Introducing - Close Your Eyes

Summary

Episode Summary: Trap Street – Introducing "Close Your Eyes"

Podcast Information:

• Title: Trap Street
• Hosts/Authors: Tony Martinez and Michael P. Greco
• Episode: Introducing – "Close Your Eyes"
• Release Date: August 15, 2025

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Introduction

In the premiere episode titled "Introducing – Close Your Eyes," hosts Tony Martinez and Michael P. Greco delve into the intriguing world of audio dramas by spotlighting the captivating series "Close Your Eyes." This episode serves as both an introduction to the "Close Your Eyes" narrative and an exploration of its thematic depth, blending immersive storytelling with behind-the-scenes insights.

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Overview of "Close Your Eyes"

"Close Your Eyes" is a slow-burn thriller produced by Cryptic Radio that follows the harrowing journey of a man seeking his missing brother by infiltrating a secretive cult. As the protagonist navigates the murky waters between reality and illusion, the stakes escalate, ultimately impacting the fate of humanity.

Key Themes:

• Magic and Memory: The series intricately weaves elements of magic, blurring the lines between tangible reality and supernatural phenomena.
• Reality vs. Delusion: It examines how belief systems can distort perception, leading to a perilous quest for truth.
• Corrosive Power of Belief: The narrative underscores how unwavering beliefs can both empower and destroy individuals.

Notable Quote:

"Close your eyes and follow my voice. My voice is your guide."
— Therapist [00:16]

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Narrative Highlights

1. Therapeutic Hypnosis Session ([01:22] - [07:14]):

   • Characters: Alex and Therapist
   • Scene: Alex undergoes a hypnosis session aimed at unlocking hidden memories. The therapist guides him through vivid visualizations, leading him to a mysterious beach and a subsequent encounter in the jungle.
   • Significant Moment: Alex hears screams and discovers a door leading to unknown terrains, hinting at deeper psychological or supernatural conflicts.
   • Notable Quote:

     "I'm on a beach. It's nighttime. It's cold. There are no stars, but the moon is full."
     — Alex [03:27]

2. Sales Negotiation Subplot ([08:08] - [10:29]):

   • Characters: Dylan Hall and Mr. Tepper
   • Scene: Dylan, a savvy salesman, negotiates a lucrative deal with Mr. Tepper. Their interaction showcases Dylan's negotiation prowess and hints at his underlying motivations.
   • Significant Moment: Dylan secures a deal 40% above the base rate, illustrating his skillful manipulation in business dealings.
   • Notable Quote:

     "If you know what somebody wants, you can sell them everything else."
     — Dylan Hall [09:07]

3. Introduction to "Believe You Me" Podcast ([10:29] - [11:40]):

   • Narrator: Morgan McCauley
   • Description: A brief promotion of another podcast, "Believe You Me," which investigates spiritual charlatans and religious scams, featuring interviews with former cult members and experts.
   • Notable Quote:

     "Whether you've been affected by these scams personally or are simply interested in learning more, Believe you me has something for everyone."
     — Morgan McCauley [10:29]

4. Reunion and Revelation ([11:50] - [20:43]):

   • Characters: Dylan Hall and Olivia

   • Scene: Dylan reunites with Olivia at a bar, revealing a shared past and discussing Dylan's recent struggles, including his missing brother Caleb.

   • Plot Development: Dylan receives cryptic messages from an entity named Ignota, leading to an invitation for a mysterious session. Olivia suggests leveraging Dylan's involvement for her podcast.

   • Notable Quotes:

     "Have you ever heard of something called Ignota?"
     — Dylan Hall [14:02]

     "Listen to this. Hello, traveler. Thank you for your interest. We've been expecting you."
     — Caller [18:36]

5. Emergency Call Climax ([21:52] - [22:55]):

   • Scene: A distressing 911 call reveals a woman in peril at Highway 20, mile marker 67, raising the tension and intertwining the main plotlines.
   • Notable Quote:

     "She wasn't ready. I need to go."
     — Caller [22:10]

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Character Dynamics

• Alex: The protagonist undergoing psychological exploration, seeking answers about his missing brother.
• Therapist: Guides Alex through hypnosis, representing the thin line between guidance and manipulation.
• Dylan Hall: A skilled salesman with a mysterious past, driven by the disappearance of his brother Caleb.
• Olivia: Dylan's former acquaintance, now a podcast host intrigued by Dylan's predicament.
• Mr. Tepper: Dylan's boss, embodying corporate pressure and opportunistic business practices.

Notable Interactions:

• The tension between Dylan and Olivia hints at unresolved conflicts and shared histories that add depth to the narrative.
• The therapist's control over Alex underscores themes of power and trust within the story.

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Sound Design and Production

"Trap Street" emphasizes the importance of immersive soundscapes in "Close Your Eyes." The production features:

• Original Vocal Performances: As highlighted by Morgan McCauley [01:05], ensuring authenticity without synthetic or AI enhancements.
• Sound Engineering: Expertly crafted to create an eerie and suspenseful atmosphere, enhancing the listener's engagement.
• Music: The theme "Sacrifice the" by Emmett Cook sets a haunting tone, complementing the thriller elements.

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Conclusion

The episode "Introducing – Close Your Eyes" by Trap Street masterfully sets the stage for an enthralling audio drama series. By intertwining complex character arcs, mysterious plot developments, and rich thematic elements, the episode captivates listeners and leaves them eager for subsequent installments. With standout performances and meticulous production, "Close Your Eyes" promises to be a compelling addition to fans of thriller and psychological drama genres.

Final Quote:

"If you've enjoyed our show, please take a moment to rate on Apple Podcasts, Spotify, Podchaser, GoodPods or whichever pod platform you prefer."
— Morgan McCauley [23:08]

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Additional Information

For those interested in exploring "Close Your Eyes," the series is available on major podcast platforms such as Spotify and Apple Podcasts. Support for independent audio dramas is encouraged through ratings, reviews, and Patreon contributions.

Transcript

[Narrator]

Looking for your next audio drama obsession? Let me introduce you to Close youe Eyes, a slow burn thriller from the team at Cryptic Radio. The story follows a man who infiltrates a secretive cult in search of his missing brother. But when the line between truth and delusion starts to blur, what begins as a rescue mission becomes something far more personal. Close youe Eyes explores themes like magic, memory, reality and the corrosive power of belief. It's perfect for fans of audio dramas like Trap street or genre bending TV shows like Severance or Mr.

[Dylan Hall]

Robot.

[Narrator]

With immersive sound design, standout performances and two full seasons ready to binge, now's the perfect time to jump in before season three arrives later this year. You can find Close youe Eyes on Spotify, Apple podcasts, or wherever you listen to audio fiction. Here's the first episode.

[Morgan McCauley]

This show features original and real vocal performances. No synthetic or AI technology was used in this production.

[Therapist]

Close your eyes. Are they closed?

[Alex]

Yes.

[Therapist]

Good. Now listen closely to my voice. Listen only to my voice. There are no other sounds. There is nothing here. There is nothing to hear. Only my voice. Follow the sound. My voice is your guide. I'm guiding you down a path to a door. Do you see the door?

[Alex]

No.

[Therapist]

Do you remember the colors? The ones I taught you?

[Alex]

Yes.

[Therapist]

And the sequins?

[Alex]

Of course.

[Therapist]

Splendid. I'll begin the count. Are you ready? One green, two blue. Three black. Four green. Five red, six yellow. Steady on my voice. Five green, four blue. Three red. Two green. One blue and zero. Alex.

[Alex]

Black.

[Therapist]

Yes. Black. Now, do you see the door?

[Alex]

I don't. Wait. Yes. Yes, I see it.

[Therapist]

Good. Open it. Walk through it and tell me where you are.

[Alex]

I'm on a beach.

[Therapist]

The island?

[Alex]

I think so. It's nighttime. It's cold. There are no stars, but the moon is full. I can see the entire beach stretching out. The waves are big and water comes up to my ankles. The surf is so loud here.

[Therapist]

Are you alone?

[Alex]

Yes. It's only me.

[Therapist]

And what is it?

[Alex]

There was a scream. Someone screamed.

[Therapist]

Where?

[Alex]

It was? It was a child or a woman.

[Therapist]

On the beach?

[Alex]

No, in the jungle. She can't be farther. It is. Again.

[Therapist]

Alex, steady your breathing. I'm right here. Listen to my voice.

[Alex]

Okay? Yeah. Okay.

[Therapist]

As long as you listen to me, everything will be fine. I'm here. Now listen to me closely. I want you to walk toward the screams.

[Alex]

What?

[Therapist]

Ignore the fear. Walk toward the screams. Alex. This is what we've worked toward, remember?

[Alex]

Okay. Okay? Yeah. The screaming is gone, but I'm walking into the jungle. It's Wet, tense. So dark.

[Therapist]

Keep going, Alex.

[Alex]

I am. It's thick and there's no other sound. But there it is again.

[Therapist]

The screams.

[Alex]

I don't like this. I want to go back to the beach.

[Therapist]

Stay calm.

[Alex]

No. No. I want out. Take me out. I can't do this.

[Therapist]

You can do this. Stay with me. Alex.

[Alex]

Wait. Now there's more screaming. It's not. I don't think it's a woman.

[Therapist]

Just focus on my voice and keep walking.

[Alex]

Okay? Your voice. Keep walking. Okay. Jesus. I'm trembling.

[Therapist]

You're doing fine.

[Alex]

Wait. I see something. Up ahead, through the trees. A light or a campfire? No, it's torches. I think it's a clearing.

[Therapist]

Is someone there?

[Alex]

I don't know. I. Hello? Is anyone there? Are you okay?

[Therapist]

I want you.

[Alex]

The screams. It's behind me now. That. That can't be right. There's. There's something coming. I can hear it through the trees.

[Therapist]

Stay calm.

[Alex]

I'm pushing through the branches. I'm walking into the clearing. Let me just.

[Therapist]

Alex.

[Alex]

Olivia. I want out.

[Therapist]

What do you see? What is it? Alex.

[Alex]

Please take me.

[Therapist]

Alex. Alex. Oh, shit. Alex.

[Morgan McCauley]

Cryptic Radio presents CLOSE YOUR EYES Written and produced by John Rolfe.

[Alex]

Sam.

[Dylan Hall]

So I'm sitting there with nothing but junk. I know the product is trash, and on top of that, the contract is priced all wrong. So I'm thinking this is going to be the shortest meeting of my life. And then the door opens and in March is not just my client, but get this, his boss. That's when I knew I had him.

[Mr. Tepper]

Oh, yeah? How do you figure?

[Dylan Hall]

There's no way this guy brought his SVP to my sales meeting just to tell me no. He's not going to waste your time like that. He's already decided he's going to make this deal. He just wants to show off. So I give him the whole show, right? I pretend like I'm some tough negotiator. I tell him this is our most premium product. And then I start adding required extras. The minimum order is above his market needs. But he can't let me leave without closing. He has to close. And he did. For 40% above our base rate.

[Mr. Tepper]

Well done.

[Dylan Hall]

If you know what somebody wants, you can sell them everything else.

[Mr. Tepper]

You're a born salesman, Dylan.

[Dylan Hall]

No, Mr. Tepper. I'm just good at it.

[Mr. Tepper]

Brian says you grew up here.

[Dylan Hall]

That's right. Here in the bay.

[Mr. Tepper]

I talked to some of my people out in New York. You made a big name for yourself out there. You even had a VP offer on the table.

[Dylan Hall]

That's true.

[Mr. Tepper]

So I leave.

[Dylan Hall]

Everybody gets homesick.

[Mr. Tepper]

Well, Brian vouches for you. That's all I need. So here's what we'll do. I'll have Marion send over an offer by the end of the week and then let's get you down to the office first thing Monday. Uh, you can meet the rest of the team and we can hammer out the details then. Do you need to get that?

[Dylan Hall]

Sorry. That someone's spamming.

[Alex]

Shit.

[Mr. Tepper]

Dylan, everything okay?

[Dylan Hall]

Sorry, I.

[Mr. Tepper]

Bad news.

[Dylan Hall]

I need to go.

[Mr. Tepper]

Go? Are you kidding?

[Dylan Hall]

I need to make a call.

[Mr. Tepper]

Okay. All right. But you're coming back or. We'll see you Monday. Dylan. We'll see you Monday, right? Yes. Hello, Dylan.

[Olivia]

Have you ever wondered about those 900 number psychics? Or been fascinated by the televangelist who casts out demons and speaks in tongues? Believe you Me is a podcast that explores the world of spiritual charlatans and religious scams. Join me, Morgan McCauley, as I investigate the tactics used by these so called gurus to manipulate and control their followers. In each episode we delve into the stories about deceptive spiritual leaders and their promises of enlightenment, wealth and power. We'll also hear from former members of cults and fraudulent religious organizations, as well as experts in the fields of psychology and religion. Whether you've been affected by these scams personally or are simply interested in learning more, Believe you me has something for everyone. Tune in to hear our eye opening conversations and get a deeper understanding of the world of spiritual deception. Believe you me. Available on Apple, Spotify or wherever you get your podcasts.

[Bartender]

And here we are. A vodka gimlet and a laganitas. That's 18. Close it or leave it open.

[Dylan Hall]

Oh yeah, you can leave it open. Thanks.

[Olivia]

Dylan Hall. You know, I'm shocked they let you back in here.

[Dylan Hall]

Oh, there she is. How are you? A hug or.

[Olivia]

Of course, stupid.

[Therapist]

You look good.

[Olivia]

I mean, you look too fancy for California, but you know, shit, really?

[Dylan Hall]

Is it like the sport coat or.

[Olivia]

Just messing with you. Don't listen to me. You look handsome.

[Dylan Hall]

Hey, you look great too. I like the blue hair. Thanks. God, I can't believe it's been.

[Alex]

You.

[Olivia]

Know, a long time.

[Dylan Hall]

Yeah, a very long time. Are gimlets still your favorite?

[Olivia]

I mean, yeah, but not at like 11am how about just water for now? You want to grab a table?

[Dylan Hall]

Sure. Yeah. Hey, can you bring over a water, please? Two of them.

[Olivia]

I couldn't believe it when I got your text. Did you just get into town?

[Dylan Hall]

Not exactly.

[Olivia]

Oh, how long you been in town.

[Dylan Hall]

It's been a few weeks.

[Olivia]

How many few weeks?

[Dylan Hall]

It's been like seven.

[Alex]

Cool.

[Olivia]

You've. You've been avoiding me.

[Dylan Hall]

I have not been avoiding you. I've just been busy looking for work, and I put my mom into a new facility.

[Olivia]

Oh, I forgot about that. How's she doing?

[Dylan Hall]

She's doing fine. She began a new treatment. New doctor. I have not been avoiding you.

[Olivia]

Mm, sure.

[Dylan Hall]

How's your family? Are they still in Berkeley?

[Olivia]

Oh, yeah. Live in the hippie dream, yoga, meditate, smoke pot, repeat, though.

[Dylan Hall]

I listened to your show, by the way.

[Alex]

What?

[Olivia]

You know about that? I didn't think that'd be your kind of thing.

[Dylan Hall]

Of course it is. Are you kidding? I've listened to every single episode.

[Alex]

Oh.

[Dylan Hall]

I especially like the one you did where you followed the ghost hunters. Oh, and when you interviewed that mystic, the one with the Brooklyn accent.

[Alex]

Mm.

[Olivia]

Where he couldn't remember the sacred mantras of his own book.

[Dylan Hall]

Yeah, that one.

[Olivia]

Well, I'm glad you liked it. You must be one of my 25 listeners.

[Dylan Hall]

Well, it's funny. It's actually the reason I called you. Part of the reason, at least. I mean, it is good to see you.

[Olivia]

You're still not forgiven, but keep going.

[Dylan Hall]

Have you ever heard of something called ignota?

[Olivia]

Doesn't ring a bell.

[Dylan Hall]

What about alternate realities? Have you spoken to anyone who talks about stuff like that?

[Olivia]

Oh, I did not expect you to be interested in some new age mumbo jumbo. Aren't you some kind of flashy corporate suit now?

[Dylan Hall]

I'm not interested because I want to convert or anything like that. Morgan, I heard from Caleb.

[Olivia]

Are you serious?

[Dylan Hall]

Yeah.

[Olivia]

When?

[Dylan Hall]

Two days ago. I was at a dinner, and he started spamming my phone with text suddenly.

[Alex]

What? Yeah.

[Dylan Hall]

I haven't heard anything since he went missing, and then I get this. Look at this.

[Olivia]

I'm living in an alternate timeline. So are you.

[Dylan Hall]

Isn't that crazy? No. Hi. Or I'm okay. Or hey, sorry for disappearing the last five years. Just this and this.

[Olivia]

I know where things went off track. Are you sure it's him?

[Dylan Hall]

It's his phone number. I tried calling him, but he didn't answer.

[Olivia]

Is that all he sent?

[Dylan Hall]

No. He also sent this. A link to a website.

[Olivia]

What kind of website?

[Dylan Hall]

I was hoping you knew. Here. At first I thought it was a joke. It looks like some legacy site from the 90s, and there isn't much to go on. There's this vague nonsense about transformation through reflection, but there's no real information. No phone number, no physical address. There's just the contact form for inquiries, but look at the copy.

[Olivia]

Ignota. Live your correct life.

[Dylan Hall]

I thought maybe you'd heard of him.

[Olivia]

Sorry, no. But I'm sure as hell interested. Looks like they might be local.

[Dylan Hall]

Why do you think that?

[Olivia]

Look, the image on the mast head. Don't you recognize it? That's the labyrinth at Land's End.

[Dylan Hall]

No way I missed that.

[Olivia]

What about the contact form? Did you reach out?

[Dylan Hall]

Of course I did. No one responded.

[Olivia]

Do you go to the police?

[Dylan Hall]

Yeah, I sent them the texts, but they're about as interested as they've always been in finding Caleb, so I thought maybe I could get your help.

[Olivia]

Aw, so what, I'm your last resort?

[Dylan Hall]

That's not what I mean. I mean, you're not interested in this. I know you are. And this could be good for your show.

[Olivia]

Mmm, yeah. Cute.

[Dylan Hall]

Seriously. Maybe bump up that listenership from 25 to maybe the high 30s.

[Bartender]

Okay, here we go. To Water. Sorry about the wait.

[Olivia]

Oh, thanks.

[Dylan Hall]

Thanks, man. Hey, actually, quick question for you. Have you ever heard of the podcast Believe you me with Morgan McCully?

[Olivia]

Dylan?

[Alex]

No.

[Bartender]

Believe you Me? Nah. What's that?

[Dylan Hall]

Oh, it's a fantastic podcast. Great show, compelling stories, hosted by this lovely young lady here, Morgan McCully. You should check it out.

[Olivia]

You're such an ass. Here's a better question. Does he look familiar to you?

[Bartender]

Can't say he does.

[Dylan Hall]

Oh.

[Olivia]

Well, you should go take a closer look at that Polaroid you have taped behind the bar. You know, it's just above the patron bottle. That is Mr. Dylan hall, circa 2011, right before he got kicked out of here.

[Bartender]

No shit. You're blacklisted? What the hell did you do?

[Dylan Hall]

It was a long time ago.

[Olivia]

If memory serves, you convince the staff that you are the owner's little brother and threw a party for all of your underage friends.

[Dylan Hall]

Hey, you were one of those underage friends. And that was one hell of a party.

[Olivia]

True. Until the owner showed up.

[Bartender]

Damn, you're a legend. Can I get you a shot or something?

[Alex]

What?

[Olivia]

Seriously?

[Dylan Hall]

God, no. No, I'm good, But thank you.

[Bartender]

All right, let me clear these. Shout if you need anything.

[Olivia]

Unbelievable.

[Dylan Hall]

It is good to be back. And hey, about the podcast, I really do love it. All of it. It's great.

[Olivia]

Well, thanks. That means a lot. And I'm gonna help you. But for the record, I'm still mad at you.

[Dylan Hall]

Fair enough.

[Olivia]

What's that?

[Dylan Hall]

It's a text.

[Olivia]

Another from Caleb?

[Dylan Hall]

No, it's them.

[Olivia]

Them?

[Dylan Hall]

Ignota.

[Olivia]

Oh. What'd they say? Dylan.

[Dylan Hall]

It's an invitation.

[Olivia]

To what?

[Dylan Hall]

I have no idea.

[Alex]

Shit.

[Dylan Hall]

Listen to this. Hello, traveler. Thank you for your interest. We've been expecting you. A session will be held this Friday at 8pm at 580 California St. Do not be late. If you lose your way, ask for help up.

[Olivia]

Oh, they've been expecting you.

[Dylan Hall]

Weird, right? Maybe Caleb told them he was reaching out.

[Olivia]

What's this about losing your way?

[Dylan Hall]

I have no idea. Maybe it's some kind of code.

[Olivia]

Maybe they're just nuts.

[Dylan Hall]

That's very possible.

[Olivia]

Are you thinking of going?

[Dylan Hall]

I mean, I get how weird it is, but it's right here in the city. What's the harm? And Caleb might be there, but you.

[Olivia]

Didn'T actually speak to him though, right? Because this could also be a trick.

[Dylan Hall]

It could be a trick?

[Olivia]

Yeah, but you want to find out, don't you? Oh, you have to let me do a show about it.

[Dylan Hall]

I wouldn't try to stop you. What, you want to interview me?

[Olivia]

Screw that. I want you to record the whole thing.

[Dylan Hall]

Record it? Hold on. You want me to wear a wire?

[Olivia]

Why not? You're going anyway.

[Dylan Hall]

Check it out. Not to spy.

[Olivia]

Well, I'm not asking you to be like Mission Impossible Special Ops. Just like, you know. You know, like the voice memo recorder on your phone. You could just like, have it in your pocket. We're talking about one meeting. Maybe like that. I'm sure they do like an orientation session, right? And maybe, maybe if you get further than that, another one. I mean, come on, you used to do this all the time, this kind of stuff.

[Dylan Hall]

What's that supposed to mean? What kind of stuff?

[Olivia]

I don't know, like being a fun person stuff.

[Dylan Hall]

I'm a fun person. What makes you think I'm not a fun person? Sure.

[Olivia]

And what's your job title again?

[Dylan Hall]

Okay, I work in sales, but that's not. I don't see how that's relevant.

[Olivia]

Sales is super fun stuff. Thank you. I forgot. Thank you for reminding me.

[Dylan Hall]

Okay, it's not as cool as being a secret agent or something, but it's legal.

[Olivia]

And this. This isn't illegal. Not really. Look, don't try to convince me you're some kind of straight edge Johnny Do Good.

[Dylan Hall]

Okay, so you want me to walk in with my phone recording everything? What happens if I get caught?

[Olivia]

People bring their phones everywhere. And the mics pick up everything, bring the phone, and if they don't allow it, then no big deal. You're new. How would you know any better?

[Dylan Hall]

You realize I might wind up recording a bunch of People sitting around reciting mantras. Right.

[Olivia]

I can still work with that.

[Dylan Hall]

You know what? Screw it. Fine. Let's do it. Yeah.

[Olivia]

This is gonna be the best. Those freaks will love you. Oh, maybe. Maybe lose the sport coat, though. Oh, no, no, no, no, no. Actually, it makes you look distinguished and trustworthy. And a little bit naive.

[Dylan Hall]

What happened to handsome?

[Olivia]

Pay up. We got research to do.

[911 Operator]

911, what is your emergency? 911, what is your.

[Caller]

Send an ambulance.

[911 Operator]

What is the address and nature of the injury?

[Caller]

It's not from me.

[911 Operator]

I understand. What's the address, sir?

[Caller]

Highway 20, mile marker is 67.

[Dylan Hall]

What?

[Caller]

That's where you'll find her.

[911 Operator]

What is your name, sir?

[Caller]

I'm not going to tell you that.

[911 Operator]

What is the nature of the injury? What's her condition?

[Caller]

She won't wake up.

[911 Operator]

She's unconscious. Can you tell me what happened?

[Caller]

She wasn't ready.

[911 Operator]

Are you with her now?

[Caller]

I'll be gone when you get here, sir.

[911 Operator]

It's best if you can tell me.

[Caller]

Highway 20, mile marker 67. There's third turn off past the bridge. That's where she'll be.

[911 Operator]

I have an ambulance and CHP en route now. Please stay on the line. Can you tell me the woman's name?

[Caller]

She wasn't ready. I need to go.

[911 Operator]

Sir. Sir, please stay on the line.

[Caller]

Goodbye, sir.

[Alex]

Don't.

[Morgan McCauley]

Close your eyes is a cryptic radio production written and produced by John Rolfs. Dylan is voiced by Elliot Brotherhood. Morgan by Samantha Cooper. Olivia by Devon Chandler. Alex by Whitney Holland. Mr. Tepper by Bradley Gareth. The Crab Tavern Bartender by Corey Bain. Other voices by Chelsea Krause. Sound design and engineering by Randy Greer. The theme music is Sacrifice the by Emmett Cook. Shows like this and other audio dramas aren't possible without support from fans. If you've enjoyed our show, please take a moment to rate on Apple Podcasts, Spotify, Podchaser, GoodPods or whichever pod platform you prefer. A rating only takes a moment and goes a long way to helping us reach other listeners. We appreciate it. All of our shows are completely independent productions. If you have the means and would like to support independent audio drama, consider doing so through our Patreon. You can find the link in our show notes. You can also follow us on Instagram or Twitter now X rypticradiopod to get news and updates about the show. We'd love to hear from you, so please reach out. Thank you for listening.