How POV Affects Your Story

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Segment 1 (Announcements/Author Updates):

(Valerie): launching my four-month book coaching container Aligned Author TODAY. The price is drastically cut this week (it's $667 off the regular price.) Go to valerieihsan.com/alignedauthor for all the details.
Write in the Harbor conference is coming up (2 presentations to prep for)
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Valerie:
Just finished: The Witch of Willow Sound
Wild Dark Shore (Charlotte McConaghy)
Creative Act (Rick Rubin)
(Not ready to give up on them, but struggling to finish them:) Four Thousand Weeks: Time Management for Mortals by Oliver Burkeman;
Erick:
• Summer of Night (Dan Simmons)
My Favorite Thing is Monsters (gn)

Segment 2 (Resources/Tips/Tidbits):

Tidbit #1:
Tidbit #2:

Segment 3 (Main Topic):

Notes:

POV = promise: what intimacy, information, and bias will the reader get? • 1st = interiority + voice; close 3rd = balance of interior/exterior; omniscient = scope + theme.
The camera test: what can the narrator see/know/believe in this scene? • Ban anything they couldn't realistically perceive; use misbeliefs to create tension.
Distance is a dial, not a switch: • Zoom in (sensory, thought-beat, micro-movements) for emotion; zoom out (summary, context) for pace/theme.
POV shifts = scene breaks + reason: • Change only to add net new conflict, clue, or consequence. Track continuity of diction and metaphor.
Try this: rewrite a 200-word scene in 1st, close 3rd, and omniscient. • Ask: which version delivers the most tension, clarity, and theme resonance?

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