Haunted with Beckie-Ann of My Bloody Galentine

Summary

Podcast Summary: Two Girls One Ghost – "Haunted with Beckie-Ann of My Bloody Galentine"

Release Date: May 27, 2025

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Introduction

In this spine-chilling episode of Two Girls One Ghost, hosts Corinne Vien and Sabrina Deana-Roga welcome guest Becky Galentine of My Bloody Galentine. The trio delves deep into the haunted world of Ouija boards, paranormal investigations, and eerie coincidences that tie into the episode's release date.

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Meet Becky Galentine: A Life Amidst the Haunted

Timestamp: 03:05 – 09:30

Becky Galentine shares her lifelong passion for the supernatural, tracing her roots back to growing up in an antique store. Surrounded by relics and haunted artifacts, Becky's fascination with the paranormal was nurtured from a young age.

Becky Galentine [04:14]: "The first haunted location I was ever exposed to was Torrance State Hospital... it became almost like a local legend."

She recounts her connection to the Torrance State Hospital, a demolished facility rumored to be haunted, and how a friend introduced her to a haunted wheelchair from the site—bringing a piece of the past into her home.

Becky Galentine [05:34]: "It's making a revival now, but originally, they were just little mourning brooches and hair wreaths."

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Collections of the Supernatural: Human Hair Wreaths and More

Timestamp: 06:34 – 14:37

Becky's unique collection includes intricate human hair wreaths from the late 19th and early 20th centuries. These pieces, often mistaken for ordinary decorations, hold deep sentimental and possibly supernatural significance.

Becky Galentine [12:13]: "I care that it's like, this is the closest I'll ever get to this person who lived 140 years ago. It's the closest anyone will get."

She explains the artistry behind these wreaths and shares anecdotes about personal items, such as a candle accompanied by locks of hair from a woman who died in 1897.

Becky Galentine [14:37]: "I just earned a candle that said Ma held this candle when she died in 1897, and it had two locks of hair next to it."

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The Salem Witchboard Museum: A Nexus of the Paranormal

Timestamp: 30:04 – 36:39

The trio visits the Salem Witchboard Museum in Salem, Massachusetts, guided by John, the museum's owner and co-founder of the Talking Board Historical Society. John provides a comprehensive history of Ouija boards, emphasizing their cultural evolution and spiritual significance.

John [31:45]: "The Ouija board wasn't born from a single inventor. It emerged from two separate spirit communication tools that collided in the mid-1800s."

Becky and the hosts explore rare collections, including pop culture-inspired boards like those themed after Ozzy Osbourne and Stranger Things. John shares chilling accounts of paranormal activity within the museum, setting the stage for the investigation.

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Paranormal Investigation: Tools, Techniques, and Tensions

Timestamp: 36:39 – 47:35

Equipped with tools such as the REM pod, EMF reader, and motion detectors, Corinne, Sabrina, and Becky embark on a live investigation. They employ both the Ouija board and the Estes Method—a combination of sensory deprivation and spirit box communication—to interact with potential entities.

Becky Galentine [37:01]: "There's a lot of equipment that it's going to go off regardless. But when you're interacting in that moment, it's about piecing it together."

As the investigation unfolds, the team experiences unexplained phenomena: sudden temperature drops, moving objects, and eerie sounds.

Corinne [48:33]: "The door next to us, die hard knocks. So it was just like one big boom."

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Eerie Coincidences and the Entity "Seven"

Timestamp: 60:25 – 67:39

A significant moment occurs when the Ouija board skips the number seven during a counting sequence—a detail that Becky connects to a ten-year-old TikTok account communicating with an entity named "Seven." This entity has allegedly predicted catastrophic events tied to the number seven, now eerily aligning with the episode's release date.

Becky Galentine [60:25]: "When it skipped seven, I felt like something was laughing at me for ignoring the entity."

The hosts grapple with the unsettling possibility that their episode's release on May 27th, 2025, may fulfill the entity's ominous predictions, intertwining their personal investigation with broader supernatural lore.

Sabrina [63:10]: "It is suggesting that the third contact will occur May 27, 2025, leading to global devastation."

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Conclusion: Embracing the Unknown

As the episode concludes, the hosts reflect on the night's events and the thin line between skepticism and belief. They encourage listeners to remain open-minded and share their experiences, hinting at potentially unsettling developments tied to the episode's release date.

Becky Galentine [64:18]: "Sometimes I think I need to be more open."

The trio signs off with a blend of fear and fascination, leaving listeners pondering the mysteries uncovered and the possible ramifications of the foretold events.

Corinne [67:39]: "Very spooky."

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Key Takeaways

• Becky's Haunted Heritage: Growing up in an antique store shaped Becky's deep connection to haunted artifacts and the supernatural.

• Human Hair Wreaths: These intricate pieces serve as both memorials and potential conduits for paranormal activity.

• Salem Witchboard Museum: A central hub for the study and collection of Ouija boards, steeped in local history and supernatural tales.

• Paranormal Tools and Techniques: The use of Ouija boards and the Estes Method provides structured ways to interact with potential spirits, though outcomes remain unpredictable.

• The Entity "Seven": An internet-based supernatural figure whose predictions may intertwine with real-world events, casting a shadow over the episode's release.

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Notable Quotes

• Becky Galentine [05:34]: "It's making a revival now, but originally, they were just little mourning brooches and hair wreaths."

• John [31:45]: "The Ouija board wasn't born from a single inventor. It emerged from two separate spirit communication tools that collided in the mid-1800s."

• Corinne [48:33]: "The door next to us, die hard knocks. So it was just like one big boom."

• Becky Galentine [60:25]: "When it skipped seven, I felt like something was laughing at me for ignoring the entity."

• Sabrina [63:10]: "It is suggesting that the third contact will occur May 27, 2025, leading to global devastation."

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Stay Connected

For more insights and updates, follow Becky Galentine on TikTok and Instagram at @mybloodygalentine. She is set to continue her paranormal explorations with upcoming events like Strange Escapes with Amy Bruni in Gettysburg this fall.

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Note: The episode intersects paranormal experiences with real-world dates, creating an intriguing narrative that blends personal stories with broader supernatural phenomena. Listeners are encouraged to approach the content with curiosity and an open mind.

Transcript

[Becky Galentine]

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[Corinne]

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[Becky Galentine]

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[Sabrina]

Hello.

[Corinne]

Hello, everyone.

[Sabrina]

This is Two Girls, One Ghost.

[Corinne]

Two Girls, One Ghost. And something might happen today.

[Sabrina]

It is May 27, 2020, and we are unsure because we were recording this before the date, if everything is okay.

[Corinne]

Because as you'll come to find out by the end of this episode, something weird's happening.

[Sabrina]

It certainly is. And who better to experience it with us than Becky Galentine of my bloody Galentine.

[Corinne]

We did a really fun investigation of the Salem Witchboard Museum with Becky, and we got a bunch of information about the history of the museum from John, who owns it, and his own personal experience. Experience with collecting. He has over 600 boards. And then Becky has her own collection. So this episode you'll get a mix of some really awesome conversations and stories from Becky. Her own experience, her collections, her very poetic Mary Shelley life.

[Sabrina]

And I have a secret to tell everyone. I played a Ouija board.

[Becky Galentine]

Ah.

[Sabrina]

Tune in, find out. Watch now.

[Corinne]

Continue watching. Enjoy.

[Becky Galentine]

I'm violent.

[Sabrina]

You're not allowed to be here. Oh, my God.

[Becky Galentine]

Yep. Important. I just got like, boom.

[Sabrina]

Of course, classic Ouija board demon comes through.

[Becky Galentine]

Sneaking up on us is this date at the end of May for where something is going to happen.

[Sabrina]

And I have chills.

[Becky Galentine]

It's pieces of a puzzle. It's layers.

[Sabrina]

Thanks for playing with us.

[Corinne]

Thank you for being here, Becky.

[Becky Galentine]

No problem.

[Corinne]

I feel like we need to talk about the. The wheelchair behind you because it's for sure haunted, right?

[Becky Galentine]

It actually is. When I grew up, like the first haunted location that I was ever exposed to was called Torrance State Hospital. And it was like one of those places that, and I'm talking like 16 years old that everyone would say, oh, you think you like ghosts? Try going to Torrance. Like, try checking out Torrance. And so it became almost like a local legend. Even though it existed and it was dilapidated, there were pictures of it that spray painted everything. It was the first time I would I was ever exposed to the word lobotomy. And obviously, like, I understand the nuance of respecting mental health and psychiatric facilities in the paranormal a little bit differently now, but at the time, as a kid, it was like this place that, you know, you couldn't get in. They would say, you can't get in. But some people, they tucked and rolled fast enough and they could get in. So two years ago, a friend reached out to me and she said, I have a wheelchair and it's from Torrance. Which was the only, like I said, local haunted place that we even had mentioned where I was from. And she said, my boyfriend found it, basically. There were also tunnels. So, like, when you're thinking about legends and these stories that build up, it's like you've got this haunted old hospital and tunnels underneath. And sometimes you can get in, but you really can't get in. And some people don't make it out. Whatever. There's rituals, like they come up with all these worries. And he said that he was driving for FedEx and he saw someone. He dropped something off there and he said, I'd love to get into the old hospital. And the lady said, if you come after hours, I will sneak something through the tunnels for you to take.

[Corinne]

Oh, my gosh.

[Becky Galentine]

The wheelchair in my house, it was snuck through the tunnels and taken after hours. Obviously not functional. It wasn't like she took something from there and they kept it in their shed outside for a couple years and then started to feel like, well, we don't even know why we have this because we don't want to bring it into the house, whatever energy it has. And I said Torrance is like the first place that I ever even conceptualized as being haunted. And it's now demolished, so it's like a little piece of something that doesn't exist anymore. And it's from Pennsylvania, so I don't have too much from where I'm from. And it's just something that I was like, I can't believe it.

[Sabrina]

That's wild.

[Corinne]

That's like so cool.

[Sabrina]

Just proof that sometimes making small talk with the right person can just lead. I'm sure that guy never thought that his, like, little side comment would actually lead to a wheelchair being, like, dragged through the tunnel in the middle of the night or after hours. For him to take it felt like.

[Corinne]

An illicit little, like, mission that was being, yeah, what a side. Yeah. Also, I love that you are the person that people go to and they're like, hey, Becky, I have this weird, like, creepy thing in my shed. Do you want it?

[Becky Galentine]

I get that a lot. Like, I just posted a video, and it had 3 million views, and most of the comments were, why do people give you these things? I don't know. Like, once you get one, it just snowballs. And.

[Corinne]

Yeah.

[Becky Galentine]

And someone commented, why did people send you this? But, yeah, I get this. Messages that are like, hey, I saw something that I think you might like, and I am telling you, some of the messages that I get are the most wild things. There should just be, like, a chat dialogue of the things that people try to send me.

[Corinne]

Well, I do feel like anything could be haunted. And I feel like this is a perfect segue to talk a little bit about you, Becky, because you are a fellow spooky ghoul like us. But for people who don't know you, can you talk a little bit about your history, how you got into spooky things, and then about your own personal haunted collection and maybe give us a taste of what your favorite haunted object is?

[Becky Galentine]

When I tell people my story, I always say it kind of sounds like it was made up. I grew up in an antique store. Like, I did not stand a chance to not be weird. Like, no. We had this house that was actually a barn converted into a house, and we lived upstairs. Dead people's things downstairs every day.

[Corinne]

Oh, my gosh.

[Becky Galentine]

And my parents, they mostly collected traditional antiques. My mom was more into the dolls. So I went to a lot of doll shows growing up. So I was very familiarized with dolls and never saw them as, like, creepy or haunted. So, like, the trope is the haunted doll thing. And I'm more like, just because a doll's old doesn't mean it's haunted. A lot of people are trying to, like, capitalize on that. And then I spent most of my youth just, like, leafing through. I loved going through the greeting cards. The. The worthless stuff that wasn't being appraised for these people who had recently passed. So my brother and I would look at birthday cards, and it just, like, the artwork of some of these were, like, 60s. Like, they had, like, cute teddy Bears and stuff on them. And, you know, going through that and, like, soaps were another thing that weren't appraised in the estate sales. And there's even been some times where my mom said, I know that person was watching me go through her things. Like, so that's definitely where it started. But I think I deviated from that. Traditional, like, folk art Americana, like antiques, like primitives and stuff like that. So it took a while for my parents to understand where I was going with it. So I liked the old things. I got the idea. But as I grew older, I started getting into talking boards, which was, I would say, around 2012. Back then, I was like, all these people have these huge Ouija board collections, and I have four. But now it's like, I've been collecting for over a decade. But that was my segue into it. And I don't know why. Was just, like, really impressed with the idea of that. And then, you know, I just started getting into other things along the way. They're like, oh, well, you. You collect Ouija boards, so you'll probably like this. And I had always been drawn to cemeteries as well. But I saw them as I was a loser in a small town. I'm not, like, exaggerating, like, literal, like, person that people are like, you're strange. And so I would hang out in the cemetery because I wanted to make art, but I didn't want to be judged. And I didn't want people to say, look at that girl. She thinks she's a photographer. She thinks she's important. So the cemetery was a way for me to connect with people in some way and artwork in some way without anyone else looking in. Nobody really paid attention to the old cemeteries.

[Corinne]

You really are just a Mary Shelley.

[Sabrina]

It's very poetic, I know, but also, I want to fight your hometown for you.

[Becky Galentine]

Now, they're nice to me.

[Corinne]

Of course.

[Becky Galentine]

You'Re just doing what you want to do. But back then, it was just. That was literally the words people would say, you think you're something. It's like crabs in a bucket mentality. So also.

[Sabrina]

But, like, maybe they manifested a little bit for you too, because it sounds like they believe so much that, like, you could be something.

[Becky Galentine]

Yeah, how dare you?

[Sabrina]

And I know.

[Becky Galentine]

But as I got older, it didn't really make sense. It's like, oh, I like cemeteries. I like antiques. I like odd things that I would find. But it never really blended together until recently. And then in 2019, I went to mortuary school. I worked through the pandemic as an embalmer. And that's when I started posting about, like, the haunted locations and stuff. So I. And when I started, I would say, allegedly, everything's allegedly haunted. Because I was too afraid to tell the world that I believed in ghosts. And eventually all those things kind of cohesively went together and made more sense, and I started being able to articulate, like, my own ideas about it. So it's just always been kind of my life, and some people do not understand it. And this week really reinforced that, where I see, like, beauty and loss, things and things left behind, because I think I maybe felt that way in my life. So I'm like, oh, this old letter with a lock of hair. I think it's beautiful and fantastic, and I feel kind of sad for it. And people are like, oh, you're a creep and a serial killer or something. So I think that I just kind of have been drawn to things that I relate to.

[Corinne]

Right, we understand that. And I think especially, like, I love that you were drawn to greeting cards. And I feel like there's, like, such intention behind a human being picking that out for someone. Like, there's almost so much humanity in it that maybe some people aren't seeing it that way. But, like, I feel like we. We do.

[Sabrina]

I know. I feel like, similar to you. Whenever I go into an antique shop, I gravitate towards the cards and the old photos because then I'm like, these are people who, like, posed for this photo or wrote this card. And I feel so bad. It's the same thing. I'm tempted to buy them, and sometimes I do.

[Becky Galentine]

And my mom, when she was dealing in antiques, nobody wanted the old photos. You could get them for 10 and $15. You couldn't even give them away. And now the things I collect, my mom laughs because she's like, I can't believe you want those things. But to me, I don't care if it's an antique Tiffany lamp or something that's worth thousands of dollars. I care that it's like, this is the closest I'll ever get to this person who lived 140 years ago. It's the closest anyone will get.

[Corinne]

It's magical.

[Becky Galentine]

You see people who kind of, like, use these things for art and they paint over their face. I'm like, that's their last connection.

[Corinne]

I know. Okay, well, living amongst your collection, have you experienced anything paranormal?

[Becky Galentine]

For the most part, it's very, very infrequent. The first thing I remember experiencing is I waited in line at this estate sale in Pittsburgh, to get this hair wreath. And it has a woman in the center. And it's not an intricate example. It had water damage. But it was the first time I had access to buying a human hair wreath. Yeah.

[Sabrina]

Wait, can you explain that further?

[Becky Galentine]

Yes.

[Sabrina]

I have never heard of that. Never seen.

[Becky Galentine]

I have a lot of them now.

[Corinne]

Where do you keep them?

[Becky Galentine]

In my house. All over my house. Back in the 1860s to 1890s, even early 1900s. And now it's kind of making a revival. But 1860s, you started seeing a lot of human hair being done with art. So the first times you're seeing this are, like, little mourning brooches. So they'll say, like, in memory of. And it'll have a lock of hair. And then they started getting creative, and they would add gold filigree. But it kind of evolved, and people started making flowers out of it. So there's a specific way that they would loop and curl this hair to make it look like flowers. And these would take years to make.

[Sabrina]

Oh, my gosh. Wait. These are actually super beautiful.

[Becky Galentine]

Oh, yeah. So they would make an entire wreath, like a Christmas wreath, out of human hair. They're often horseshoe shaped. People often have the misconception that they're from deceased loved ones. But it's mainly just an heirloom. Sometimes they would use it and they would keep on their dresser a hair receiver. So when they're brushing their hair, they're collecting a little bit at a time. And then some of them would literally take years to make. This is wild.

[Corinne]

These are beautiful.

[Sabrina]

Oh, my gosh.

[Corinne]

And so, like, I feel like if.

[Sabrina]

I saw this in someone's house, I wouldn't know that it was human hair.

[Becky Galentine]

Yeah, no, that's what people say. And some of them have glass beads and pearls, and they. They can be so intricate. They're very unique. And every time I see one, I'm like, oh, you know, I have to have it.

[Sabrina]

Wow.

[Becky Galentine]

I just bought one that has all of the names written around it with, like, a calligraphy pen.

[Sabrina]

Oh, my gosh. Beautiful.

[Corinne]

That is really cool.

[Becky Galentine]

Wow.

[Corinne]

I feel like that's a cool family thing to do.

[Sabrina]

Yeah, it is.

[Becky Galentine]

I wish I had one for my family.

[Corinne]

Something witchy. You could start making one.

[Sabrina]

But there is something so witchy about like braiding your hair with someone else.

[Corinne]

Yeah, yeah.

[Becky Galentine]

There's a. There's a lot of intention in it. And I talk about this a lot, too, where this is how they were remembering people. And so when you think about, why are our ghosts from the 1850s and the 1900s. Well, look at how they were memorializing people and drawing them in. They're like, I want to keep you around, right? You'll clean out a house that has an attic or something, and you'll find locks of hair. I found once a candle that said that Ma held this candle when she died in 1897, and it had two locks of hair next to it. You will find, like, really unique, personal things. And that was actually, like I said, the first hair wreath that I brought home. I had experiences, and I don't typically think that hair has to be haunted, but I had waited in line at this estate sale for this hair wreath with this woman, and it was more expensive than it should have been, and I hung it on my wall. But she's crooked in the frame. So you have this lady surrounded by hair, and she's sideways. And so I didn't want to open the frame because it's fragile. It was water damage. So I poked a pencil in there, and because I did that, I'm guessing that's when things got strange. So it was, like, screwed into the wall and for some reason, fell on the floor. And I was like, what happened? That's crazy. Then I just put it back up. And then I had a dream about her where she was sitting on the edge of the bed, but I couldn't move. I had sleep paralysis. And she was just there laughing. And then I talked to my roommate, and they're like, yeah, I dreamt about that lady in the picture. And I was like, oh, my God, she does not want to be straightened in that frame. So she's still crooked in the frame to this day. And there were just, like, a couple strange things after I brought that home. And we unanimously decided, like, we leave the lady alone in her frame, and nothing's happened since. But that was nine years ago now. And I would say, like, maybe every two years, something strange happens. Like, maybe she's always been crooked in the frame, and her family put her that way.

[Corinne]

Right. She likes it that way.

[Sabrina]

Now you're her keeper.

[Becky Galentine]

Yeah. And I have done really heavy due diligence with these things. If they have names. Actually, they don't even have to have names. One time I took an address off the back of a portrait, and I found the whole family history and who was in the photo, and it was of. Their names were Myrtle and Roscoe Lop, and they had passed away tragically. One of meningitis, and the other one had measles, I believe. And I had found their whole history just Because I found the address, and then I went through, like, the archives of the small Midwest town until I found them, and I found their, like, great, great nephew. Like, that was the last person in the lineage. But I go out of my way to try and reunite these pieces, and if I can't find anyone, then I feel entitled to keep it. But I do try to return them to families if it's possible.

[Sabrina]

Oh, I would.

[Corinne]

I would love. If someone reached out to me and they're like, hey, I found something that I think belonged to an ancestor. I would.

[Sabrina]

Right. Like, I would melt to it.

[Corinne]

That is so beautiful. I love your approach.

[Becky Galentine]

Yeah. I've had really awesome conversations to some of the haunted locations that I've researched that weren't really well known. They're like, my aunt lived in that house or the candle, actually, with the human hair. The situation was her husband was the last living relative associated with that piece, and she was only related by marriage. And she said, I have nothing to do with it, and I'm just glad it's going somewhere. And that was it. She just threw it on ebay. I'm like, this was a candle someone held while they were dying. Like, the thought, like, you see, they say, go to the light. So she's holding this candle.

[Corinne]

Literally, go to light.

[Becky Galentine]

That is one of the most, I think, sentimental and, like, energetically unique pieces in my collection.

[Corinne]

You're making me want to start a person, become a collector so badly.

[Becky Galentine]

Just start rooting around at estate sales.

[Corinne]

You'll have to let us know next time you're going to an estate sale, and we'll. We'll tag along.

[Sabrina]

We'll tag along. Yeah. Okay. Wait, so your interest in talking boards, was that the first thing that you started collecting?

[Becky Galentine]

Actually, the first thing I started collecting was My Little Pony, but I still like it, and that's why people are shocked. I'm like, but someone designed each and every single one of those. And I think they're. I don't know. I just think it's magic. And when I talk about it that way, people say, that doesn't really make sense. And I'm like, yes, it does. I believe in magic. I believe in, like, bringing yourself into your own reality. And I think that that was kind of like my segue into collecting.

[Sabrina]

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[Corinne]

What?

[Sabrina]

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[Corinne]

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[Sabrina]

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[Corinne]

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[Sabrina]

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[Corinne]

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[Becky Galentine]

Yeah talking boards. I just got In a mood one day, and I was like, did they used to make those? A long time ago. And I typed in, like, antique Ouija board on ebay, and some magician in Texas was selling her collection. So I was able to buy, like, four or five of them for, like, way less than they were selling. And those were my first ones. It was actually. It's a crystal gazer sitting right across the room right now. And then I bought one from 1909, and that's when I just really started getting into them. But there's people in that community that have been doing this for years longer than I had. So I just had my little couple of boards. And at first, my parents didn't understand because I grew up in a household where my dad burnt one and the blue ghost one, he was like, these are not good. And so I think people think that this has always been embraced. But now my. My own father will find them for me. He'll say, oh, yard sale or something.

[Corinne]

I love that.

[Becky Galentine]

It's just a really unique innovation that is, like, steeped in American lore. Like, we started in Baltimore. It became like this back and forth between multiple men fighting for the copyright, which is weird because women were doing it first. In spiritualist communities, they call it the mystifying oracle for a reason. I think it can never truly be explained. You know, there's people who say, oh, it's idiot motor effect. But there's just such an air of mystery about it that, you know, it really comes down to, do you believe or do you not believe? There's no, like, definitive. This is exactly this with it.

[Sabrina]

Wait, so what do you believe? Do you think it's idiomotor, or do you think that we're channeling something, that we're making contact?

[Becky Galentine]

I used to believe that it was idiomotor for a long time. And then I was like, can you really, truly believe or prove one way or the other? You can say that. You can dismiss it as that. That's fine. But can we truly also say that we know for sure that a spirit is not helping you select those answers, even if you're doing it subconsciously? We just cannot prove that if you believe in the supernatural. So for me, like I said, I just think it's, like, open. I like to see what people receive while they're investigating and how they interpret it.

[Corinne]

Well, this is a perfect transition into what we three did together, which, Becky, you posted a picture on Instagram, and our listeners freaked out a little bit because, Corinne, for the last eight years of Our podcast has been so adamant that she will not do a Ouija board.

[Sabrina]

I don't know what came up for me that night, because I still kind of feel like I never will again. Just in the moment right there, surrounded by Ouija boards with you, Becky, who collects them. Like, suddenly the. I feel like you took away some of the fear that I had with them. And so I was like, well, if I'm ever gonna do it, this is probably the time to do it.

[Corinne]

Yeah.

[Becky Galentine]

Well, you didn't mention your apprehension. Most people will tell me I'm not comfortable, and I say, okay, fine. Like, if I go to a location that has rules against it, I don't try to fight it. I don't try to convince people out of their comfort zone. I say, okay, because I would never want to put anyone in a position where they didn't feel comfortable.

[Corinne]

Yeah.

[Becky Galentine]

However, I think that. And, like, you're also led in with the owner of the museum, John, who. He's one of the biggest historians on talking boards, and his beliefs are. Are pretty benign about them.

[Corinne]

Very.

[Becky Galentine]

He sees the love of the game and the novelty, and he feels similarly with. He never wants to truly dispel the mystery of the board, but, yeah, that. It's like, when you're exposed in that way, you're in a room with how many are in there? And. Yeah, hundreds flying off the walls. You know, people say they have experiences there, and people send, obviously, some very unique stories in with the boards that they're sending in.

[Sabrina]

Right.

[Becky Galentine]

I think there's a comfort level that you have, and you knew that it was coming from a place of respect.

[Sabrina]

Yeah. I feel like I have a pretty good read on, like, the energy of a place, too, and I felt primarily, like, very comfortable there. I am a big believer. Like, this is kind of my rule when I go antiquing, where it's like, I won't purchase something unless I love it so, so much, because if it is haunted, at least whoever's haunting it is going to appreciate my love for the item that maybe the haunting won't be so bad. And I feel like that is kind of what I was feeling at the Ouija Board Museum, where it was like, there was so much love and admiration and respect for the boards and the craft and the craftsmanship that I was just like, oh, this feels respected. Like, it feels like if these boards had anything attached to them or if they had an energy that was, like, permeating beyond just like a normal object, that it also felt respected and appreciated being there. That's why I made a game time decision. I didn't tell you, Becky. I just did it.

[Corinne]

I also feel like because we've spent the last couple of years dipping our toes into the paranormal investigation world a little bit more, we've learned that it's so much about intention. And we set our own intentions. We were very clear, like, we didn't want to invite. And we, I think, collectively can agree we're not actively being like, hey, demons, like, or something dark come through. We were just like, hey, we're curious if there are any spirits here. We'd love to talk to you. So that helped, I think, ease.

[Sabrina]

Right.

[Corinne]

Our minds.

[Sabrina]

Yeah. It wasn't like another investigation that we previously had where we were led to a closet with a Ouija board. And then I was like, this feels not good. I'm not doing this.

[Becky Galentine]

Ouija boards are the one tool that people trivialize the most too. So more people have bad experiences with it because they start out disrespectfully. Nobody's sitting there going, oh, I'm going to cut my hand and put blood on a spirit box, you know, a digital recorder. But then all of a sudden, when it comes to the Ouija board, they're like, oh, yeah, we're gonna do all this crazy stuff to it. We're gonna, you know, draw a pentagram and blood and then do.

[Corinne]

Right.

[Becky Galentine]

Or like, they throw it, they make jokes about it. And so it's the most disrespected one. So if you're bringing that energy into it, you're automatically doing that. And again, other tools don't face that same stigma. So I think that's part of it too. I've gone through different phases with my experiences with. I'm just kind of like, you know what? I'm not going to listen. Especially in the paranormal community, you'll hear number one. I hear every possession I've ever encountered started with the Ouija board. And I know this person. It ruined their entire life. I love everything in your house but the Ouija boards. Okay, you could maybe get me 10 years ago, but now it's been over a decade. And I can say you may feel unsafe and you're entitled to feel that way and not have them around. But I have lived with about a hundred of them for a decade. And before that I just, you know, I still had antique ones in my home. So if something were going to happen and they're like, but it might get you later down in your life, later along the road. I'm like, okay, at what point do we give up the sphere, Mommy?

[Corinne]

Honestly, a human being is more likely to get us at some point in our life than a spirit attached to a Ouija board.

[Becky Galentine]

And there are so many things that are akin to a Ouija board and only. Not even just Ouija, because that's the brand name, but like, only the Ouija board is the one that gets, like, the weird stigma. You know, there's other games that are similar. There's other tools that work similarly. Like the old rotary phones have the Alphabet on it. Like, you could do the same thing. You could use your finger and like.

[Corinne]

Right.

[Becky Galentine]

It's just people make them on the back of a napkin. But I guess, yeah, at some point.

[Corinne]

Everyone decided that's the society we live in. So there's always going to be this, I think, negative connotation that some groups of people project onto forms of divination.

[Sabrina]

Yeah. Should we talk about our experience at the Ouija Board Museum?

[Corinne]

So basically, we went to the Salem Witchboard Museum in Salem, Massachusetts, which you, Becky, have a relationship with John, and you connected us all and were able to get us in there for a really cool experience where it was just us four in there. John talked us through the history of the museum, the Ouija board, and his own personal collection.

[Becky Galentine]

We're at the Salem Witchboard Museum with John. Hey, good to have you.

[John]

Thanks for coming in.

[Corinne]

This here is John. He is the owner of the Salem Witchboard Museum and co founder of the Talking Board Historical Society. We spent some time with John in the Salem Witchboard Museum prior to our investigation. And he told us some really cool history about Ouija boards, his own personal history in collecting Ouija boards. Unfortunately, the audio here is not perfect or crystal clear. So I'm going to pop in a couple of times to give you some supplemental information and just make sure you understand the history, the mystery and the spooky that John provided us with. So if you're watching YouTube, you can see John is walking us through his museum's collection. He has antique boards, some really cool rare finds to pop culture versions like the Ozzy Osbourne board, and even a Stranger Things board that was sent to him by someone who said, please take this away from me, because some horrifying things started happening after using the board. And this is common. People from all over the world actually send John boards because of some haunting things that they experience. But in order to find out those stories, you'll have to go to the museum yourself and have John tell you all about it in person.

[John]

So, yeah, when People first come in, I'm going to kind of see them low down. Is that really how there's no inventor of the boards? You know the generic name spirit board, talking nerd. Which board? Ouija is a brand. But that Ouija brand was made by Parker Brothers here in Salem. So there's a lot of local history to the board here.

[Corinne]

So John's here telling us that the Ouija board wasn't born from a single inventor. It emerged from two separate spirit communication tools that collided in the mid-1800s. People have been using divination and forms of divination for centuries. And the Ouija board is a brand. But during and after the Civil War, people sought comfort in communicating with the dead. We've heard of the spiritualist movement. They used Alphabet boards. They did tapping, knocking.

[John]

So I used Bob is my. Bob is the go to spirit. I always make a joke here. If you ask him what his name is, you were listening back originally for that was Bob.

[Corinne]

So it takes a long time, a lot of effort.

[John]

It speeded up by just really an Alphabet board. But now they point to the Alphabet, wait for the knock, ask his name, point to the A, point to B, hear a knock, point to the O here. A knock still takes a very long time.

[Corinne]

And eventually added planchettes with wheels and pencils for automatic writing what you see.

[John]

With the Ouija board today. But then we have a pencil at the front and wheels in the back. And the device worked by a medium just channeling a spirit to themselves and then writing or drawing on a piece of paper. Whatever came through that device is much older. It existed in France as early as 1853. And it came to America across paths with the Alphabet board. So really, no inventor. Two separate spirit communication tools eventually crossing paths. They're homemade up until 1890. And that's when a businessman down in Baltimore, Charles Kennard, he actually produces the one I have laying flat in the center of the case here. That's the oldest one in the room from 1890. He called it a witchboard originally. A few months later, a woman named Helen Peters over on the right hand side.

[Corinne]

But a medium named Helen Peters asked the board what it wanted to be called. And it spelled out O, U, I, J, A and claimed that it meant.

[John]

Good luck Board named itself Ouija became the first mass produced board. And like I said, it's a brand like Kleenex to tissues. Ouija is the talking boards. The story gets a little confusing from there. The TBHS Talking Board Historical Society uncovered Helen's story only 11 years ago, she was written out of history.

[Corinne]

Thanks to researchers like John and the Talking Board Historical Society, Helen Peters story is finally being restored. Naturally, Corinne and I were curious, how did he get into collecting boards? And John told us his story.

[John]

I inherited my grandmother's board in the late 90s, and she would use it alone. She flew on it and yellow letters and numbers quicker than people would write down what she was saying. But hers looks very much like, I think, what most people would think about the Parker brothers kind of looking board with the couples in the corners. But at that time, I went online to learn more about it. And I ended up finding a few websites that had talking boards with dozens, if not hundreds of different boards. And that's really what made me start collecting them. But it took about six years before I met my friend Calvin down in Connecticut through a Craigslist as looking for boards. Then a few months later, met my friend Merch. And over time, we eventually started a group called the Talking Board Historical Society, which is a registered nonprofit who research preserve subject history of these boards.

[Sabrina]

So do you have any criteria for.

[Becky Galentine]

Your own personal collection?

[John]

Well, I'm a very obsessed collector. But the way I rationalize my collection is I think of it as two collections. I think of what I'm most interested in, what I hunt down, what I really want to get, and then what I want to have in a museum to talk about. Because, you know, I might not be interested in an Ozzy Osbourne board in my collection, But I think it's a very important piece to have in a museum because it really shows you the pop culture influence that these boards have. So that's how I rationalize having the collection I do. I have two collections. Well, I have a second museum in Baltimore, and give or take about 600 boards at my house. Yeah, it's a lot. It's like a record store. You kind of flip through and look to see what I have. So in the museum, there are four boards, specifically, that were donated because the previous owners had had a bad experience with them. And they donated them to the Talking Board Historical Society. So I have those on display. And then some of those boards invoke people feeling pressure or wanting to leave the museum, getting sick, passing out. Those kind of things have happened. And then in general, the space has been known for paranormal activity, where a lot of things have been felt and claimed here.

[Corinne]

And then he left the three of us to our own devices.

[Sabrina]

We all brought with us different pieces of equipment. And one piece of equipment that we had brought with us Becky, you don't normally use. Which was the REM pod.

[Becky Galentine]

Yeah.

[Sabrina]

But do you feel differently about the REM pod after the investigation? Because we were getting a lot of responses, I think, like, in response to what we were asking with the REM pod, part of my memory of our investigation was just how many times you were like, okay, can you stop? Or like, can you do this if you want this? And I feel like it was really responsive.

[Becky Galentine]

Okay. Oh, I just got, like, full chills, like, much colder. If that was you, can you touch that again, just so we know it's you?

[Corinne]

I don't even know what that one is.

[Becky Galentine]

Can you take a step back from that?

[Corinne]

Thank you.

[Becky Galentine]

Yeah. You know, I don't hate REM pods, and I don't want to give that illusion, but there's a lot of equipment that it's going to go off regardless. And I think people, because they ask the question and then something happens, they assume it's confirmation bias. So I can take that as like a little kernel of our investigation and look at it and piece it together and say, okay, but when we put it all together, this starts to make sense. So when we're interacting in that moment, I was asking and we were getting it to stop, but we can't say it's a spirit or not. But it would suggest from what we were experiencing that it was being triggered. We were asking it to stop, triggering it to test to see if it was just being triggered on accident. And it seemed to interact with that, whatever it was.

[Corinne]

Right.

[Becky Galentine]

I will say I've never really felt like that museum is haunted, but I've heard that it was. I've heard that people have had experiences there, and that was the first time that I had felt like, oh, I'm seeing this more. More so as like a living thing that has all of these different stories brought together, rather than just a museum of objects that are static. So it felt like we were interacting with something in there. Yeah.

[Corinne]

I think my biggest takeaway was, like, walking in and being in that museum, in that space. I didn't feel like it was haunted in the sense that, like, everyone who comes in here is going to have, like, a terrifying experience or there's for sure a ghost can be, like, whispering in everyone's ear as they walk in, but that, like, people who come in there bring stuff with them. Salem itself has so much going on. The three of us potentially have energy that we're carrying with us and bring with us. And it didn't feel like we were speaking with or Communicating with like a resident of the museum.

[Sabrina]

That's how I felt too. It did feel almost like we were just capturing someone who might have been passing through that night or just like.

[Corinne]

Overheard us and wanted to scare us.

[Sabrina]

I don't know.

[Corinne]

What did you think?

[Becky Galentine]

The main thing that happened that was strange and I'm not entirely convinced it was an outside person yet. I would agree that it was like some passing energy or a collection of passing energy, rather than it would be like the museum's ghost that lurks around after hours. It didn't seem to really kind of point towards any one person or anything. It just seemed like there's something interacting or it was the three of us creating something to interact with.

[Corinne]

Right. Okay. So after John toured us through, we sat down on the couch and set some intentions. We pulled out some of our equipment. And really the only equipment that I think went off was the REM pod.

[Sabrina]

Well, no, Becky, you were having. What was the device you had that was so.

[Becky Galentine]

Yeah, I have an EMF reader. That one that was. You could see actually the different energy. So it had the radio, it had the EMF and the EF that it was reading. And you could see those energies kind of cyclically fluctuating and aligning with the REM pod. So that becomes more compelling because if you have this REM pod in the corner and it's going off and then you also see the same energy spikes happening. What was it, six feet away on the floor? Like nowhere near that. So if we were saying that's being falsely triggered, then why are those same energies kind of passing and then hitting over there? So that was interesting. And then the other thing that I was using was a motion detector so that you have these little lights. They were kind of interacting with that. And there were times where we were just seeing a pulse. So it just.

[Corinne]

Which those are fun to just like play with.

[Sabrina]

Yeah, I know. I just wanted to like touch it.

[Corinne]

Yeah.

[Sabrina]

But I couldn't. The ghosts had to. It was for them, not for me.

[Corinne]

And then we did, as we've already led up to, we used a Ouija board. And also simultaneously, like, this was something we just jumped in. We used the Ouija board and did Estes method simultaneously. We've talked about the Estes method before. But basically it's a form of communication used in paranormal investigations to communicate with spirits or entities. And it combines sensory deprivation with a spirit box. So basically, one person will wear noise canceling headphones that are plugged into the spirit box. And usually they use a blindfold to block any visual distractions. Unfortunately, we didn't have one. So we all closed our eyes and had the noise canceling headphones on. Then the other people ask questions out loud, and only the person wearing the headphones listens to the spirit box saying any words or phrases out loud. Basically, it reduces any confirmation bias and suggestibility and makes any relevant or direct responses even more compelling.

[Becky Galentine]

Yeah, so I had thought about that for a while and I felt like we had planned this and if we had just gone into the Ouija board, there's so much pressure on the planchette and getting it to move, and you get really frustrated when it doesn't. I thought, wouldn't it be nice if someone was kind of just in a trance while doing that? Maybe we could get a little bit more fluidity there because the person's already entering their subconscious and seeing where that went. And it was way harder than I thought. And you both tested it out and I was like, wow, I'm trying to focus on not doing this. Listen to this. And I did feel kind of like torn into two places at once. And I'm sure you would agree where it was like, I don't know how to really get into this. But then after we did it for a little bit, I felt more in sync. But at first I was just like, what? What is happening?

[Sabrina]

Which is interesting because I feel like when you were doing it, you were actually like, Sabrina. And I tried after you did. And I feel like we were not hearing things right.

[Corinne]

So difficult to. We're just. I feel like you do have more experience with it and there was this like, pressure of doing multiple things at once. But, like, the spirits are probably very frustrated with us being like, these girls are not saying what I'm trying to say.

[Sabrina]

No. Yeah.

[Becky Galentine]

No. And. And I will say the first couple of times I did that, I was also feeling like this isn't making sense and my friends would do it and they're pulling out these words and it just seems like they can instantly they're out and they're saying things. And it does take experience to learn how to tune out that and just focus on what's in between the noise.

[Corinne]

Right.

[Becky Galentine]

And not just hearing the radio or anything because you're really supposed to just almost. It feels like kind of riding a wave. And that's where, like I said, when I'm doing that, I'm like, I want to let go of the planchette. I just want to LOL back and forth. So trying to do two things at once. Was an interesting choice, but I wanted to try it.

[Corinne]

I mean, I feel like a lot happened, especially when you were Becky doing the Estes Method.

[Becky Galentine]

Yeah, I think that one of the goals of that was, okay, people can accuse us of saying we're moving in ourselves and getting the answers and we're making things happen, but if there's the element of the Estes happening where I'm hearing through the spirit box and I can't hear what you're even asking and it's lining up and we're getting some sort of response that lines up. And as you know, it all kind of led up to a strange situation, whatever it was.

[Corinne]

You know what, let's just jump right into the clips here and debrief after you watch what exactly happened. And also, as a note, if people want to watch the full session of the Essence Method and the Ouija board session that we did, Becky will be posting it on her socials at My Bloody Galentine and we will also post it on our Patreon. Okay, let's jump into it.

[Becky Galentine]

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[Corinne]

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[Sabrina]

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[Sabrina]

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[Becky Galentine]

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[Corinne]

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[Becky Galentine]

Availability, amount of discounts, and savings and eligibility vary by state. What I thought is we could do Ouija and I will listen to the spirit box with the noise canceling headphones, and it could just not work. Also.

[Corinne]

Yeah.

[Becky Galentine]

Have you used the Ouija board?

[Corinne]

I have.

[Becky Galentine]

I have.

[Sabrina]

When I was really young.

[Becky Galentine]

How do you feel?

[Sabrina]

Like when I was like 8.

[Corinne]

I'm open to using them in this setting.

[Sabrina]

I'm oddly gonna say yes, which I always was like, I'm not gonna use one, but this feels like a science experiment.

[Corinne]

And Becky, you're the lucky charm. I like science.

[Becky Galentine]

Well, I think that if you're going to use one, this is probably the best.

[Corinne]

Place to use it. Yes.

[Becky Galentine]

Yeah. Safest place, probably.

[Corinne]

Yeah.

[Becky Galentine]

So before I do this, actually, what I like to do is a figure eight just to kind of get it rolling, since I won't be able to talk with the. The headphones. So you're just gonna do this and then start asking and see what happens. And if it doesn't move, does it move? And my eyes will be closed, so.

[Corinne]

Okay.

[Becky Galentine]

It's all on you.

[Corinne]

We'll see you later.

[Becky Galentine]

Dang.

[Sabrina]

Okay.

[Corinne]

Okay.

[Sabrina]

Start the figure 8.

[Corinne]

Are there any spirits here?

[Becky Galentine]

Weirdo. 40.

[Sabrina]

Would you like to use this one right now?

[Becky Galentine]

I don't know.

[Corinne]

That's okay. You don't have to use the board. But if you would like to communicate with us, you could just use the energy from our fingers to move the planchette.

[Becky Galentine]

I'm cold in here. The door.

[Corinne]

It's cold outside. Are you touching the REM pod? The spirit over by the REM pod. You can communicate using words through the equipment that Becky's.

[Becky Galentine]

What is that? I feel a breeze on my arm. Yes.

[Sabrina]

Do you live in Salem? Where are you from?

[Becky Galentine]

Nosy.

[Corinne]

Nosy. Oh, my God.

[Becky Galentine]

Holy.

[Corinne]

It scared the out of me.

[Becky Galentine]

I just felt you like crap. So I can't hear anything.

[Sabrina]

The door that's inside this whole time, it's like, I don't know if someone's.

[Corinne]

On the other side next to it.

[Becky Galentine]

Oh, that freaked me out.

[Corinne]

Did you hear any of that?

[Becky Galentine]

I just felt. You grabbed my hand. I'm grabbing your knee.

[Corinne]

We're both like.

[Becky Galentine]

And I hadn't even noticed or thought about that at some point leading up to the sound that we heard that I had said the door. I don't remember. That's how, like, unconscious I am.

[Corinne]

We didn't remember either.

[Sabrina]

I mean, you found it when you were going through the footage, and I.

[Corinne]

Was like, jaw dropped. I was like, oh, my gosh.

[Becky Galentine]

Because of all things to say, I'm cold in here. The door. And in that moment when you say what you feel like you're supposed to say, you're like, there's no way I'm supposed to be saying this. I'm doing it wrong. This is not right. And when it lined up afterwards to what happened, I just felt like, that is so weird. Of all things that I could have said, why would I even say that?

[Sabrina]

I feel like we were also distracted, too, because after you had said that, there were, like, a couple more questions that Sabrina and I had asked about this person. Do you live in Salem? Where are you from?

[Becky Galentine]

Nosy.

[Corinne]

Nosy.

[Sabrina]

Whoever was communicating said nosy and so we were kind of like, laughing at that, and then all of a sudden, boom. The door next to us, bang. Bang. So it was just like one big boom. And that was like a back alley where the trash cans had been kept. But it wasn't trash day. Like, we had confirmed with John after.

[Becky Galentine]

Yeah, we confirmed it. And I'm under. So I feel my hand gets squeezed. And then also. I don't know how to explain it, but that was like a boom enough that you felt it in the air?

[Corinne]

Yes.

[Becky Galentine]

It just felt like it shifted air into the room. I don't know how. And it was so loud.

[Corinne]

So loud.

[Sabrina]

It was like a metal door. Almost like it was so loud.

[Becky Galentine]

Like, if that door were here and I'm like, my eyes are closed. I can't hear anything. I would have felt that almost like a truck driving by. I was like, why did I feel that, like, on my back? And I was like, oh, someone just knocked on the door. That's funny. Like, when you had explained. And then when we asked John, he said, they already took the trash. Like, that doesn't make sense. And it's like, to go where you needed to go to bang on that door. Unless someone knew we were in there doing that, which they wouldn't have, you know, And John is not the type of person, regardless of his beliefs, he would never mess with people in order to, like, kind of mess with an investigation.

[Sabrina]

We would have heard him moving out of the. Because he sat in the office, which is, like, just steps away from where we were. We would have heard him or seen him move.

[Becky Galentine]

And on top of it, if he had coordinated with someone outside for whatever reason, I don't know, he was mad at me. Like, he would have had to say, okay, when they talk about the door by chance in the investigation, I need you to go bang on the door as loud as possible and scare them. Like, it's just not. It's not realistic. And so after getting shook up by.

[Corinne]

That and like, literally me grabbing you, literally shook up, we all look like. And I'm going to play it. I'm going to play the clip for everyone multiple times. And I slowed it down. I'm going to do it from multiple angles so you can really see the full experience, full terror of what happened.

[Sabrina]

Oh, my God.

[Becky Galentine]

Holy.

[Corinne]

Oh, my God. Oh, my God. Oh, my God. But I do feel like you two were very much like, it's got to be a person. And I was like, I don't think so. Because. Especially after when we. Because, Becky, you put the headphones back on and did the SS method more. And we were using the Ouija board. And I asked. I was like, was that you? And it said yes. Like, the Ouija board went to yes.

[Becky Galentine]

I think you asked if it was a person.

[Corinne]

Was that a person outside of the back door.

[Sabrina]

Was that you?

[Becky Galentine]

Me?

[Corinne]

You scared us. Congratulations. If that's what you were trying to do. Good, good.

[Becky Galentine]

I'm violent.

[Corinne]

And then, like, I asked if it liked to scare us, and it did. Like, it was happy that it scared us. And that leads me into, like, it did really feel, like, trickster energy. Because not only did this moment happen, which was startling to all of us, and also funny. Cause I feel like it made us, like, and laugh for a moment, but then the board kept going to two letters that usually they say, if you see this, you want to close out. And I just felt like it was an energy trying to be scary, but not actually scary. Like, I didn't feel scary.

[Sabrina]

It was perfectly on the letters, but it was. It was close enough.

[Corinne]

And I kept going back and forth.

[Sabrina]

At you, Sabrina, because, Becky, you were doing the Estes method. I looked at Sabrina and I was like. Because I was like, of course. I have always said, like, oh, I'm not going to do a Ouija board again. Because I used them when I was a little kid. And I was like, I'm not going to do them again. And then I was like, of course I choose to do it. We're sitting here and, like, the classic Ouija board demon comes through.

[Corinne]

You scared us. Congratulations. If that's what you were trying to do. Good, Good.

[Becky Galentine]

I'm violent.

[Corinne]

We are not. You are not welcome here if you are violent. Is that you over by the REM pod?

[Becky Galentine]

I'm here.

[Corinne]

Do you want us to stay?

[Becky Galentine]

I'd be glad.

[Sabrina]

Do you still want to communicate using the board?

[Becky Galentine]

Yep. Important.

[Corinne]

It's important what you have to share with us.

[Becky Galentine]

Hi. Not you.

[Sabrina]

Not you. You're not allowed to be here.

[Becky Galentine]

You'll deal with it.

[Sabrina]

No, I won't.

[Becky Galentine]

No, we.

[Corinne]

No, we will not. We do not.

[Sabrina]

We're gonna say goodbye. If you continue to be here, you have to move.

[Becky Galentine]

Yeah.

[Corinne]

We are going to stop communicating with you.

[Becky Galentine]

Important.

[Sabrina]

If it's important, then you will respect our boundaries.

[Corinne]

I feel like there's, like, a trickster ghost.

[Sabrina]

Yeah.

[Corinne]

Are you playing pranks on us.

[Becky Galentine]

Harry?

[Corinne]

Is your name Harry?

[Becky Galentine]

Oh, yeah.

[Sabrina]

Harry. Are you alone here?

[Becky Galentine]

I don't think, like, really?

[Corinne]

And then also Becky, when. So when the Z O. Z O started happening, we were like, we're not going to communicate with you. We're going to say.

[Sabrina]

And we just said. We were like, nope, not you moving on.

[Corinne]

But Becky, you, in the S's Method, like, said a few comments that were almost, like, combative. Like, too bad that's, like, what you're going to do. And we're like, no, it's not. And I almost felt like we were fighting the spirit.

[Sabrina]

We were bickering.

[Becky Galentine]

That's why I felt like something like that could happen. Because John stands there all day talking to people, and they come in and they're like, have you ever heard of this? And spirits are going to get that idea. Like, this is what we're supposed to do. This is what people are most interested in. This is their worst fear. Oh, I would never use one because of that. And that happened. And for me, it is actually very good that I was not conscious for that, because I would have started to feel, like, in my head about it. And, like, why is this happening? Are they messing. Messing with me? I'm so, like, adamantly against that.

[Corinne]

Like, Right.

[Becky Galentine]

So the fact that I couldn't see or be involved with it was for the better because you had an authentic experience that wasn't affected by my bias.

[Corinne]

I mean, Corinne and I looked at each other and we were like, you're not moving it right. And then we were like, we don't think Becky would do this either. Like, but, you know, first you're blindfolded.

[Sabrina]

And trying to focus on words through the S's method. Yeah, I know that was all very confusing. But I will say I do agree with you, Becky, that you were saying like a spirit. And you, Sabrina, like a spirit could have overheard it. Like, this is what they're learning that are people's greatest fears. Or this is what the expectation is. So they're like, something performative in doing it. But after Sabrina and I bickered with the spirits that you were channeling Becky, it did kind of go back. It was like, oh, shit. Okay, well, like, I can't. This. This trick didn't work. Or like, they're not interested in this act of the play. So then it.

[Corinne]

And then it became funny and, like, you started counting.

[Sabrina]

Are you alone here?

[Becky Galentine]

I don't think. 4.

[Corinne]

Have you spent a long time in Salem in the afterlife?

[Becky Galentine]

5. 6. Go on. 8.

[Corinne]

Good job. You missed. 7. Did 7.

[Becky Galentine]

8. 9.

[Corinne]

He liked my joke.

[Becky Galentine]

Yes, thank you, butthole.

[Corinne]

And it laughed at our joke. And I think, like, the things that you said in the Ss method, I think the REM pod went off almost like as a haha.

[Sabrina]

Yeah. And I think we're like, oh, did you enjoy that dad joke or something? And then there was confirmation that, yeah, they did enjoy a good dad joke.

[Corinne]

And the board went to yes. And then I think it called us clowns or something like that.

[Becky Galentine]

I will say that the number it skipped was seven. And this is interesting because if you are into spooky Internet spaces, there has been a girl on TikTok who's been communicating with the Ouija board with her husband for 10 years, and she's communicating with an entity called Seven.

[Sabrina]

What?

[Corinne]

I got chills.

[Becky Galentine]

And this entity has told her that sneaking up on us is this date at the end of May where something is going to happen. And the last time, the first contact was on this specific day and the second contact was on this specific day.

[Corinne]

What's supposed to happen?

[Becky Galentine]

The reason this is interesting is because I came forward and I thought, I know everything. And I made a video and said, I think this is confirmation bias and idiomotor effect. This girl is probably just talking with her subconscious and, you know, she's getting specific days. Like if it says April 14, 1944, what happened on this day? And then she Googles what happened this day and she's finding whatever it is and saying, oh, I was meant to find this information.

[Corinne]

Sure.

[Becky Galentine]

That was my assumption. When it skipped seven, I felt like something was like laughing at me for ignoring the entity because so many people had said that they had communicated with this entity named 7 via the Ouija board. And they said, no, you know, you're being too close minded about this. It's not idiomotor. I have also communicated with the seven entities. And so when it skipped seven, I was like, is this for me? Is this seven being like, we're seven? Like, was that seven? And I would implore you to go look into the. The story because she documented it for a decade and she has all of these transcripts of it. And her, her TikTok username, I believe, is save7, but it's like a 7 instead of a B.

[Corinne]

What's supposed to happen at the end of May?

[Becky Galentine]

She's not sure. She just feels compelled, like a moral responsibility to share this finding.

[Corinne]

I'm scared.

[Becky Galentine]

Very normal otherwise, like, it's not someone that you're like, of course she would say that.

[Corinne]

Right, right.

[Becky Galentine]

But it was kind of like a moment where I was like, of course it would say that. But it's a reminder of not allowing your skepticism to like, Overtake everything. And sometimes you debunk things to the bone and you're like, no, no, there's no way. And sometimes I think I need to be more open. So.

[Corinne]

Well, this episode comes out end of May, so we'll see. We'll all be privy to if something happens. Maybe it aligns with this episode coming out.

[Becky Galentine]

Maybe that's what he was talking about.

[Corinne]

Yeah, it's the release of our episode. Wow.

[Becky Galentine]

There were a lot of people that did say they were thankful that I posted, like, another perspective of it because they are so scared. It is. It's frightening when it. When it almost becomes like, end of the world stuff.

[Corinne]

Yeah.

[Sabrina]

Oh, yeah. Because it says so. 7 refers to past catastrophic events. The atomic bombing in Hiroshima, the Bay of Pigs incident.

[Becky Galentine]

Yep.

[Sabrina]

It is suggesting that the third contact will occur May 27. My wedding anniversary, 2025, leading to global devastation.

[Corinne]

Guess what day this episode comes out?

[Becky Galentine]

No.

[Sabrina]

Are you fucking kidding me?

[Corinne]

May 27th.

[Sabrina]

I have chills.

[Corinne]

Tuesday, May 27th is when this episode comes out.

[Sabrina]

Because we do our collabs usually, like, the last Tuesday of every month. We gotta change it.

[Corinne]

Wow. Everyone hold on to your butts. Damn, I hate that. I mean, this is another thing and I. That I've loved about every investigation that we're doing is you don't always have all of the pieces as it happens. It's not until you review footage, it's not until you all get back together and talk about it, that more things come up. Like, we never would have known this context of the number seven and the importance it has to you, Becky.

[Becky Galentine]

And I think that's where I am the worst. And when I'm in the moment, I think this means nothing. And as soon as I heard that back, I was like, oh, that was definitely the number I was meant to.

[Corinne]

Oh, my gosh.

[Becky Galentine]

But it happens a lot where I'm the first to say, it's not making sense. We're not getting anything. And it's like, no, it's pieces of a puzzle. It's layers. Like, you have to look at it that way. What are the chances that the episode is going to release on the day of an incident is going to happen? And we skip the number seven after I said that seven was not true.

[Sabrina]

You know, after we finish recording, I was supposed to do some work, and I was going to do it down here, but I'm still scared. And I'm gonna. I'm gonna crawl into bed with my partner, do it upstairs next to his sleeping body.

[Corinne]

Oh, my gosh. Thank you so much, Becky. We had such a great time doing this. And in this episode, like, in tandem with us talking, we'll have aired some clips from the night. But, Becky, you're gonna post the Estes method session on your socials, right?

[Becky Galentine]

Yeah. And everyone can see us being frightened, and they can see what we're talking about with the seven, which I think most people are going to say, oh, why did you skip that number? Because it's like. That's interesting, too, because if it were identifying itself and it's counting and it skips it, it's like it almost. That is the way seven communicates is in between the lines rather than saying, I am seven. So, yeah, I will post that and share it just before the episode airs so everyone can get a chance to see what we experienced and our emotions in real time.

[Sabrina]

Yeah. Before the catastrophic event of May 27th.

[Becky Galentine]

You have to do it before May 27th.

[Corinne]

Oh, man.

[Becky Galentine]

But.

[Corinne]

So I'm curious if other people listening pick up on things that, you know, maybe we. We didn't. It's always good to have an outside perspective, too.

[Becky Galentine]

That's why I love sharing things on social media. I used to be, like, overly critical, and now I want to put it out there. Because those people watching stuff, they'll notice things. They'll say, at 7 minutes, 21 seconds, I saw a black figure go in the background. And I'm like, I would have never seen that. And there have been times they've seen things that I would have never noticed, because you kind of fly through it. So some people may say you rush to put evidence out there, but for me, I'm like, What better than 1 million eyes on that evidence?

[Corinne]

100%, I agree with that. And I also feel like. Because especially when I was listening back in preparation for this, I was so focused on the moment of the door and what the Ouija board and what you were saying in that moment that I wasn't fully listening for. Are there any EVPs, like auditory experiences that I just wasn't paying attention to that other people pick up on? We'll find out.

[Becky Galentine]

Yeah, exactly. And that's what happens when something big happens, that it almost kind of. You forget to look at what. Build up to it or analyzing those numbers and other things that we experienced?

[Corinne]

Well, can you tell everyone where to find you and if there's anything exciting that you have coming up that people can look forward to and we can look forward to?

[Becky Galentine]

I am on TikTok and Instagram as my buddy Galentine right now. I'm making a human, so things are a little different. But I'll still be traveling and lecturing in the fall and doing, you know, strange escapes with Amy Bruni and Gettysburg, which I'm really excited for, so.

[Corinne]

Oh, fun.

[Sabrina]

So fun. Oh, my God.

[Corinne]

Amazing. Thanks so much for joining us.

[Becky Galentine]

Thank you. Thank you for having me.

[Sabrina]

And we will see you on the other side.

[Becky Galentine]

Very spooky.