A (2:33)

Yes. And so this is both good and bad, if this power is used in the right ways. So we've got a bunch of YC companies that have submitted their websites that were all built with AI coding tools. So this should give us good grounds to figure out ways that they have been used really, really well and things that we would do differently if we were designing it ourselves. So let's dive into some.

B (2:56)

Let's have a look.

A (2:57)

All right. Okay, first up We've got NewNew AI. Solve your game testing with AI agents. Save countless hours of manual game QA by using AI agents performing end to end tests at scale purple gradients. The first thing that jumps out, it's very purple sight, which we were just talking about. That's one of the most common things that you see. So it's interesting. Like pre LLM day, I think I would have looked at this and gone like, wow, this looks really nice. And now I look at and I'm like, they used AI to design this. Maybe they didn't, but like that's what it screams to me. Okay, so one thing that's interesting is as you start scrolling here, we've got this line that's following us up and down. And it's interesting because I actually find this, this line to be a little distracting. I'm paying more attention to the line than I am. The, the things that I think that it wants me to pay attention to.

B (3:47)

It's almost like something that it's kind of like probably hard to implement for a human. And you would have never thought to actually code this up before AI. And just because we now can, just because LLMs are kind of good at these type of SVG buildups or transforms, doesn't mean that it's actually a good design and helps you convert potential visitors into customers. Basically.

A (4:11)

Yeah, yeah. I don't know anybody that's like, we need a line that goes through here. Let's start coding that from scratch. You would only implement something like this because it was so easy to do, but I don't think it actually adds value. If anything, I think it distracts from the rest of the page. I can't recall anything from these sections based on this. Okay, so now we're down to everything in one place. I find this hard to read it's very light. Maybe I'm just old. Yep.

B (4:43)

Contrast could be improved there a little bit. So these cards are interesting, right?

A (4:46)

This is cool.

B (4:48)

This is actually pretty good. This is probably something that would have been maybe too expensive to do or only like the very best or like website designers would have kind of gotten to the lengths of doing something like that. These hover animations for the cards. But AI is so simple to do and this is actually like a pretty tasteful way of using leveraging, sort of like the powers of LLMs to build more compelling websites.

A (5:10)

Yeah. What's cool about it is it feels like it helps establish the brand and it's unique and it's creative and it's fun and it's actually trying to, you know, multiplayers like two controllers with lightning connecting them and it actually helps reinforce the points that I think that they're trying to make here. And this is a great example of, you know, where the line that was following you down the page didn't add much value. This is. This would have been really hard to do. And now you kind of get it for free. Yeah, you don't have to go from scratch building a lot of this stuff.

B (5:45)

One of the things I want to try out is up here. So we here have the main navigation. One of the things that jumps out here is that as you hover, you generally kind of want to make things pop, but here it actually kind of disappears. So instead of inviting to click to talk to them, it kind of like goes into the background. Same here. It kind of fades out as you activate one of these menu points. This is something that I think a designer would almost never choose to do. And now. And the default of browsers also doesn't work that way. And now Llance just somehow decided that that's a good hover kind of like effect, but it makes no sense. Think about it that way. Like the browser already has like a built in hover effect for free. Even without css. It turns the cursor into a hand. Right. So that already indicates like I can click here. So just leaving it white in this case or just kind of like the bright purple. And then having the hand already tells me like I can click on this thing. So if you want to add a CSS effect then, you know, make it maybe like a pop, maybe make it like one shade lighter or more active or add like a little, you know, a little glow around it, but don't make it go away.

A (6:54)

Yeah. Do you have any rules of thumb when you know, you are designing something and you're trying to come up with hover effects. Like what are your goals when you are trying to come up with the right hover effects.

B (7:03)

Yeah, make it sort of like clickable. Steve Jobs famously said, you know, he wanted to make things lickable with the Aqua interface back in the day. I think, you know, make things, you know, clickable, kind of like inviting to click, stick to pretty standard. Again, I think the hand indicates that something is clickable and so I wouldn't go much beyond that. Another thing that I see hover being used is a lot to kind of reveal additional information. So not just kind of like a hover effect to make the UI more feel alive. Like hover is great to kind of make UIs feel more alive. Right. But I see it increasingly used to kind of like disclose additional critical information or functionality. And I don't think that's the best use for hover. This whole trend that maybe like kind of like macOS kind of started to over the years get more and more into kind of like very clean interfaces. Get the functionality and the tools and the buttons all out of the way. So there's all this space for content. I don't want to have my computer to be just like all content. I actually want it to be a bicycle for the mind, a tool. And so revealing additional functionality only on hover. And you have to go hunt for what the tool can actually do. I think is kind of like an anti pattern.

A (8:10)

Yeah. Not to mention that there isn't a concept of hover on mobile as well.

B (8:14)

And long press, which is kind of the equivalent of hover, never really caught on on mobile.

A (8:21)

Probably because it's so hard to discover. Yeah, you don't want to sit there long pressing all the time to try to figure out if there is any additional.

B (8:28)

Now think of a desktop interface, a tool where you have to hover around everywhere to discover where this stuff actually lives. You know, the disclosure arrows or like hiding something or getting to a dot dot kind of menu to get to extra functionality. If that's all hidden behind hover, then you know, you're just not as efficiently communicating the functionality of your software.

A (8:46)

Overall, I think this is a very nicely designed site. I think it's easier than ever using AI design tools and LMS to get a professional looking site. There's almost no excuse for not having it now. And especially as we're reviewing YC applications, if you look at a demo and that demo does not have a base level of quality design, it seems like the person just didn't even try because it's so easy to do it now. So Nunu, really cool site and some. Some really interesting applications of using AI here. So well done. All right, next up we got Rosebud AI create games with AI and once again, like, you start to see the trend here. We've got the purple gradient again. We've got a very similar kind of pinkish purple accent color up here. And that's why, like in isolation with one of these, like, it looks cool, it looks modern, everything. But you know, one after the other, they all start to kind of look the same. And it takes away a lot of the core brand and originality and things like that that I think most founders want for their site.

B (9:47)

So let's dig in here. This is the first time we're looking at these live.

A (9:50)

Yep.

B (9:52)

So Rosebud AI create games of AI and there's a prompt to prompt to game kind of interaction. I would assume

A (10:02)

that's cool. There's something you can instantly play. Yeah, let's try it.

B (10:06)

Whoa. It's like a 3D game in the browser. That's cool.

A (10:10)

This person walking around.

B (10:12)

Can I use the arrows?

A (10:16)

There we go.

B (10:16)

Oh, Wasd, we have a old school game. Old school.

A (10:23)

You can jump.

B (10:25)

All right, let's escape out of this. But cool. Definitely kind of like engaging. I wonder whether this is actually their product code running on the website here or this is like type coded sandbox environment.

A (10:41)

Yeah. I would assume that this is the type of thing you can create with their product. But that's an interesting point, is that they don't really tell us. It doesn't say, like play a game made with our product right now. It's interesting. Is this following us, this hot bar?

B (10:54)

Yeah, these are just anchors jumping vertically around.

A (10:57)

Yeah. So what's interesting is I didn't realize this at the time, but when we went to that one, we were just playing that was under modify games. And so what I wonder is if this is a game that has already been created that we can modify in real time and that's what they're trying to show off rather than the creation part.

B (11:14)

Yeah. So maybe kind of like a thing to take away here is that using this non. Kind of like non standard navigation is tripping us off a little bit on how to use this website. Another thing that kind of jumped out here at the top is like, I don't think anyone would think of combining a red logo with purple as an accent color necessarily. It's not necessarily complementary. And I guess whenever I see the use of emojis, even though they're not the system emojis, I feel like it's a little lazy. And so I feel like LLMs kind of take the easy path because they don't have any IP really themselves. They're just like big models kind of cobbling things together. They use like these standard icons everywhere, and it's just immediately kind of like a tell.

A (11:59)

Yeah. I think we could just use more context up here too. And, you know, the. The name of the company is. Is here. It looks like it's almost part of the headline, rather than I would expect it to be up here by the logo.

B (12:11)

Yeah. And then the value prop kind of being more clear. You know, create games with AI something, something. So it's kind of like what's important for the H1 is typically kind of, you know, what is it, who is it for and to what end? Why should that person that it's for care? And if those three things plus a call to action are not kind of above default, then it's a harder time to convert visitors.

A (12:37)

Yeah. Okay, we've got some, I guess, examples of games. Yep. So games created with Rosebud AI. Okay, this is interesting. So there's another effect here. You can see the light following my cursor around the edges. And yeah, this is the kind of thing where, you know, you're like, hey, it costs nothing to do this. Then maybe you're like, yeah, sure, let's throw it in. It's fun and it's playful, but if you had to spend a week coding this and, you know, getting it to work. Right. You'd be like, that's not worth it. Okay, so we've got a lot of game examples, and it looks like maybe this is just the rest of the site here. Okay. And then we hit a footer.

B (13:11)

There's a, like, remixing.

A (13:13)

Yeah. Okay.

B (13:15)

So some of the projects you can remix and then it kind of puts up the conversion wall. Okay. That would go beyond. So, like, landing page.

A (13:25)

Very cool. Awesome. Well done, Rosebud. Okay, so next up, we've got Get Crux. And one of the first things that I noticed here was kind of the fade in. It was this automatic fade in. Ooh. And another thing that I noticed is my scroll is hijacked here. Yeah.

B (13:41)

It's maybe a little hard to see on screen, but there's certainly some scroll jacking logic going on. And there's also, like a state where you see both the detached and the fixed header menu, like, both at the same time, like right around Here. So typically, kind of like they should just smoothly. I like the sticky header, but it's just like smoothly transition one to the other. And here you see sort of like that, you know, they're clearly two distinct menus that just happen to kind of be the same.

A (14:12)

I'm sorry, I'm so distracted by the button that's chasing me around the screen here. Yeah, I almost feel like it's hard to get the button to click on it because it's constantly moving.

B (14:25)

Does it make you want to talk to the founders?

A (14:26)

More or less. It makes me distracted. I would say. I'm not paying attention to what they do. I'm just. I'm like, why is this button following me around? It definitely got my attention. I would say one of the other things that I noticed first, too, is almost these, like, meteors that are, you know, shooting down from the angles. You can kind of see them over there. That's another kind of thing where, like, it doesn't feel like it actually adds a lot of value to the product. And again, if you had to build that from scratch, like, it would never be worth your time. But it's so easy to do it that people are like, yeah, let's throw that in. It looks cool, but I actually find it a little distracting. I don't think it adds value to the product here.

B (15:08)

Then the hero screenshot here is, I guess, poster image for a video, and it goes into what looks like a completely different video.

A (15:17)

Yeah, that's confusing.

B (15:18)

And the poster image is just very blurry here. I don't know whether this is like an artifact of using AI or not, but just as a general design principle, I think all your assets should be high res, high quality. And this just looks like something very blurry.

A (15:34)

Yeah. And again, back on the button too, because I still. Even when we're down here, it's like, still chasing us around. This is another example of the type of thing that you would only do because it's easy. But just because something is easy doesn't mean it's worth doing. There's a lot of things that are now at your fingertips with AI that you know, anything imaginable is possible. Just because something is possible doesn't mean you should say yes to it.

B (15:58)

Here we're kind of like hitting a little bit on just a lack of visual consistency. Like, this looks like an entirely different visual language than anything we've sort of seen seen above.

A (16:10)

Where do you think that comes from, I wonder?

B (16:14)

Maybe different sections of the website being made by to like, different Parts of the tool maybe it's also just kind of like a function of like this year looking very different than. So like the website content. Yeah. Sometimes just like a clear image with a little bit of text, maybe a headline and then some subtext goes a long way.

A (16:35)

Yeah. And I gotta say we're like halfway down the page right now. And if you asked me what they did, I would not be able to tell you. Let's go back up to the top and remind ourselves. AI creative strategists to make ads that work. Ads that. Okay, so it's something to make ads. It seems like it's interesting. They do kind of have like a visual like style to it with a lot of these. It's almost like a vertical motion blur or something on a color gradient that we see in some of these images, like these right here. And we saw the same thing in these here and these here and these here. But it's, it's constrained to some of these elements and it feels like, you know, it's maybe a little overused here because it's hard to read these. And this feels like more like a rainbow rather than calling the attention to it. But up here does not have that style at all, which was maybe, you know, the point that you were making earlier. And I could see something where the background here is more reflective of this type of style. And then that might carry it through all the way through the rest of the page. Yeah.

B (17:37)

Let me quickly reload the page and try something. So we see all these sections kind of like fading in. And here again it's just like fading in. And one of the things that I noticed, I just don't see the advantage of having these things not just right there as I scroll because scrolling already is the motion. Why does it have to also then fade in? And one of the things that you get is these weird. For example here, right. We say we're here to answer all your questions. And then there's one question and we breaked here earlier and I was like, wow, that's a lame FAQ if there's only like 1Q and 1A. But then I was like, aha. It just hasn't come in yet. And so not a fan of that pattern.

A (18:23)

Yeah, what bothers me with the fade ins a lot of time and I'm not sure if this does it or not is when they're on a timer. Sometimes I'm scrolling really quickly and I'll get all the way past the section as it's starting to fade in up at the top. And I miss the content altogether, so I'm curious to try that here and see how they did this. So, like, if I'm just kind of zooming down. So these seem to fade in at least when it's at the bottom of the page.

B (18:51)

But it still feels like going through molasses because it's all scroll check. Like hijacking the sort of, like, actual native browser scrolling to do some fancy thing with JavaScript to actually have the hooks to do all these animations.

A (19:04)

Yeah.

B (19:05)

All right.

A (19:05)

Super interesting. Very creative. So well done. Get crux. Okay, next we got Sphinx, your last compliance hire. All right, we've got some animation thing going on here. I think one of the trends that we've seen so far is just, like, way more animation these days than there were three years ago, probably because these AI design tools make it so easy to do this.

B (19:29)

Yeah. Let's quickly talk about hierarchy here. So we start with a logo type, kind of a stylized version of the name of the company. Sphinx. Right. That's cool. Top left, pretty standard. But then we have the H1 is also good. And the subtext. But also we have, like, this kind of, like, weird in between, like, fourth style. Right. Not something that I typically ever saw designers or engineers kind of come up with with their own landing pages. There's only something kind of like these many, many styles mixed is something that I increasingly see kind of LLMs do because, like, somehow the LLM thought it's clever to have, like, an extra label here in an extra style. Meet Sphinx. But we already have the company name. We already have, you know, three different styles. Basically, if you count this here, it's like four styles. This just adds a fifth. Complicating the hierarchy. Not really adding. It adds a bunch of vertical space. Like, we could just like, move the H1 a little bit up, and then, you know, the valued and trusted logos would already be, like, a little higher. So this is something that I increasingly see kind of like LLM stream up that just isn't really tight. Information hierarchy and graphic design.

A (20:39)

Yeah. I think going through these, I keep coming back to the concept of, like, it's easy to do anything. You really have to be opinionated as the human that's in the loop in designing these around what you think is the right thing. Not just kind of saying, yes, accept all changes.

B (20:56)

Yeah, you're now the editor.

A (20:58)

Yes, yes. And another thing that I'm noticing happening here is this section on the right. It just keeps swapping around. If we watch this animation here for A second. This button over here, the big star kind of button like moves around and now it's a circle button. I think that's a button. Yeah, I guess that's clickable. And then it's going to come back over to the left side and it's going to be a big round rectangle kind of button. And so we have a lot of different button styles. I'm not sure why things are moving like this. And it's very confusing.

B (21:30)

It's actually not a button. Like, yes, it shows the hand, but that's a head fake.

A (21:35)

Yeah. I guess it's because if you click

B (21:36)

it, it doesn't really. Well, I guess it's kind of like a next button.

A (21:39)

Yeah.

B (21:39)

But then also on auto Advanced.

A (21:41)

Yeah, this is very confusing to me. I'm not sure what it's showing and I can't tell what's happening in this animation either. It seems to be some kind of workflow actually.

B (21:50)

You can just click anywhere and it advances. So it's not even like this button or the whole thing is a click target.

A (21:56)

Yeah. This is again one of those things where it's hard for me to imagine a human just being like, let's have three different style buttons that every time you click it they all reorient and shift. And you know, it feels like the type of thing that an AI design tool would have suggested and you would have said, sure, that seems cool. Yeah.

B (22:13)

It feels like the visual manifestation of LM hallucinations. Let's quickly look at the menu here. All right. Pretty standard stuff. I never like when the menus can go away in between. There's the gap and then sometimes goes away.

A (22:32)

What's happening on the right side of a couple of those? There were two of those and there's kind of a grid on the right side. Yeah. With an icon. Is that interactive or anything or is that.

B (22:42)

Nope, it's just something DLM thought was cute.

A (22:45)

How about if you hover over on. Okay, so it's just giving a different icon now.

B (22:49)

The icons are actually kind of cute. This seems somewhat original and on brand here. I would just never thought to do this little like if you want to make a point that onboard is like four circles in the square arranged in that way. If that was important, which it doesn't seem like it. Like you probably just put the icon here kind of back to the. Like, why reveal stuff as you hover? That is essential, but it's probably non essential. Can probably just like leave it out.

A (23:21)

What happens when we go further down valued and Trusted by. Okay, we got a bunch of lines going everywhere. All right, so we've got that line following you down the page pattern again.

B (23:34)

And now we're scroll checked. We're locked into this position here of the website in order to build up this animation. And I wonder what he wants to tell me, like, why is it important to capture me here on this point to like, build out this animation versus just like showing it already built in the, in the built out state?

A (23:55)

And I find the animation is getting all of my attention rather than what it says all the way over here on the left side. So I'm not even noticing any of this. And this is not on the right side. It's not giving me enough visual information to communicate something valuable about what they do or how the product works. So I just kind of miss everything over here on the side. The animation is too distracting.

B (24:15)

Yep. It's also if these, with these landing pages that kind of like build up and then keep you in a, in a section for a little while. It's really hard to know when you're like, how far into the book you. You have read. Yeah, right. Like, if you have a physical book, you're kind of like, oh, halfway through here. It's kind of like, I don't know, maybe it feels like we're halfway through, but maybe, you know, it's gonna keep me for another 15 seconds on some, some like, really rich build out of a landing page. So the scroll indicator is, is a really important tool, I think, kind of like to get a grasp on. So like the, you know, the landing page and here it's, it's. It's completely failing me. Kind of like, where am I in the website?

A (25:02)

All right, overall, like, visually, I think it looks nice, it looks modern. There's a theme that they're, you know, you've got the orange accent color, you've got the black is kind of your primary brand color. You've got the line that's kind of following you down. And, and my hunch is that that is sort of reproducing what the product looks like because we keep seeing all these workflows with orange lines in the product itself. And I think that's what they're trying to communicate here. And so, you know, that makes sense to me. Their headline up at the top, I think does a great job of explaining what it is and who it's for. So I think they really nailed that. Awesome Sphinx. Great work. Next up, we got Build Zero. Let's take a look here. Build custom internal Apps with AI. So right off the bat we got some purple gradients.

B (25:48)

Yeah, there we go again. And let's see here. So the menu nicely morphs. Ooh. And then my pet peeve, dumb hover effects just doesn't add anything. This vertical movement is just distracting and not cool. It pushes. Also there's another thing where because of the effect it can like horizontally shifts the whole menu which kind of just seems like a bug. And then here's another effect. Kind of like the arrow has to move somehow vertically.

A (26:22)

Why the arrow at least should go to the right also.

B (26:25)

Yeah, it goes like backwards. This hover effect here.

A (26:28)

I don't mind.

B (26:29)

You know it's like it's a black and white button and then it turns into the primary brand color. In this case kind of purple. Like that's not a bad hover effect here. This here pretty bad. Then what else do we got? We got a little like interactive element here. Can click through it. Ooh, okay. There seems to be some like bug with the selection here. If this was hand coded like no way someone would have not noticed it. I almost wonder like if you just one shot landing pages do you actually go and really like use it with the same attention detail as if you had like built it from scratch? And then because you don't you just ship things that are, that you wouldn't have because you don't even notice the little bugs that the LLM made.

A (27:16)

Go back to the engineers tab here. Now if this is their product. One of the other things that stands out to me is this kind of dashboard that's got, you know, it's got like the red, green, blue, purple kind of call outs up here. That's one of the hallmark classic things that a lot of AI design tools will, will actually create.

B (27:38)

Yeah, every fake dashboard looks basically like, like something like that.

A (27:42)

They've got the icons that are darker version of the lighter background color. It's. It's usually like the Google colors. You know it's like red, yellow.

B (27:51)

Fisher Prize primary.

A (27:53)

Yeah. Yep. Yeah. So that, that, that we tend to see a lot ideas to working apps in minutes. Transform efficient.

B (28:01)

These like kind of like bento Bento boxes is not a bad pattern but it's also very non original. And so this oftentimes kind of come up with these just like icon at the top and then a bit of text and you know in this case kind of like a three by two that that's yeah quite common.

A (28:23)

Yeah. We've got some quotes, we got the purple gradient. We've got Some frequently asked questions and then more gradients. Yeah, you know, we're, I don't know, a few into reviewing these now and, and I think we just keep seeing a lot of these common patterns, which I think just highlights how ubiquitous they've become and how it. It almost like takes away from the brand and originality that I think most want to create when it has elements that every other site and every other product has too.

B (28:58)

Yeah, look, I think the really cool thing about AI tools is that it kind of frees you from having to kind of like, you know, fiddle with like the technical details so it can really work on the hard, hard kind of questions of your offering of your product, of your company, such as, like, what are we making for whom? Why is this valuable to them? Right. And that's the cool aspect. But if you then can like, just use it to create what we sometimes call like AI. AI slop. I think this idea of having sort of like, you know, all this power that you should use responsively gets a little bit wasted. And so that's the fine line to walk, I feel for builders in 2026.

A (29:36)

Yeah, there's, there's nothing inherently bad about this, you know, it's just that we've been through a few and we've seen this before, you know, that that's kind of what it feels like is I've seen this before and for any. Anybody else in the audience, like, you lose a little bit of credibility. I think, you know, when your customers are viewing your product and they're saying like, eh, this looks like a bunch of other things I've seen. They probably just used AI to build this and design it. If that's the case, like, how good is the actual product, you know? Or are they vibe coding that too?

B (30:04)

Use AI to build this by any means, but just kind of like, you know, really, then evaluate the output and use AI to make it even better and more original and spend the time that you saved one shotting it or whatever to then really think about your messaging and, and you know, designing a wonderful product that you can then showcase, et cetera.

A (30:23)

Yep, that's great advice. Awesome build zero. Thank you.

B (30:26)

Thank you.

A (30:27)

All right, next up, we got Zarna AI Associates for private capital markets. Oh, we're scroll jacked again.

B (30:35)

Oh yeah, 10x everything.

A (30:39)

All the things unlocked IRR this site. Yeah, it feels like I'm in molasses. It just feels so clunky to use. Not to mention there just isn't a lot of like, information. I feel like I have like, even this is deal volume 10x. Like, yeah, everything 10x just feels made up, and it feels like there's just so much space. It feels like I have to scroll through this molasses forever to get to anything that helps me understand what this is.

B (31:07)

Yeah. One of the things I personally like, if we go to the top right now, the sort of background here uses 100% of the vertical space, which kind of like, almost like all this visually kind of locks me in, and then there's, like, nothing more. And I hate when people can, like, put, like, scroll down to see more because, like, of course, we're on a website. Of course I know how to scroll down. So one of the things that I personally kind of like to interrupt the visual a little bit is kind of like to start a landing page, like, maybe like this, you know, now I have kind of, like, something here at the top, but I know there's, like, more good stuff down here. The good stuff better be good, because close better deals faster doesn't, you know, tell me much. But maybe there's, like, you know, like, 10 pixels of, like, an awesome hero image kind of like peeking up or something like that. That would be cool. And then I immediately, without any indicators, like, no one wants to kind of, like, scroll down and discover it. Right?

A (32:01)

Yeah. Well, we've stopped at the perfect point here, because you cannot see anything in the top navigation bar.

B (32:06)

Yep. You better know what's in the background. And if there's a dynamic background, such as a video playing, which might have all sorts of bright colors, all of a sudden, your bright menu isn't readable anymore.

A (32:18)

Okay, so this is interesting.

B (32:19)

So here it picked it up. So it's smart, but it's not smart when there's video behind it.

A (32:23)

You're right. That is the nuance. Huh. Okay, these I can't click on. I would have expected that I could click on any of these.

B (32:35)

Maybe the chevron.

A (32:37)

Oh, I don't know what you said. Okay, now I can click on those. Yeah. Some of it is clickable, and some of it is not. It appears, and also it's, like, jumping me up and down on the screen. It seems to just be moving on its own timer and not letting me do anything, which is confusing. And again, this is one of those things where it feels like you wouldn't intentionally design it to work this way. Instead, you just. It created a component and you went.

B (33:07)

And it doesn't work.

A (33:08)

And it does sometimes work only on those nested ones. If you try the other ones, it doesn't do anything.

B (33:14)

Yeah. And this better label here is super hidden. There's sometimes a chevron, sometimes not. Yeah. This feels maybe like a little bit sloppy.

A (33:26)

Yeah. One agentic layer. Generate an investment memo. Yeah. Even the little bits of motion here is the kind of thing that like AI will just give you that for free. And you're like, yeah, okay, let's go with that. But you would never create yourself. Yeah. I can't even tell what I'm supposed to do with any of this. It hovers and expands a little bit, but like nothing is clickable. We got some fade ins. It just feels like it's lacking a lot of like useful information presented in the right ways. And at least not purple though. Got a lot of blue.

B (34:04)

Yeah, yeah, yeah. Fit and finish as well as kind of like meaty content.

A (34:09)

Yeah.

B (34:09)

Like clear messaging is maybe lacking a little bit. The visual style, if I didn't have to scroll through it is actually kind of fresh.

A (34:18)

Yeah, yeah. Like it reminds me of lovable or things like that that kind of have that like grainy, zoomed in kind of picture in the background.

B (34:26)

Not sure what these boxes here represent in the background. Yeah. Some weird artifact.

A (34:33)

All right, Zarna. Thank you. Okay, well, thank you everybody for submitting your sites and Rafael, we've seen a bunch of them now. What are some of your takeaways here?

B (34:41)

Yeah, I think definitely lots of purple gradients and in general, kind of like a lot of kind of like the same, the same patterns. You know, we see animations kind of like for animation's sake, just because it's possible now. I would have killed to have these kind of like AI superpowers when I built my first website. So I think it's wonderful that we have them. But you are still kind of like responsible to outsource your thinking to LLMs and actually just use them as tools to get your brilliant ideas, designs, novel, maybe kind of like interactions out on the web to dazzle your customers. And I think that's what a landing page should do. In the end, it's kind of like a customer acquisition channel. Right. This is not your product. This is not a website. As in kind of like a cool thing on the web. There's space for that as well. But these are like startup landing pages and they're basically customer acquisition channels. So that's how I would really use these tools.

A (35:36)

I totally agree with all of those. Couple others I would add. You know, one, I think it's really important that you QA everything. It's very easy to Create something. But we went through and we found, you know, some quirks or bugs or things like that here or there or things that were confusing. Ultimately, you know, you, the founder, you, the human need to be the one that goes through and makes sure that, you know, the interactions and everything else work right. The other one is, you know, it's important that your site and your brand, they come through as the thing that you want to represent your company. And that originality and something that feels different. And it's very easy using the same tools that everybody else is using to end up in the same place. You have to be intentional about ending up in a different place. And so rather than start from what does the AI spit out? And then let's tweak that. I would start from, you know, what color palette do we want to use and what is our brand? And how can we feed that into the system and use that to make sure we end up at an end goal that represents us rather than just going with whatever the AI spits out there. We've seen a lot of people do that. And I think, like you said, one of the most powerful tools ever to create incredible designs and do things that would have been impossible or taken forever, that you can do just like this. And so to use that for ways that actually help you move the lever upward and make the sites more engaging and convert better is one of the most powerful things that you can do.

B (37:06)

Yeah.

A (37:06)

Well, thank you so much for joining Rafael. It's been amazing to get your perspective on all of these. And thank you to everybody that submitted websites.

B (37:14)

Thank you.

A (37:15)

We will see you on the next design review.

B (37:20)

Sam.