As Marylebone Theatre prepares to open a seminal revival of Arthur Miller's The Price, Elliot Cowan sat down with us to talk about taking on the role of Victor Franz, a man grappling with the physical and emotional debris of a family estate. As a veteran of the stage, he's become known for his ability to inhabit characters defined by internal conflict. Indeed his career has seen him move seamlessly between the physical demands of the stage and the precise requirements of screen acting. The new production at Marylebone reunites him with director Jonathan Munby and serves as a testament to Elliot's versatility, placing him at the heart of a timely exploration of sacrifice, duty, and the American Dream within an intimate performance space.

In this brand new interview, Elliot Cowan opens up about the changing environment for actors and the psychological toll of the actor’s craft. We talked about his role as Victor Franz very much mirrors his own life right now as he approaches 50 and how he himself feels has paid "the price" for longevity in this industry. Our conversation also addressed contemporary challenges facing actors in 2026 as demands on actors continue to shift and evolve. We also reflected on his role as the title character in Macbeth, starring opposite Laura Rogers and how he learned to play to a theatre like The Globe. Indeed, we also delved into his early training as he notes both Laura and John Hopkins who he stars alongside in The Price all trained at RADA around the same time. We learn what has stayed with him since those early years and how he continues to cross paths with peers decades into his career.

The Price runs at Marylebone Theatre from 17th April - 7 June.

Elliot Cowan: An Actor's Actor