and I wasn't easy to work with. That's fair.

[Eddie Gosling]

No, you were. We didn't always know the Daniel we were gonna get, but it was always exciting.

[Daniel Tosh]

What does that even mean?

[Eddie Gosling]

Whatever the script was, we knew that it, it could change at a moment's notice because you could work with something, you would respond in the moment. And we had to light the show in such a way that anything could change at any moment. And so we were always thinking on our feet. Like, there was never a point where we felt comfortable over 13 years.

[Daniel Tosh]

There was never a point where you.

[Eddie Gosling]

Felt comfortable in a creative sense. And so everybody was kind of ready to dance and think on their feet.

[Daniel Tosh]

If needed, but they also got to go home at 9 o'clock in the morning. So, yeah, that was only toward the end that I forced everybody to start working at crazy early hours. Such a silly idea that we had. Well, here. You know what I liked about working with you?

[Eddie Gosling]

What's that?

[Daniel Tosh]

I'll tell you what I liked now. All the things you think, oh, gay. No, that's a, that's a plus. But not. Not what you're good at. Your job. No, couldn't. Couldn't care less. I. I think it comes down to, it's like you're also quiet. That's a huge plus. But like, you just, like, did your shit. But the real thing is probably just being from Minnesota. There's just something about people from Minnesota that I've always liked.

[Eddie Gosling]

Minnesota, Nice, they call it.

[Daniel Tosh]

Oh, man, what a good name. Yeah, they're just nice folks there. When movies were predominantly shot on film, everyone talked about how fantastic digital would be. Now, which is better.

[Eddie Gosling]

It's subjective, but it also depends on what you're doing. You know, I think there are some shows that will always work better or some movies having been shot in film, but ultimately it comes down to budget and what you want it to look like. You know, you can look at digital as just like a different film stock choice. So, like you can choose to shoot on film. It's a different process. It has a more natural look to it, I think the way the tones interact with each other, the grain. There's a dimensionality to it.

[Daniel Tosh]

I hate what you're saying. I hate what you're saying. Well, because anytime you would set stuff up, it's just. I knew, always, I understood that you knew what you were doing, but I always would just need to walk away because I just know that, like, setting up shots, it just takes so long. And if you're not into that, then especially if you're, like, doing comedy where it's like, who cares? I'm just telling a joke. Oh, it's painful. How long?

[Eddie Gosling]

I think you have to be passionate about it in order to survive because the hours can be long, the pay can be crap, the food can be worse, and it can be difficult in a slog. But if you love it, like, you don't think about that, that kind of disappears.

[Daniel Tosh]

We gotta get you on. You need to be working on Shogun. That seems like that would be a project for you.

[Eddie Gosling]

You got a hookup?

[Daniel Tosh]

I don't know. No, but if we do find a hookup, then I need to find a way for you to let me meet that star. Oh, man, she is pretty. You were on the set of the one where Alec Baldwin shot someone.

[Eddie Gosling]

I was not on Rust. No.

[Daniel Tosh]

Oh, okay. That is. Sorry about that, Eddie. That's Eddie's fault. Eddie, you got me. You ever shot a gun?

[Eddie Gosling]

I have. I went to the shooting range with Scott Szibelski once when he was right.

[Daniel Tosh]

Scott Szybylski was a producer on tosh0 and he's the one that introduced us to you. Which is weird because Scott is. If you were to draw a photo of a heterosexual man, it would be Scott Zabielski. Like, just his hair. He's a cop for fun. That is the weirdest thing in the world. How did you guys know each other?

[Eddie Gosling]

We met at usc.

[Daniel Tosh]

Okay, yeah, usc. You guys just all take care of each other. You're kind of like Harvard bunch of assholes, aren't you?

[Eddie Gosling]

Probably.

[Daniel Tosh]

For somebody that has worked in film and television as long as you have, you never got fat and disgusting. You've always were in perfect shape. I'll be honest with you. Sometimes I felt like you became a cameraman just to show off your arms and hold a camera.

[Andrew]

Right. Carry stuff around.

[Daniel Tosh]

Yeah, he'd always just like. Just the tightest shirts too. Has that changed or are you still wearing skin tight shirts? I can see that shirt's pretty tight.

[Eddie Gosling]

I mean, you know, I'm a homosexual, so.

[Daniel Tosh]

I know tons of homosexuals that are physically not in good shape.

[Eddie Gosling]

I just never liked the way, you know, baggier shirts looked on me. But I didn't know how to dress, like, up until, I don't know, in my early 30s or late 20s, I think I wore mostly flannels and baggy clothes.

[Jamie Petras]

You did.

[Daniel Tosh]

I've never seen you in a baggy outfit in my life. Oh, I'd love to. Give me a photo of you in a baggy shirt. That's what I want to say. You work out every day?

[Eddie Gosling]

Just about.

[Daniel Tosh]

What's. What's. What's the process? What do you do?

[Eddie Gosling]

Well, it's changed because I used to be more into, like, weightlifting for strength training, but now it's really just. I like high intensity, so I do like a boot camp style workout. Workout at home.

[Daniel Tosh]

You carrying a sandbag around like an idiot?

[Eddie Gosling]

No, no, just like some dumbbells. A mat kind of thing.

[Daniel Tosh]

Huh.

[Eddie Gosling]

Yeah, I like the. I get a mental high from it. Not everybody gets that.

[Daniel Tosh]

No, I know. I never had one. Yeah, that's why I don't work out.

[Eddie Gosling]

Clear my head.

[Daniel Tosh]

And you do it early in the morning or late at night.

[Eddie Gosling]

Try to do it early in the morning.

[Daniel Tosh]

Like, what time? Today was 6am and that's earlier than normal.

[Eddie Gosling]

It's about that time.

[Daniel Tosh]

Okay, so 6:00am Every day. You're sweating. Ugh.

[Eddie Gosling]

Yeah. How many total days in your life would you say you've gone into a gym? Oh, that's a. Not for a shoot.

[Daniel Tosh]

That's Hystere. Two, five, maybe ten. And never as an adult. I can remember in college going into a gym. I guess I just think it's dumb. I'm never gonna look good. I'm never gonna get a body that's like rich piana. Just, you know, I'm never gonna have arms and I should do it. You care about what you eat too, though.

[Eddie Gosling]

Yeah, but I cheat.

[Daniel Tosh]

Okay.

[Eddie Gosling]

You know, I'm not super rigid.

[Daniel Tosh]

Desserts. Do you like desserts?

[Eddie Gosling]

Yeah, I have a sweet tooth.

[Daniel Tosh]

I just ate old cheesecake that was in the refrigerator. I don't even know where it came from. It was like, mushed into a Tupperware bowl. And I just. Was just. Carly was thrown away. I'm like, wait, wait, give me that. I wouldn't eat a lot of the meals that the crew would eat. But when you found out that Panda Express was being catered, you would get emotional. Visibly upset.

[Eddie Gosling]

Yeah. And one of your staffers over there, like, relished in the opportunity to serve Panda Express.

[Daniel Tosh]

Yeah. I've changed Pete as much as I can. We call him Life Hack Pete. Guy's got a. Guy got a shortcut for everything, but.

[Andrew]

Bang, bang.

[Daniel Tosh]

But yeah, his taste in food is always a little bit questionable.

[Eddie Gosling]

There was somebody who worked on the show whose wife worked, I don't know, something to do with food safety. And she said that the chicken that they used in Panda Express is like Grade K chicken or it was a low grade chicken, but if it goes.

[Daniel Tosh]

To Z, that's fine. Let me tell you something. Panda Express, if you're a sponsor of the show, and I know you should be grade K is fine with me. By the way, do you have to be strong to be in your business? No, I mean, what a camera. I mean, do you carry a camera? Yeah. You're lugging stuff around all day long.

[Eddie Gosling]

Sure, sure. I mean, you know, you have assistants, you have a team that can help you. And if you're on a union job as a cinematographer, you know, technically you won't have to touch any equipment if you have, if you hire camera operators.

[Daniel Tosh]

Are you always doing union jobs or do you ever get to do non union work anymore?

[Eddie Gosling]

A mix, I would say.

[Daniel Tosh]

Do you ever sit on that train.

[Eddie Gosling]

Track on the, on the dolly? Yeah. Yeah.

[Daniel Tosh]

Is that fun?

[Eddie Gosling]

That's a lot of fun.

[Daniel Tosh]

I love the train. You ever say choo choo when you're getting pushed around?

[Eddie Gosling]

I remember being told by a producer on this show that we were never allowed to have a dolly track.

[Daniel Tosh]

Why?

[Eddie Gosling]

Just because it would take too much time.

[Daniel Tosh]

Okay, I like it then. The thing was, this show, what people don't understand, or they may understand, it's pretty simple. The reason that the show worked is the way I understood it. You know, you can do shows a million different ways and they can work and be successful or they can fail for a million different reasons. But the way I went about it was okay, if I have a show that cost way less than every other show they're doing, it won't have to do as well for them to say it makes financial sense to keep the show. That was just my thinking. And then it got to a point where, oh, the show is doing well, but it cost less. Well, now I want to just make all that money. So give me all the extra money you would be spending on an expensive show. That was my thinking. And so let's keep the show cheap. I probably shouldn't admit that, right? That's bad. But whatever. That was my thinking.

[Eddie Gosling]

Simple economics.

[Daniel Tosh]

What projects of yours are you the most proud of besides tosh? 0?

[Eddie Gosling]

There's a film I shot called Big Time Adolescence that went to Sundance and did well. And it's a dark comedy. I love the writing in it. Very well directed. It was a first time director Writer named Jason Orley. And I liked my work in it and the experience of making it.

[Daniel Tosh]

In terms of cinematography, name your top five favorite films, and I will bet you all the money in the world that I haven't heard of any of them.

[Eddie Gosling]

Top five films. Favorite films for cinematography?

[Daniel Tosh]

Yeah. For you? Yeah.

[Eddie Gosling]

The Godfather.

[Daniel Tosh]

Didn't see it?

[Eddie Gosling]

No. Country for Old Men.

[Daniel Tosh]

Oh, I saw it. Loved it.

[Eddie Gosling]

It's a beautiful masterpiece. Western?

[Daniel Tosh]

You like westerns?

[Eddie Gosling]

Yeah.

[Daniel Tosh]

Why? I didn't mean it like anything. I was just saying, why? You guys are like, why would he not like Western?

[Eddie Gosling]

They're just amazing classic stories. And they're not quite fantasy, but they're not quite reality.

[Daniel Tosh]

Whenever I see those that world, I'm like, thank the Lord that I wasn't born during that time. I wouldn't have survived in that world at all. The Western world is not cut out for a man with ibs. No.

[Andrew]

No.

[Eddie Gosling]

Citizen Kane.

[Daniel Tosh]

All right.

[Eddie Gosling]

And it's not just because of the Greg Tolan thing, but it's inventive. It's beautiful.

[Andrew]

It's black and white.

[Daniel Tosh]

How would you like that? Silence.

[Eddie Gosling]

Number four, American Beauty, shot by Conrad Hall.

[Daniel Tosh]

Do you always know who shot a film?

[Eddie Gosling]

A lot of times I do. I mean, I'll research it in advance or.

[Daniel Tosh]

That must be fun, going to the movies.

[Eddie Gosling]

I'll go and read about the cinematography after a film. Natural Born Killers. I'm just thinking about when that came out. That movie was so. The cinematography was explosive. It was so inventive and creative.

[Daniel Tosh]

I love it.

[Eddie Gosling]

Shot, like, super. A chopped video shot by Robert Richardson, who is just, you know, amazing. Does beautiful work. Did a lot of work with Oliver Stone, now works with Quentin.

[Daniel Tosh]

Is Quentin done?

[Eddie Gosling]

I mean, he said that I think he was gonna do one more. Oh, but I don't. You know, it's like Cher where she says farewell, but really she means hello.

[Daniel Tosh]

Do you rush out every time Cher says, this is the last time?

[Eddie Gosling]

No.

[Daniel Tosh]

Everybody that's on the show gets gifts. Oh, you're lucky. It's just stuff from around my house. But anyway, first. First thing I want to give you is these Chomps protein bars. They're turkey chomps. You're supposed to send me some free shit. You haven't sent me anything. I don't like these jalapeno ones. They just don't taste as good. So I don't want any of the jalapeno ones. Don't worry about that hair. Anyway. You'll get some snack on your way home. There's some of those this thank you. Yeah, get that off the desk. This is a little board that my brother in law and his wife gave me this year. And they're like, oh, did you like that? It's like a wave. Because I like the ocean. I'm like, no, yeah, it's fine. But this little. It's dumb. First of all, who am I serving this to? Like, I'm having one person come over, I put a lunchable on here. Like, ah, look at this. Anyway, you'll like that.

[Eddie Gosling]

That's lovely.

[Daniel Tosh]

Thank you. Here we have these C stands. Is that what they're called? That is C stands. We've got three of these. We bought them for this, this podcast and we don't use them, so I don't want them. And I want you to take. Don't let this touch my desk. No, I swear to God, if you drop a C stand.

[Andrew]

He won't. He's got the strength.

[Daniel Tosh]

Will you need these for anything?

[Eddie Gosling]

I will, actually.

[Daniel Tosh]

Okay, well, guess what? Well, you're welcome.

[Eddie Gosling]

Very helpful.

[Daniel Tosh]

You're welcome. For tax purposes. For myself to write this off. What did I. How much are these worth?

[Eddie Gosling]

70 bucks each? I'm just guessing.

[Daniel Tosh]

Okay. Okay, that's not a bad gift then.

[Eddie Gosling]

No, that's great.

[Daniel Tosh]

That's not a bad. That's not. That's not. Hold on. One last gift now.

[Eddie Gosling]

Worth the drive.

[Daniel Tosh]

This. You're. You're probably wondering, why am I giving you a printer?

[Andrew]

Oh, it's nice. Look at this thing.

[Eddie Gosling]

Okay, that was a good move you just did there. Shoulder workout.

[Daniel Tosh]

Okay. This printer. Okay, see, that's why I don't have to work out, because I give heavy gifts away. This printer is brand new. I got it for when Covid hit and the show was temporarily shut down for a bit and I was in Tahoe and they're like, oh, we're gonna shoot, you know, up in Tahoe. I'm gonna put a green screen up in my garage. Anyway, I needed to get a printer. That was way long story. Never could get it to work. And then Pete tried to get it to work and he couldn't get to work. He goes, oh, I think the ink dried up. And I'm like, how's the ink gonna dry up just sitting in a house for three years, whatever. And then he changed the ink cartridge and it would only print blue. And I'm like, I go, that can't be right. And he's like, no, he goes. And then he said something that I'm not gonna repeat. But then it just. He says, it doesn't work anymore. I go, there's no way. A brand new printer that has sat in my house for three years, only printed in blue ink for two weeks. So anyway, he's like, well, it doesn't work. I'm giving this to you, and then I want you to fix it and print something, and then I will fire Pete.

[Eddie Gosling]

Thank you. Can I take it?

[Daniel Tosh]

Yeah, please. Take that off. Don't drag it.

[Eddie Gosling]

All right.

[Daniel Tosh]

Lift straight up.

[Eddie Gosling]

All right.

[Daniel Tosh]

Look at that. Show how strong you are. Wait, you have a gift for me? I don't want it to end.

[Eddie Gosling]

I did bring something for you.

[Daniel Tosh]

What did you bring for me?

[Eddie Gosling]

It's a book that my mother wrote that is based on me as a boy and my childhood imaginary friend.

[Daniel Tosh]

Well, I don't. First of all, why blonde hair?

[Eddie Gosling]

Cause I was blond.

[Daniel Tosh]

Really?

[Eddie Gosling]

Blonde, straight, long hair as a kid.

[Daniel Tosh]

Nothing straight about you. Also holding a jerkful. Isabel.

[Eddie Gosling]

It's a hamster.

[Daniel Tosh]

Oh, my bad. Sorry. The adventures. It's Andy.

[Eddie Gosling]

It's a children's book. I know you got kids.

[Daniel Tosh]

I do. I'll read it today. Did you go by Andy?

[Eddie Gosling]

Yeah.

[Daniel Tosh]

Do people still call you Andy?

[Eddie Gosling]

No.

[Daniel Tosh]

I didn't think so. I get mad when other people that, like, know you better have a different name. I'm always like, whoa, that's not. You don't call him Andrew? No. His real friends call him Andy. Congratulations on getting married. You just got married this past year?

[Eddie Gosling]

Two years ago.

[Daniel Tosh]

You got married two years ago? How long were you guys together before this?

[Eddie Gosling]

My husband and I actually met at usc. We were randomly assigned as roommates, like, literally into the same bedroom. It was for summer housing.

[Daniel Tosh]

Hottest thing I've ever heard.

[Eddie Gosling]

Yeah. And so there was another roommate there, too, and.

[Daniel Tosh]

Poor guy. Poor guy gets to call. But I was at usdc, and the other two rooms are just banging each other constantly. He's like, God damn it.

[Eddie Gosling]

He would tell the story better than I. But I was starting to come out. I had only just come out to one friend at SC and not even to my parents yet. So there was a closet full of flannels. This was like the older me. And I had a book that had a kind of topic of homosexuality. And the spine was turned around. I don't know why I did this. I was closeted, so I had all these books. And then there was one that was turned the other direction. And he saw that and saw what it was and started to, you know.

[Daniel Tosh]

Oh, good for him. Did you guys ever hook up in college?

[Eddie Gosling]

We were boyfriends.

[Daniel Tosh]

For how long?

[Eddie Gosling]

Like About a year, I think.

[Daniel Tosh]

Okay.

[Eddie Gosling]

And then we actually broke up. I dumped him. And then we were apart for 17 years, I think.

[Daniel Tosh]

Whoa.

[Eddie Gosling]

Yeah. We were in and out of relationships.

[Daniel Tosh]

Kept in touch the whole 17 years.

[Eddie Gosling]

Not in touch the whole time.

[Daniel Tosh]

Okay.

[Eddie Gosling]

No, we went off and live separate lives and then we got back together about 10 years ago.

[Daniel Tosh]

One year in college, 17 years off, and then he calls you up and you guys are like, right back, this is gonna work. This is a relationship.

[Eddie Gosling]

It was uncertain in the beginning, but it turns out when you're in your late 30s, you're a bit different than being 21.

[Daniel Tosh]

What does your husband do?

[Eddie Gosling]

He works in finance.

[Daniel Tosh]

Wait a second, your husband works is like, has a family office.

[Eddie Gosling]

He's a family office manager.

[Daniel Tosh]

Net worth of one of his big, big, big clients.

[Eddie Gosling]

He doesn't talk numbers.

[Daniel Tosh]

What?

[Eddie Gosling]

Yeah.

[Daniel Tosh]

You think he embezzles from them?

[Damien Hirst]

No.

[Daniel Tosh]

You ever think you'll get a knock on the door and like all of a sudden you're both in handcuffs?

[Eddie Gosling]

I don't see that.

[Daniel Tosh]

I would be terrified because my business manager, I love them more than anyone and I know for a fact if I found out they'd been stealing from me for 25 years, I'd be like, oh. They're like, well, haven't you looked at your statements in 25 years? I'm like, nope, I haven't. I sure hope they're not stealing. Okay, so he doesn't steal.

[Eddie Gosling]

No.

[Daniel Tosh]

Are you and your husband faithful to each other?

[Eddie Gosling]

Yeah.

[Daniel Tosh]

You guys don't, you guys don't allow some like, bullshit like, oh, hall pass thing?

[Eddie Gosling]

We're very honest.

[Daniel Tosh]

Okay, but does that mean that you occasionally do stuff like that, then God damn it, you do. All right.

[Eddie Gosling]

Gotta put everything on the table.

[Daniel Tosh]

Uh huh. I get it. Just get it off my table. You think you'll live in LA for the rest of your professional career?

[Eddie Gosling]

Possible, but there's a lot of uncertainty right now in the business. And so I don't know where my career is going to take me. You know, I think I'll always travel wherever I'm based, but I think it's, you know, increasingly that I can be based anywhere and still do what I do.

[Daniel Tosh]

What advice do you have for some kid that wants to move out to la, wants to be a cameraman someday? What all do they have to do?

[Eddie Gosling]

I think the industry is shifting. I think filmmaking is changing and there's very much been a shift from away from like traditional films, movies, TV shows, and towards smaller creator driven projects. You know, when I was Starting out, I had a couple of options. I could try the studio system where I work as an assistant and eventually work my way up to, you know, camera operator, maybe shoot second unit. Or I could just start making my own projects and meeting other filmmakers. And that's the route that I took. And I wouldn't have made a different decision today. The downside of that is you don't get to work alongside other people and kind of learn from mentors as much. But I think shoot as much as you can. Make what you're passionate about, find like minded people and break the rules. I think it's important to learn filmmaking, learn the basics and then try stuff out and play.

[Daniel Tosh]

Do you have to go to film school?

[Eddie Gosling]

Absolutely not.

[Daniel Tosh]

You don't? No, no.

[Eddie Gosling]

Particularly now. You can learn so much on YouTube.

[Daniel Tosh]

You said you wouldn't do anything different if you came out today with creating your own content, et cetera. But would you do the whole USC.

[Eddie Gosling]

Thing again if it were today?

[Daniel Tosh]

Yeah, probably. Oh, all right.

[Eddie Gosling]

And I think it's because it's a great environment to meet other, you know, like minded people.

[Daniel Tosh]

Financially, is it. Is. Are you struggling for a long time? If this is the path that you.

[Eddie Gosling]

Choose, that can be the case.

[Daniel Tosh]

I mean, is there work out there? It seems like there's so many platforms that are making content now, but yet it seems like no one's working.

[Eddie Gosling]

Yeah.

[Daniel Tosh]

How are both things true?

[Eddie Gosling]

I think there's more because I think the economy is different now. You're, you're producing for, for this medium as opposed to, I mean, you might get lucky and develop a following and find a brand, but it's also very competitive. The barrier to entry is, is lower than it's ever been. You know, technology has, has, is everywhere. I mean, there's new cameras coming out like every day and people are shooting movies on iPhones.

[Daniel Tosh]

I heard the new iPhone 17 camera is going to be a game changer. Oh, I can't wait to shoot on that. Yeah.

[Eddie Gosling]

Are you going to see what is it 28 months later that's coming out 28 years later.

[Daniel Tosh]

I haven't seen any of this stuff.

[Eddie Gosling]

Danny Boyle directed. He shot that on an iPhone. You seen Tangerine?

[Daniel Tosh]

Tangerine?

[Eddie Gosling]

Yeah.

[Daniel Tosh]

Sounds like something I might have seen.

[Eddie Gosling]

But no, that was the film about, let's just say life around Santa Monica and Highland and it was directed by Sean Baker. Shot on an iPhone. It's beautiful. It's a lot of fun.

[Daniel Tosh]

I'm not gonna watch it. I don't like movies. No, I do. I just don't like to. I don't know how to edit.

[Eddie Gosling]

It's not four hour movies.

[Daniel Tosh]

Oh, God, don't even. No, there's no world where I'm watching four hour movies. Did you see Wicked?

[Eddie Gosling]

I did.

[Daniel Tosh]

Did you like it? Yeah, I thought it was really good. Yeah, I didn't want to like it. I was like, please don't like this. Please don't like it. I'm like, God damn it, I love it. I loved Wicked the whole way through.

[Eddie Gosling]

I thought it was fabulous.

[Daniel Tosh]

Does it make you angry that John replaced three cameramen with two poles and a tripod for this podcast?

[Eddie Gosling]

Well, I think you're just doing what you have to do.

[Daniel Tosh]

And bingo.

[Eddie Gosling]

The economics of a podcast.

[Daniel Tosh]

What do you think of the lighting in here?

[Eddie Gosling]

I have notes.

[Daniel Tosh]

You want to tinker, don't you?

[Eddie Gosling]

Yeah.

[Daniel Tosh]

Every part of you wants to tinker.

[Eddie Gosling]

Yeah.

[Daniel Tosh]

What's the problem?

[Eddie Gosling]

Well, that light source there, it's a bit harsh. Like, it could be. It could be a little softer. I can tell the type of diffusion material being used. I mean, I don't know how it looks on me, but I've watched some of your other podcasts and, you know, I think you could go softer with it. I think that there you could. You could. That's probably working as an eye light, but it might be giving some double shadows.

[Andrew]

So good.

[Eddie Gosling]

We always had an eye light for you on the show, so we would set something low you could put back here. You know, I always wanted to have it right here, but I couldn't because the center camera would see it. So because your eyes kind of are sunken back a little bit, so.

[Andrew]

They are.

[Eddie Gosling]

You want to see them?

[Daniel Tosh]

Oh, God, I didn't know my eyes were sunken.

[Eddie Gosling]

Highlight. You could do the Anderson Cooper thing and like cut into the desk and then put a piece of glass and then they would just have a light, like an eye light that would fill you in.

[Daniel Tosh]

Anderson Cooper has children. Okay. Why don't you have kids? Jerk. All right, Andrew, thank you for being on the show.

[Eddie Gosling]

Thanks, Daniel.

[Daniel Tosh]

Oh, Jesus, Andrew, why are you gonna go so aggressive? No, it wasn't sweat. It was just the violent clasp. So strong. Got strong hands. You have big hands too, don't you? Yeah, you do.

[Ryan Seacrest]

Hey, it's Ryan Seacrest for Albertsons and Safeway. Stock up sale is on now, which means you can save big on all your favorite essentials throughout the stor participating items and earn four times points to redeem for your discounts on groceries or gas. Now through March 25th. Saved by shopping in store or online for participating items from your favorite brands like Pampers, Dove, Band Aid, Playtex, and Premier protein. Offer ends March 25th. Promotions may vary. Restrictions apply. Visit albertsons or safeway.com for more details.

[Damien Hirst]

Do you remember what you said the first night I came over here?

[Daniel Tosh]

Ow.

[Damien Hirst]

Go slower. From Blumhouse TV, iheart podcasts and ember 20 comes in all all new fictional comedy podcast series Join the flighty Damien Hirst as he unravels the mystery of his vanished boyfriend and Santi was gone. I've been spending all my time looking for answers about what happened to Santi and what's the way to find a missing person? Sleep with everyone he knew, obviously.

[Daniel Tosh]

Hmm.

[Damien Hirst]

Pillow talk the most unwelcome window into the human psyche. Follow our out of his element hero as he engages in a series of ill considerations. Investigative hookups Mama always used to say, God gave me gumption in place of a gag reflex. And as I was about to learn, no amount of showering can wash your hands of a bad hookup.

[Daniel Tosh]

Now take a big whiff, my bruh.

[Damien Hirst]

Listen to the hookup on the iHeartRadio app, Apple Podcasts, or wherever you listen to your favorite show.

[Jamie Petras]

September 1979 Virginia's top prison band, Edge of Daybreak, is about to record their debut album, Behind Bars in just five hours.

[Daniel Tosh]

Okay, we're rolling. One, two, three, four.

[Jamie Petras]

I'm Jamie Petras, music and culture writer. For the past five years, I've been talking to the band's three surviving members. They're out of prison now and in their 70s, their past behind them. But they also have some unfinished business.

[Daniel Tosh]

The everyday break Eyes of Love was supposed to have been followed up by another album.

[Jamie Petras]

It's a story about the liberating power of music, the American justice system, and ultimately, second chances. Listen to Soul incarcerated on the iHeartRadio app, Apple Podcasts, or wherever you get your podcasts.

[Young Pueblo]

Some people won't give you the real talk on drugs, but it's time we know the facts. Fentanyl is often laced into illicit drugs and used to make fake versions of prescription pills. You can't see it, taste it, or smell it. Suppliers mix fentanyl into their products because it's potent and cheap, and the dealer might not even know. Keep yourself and others safe by knowing the real deal on fentanyl. Get the facts. Go to realdealonfentanyl.com this message is brought to you by the Ad Council.

[Daniel Tosh]

Paw Show. I want to thank Andrew for being on the podcast. I'd also like to file a complaint from the Straits. I just think. Okay, I just thought about this a little more. The idea that he went off to college and his roommate became his husband one day.

[Andrew]

Right.

[Daniel Tosh]

Just saying, that's not fair for the straights. How much better would college be if you knew that you might get paired up with someone that you got to have sex with? Oh, wouldn't that be great? I mean, how exciting would it be to walk into a room, be like, oh my goodness, this could be my wife? I think it would actually help college enrollment. Certainly it would increase people wanting to live in the dorms. Because here's the thing. If you knew that you could potentially be signed up with a girl in your dorm and that you guys might have sex, that's awesome. Because it's going to make way more guys want to live in the dorms. And it's also, you're going to say, well, it's going to make less girls want to. True. But the girls that do want to, you know that they're ready to go. They're going to be. Those are the horny girls. They signed up for something. Yeah, they signed. They literally signed up for it. Okay, that's not fair. Just because they signed up to live with a man doesn't mean that they want any hanky panky. But Carl, head up. You're gonna want to hear this. It also makes the RA's job that much more exciting, you know? Oh, no. Some dude's not taking the hint. She's not into him. I gotta get in there and see if she's interested in me.

[Andrew]

Yep. So. Oh, okay.

[Daniel Tosh]

It's just gonna be fun. He sounds like a new acronym. It's my point. You always have this perception of what college is going to be, right. You're like, oh, I'm gonna get to college and be girls. I'm have sex and it never is that. It's like, oh, I have classes and it's hard and I'm just a study all day. This stinks. But I think this, you know, co ed dorms, rooms, that's where it's at. Anyway. All right, we got some plugs. We have the toss. Showstore.com. get yourself some merch. We got our tours. Eddiegosling.com Danieltosh.com we're going all over the beautiful Midwest, heading over to New York. Where else are we going?

[Andrew]

Jersey. Philly.

[Daniel Tosh]

Jersey and Philly.

[Andrew]

Yep.

[Daniel Tosh]

Oh, it doesn't get any better than that. All right, well, it's time for our free plug. Go ahead, band Crank it up. You like classical music? All right. The free plug. You guys know I love heavy metal. Well, why wouldn't you play heavy metal? Why'd you do a classical music if the plug is for heavy metal? All right. I don't need to tell you that if I were to be in Wisconsin Dells on April 4, you would find me at the Legacy Dinner Theater to watch the number one Metallica tribute band working today. Hardwired. Oh, man, Are you kidding me? Hardwired. Those are the guys from Tampa, Florida. Yep, yep, Says it right there. Tampa, Florida. If. If ever there was a job that's like, oh, I'm in a Metallica tribute band, I would be like, well, are you from Tampa?

[Andrew]

Seems like it would go hand in hand.

[Daniel Tosh]

100%. There's nothing more nail on head than a Metallica tribute band from Tampa, Florida. All right? They've performed hundreds of performances all over the US Pretending to be Metallica. It's no wonder they have become a household name in the tribute world. I wonder how Lars feels about tribute bands. Remember back in the day, Lars was the big Napster killer. Just couldn't handle anybody listening to music for free. But I wonder how he feels about a tribute. He might actually be playing in the band for all I know. By the way, is he or is he not the worst drummer out of all the big successful bands?

[Eddie Gosling]

Absolutely.

[Daniel Tosh]

Yeah. Pete says yes. Pete's our drum expert. Pete's a drummer? He says yes. Oh, man. Why does he get such a voice in the band for all these years? It's like, why do I know his name? You shouldn't. You shouldn't know a drummer's name, period. Let alone a shitty drummer. Come at me, Metallica fans, if I'm wrong. Now, don't get me wrong. I love Metallica. Oh, I used to have in my Honda Civic when I was 16. I used to add the six by nines. They were in individual boxes with the bass cannon. And I had a. I used to love to play that one slow song. What was it? Unforgiven. Yeah, Unforgiven. Oh, yeah, that had some bass that came in toward the end of it. I liked it. All right, Anyway, what were you talking about? This Metallica band. The show kicks off at 7 with doors opening at 5:30. General admission is $49.95 plus a $9 processing fee. Holy cow. That's more than what it costs to see Metallica. There's no refunds after purchase. However, tickets may be exchanged for another performance provided the box office is Notified in a minimum of 48 hours prior to showtime. For those with mobility issues, contact the box office so they can find you a seat near a ramp or a plug for your medical device keeping you alive. Nobody wants to die watching. Not Metallica. The Legacy Dinner Theater is located at 564 Wisconsin Dells Parkway south, across from the Wilderness Resort. It's right next to Pirate Cove's. Adventure Golf is where it is. You know, the other day, I heard a band warming up at this little rock venue, and I took my daughter and son in to watch soundcheck. And they didn't kick me out. They're just like, yeah. And it was a female singer, and she was letting it rip, and my son was just like, whoa. And I'm like, yeah, man, you just.

[Andrew]

Came up with something new.

[Daniel Tosh]

What's that?

[Andrew]

It's a new hack. Just go to sound checks. You don't have to go to the show. You're getting to see them kind of like, warm up, get the pipes, tune it in, and then you get to leave. No problem.

[Daniel Tosh]

You have to have children with you at all times.

[Andrew]

I like it.

[Daniel Tosh]

You gotta have children. If you don't have cute kids, you're not. You're not. They're gonna ask you to leave soundcheck. You know, you got a fugly daughter, and they're like, nah, beat it, buddy. Go buy a ticket. Okay. You got a cute daughter that's got her hair in little, little buns. They're like, come on in. You want to sit down? I'm like, nah, we don't want to sit down. We're at a rock show. We're going to stand. My daughter pulled out a lighter. My son was vaping. What are we talking about? See you next week.

[Ryan Seacrest]

Hey, it's Ryan Seacrest for Albertsons and Safeway. Spring is here, which means it's time to do some spring cleaning, because a clean home is a Happy now. Through March 25th. Shop in store or online and get great savings on all your spring cleaning essentials, like Windex glass cleaner, Lysol disinfectant, spray scrubbing bubbles, bathroom cleaner, and Febreze fabric refresher. Hurry in before those deals are gone. Offer ends March 25. Promotions may vary. Restrictions apply. Visit albertsons or safeway.com for more details.

[Jamie Petras]

45 years ago, a Virginia soul band called the Edge of Daybreak recorded their debut album behind Bars. Record collectors consider it a masterpiece. The band's surviving members are long out of prison, but they say they have some unfinished business.

[Daniel Tosh]

The Edge of Daybreak Eyes of Love was supposed to have been followed up by another album.

[Jamie Petras]

Listen to Soul incarcerated on the iHeartRadio app, Apple Podcasts or wherever you get your podcasts.

[Daniel Tosh]

Reality TV and social media have love all wrong.

[Damien Hirst]

So what really makes relationships last?

[Eddie Gosling]

On this episode of Dope Labs, poet.

[Damien Hirst]

And relationship expert Young Pueblo breaks down.

[Daniel Tosh]

The psychology of love and provides eye opening insights and advice we all need.

[Young Pueblo]

You should not be postponing your happiness.

[Daniel Tosh]

Your greatest happiness is not necessarily going to like come from a relationship.

[Young Pueblo]

Your partner should add to your happiness.

[Daniel Tosh]

But your happiness is really coming from within you. Listen to Dope labs on the iHeartRadio app, Apple Podcasts, or wherever you get your podcasts. Hey, what's up y'all? This is Eric Andre, but I made a podcast called Bombing about absolutely tanking on stage. I tell gnarly stories and I talk to friends about their worst moments of bombing in all sorts of ways. Bombing on stage, bombing in public, bombing in life. Like the time I stole a girl's phone during a sentence, she jumped on stage and threw a big haymaker punch to my nose. Listen to Bombing with aircraft, Will Ferrell's Big Money Players Network on the iHeartRadio app, Apple Podcasts or wherever you get your podcasts.