Ep 222: Rosebud Baker & Rachel Feinstein

Summary

Podcast Summary: We Might Be Drunk – Ep 222: Rosebud Baker & Rachel Feinstein

Release Date: March 10, 2025
Produced by Gotham Production Studios, LLC

In Episode 222 of "We Might Be Drunk," hosts Sam Morril and Mark Normand engage in a lively and candid conversation with comedians Rosebud Baker and Rachel Feinstein. The episode delves deep into the intricacies of crafting comedy specials, navigating the challenges of the comedy world, personal growth through therapy, and the unique experiences of being comedians on the road. Below is a detailed summary of the key discussions, insights, and humorous exchanges that unfolded during the episode.

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1. Rosebud Baker's Netflix Special: Before and After

Discussion Highlights: Rosebud Baker introduces her new Netflix special, "Before and After," which incorporates a unique format combining her pre-show and post-show experiences. The hosts and Rosebud delve into the creative process behind this innovative approach.

Notable Quotes:

• Sam Morril [00:18]: "You found a new... I heard Chris Rock once say, like, a special should be like an iPhone. You need a new feature. And you did a new feature."
• Rosebud Baker [00:27]: "It's funny. Like, some people really love it. Some people are like, I didn't know what was happening."

Insights: Rosebud discusses the challenges of presenting a comedy special in a non-traditional format, likening it to a "true crime documentary" to enhance its comedic effect. She emphasizes the importance of allowing the audience to organically discover the premise without overt explanations.

---

2. SNL 50 Party Highlights: Celebrity Interactions

Discussion Highlights: Rosebud recounts her experience attending the SNL 50th Anniversary party, highlighting interactions with notable celebrities such as Whoopi Goldberg, Meryl Streep, and Bill Murray.

Notable Quotes:

• Rosebud Baker [03:14]: "I'm in the wrong place, right? Like, what is it? Imposter syndrome?"
• Sam Morril [03:41]: "Remember that movie Eddie, where she plays the Knicks coach? And this is how low the bar was for Knicks fans back then."

Insights: The conversation reveals Rosebud's admiration for established artists and her feelings of imposter syndrome when surrounded by such high-profile individuals. Rosebud humorously describes mistaking Meryl Streep for someone else in a bustling environment, adding a relatable touch to her experience.

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3. The Process of Creating a Comedy Special

Discussion Highlights: The hosts and guests explore the meticulous process of developing a comedy special, focusing on material selection, editing, and the pressure to produce quality content.

Notable Quotes:

• Rosebud Baker [02:25]: "I do think it helps people that don't naturally get it to understand that premise."
• Mark Normand [33:02]: "It's the way that it always better to wait."

Insights: Rosebud shares her experience of leaving substantial material on the cutting room floor, highlighting the balance between quality and quantity in comedy specials. The importance of timing and pacing in joke delivery is underscored, with Rosebud advocating for waiting until the material is finely tuned before releasing it to the public.

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4. Personal Journeys and Therapy

Discussion Highlights: The conversation shifts to personal growth, with Rosebud, Sam, and Mark discussing their journeys through therapy and how it has impacted their lives and careers.

Notable Quotes:

• Rachel Feinstein [10:30]: "I gently recommended you to therapist... That's the nicest thing I've ever received."
• Mark Normand [11:10]: "We got in a fight at the Cellar... Just like, you can't ask me that."

Insights: Rosebud opens up about her recent foray into therapy, sharing a conflict that arose from her decision to seek professional help. The hosts reflect on their own therapeutic experiences, emphasizing the importance of mental health support in managing the pressures of a comedy career.

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5. Life as Comedians on the Road

Discussion Highlights: The hosts and guests delve into the realities of touring, including the highs and lows of performing in various cities, dealing with low attendance, and the camaraderie among comedians.

Notable Quotes:

• Rosebud Baker [43:28]: "I felt like work, but I kind of... I was like, damn, I wish I had met..."
• Sam Morril [45:18]: "It's like De Niro outside. That place was smacking the phone."

Insights: Rosebud and Rachel share anecdotes about challenging gigs, such as performing for minimal audiences, which test their resilience and adaptability. The discussion highlights the emotional toll of the road life, including feelings of loneliness and the constant need to prove oneself in diverse and often unanticipated settings.

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6. Family and Adoption Stories

Discussion Highlights: Rosebud Baker reveals personal family history, discussing her adoption and discoveries about her grandparents that were previously unknown to her.

Notable Quotes:

• Rosebud Baker [25:03]: "I last year read this biography about my granddad and found out that my grandma didn't tell my dad..."
• Rachel Feinstein [25:50]: "I had no clue until I read this biography. I was like, this is something you find out if you're adopted."

Insights: Rosebud shares the profound impact of learning about her family's hidden stories, emphasizing how such revelations can shape one's identity and understanding of self. The conversation underscores the complexities of family dynamics and the importance of uncovering one's heritage.

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7. Challenges in the Comedy Industry

Discussion Highlights: The hosts and guests critique the pressures of producing comedy specials, the pitfalls of emulating successful comedians, and the struggles of maintaining originality in a competitive field.

Notable Quotes:

• Mark Normand [34:28]: "People are like, maybe listen to any hack that's jealous of you."
• Rosebud Baker [33:15]: "I've had to go back to the shitty gigs."

Insights: The discussion touches on the detrimental effects of rushing to release specials, the importance of authenticity over imitation, and the ongoing battle against self-doubt. They caution against the pitfalls of trying to replicate the success of established comedians like Louis C.K., advocating instead for cultivating one's unique voice and style.

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8. Humorous Banter and Personal Anecdotes

Discussion Highlights: Throughout the episode, the hosts and guests engage in spirited and humorous exchanges, sharing personal stories, poking fun at each other, and enjoying the camaraderie that defines their relationships.

Notable Quotes:

• Rachel Feinstein [22:25]: "Like, country slow there."
• Sam Morril [32:02]: "We're not saying we're like, we're the TEU of those two guys."

Insights: The playful interactions serve to humanize the comedians, showcasing their ability to find humor in everyday situations and personal idiosyncrasies. These moments of levity add depth to the conversations, making the episode both entertaining and relatable.

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9. Conclusion and Final Thoughts

Discussion Highlights: As the episode wraps up, the hosts and guests promote their respective projects, encouraging listeners to watch Rosebud and Rachel's specials and attend their live performances.

Notable Quotes:

• Sam Morril [87:45]: "Check out Rachel's hilarious Netflix special."
• Mark Normand [87:54]: "We love you. See you next week, guys. Thanks."

Insights: The episode concludes on a high note, with genuine expressions of support and enthusiasm for each other's work. The mutual encouragement underscores the collaborative spirit that binds the comedians, highlighting the importance of community in the comedy industry.

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Key Takeaways:

• Innovation in Comedy: Rosebud Baker's "Before and After" special exemplifies the evolving landscape of comedy specials, pushing boundaries to create engaging and original content.
• Mental Health Awareness: The candid discussions about therapy emphasize the crucial role of mental health in sustaining a demanding career in comedy.
• Resilience on the Road: The shared experiences of performing in varied environments highlight the challenges and rewards of touring as a comedian.
• Authenticity Over Imitation: The emphasis on developing unique comedic voices serves as a reminder of the importance of originality in the competitive world of stand-up comedy.
• Camaraderie Among Comedians: The humorous and supportive interactions among the hosts and guests showcase the strong bonds formed within the comedic community.

This episode of "We Might Be Drunk" offers a blend of insightful discussions, personal revelations, and light-hearted humor, making it a must-listen for fans interested in the behind-the-scenes dynamics of the comedy world.

Transcript

[Sam Morril]

We're here with Rosebud Baker, new special on Netflix. Check it out.

[Mark Normand]

The Mother load.

[Rosebud Baker]

Yeah.

[Mark Normand]

With the wife.

[Sam Morril]

Before and after.

[Rosebud Baker]

Before and after.

[Sam Morril]

This is the first before and after in one, right?

[Rosebud Baker]

Yeah.

[Sam Morril]

You found a new. I heard Chris Rock once say, like, a special should be like an iPhone. You need a new feature. And you did a new feature.

[Rosebud Baker]

Yeah, yeah, yeah, yeah, yeah, I did. It was. You know, it's funny. Like, some people really love it. Some people are like, I didn't know what the Was happening, and I didn't. I. You know, and I'm like. I thought about putting ahead of it, like, hey, you know, like, kind of explaining the premise, but then I was like, that's too on the nose. And it also with the comedy of it, because it feels like it opens up like a true crime documentary.

[Mark Normand]

Right.

[Rosebud Baker]

You know, like, I was like, what would it look like if I were to. And I was like, that doesn't work. They have to just figure it out.

[Mark Normand]

You know, you never addressed it. I love that.

[Rosebud Baker]

Yeah, I just. I mean, I've just been doing promo, kind of trying to say. Say it. I do think it helps people that don't naturally get it to understand that premise, but I don't think Rosewood doesn't.

[Sam Morril]

Drink, by the way. So, yeah, we'll say that. Put that here.

[Mark Normand]

Oh, give that to Ray.

[Rosebud Baker]

I would have absolutely taken swig of.

[Sam Morril]

That, but you've now eliminated another thing that a comic could do. So now the next one's got to be like, you know, know I'm pregnant, but I'm not keeping it. And that's the second.

[Rosebud Baker]

Yeah, yeah, yeah, yeah. I mean, it's. Yeah. I don't. I. I kind of was really tossing it back and forth up until the very.

[Mark Normand]

Oh, the baby.

[Sam Morril]

Let's. Yeah, I don't believe in that stuff. So.

[Rosebud Baker]

Yeah, the baby.

[Mark Normand]

Hey. Mazel.

[Sam Morril]

I love the poster.

[Rosebud Baker]

Mazel to you.

[Sam Morril]

Yeah. Jesus Christ.

[Mark Normand]

Oh, Leanne. Leanne Morgan. She's a good egg. That's a yummy baby.

[Rosebud Baker]

She is. She's pretty cute. But I. I wrote. I wasn't sure that I was gonna do it right up until the end.

[Mark Normand]

Oh, yeah, Yeah.

[Rosebud Baker]

I was kind of like. I shot the second one, and I was like, I don't think we need it. I don't think we need the wow. Back and forth. Like, we could just use the second one. And the editor, Kelly Lyon, she sent me two different cuts. She was like, here's one with both, and here's one just by itself. And I was like, damn, you did it so well that now I don't fudge know what I want to do.

[Mark Normand]

Yeah.

[Rosebud Baker]

She just told me. She was like, go with the one that's more interesting for you.

[Mark Normand]

I think it nailed it because it differentiates now. You stand out. So people go, I got to watch that.

[Sam Morril]

Do you save a lot of material doing it this way?

[Rosebud Baker]

Yeah. And for sure, I think I left, like, at least 35 minutes on what?

[Mark Normand]

That's a ton.

[Rosebud Baker]

Yeah.

[Mark Normand]

All right.

[Rosebud Baker]

So I have something to go out on the road with.

[Sam Morril]

That's always the challenge with a special because I. I so often will just throw shit at the one. Like, I take everything. I don't care.

[Mark Normand]

That's what I do too.

[Sam Morril]

Yeah.

[Rosebud Baker]

Yeah.

[Sam Morril]

Everything I like, you cut. But then when you start the new hour with the shit you cut, you're like, I cut this because I didn't love it.

[Rosebud Baker]

I know.

[Sam Morril]

I'm starting to hour with it.

[Mark Normand]

It's true.

[Rachel Feinstein]

Yeah.

[Rosebud Baker]

And I'm like, I don't even want to deal with that. Like, I don't even want to go back to it.

[Mark Normand]

Wait a minute. Why aren't you at work?

[Rosebud Baker]

Oh, I am at work. I literally. I have my setups in my bag.

[Sam Morril]

I like, you're ducking out of SNL to be here.

[Rosebud Baker]

Yeah.

[Sam Morril]

I'm honored.

[Mark Normand]

It'll be a funnier episode.

[Sam Morril]

How was that SNL at 50 thing? That looked insane.

[Rosebud Baker]

Oh, yes, it was awesome. I mean, I literally had nothing to do with the writing of it. It was all, like, alumni and, like, the head writers. I. I just sat back and fucking went to the party, which was fantastic.

[Mark Normand]

Sure, it was awesome.

[Rosebud Baker]

I mean, Whoopi Goldberg was there, you know, the most. I was excited about Whoopi. I was really excited.

[Sam Morril]

I met her once and she was. We were doing the MSG benefit thing and we just, like, found each other together, and they were like, take a picture. So we just. I put my arm around her and she goes, you're gonna regret taking this picture with me.

[Mark Normand]

Really? Alright. I like that I'm back in with Whoopi.

[Rosebud Baker]

It made me laugh, dude. It wasn't like I was going up to it, going, like, maybe Whoopi will be there. But I saw Whoopi and I got, like, a part of me got really excited in a way that I wasn't kind of expecting.

[Sam Morril]

Remember that movie Eddie, where she plays the Knicks coach? And this is how low the bar was for Knicks fans back then. Ending was, they made the playoffs. It wasn't like they won the championship. They're like, we're in the playoffs.

[Mark Normand]

Oh, man.

[Sam Morril]

But she was. I mean, yeah. I mean, this is like every Knicks fan's dream. I mean, Ghost, she did a lot of great.

[Rosebud Baker]

Yeah.

[Mark Normand]

Oh, Ghost.

[Sam Morril]

She's in the Willis Reed jersey too. I mean, that's old school.

[Mark Normand]

Damn.

[Sam Morril]

Yeah. So who else? Were you there? Was there anyone there?

[Rosebud Baker]

I mean, dude, I. I got in line at the. The check in line and I was behind Meryl Streep. And I. I just started doing laps around the building cuz I was like, I. This is the. I'm in the wrong place, right? Like, it was like, what is it? Imposter syndrome? Just led me around the building like four times before I went, oh, no, there's one check in line, you dumb ass. And you just happen to be behind Meryl Streep?

[Mark Normand]

Wow, man.

[Sam Morril]

You say anything to her?

[Rosebud Baker]

No, no, I was like. No, I was. I was just like, I'm not supposed to be here. Like the way I felt my first day in the building times a million.

[Mark Normand]

Oh, yeah.

[Sam Morril]

You know a lot of those people now, though.

[Rosebud Baker]

Yeah, I mean, I've met him, but I. I just.

[Mark Normand]

This is Bill Murray. Sandler. Paul Simon.

[Rosebud Baker]

Oh, look who's on top.

[Mark Normand]

I can't believe it.

[Sam Morril]

Yeah.

[Mark Normand]

Wow. Rachel.

[Sam Morril]

Do we have any juice for this? Because Rachel can't do a tequila straight. Sit here, Rach.

[Rachel Feinstein]

How dare you?

[Rosebud Baker]

I like this outfit.

[Mark Normand]

Lightweight.

[Rachel Feinstein]

Really?

[Rosebud Baker]

Yeah. Did my sister help you?

[Rachel Feinstein]

What's that?

[Rosebud Baker]

Did my sister help you?

[Rachel Feinstein]

Literally packed a second one.

[Sam Morril]

We need the mic person who's been in comedy for 20 years. You need a mic?

[Rachel Feinstein]

Make that sick. 70.

[Mark Normand]

You guys are the poster children for bouncing back after pregnancy.

[Rosebud Baker]

Yeah.

[Sam Morril]

This is the most Rachel entrance of all time. Just throwing a. Phone's ringing.

[Rosebud Baker]

I have a different outfit.

[Rachel Feinstein]

I was like, okay, I'll get there and Rosebud will help me dress because Rosebud always. And I was like, I don't know what I'm doing.

[Sam Morril]

You both look great.

[Rachel Feinstein]

Thank you.

[Sam Morril]

You too, Mark.

[Rachel Feinstein]

Hey, I'll take it back to the thing about Mark.

[Rosebud Baker]

You've really bounced back.

[Mark Normand]

Thank you. Thank you.

[Rachel Feinstein]

Just my rack while you tell us bounce back again.

[Mark Normand]

My C section scar.

[Sam Morril]

Oh, yeah, we give her a little juice. She can't handle. She can't handle us.

[Rosebud Baker]

You would.

[Sam Morril]

Do you want it straight?

[Rachel Feinstein]

No, not. No, I want the. I want the dumbest twat Drink like a malware.

[Sam Morril]

Hopefully this. I think she needs more than that. That's.

[Rosebud Baker]

Yeah.

[Rachel Feinstein]

Come on. What are you taking?

[Mark Normand]

This is pretty damn good tequila. It goes down.

[Rachel Feinstein]

I haven't been divorced yet.

[Mark Normand]

Tell that to your outfit lady at the bar.

[Sam Morril]

Outfit was telling us about the SNL50 party. What. I mean, what was like. Who was like, the most crazy person to run into there?

[Mark Normand]

I mean, Eddie Murph.

[Rosebud Baker]

I didn't run into Eddie Murphy. It was crazy to see him there. Bill Murray, the King was definitely the one.

[Sam Morril]

That was a funny segment he did with the. He ranked the anchor.

[Rosebud Baker]

He sang Gloria on stage, like at the after party. And I. I saw that and I was like, okay, I can go home now.

[Rachel Feinstein]

Yeah, that's kind of all you need.

[Rosebud Baker]

Yeah.

[Mark Normand]

Yeah. Oh, he made up with Chevy. They had a long time feud.

[Sam Morril]

Was that real? Because I know, I know Bill Murray had the feud with Harold Ramis, like, till the deathbed. I'm like, dude, you gotta. Life's too short. You gotta make.

[Rachel Feinstein]

Apparently anyone like tanks like, like, but like slovenly tanked. You don't have to say who, but you know, where there's some people.

[Rosebud Baker]

I mean, everybody was hammered. Like, it was, you know, I don't even know how much cocaine was like, coursing through.

[Sam Morril]

Wow. Really Throwback party. It was how they did in the 70s, right?

[Rachel Feinstein]

Yeah, them. Good old.

[Rosebud Baker]

It was a fucking good time.

[Sam Morril]

When's the. When's the last time you think Chevy Chase blew a line.

[Mark Normand]

During Community?

[Sam Morril]

Probably.

[Mark Normand]

Keith was up. He had a cane.

[Rachel Feinstein]

You probably want to ask me about things over in Math Queens.

[Rosebud Baker]

Memory Point Store there kicking off. Yeah. I mean, it's to say there are.

[Rachel Feinstein]

Some pretty rare baseball cards showing up.

[Rosebud Baker]

It's weird to like, go to something like that because you, you know, especially as a current writer, you're like. You still. You just feel so beneath it. Even though you're there. You feel like, this is.

[Rachel Feinstein]

I'm not.

[Rosebud Baker]

I shouldn't be here. You know.

[Rachel Feinstein]

Don't you feel better than a few of them? Like, what? I mean, there got to be a couple that you see where you're like. Yeah.

[Rosebud Baker]

What do you mean? You're a great. You're like a couple comics.

[Rachel Feinstein]

No, just like writer. I was just being.

[Rosebud Baker]

Oh, yeah.

[Rachel Feinstein]

I mean, you're definitely very. You're special. Also is hilarious. Airtight. Brilliant special all the way through.

[Sam Morril]

I've not watched it. I've been on the road for 16 days, so. We watched Manhunter and Red Rock West.

[Rosebud Baker]

Those are still. Those are classics.

[Sam Morril]

Those are old school. Yeah, we watched.

[Rosebud Baker]

I would never watch either of those.

[Sam Morril]

Yeah.

[Rachel Feinstein]

But hilarious.

[Sam Morril]

No. I was actually on the road once when some of those Sandler dates and we're like, A dinner afterwards. And Tim Meadows is there. All these people there. And Tim Meadows, I don't know if I ever told you this, but he goes, there's this really funny new writer there, Rosebud Baker. Whoa.

[Rosebud Baker]

For real?

[Sam Morril]

Yeah.

[Rosebud Baker]

Oh.

[Sam Morril]

I was like, oh, that's cool.

[Rosebud Baker]

That's awesome. That's really nice.

[Sam Morril]

Tim Meadows.

[Rosebud Baker]

That's awesome.

[Sam Morril]

Who doesn't like Tim?

[Rosebud Baker]

That makes me feel a lot better. Yeah. Yeah. I don't know. It's every. Every day that you go in that building, you feel a little less funny the day that you walked in. You know what I mean?

[Mark Normand]

Because of the competition. What do you mean?

[Rosebud Baker]

I don't know. It's the competition or the psych psychology of the place. I don't know. I just. Like, if I was depending entirely, and I think this is why I've stayed focused on stand up. Because, like, if I was depending entirely on that building to feel funny. Oh, yeah, I'd kill myself. Of course I'd kill myself.

[Mark Normand]

Well, it's a theater energy in there. I took an improv class and I felt like, so dark and weird compared to. They were like normal and supportive, you know, And I'm making crazy jokes.

[Sam Morril]

Mark starting market me suggestion. The abortion clinic. Let's start.

[Mark Normand]

Yeah. They were not into it.

[Sam Morril]

Oh, my God, it's dead.

[Rachel Feinstein]

I would love to marketing improv. Fascinating. And they have supposed to shiver like, for you.

[Mark Normand]

He's just calling everyone a yes. And they have to. Yes.

[Rosebud Baker]

And for your YouTube, like, just go do a market one.

[Mark Normand]

Yeah, they freaked out. I was not invited.

[Sam Morril]

You. You farting on other improv people.

[Mark Normand]

Yes.

[Rosebud Baker]

I would love to see that.

[Rachel Feinstein]

Like a year to realize that you weren't just like an active prick. But that was terribly a rock.

[Rosebud Baker]

Yeah, Yeah.

[Rachel Feinstein]

I was like.

[Sam Morril]

I was defending Mark earlier. I was like, nah, you gotta get. Now you gu.

[Rachel Feinstein]

Explaining everything you said to me now. Yeah, no, I get it.

[Rosebud Baker]

Like each other.

[Sam Morril]

No, they liked each other.

[Mark Normand]

I liked her. She didn't like me.

[Rachel Feinstein]

No, no, I like. No, I love Mark. I just like, there was the first few times before I got to know him better that I didn't understand Mark yet.

[Rosebud Baker]

Right.

[Rachel Feinstein]

So I was like, why is he saying things that are like, violently, like. Like, we're horrifying me. I didn't know him quite well enough to that point, so it was just sort of jarring. But then Sam was like, oh, no, that's just Mark. Like, he'll go, he actually has no idea.

[Rosebud Baker]

Yeah.

[Rachel Feinstein]

And then I. And then I think you sent me that lovely text Once, like, I think I. I gently recommended you to therapist, and you. And you went.

[Rosebud Baker]

And then I gently recommended.

[Rachel Feinstein]

Clearly, the text was, like, coached by Alan because it was, like, the nicest thing I've ever received. Like, you were thanking me for being a kind friend.

[Sam Morril]

I was like, oh, my God.

[Rosebud Baker]

That all.

[Rachel Feinstein]

That's all it took for me.

[Sam Morril]

Rachel got me into therapy, and I got Mark into therapy, and I'm. I haven't gone in a while, but.

[Rosebud Baker]

I haven't gone in.

[Sam Morril]

But it helped.

[Mark Normand]

Whoa.

[Rosebud Baker]

Yeah. Well, actually, that's not up until last week. I did go last week.

[Mark Normand]

There you go.

[Rosebud Baker]

We got in a fight at the. Me and. Me and Asti got in a fight.

[Mark Normand]

Really?

[Sam Morril]

What?

[Rachel Feinstein]

Rose at the Cellar was amazing.

[Sam Morril]

We got to stop wearing that Free Palestine flag in front of her.

[Rosebud Baker]

It was. I sort of got backed into a corner a little bit. I felt like she. She wasn't doing it on purpose, but she was.

[Mark Normand]

She was, like, asking me the booker of the seller.

[Rosebud Baker]

Yeah, she was like. She was saying that, you know, she never needed therapy. She's fine. Everything's fine. And she was kind of asking me, like, why I needed it or what I got out of it. And. And I answered. And then that. I guess that answer didn't, like, do it, or she was. She kind of asked me the same question again in a different way. And. And I just was like, you. You can't ask me that. That's all I did. I was like, you just don't ask me that.

[Mark Normand]

Like, okay.

[Rachel Feinstein]

I was kind of just like, don't ask people, like, if you're. If I'm in therapy. Like, I don't need to tell you why I need therapy. Tell you what?

[Mark Normand]

That's fair.

[Rosebud Baker]

Yeah.

[Rachel Feinstein]

It was just so funny because I feel like. Or complete opposite, and, like, I want to channel Rosebud in every way. Like, at every moment in my life. Like, I just feel like you're just like, boundary. Boundary.

[Mark Normand]

Yes.

[Rachel Feinstein]

Like, do you. And I'm just like, giving people clothes out of my back. And, like, I just, like, always feel like, let me grab that. Like, I just try. I remember when I first met sd, I just kept trying to learn, like, players of the Yankees.

[Sam Morril]

You used to do that?

[Mark Normand]

Oh, yeah.

[Sam Morril]

We used to have to call in a veils of the seller. It wasn't an email that you sent or a text or whatever. You. You have to call in. And Mark Soda would make fun of us. He goes, oh, do you just do your SD voice where you're sweeter? But Norman would go outside Be like, go, Yankees. Oh, man.

[Rosebud Baker]

Sucks. It's like an audition every week.

[Sam Morril]

I'm around Friday, Saturday, man, the Yankees are going to win the pennant this year.

[Mark Normand]

I tell you, you were 50 years younger. I fucking.

[Rachel Feinstein]

Somehow whatever I said about the Yankees, like, Estee would still find foul. Somehow I tried to find the most generic, broadest thing I could possibly say about the Yankees, and she would just. She could. She could sniff a stench of my lies on me.

[Mark Normand]

You're like, I'm doing this for you, you old bag man.

[Sam Morril]

Thank God Esty doesn't listen to podcast. This is.

[Rosebud Baker]

Yeah.

[Rachel Feinstein]

I remember, though, one of the first times at the seller, I was like, on the way upstairs, and Mark was like, yeah, I heard you stuck it up down there. And I, like, had met you maybe once. And I was like, I thought I had a pretty good set. You were like, oh, boy. A lot of people are talking about your I'm joking with you quotes material. They say you're trying. Trying your hand. This.

[Mark Normand]

This guy sounds great.

[Rachel Feinstein]

He was like, I'm sorry, you need a little skirt that you thought you could. You know, you grow some.

[Rosebud Baker]

I remember getting off stage once and. And Mark going, good hair. I was like, I'm gonna kill myself in front of you.

[Mark Normand]

Now I'm getting compl. I'm still giving out compliments.

[Sam Morril]

Yeah, I kill for good hair.

[Rosebud Baker]

Yeah, good hair.

[Sam Morril]

All this guy says to me is, good.

[Rosebud Baker]

I mean, and I had bombed. No, it was not a good set.

[Mark Normand]

All right, all right.

[Rosebud Baker]

It was a. It was not. You were right to just do the hair. It was, like, actually nice of you to say good hair, but it was also, at the same time, fucking awful. I was like, this is.

[Mark Normand]

I was looking for something that was.

[Rosebud Baker]

The only good thing I know years ago.

[Sam Morril]

It must be, like, right when you pass the cellar. Yeah, Mark, we can cut this if he wants this in here. But, Mark, apparently you went up behind esteem. We're doing, like this. And Gary Goldman called me, and he goes, is something wrong with that guy? Like, no, he just can't not make the joke. And he was like, oh, okay. He was like, didn't understand it.

[Mark Normand]

What's with these comedians who can't.

[Sam Morril]

We're fucking around. He wasn't offended. He thought you had a death wish.

[Mark Normand]

Oh.

[Sam Morril]

He was like, what is. What is he doing? Like, he's.

[Mark Normand]

Well, to me, you go after the most powerful person. That's the butt of the joke.

[Sam Morril]

Yeah, no, no, I. I get it. I explained it.

[Rachel Feinstein]

Now I understand. But here's the thing. In the Beginning when people first meet you, you'll do. You'll say the thing.

[Sam Morril]

When did this turn into an intervention for Mark? What the hell's happening? And I love you.

[Rachel Feinstein]

But in the beginning, it's like you. You'll say something that just annihilates somebody before you're close with them. With. Sam explained to me that you don't know.

[Mark Normand]

I didn't know I was annihilating.

[Rachel Feinstein]

And then. So now get it.

[Rosebud Baker]

I have never felt denial.

[Sam Morril]

All right.

[Mark Normand]

Thank you.

[Rosebud Baker]

I don't know if that means I have autism.

[Sam Morril]

Mark raped me. He raped me.

[Mark Normand]

That's how he started the I submit.

[Sam Morril]

I was like, I'll do the pod. He got me in a moment of weakness.

[Mark Normand]

Sorry.

[Rachel Feinstein]

I thought. This is, like, well known about Mark.

[Mark Normand]

The thing is, people will zing me, then I'll zing back. And then they'll be like, what the. Where'd that come from? And I'm like, oh, I thought we were. I think I go too hard. Maybe on the back on live.

[Sam Morril]

But the intention is I. I do feel like your intention is always good. And that's why we' and that's why we've never really fought.

[Mark Normand]

Right.

[Sam Morril]

I've been friends with Mark for close to 20 years now. And we. We don't really fight.

[Mark Normand]

No, no.

[Sam Morril]

We don't argue. We're pretty. We rape. Yeah.

[Rosebud Baker]

We playfully rape.

[Sam Morril]

Yeah. And we take turns. You know, it's important to share.

[Mark Normand]

Exactly.

[Sam Morril]

Yeah. Gotta share.

[Rachel Feinstein]

No, after that text, I was like, delighted. Because it would text even better. Because then I was like, oh, I thought this guy was a dick. And now he loves me. This is fantastic.

[Mark Normand]

I love you the whole time.

[Sam Morril]

He loved you. He always loved me.

[Rachel Feinstein]

Became a dad. And then we had that, like, yes. Connection.

[Mark Normand]

Bonds.

[Rosebud Baker]

Now I photo that you just pulled up is with.

[Mark Normand]

This is a. Somebody took that of me outside of Colbert in 2016.

[Sam Morril]

This is an ad.

[Mark Normand]

I'm hungover yesterday on StubHub where they got these photos.

[Rosebud Baker]

Crazy.

[Mark Normand]

It's a 10 year old.

[Rosebud Baker]

This looks like you just got into real estate.

[Sam Morril]

You look like the cousin of George Santos in this photo.

[Rosebud Baker]

Oh, my God. They do get like, crazy. There's. I'm in a battle with someone on Wikipedia. Why?

[Rachel Feinstein]

What's happening?

[Rosebud Baker]

I'm putting up me. I tried to take it down again last night. I don't think it worked because I can't figure out Wikipedia.

[Sam Morril]

Who is that?

[Rosebud Baker]

I did that.

[Rachel Feinstein]

Random hole.

[Rosebud Baker]

Honestly, I look at this photo and I'm like, I don't know where it was taken.

[Mark Normand]

That's you?

[Rosebud Baker]

Yes.

[Mark Normand]

Oh, I thought that was a Down syndrome child.

[Sam Morril]

Wait, that is you.

[Rosebud Baker]

Yes.

[Sam Morril]

Wait, let me.

[Mark Normand]

2011, man. Who would impregnate that?

[Sam Morril]

Oh, I really thought that wasn't you.

[Rosebud Baker]

That is me.

[Rachel Feinstein]

It looks nothing like you.

[Rosebud Baker]

Somebody put that photo of me on Wikipedia and I keep going back and forth and trying to put a different photo up, but I can't figure out Wikipedia.

[Rachel Feinstein]

Yeah, you're way hotter. That looks like you're like, oh, fun loving cousin.

[Sam Morril]

You look like Amy Adams with downs here.

[Mark Normand]

I mean, this is.

[Sam Morril]

You're crushing it now, Rose.

[Rosebud Baker]

But it's really bad. But I didn't even look that. That bad. Even then.

[Rachel Feinstein]

You look like you're being propped up in that picture.

[Rosebud Baker]

It really is like a skin suit photo. I don't. I'm not. I don't appreciate whoever keeps putting this up.

[Rachel Feinstein]

I feel like.

[Rosebud Baker]

And someone. Someone about it on the podcast is a surefire way to, like, just keep this going for.

[Rachel Feinstein]

No, no, no. You have to get help, though. Somebody will DM you and help you. Because I had the same problem with Wikipedia and somebody helped me because an ex boyfriend played my ex put on. Put on Wikipedia that I was like, got my start juggling. And it was like every morning I did like, they were like, oh, ashamed of my juggling past.

[Mark Normand]

Right, right.

[Rachel Feinstein]

Intern. Every time I did morning press, I'd bring, like, oranges. But at least I don't juggle.

[Rosebud Baker]

At least you didn't have a juggling past. Like, that's a real photo.

[Mark Normand]

It's got you there.

[Rosebud Baker]

You know what I'm saying? You got hotter.

[Rachel Feinstein]

That's why this is amazing. Like, brutal.

[Mark Normand]

Yeah, you look completely different.

[Rachel Feinstein]

Yeah.

[Rosebud Baker]

I don't honestly look like you're being.

[Rachel Feinstein]

Propped up there by, like, helpers.

[Sam Morril]

I feel like you got, like, corrective eye surgery here.

[Mark Normand]

Your eyes are wish.

[Rosebud Baker]

Yeah, I look like cross side. I look like I have a dizzy eye.

[Mark Normand]

I'm older there. Somehow.

[Rosebud Baker]

I know it's.

[Rachel Feinstein]

You look like somebody, like, rolled you over there and here. You look insanely now. Right now. You look insanely hot.

[Rosebud Baker]

I think that might have been while I was still drinking.

[Mark Normand]

Oh, that's what it is.

[Sam Morril]

That'd be great if she took one sip of this and just went right back to that. Just one.

[Rosebud Baker]

I know when people are like, God, I wish I knew you when you were drinking. I'm like, you wouldn't have looked my way.

[Mark Normand]

See the booze and what were you like?

[Rachel Feinstein]

I would love to hear you as a drinker.

[Rosebud Baker]

I was just really.

[Rachel Feinstein]

You had to have her holding the baby.

[Rosebud Baker]

Do not put. Don't bring my baby into.

[Rachel Feinstein]

Sorry. That's fair. No, you should have made about.

[Rosebud Baker]

She doesn't want to be taken, but she doesn't want to be next to that one.

[Rachel Feinstein]

That's fair. No, that. No.

[Sam Morril]

Yeah. What were you like in your drinking days? I want to know.

[Rosebud Baker]

I was just, like, a really angry, which is psychotic because I look. I look, like, happier than in some ways, even though I do look. Look simple.

[Mark Normand]

Simple. Yes.

[Rosebud Baker]

Yeah. Like, I look happier in a, like, kind of way. But I. I am not.

[Mark Normand]

Your baby's pointing and laughing.

[Rosebud Baker]

Yeah.

[Rachel Feinstein]

Like, country slow there.

[Mark Normand]

Yeah.

[Rosebud Baker]

Yeah.

[Mark Normand]

Like Cracker Barrel, Right?

[Sam Morril]

Like, you look like you're saying, cousin, mommy told me to go to the store. The Cracker Barrel.

[Mark Normand]

Yeah.

[Rachel Feinstein]

Come up after to you after one of your shows and be like, I usually hate webbing and comedy. I love your humor.

[Rosebud Baker]

I think you're so funny.

[Mark Normand]

You're doing this county fair.

[Rachel Feinstein]

So gross and yucky.

[Sam Morril]

I sure do like me a Tilt a world.

[Rosebud Baker]

I look like someone whose eyes got crossed on the Tilta world.

[Rachel Feinstein]

She does look like she's on a ride.

[Rosebud Baker]

I mean, it's a really sad photo, but, like, you're.

[Sam Morril]

You're. So. Would you get angrier when you drank or did you.

[Rosebud Baker]

No, I was a very angry drunk. Like, it was like I would go out with every intention of having a good time, and by the end of the night, I'd ask. Ask someone what time it was, and they'd be like, I don't have a watch, and I just punch them in the face.

[Mark Normand]

Whoa.

[Sam Morril]

Wow.

[Rosebud Baker]

Like, it was crazy.

[Sam Morril]

Holy.

[Rachel Feinstein]

What was your.

[Rosebud Baker]

I know you're not like, blood crazy, Liam Neeson up that. And I remember it started happening a lot of fights, the end of my drinking, where I would wake up the next day and somebody would be like, yeah, you assaulted our friend.

[Mark Normand]

Whoa.

[Rosebud Baker]

And I.

[Sam Morril]

What'd you do?

[Rosebud Baker]

Just like. Actually, that's a real story. I punched someone in the face because I. They didn't have their watch on them.

[Rachel Feinstein]

I want to be that woman. Like, is that so hot to guys? Like, a woman that just punches them?

[Rosebud Baker]

No, it was not to me.

[Rachel Feinstein]

I think that's really sex.

[Sam Morril]

I mean, part of her. I mean. Yeah. Part of me is like, it's hot. And the other part of me is like, it's terrifying.

[Mark Normand]

Yeah.

[Sam Morril]

That's a woman who's unhinged is. Is hot. But then you wake up with that, and you're like, oh, fuck, no.

[Rosebud Baker]

Really bad. Like, really, really bad. And I like look back on it, and I'm like. Like, I'm in touch with one of my exes that, like, while I was, like, bad drinking and. And whenever he tells me a story, like, I'm like, don't. I don't want to know that, you know? Please don't. I don't even want to know. But also, at the same time, I'm kind of like, on a comedy level, I'm like, tell. Tell me. Yeah. Because he's like. He's the only person that I know that could fill me in on that entire chapter of my life. Like, I'm like. I was blacked out from, like, the moment I moved to New York until I quit drinking.

[Mark Normand]

Yeah. Wow.

[Rosebud Baker]

So, yeah, he's like, were you.

[Rachel Feinstein]

Did you do, like, a lap of fun? And then you'd start assaulting people? Because, like, most. I love alcoholics and most. Most throbbing alcoholics that I've dated.

[Rosebud Baker]

Yeah.

[Rachel Feinstein]

So the first lap is, like, life of the party, and then the second lap is when they start rocking and glaring with.

[Rosebud Baker]

Yeah, yeah, it was a lot of that.

[Sam Morril]

Glaring.

[Rosebud Baker]

It was a lot of fun for a little while.

[Mark Normand]

Yep.

[Rosebud Baker]

And then it was like, what happened to her? You know what I mean? And that's how people would just like you. That's how you keep people in your life, is you kind of like.

[Mark Normand]

Right.

[Rachel Feinstein]

You're fun in the beginning.

[Rosebud Baker]

Yeah. You're fun in the beginning.

[Sam Morril]

I do love the drunk who just disappears. You know that one. You.

[Rosebud Baker]

And he's immediately so jealous of them.

[Mark Normand]

That was your dad.

[Sam Morril]

I wish he drank. He'd have an excuse. He did that stone cold sober.

[Rachel Feinstein]

Oh, damn, Sam. Dad story is that his dad told him. Like, he's like, well, it all makes sense when you're 18. Just open this, like, locker in midtown or something. Just leave a map in a locker.

[Sam Morril]

He left a note in a. In a safety deposit box in the bank. And it was like, two paragraphs, and it was like, yeah. It was like he had a wife who had previously died of cancer. It's like, I don't want another kid or a relationship, so it's not like a scavenger hunt. He made it seem like it was national treasure or something. But then, yeah, it was like there was, like, a half brother I had, and I was like, oh, I never met him. And they were like. I was like, oh, does he want to meet? He goes, you know, I floated it out there, and he didn't seem to be receptive. I was like, all right, never mind.

[Mark Normand]

No shit.

[Rosebud Baker]

Apple doesn't fall far?

[Mark Normand]

I guess so then you got a brother out there.

[Sam Morril]

Yeah, Yeah, a halfy dad I never knew. No, he's cousin. He's.

[Mark Normand]

Oh, he's cousin.

[Sam Morril]

I don't.

[Rosebud Baker]

We.

[Sam Morril]

I only met him a few times, but he's a nice guy. Guy.

[Mark Normand]

Wow. So you never met the half brother?

[Sam Morril]

No, never met the half.

[Mark Normand]

Interesting.

[Sam Morril]

I met the other side of the family. They're not. They're nice people.

[Mark Normand]

Can we put a feeler out there to get him to call?

[Sam Morril]

Nah, I don't want to do.

[Rachel Feinstein]

All right, call in.

[Mark Normand]

Call in.

[Sam Morril]

By the way, it's only going to be prank calls.

[Rosebud Baker]

Yeah, it's gonna be.

[Sam Morril]

Sam, I missed you so much. You.

[Rosebud Baker]

That's a good point.

[Mark Normand]

Long time brother.

[Sam Morril]

You think he listens to this?

[Rosebud Baker]

But I was. I was jealous though. Those alcoholics that disappear, those ones are. They're like, cool.

[Sam Morril]

We were. But we were just the one.

[Rachel Feinstein]

I lived in just. Just dust. On my birthday.

[Sam Morril]

We were just in Nashville and I got like a long letter from a member of that side of the family, like a few days ago. And they were like, we've been following your career. We have this last name. That is their last name. I was like. But it was like a long note and I got it right before I'm going on stage. I'm like, I can't.

[Mark Normand]

I'll read it later.

[Sam Morril]

I can't do it. I. I pull it up. I. But I was like, I can't.

[Rosebud Baker]

It's too much, you know, Crazy Tammy from Des Moines.

[Rachel Feinstein]

So let's go to the board, dude.

[Rosebud Baker]

I just like, it's weird to hear this, that, you know, you were adopted.

[Sam Morril]

So, like, legally adopted. My mom, I was. When people hear the word adopted, they think you're like out of an orphanage, like Oliver Twist or something. That's not how it was.

[Rosebud Baker]

Okay, but still, like, you're not in touch with family members, so it makes sense that there's like pieces that you would not know.

[Mark Normand]

Right?

[Rosebud Baker]

Like, I last year read this biography about my granddad and found out that my grandma didn't tell my dad and all of her, all of his brothers that she was dying. Right? None of them told them so, but she knew she was dying. So she told my now step grandmother that to give this note to her husband. Like, my granddad and I didn't know that they even knew each other. And I didn't know that. Like, as I was reading this book, I was like, okay. So she gave a note to her best friend to give to her husband after she died. And as I'm reading it, I'm going, wait, that's the name of my grandmother now. And I didn't know, like, that they were best friends.

[Rachel Feinstein]

Oh, my God.

[Rosebud Baker]

I had no clue until I read this biography. I was like, this is that you find out if you're adopted.

[Mark Normand]

Right.

[Rosebud Baker]

But I'm in this. I'm. I've been in this family my whole life, and nobody has mentioned that.

[Mark Normand]

Interesting.

[Rosebud Baker]

It's so weird how families like the. That they keep to themselves.

[Mark Normand]

Oh, yeah.

[Sam Morril]

And also, you just want to know on, like, a health level. I'm like, hey, what age did you get prostate cancer? I just want to know. This little. Like, that he had it, and I just wanted. I just want to know.

[Mark Normand]

Doctors will say, does it run in the family?

[Sam Morril]

Exactly. He ran in the family. I'll tell you. He's all right, you know?

[Mark Normand]

Yeah.

[Rosebud Baker]

I didn't know I had a schizophrenic aunt until after. Really? Yeah. Yeah, it was. I was like. I mean, you know, it's a. It's like Republican political everything.

[Rachel Feinstein]

Whenever I find a relative, like, on, like, what's it called? 23 and me, like, I'll be like, you know, oh, so and so says they're your, you know, second cousin. Mom's like, I think it's better not to respond. He's Republican. My husband's a Republican. She's like, we should just block him out. But, yeah. Yeah, she says, which is, like, so funny because she's, like, supposed to be this open liberal. Like, she doesn't even want to know members of her family at all. She's like, well, there's no sense in calling. He's registered Republican. Half brother, Mom.

[Sam Morril]

Yeah, we got. We got to get past some shit as a country.

[Mark Normand]

Yeah, that's crazy.

[Sam Morril]

Sam, didn't your dad skip town but stay in town? Yeah. Well, Damien Lemon used to have a joke that I love where he goes, you know, I had the type of dad that would leave the family but stay in the neighborhood.

[Mark Normand]

Wow.

[Sam Morril]

I was like, wow, that's, like, fucking poetic, that joke. Yeah, he was, dude. He lived on, like, 55th and First. I mean, he was, like, right there. I mean, so. Yeah.

[Rosebud Baker]

Yeah.

[Sam Morril]

So I. I remember one Christmas, I was with, you know, Scott Rogowski. Oh, he's an old friend of ours. Used to be the HQ trivia guy. Mark and I, like, knew him since we were, like, 20 or something.

[Mark Normand]

Micro penis.

[Sam Morril]

No, no, he does. No, he doesn't.

[Mark Normand]

He had a bit about it.

[Sam Morril]

Mark's.

[Rachel Feinstein]

And you guys are like, whoa, easy on Mark.

[Mark Normand]

He had a bit about it. It's in his act. It's in his act. I'm promoting his act.

[Rachel Feinstein]

Are you trying to get him to pull up a picture of his.

[Mark Normand]

Thank you.

[Rachel Feinstein]

Minuscule.

[Sam Morril]

Using Google images.

[Mark Normand]

That's a Googler right there. What a go.

[Sam Morril]

Google 2015. My penis is below average length and girth. That's not even a joke. Attempt. What the hell are you doing?

[Mark Normand]

That's just.

[Rachel Feinstein]

Yeah.

[Mark Normand]

What is psa.

[Rosebud Baker]

It's actually a sad fact.

[Sam Morril]

Also, I love Scott. Whatever. I don't know any of this stuff. But anyway, yeah, we were just hanging out. We were hanging out one day. We went to a Knicks game on Christmas and we were hammered. I just remember being, like, in the nosebleeds with him. And Scott's like, I'm titty this girl, and there's this mom and kid. She goes, sir, do you mind? And we're like, sorry, sorry. We're just bombed. We're like, we're very sorry. And then like, a minute later, he's like, so I'm fucking her up the ass. And she's like, sir. We're like, sorry, we're fucked up. What do you expect? It's a nosebleed. But then later that day, I was like. My biological dad just asked me to come over for Christmas. Do you want to? It'd be nice to have a buffer. Will you come with me? And he, like. He's like, yeah, let's go. So he's like, the only person who ever met him. So, yeah, we went over there and, like, you know. Yeah, he's a guy. I love Scott.

[Mark Normand]

There he is now all you can see is the penis.

[Sam Morril]

That's his nose.

[Rachel Feinstein]

This picture is terrific. Like, of all the pictures he could have chosen.

[Rosebud Baker]

Yeah.

[Rachel Feinstein]

Although I feel. It feels like you bumped into him a lot, which I thought was really funny because they live. Both lived in the Upper side.

[Sam Morril]

I see him. I'd see him in the neighbor. I'd see him. I saw. I had to. Well, he moved to artist housing when I was on the Upper west side.

[Rosebud Baker]

Yeah, yeah.

[Sam Morril]

He's not an artist. It's a scam. But his wife worked in the arts. But, yeah, I saw him. Remember, I'd see him and I'd be like, I just gotta, like, dodge. And he was old, so I'd be able to, like, dodge around.

[Rachel Feinstein]

We were always on the phone, like, after he'd bump into his. And it would always be, like, the most Jewish play. Like, it would be like, they're both Grabbing the same can of fish like Murray, right? He be like, I saw my dad at the Y. I'm like, oh, my God, I did.

[Sam Morril]

He went to the Y. Same Y. How Jewy is that?

[Rachel Feinstein]

Upper west side W. Yeah.

[Mark Normand]

Oh, really?

[Sam Morril]

Oh, yeah, we look exactly.

[Rachel Feinstein]

That's like a scene from a classic movie. Doing labs past your.

[Sam Morril]

Fun fact. My biological micro penis. What's not. What's his name? Arthur Elgor. Oh, no. Bob Elgord. No, that's. No. Arthur's brother. Yeah, I'm drinking, dude. It's Bob Elgor.

[Mark Normand]

That's your dad's name.

[Rachel Feinstein]

They both tried to climb onto the same ellipse.

[Sam Morril]

That's him in the top left. Yeah, this is the 1930s. He's old.

[Rachel Feinstein]

Let me see.

[Sam Morril]

He's 90.

[Mark Normand]

Wow. I can see it. The eyes.

[Rosebud Baker]

Damn.

[Sam Morril]

Yeah.

[Rachel Feinstein]

I will say, Sammy, he looks rich.

[Sam Morril]

No, he's not. I just said he's an artist housing.

[Rachel Feinstein]

Oh, yeah, you're right. Never mind.

[Mark Normand]

Oh, wow. He's like one of the marks.

[Rachel Feinstein]

Looks like a hot, like, con art.

[Rosebud Baker]

I totally see it.

[Sam Morril]

Yeah, he was. He will fight you over. Yeah, yeah.

[Rachel Feinstein]

He was like an ad man. Like a madman.

[Sam Morril]

Yeah, he was, but he blew it up.

[Mark Normand]

Buster Keaton thing, too.

[Sam Morril]

I've got breaking news. What? Bad?

[Rosebud Baker]

Oh, no.

[Sam Morril]

Bad.

[Rosebud Baker]

Shut up.

[Sam Morril]

Sure.

[Rosebud Baker]

Whoa.

[Sam Morril]

Matt Peters.

[Rachel Feinstein]

Did it change mine, too?

[Rosebud Baker]

Please.

[Rachel Feinstein]

Mine's problematic as well.

[Sam Morril]

Wait, by the way, Rachel, he is producing a podcast right now. How much more?

[Mark Normand]

Wait a minute. Why didn't you pick a good picture?

[Sam Morril]

I like that. Are you happy?

[Rosebud Baker]

Ye.

[Mark Normand]

That's a hot.

[Rosebud Baker]

This is great crowdsource. Wow. Now the episode's going to come out and it'll go back.

[Mark Normand]

Why, probably.

[Rosebud Baker]

Yeah, I'll say that.

[Rachel Feinstein]

I got my start in the gritty downtown juggling.

[Rosebud Baker]

I do look exactly like the Quasimodo. Like the Hunchback of Notre Dame post.

[Mark Normand]

Oh, the old one. Yeah.

[Rosebud Baker]

Yeah.

[Sam Morril]

No, I think it's. I think it's fun to find, like, old pictures where you.

[Rosebud Baker]

It is. You know what I mean?

[Sam Morril]

You know, I just.

[Rosebud Baker]

What's great about being a comic is the Internet will humble you over.

[Sam Morril]

Oh, wow.

[Rosebud Baker]

Wait. Like, this is not as bad, but I get.

[Rachel Feinstein]

Not good.

[Rosebud Baker]

No, it feels like it was taking on a BlackBerry, like the old Eatsville.

[Rachel Feinstein]

With, like, a real gummy smile.

[Rosebud Baker]

Come on.

[Mark Normand]

Gummy Ban Frank.

[Rachel Feinstein]

At least put the one where I played Anne Frank on this.

[Mark Normand]

Oh, yeah.

[Rachel Feinstein]

That was like a better looking pic. Could you please swap that out?

[Mark Normand]

Yeah. Get a hot one.

[Rachel Feinstein]

I've been trying to do this for 10 years, Matt. Is amazing.

[Mark Normand]

Peters is a wizard.

[Rachel Feinstein]

I'll tell you who doesn't have a fault. I'll tell you who doesn't have a baby penis. Idiot.

[Sam Morril]

I knew this would be a good hang. I had a good, I had a good feeling about this.

[Rosebud Baker]

I got so excited when you said Rachel was.

[Sam Morril]

Oh yeah, yeah.

[Rachel Feinstein]

No, but you have to understand how hilarious Rosebud special is every time. Brilliant.

[Mark Normand]

About Washington gay joke with the baby in New York.

[Sam Morril]

Oh, I like that. I saw that joke. I think I posted that. Joe. I love that joke.

[Rosebud Baker]

Thanks dude.

[Sam Morril]

That was funny. Yeah, it's such a good.

[Rachel Feinstein]

I feel like that's what all joke.

[Sam Morril]

Is is like the perfect. Perfect. You need that perfect analogy.

[Mark Normand]

Yes.

[Sam Morril]

And you're just like, you beat the audience to that analogy and you're like, oh, that's the joke.

[Rosebud Baker]

Yeah, yeah, yeah. I mean it was fun to like. It's. It's interesting because I felt like it was done after that first year. I was like, I think I got it. And then there was so much that like over the year they just got cut down and then got added that I was able to do. I'm like, I'm so glad I did.

[Mark Normand]

It the way that it always better to wait.

[Rosebud Baker]

Did it. It's just way better to wait. And I know there was like that pressure of like putting out all the time. Time, but I really am like I, I waited five years, I think until to put this one out.

[Mark Normand]

Oh wow.

[Rosebud Baker]

Since the last one.

[Sam Morril]

Wow.

[Rosebud Baker]

Five years.

[Rachel Feinstein]

I did too. I. And I think like I remember like, like four years in, I told Colin I was like, I think I'm gonna Quinn. And he was like, not yet. And I was like, I walked, I went home that night. I'm like, what the. But I'm like, he was so correct, right?

[Mark Normand]

Yes.

[Rachel Feinstein]

And I'm so glad he told me to wait. Yeah. He's like, it's not ready. And no, no comic is going to tell you that. That's why I love Colin because he's really, he really cares. And he's like, no, it's not ready. And he was 100% right.

[Sam Morril]

But some comics, Colin is a fucking great dude and a great comic and understands. But I had a comic once told me to wait and it was my best special, you know. So I think sometimes people were just.

[Rachel Feinstein]

Like, nah, maybe listen to any hack that's jealous of you.

[Sam Morril]

But Colin, it wasn't a hack. Honestly. It was, it was a good comic. But I think they were just like, maybe you're rushing it. I've Rushed specials before. This wasn't one. I rushed. Like, we've all have rushed a special. Like, it happens, the demand. But I think Louis fucked it up for a while. Forever. When Louis was putting out every year a half, yeah, he was doing that. He was locked in. But not everyone.

[Rosebud Baker]

I don't think Louie it up for that. I think they it up for themselves. Thinking, I can do.

[Rachel Feinstein]

I have his mind, you know what I mean?

[Rosebud Baker]

Where they're like, I don't have the experience nor the skill, but I'm gonna do it exactly like he does it. And it's like, why?

[Sam Morril]

Well, it's like when everyone tried to emulate Jon Stewart and you're like, no, this guy was locked in.

[Rosebud Baker]

Right, right.

[Sam Morril]

It just. Same with Animal House. They just kept trying to remake Animal House. No, maybe Animal House was just really good.

[Rosebud Baker]

Yeah. Just let it go.

[Sam Morril]

Yeah.

[Rachel Feinstein]

I don't like when they try to remake anything, personally. I mean, I'm like, if it was good, stop it.

[Sam Morril]

I know you better have a new spin. When they did a shot for shot remake of Psycho, I'm like, what's the talent?

[Mark Normand]

Why? I agree.

[Sam Morril]

They added one thing. It was Vince Vaughn jacking off. That's the only thing they added to that movie.

[Mark Normand]

Well, they're just scared. They're cowards. They go, hey, this worked. Let's make money on the next thing and it'll be the same.

[Rosebud Baker]

It's just so it's harder for them to make their money back.

[Rachel Feinstein]

Yeah, you're right.

[Rosebud Baker]

Progressively harder for them to make their money back. So they're just counting on, like, what they think is a solid thing. And what. And to be honest, I think as far as movies go, it seems to be working for them.

[Mark Normand]

Well, the comic book shit, definitely.

[Rosebud Baker]

Yeah.

[Sam Morril]

No, but it's not working. Do you see that?

[Rosebud Baker]

Now it's starting to.

[Sam Morril]

Well, Brady Corbett, who made the Brutalist, the guy said he made no money on the movie. It took three years of his life. I didn't love the movie, but it was impressive. Like, I mean, the fact. The fact that he stretched this budget. It was under 10 million. He shot it for it. It looked like a $90 million movie. It looked big. And you saw it.

[Mark Normand]

I saw half of it. I fell asleep.

[Sam Morril]

First half is fucking great. Second half is like. It's made some weird choices.

[Mark Normand]

The director, great hair.

[Sam Morril]

He has good hair.

[Rachel Feinstein]

Yeah, but like.

[Sam Morril]

No, it has. Has beautiful moments, but, like, there's some misses. But like, the fact that he made no fucking money on this and he gave it three years of his life.

[Rosebud Baker]

Yeah.

[Sam Morril]

To me, it's, like, broken.

[Mark Normand]

The rosebud photo.

[Rosebud Baker]

Yeah. Dude, that guy does kind of look like me. If I was like.

[Mark Normand]

Oh, shut up, Sean.

[Rosebud Baker]

Seriously.

[Sam Morril]

Do you see that shit he. The speech he gave about, like, this shouldn't be. We shouldn't have to, like, have a second job as director.

[Mark Normand]

Oh, yeah, yeah.

[Sam Morril]

When you're making, like, good movies, too.

[Mark Normand]

The Internet's everything up. The movie business, that's when you know.

[Rachel Feinstein]

You'Re lonely in your marriage where. I want to see a picture of every man that's brought up, like, every time.

[Rosebud Baker]

Sam, let me see.

[Sam Morril]

I want Sean Baker. Sean Baker. Simon Rex. Our buddy who was in your movie Red Rocket, told me you don't do podcasts. I hope this gets back to you, because I want you. Yeah, I think. I think. I think your movie. And Nora was my favorite movie last year. I loved it.

[Rosebud Baker]

God, I was so annoyed with how much Andy wanted to watch that.

[Sam Morril]

It's a great movie. It's really great.

[Rosebud Baker]

I know it's a great movie, but I know he just wants to watch it because she. He's hot. And he was like. And that movie was just, like. He brought it with us on Christmas break. I was like, we're not watching Anora in my mom's house, so you can, like.

[Sam Morril]

I'm gonna talk to Andy about this.

[Rosebud Baker]

Yeah.

[Mark Normand]

She's not even that hot.

[Sam Morril]

She's hot.

[Rosebud Baker]

She. Well, yeah. Andy has a real thing.

[Mark Normand]

Oh, really?

[Sam Morril]

She's so good in the movie, though. It's a.

[Rachel Feinstein]

You kind of have an idea for, like, what your husband's thing. Like, I always know what he should have married. So if any woman looks like she could have been like. Like a Catholic esthetician or something.

[Rosebud Baker]

Yes.

[Mark Normand]

Specific.

[Sam Morril]

Good.

[Mark Normand]

Very good.

[Rachel Feinstein]

Like a hot nurse from Long Island. So whenever I see a nurse, I'm just clocking her extra tight.

[Sam Morril]

This guy's a legit filmmaker, though. He did, like.

[Mark Normand]

He's great.

[Sam Morril]

Florida project Red Rocket.

[Rachel Feinstein]

He's.

[Sam Morril]

He's the real deal. I. I think is a. His stuff.

[Rachel Feinstein]

It's a lot of skinny there. Let me tell you.

[Sam Morril]

A massive, massive Guy's got a hard dick.

[Mark Normand]

Oh, yeah.

[Sam Morril]

Hard dick. Sean Baker. Come on. We might be drunk. He went on Jim and Sam. Really? Let's get him in here.

[Mark Normand]

I would love to get him. Hey, there we go. Go.

[Rachel Feinstein]

Oh, stars.

[Sam Morril]

What do we. Wow. Is that young Simon? Dude, don't. Don't exit out. Don't do Simon like that.

[Rachel Feinstein]

He doesn't like that.

[Sam Morril]

Yeah, it's our buddy. Come on.

[Rachel Feinstein]

And they were like, don't ask.

[Rosebud Baker]

He looks great.

[Sam Morril]

He looks great. But, like, we don't. I don't want to be promoting his nude.

[Mark Normand]

Why do you wear a prosthetic at Red Rocket when he's got a decent.

[Sam Morril]

He's got a nice hug. Yeah, no, I mean, when I saw that in Red Rocket, I was like. And then I used to, like, it was a fake dick, and I was like, thank God.

[Mark Normand]

Yeah, yeah, yeah. Good to be back.

[Rosebud Baker]

Yeah.

[Sam Morril]

And just like that, we're back in the game.

[Mark Normand]

Yeah. Hey, so you. You excited? I think Gillis is on this week.

[Rosebud Baker]

Yeah.

[Mark Normand]

That'll be fun.

[Rosebud Baker]

I ran into McIver and Becky in the hall leaving good eggs.

[Mark Normand]

Love that Becky.

[Rosebud Baker]

Yeah, it's always nice when. When, like, standups host.

[Mark Normand]

Yeah, for sure.

[Sam Morril]

Who. Who is some. That you had a lot of fun with when they hosted?

[Rosebud Baker]

Chappelle.

[Sam Morril]

We get more juice from her, too.

[Rosebud Baker]

Last time Shane hosted, I mean, I was on the sketch side, so you. You. There's more interaction with the host when you're on the sketch side. Yeah, but I. Now I'm on update, so I'm just sort of, like, in a. In a windowless room with, like, four other writers, and it's just like, we're, like, siloed alone, and it's just us and our computers, and then we, like, turn around and shoot the. With each other and then go back to our computers.

[Mark Normand]

That's more my speed.

[Rosebud Baker]

Yeah, it was. It's much, much better for me in terms of, like, the way my brain works and just, like, you know, even at the end of the week when it's more collaborative, you're just tagging each other's jokes.

[Mark Normand]

Yeah.

[Sam Morril]

Do you get burnt out on those topical jokes?

[Mark Normand]

Yeah, sometimes Just staring at a plane crash. What's funny about a plane crash?

[Rosebud Baker]

Yeah, yeah. Psychopath, you know, like.

[Mark Normand]

Yeah.

[Sam Morril]

Do you also. Is there ever a time when you pitch a joke and they're like, nine, you're like, that's a good joke. I'm. I'm taking that joke.

[Mark Normand]

Keep it.

[Rosebud Baker]

For sure. Yeah, yeah, yeah. There's a. There's plenty of them, but kind of.

[Rachel Feinstein]

Like, interesting in a way, because, like, every time. Time, you know, it's kind of like, stand up. Where, like, everything. Every time I'm, like, wildly humiliated or I have some jarring, horrible interaction with somebody, I'm like, okay, great. Well, I'll just put in my act.

[Mark Normand]

Yeah, yeah, there you go.

[Rachel Feinstein]

If it feels like that a little bit in the writer's room, because it's such A It's such a terrifying writer's room where it's like, okay, well I get that then I get that.

[Rosebud Baker]

You know, it's more like that sketch side because it felt, because I felt so odd on that side of the table where it was like I, I didn't know how to. Yes. And like comics are all like, no, but you know, like that's like the way that we interact. And then the sketch writers and improv, they' yes. Anding each other all day long. So the whole time I'm feeling like a freak. I'm just feeling like an absolute freak of nature. Like ruining a dinner party every day or. Yes, now I feel normal. Like now I feel like, okay, I'm with the psychopaths and yeah, we know.

[Sam Morril]

Some of the other people who write that. Doesn't Casey do that?

[Rosebud Baker]

Casey writes.

[Sam Morril]

I like her.

[Rosebud Baker]

Yeah, yeah, yeah.

[Sam Morril]

Her 911 joke is so funny.

[Mark Normand]

Oh yeah, I love that.

[Rosebud Baker]

And then Josh Patton, Megan Callahan, Peach Schultz and Dennis McNicholas are the hours as crazy or there is crazy. Yeah, they're crazy.

[Mark Normand]

What about Shea? You're getting in there. I've known Jay 20 years. I can't pierce the skin. That guy is a.

[Sam Morril]

He's a rhino.

[Mark Normand]

He's a tank that's got the door shut. He's like a submarine.

[Rachel Feinstein]

Let's talk about Keith. Chay loves talking about.

[Mark Normand]

Okay.

[Rachel Feinstein]

Okay.

[Rosebud Baker]

Yeah, yeah.

[Mark Normand]

And I'm dead inside too. But Shay, I just can't get in there.

[Sam Morril]

You're not dead inside.

[Mark Normand]

I, I, well, you know what I mean.

[Rosebud Baker]

Because we've had a lot to be said of you.

[Mark Normand]

That's what I'm saying.

[Rosebud Baker]

But that's what I'm saying.

[Rachel Feinstein]

I find J to be pretty, but.

[Sam Morril]

It'S all who you. I feel like we've had a lot of those nights where we just fucking connect on.

[Mark Normand]

Yes.

[Sam Morril]

I mean it's part of that. I've known Mark for so long but like how many of those nights were at the subway station at 2am and you. I'm waiting for my train and Mark's just fucking waiting there and we're just shit talking people for like three hours and we're just like, good vent. See you tomorrow. Yeah, yeah, fuck those. Keep you going.

[Mark Normand]

Look how many. I've had so many nights. This is probably 10, 11 years ago or whatever.

[Sam Morril]

Bobcat, dude.

[Mark Normand]

Sometimes I feel get a read on.

[Rosebud Baker]

The, the guy on, on Che. Yeah, I feel like he's very easy.

[Rachel Feinstein]

He's always been a fun hang to me.

[Mark Normand]

He's a great Hang easy. Great hang.

[Sam Morril]

I gotta say, this is a peeve right now. No one's. Yes. Sanding marks. Yeah, I'm with you. I love. I'm with you. I love Michael. I think he's a brilliant comedian.

[Rosebud Baker]

I have said that.

[Sam Morril]

Oh, look at us. We're babies here.

[Mark Normand]

Yeah.

[Rosebud Baker]

Holy.

[Sam Morril]

Let me see. Oh, there. I'm in. I'm in the top left there.

[Mark Normand]

Back before women did comedy, all white.

[Sam Morril]

Men except Che and Damien.

[Rosebud Baker]

I do think that Che is like. Like, I've. I've described him as. I'm like. It feels like hugging a ghost. If I come to you with, like, an emotional problem.

[Mark Normand]

That's what I'm talking about.

[Rosebud Baker]

But I just. There's, like, people that you go to for that, and then there's people you don't.

[Mark Normand]

Yeah, right.

[Rachel Feinstein]

I feel like, Sam, is that you're the most satisfying person to go through. Like, I feel like I do, like. Like a. Like a nighttime roundup of my day where it's like, what is Gary Springer's final thoughts to st. Yeah. All my complaints. And. And I feel like you're very satisfying also, because I feel like just that New York Jew vibe where you. Could you complain just enough until you're done complaining? But it's all for a purpose. Like. Yeah, stay in that space. Started out as, like, an art form.

[Sam Morril]

It started as a compliment. And then she called me a New York Jew who completely.

[Mark Normand]

He's just.

[Sam Morril]

He's a whiny bitch and he. It's just.

[Rosebud Baker]

It's.

[Sam Morril]

It's tough, but. No, I know.

[Rachel Feinstein]

You're kind of a nice.

[Sam Morril]

No, Rachel's the same way. She's a. She's a phone buddy for sure. On the road, you know.

[Mark Normand]

Oh, yeah, yeah.

[Sam Morril]

That friend you.

[Rachel Feinstein]

You.

[Sam Morril]

You talk shit to, too. I mean, but you need.

[Rosebud Baker]

I love talking about clubs with Sam. I. I'll talk whenever. I've had a really bad road gig.

[Sam Morril]

You need to get it out.

[Rosebud Baker]

And you'll, like, respond with, like, specific examples of places that were similar.

[Mark Normand]

We had a good one about Atlanta. Oh, I didn't want to say it.

[Rosebud Baker]

Yeah.

[Sam Morril]

I've had great times there. But they did one time, due to me, they. When you're younger, you're not selling enough tickets. They made you do the thing. Three shows on Saturday. And I remember selling out the two late ones and the early one they made me do for 12 people. And you really start the night in a rough tone.

[Rachel Feinstein]

I had to do a show in Atlanta for five people. Wow, five. And they were like, finish it up. Bitch, get up there and dance. You want your full check, you get up there and dance for five people. And I believe one of them worked there. Like, it was profoundly sad.

[Rosebud Baker]

Yeah, yeah, yeah. Damn. Damn. I did enjoy. Enjoy.

[Sam Morril]

Oh, I wouldn't say it was one great diner, too.

[Rosebud Baker]

Great diner.

[Sam Morril]

Diner's great.

[Mark Normand]

No steaks.

[Rosebud Baker]

Yeah.

[Mark Normand]

At the diner.

[Rosebud Baker]

Yeah.

[Sam Morril]

I was like, you want a diner steak?

[Mark Normand]

The low stakes.

[Sam Morril]

Oh, okay.

[Rosebud Baker]

Got it. Got it.

[Sam Morril]

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[Mark Normand]

Yes.

[Sam Morril]

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[Mark Normand]

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[Sam Morril]

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[Rosebud Baker]

But they were fun. I mean, it was like one of those road gigs where. Where you're like, this is insane what's happening. But I can appreciate it because I've left my body.

[Mark Normand]

Yes, exactly. Exactly.

[Sam Morril]

You're looking down at yourself, yelling at some dude and a D. It's like.

[Rosebud Baker]

Literally, I'm laughing at myself from, like, above. You know what I mean?

[Sam Morril]

Like, it's like De Niro outside. That place was smacking the phone, finding out Joe Pesi got whacked. That's the vibe of the D. It's.

[Mark Normand]

Like an assault in a. In a stairwell of a parking complex. You're like, I'm out of my body. This guy's having his way with me.

[Rosebud Baker]

I'll go up there.

[Mark Normand]

Yeah, I'm looking from above, but, you know.

[Rosebud Baker]

Yeah, but laughing at myself.

[Sam Morril]

I've had fun there. No, I get. I love Atlanta crowds. I really think they're very good crowds.

[Rosebud Baker]

Atlanta crowd.

[Sam Morril]

I just did Atlanta on this run, and I was like, man, that was one of the most fun crowds I've had. I love it. I love the South Tabernacle.

[Rachel Feinstein]

I will say Nashville. I'm going to Nashville this week. I will say like those crowds are always really, really, really fun.

[Mark Normand]

Great comedy town.

[Sam Morril]

We had a great time. Taylor Lawan from Busting with the Boys came out and we were doing I'm making this dumb movie. We were shooting a dumb party scene with him and he was like so game to make Gary snort fake lines and shit. He was so fun to hang out with. I mean Nashville's the best. I, I, I love it and that the chicken up the tour bus for a while but sure, sure.

[Mark Normand]

But I love that you love the South. South gets a bad rap.

[Sam Morril]

I love this.

[Rosebud Baker]

We have a good time at Zany's. Have you the it's brand newer room?

[Rachel Feinstein]

I'm doing Zany's this weekend.

[Rosebud Baker]

Are you doing the newer room?

[Rachel Feinstein]

I don't know. I don't know. I didn't even look. I just like read things on the way when the plan really I forgot where I hurling myself to. I'm always just like, what who's picking me up? I just know some girl named Meredith is going to be there.

[Sam Morril]

My mom for this. And I'm like, hey, the car will be there. Yeah, it's gonna work out.

[Rosebud Baker]

It shows.

[Rachel Feinstein]

I get on a plane, it feels so unnatural. So I just feel like, like stand up feels like obviously the most natural thing but hurling my body to an airport, I just, I kind of have to disassociate like a child abused or something.

[Sam Morril]

Yeah.

[Rachel Feinstein]

Like I'm gonna go to a meadow where it's safe until I'm landing in.

[Mark Normand]

Yes.

[Rachel Feinstein]

Yeah.

[Mark Normand]

Here, here.

[Rosebud Baker]

I zombie out with everything in my life though. Like truly everything. Like even having a kid, I was kind of like, I guess I'm doing this. You know what I mean?

[Sam Morril]

Yes. But that might be the most healthy attitude because you know what? You're more present.

[Rosebud Baker]

Yeah, you're more present. Well, I'm just check out to form a new memory. So it's not like I'm present.

[Sam Morril]

I know, but if you're not planning ahead, I do think you're present. I think if you're not like thinking about everything that's coming next, you're like, this is gonna happen.

[Rachel Feinstein]

Well, I just feel like, I do feel like that's why I kind of relate to comedian moms a little bit more than some other moms because I feel like or at least people like a little more because I'm like type D. Like I'm the least type A person. So I didn't read a single book about pregnancy. Like I was just like whatever. I just had one like my dermatologist Told me what to do, and I was like, okay, like, have a C section. I'm like, all right, one type A to give me, like, a plan, you know? And I feel like. And I. A lot of women get very, like, I don't know, they just get like, holier than thou around, like, birthing and stuff. And I'm just like, the rest of our lives is so exciting and compelling. Like, I don't care how my kid arrives, you know? And that's why it was very satisfying, like, to talk to, like, Rosebud. That's why you're. I loved your special so much because I just feel like it's nice to talk to a mom that it's, like, also maybe a little darker. I feel like I share too fast.

[Rosebud Baker]

Oh, my God.

[Rachel Feinstein]

Like, I'm never going to be that place.

[Rosebud Baker]

Start telling parents how you really feel, and they start backing away slowly, and you're like, oh, I this up.

[Mark Normand]

Yeah.

[Rachel Feinstein]

I always say too much, too fast.

[Mark Normand]

Me, too.

[Rachel Feinstein]

Like, they're just like, oh, we just started teething. And I'm like, I'm snacking on Xanax.

[Sam Morril]

Flip it, flip it, Peter.

[Mark Normand]

I think our brain naturally goes to the craziest place I know. And we have to dial it back for non comedians.

[Rosebud Baker]

Yeah.

[Mark Normand]

All the time.

[Rachel Feinstein]

Kayl was saying that to me the other night because he's just like, I see the way that you and I interact with people, and it's just like, that's not. We have to remember that's not what most people do. Like, I'm just like, should we take this to the sickest place?

[Mark Normand]

Okay, I feel better. You guys are giving me. This is why I'm jerking off on sd. I'm going to the craziest place. That's all I was doing.

[Sam Morril]

Mateo is the best person to be your neighbor. It's so. It's so nice to have him in my building.

[Mark Normand]

He's a good egg. Yeah.

[Rosebud Baker]

I love him so much. I really love him so much.

[Rachel Feinstein]

Him screaming at his Italian aunts, too, is like. Nothing makes me laugh more than his. His Chicago family at the TV together. Like, no, no. Watch hoarders. Put on hoarders, Mateo.

[Rosebud Baker]

I also appreciate, like, just, like, the comedians in general, like, when you have a kid, they don't care. And it's nice because they don't. Like, for a while, I was like, I'm lonely. And then I was like, oh, they just don't care because I'm still the same person to them. They didn't. None of them gave me that Bullshit like, hey, mama. They didn't do any of that. And I was so grateful for that because I didn't want to be treated, like, differently.

[Rachel Feinstein]

Yes.

[Rosebud Baker]

You know what I mean?

[Rachel Feinstein]

I know what you mean. It was almost a relief to be around narcissists because.

[Rosebud Baker]

Yes.

[Rachel Feinstein]

They didn't feel like they had to lower their voice an octave. I'm like, they don't even. Didn't even occur to them whether you slept last night.

[Rosebud Baker]

Which I don't give a fuck.

[Rachel Feinstein]

Appealing because that's interesting.

[Mark Normand]

Yeah, it is interesting.

[Rosebud Baker]

Yeah.

[Mark Normand]

Yeah. I went to high school with a bunch of, like, moocs. Drunk psycho guys. And they didn't care about anything. And it was very. They didn't ask you about your day or anything. It was just get drunk, blackout, fight each other, whatever. And it was a. Was a easier, easier life.

[Sam Morril]

Those guys are weirdly non. Judgmental.

[Mark Normand]

Yes.

[Sam Morril]

Think of them as, like, judgmental. But then you're like, now these guys only care about getting drunk.

[Mark Normand]

Yeah.

[Rosebud Baker]

Well, you say that until you cry in front of them.

[Sam Morril]

Then they're like, get him.

[Rosebud Baker]

Yeah.

[Mark Normand]

But I've had comics meet my high school friends. They're like, whoa, how do you hang out with those guys? It was easy.

[Sam Morril]

One still hits me up all the time. And he is like, a complete psycho. His mom was a hoarder. They got, like, kicked out of their building. He. He's like a chess genius. So he was ranked number one in the country, but he also was like a raging cokehead and gambling friend. The one that gambles? Yeah. Yeah, he's a gamble. He's. Dude, he used to show up at shows and Phil Hanley would be like, this guy's incredible. And I'd be like, give it a couple hours. What the fuck's wrong with this guy?

[Rosebud Baker]

Being what's happened to the rich kids that I grew up with? Because there's a. You know, they always had money. They didn't try to. They didn't try to be anything because they had everything they needed. So I'll go home and I'll like. I remember going to pick up like a steak or something from like, a steakhouse. And my friend who I'd gone to high school with comes around the corner in a waitress like outfit, and she's got like, this. And she's on crutches and she's like, rosebud, how's it going? And I was like, hey, what happened? She goes, I fell off a roof.

[Mark Normand]

You know what that reminds me of is Schumer's High School 30 you ever hang out with them? Like, you'd be on a private jet with Schumer or something, and she'd be like, I'm gonna bring my Long island high school friend.

[Rachel Feinstein]

Girls you ever met.

[Mark Normand]

So fun. Crazy. Doing shots.

[Rachel Feinstein]

They're all just, like, nurses with, like, the scratchiest voice you could ever.

[Mark Normand]

Yeah. Bad tattoos. They got like a. I'm like, how.

[Rachel Feinstein]

Do you have a burden when you just move straight to stay in Long Island? And they're like. But they seem like they've been on around the World, like, three times.

[Sam Morril]

But it's the best, man. Those friends you grew up with, it's like. It's so satisfying.

[Rosebud Baker]

Yeah.

[Sam Morril]

Because you do, like. Oh, shit. This is.

[Mark Normand]

Oh, totally.

[Sam Morril]

One of my friends. He's bartender, the Cellar. Dan Hall.

[Mark Normand]

Look at that.

[Sam Morril]

You know, he said he's at the.

[Mark Normand]

Oh, he's a great guy.

[Sam Morril]

He's my boy. I mean, we grew up together.

[Rosebud Baker]

I love him in that photo.

[Mark Normand]

Those were the good old days. But, yeah, anytime somebody's at the Cellar, like, this guy's toxic. I'm like, I grew up with a guy exactly like that, and he was my best friend.

[Sam Morril]

Because the toxic guy's fucking funny.

[Mark Normand]

They're funny and they're fun and they do crazy shit.

[Rachel Feinstein]

That's why I used to, like, hang with the skaters in high school, because the skaters were funny. They were like the dry, weird, tactile guys that may or may not commit su. Suicide.

[Mark Normand]

Yes.

[Rachel Feinstein]

Yeah.

[Mark Normand]

They got some edge.

[Rachel Feinstein]

Yeah.

[Sam Morril]

And the toxic guy's more fun than the narc 100.

[Rachel Feinstein]

I think you were, like, the funniest thing about Mark is that, like, in every picture, it looks like somebody Photoshopped you in because you were on the road.

[Sam Morril]

That's. That's Ben.

[Mark Normand]

Yeah, he was the.

[Sam Morril]

He's like the woodsman. He would do all the cool furniture, woodworking. I like that guy a lot.

[Mark Normand]

Great guy.

[Rachel Feinstein]

Fine.

[Mark Normand]

She married the wrong guy.

[Sam Morril]

Chris is cool. I love.

[Mark Normand]

Chris is a good egg.

[Rosebud Baker]

Yeah, I do. I love featuring, I gotta say.

[Mark Normand]

Oh, it's the best.

[Rosebud Baker]

I really love featuring.

[Mark Normand]

Didn't have to worry about promoting selling tickets.

[Rosebud Baker]

You do 15 minutes of work, and you live a rich person's lifestyle for the weekend.

[Mark Normand]

Oh, yeah.

[Rosebud Baker]

And then, you know, people come up and they go, oh, you should have been the headliner. And you're like, yeah, I know. And then. But you're like. You're just living it up for, like, very little work. And it's. I mean, it's. I do think it's the best job. Comedy.

[Rachel Feinstein]

No.

[Sam Morril]

No.

[Mark Normand]

Yeah.

[Rosebud Baker]

Featuring a really successful comic.

[Mark Normand]

Yeah.

[Rachel Feinstein]

I remember when I first started opening on the road and I would just be like waiting like after just to see, like, is he gonna ask me again? Like, oh, yeah, ack me again. Like, just wait. I'd check my checks all day.

[Rosebud Baker]

Yeah.

[Rachel Feinstein]

And then I remember getting off stage once and like the headliner being like, oh, you're a dirty birdie. Meanwhile, you're dirty birdie did like one dirty joke.

[Mark Normand]

Yeah.

[Rachel Feinstein]

Oh, you're a naughty little bitch. You know, but it is kind of nice. I will say as like when Norton's.

[Sam Morril]

Like, if you had a dick, we could take this to the. But I don't know, that was.

[Mark Normand]

That's an old timey thing. No offense, but I remember those days where you had to like audition for the headliner. You wanted him to like you or.

[Sam Morril]

You wanted every single one.

[Mark Normand]

It was everyone.

[Rachel Feinstein]

It wasn't as much as like auditioning, but it was like I would, it was like I would. That was like my whole life. So I was just like, if he asks me to do another disgusting week, of course 500 bucks, then you know that's a win.

[Sam Morril]

Oh my God. I remember being like, I hope Spanky Brown thinks I'm funny.

[Mark Normand]

Yeah, exactly.

[Sam Morril]

But you really, really did.

[Mark Normand]

Yeah, you really did.

[Sam Morril]

And like those fucking weekends made you a pro. Those weekends made you give a shit about setting up the headliner. You know, it's not just about doing well, but you want them to be like, this guy like, gave me a good crowd.

[Rosebud Baker]

I hadn't even done the road and then started featuring for Amy and then started headlining my own. And I was like, oh, this is a rude awakening. Oh, the wrong way. Where like I should have been doing these shitty gigs, then done that, then gone back to the shitty gigs. Cuz like once I was doing like headlining gigs at these like shitty clubs, I was like, this sucks ass. I didn't realize how rough this was.

[Mark Normand]

Oh yeah, you remember. You think you have way more time than you do.

[Rosebud Baker]

Yeah, I thought, I thought like being on the road and it sucking was like a myth and a story comics were telling.

[Mark Normand]

Oh no.

[Rosebud Baker]

And I got on the road and I was like, oh my God.

[Mark Normand]

Papered rooms.

[Sam Morril]

But I started so young that I was like, this is cool. Like I just. Being a hotel to me was cool. Like, I remember it took me a while, my mom would call and be like, this isn't the life you want. And I'm like, I think I'm too far in at this point. We were young, but Like, I think. I think she saw the writing on the wall. Like, if this doesn't work, you are gonna have a sad fucking life. And I was like, I know. I don't need the reminder. I have these thoughts. I'm listening to Tom Waits, right?

[Mark Normand]

See those headshots in a club? You're like, oh, I'm scared of being that guy with the mullet who's, like, kind of a draw in Nashville.

[Rosebud Baker]

That's when they looked good.

[Mark Normand]

Yeah, right, right.

[Sam Morril]

That was just a peak.

[Mark Normand]

That was peak.

[Sam Morril]

Yeah.

[Rachel Feinstein]

I also feel like it's just a. It's an even. It's a way different situation for a guy and a woman on the road. There's just such a throbbing loneliness to being a woman on a road Woman in all my time in the road. Like, in the years where, like, a guy would just be like, you know, crushing ass. Like, I don't remember one man just even. Even glancing at me.

[Mark Normand]

Oh, come on now. This is a peeve. Comics always do this. They go, no guy ever hit on me. Blah, blah, blah. And then one guy hits on you, go, there's too many creeps in this club. Which one is it?

[Rachel Feinstein]

No, I want them to. Are you kidding?

[Mark Normand]

Oh, come on.

[Rachel Feinstein]

Anything I can get that's still there.

[Sam Morril]

Damn it.

[Rachel Feinstein]

Shiny forehead. You fix that. I want a Paris filter instead of that. I don't want to be a human being. Make me a parent.

[Sam Morril]

I gotta peeve, too.

[Mark Normand]

All right, hit me.

[Sam Morril]

Oh, sorry, go ahead. No, go ahead.

[Rachel Feinstein]

I just want to respond to Mark that. No, that we're not making it. At least I'm not making.

[Mark Normand]

If Salicy's hit on you at the Zanies in Nashville, you'd go, this. It's hard being a woman this weirdo's hitting.

[Rachel Feinstein]

I would immediately be like, stick it in. But I would download that to continue my self esteem.

[Mark Normand]

Okay, okay.

[Rachel Feinstein]

Yeah.

[Mark Normand]

I've had a few female headliners I work with were like, everybody here is hitting on me. I hate it. This sucks.

[Sam Morril]

And you're like, all right, I'll stop.

[Mark Normand]

And then they'll be like. Then they'll be like, no guy ever hits on me. And I'm like, yeah, you can't have it both ways.

[Rosebud Baker]

I would. Here's what. Here's what. Here's what we're saying. Is that based off of how well we just. Just did, we think that we should be getting hit on more than we are? I'm not saying no one ever hits on us, okay? Like, this is crazy, because I've seen male Comics do worse than I just did and get thrown at their nose, you know? And we are.

[Mark Normand]

Our bar is lower, too. Maybe I. I'd go wheelchair lady.

[Rosebud Baker]

That's true.

[Rachel Feinstein]

I know. I've.

[Rosebud Baker]

Yeah, yeah, yeah. But listen, you get lonely enough wheelchair lady.

[Sam Morril]

In some hotels, they don't have. Good. They don't have elevators. It's a whole thing, you know, It's a. It could be tough.

[Mark Normand]

I put a broomstick right in that wheel. She can't go anywhere.

[Rachel Feinstein]

I used to take this Russia guy, and the mom would complain about when they first came to the country, and she used to go. And then, you know, my daughter Marina, she had no friends.

[Sam Morril]

She was, like, friends with wheelchair people.

[Rachel Feinstein]

That was like.

[Mark Normand]

Wheelchair people.

[Rachel Feinstein]

That was like. She said it, like, with tears running down her face. She's like, that's how bad we have it. She has to, like, you know, fraternize with wheelchair kids.

[Mark Normand]

That's what it says on the parking spot. Wheelchair people.

[Sam Morril]

God damn, man. That is hilarious.

[Mark Normand]

That's. The Special Olympics is now called Wheelchair People.

[Sam Morril]

I will say being a single male road comic is fun.

[Mark Normand]

It was fun.

[Sam Morril]

And I. And I. And I totally get that. Yeah. Not being, you know, a woman on the road.

[Mark Normand]

Of course.

[Sam Morril]

There's definitely. I remember Ida Rodriguez, man. We were on a road gig years ago in, like, fucking. I want to say, like, Puerto Rico or some shit. We were somewhere weird. Puerto Rico. I was hammered the whole fight weekend. I remember some guy came backstage, and I was like. He was with her. And I was like, I'll kill you. I was totally bluffing, but I was like, I will, like, leave her the alone.

[Rosebud Baker]

Yeah.

[Sam Morril]

And she told me a story on the. On the road gig where, like, she was like, I had a guy once, like, try to break my door down, and I was like, oh, my God. Like, you hear the shit women deal with on the road. You're like, yeah, it's different.

[Mark Normand]

That sounds like a porno for us.

[Rachel Feinstein]

A man came into my room in Vegas. Like, he started to open the door, just. No, it was the guy.

[Mark Normand]

That's a deep cut. No one's gonna get that.

[Rachel Feinstein]

I said, a man. A man. Not a lovely lady again.

[Mark Normand]

If Jess got hit on you on the road, you go this.

[Rachel Feinstein]

I mean, nothing would make me ask. Hitting on me.

[Mark Normand]

All right?

[Rachel Feinstein]

And then just. If I woke up in the dead of night and just got. Was, like, strumming a show tune on.

[Rosebud Baker]

My bed, can't remember, like, a single time that something that. That something that creepy has happened Her. Oh, no, no. There Was once, but it was a different kind of creepy. It was not sexual. It was. A guy came up and was like, hey, Rosebud, can you sign this? And it was a book. And I was like, well, I haven't written a book. So I looked at it, and I was like, what is this? And he was like, it's just a book. And I was like, do you want me to, like, sign, like, a picture or something? And he was like, no, you could just do this. And I was like, no, I can do it just, like, on a piece of paper for you or something. And he was like, no, you know, I just wanted to get, like, your signature, you know, in case something happens to you. And Andy, like, needs your signature. I was like, what the. And I was just like, yeah. Like, that was. And it wasn't. It didn't feel sexual, but it did feel like, you. You don't want to me, but you might want to kill me.

[Mark Normand]

Right?

[Sam Morril]

That's worse.

[Rachel Feinstein]

Yeah. I had to get a restraining order. Answer this guy, because he was making like. He was. He was sending packages to this other Rachel Feinstein that he thought was me in Brooklyn with, like, this weird, like, dark, but, like, embarrassing fan fiction. It would be like Rachel got off stage and her manager Sylvia, looked at her taught ass. Like, it was. It was like an entire book. He sent her, like, a wedding ring. And thinking it was you, thinking that it was me.

[Mark Normand]

Got it.

[Rachel Feinstein]

And then she reached out to me and she's like, hey, I filed a police report. I've been getting a lot of packages from somebody that she was so annoyed. Annoyed to. She wasn't. I wasn't like, the cops.

[Sam Morril]

Like, this guy's a good writer. Yeah, this is good writing right here.

[Rachel Feinstein]

No, I mean, he was like, I shouldn't talk about this, probably, but, like. Yeah, no, he was in a trailer park, and the cops just, like, knocked at his door. They were like, yes, you gotta stop. Sighted these packages. Yeah, he was doing a lot of. He was, like, painting me a lot. Like, but what. Also, weren't. You had someone paint you? They weren't that. He was like, home lish at best. He lived in the woods.

[Mark Normand]

Oh, that's bad.

[Sam Morril]

Was he painting that Eastville picture of you?

[Rachel Feinstein]

You guys. Thank you. That's. But no, it was not. It wasn't good. I mean, it was very.

[Sam Morril]

Yeah, it's bad.

[Rosebud Baker]

Yeah.

[Rachel Feinstein]

No, I mean, I've never had anybody just come up. And it's true, by the way, Mark, we're not making it up.

[Mark Normand]

Like, oh, no, I. But but my point is, the guy with the book that you're freaked out by, we would go, I think I'm in with this chick.

[Rachel Feinstein]

Right. Because it depends.

[Mark Normand]

That's the difference. The fear of getting murdered.

[Rachel Feinstein]

Yes.

[Mark Normand]

Yeah. We don't have the murder.

[Rosebud Baker]

He brought up that I might die. You know what I mean?

[Mark Normand]

Yeah.

[Rosebud Baker]

It also wasn't, like, an unrealistic. Unrealistic, like, just, like, I wasn't, like, jumping to. He would literally said, like, just in case something happens.

[Mark Normand]

No, that's crazy.

[Rosebud Baker]

I was like, that's. I don't love that.

[Rachel Feinstein]

Yeah, probably, like, I don't know. Like, he was, like, painting, and. I mean, it wasn't good. He was living in the woods. Like, he was throbbing with.

[Sam Morril]

How many acres on the woods?

[Mark Normand]

Yeah.

[Sam Morril]

What are we looking at?

[Rosebud Baker]

How big was his compound?

[Mark Normand]

Right.

[Rachel Feinstein]

By the way, like, of all the people that, like, since I started dating people, Pete. That if. Like, there's been a few situations like that where a guy's been kind of alarming. And I'm like, one time I got into a guy's car because he pretended like he was an Uber when I was leaving a club, and I was like, I don't know if this guy's the Uber. I'm just a little worried. He was like, I'm sure it'll be fine. Fast asleep. I'm gonna send you that. Like, and it wasn't. By the way, it. I convinced the guy to, like, take me back, but it wasn't in any way an Uber. Like, yeah.

[Sam Morril]

And it was a dude who was just trying to pick up chicks as a fake Uber driver.

[Rachel Feinstein]

And. And Pete was like, sure, it'll be fine.

[Sam Morril]

And he took you home?

[Rachel Feinstein]

He took me back to the hotel.

[Sam Morril]

What I'm hearing is you got a free ride. That's all I'm hearing.

[Rachel Feinstein]

Free ride.

[Mark Normand]

Okay.

[Rosebud Baker]

That's female privilege to have gone to get in a car and be like, oh, this guy's not an Uber. And I don't know whether or not, like, what did you.

[Rachel Feinstein]

He was a guy that was, like, quaking with mental illness, who was at my show earlier and wanted to be my Uber, which I still think is kind of flattering if you're out there.

[Mark Normand]

That's true.

[Rachel Feinstein]

Because it didn't rate me at a. Want to say thank you so much. It's so sweet.

[Mark Normand]

Who has better adjectives than Rachel? Throbbing, quaking, wildly.

[Rosebud Baker]

Truly the best adjectives in comedy.

[Mark Normand]

Quaking, mental illness.

[Rosebud Baker]

Yeah.

[Mark Normand]

That's wild.

[Rachel Feinstein]

But, no, I. I had a guy at the Foaming.

[Rosebud Baker]

She also Said that's.

[Sam Morril]

By the way. That's a dark life. You're just waiting for chicks in a fake. That's like the plot of Bone Collector. Remember that movie Denzel? Angelina?

[Mark Normand]

Is that how that was?

[Sam Morril]

Yeah. Guy just picks you up in a cab, and he puts some gas in the backseat in front, takes you and kills you. Not a great movie, but Angelina, Angelina, she was looking pretty good.

[Mark Normand]

I got a bone to collect.

[Sam Morril]

Yeah, buddy. Oh, yeah, you do.

[Mark Normand]

John Voight, daughter. Weird.

[Sam Morril]

It is weird.

[Mark Normand]

I know, because I guess John Boyd was a hot guy.

[Rosebud Baker]

Midnight Cowboy face in her face.

[Rachel Feinstein]

Yeah, he looks exactly like her. So it's almost like I can't see him as a man because I just see, like, beautiful Angelina.

[Sam Morril]

That's probably how you stay hard while her. You're just. I mean, like, don't come. I mean, you're just like, I'm gonna. John Voight. Jon Voight. And you're like, all right, I lasted 20 minutes.

[Rachel Feinstein]

That's her mother, right? That's her mom.

[Rosebud Baker]

Whoa.

[Mark Normand]

She's hot, too.

[Rachel Feinstein]

Wasn't she, like, a French actress or. I don't know.

[Rosebud Baker]

I don't know.

[Rachel Feinstein]

I have no information.

[Sam Morril]

Yeah, she's beautiful. Yeah. Angelina, man.

[Mark Normand]

You heard she. The Brad Pitt. I think it hit the. Hit the kids. Yeah, Yeah, I did read that.

[Sam Morril]

Allegedly.

[Mark Normand]

You see.

[Rosebud Baker]

Yeah, you sound like a kid.

[Sam Morril]

Hidden apologist right there. Salak here doing the alleged. Yeah, we don't want to get on.

[Rachel Feinstein]

Like, it was distancing and a plane. Right?

[Mark Normand]

Yeah, he beat her. He roughed her up a little, but.

[Rachel Feinstein]

The first rule had to come, and they were still like, I don't know about this lion. Like, the FBI was there. What the. Anytime a woman tells a tale of any kind of abuse, they're just like, I don't know.

[Mark Normand]

I don't want him to be a bad guy, you know?

[Sam Morril]

I know. I like too many of his movies.

[Rosebud Baker]

Listen, you can still come to him.

[Sam Morril]

Oh, yeah, and I still will.

[Rosebud Baker]

Yeah, I did. He was the only man I've ever seen on screen. Where? When he was on that rooftop in Hollywood. Hollywood. I was alone in that theater, and I took a picture of the movie screen.

[Sam Morril]

Wow.

[Rachel Feinstein]

Wow.

[Rosebud Baker]

Psychotic.

[Rachel Feinstein]

He was on, like. What was it?

[Sam Morril]

That movie was so satisfying.

[Mark Normand]

Oh, yeah.

[Sam Morril]

I remember I saw with Ari Shafir, and I remember we just, like. We just left, went to his house. He's like, let's do a podcast about that movie. I was like, let's do it.

[Rosebud Baker]

DiCaprio alone in that trailer.

[Sam Morril]

I loved it.

[Mark Normand]

I've been there.

[Rachel Feinstein]

Oh, Man.

[Mark Normand]

And this guy's like, what, 54 here or something like that.

[Rosebud Baker]

54 or something. I. I remember seeing this and just going, good God, that's that hot.

[Rachel Feinstein]

Because I just feel like a dirty Jew. And I'm like, he would never want to. He wouldn't want anything to do with a Rachel Feinstein.

[Mark Normand]

That's true. Especially that Wikipedia name, like Rosebud Baker.

[Rachel Feinstein]

Rosebud Baker is a. That's a hot name.

[Mark Normand]

That's a good name.

[Rachel Feinstein]

Mean name.

[Mark Normand]

Yeah. Nice gentile.

[Rachel Feinstein]

Not a whisper.

[Rosebud Baker]

Yeah, but you know what I grew up with? People just called me bud, so that's like, oh, I got the personality.

[Mark Normand]

Interesting.

[Rosebud Baker]

You know, how about.

[Sam Morril]

How about Brad Pitt and Troy? That was crazy.

[Mark Normand]

I never saw Troy.

[Sam Morril]

It's not great, but he's. He's Achilles, and he's just.

[Rosebud Baker]

You guys didn't let that play long enough. Or slow.

[Rachel Feinstein]

Yeah, see, like, when I would see a guy like that, that was that hot, though, I would imagine when I. Even when I would fantasize about him, I would give him some kind of ailment or something so that I could make him want me. So I'd be like, oh, he has to have some sort of gangrenous disease.

[Rosebud Baker]

I mean, look at this dude on his last legs. See that?

[Sam Morril]

I don't know who I'm more attracted to, him or Rose Byrne. This is crazy.

[Mark Normand]

Oh, yeah, Rose burns.

[Sam Morril]

Rose burns. Hot. I mean, he's shredded.

[Mark Normand]

Oh, yeah.

[Rosebud Baker]

Yeah. I don't like wet long hair.

[Rachel Feinstein]

When I start thinking about him screaming at me on the plane and shaking me a little, I'm like, okay, come on, now. I'm in it to win it.

[Mark Normand]

Yeah, why don't you call the FBI on that?

[Sam Morril]

Why did he hit his kids? Did they say why?

[Mark Normand]

I think they made fun of Troy.

[Sam Morril]

Shovel him down. It wasn't a punch situation.

[Rachel Feinstein]

Oh, my God.

[Sam Morril]

Allegedly. You are an apologist, aren't you?

[Rosebud Baker]

Yeah.

[Sam Morril]

What are you doing to Charlie?

[Mark Normand]

He loves bp.

[Rachel Feinstein]

I love that he's here. My take on. He's like, he shook her a little bit, but she was not alive.

[Mark Normand]

I think his girlfriend now is a big he. If I'm not.

[Sam Morril]

Sal's like, I think his kid said the nword or something.

[Mark Normand]

Really? Pull up. Is his girlfriend.

[Rachel Feinstein]

He's dating Inez something. She's not a heap.

[Mark Normand]

Oh, damn.

[Rachel Feinstein]

So like a nez something or other.

[Sam Morril]

You want to do in there?

[Rachel Feinstein]

I was hoping Latina architecture.

[Mark Normand]

Oh, you're right. You're right. What about Amal Clooney?

[Rosebud Baker]

What about her?

[Mark Normand]

Is she a He.

[Sam Morril]

No, you're just saying that because of her nose, you racist.

[Mark Normand]

She's hot.

[Sam Morril]

She is hot.

[Mark Normand]

I mean, she's in my top five. She's not in your easily. I love when you got Scarlett Johan. Oh, she's gorgeous.

[Sam Morril]

Very attractive lady.

[Rachel Feinstein]

Stunning.

[Rosebud Baker]

How mad people were that he was with her.

[Mark Normand]

What? Really?

[Rosebud Baker]

Yeah. When they first got together, they were like, why the fuck would he go. Because she was like a lawyer.

[Rachel Feinstein]

Beautiful.

[Rosebud Baker]

They were upset that he went with, like, a really intelligent woman with a career.

[Sam Morril]

Public service announcement. Clooney, you're on Broadway. We're clearly fans of yours. I've fucking quoted out of sight on this podcast many times.

[Mark Normand]

Come on.

[Sam Morril]

The fucking pod. We'll promote. Good night and good luck.

[Mark Normand]

Yes.

[Sam Morril]

Love the movie Clooney. I know you're hearing us here.

[Mark Normand]

Love your wife.

[Sam Morril]

He loves your wife. He wants to have sex with your wife.

[Mark Normand]

That's her sales pitch.

[Rachel Feinstein]

Jewish people.

[Mark Normand]

Oh, Galga, These are amazing.

[Sam Morril]

No, we need. We need Clooney on here. I think that's a good app.

[Mark Normand]

Oh, of course, of course.

[Rachel Feinstein]

Come on. That's classic.

[Sam Morril]

That's classic. Come on, Clooney. You did Marin. We're comics.

[Rachel Feinstein]

The most man's man of drinks. What do you think?

[Mark Normand]

He has a tequila.

[Sam Morril]

He's casamigos. Yeah, but I think he would like bodega cat, yo.

[Mark Normand]

You better believe it. Come on.

[Sam Morril]

Hey, we're kind of like you. We're following your footsteps. So you want to talk to the younger versions of the, you know, we got bodega catch guys are buying a villa in like. Oh, no, we're liquor salesmen. We're doing that.

[Mark Normand]

We're not saying we're like, we're the TEU of those two guys.

[Sam Morril]

We are. Teemu is flattering at that point. I'll take. I'll take Teemu. Anything.

[Rosebud Baker]

What was that?

[Rachel Feinstein]

Like, Randy Gerber? Yeah, he looks like he'd be a wild one to drink with.

[Mark Normand]

Like, who's Gerber house?

[Rachel Feinstein]

Is that Randy Gerber?

[Sam Morril]

Yeah.

[Mark Normand]

Who's Randy Gerber?

[Rosebud Baker]

Damn, he looks like he would tie.

[Rachel Feinstein]

One on in a. Yeah, like, we'll hang out.

[Sam Morril]

We'll wife swap. It'll be great. It'll be cool.

[Mark Normand]

This is some real gentile right here. Just a couple of men out there on hogs.

[Sam Morril]

But Clooney would like us. Clooney. It's out there. It's out there.

[Rachel Feinstein]

Now Clooney seems like the kind of guy that would go to like an all man's barbershop. Like, he would just go and get you Know, even.

[Mark Normand]

Yeah.

[Rachel Feinstein]

With the guys and have the whiskey.

[Mark Normand]

The head shade, or the next barbershop.

[Rosebud Baker]

They all go to barbershops.

[Rachel Feinstein]

I guess they all do. I don't mind.

[Rosebud Baker]

Go to barbershop.

[Sam Morril]

My guy says, weird, man. I might need a change. It's tough.

[Rachel Feinstein]

I've always been so jealous that men have the barbershop.

[Sam Morril]

Yeah. He's. He just makes up jokes and then starts laughing to himself. And I'm like, I don't like this energy. Sounds great, but they're not good jokes.

[Mark Normand]

Ah, okay.

[Rosebud Baker]

My dentist does that. It's like, really?

[Sam Morril]

What do you do?

[Rosebud Baker]

And it's like my mouth is open. I feel. I'm like. I just feel like I'm getting drilled. Violated right now.

[Sam Morril]

You're getting drilled by a dude?

[Rosebud Baker]

Yeah. I'm just like, but. But with bad jokes, it's like, really?

[Sam Morril]

No, I get it.

[Mark Normand]

Big laugh.

[Rosebud Baker]

Yeah.

[Mark Normand]

A lot of work.

[Sam Morril]

That's sharp.

[Rosebud Baker]

Sure. Yeah.

[Mark Normand]

My dentist has bad breath, which is weird.

[Sam Morril]

Like, who does?

[Mark Normand]

My dentist. I'm like, you got horrible breath. But you're. That's your thing.

[Sam Morril]

You should. It's like a barber with a fucking bad. I've gotten the fucking bald ponytail barber. I'm like, you don't know well enough to cut that shit.

[Mark Normand]

I know.

[Sam Morril]

This is your whole bag.

[Rosebud Baker]

Yeah.

[Mark Normand]

Find me a photo of a Jew on a motorcycle. I don't think I've ever seen it.

[Sam Morril]

Jew on a motorcycle. That doesn't exist.

[Mark Normand]

There's no way or NFL operating a fuse box.

[Rosebud Baker]

Or in the morning, Jew on a.

[Sam Morril]

Motorcycle is, dude, I told you to be Israeli. What did I say?

[Mark Normand]

He's posing. That's not real. His wife.

[Sam Morril]

Israelis are built differently.

[Rachel Feinstein]

Like, they're like.

[Sam Morril]

I think, like. Because I think of like, military and like, how I'd not be cut out for the military. But then you see those. I'm like, oh, I have allergies. Any of you guys have Claritin D?

[Mark Normand]

This gun is heavy.

[Rachel Feinstein]

Frankie, we shot guns. And I would talk to Sam at night and she did like an impression of me talking to Sam once when she was playing with her dolls. She was like, don't worry, Sam. It's not your back. It's just anxiety.

[Rosebud Baker]

O. Oh, wait till you see for real.

[Rachel Feinstein]

Yes. She goes, don't worry. She's fast asleep. She can't hear anything we say right now. I was so horrified. Cuz I'm like, she's heard all my conversations with she.

[Sam Morril]

She can't hear anything we say. My so wet right now.

[Rosebud Baker]

She's like, what.

[Rachel Feinstein]

Yeah. She goes, it's not your back. It's anxiety.

[Mark Normand]

Wow, that's adorable. God.

[Rachel Feinstein]

No, she's getting really funny. She's like, did you see that video where I. Where she talked to me all about God? Like, she asked me all about God and it was fully worthless. Yes. She's like, can I see a picture of Go. Like, she woke me up, like, in like, five in the morning. And Pete was like, yeah, I wouldn't worry about it. Let's just play Hungry Hippos. I'm like, how did she. Did you tell her about God? He goes, well, she asked me how I was born, and I said God and an angel. Which is the laziest answer.

[Rosebud Baker]

Yeah, not an angel. God.

[Mark Normand]

Vague.

[Rachel Feinstein]

And she says, some angel. She goes, daddy said I came here because of God and some angel. Which almost sounds like some whore, by the way.

[Rosebud Baker]

Yeah, it does sound like some whore.

[Sam Morril]

He's a New Yorker. That's what you did. The answer you given, like, Birmingham, Alabama. That's like the fucking. Yeah, it was an angel.

[Rosebud Baker]

Yeah, but they're pretty close to each other. You know what I mean?

[Mark Normand]

Interesting. Interesting.

[Rosebud Baker]

Like, it's. One is said with a different accent.

[Sam Morril]

That's.

[Rachel Feinstein]

You're right.

[Mark Normand]

It's kind of like Long island and Jersey at the same time.

[Rosebud Baker]

Yeah. I mean, anywhere outside of a major city.

[Sam Morril]

Yeah.

[Rachel Feinstein]

He's a repressed Catholic. Of course that's what he said. God and some angel.

[Mark Normand]

What are you looking up? Angel.

[Rosebud Baker]

God and some angel. It really does feel you've lost control of Google here.

[Sam Morril]

What are you doing? What is this? I was like, if you really. Mexican guy with the name angel tattoo. All right. Mojo. I lost. I lost it when I looked up Jew fixing an electrical box for you is.

[Rachel Feinstein]

You're not gonna find.

[Sam Morril]

Nothing came.

[Rachel Feinstein]

Never be a picture.

[Sam Morril]

Yeah. It did not come.

[Rachel Feinstein]

My dad cannot operate a fuse. But, like, he doesn't even know what it is. He looks at it like somebody, like, from like the 60s looking at, like, an IBM computer.

[Rosebud Baker]

Andy. Jewish.

[Sam Morril]

Is Andy not good at fixing?

[Rosebud Baker]

He's. He's okay. He's not like. He's not terrible at it. But I. I would pick hiring someone.

[Mark Normand]

Yeah. Task rabbit.

[Rosebud Baker]

I would choose to hire someone. Just. Yeah.

[Rachel Feinstein]

Can you fix stuff, Mark?

[Mark Normand]

I only can because I worked as a porter for years, because I couldn't get a job anywhere else.

[Rachel Feinstein]

You didn't know that?

[Mark Normand]

So I had to learn everything on the fly. They'd be like, go fix the fuse box. And I was like, okay. And I would Google the out of it and I would have to fix it. And then the lights in the skyscraper.

[Rosebud Baker]

Go, where were you?

[Rachel Feinstein]

A porter. That's fascinating.

[Mark Normand]

At a high rise in Midtown East.

[Rachel Feinstein]

Oh, I dated a porter.

[Mark Normand]

Oh, really?

[Rachel Feinstein]

Yes. Because I was a nanny at this building on the Upper east side, and then, like.

[Rosebud Baker]

And you met the porter.

[Rachel Feinstein]

I think I just thought he was flirting with you. And he's just helping me to the car. I was like, oh, he's obviously hitting on me. But then I was like, he likes me. And I just. And then, yeah, I dated him for a little while. And.

[Mark Normand]

Hey, yeah.

[Rachel Feinstein]

Upper east side.

[Mark Normand]

There you go.

[Rachel Feinstein]

86 in York.

[Rosebud Baker]

Never, like, dated anybody that I met in the wild like that.

[Sam Morril]

Really?

[Rosebud Baker]

Yeah, I never would.

[Sam Morril]

You meet people.

[Rosebud Baker]

I have a. A very unapproachable energy. It's. It's what I've come to understand.

[Sam Morril]

Yeah, there's a hard edge.

[Rosebud Baker]

I'm very unapproachable, even on dates with men that have been. That have told me where. Like, I don't know if I'm on a date or not. And I'm like, what's going on? Like, what's. Why am I here? Are you trying to sleep with me? I just need to know if you're trying to.

[Mark Normand]

I feel the same way.

[Rosebud Baker]

So that I know how to act.

[Mark Normand]

Right.

[Sam Morril]

I say the same thing. I'm like, this dick ain't free. I mean, you gotta. Come on.

[Rosebud Baker]

I just need to know what the deal is, you know? Like, I feel.

[Mark Normand]

Well, the problem. I go up and Wikipedia you, and.

[Rosebud Baker]

Then, oh, my God.

[Rachel Feinstein]

Well, how is it?

[Sam Morril]

Do you have a lot of bad. You have a lot of bad first dates?

[Rosebud Baker]

No. I mean, I. Not really. Like, I've had. I've had first dates where I'm like, I don't want to see you again. But I wouldn't call them, like, really terrible.

[Rachel Feinstein]

How did you meet guys? Like, online or.

[Rosebud Baker]

Like, I would always meet them on, like, apps.

[Mark Normand]

Yeah.

[Rosebud Baker]

And I feel like work, but I kind of.

[Sam Morril]

They were.

[Rosebud Baker]

I was like, damn, I wish I had met. Like. I mean, I met my husband in the wild, but I didn't.

[Mark Normand]

Yeah, comedy.

[Rosebud Baker]

You know what I mean? It's not really the same.

[Sam Morril]

Didn't you meet at Dan's wedding?

[Rosebud Baker]

No, we met before that. We. I mean, Dan's wedding was, like, when we hit it off, and then I was, like, on the way home from there, and I was like, am I. Were we just at a wedding? And that's, like, why I'm feeling like I couldn't quite figure out if I liked him or not. And then a few, like, a week later, I was like, I still want to hang out with him again. And then I was like, oh, that's. I. I think there's something there. Something going on there. Yeah, yeah, yeah, yeah.

[Sam Morril]

I remember that wedding. That was fun.

[Rachel Feinstein]

And then he proposed to you. Like, when. What do you do when you propose?

[Rosebud Baker]

Well, it was. I had a moment with him where I was like, listen, we should. Other people, because I'm trying to get married again. I want to get married. And he said that? Yeah.

[Sam Morril]

Because I was like, that's a shocking thing to say.

[Rosebud Baker]

I know. I was like, I. Because I didn't think he wanted to get married. Yeah. I was like, I want to get married. I'm looking for a husband. You know, You're a comic. You've been married before. I imagine you're not trying to get married again, so we should probably. Other people, you know.

[Mark Normand]

Whoa. I like that.

[Rosebud Baker]

But it was. I was like, this is. I just couldn't do the, you know, pretending like I didn't care about getting married and all the.

[Mark Normand]

Yeah, good for you.

[Rosebud Baker]

Like, enough of that.

[Sam Morril]

And what do you say to this?

[Rosebud Baker]

He was like, I would. I would think about getting married again. And he's like, I don't want to other people.

[Sam Morril]

Wow.

[Rosebud Baker]

And I was like, oh, okay. Well, all right. You know. So then I was like, okay, then we're, like, dating.

[Mark Normand]

This is so not romantic.

[Rosebud Baker]

No, it was not romantic at all. It was like.

[Sam Morril]

But it's so unromantic that it's kind of romantic.

[Rosebud Baker]

Yeah, I like it.

[Rachel Feinstein]

I think it's.

[Mark Normand]

I like how straightforward it is.

[Rachel Feinstein]

I also assume, like, I was like. I told Pete. I was like, you should probably just drive me out to the woods like some cat you failed to domesticate or something. Like, let me.

[Sam Morril]

There's this guy I want to meet in the woods. He's doing paintings of me. I want to see this trailer.

[Rosebud Baker]

Talented artist.

[Mark Normand]

What do you mean, you want him to get rid of you? What are you talking.

[Rachel Feinstein]

I just thought, there's no way this, like, Catholic, you know, fireman wants to marry me. Like, I'm like, He's like, he should marry some fucking nurse named Gina. Like a hairstylist in Jersey, you know?

[Mark Normand]

Right.

[Rachel Feinstein]

He's not going to want to, like, settle down. And I also wanted to get married. Like, I. Very monogamous. I always wanted to get married. And so I was just like, don't dick me around here. Like, you're. You're going to waste my time. So I Was like, yeah, drive me out. So I told him that. Direct. I was like, woods, like some cat you failed to domesticate. Let me back out in the wild. And I think he said something that was not romantic, but he was just kind of like, no, I don't want to drive you.

[Sam Morril]

The.

[Rachel Feinstein]

Like, he's like, I think we'll keep going. It was like the Vegas non compliment.

[Mark Normand]

I love it.

[Rachel Feinstein]

Keep going.

[Mark Normand]

Keep. Keep going.

[Rosebud Baker]

Let's just keep going.

[Sam Morril]

Yeah. Well, Rachel, it sounds like you need to go where the. Where the deer and antelope prey. Check out Nick Offerman's new book on paperbacks, wherever you can find him.

[Rachel Feinstein]

I can't wait to have a book just so I can do gags like that.

[Sam Morril]

Like, I love that guy.

[Rachel Feinstein]

Hilarious.

[Rosebud Baker]

He's awesome.

[Sam Morril]

He's a man now.

[Mark Normand]

That's a marriage. Him and Megan Malali.

[Sam Morril]

Yeah, they're doing it.

[Rosebud Baker]

How long have they been married?

[Mark Normand]

Who knows? But I bet they have wild, rough. Didn't you see that?

[Sam Morril]

I love that guy.

[Mark Normand]

Look at her. She's a.

[Sam Morril]

He got hot. Yeah, she is. He's very attractive. And he. And he's. And he's a cool.

[Rosebud Baker]

Yeah, you can tell. They look how they pose.

[Mark Normand]

Oh, yeah.

[Sam Morril]

Married since 2003. Hey, that's an incredible Hollywood marriage.

[Rosebud Baker]

Yeah, that's rare, man.

[Sam Morril]

You know, I was watching the other night. I just was like, I pulled my fucking back out so bad when I got back on the road, and I just like, I'm laying down. I was like, I haven't seen Eyes Wide Shut in a while. I just threw it on. That movie was made. Tom Cruise and Nicole Kimmer are having marital difficulties. And Stanley Kubrick's like, I'm gonna cast them as a couple who's having marital difficulty. And it's great. You're watching them. And she has this long monologue about how she wants to fuck this. This Marine or whatever. This, like, sailor. This sailor. And Tom Cruise just sits there and takes it, and it's just this dark fucking movie.

[Mark Normand]

Yikes.

[Sam Morril]

It's. It's pretty. Damn. I won't say it's like a perfect movie, but it's pretty fucking entertaining.

[Mark Normand]

It's very entertaining. And it bombed. Horror.

[Sam Morril]

I watched that movie multiple times. And apparently Roger Avery was saying on Rogan, he was like, that movie was supposed to be about, like, child molestation. And they changed it because the studio was like, we're not making this. Because he, like, complained to the studio four days before he died, and then he just died. And like, yeah, we'll make this what we want to make it. But it's still pretty fucking good.

[Mark Normand]

It's good.

[Sam Morril]

You ever see this photo?

[Mark Normand]

What's that?

[Sam Morril]

It's Nicole Kidman smoking from her marriage.

[Mark Normand]

Yeah.

[Sam Morril]

And like, you could tell that he hates that she's smoking.

[Mark Normand]

Yeah, yeah.

[Sam Morril]

He's a health nut. I mean, apparently he won't allow alcohol on Top Gun. He's like, no, really?

[Mark Normand]

Whoa.

[Sam Morril]

He wants everyone in tip top shape.

[Mark Normand]

You know, you see that Adderall clip that's going around of him?

[Sam Morril]

You know what? I. It bothers me because a lot of people are posting like, Tom Cruise was right. Was he? I took Adderall when I was a kid. It fucking helped me turn my grades around.

[Rachel Feinstein]

Me too. I got. I was like, failing until I started taking out.

[Sam Morril]

I don't really. It's the classic clip where he's calling whatever his name from the Today show.

[Mark Normand]

Lauer.

[Sam Morril]

Lauer. Glib. And it's like, fine, you make some fair points. But also like, I've done the research. You're a fucking actor, bro. I know, I know. You're. I know. You're like, probably you commit like crazy to your work. So I'm sure he goes hard with this other stuff, but you're not a.

[Rosebud Baker]

Code for. I found something I agreed with and I stopped looking. You know what I mean?

[Sam Morril]

I've done some research. But also, it's like, Lauer, I thought handled it all right, where he's like, look, I'm not saying I know this, but I'm saying I've seen cases where this works. I'm a case where it worked. You're a case where it worked. Maybe you don't know every kid's story. I mean. I mean, yeah, I. I just think it's. It's one of those moments where people are like, man, tomorrow. Cruise called it. No, we all just like. We just like Tom Cruise, a good actor. I don't know if he called anything.

[Rachel Feinstein]

Here is this one. We was prancing around the couch pretending to like or something.

[Mark Normand]

It's a similar error, by the way.

[Sam Morril]

By the way, he's in Scientology. What are we talking about? They have dirt on him. They have dirt on everybody. No one has left Scientology unscathed in a pleasant situation where they're like, yeah, we hit a.

[Mark Normand]

We had an amicable run.

[Sam Morril]

I was told Richard Gere.

[Mark Normand]

The Richard Gear, same Richard Gearbox.

[Sam Morril]

That was Gerbil's back, baby.

[Mark Normand]

Because six week callback.

[Sam Morril]

Scientology. Yeah, he was in Scientology. Left. And they're like, we're gonna Destroy you. That's what I'm talking about. So if you want to talk about the pharmaceutical industry, I'll admit they're evil. But, like, I. Those drugs helped me when I was a kid, and they. They develop habits if you use them, Right? And guess what, Richard Gere, this thing didn't hurt you more than Scientology did, did it? This little German.

[Mark Normand]

But I think the problem. Adorable gerbil that smells like gerbil Trump and Elon's toe. One. One shot, and this guy will.

[Sam Morril]

I've had a couple catch up.

[Rosebud Baker]

Come on.

[Mark Normand]

But my. I think his point is we shouldn't just throw drugs at a kid. You know, like, hey, you should try to solve the problem.

[Sam Morril]

Yeah.

[Mark Normand]

I'm not saying he's right or wrong, but I do hate when these actors go on these tirades. Like when Jim Carrey did the vaccine tirade. You're like, just stick to acting, you queef. We don't care about your. Your tight teeth.

[Sam Morril]

Yeah. When people are like, you know, look.

[Rosebud Baker]

Nathan McIntosh had the funniest thing about Jim Carrey that I do agree with. Where he was like, everybody's talking about how Jim Carrey's a whack job and how he's like, shut up. And did. And they're like, he's crazy now. And he's like, oh, you think he was more sane when he was opening his up and talking with it?

[Mark Normand]

He's like, that's a good point.

[Rosebud Baker]

He's more sane than he's ever been.

[Sam Morril]

Nathan's got great jokes, man.

[Mark Normand]

Check out Macintosh.

[Rachel Feinstein]

Yeah, great hang, too. Nathan's so fun.

[Mark Normand]

Good hang.

[Rosebud Baker]

Yeah, he's great. I love. I love he and I, by the way, if any.

[Sam Morril]

If Jim Carrey were in this room right now, not one of us wouldn't run up and hug him.

[Mark Normand]

Of course, we all love.

[Sam Morril]

I love Tom Cruise, too. I'm just saying, like, people sucking him off for that tirade. It's like, come on.

[Rosebud Baker]

No.

[Rachel Feinstein]

All it takes for me is just one compliment from a Nazi, and I'm on it, sitting on his lap.

[Mark Normand]

Yeah, sure.

[Sam Morril]

Hey, Goebbels, if he called me funny, I'd be like, hey, this guy's already all right.

[Mark Normand]

You know, good gerbils really seems, but gerbils are.

[Rachel Feinstein]

Hell.

[Sam Morril]

This tequila is good. What is this?

[Mark Normand]

It's very good. It's smooth as hell. What is that?

[Sam Morril]

Patron? El Alto. God damn it.

[Rachel Feinstein]

That looks like some guy's high school cologne.

[Mark Normand]

A lot of cologne.

[Sam Morril]

Jamie the bartender. We love you for sending us Jamie. Oh, it's delicious.

[Rachel Feinstein]

Thank you, Poppy. Thank you for all you do. Thank you.

[Mark Normand]

She is Puerto Rican.

[Sam Morril]

Should we wrap this up?

[Mark Normand]

Let's wrap it up.

[Sam Morril]

Plug new special on mother load on Netflix.

[Rachel Feinstein]

Special is unbelievable.

[Sam Morril]

I'm going to watch it out.

[Rosebud Baker]

My website is like I just don't even.

[Rachel Feinstein]

So much better.

[Mark Normand]

Just all blank.

[Rosebud Baker]

It's still Whiskey Fist. No, the show. Oh, I don't know why those are blank. That should be. Well, I do my own website, so I'll fix that. Yeah, that's what I was looking for.

[Sam Morril]

Check up her website. We'll get it fixed by the time this is out. And that is a different person.

[Rachel Feinstein]

Her friends are gonna wheel her to account near you.

[Sam Morril]

Rachel Feinstein. We're gonna become. Oh, I love it.

[Mark Normand]

Hey, I can see the button.

[Rosebud Baker]

Who does your website, Rach?

[Rachel Feinstein]

I. I don't know. I can't even remember, honestly. But I.

[Sam Morril]

A man in the woods, a guy.

[Rachel Feinstein]

Named Sam that emailed me.

[Rosebud Baker]

If you guys have somebody that please tell somebody.

[Rachel Feinstein]

But usually I use the punch up.

[Mark Normand]

Yeah, punch up.

[Rosebud Baker]

Oh, yeah.

[Sam Morril]

Punch up. Live Rachel Feinstein tickets.

[Rachel Feinstein]

Yes, I'm in Nashville this weekend, but it's probably won't air by.

[Rosebud Baker]

No.

[Sam Morril]

Yeah, so starts here on the 9th. Here.

[Rachel Feinstein]

Okay, never mind. I'm in. I don't know.

[Sam Morril]

You're at Vermont Comedy clubie's joke house Comedy Mothership in Austin. Mike drop comedy in San Diego. Mike dropped comedy in in Plano, Texas. And the Arlington Cinema and Drafthouse. Go see Rachel Feinstein on the road. Go to a webinar website for tickets.

[Mark Normand]

Hell, and Rachel's got a Netflix special out there.

[Sam Morril]

Yeah, check out Rachel's hilarious Netflix special.

[Rosebud Baker]

It's called Big Guy.

[Sam Morril]

When is this out? Yeah, the 9th tonight I'm in Burlington, Vermont. I'm sure I didn't sell that out. Maybe I will. It's a big venue. Montreal, Toronto, Buffalo, Albany, Columbus, Royal Oak, Grand Rapids, Milwaukee, Madison, Des Moines, Iowa. St. Louis, Missouri. Can't wait. Kansas City. A lot of barbecue. You on this trip? Minneapolis, Phoenix, a couple nights in Phoenix. Then we got San Diego, Sacramento, sf, The Masonic. I can't wait. Added a late show in Portland on a Monday. So you better fucking help me out. Seattle, the Moore Theater, my favorite theater. At a late show in Vancouver. Boise, Idaho, Salt Lake, we got. And then we got Denver, Colorado at the Paramount. Can't wait. Samwell.com shows. Follow us on Punch Up.

[Mark Normand]

Chicago. Put it on Punch Up. Reno, Nevada, two shows. Nashville, Ryman, Napa, Santa Barbara, Asheville, Bristol, New Brunswick, Ithaca, Reykjavik. We're Going to the uk, folks. Come on out. Glasgow, Birmingham, Bristol, London. You name it. Rochester, Portchester, Albany. All the toothless towns was. Green Bay, oh, Eugene, San Jose. I got invited to the Nike store in. In.

[Sam Morril]

It's overrated.

[Mark Normand]

Oh, really?

[Rachel Feinstein]

It's overrated.

[Mark Normand]

Okay?

[Sam Morril]

It's not as good as they. They build it up like it's gonna be something amazing. It's fine.

[Mark Normand]

Hey, it's free. I'll take it.

[Sam Morril]

It's not free.

[Mark Normand]

What?

[Sam Morril]

It's discounted.

[Mark Normand]

I'm not going. Free it. We're canceling the whole gig. Las Vegas, Akron, Dayton. Oh, we're in September. This is crazy. I'll be dead by then. We'll see you all in hell.

[Sam Morril]

We love you guys. Get some dates from Rosebud.

[Rosebud Baker]

I just want to look them up.

[Sam Morril]

So you want to see Rosebud on the road?

[Rosebud Baker]

Just kill time for a second while.

[Sam Morril]

I will kill time.

[Mark Normand]

All right. Pull up Rosebuds.

[Rachel Feinstein]

And for all your soldiers out there at sea, we're thinking about all you are.

[Sam Morril]

We got Bodega Cat, whiskey, Bodega cat, whiskey dot com. We're at a lot of new places right now. We're crushing.

[Mark Normand]

There's Jody Foster on.

[Sam Morril]

On drugs, Jody Foster and the Accused.

[Rosebud Baker]

And damn it, I don't know where they are. All right, you know what? I won't do this to people, but.

[Rachel Feinstein]

Special, it's called mother load you got. It's amazing.

[Rosebud Baker]

Just watch the special, go to my.

[Sam Morril]

Website and we love you all. Thank you for listening. Watch Rachel and Rosebud stuff. We love them both. I was pumped for this episode, and it did not disappoint.

[Mark Normand]

Killer up.

[Sam Morril]

Love it.

[Mark Normand]

What a great hang and send Rachel paintings and nudes. And send. And get Rosema to sign your book of dead people.

[Sam Morril]

We love you. See you next week, guys. Thanks.

[Rosebud Baker]

Bye, guys.

[Rachel Feinstein]

The fear Jew's close. I've had a little too much burping. And Norman's talking shit about the fucking Pope. And I get down in the same way up on the roof like the cops coming and naked Samuel is feeling dangerous I'm out to lunch here in.

[Sam Morril]

New Orleans this woman doesn't look like.

[Mark Normand]

I remember her and I get down.

[Rachel Feinstein]

In the same way we might be true.