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Nova
Matt Goodwin has always struck me in the last couple of years as someone who is, like, importing a lot of it from the us, Right? And that's, that's, that's true of Farage and GB News, et cetera, et cetera.
Matt
Across Britain, M dash in cities, towns, villages and suburbs, M dash many people.
Nova
We're talking parishes, we're talking hamlets, we're
Matt
talking lowest super output area. So many people are now experiencing the same private, unspoken sense of shock. You walk down a street you once knew and no longer recognize it. You visit the place where you're born, yet you feel like a stranger. You hear languages that are not your own. You see customs and cultures you do not share. The country of her childhood, M dash the country described to you by your parents and grandparents, Em dash no longer lies before you. It exists in old films, documentaries, fading books, nostalgia reels on social media and suddenly the country you search for.
Nova
I mean, how. Yeah, because you're getting older.
Guest
I'm sorry, I'm sorry, I need to
Nova
say this routine, yeah, it's two things, right? Yes, you're getting old, right? But this is uniquely pathetic, right? And it's one of the reasons why, like, I think some of this stuff does burn itself out, is there is not much hope here, right? Because that's not what the AI prompt is. It's meant to be like, oh, your country is going down the tubes, right? You should be more racist about it. But they don't even do the, like, sunlit uplands thing of, like, if only you were more racist about it, then you would have, like, crickets on the village green, right? It's just more misery forever. And it just conjures up this image of, like, you in every, like, parish, in every sort of, like, district and every estate of this country, like, in a big armchair watching the Dam Busters, sadly jerking yourself off into an early autoerotic asphyxiative death.
Matt
He says. Suddenly, the country you search for, the country you yearn for, oh, you couldn't
Nova
call the dog that.
Matt
Now, the country you thought you would carry with you all along, no idea what that means, by the way, is nowhere to be seen. It is if, without warning, it vanished before your eyes.
Nova
The reason why we're losing our country is because we've stopped carrying with us. Instead, we've left it on a southeastern service into Victoria, where it will be destroyed in a controlled explosion.
Matt
It is as if, without warning, it vanished before your eyes. You have not left your country, and yet you cannot shake the feeling your country has Left you. It is at root a feeling of dispossession, a deeply troubled feeling that so feeling twice amazing that something you love. Yes.
Nova
I thought I have my country with me with my headphones just disconnected.
Matt
That feeling you love is being taken. That something you love is being taken from you without your consent. And I figured something out here. I sort of cracked this.
Nova
That gum you love is coming back and stuff.
Matt
Matt Goodwin is trying to be white. Frantz Fanon.
Nova
White skin, white masks. White skin, white hoods.
Matt
Okay, all right. Okay. Number one episode title here we. Right, because he's doing phenomenology around the politics of being colonized. That's Frantz Fanon. But the problem is he's doing a fake version of it. That doesn't make any sense.
Nova
Well, this is not a new observation, right? That, like, the only people still using the kind of frame of discourse and the language of like, you know, woke one kind of social studies are. Are Nazis now. Everybody else has moved on, but the kind of bodies and spaces people are all wearing little like neo Nazi pins.
Guest
The argument that these people make, like, the group that Matt probably associates himself with is one who would probably. If they were sort. And again, if he was brave enough to actually. And talented enough to actually be a good writer, he would make the argument of being like, yeah, these fucking brown people are colonizing us and we are the oppressed. Because that's. That's basically the extension of the argument that he makes. And other people who he associates with say that in more direct terms. And the fact that he's kind of cowed away from that and sort of really suggest, like. I think that's both to do with his lack of talent, but also his inability to actually kind of complete a thought.
Matt
Can I give you the most cucked part of this book, though? The feeling I'm describing is not confined to one race or class. People from all backgrounds. White. Sorry, M. Dash. White, black, Asian. Em Dash. Tell me they feel this way.
Nova
I was expecting a much longer list of ethnicities. If you really want to pad the word count, that's a wider list for you, man. South Asian, East Asian, Southeast Asian, Indo Pacific, Guyanese.
Matt
Indo Pacific, yeah.
Nova
Western European, Eastern European, Southern European. He's skipping forward 50 pages. He's still naming individual Pacific islands.
Matt
People who grew up in a country that felt stable, familiar, and coherent, but now feel that the sheer speed and scale of the demographic changes that are sweeping through Britain are utterly bewildering, comma, beyond all comprehension. Many people from minority backgrounds feel this Profound sense of loss just as strongly as those from the majority. And I think what Matt has done is he has watched the boondocks and has said, I think there could be a British uncle ruckus. Let's do that. So the truth, we cannot say what we are witnessing is the deliberate and sustained transformation of the only majority the country has ever known. Em dash. White British people. Em dash. And hence the transformation of the country itself. But also, like, okay, here's the other thing. Here's the other thing.
Nova
I mean, I have some thoughts about, like, the invention of whiteness vis a vis this being, like, the only majority the country's ever known. You try going back to the Saxons with that shit and being like, well, you know, these Normans, you know they're white, though.
Matt
Or try going back to, I don't know, the 17th century when people. The majority wasn't the. The question of the majority and if the country, such as it was, was going to remain the same was largely one of, are you Catholic or Protestant? And now Matt Goodwin's like, well, Catholic or Protestant, doesn't matter. The thing is, we've actually all been white. All the other big divergences that made the country not what it was before were actually fake ones. We're finally at the real one because he says, this is not an opinion. It's one of the most basic insights in the study of nations. Yeah, My opinion that. My opinion that it's really super important that white people stay a majority, not an opinion. It's actually a basic insight in the study of nations. It's nations one. It's basic biology. The world's leading scholars, M. Dash Walker Connor, Anthony Smith, Eric Kaufman, M. Dash. All agree. The world's leading scholars all agree. In every field. Yeah. All three of the world. The top three scholars in the world.
Nova
And I know if there were more, he would have listened.
Matt
Number three ranked Chad Andrew Jennick. Nations depend on an ethnic and cultural core, historic majority, and a thread of continuity. Without that core, the story that binds to people together unravels.
Nova
Okay, but, like, here's the thing, right? I'm going to take a slightly contrary position, right? Because we've established here that, like, okay, we do feel like the country is coming apart. Let me just pose this to you, and I'm fully putting on the sort of, like, neoliberal Klaus Schwab wef sort of like suit and lapel pin here. What's so fucking good about Britain anyway? Why do we feel like this is something that should never be transformed? Cricket was Always shit, to be honest. Like what? Let's not stop start slandering the sport of cricket here, okay? We're all having a good time, we're all having a laugh. Let's leave the sport of cricket alone. I love when the substitute teacher has
Matt
to like show some like, also like,
Nova
listen, I'll let you stab each other with compasses.
Guest
We draw the line at test matches. They can be very enjoyable after the third day.
Matt
Yo, 220 sucks.
Nova
In all seriousness though, my Goodwin's thing is like Britain is changing and it's changing into something. We don't know what it is. Which from my knowledge of history has been true always. Yeah. And I don't see what is like why we have to try and stop it this time other than that we like whiteness. I don't fucking like whiteness. I don't like.
Guest
Well, this is also it. Like one of the kind of problems that Matt seems to sort of have is that he doesn't. He wants to do the ethno nationalist thing. But like the UK arguably is one of the worst countries in which to sort of like pursue an ethno nationalist project. Knock on wood. The only reason I say that is not because I feel like I don't buy the sort of multicultural sort of dream of the sense of, oh, we're the best integrated country in the world. I think it's because Britain is mostly a class based society. And so the thing that I've often made on this show, the statement I've often made, is the only people that upper middle class white people hate more than ethnic minorities is other white people. And I still think that's true. And I think this is the issue that he runs through in his book, even though he doesn't quite realize it. But it's also just this sense of, you know, I think it gets to your point Nova, which is like, well, what is the Britain that you're kind of yearning for? Because the stuff that you are lamenting, if they are in the cartoons, the things of the coal powered railway or week long test cricket, all that type of stuff is like, well, there were political choices that you made and you support still that led to the destruction of those things. Right. And everything that has happened since then has sort of been like a reaction and a response to those very deliberate policy making decisions of which everyone is in this project is ideologically wedded to the fact that this discourse has sort of gotten more and more insane. Is the result of them not kind of really accepting that, no, the political decisions that were made by people that we still have to support and show support to are the reasons why the things that don't work, the things that everyone is kind of pissed off by. No one really likes seeing like dilapidated high streets. But like that's not like the, you know, you're sort of blaming kind of the out like the symptoms for what is. You know, this is not stuff that is new.
Nova
Doing white supremacy to be like yeah, whiteness built the Glades shopping center. Yeah, yeah, let's leave the Glades shopping center alone.
Matt
Can I ask the three of you, are you ready for some serious padding? The revolution is already underway. The white British are a minority in our three largest cities.
Nova
Oh, is that bad? And minorities treated poorly.
Matt
What's up with that? London, Manchester and Birmingham, M Dash as well as and I would love to get like the Benny Hill theme for this. Leicester, Luton, Slough and Watford, Blackburn, Bradford, Cambridge, Coventry, Crowley, Milton Keynes, Nottingham, Oxford, Peterborough, Reading, Sandwell and Wolverhampton, Hertzmere, Bedford, Bexley, Oldham, Preston, Pendle, Thurrock, Derby, Havering and Bromley and many, many more wrongly mentioned.
Nova
Wrongly mentioned. He. I was joking about the Glades but in the Animaniacs like song he actually put us in there. Incredible.
Matt
And so yeah, it's just. By the way, do you think this is the only time there is an entire paragraph long length list of cities?
Date: May 15, 2026
This episode features the TRASHFUTURE crew (Riley, Hussein, Milo, Alice) alongside guest Nish Kumar, taking a sharp, satirical look at British commentator Matt Goodwin and his book exploring the "loss" of British identity amid demographic change. The show skewers Goodwin's use of nostalgic, quasi-academic language and points out the contradictions and unexamined assumptions at the root of his argument about nationhood, race, and multiculturalism. The hosts unpack the ongoing psychic traumas of British capitalism and race panic, highlighting the surrealism and futility of reactionary responses to societal change.
This episode is a lively, incisive takedown of racialized decline narratives in Britain, lampooning the rhetoric of Matt Goodwin and the broader right-wing grievance machine. The TRASHFUTURE crew, with Nish Kumar, employ humor and sharp analysis to expose how anxieties about social change are both historically illiterate and misdirected—while also highlighting the deeper class and policy-driven roots of Britain’s current troubles. The result is both hilarious and illuminating, offering listeners a critical toolkit for decoding the new reactionary language of "loss" and nostalgia.