HTDE: Torches and Ski Jumps

Summary

Podcast Summary: Wait Wait... Don’t Tell Me!

Episode: HTDE: Torches and Ski Jumps

Date: February 4, 2026
Hosts: Mike, Ian (How to Do Everything), Peter Sagal (Wait Wait… Don’t Tell Me!)
Guests: Ted Ligety (Olympic Skiing Gold Medalist), Sir Patrick Stewart (Actor/Olympic Torchbearer), Kevin Bickner (Olympic Ski Jumper)

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Main Theme/Purpose

This crossover edition of NPR’s Wait Wait… Don’t Tell Me! and How to Do Everything celebrates the start of the Winter Olympics in Milan with a playful yet insightful look at the high-stakes world of winter sports. Through interviews with Olympic legends and a dive into the rituals of the Olympic torch relay, the hosts and guests explore both the technical and personal sides of competing—and carrying symbols—on the world’s biggest stage.

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Key Discussion Points & Insights

1. Downhill Skiing with Ted Ligety

[00:48–09:08]

• On arriving at the Olympics:

  • Ted describes flying into Milan, heavy snowfall, and the unusual opportunity to enjoy the downhill course without the pressure of racing.

    “It snowed a good 6, 8 inches, so it was more of a powder day than real training.” – Ted Ligety [00:58]

• The thrill and terror of elite downhill:

  • The fine line between victory and disaster—racing is “pushing as close to the limit of failure as possible.”

  • Winners take calculated risks; “risking it too much” leads to injury or short careers.

    “It’s a fine line…five degrees of difference over a roll can be the difference between being on the perfect line and winning and, burritoing yourself up in the fence.” – Ted Ligety [02:48]

• Coping with cold at the 2018 Games:

  • Tricks to keep boots warm (propane heaters), experiments with battery-powered pants (ultimately rejected due to fussiness).

    “Just walking around in, like, copper wired pants is not super comfortable.” – Ted Ligety [04:11]

• Jet lag and athletic performance:

  • The hosts inquire if jet lag helps ski jumpers, referencing athlete lore. Ted claims it never worked for him, but a story about nearly sleeping through a post-Olympic World Cup race after too much rest demonstrates how unpredictable jet lag can be.

    “I got woken up by my physio and a security guard…then the next day won my first World Cup. So maybe I needed that extra bit of rest.” – Ted Ligety [05:07]

• Transporting Olympic medals:

  • Always carry-on, never checked; the phrase “It looks pretty funny in an X-ray machine” leads to airport security always asking to see it.

    “100% of the time when I travel with my medals, they take it out at security.” – Ted Ligety [07:10]

• Sounds, grunting, and ‘backslap’ moments:

  • “Grunting” signals things aren’t going well; some racers are famous for making noises.
  • “Backslap” occurs when a skier lands poorly, inspiring a few choice words.

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2. The Olympic Torch with Sir Patrick Stewart

[09:43–16:06]

• Emotional experience as a torchbearer:

  • Sir Patrick Stewart reminisces about crowds, excitement, and the profound privilege of carrying the Olympic flame.

    “It was a thrilling and really very emotional experience. The enthusiasm and excitement…to see the torch and to touch it…was quite extraordinary.” – Sir Patrick Stewart [09:47]

• Torch logistics and physical challenge:

  • Stewart trained for the run, but his 400 meters ended up “entirely uphill,” despite his celebrity status and seniority.

    “Given that I knew I only had 400 meters to go…I got off a bus at the bottom of a hill, and my 400 meters were entirely uphill. Very unfair.” – Sir Patrick Stewart [10:32]

• What happens to the torch?

  • Runners purchase their own torches, which come with scorch marks. Patrick jokes about charging visitors to carry his around the garden.

    “Every runner gets his own torch…They give you an opportunity, if you wish, to purchase your own personal torch when your run is over.” – Sir Patrick Stewart [12:27]

• How to carry the torch:

  • Torch should be above your head, with a slight bend in the arm. He switched hands due to the weight (about six pounds). Above all: “try really hard not to fall over.” [13:35]

• Special rules and symbolism:

  • Torchbearers sign strict conduct agreements. No using the torch for practical jokes (e.g., lighting cigarettes). The flame's continuity is preserved during breaks using a miner’s oil lamp.

    “We all signed four pages of restrictions…It’s there as a symbol of the Olympic flame carried from Athens…and kept burning…through lunch.” – Sir Patrick Stewart [14:50, 15:11]

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3. Ski Jumper Kevin Bickner on Jet Lag and the Mind of an Olympian

[19:25–23:01]

• Jet lag for performance?

  • Not actively used as a strategy—Kevin stayed on his home time zone due to late event schedules.

    “I wouldn’t necessarily say…the tactic is using [jet lag] to an advantage…but our events were so late at night, I thought, why adjust all the way?” – Kevin Bickner [19:35]

• Mindset before the jump:

  • Focused on technical cues: “You’re just going over in your head…do it.” Sometimes, with longer jumps (“ski flying”), one’s mind might wander.

    “I remember…10 seconds of air time…this is enough time to read a book. At least like go through, like, half a page.” – Kevin Bickner [22:11]

• Qualifying for the team:

  • Kevin didn’t know he’d be on the Olympic team until four days before; the organizers handled his travel—but family bought tickets in advance.

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Notable Quotes & Memorable Moments

• On the razor's edge of Olympic risk:

  • “People who risk it too much have very short careers or short seasons…You’re always trying to find that right line.” – Ted Ligety [02:48]

• On missing a race due to oversleeping:

  • “I slept through the race…Then the next day…I won my first World Cup.” – Ted Ligety [05:07]

• Olympic medal in the airport:

  • “100% of the time…the X-ray, they take it out at security.” – Ted Ligety [07:10]

• On the Olympic torch and symbolism:

  • “I may charge visitors, I may let them run around my garden carrying this….there’ll be a small payment…” – Sir Patrick Stewart [12:27]
  • “We all of us signed four pages of restrictions.” – Sir Patrick Stewart [14:50]
  • “The flame stays alight all the time…even through lunch.” – Sir Patrick Stewart [15:11]

• On the singular absurdity of s’more:

  • “If there’s ever a performance enhancing s’, more, it’s the Olympic s’. More.” – Mike/Ian [24:26]

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Timestamps for Important Segments

| Segment | Timestamp | |--------------------------------------------|-------------------| | Ted Ligety interview (skiing) | 00:48–09:08 | | Sir Patrick Stewart interview (torch) | 09:43–16:06 | | Kevin Bickner (ski jumping/jet lag) | 19:25–23:01 | | Reflections & Olympic trivia ramble | 23:07–25:24 |

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Additional Fun Takeaways

• Grunting in skiing: When things go wrong, skiers grunt more—it’s not always as composed as it looks on TV.
• Torch relay reality: The torch is passed via oil lamp during lunch, “bursting the bubble” of eternal flame mystique.
• Olympic s’mores: A comedy riff on what Olympians might (not) do with the torch.
• Wordplay: Tangent on s’more being the food “you least want more of.”

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Conclusion

This episode delivers behind-the-scenes Olympic realities with warmth and humor, featuring candid stories from athletes and a torchbearer who bring the grandeur—and relatable humanity—of the Games to life. Whether you’re curious about what it’s like to “burrito yourself in the fence,” the logistics of Olympic medals at airport security, or the real story behind the eternal flame, there’s something here for sports fans and casual listeners alike.

Transcript

[A]

Support for NPR and the following message come from Warby Parker, the One Stop Shop for all your vision needs. They offer expertly crafted prescription eyewear, plus contacts, eye exams and more. For everything you need to see. Visit your nearest Warby Parker store or head to warbyparker.com hey, everybody, it's Peter.

[B]

Coming up, our sister podcast, how to Do Everything is back. They're once again tackling your trickiest questions with a lineup of special guests and overqualified experts, including your favorite Winter Olympians. If you have enjoyed listening to how to Do Everything, be sure to follow the show in their own feed. And happy listening. The Winter Olympics start this Friday in Milan. Cortina. We would play the Olympic theme right now, but we're not allowed. So you're hearing this.

[C]

US Ski legend Ted Ligety is there. He's covering downhill skiing for NBC. He's online with us now. So, Ted, did you, you just got in, right?

[B]

Sure.

[D]

Yes, we got it. Flew into Milan yesterday. I'm up in Bouria right now. We actually got on the race hill today. It snowed a good 6, 8 inches, so it was more of a powder day than real training for that. It's a up there today. It's a lot of snow to clear off.

[B]

Did you ski it today?

[D]

I did ski down the downhill track, yeah.

[B]

So if you have a gold medal, they just let you go down the slope whenever you want. Is that the, is that how it works?

[D]

Yeah, we're in Italy. Then they know who I am. I have the right credential.

[C]

That's fantastic. So what's it like to go down an Olympic downhill course when no threat of having to compete, it's this.

[D]

So Borrow. Downhill is one of the nastiest downhills in the World Cup. It is a pretty scary downhill with 8 inches of snow and not having to race it. It is a joy.

[C]

Yeah.

[B]

Yeah. I, I, it's funny because I, I like skiing, but when I watch Olympic skiing, I never think it looks like they're having fun. It doesn't look fun the way, the way you're doing it.

[D]

So I would say if you're, like, really on top of it, if you're, like, on the top of your game, it's fun. Nowadays, when I look at it and I'm five years removed from racing, there are very few days that look fun. Most of it looks pretty scary.

[C]

Do you feel that, that, that lack of training after five years, that gap to your legs and knees feel like, oh, dude.

[D]

Yeah. My wife jokes, that looks like somebody Popped a balloon, and she looks at my butt.

[B]

Now.

[D]

I'm. I'm. I'm definitely not anywhere close to as. As strong or prepared to do any of that stuff as I. As I once was.

[C]

Yeah.

[B]

I don't know quite how to ask this, but one thing I'm curious about when I watch competitive skiing is it seems like the way you win is by pushing as close to the limit of failure as possible at any given time, how close are you to crashing?

[D]

So anybody who wins had to take some risk. It's people who risk it too much have very short careers or short seasons. So you're always trying to find that right line there. And in a downhill or a super G course, like, five degrees of difference over a roll can be the difference between being on the perfect line and winning and, you know, burritoing yourself up in the. In the fence and ending your season. So it is. It's a fine line that feels like.

[B]

Good slang for me when I'm watching over the next couple weeks. He burritoed himself on the fence. Yeah.

[D]

You'll see, like, the fence will just, like, wrap its way around them, and there'll be the meat in the middle.

[B]

So you competed in the 2018 Games in Korea, where it was unusually cold. Can you tell us some of the things you did to keep warm?

[D]

For most, like, the biggest difference was that our boots would get really cold. So when our boots get cold, it makes the plastic really stiff. So we brought, like, a propane heater to the start, and I would stand just close enough that it'd get the plastic warm, but not so close that it would melt the plastic. So it was always, like, a fine line there.

[C]

And we read about battery powered pants. Can you tell us about those?

[D]

Yeah, we actually tried that a little bit before Korea. I didn't end up using them because I don't like having, like, too many battery packs and things to, like.

[C]

Yeah.

[D]

Fuss around with, I think, like. Yeah, of course, like, super heating your muscles before you go is probably an athletic advantage, but you, you know, just walking around in, like, copper wired pants is not super comfortable. No.

[C]

Doesn't sound like it. Well, okay. We read something that some skiers, we learned about this specific to ski jumpers, that they use jet lag to an advantage. When I say that, does that mean anything to you?

[D]

That's news to me. I never felt like that worked out so well for me.

[C]

The theory, I think, is that their bodies are relaxed or the. Ian, help me out here. That there.

[B]

That there's a lot of nerves that are involved in making yourself go off a ski jump. And if you, if you're a little bit jet lagged, your nerves are calm, which allows you to kind of operate purely on muscle memory.

[D]

Okay, I don't know that theory. I've skied a lot of races jet lagged. Sometimes it works, sometimes it didn't.

[C]

Yeah.

[D]

Actually after the Olympics in 2006, it was right after I won my first gold medal. I'd never won a World cup race before that. We flew to Korea a couple days after the Olympics. You know, I got my own room because I won the Olympics. It was like my first time ever rooming by myself. And I slept through the first race there. And you know, I got woken up by, by my physio and a security guard, like thinking that something happened to me and then the next day won my first World cup so maybe I needed that extra bit of rest and was going on the special muscle memory there.

[B]

Wait, you, you missed a race you were supposed to be at?

[D]

Yeah, I slept through the race. I like woke up at noon, you know, the race had already happened. Um, and then the next day, you know, luckily there's two races in Korea that that time and I won the next one. That was my first World cup victory.

[B]

I just think about like I've overslept and been like five minutes late to a zoom call. But to miss a race at the Olympics, like what?

[D]

Well, this is a World cup race, so the race after the Olympics. But World cup races are.

[C]

That's a big.

[D]

The same level of competition as the Olympics. Yeah, yeah.

[B]

So what, like what when you realized what had happened?

[D]

Oh, I was pretty pissed at both myself, but also our hotel was at the bottom of the mountain. So, you know, at 7:00 o'clock in the morning when I didn't show up for breakfast and at 8 o' clock in the morning when I wasn't there for warm up, and nine o' clock in the morning when I wasn't there for inspection. There's a lot of like touch points that somebody should have realized that I hadn't shown up yet. Instead of noon after the race is already done.

[C]

I wonder if this other competitor was like, oh crap, Liggett, he's, he's here today. If they were mad that you didn't sleep in for that second race.

[D]

No, like I went to lunch after the race is over and like I just woken up so it was my breakfast and like people had just heard what happened to me and they're just like giggling at me.

[C]

Yeah, I bet. All right, so you've won so many medals. You're there at the event, you're holding onto your gold medal. You step off the podium. What do you do with it?

[D]

It's on your carry on bag. You don't check it. What's funny is you leave, put in your carry on, and it looks pretty funny in an X ray machine. So 100% of the time when I travel with my medals, they take it out of security.

[C]

No, really, they're like, oh, what's this?

[D]

What's in your bag?

[B]

Oh, cool.

[C]

That's like best case scenario right there. Right. Like, what's the point of having a gold medal unless you could show it off to people. You don't want to be obnoxious. You want them to discover it. And then you'll be like, oh, well, now that you've asked.

[D]

Yeah, exactly.

[B]

Watching on television, the sounds you hear are really cool, like the scrape of the skis on the snow and the ice. But are you grunting a lot? During a giant slalom race, when things.

[D]

Are going really well, you're not grunting. When things are a little off, you're grunting a lot.

[C]

That's good to know.

[D]

So it depends. I mean, there are racers that sound. Make more of a concerted sound every turn than others. Yeah, there's some people who are known as grunters.

[B]

Yeah.

[D]

And sometimes you almost, like, make, you know, the sounds just to, like, get yourself into it. I don't know. Like you're like, oh. Like you make all the sound effects sometimes. And then, you know, if you really get offline, you might curse to yourself, which ends up being out loud.

[B]

Yeah. I mean, there's always like, the moment where I see the skiers get airborne, and that feels like a real moment where a curse might come out where maybe you got a little more air than you expected.

[D]

Maybe if you like back slap. Otherwise you're like.

[B]

Wait, what is back.

[D]

Slap backstab is you're like, land the back seat and like your back slaps against the snow and then you might be like, beep.

[C]

If that happens, you just pop back up and keep going.

[D]

In the perfect world. Yeah. In the less perfect world, then, no, you don't pop right back up.

[C]

Yeah. Well, Ted, thank you so much for talking us through all of this.

[D]

Yeah, this is fun.

[C]

This is how to do everything. I'm Mike.

[B]

And I'm Ian. As we speak this very moment, the Olympic torch is making its way to Milan for the opening ceremonies on Friday. It's been carried by Hundreds of athletes and stars throughout Greece and Italy.

[C]

Everyone from the two guys from heated rivalry to an Italian basketball player none of us have ever heard of.

[B]

Mike and I once talked to, in our opinion, the greatest torchbearer ever. We're going to play that for you.

[C]

Now, Sir Patrick Stewart. What was that experience like?

[E]

It was a thrilling and really very emotional experience. I was not prepared for that. The sidewalks were deep, right up to the walls of the shops and buildings and stores. People hanging out of windows, on the scaffolding of building sites, on rooftops. Even the enthusiasm and excitement and the hunger for people to see the torch and to touch it and to get close to it was quite extraordinary.

[B]

We watched some video of you carrying the torch, and you looked pretty fit. I wonder, did you work out? Did you prepare for this knowing you were going to be running with the torch?

[E]

I work out anyway. You know, I had 17 years in California, and, you know, you work out or die in California. And I gave up running, but I really got into power walking, which is what I do at least three times a week, maybe four times a week. But running is another issue. I don't run anymore. So I did go into training. I was running half a mile. Given that I knew I only had 400 meters to go. And I thought, if I run half a mile, I can comfortably run with a torch in my hand, 400 meters. But I got off the bus. I was the last one to be dropped. I got off a bus at the bottom of a hill, and my 400 meters were entirely uphill. Very unfair, given that I was arguably one of the oldest people to carry the torch this year, I think.

[C]

And a knight, no less.

[E]

You would have thought, wouldn't you, that the knighthood and my great age, combined with the fact that I am Jean Luc Picard and Professor Xavier, they would have arranged it more comfortably for me.

[C]

So can you describe the torch for us? How heavy it is? What it looks like?

[E]

Well, you know, if you will just bear with me for one second of silence. I know silence is anathema on the radio, but you keep talking for. I do mean two seconds.

[A]

Okay.

[C]

Uh.

[D]

Oh.

[E]

Because I now have in my hand the Olympic torch, which I carried on that day. And I'm just taking it out of its beautiful canvas bag that it was given to me in. And I am holding in my hand this beautiful. I think it's brass, honeycombed, elegantly shaped torch. It's unmistakably a torch.

[C]

Wait, don't they need that for the Olympics?

[E]

Okay, I'M going to let you in on a huge secret. There are lots of them, not just one. Every runner gets his own torch. Every runner. And I think there have been over 8,000 relay torch carriers. So a lot of these were made. And they give you an opportunity, if you wish, to purchase your own personal torch when your run is over. And it's a beautiful object, and I'm going to think of some way of mounting it. And it has a scorch mark at the top where the flames came up. And, you know, I may charge visitors, I may let them run around my garden carrying this. And there'll be a small payment, which, of course, I will donate probably to NP hey, excellent.

[B]

Thank you for that.

[E]

But they have. It has been decommissioned, so you can no longer light it. It won't flame anymore.

[C]

Oh, well, now we're a how to show. So now if you could. Could you kind of give us, like, maybe a couple tips on how to carry the Olympic torch?

[E]

Yes. First of all, with gratitude, I would say that you're doing it at all. And then I think it needs a good arm elevation with a slight bend in the arm. But for safety reasons, you need to have it well above your head. However, I would recommend. You guys are young, aren't you? You're really youthful.

[C]

Oh, yeah.

[E]

You could probably keep the torch in the same hand. I had to switch hands two or three times because I'm holding it in my hand now. And I would say it weighs. I would say it weighs six pounds.

[D]

Oh, all right.

[C]

Okay.

[E]

You're not impressed, are you? I can hear you're not impressed.

[C]

Well, you're going to feel that after some distance, I would think.

[E]

Exactly. And I would say maybe the one other piece of advice I would give, and I think this is very important, try really hard not to fall over.

[B]

That seems good.

[E]

Yeah, I think so. I think perhaps that's maybe the best thing that I can pass on to any of your listeners who find themselves Olympic torchbearers in the future, try and stay upright.

[C]

Was there anything the Olympic organizers told you that you couldn't do while carrying the torch?

[E]

Well, indeed. We all of us signed four pages of restrictions.

[C]

One thing I think you're carrying a torch. If you were to see maybe an elegant woman pull a cigarette out of her purse, are you allowed to walk over to her and say, let me get that for you?

[E]

Only in your dreams.

[C]

Yeah.

[E]

No, all of that is really frowned on. It is there, as a symbol of the Olympic flame carried from Athens. And the flame stays alight all the time. Yeah, even I was the last one to run before lunch. So instead of transferring the fire from one torch to another torch, it was transferred to an oil lamp like a miner's, like an old fashioned miner's oil lamp. And that was kept burning all the way through lunch and then the next torch was lit off the oil lamp and so on. And I find that a rather beautiful and touching symbol, the idea of the eternal flame.

[C]

Well, Sir Patrick, thank you so much for talking to us about this and thank you for carrying the torch for the Olympic Games.

[E]

It was a great thrill. I shall never forget it and I've enjoyed talking to you.

[B]

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Listen on the NPR app or wherever.

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You get your podcasts.

[A]

Do you ever feel like no matter how many hours of sleep you got, you're still fatigued?

[D]

We have to be able to differentiate.

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Sleep from the different ways that we can rest on the Life Kit podcast. The seven types of rest and why each one is important to living a Full healthy life. Listen to the Life Kit podcast in the NPR app or wherever you get your podcasts.

[B]

Hey, if you've got a question for us, Olympic related or otherwise, could be anything.

[C]

Yeah.

[B]

Get it to us at how to p r dot org.

[C]

We will do our best, our very best, our Olympic best to answer any question you send our way.

[B]

You might get a gold medal in good questions or you might get a bronze.

[C]

You might get a bronze.

[B]

Try and work harder.

[C]

Yeah. Wait, wouldn't we. We're the ones who need to work harder.

[B]

We're actually competing in the answer division.

[C]

Oh, fair enough.

[B]

The people we're talking about right now.

[C]

Got it.

[B]

I'd like you to cast your memory back about 10 minutes to when we talked to Ted Ligety, the Olympic skier.

[C]

Yeah. All right.

[B]

We asked about this thing that we had read about how ski jumpers try to get jet lagged because it actually helps calm their anxiety.

[C]

We have a ski jumper on the line with us now to ask him about this. Kevin Bickner is on the team in Milan.

[B]

Kevin, is this a real thing?

[F]

I wouldn't necessarily say that the tactic is using it to an advantage in the sense that you want to be jet lagged for your competition. One thing I did do in 2018 was our events were so late at night, I thought, why adjust all the way over to where we are? You get home from your event, I wouldn't hop into bed and go to sleep and get an early start the next morning. I would then hang out and do stuff, maybe go eat dinner after midnight, get to bed at like 3 o' clock in the morning, and then I would sleep in until 10 or 11 in the morning.

[C]

So you just maintain your USA sleep schedule.

[F]

You're on that clock, that particular event? Yes.

[B]

Could we. I think this is a sport where when I watch it, when I watch the Olympics, I'm wondering what is going through an athlete's head through the whole process. So, like, when you're about to go, tell me, what, what's in your head?

[F]

Typically I would think of the changes I have to make on the hill to make my jump better, to have a further jump, a jump that's more technically correct.

[B]

And what would one of those things be? Just, for example, are you like, jump earlier, jump earlier, jump earlier. Or what does it sound like in your head?

[F]

Yeah, pretty much. You're just going over in your head again and again, like, this is what you need to do. Do it.

[C]

So it's like five seconds, right, that you're in the Air. Something like that. Have you ever had a thought during that five seconds where you're like, dude, why am I thinking about tortellini soup right now?

[F]

Not often does that happen, but I do remember one time that was ski flying. So ski flying jumps are twice the size of the Olympic jumps, and typically, with a good jump there, you're in the air for about 10 seconds.

[C]

Dang.

[F]

So that's a lot of. A lot of time to be going through your head. And I remember when I was a little kid, I was watching a ski flying video with my dad, and he was, like, amazed at the 10 seconds. He's like, that's enough time to read a book. And so I remember one time I was in the air for a long time, and, you know, 10 seconds of that air time, and you're not, like, doing a whole lot. You're just kind of stretching out and trying to hold it for extra distance. And, you know, I did have, like, that intrusive thought where, like, damn, this is.

[A]

I'm.

[F]

I'm up here for a long time. This is enough time to read a book. At least, like, go through, like, half a page. Like, that's a lot of airtime.

[C]

Yeah.

[B]

You found out that you qualified four days ago, right? Four or five days ago. Is that.

[F]

Yeah.

[B]

So you weren't sure if you were on the Olympic team until five days before we're talking to you. Did you book your plane ticket, or did you wait until you were sure?

[F]

Now, thankfully, we don't have to book those plane tickets. The USOPC takes care of that for us.

[C]

Nice.

[F]

Although my parents and girlfriend both booked their tickets months ago, so.

[C]

Oh, nice.

[F]

A little bit of a disappointment. If I. If I didn't make the team, then they would have those tickets to Milan. I'm sure they'd still go.

[C]

Yeah. I mean, come on. It's pretty great. Well, Kevin, congratulations on making the team, and we'll look forward to watching you in Milan.

[F]

Awesome. Hope I can put on a good show for you guys.

[C]

Well, that does it for this week's show. What'd you learn, Ian?

[B]

Well, I learned Ted Liggety told us when we talked about grunting and stuff.

[C]

Yeah.

[B]

That a lot of times the skiers will just be making the sound effects of skiing while they're going down the hill.

[C]

Yeah.

[B]

Which is. I mean, you look at these people, and they're so strong and tough. But that's adorable that. That, like, literally they're going 100 miles an hour and saying, like, whoosh.

[C]

Yeah.

[B]

This is, like, Learning that when a fire truck passes you by inside, the firefighters are in there themselves saying, wee, ooh, wee, ooh, wee, oo wee.

[C]

If you ever watch an F1 race and to think that they're like.

[D]

I.

[B]

Learned that the Olympic torch, you know, you see it on TV and one runner hands it to the next runner, they light the next runner's torch and they move on. And it feels like this continuous thing from Athens all the way to the host city. I learned that they take a lunch break.

[C]

That is kind of bursts the bubble a little bit, doesn't it?

[B]

I like that they keep the flame going during the lunch break.

[C]

Well, but it changes. It changes your opinion of the Olympic torch. If you think that at some point someone's using it to make s', mores.

[B]

I bet that is the most delicious. If there's ever a performance enhancing s', more, it's the Olympic s'. More. Yeah, it's weird to say the singular of s', more, I realize.

[C]

Yeah, you're right. Yeah, you're right. But why you don't want more than you shouldn't eat more than one. Right.

[B]

It's of all the foods I've ever had, it's the food that you only that you least want more of. Which is weird that it's called a s'. More.

[C]

But also, I think it's worth noting, a s' more is a thing that if it owned, if it possesses something, it may be the only word in the English language that starts and ends with an s apostrophe or apostrophe. S. Is this your Nintendo Switch? No, it's the s'. Moreszes.

[B]

How to Do Everything is produced by Skyler Swenson with technical direction from Lorna White.

[C]

Our intern this week is the US Olympic team.

[B]

Some of the music you heard in this show was from Moby Gratis. We'll be back next week with more Olympics coverage and more of the non Olympics stuff we do.

[C]

Yeah, you can send us your questions. We promise we'll look at them howtopr.org I'm Mike.

[B]

And I'm Ian.

[E]

Thanks.

[B]

This year's Grammys featured historic wins for Bad Bunny and Kendrick Lamar, lavish performances and occasional chaos.

[C]

And it was a night of speeches.

[B]

That reflected this moment in America. Listen to a recap on pop culture happy hour in the NPR app or wherever you get your podcasts.

[A]

There is a long history of misinformation about autism, from accusations about bad parenting to RFK Jr. S false allegations that Tylenol has something to do with it, but science is getting closer to truly understanding what drives autism.

[B]

It looks like there are hundreds of genes that are involved.

[A]

To find out what the research actually says about autism and what we still don't know, listen to Short Wave in the NPR app or wherever you get your podcasts. Valentine's Day is coming up, and the perfect gift for the NPR lover in your life is waiting at the NPR Shop. From cozy sweaters and mugs made for slow mornings to our tiny desk hoodie, there's something for every NPR fan. Each purchase supports public media and the journalism you love. Find something [e-mail].