Podcast
Why Is This Good?
Hosted by Why Is This Good? · EN
The Naples Writers' Workshop presents lessons from successful writing
21episodes
Episodes
Newest firstAll episodes
171: The Wedding Party by Taylor Koekkoek
Mar 100:26:35Tap to summarizeInterested in our novel mentorship program or have any other questions? Email us at napleswritersworkshop@gmail.com If you enjoyed this episode, consider joining our Patreon. Your support helps us keep the show running. Find out more at http://www.patreon.com/whyisthisgoodpodcast You can also subscribe to our monthly newsletter at http://www.napleswritersworkshop.com In this episode, we discuss “The Wedding Party” by Taylor Koekkoek. What can we learn from this simple story elevated by literary effects? How can a writer’s eye make a story feel important? How can a non-point-of-view character become the center of a story? How can we use dialogue to show who is controlling a conversation? How can we characterize a non-POV character?
Transcribe →170: “Eveline” by James Joyce
Feb 1500:28:00Tap to summarizeInterested in our novel mentorship program or have any other questions? Email us at napleswritersworkshop@gmail.com If you enjoyed this episode, consider joining our Patreon. Your support helps us keep the show running. Find out more at http://www.patreon.com/whyisthisgoodpodcast You can also subscribe to our monthly newsletter at http://www.napleswritersworkshop.com In this episode, we discuss “Eveline” by James Joyce. What can we learn from this famous story? How does Joyce structure the epiphany? Can we use that structure in our own stories? Are there hidden symbolic depths to the details of the story? How can a writer characterize a mood by word choice? How can we distinguish between a plot of events and a plot of choices?
Transcribe →169: “A Millionaire’s Girl” by Zelda Fitzgerald
Feb 100:21:37Tap to summarizeInterested in our novel mentorship program or have any other questions? Email us at napleswritersworkshop@gmail.com If you enjoyed this episode, consider joining our Patreon. Your support helps us keep the show running. Find out more at http://www.patreon.com/whyisthisgoodpodcast You can also subscribe to our monthly newsletter at http://www.napleswritersworkshop.com In this episode, we discuss “A Millionaire’s Girl” by Zelda Fitzgerald. What can we learn from this story written by the less-famous Fitzgerald? How would we describe the point of view of this story? How does the narrator mediate the story and depiction of Caroline? How good a writer was Zelda Fitzgerald?
Transcribe →168: “The Catbird Seat” by James Thurber
Jan 1500:24:58Tap to summarizeInterested in our novel mentorship program or have any other questions? Email us at napleswritersworkshop@gmail.com If you enjoyed this episode, consider joining our Patreon. Your support helps us keep the show running. Find out more at http://www.patreon.com/whyisthisgoodpodcast You can also subscribe to our monthly newsletter at http://www.napleswritersworkshop.com In this episode, we discuss “The Catbird Seat” by James Thurber. What can we learn from this funny little story? How does point of view function in this story? How can an objective point of view allow us to balance what the character knows with what the reader needs to know? How does simple but elegant prose help guide the reader swiftly through the story?
Transcribe →167: “The Grasshopper and the Bell Cricket” by Yasunari Kawabata
Jan 100:27:07Tap to summarizeInterested in our novel mentorship program or have any other questions? Email us at napleswritersworkshop@gmail.com If you enjoyed this episode, consider joining our Patreon. Your support helps us keep the show running. Find out more at http://www.patreon.com/whyisthisgoodpodcast You can also subscribe to our monthly newsletter at http://www.napleswritersworkshop.com In this episode, we discuss “The Grasshopper and the Bell Cricket” by Yasunari Kawabata. What can we learn from this Japanese short story? What is the role of the narrator in this story? How does the narrator offer literal perspective on the story? How can we capture the emotional core of a story?
Transcribe →166: “Why Don’t We Just Kill the Kid in the Omelas Hole” by Isabel J. Kim
Dec 1500:32:24Tap to summarizeIf you enjoyed this episode, consider joining our Patreon. Your support helps us keep the show running. Find out more at http://www.patreon.com/whyisthisgoodpodcast In this episode, we discuss “Why Don’t We Just Kill the Kid in the Omelas Hole” by Isabel J. Kim. What can we learn from this story that plays off another classic story? How can a clear voice set the tone for a story? What distinguishes fantasy from realist storytelling that wants to comment on real-world issues? How can we shape our own voices for different stories? For daily writing tips, industry news, and great short fiction, join our Facebook group at http://www.facebook.com/groups/napleswritersworkshop You can also subscribe to our monthly newsletter at http://www.napleswritersworkshop.com
Transcribe →165: “The Nine Billion Names of God” by Arthur C. Clarke
Dec 100:17:48Tap to summarizeIf you enjoyed this episode, consider joining our Patreon. Your support helps us keep the show running. Find out more at http://www.patreon.com/whyisthisgoodpodcast In this episode, we discuss “The Nine Billion Names of God” by Arthur C. Clarke. What can we learn from this classic story? What guides the length and development of a short story? What could turn a premise-driven story into a character-driven story? How does understanding the needs of a story determine where it should focus? For daily writing tips, industry news, and great short fiction, join our Facebook group at http://www.facebook.com/groups/napleswritersworkshop You can also subscribe to our monthly newsletter at http://www.napleswritersworkshop.com
Transcribe →164: “Hollow” by Breece D’J Pancake
Nov 1500:28:02Tap to summarizeIf you enjoyed this episode, consider joining our Patreon. Your support helps us keep the show running. Find out more at http://www.patreon.com/whyisthisgoodpodcast In this episode, we discuss “Hollow” by Breece D’J Pancake. What can we learn from this early success from a young writer? What does it mean for a writer to find their voice? What does it mean to write what you know? Is it actually bad to head-hop point of view? How do you circumscribe the events of a story to create a compelling portrait of a character? For daily writing tips, industry news, and great short fiction, join our Facebook group at http://www.facebook.com/groups/napleswritersworkshop You can also subscribe to our monthly newsletter at http://www.napleswritersworkshop.com
Transcribe →163: “The Enormous Radio” by John Cheever
Nov 100:26:34Tap to summarizeIf you enjoyed this episode, consider joining our Patreon. Your support helps us keep the show running. Find out more at http://www.patreon.com/whyisthisgoodpodcast In this episode, we discuss “The Enormous Radio” by John Cheever (alternate version). What can we learn from this 1947 New Yorker story? How does the distinction between public and private life drive a story? How do stories rely on insights about human psychology? How does a story that predicts the future show us what it means to be human? How can we use fantastical elements to explore the psychology of characters? For daily writing tips, industry news, and great short fiction, join our Facebook group at http://www.facebook.com/groups/napleswritersworkshop You can also subscribe to our monthly newsletter at http://www.napleswritersworkshop.com
Transcribe →162: “A Conversation with My Father” by Grace Paley
Oct 1500:25:35Tap to summarizeIf you enjoyed this episode, consider joining our Patreon. Your support helps us keep the show running. Find out more at http://www.patreon.com/whyisthisgoodpodcast In this episode, we discuss “A Conversation with My Father” by Grace Paley. What can we learn from this semi-autobiographical story? How can we develop stories from our own experiences? How can an extended conversation drive a story? How does the tragedy of human mortality color the mood of a conversation? How can we capture a real-life feeling in our stories? For daily writing tips, industry news, and great short fiction, join our Facebook group at http://www.facebook.com/groups/napleswritersworkshop You can also subscribe to our monthly newsletter at http://www.napleswritersworkshop.com
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