CAIN AND ABEL & THE SANTA MARIA and THE LADY WITH NO NAME JEFF REGAN PI

Summary

Podcast Episode Summary: "The Lady With No Name" – Jeff Regan PI

Podcast Information:

• Title: 1001 Radio Crime Solvers
• Host/Author: Jon Hagadorn
• Episode: CAIN AND ABEL & THE SANTA MARIA and THE LADY WITH NO NAME – Jeff Regan PI
• Release Date: August 3, 2025

---

1. Introduction

In this thrilling episode of 1001 Radio Crime Solvers, host Jon Hagadorn presents "The Lady With No Name," a gripping detective story featuring the hard-boiled investigator Jeff Regan. Set against the backdrop of Los Angeles, the narrative delves into a complex case of missing persons, deceit, and murder.

---

2. Case Introduction

The story begins with Jeff Regan receiving a call from Isabel Sanchez, seeking assistance in finding her missing sister, Carmen Sanchez. Isabel, hailing from a prominent family in Mexico City, arrives in Los Angeles under mysterious circumstances, indicating potential foul play.

Notable Quote:

Isabel Sanchez [02:14]: "We got a new client. Yeah, her name's Isabel Sanchez. I just talked to her."

---

3. Key Characters

• Jeff Regan ([00:35]): The protagonist, an investigator known as the "Lion's Eye," working under Anthony J. Lyon at the International Detective Bureau.

  Quote:

  Jeff Regan [00:35]: "My name is Regan. I get tenant A on expenses from a detective bureau run by a guy named Anthony J. Lyon. They call me the Lion's Eye."

• Anthony J. Lyon ([02:01]): Regan's superior, overseeing the detective bureau. His character becomes pivotal as the investigation unfolds.

• Isabel Sanchez ([02:11]): The client who seeks Regan's help to find her sister.

• Vicki Starr ([03:19]): Dr. Paul Menlo's girlfriend, who plays a significant role in the unfolding mystery.

• Martin Chambers ([04:24]): A figure connected to the missing sister's case, adding layers of complexity to the investigation.

---

4. The Investigation Begins

Regan swiftly acts on Isabel's request, traveling to her specified address and meeting Vicki Starr. Their conversation reveals that Carmen vanished after meeting a man named Martin Chambers in Mexico City. Regan's skepticism arises when he discovers discrepancies in Isabel's story.

Notable Quote:

Jeff Regan [04:32]: "A guy named Chambers has got priority."

---

5. Uncovering the Fraud

As Regan delves deeper, he accesses death records and uncovers troubling similarities in the cases of missing individuals. It becomes evident that Dr. Paul Menlo has been certifying deaths for insurance claims, faking the demise of innocent people like Carmen Sanchez to reap financial benefits.

Notable Quote:

Isabel Sanchez [17:07]: "Dead and unclaimed."

---

6. The Climactic Showdown

The tension escalates when Regan confronts Dr. Menlo and Vicki Starr in a fraught encounter at the gas chamber. Accusations fly as the truth about the fraudulent activities surfaces. A physical altercation ensues, leading to tragic outcomes for the involved parties.

Notable Quote:

Jeff Regan [24:03]: "A girl walked in his office one day and dropped dead."

---

7. Resolution

With the revelation of the insurance fraud, Regan pieces together the intricate web woven by Menlo and Starr. Their scheme collapses as evidence mounts against them, culminating in their arrest and the closure of the case. The missing sister, Carmen, is posthumously identified, bringing a somber end to the mystery.

Notable Quote:

Jeff Regan [28:53]: "He was wearing one of those French swimming suits."

---

8. Conclusion

"The Lady With No Name" masterfully intertwines suspense, mystery, and classic detective storytelling. Jeff Regan's unwavering determination unravels a nefarious plot, highlighting themes of trust, deception, and justice. The episode concludes with Regan reflecting on the case, emphasizing his role in bringing truth to light amidst the shadows of L.A.'s underbelly.

Notable Quote:

Jeff Regan [58:31]: "It was easy to figure my next move."

---

Key Takeaways

• Complex Characters: The interplay between Regan, Lyon, Isabel, and Vicki Starr adds depth to the narrative, showcasing the multifaceted nature of human motivations.

• Intricate Plot: The investigation's progression from a simple missing person case to uncovering an elaborate insurance fraud scheme keeps listeners engaged and on edge.

• Classic Detective Elements: Incorporating elements like misleading clues, personal confrontations, and the ultimate revelation aligns with the golden age of radio detective storytelling.

---

This episode of 1001 Radio Crime Solvers captivates listeners with its intricate plot and compelling characters, staying true to the legacy of the golden age of radio mysteries.

Transcript

[T-Mobile Advertiser]

Summer fun goes great with family freedom from T Mobile. We'll pay off four phones up to $3200 and give you four free phones, all on America's largest 5G network. Visit your local T Mobile location or learn more@t mobile.com familyfreedom. Up to $800 per line via virtual prepaid card. Typically takes 15 days. Free phones via 24 monthly bill credits with finance agreement eg Apple iPhone 16 128GB8 2,999 eligible trade in eg iPhone 11 Pro for well qualified credits end and balance due if you pay off early or cancel contact T Mobile.

[Jeff Regan]

My name is Regan. I get tenant A on expenses from a detective bureau run by a guy named Anthony J. Lyon. They call me the Lion's Eye.

[Jack Webb]

With Jack Webb as Jeff Regan, investigator. Stand by for hard boiled action and mystery and thrilling adventure in tonight's story of the Lost Lady.

[Jeff Regan]

You'll find it in Hollywood, jammed in between Van Ness and Wilton. Right off the boulevard, Taft Avenue. Starts at a furniture store, runs for about a block and then crosses Franklin. What happens to it after that? I don't know. I only go as far as the gray apartment building on the even number side. About the first thing you see. Figures that the guy who built my place never read the earthquake laws. A good crap game would shake it loose. Well, that's where I live. Apartment 308 in the back where I can keep an eye on a brass drain pipe and a tired out palm tree. I got a coffee pot and a bed that comes out of the wall. It isn't much, but the phone company had to have an address. That's where I was last Monday night. About 8 o'.

[Anthony J. Lyon]

Clock.

[Jeff Regan]

Some Cleveland fans were running up a house cab in the apartment above me when the phone rang. I thought it might be somebody from Boston. Was the Lion.

[Anthony J. Lyon]

Regan.

[Isabel Sanchez]

I'm calling you from the office. I stayed late tonight.

[Jeff Regan]

You should have joined the union.

[Isabel Sanchez]

We got a new client. Yeah, her name's Isabel Sanchez. I just talked to her.

[Jeff Regan]

You make a date?

[Isabel Sanchez]

She flew in from Mexico City tonight on American Airlines. She needs help.

[Jeff Regan]

They're saying that about the Democrats.

[Isabel Sanchez]

Comes from a fine family. Lots of influence in Mexico.

[Jeff Regan]

Try the State Department.

[Isabel Sanchez]

She came all the way to Los Angeles to see her sister, but she's disappeared.

[Jeff Regan]

Did you tell her about the Missing Persons Bureau?

[Isabel Sanchez]

I told her about you. What do you mean you're gonna find her sister?

[Jeff Regan]

I'm no Saint Bernard.

[Isabel Sanchez]

You'll do till I can feed one. Besides, she could go to the Mexican Council if she wanted to.

[Jeff Regan]

What's that got to do with it?

[Isabel Sanchez]

Remember the Pan American Conference? We gotta be nice to this day.

[Jeff Regan]

Yeah, well, don't make up a contract.

[Isabel Sanchez]

I already did. She gave me 200 bucks.

[Jeff Regan]

What else did you get?

[Isabel Sanchez]

She'll tell you the rest.

[Jeff Regan]

Don't you ever ask questions?

[Isabel Sanchez]

That's your job. She's got a room at the Belmont. Hop over there and see her. She's expecting you to find her sister.

[Anthony J. Lyon]

That all?

[Isabel Sanchez]

That's enough. Call me after you talk to her from.

[Jeff Regan]

I hope her check bounces.

[Isabel Sanchez]

Don't worry, she paid cash.

[Jeff Regan]

Well, you can tell that the lion only stayed in school long enough to learn how to spell $. It took me about 20 minutes to get over to her hotel. Isabel Sanchez had a room on the sixth floor. I found it on the Wilshire side. 6:10 it was. She was a tall blonde girl, not the least bit green. She had a mouthful of good looking teeth, but she never learned how to use them in a smile.

[Vicki Starr]

No, Mr. Regan?

[Jeff Regan]

That's right.

[Vicki Starr]

Come in, please. Excuse me, I'm still unpacking. Come in.

[Anthony J. Lyon]

All right.

[Vicki Starr]

I'm so glad you're here. I suppose Mr. Lyon told you everything.

[Jeff Regan]

Your sister's missing. You want to talk to me?

[Vicki Starr]

Yes. Oh, it's terrible. An awful vacant feeling. I was so looking forward to seeing Carmen again. We were very close.

[Jeff Regan]

You talk like you don't expect to see her.

[Vicki Starr]

Something might have happened to her.

[Jeff Regan]

Like what?

[Vicki Starr]

I don't know. She's always been so independent and, well, strange.

[Jeff Regan]

A lot of people have their own ideas.

[Vicki Starr]

I'm embarrassed telling you this.

[Jeff Regan]

You've got to tell somebody.

[Vicki Starr]

Well, Carmen left home against my father's wishes.

[Jeff Regan]

How old is Carmen?

[Vicki Starr]

22.

[Jeff Regan]

What was the guy's name?

[Vicki Starr]

What do you mean?

[Jeff Regan]

Come on, I gotta have it all, lady. There was a man in it.

[Vicki Starr]

Yes?

[Jeff Regan]

Martin Chambers, from here in la.

[Vicki Starr]

Carmen met him once in Mexico City. Thought she was in love with him.

[Jeff Regan]

When was this?

[Vicki Starr]

Year ago.

[Jeff Regan]

She followed him back. He took a long time to catch up.

[Vicki Starr]

I've been very concerned about Carmen. I received this letter from her a few days ago. It was the first word since she left home. Here you can see it's not much. He asked me to come here. I took the first plane.

[Anthony J. Lyon]

Mm.

[Jeff Regan]

What about this address?

[Vicki Starr]

There's no such place. I went there right from the airport.

[Jeff Regan]

Who sent you to us?

[Vicki Starr]

You're in the phone book.

[Jeff Regan]

Is that all you got?

[Vicki Starr]

I have a picture. Isn't very good. It's a snapshot here.

[Anthony J. Lyon]

Blonde, huh?

[Vicki Starr]

A little darker than mine. The same height. We wore each other's clothes.

[Jeff Regan]

Who else did she know?

[Vicki Starr]

Just Martin Chambers. Oh, no. Now wait a minute. She mentioned a Dr. Menlo in her letter.

[Jeff Regan]

Did she need a doctor?

[Vicki Starr]

She just said he'd been very kind to her.

[Jeff Regan]

That isn't very much to go on.

[Vicki Starr]

I know. But you will follow every lead?

[Jeff Regan]

Yeah, sure. What are you scared of?

[Vicki Starr]

Why do you ask that?

[Jeff Regan]

It's a warm night. You got the shakes.

[Vicki Starr]

I had a long trip.

[Jeff Regan]

Oh, yeah, I forgot. You know this Chambers?

[Vicki Starr]

Yes.

[Jeff Regan]

You like him?

[Vicki Starr]

No.

[Jeff Regan]

What's that you got there in your hand?

[Vicki Starr]

An evening gown. Why?

[Jeff Regan]

You didn't bring that for me. Well, our story was smooth, but the clothes didn't fit. All the labels that showed said New York City. I went downstairs to a phone booth and I got ahold of a friend of mine in the caa. He checked into it and he told me that nobody named Isabel Sanchez came in on that Mexico City flight. The whole thing looked phony, like a fan dancer in long underwear. Well, it was about 11 o' clock when I got over the Lion's place. It was a cold night, but the lion looked warm.

[Isabel Sanchez]

What do you want, Regan? I'm busy.

[Jeff Regan]

So am I. I've been looking at that Sanchez dame.

[Isabel Sanchez]

Tell me about it in the morning.

[Jeff Regan]

No, I'm gonna tell you about it right now. It's no good.

[Anthony J. Lyon]

What do you mean?

[Jeff Regan]

It's another bum client.

[Isabel Sanchez]

She gave me 200 bucks.

[Jeff Regan]

Her clothes are out of New York.

[Isabel Sanchez]

Maybe she came the long way.

[Jeff Regan]

He didn't come in on American.

[Isabel Sanchez]

So she's got a donkey. All you gotta do is find her sister.

[Jeff Regan]

I just told you, she's a pony.

[Isabel Sanchez]

Let me worry about that.

[Jeff Regan]

Well, you can start now. Here.

[Anthony J. Lyon]

What's this?

[Jeff Regan]

The letter and a picture. That's all the lead I got.

[Isabel Sanchez]

Now wait a minute, Regan. What about our contract?

[Jeff Regan]

New Year's is coming up. You'll need confetti.

[Isabel Sanchez]

I can't do a thing like that. We got a moral obligation and 200 bucks. I'm thinking of our reputation. I've given our word.

[Anthony J. Lyon]

Take it back.

[Isabel Sanchez]

That girl's a stranger in a foreign land. She came to us for help.

[Jeff Regan]

Aw, stop it, will ya? If there was a quarter in the bay, you'd drop your mother overboard and tell her to hold her nose.

[Isabel Sanchez]

You're getting out of line, Regan.

[Jeff Regan]

She came up with kelp, you'd ring her out for iodine.

[Isabel Sanchez]

That's enough. We got a case and you're gonna handle it.

[Jeff Regan]

You're gonna Handle it.

[Anthony J. Lyon]

I quit.

[Isabel Sanchez]

I know this girl looks suspicious, but we have to give our clients the benefit of the doubt.

[Jeff Regan]

Why didn't you send her to Missing Persons?

[Isabel Sanchez]

I'll keep this picture and check with them first thing in the morning. You follow up that memo in the letter.

[Jeff Regan]

Well, a guy named Chambers has got priority.

[Isabel Sanchez]

Who's that?

[Jeff Regan]

The girl's got a love story.

[Isabel Sanchez]

It's getting cold out here. Check me in the morning.

[Jeff Regan]

I'll do that.

[Isabel Sanchez]

Remember, Regan, we always work hand in hand.

[Jeff Regan]

Yeah, that's why I never wear a ring. Well, it was too late to do anything else, so I went home and pulled that bed out of the wall. The next morning I found a Martin Chambers listed in the city directory with an address on Laurel. Turned out to be a two story apartment building about the color of a bride's blush. And it was wrapped around a swimming pool the size of a bird bath. Chambers name wasn't on the mailbox, but a skinny guy with a load of bed sheets told me I could find a manager in apartment 15. When she answered the door, her voice sounded like a beer truck in low gear.

[Vicki Starr]

Hello, Sonny. Looking for an apartment?

[Jeff Regan]

You got one?

[Vicki Starr]

No. Come on in. Having some coffee. Want some?

[Jeff Regan]

I'll pass.

[Vicki Starr]

You don't know me, do you?

[Jeff Regan]

I just got here.

[Vicki Starr]

I played the palace in 26. Ah, them was the days.

[Jeff Regan]

Write it up and sell it to the movies.

[Vicki Starr]

Damn slobs. Central casting ain't called me in four years.

[Jeff Regan]

You got a card?

[Vicki Starr]

AFRA S, A G. And the Musicians Union. I play French horn. None of them call me. I figure it's a record band.

[Jeff Regan]

I'll talk to Petrella.

[Vicki Starr]

I hate this dump. A third husband gave it to me, by the way. What are you doing here, Sonny?

[Jeff Regan]

I'm looking for a man named Martin Chambers.

[Vicki Starr]

What do you want him for?

[Jeff Regan]

Talk to him.

[Vicki Starr]

Cop?

[Jeff Regan]

No.

[Vicki Starr]

Day that guy moved in, I had him pegged for a gigolo. His hair was too curly.

[Jeff Regan]

Some women like that.

[Vicki Starr]

Not me. I used to have to chase him around the swimming pool to get his rent.

[Jeff Regan]

You're using the past tense. Where is he now?

[Vicki Starr]

Forest Lawn.

[Jeff Regan]

That's one way to break a lease.

[Vicki Starr]

He got Boozozed up about six months ago and drove off Malibu Pier. Took him three days to fish him out.

[Jeff Regan]

Straighten his hair?

[Vicki Starr]

Yeah, it sure did. Oh, wait a minute here. I kind of like you, Sonny. You get around, don't you?

[Jeff Regan]

When the weather's good.

[Vicki Starr]

Ever run into Louis V. No, not yet. If you do, mention my name, will ya?

[Anthony J. Lyon]

What is it?

[Vicki Starr]

Just say that Goldie McMasters was asking for him. He'll remember old Goldie.

[Jeff Regan]

How could he forget?

[Vicki Starr]

Howlison, 26. That's accident.

[Jeff Regan]

When I left, she was thumbing through an old variety. She looked unhappy, like a banjo player with a paper pick. Well, what she told me about Chambers took the leading man out of the picture. But there was a bit player named Menlo. I called the office of a Paul Menlo, but they said he wasn't in that day. So I drove out to his address in Encino. It was a ranch house, poured all over the top of a hill. From the looks of the place, Dr. Menlo must have been getting over sealing for his cough drops. I parked my car by the gate and followed the flagstones up to the front door. When I pressed a button, I heard something that sounded like chamber music. The door opened. Middle of the second chorus. Good morning. I want to see Dr. Menlo. Your name, please? Regan. You'll have to call the doctor's office, Mr. Regan. I already did. Then they must have told you. The doctor doesn't see any patients at his home. Yeah, well, I'm not sick. Keep it up and you will be.

[Anthony J. Lyon]

Beat it, pilgrim.

[Jeff Regan]

No. I came here to see the doctor.

[Anthony J. Lyon]

He don't want to see you.

[Jeff Regan]

Get your hands off me, punk. Once I hit a guy in the ear. It busted his leg. I can handle this guy.

[Jack Webb]

Vicki, stop that.

[Vicki Starr]

Get out, Pac.

[Anthony J. Lyon]

Be in the back if you want.

[Jeff Regan]

You ever been a referee?

[Vicki Starr]

I've been a lot of things. Come in. Mr. Regan. I apologize for him. He's so eager. Isn't this better?

[Jeff Regan]

Well, everybody's eager now.

[Vicki Starr]

Anxious is a better word. I like blue serge of Nesecton. Thee.

[Jeff Regan]

You're the doctor's helper.

[Vicki Starr]

I hold his stethoscope. My name is Vicki Starr.

[Jeff Regan]

I'd like to see him.

[Vicki Starr]

He's busy.

[Jeff Regan]

Where do I wait?

[Vicki Starr]

Might be quite a while. He just opened the bottle.

[Jeff Regan]

Well, then I'm right on time.

[Vicki Starr]

Paul's not sociable like me. He drinks alone. He gets more that way. Let me entertain you.

[Jeff Regan]

What can you do?

[Vicki Starr]

Watch.

[Jeff Regan]

Oh, no. Easy, baby. I don't know how to fix a fracture.

[Vicki Starr]

I've already got a man that can do that. I want one with brains.

[Jeff Regan]

What's the matter with the doctor?

[Vicki Starr]

He keeps his in cold storage. Hasn't used him for a long time now.

[Jeff Regan]

Oh, I don't know.

[Vicki Starr]

He's done all right, this place. He'd be selling papers if his wife hadn't left him a good insurance policy.

[Jeff Regan]

Don't you like his money?

[Vicki Starr]

Don't get me wrong. I like being secure. But a girl has feelings, too.

[Jeff Regan]

They're beginning to show.

[Vicki Starr]

I'm glad I met you.

[Anthony J. Lyon]

Why?

[Vicki Starr]

We're gonna have some nice afternoons.

[Jeff Regan]

That's football season.

[Vicki Starr]

I have some free time. Ought to hear me on the piano, for instance.

[Jeff Regan]

No, I don't sing.

[Vicki Starr]

I'll teach you. Paul says I should have an outside interest.

[Jeff Regan]

Keep looking. You'll find one.

[Vicki Starr]

You smile good, but you talk nasty.

[Jeff Regan]

You started this conversation, Sis.

[Vicki Starr]

Max is still in the kitchen.

[Jeff Regan]

I came here to see Menlo.

[Vicki Starr]

You didn't say what about.

[Jeff Regan]

I'll tell him.

[Vicki Starr]

There's the phone call. And make an appointment.

[Isabel Sanchez]

Hello, Vicky.

[Anthony J. Lyon]

Who is it this time?

[Vicki Starr]

His name's Rig, and he hasn't got a business card.

[Anthony J. Lyon]

And make sure I'm out.

[Jeff Regan]

You Dr. Menlo?

[Anthony J. Lyon]

Yeah. Should I turn all my patients over to another doctor?

[Jeff Regan]

Yeah. Well, I know one you forgot.

[Anthony J. Lyon]

Tell me who.

[Jeff Regan]

Carmen Sanchez.

[Anthony J. Lyon]

Go ahead, Vicki. I'll talk to you.

[Vicki Starr]

Watch yourself, Paul. He doesn't know how to be nice.

[Anthony J. Lyon]

It'll only take a minute.

[Vicki Starr]

I'll crack the mic.

[Anthony J. Lyon]

Good. Nurse?

[Jeff Regan]

She's out of uniform.

[Anthony J. Lyon]

We're casual. You said I had a patient named Carmen Sanchez. Who told you that?

[Jeff Regan]

Somebody she knew.

[Anthony J. Lyon]

Your relative?

[Jeff Regan]

Friend.

[Anthony J. Lyon]

You heard some wrong information, mister. I never heard of Carmen Sanchez.

[Jeff Regan]

I read about you in a letter.

[Anthony J. Lyon]

Must have been another Menlo.

[Jeff Regan]

No, there's only one with a license.

[Anthony J. Lyon]

You peak too? 25 a day. 10.

[Jeff Regan]

I work for another guy.

[Vicki Starr]

Who?

[Anthony J. Lyon]

Lion. Lion's Eye. Okay. You're still at the wrong house.

[Jeff Regan]

You want to show me your files?

[Anthony J. Lyon]

Why not? Come on. Okay. Keep a duplicate at home. Help yourself. Want a drink?

[Jeff Regan]

Too early.

[Anthony J. Lyon]

You don't mind if I have one?

[Jeff Regan]

No. Anything not under Sanchez? No.

[Anthony J. Lyon]

Now do you believe me?

[Jeff Regan]

She could have used another name.

[Anthony J. Lyon]

Got any ideas?

[Jeff Regan]

Blonde girl, five four, brown eyes.

[Anthony J. Lyon]

Means that.

[Jeff Regan]

Do you ever know a man named Chambers? Yeah.

[Anthony J. Lyon]

High school back in Denver. Drove a truck.

[Jeff Regan]

That doesn't help.

[Anthony J. Lyon]

I'm sort of retired now.

[Jeff Regan]

That's what Vicki said.

[Anthony J. Lyon]

Nice girl. Talks to everybody. You satisfied?

[Jeff Regan]

Not yet.

[Anthony J. Lyon]

Don't mention always glad to help out. There's easier ways to make a living.

[Jeff Regan]

Yeah. I haven't got a wife with an insurance policy.

[Anthony J. Lyon]

A year ago, I'd have broke you in half for that. Now it doesn't matter. You can find the door.

[Jeff Regan]

I'll be back.

[Anthony J. Lyon]

Don't bother, Regan. Doctor will be out.

[Jeff Regan]

I left him sitting there with a glass of rye in his hand. It wasn't much of a interview, but there was a story Somewhere. What Menlo didn't have in his files, he was keeping in his head. And figured he might open up if I showed him that snapshot in the letter. While I drove back to town, I put in a call to the Lion. Nobody answered at the office, so I went home. When I opened my door, I caught a load of Taboo. Isabel Sanchez was wearing a dress she must have put on with a shoehorn.

[Vicki Starr]

You've got the nicest janitor who thinks I'm your sister.

[Jeff Regan]

Where'd you meet him?

[Vicki Starr]

He was in the lobby when I came in. I. I've been waiting for you.

[Jeff Regan]

Yeah, well, we got an office, you know.

[Vicki Starr]

No one answered when I rang. I wanted to be sure and see you before I left.

[Jeff Regan]

Taking a trip?

[Vicki Starr]

I leave for Mexico City first thing in the morning.

[Jeff Regan]

Well, it was a short visit.

[Vicki Starr]

It was long enough.

[Jeff Regan]

What about your sister?

[Vicki Starr]

That's what I came here to tell you. I found common.

[Jeff Regan]

Oh, you did.

[Vicki Starr]

Or rather, Carmen found me. I feel foolish now, calling in a detective service and all that.

[Jeff Regan]

Why?

[Vicki Starr]

Well, Carmen came to my hotel about noon today. And you imagine she's been looking for me?

[Jeff Regan]

Last night you said she didn't have an address.

[Vicki Starr]

Well, that was another silly thing. On, your mistake. She's not very good at tales.

[Jeff Regan]

Where is she now?

[Vicki Starr]

She's out buying a few things and packing. I've convinced her to come home with me.

[Anthony J. Lyon]

All right.

[Jeff Regan]

Now you want to know what I found?

[Vicki Starr]

Why not? Should I? I have my sister.

[Jeff Regan]

You were worried about a man named Chambers last night.

[Vicki Starr]

She hasn't seen him for months.

[Jeff Regan]

Did she tell you about her doctor? No, I met him. Only he said he never saw her.

[Vicki Starr]

Oh, is that so? Well, Mr. Regan, I do appreciate your services. Please thank Mr. Lyons with kindness. I'm sorry I won't be able to see him.

[Jeff Regan]

He's gonna be sorry too.

[Vicki Starr]

You're giving this envelope. It's a hundred dollars in it.

[Jeff Regan]

You're paid up.

[Vicki Starr]

It's for all the unnecessary trouble I've caused. And it's all confidential.

[Jeff Regan]

You read the contract.

[Vicki Starr]

I wouldn't want any of this to get packed too wrong.

[Jeff Regan]

You know some of the wrong kind, do you?

[Vicki Starr]

Doesn't everyone? Right here.

[Anthony J. Lyon]

Hello.

[Isabel Sanchez]

You run any expenses on this thing today?

[Jeff Regan]

No, I didn't.

[Anthony J. Lyon]

Good.

[Isabel Sanchez]

It's all over.

[Jeff Regan]

Isabelle said she didn't see you.

[Isabel Sanchez]

There's a guy named Gallagher in Missing Persons. Got an eye like an eagle. He took one look at that snapshot and opened a file.

[Jeff Regan]

What kind of file?

[Isabel Sanchez]

Dead and unclaimed.

[Jeff Regan]

What do you mean?

[Isabel Sanchez]

Carmen Sanchez. Has been dead a year and the county buried it.

[Jack Webb]

You are listening to the story of the Lost lady, tonight's adventure with Jeff Regan, investigator. Before we continue with tonight's story, here's an important message from the Adjutant General's office. The Army Nurse Corps Reserve still has commissions available for graduate registered nurses between the ages of 21 and 45. If you believe you qualify for a commission in the Army Nurse Corps Reserve, apply to the adjutant general, Washington, D.C. and now back to the story of the Lost lady and Jeff Regan, investigator.

[Jeff Regan]

Well, there are enough angles in this thing to write a new geometry book. Isabel Sanchez came to Los Angeles to find her sister, Carmen. She called in the lion who started me digging. A doctor named Menlo out in Encino. Used a milk bottle for a jigger. He was heavy on green stuff, but light on memory and gave me nothing but an ice cube. His girlfriend, Vicky, was a little different. She gave me a warm glow, but I still drew a blank on the missing sister. Then Isabel walked into my place and said she found Carmen and called off the chase. That's about when the lion rang and said that he'd found her, too, only his version was a little different. She was holding down a plot in the county cemetery. Been dead a year. Well, I caught a cab and I went over to her hotel. A small man with a bald head opened the door and looked at me like I was trying to crash a coming out party.

[Anthony J. Lyon]

Yes?

[Jeff Regan]

I'm looking for Isabel Sanchez.

[Anthony J. Lyon]

Are you a friend?

[Jeff Regan]

She won't think so. She's not available.

[Anthony J. Lyon]

Sorry. I'll wait.

[Jeff Regan]

What I mean is, could you come back later? What's wrong with her now?

[Isabel Sanchez]

Well, you see.

[Jeff Regan]

All right. Come on, buster. Let's throw it in gear.

[Anthony J. Lyon]

Are you a guest of the. No.

[Vicki Starr]

Could you please tell me the nature of your business?

[Jeff Regan]

I want to see Isabelle. I'm sorry, I. I can't let you.

[Anthony J. Lyon]

In until you tell me who you are.

[Jeff Regan]

Reagan International Detective Bureau. She's a client.

[Anthony J. Lyon]

Oh. Come in.

[Jeff Regan]

I'm Dr. Stanwick, the house physician. She need one?

[Anthony J. Lyon]

Not anymore. Look for yourself.

[Jeff Regan]

How long she been this way?

[Anthony J. Lyon]

Two hours, I'd say.

[Jeff Regan]

Bell boy found her a few minutes ago.

[Anthony J. Lyon]

She drank a lot.

[Jeff Regan]

Alcoholic poisoning?

[Anthony J. Lyon]

Yeah.

[Jeff Regan]

Oh, Mr. Regan, when a thing like this occurs naturally, we don't like it. To get around to the other guests.

[Anthony J. Lyon]

You'Ll use discretion, I presume.

[Jeff Regan]

I'll be as quiet as she is.

[Anthony J. Lyon]

Thank you, Mr. Regan. We appreciate it.

[Jeff Regan]

The elevator's to your right. I got a good memory.

[Anthony J. Lyon]

Regan.

[Jeff Regan]

What are you doing here?

[Isabel Sanchez]

Come to talk to our client, you'll.

[Jeff Regan]

Need a Ouija board.

[Anthony J. Lyon]

Watch her. Me?

[Jeff Regan]

She's dead.

[Isabel Sanchez]

Why'd you let that happen?

[Jeff Regan]

He wouldn't have done you any good.

[Isabel Sanchez]

What you talking about?

[Anthony J. Lyon]

Yeah, all right.

[Jeff Regan]

You go to Isabelle. You say your sister's buried on the county. But it'll take a little cash to keep it out of the newspapers.

[Isabel Sanchez]

Not so now.

[Jeff Regan]

Go back to your contest blanks, big shot. That Sanchez theme didn't come from Mexico. And she wasn't rich.

[Isabel Sanchez]

You mean she's been lying.

[Jeff Regan]

I told you that yesterday.

[Isabel Sanchez]

All right. We'll close the Sanchez case.

[Jeff Regan]

Oh, no, we won't. It's still wide open.

[Isabel Sanchez]

Where you going?

[Jeff Regan]

To buy an arrow? I went down to the hall of Records. It's a brown building off Temple. It leans over like an old lady with a short cane. I took the elevator upstairs and I walked down to Vital Statistics. The place was empty except for a guy sitting behind the desk. He had on a black suit with dust on his shoulders. His fingernails were dirty and he was reading a dictionary. He must have been at a good part because he looked mad when I nudged him. I want some information.

[Anthony J. Lyon]

That's what I'm here for. I'm a public servant.

[Jeff Regan]

Now, let's get to the death files, will you?

[Anthony J. Lyon]

You're a morbid guy.

[Isabel Sanchez]

You got a lot of stuff from Births and Marriages.

[Vicki Starr]

Ask me something about that.

[Jeff Regan]

Carmen Sanchez died a year ago in August. Tell me what from.

[Vicki Starr]

Okay. How'd you spell it?

[Jeff Regan]

Just like it sounds.

[Vicki Starr]

17.

[Anthony J. Lyon]

Solace Sanaki, Santa. That's what happened to old Sandy. No wonder I ain't seen him around.

[Jeff Regan]

Get the Sanchez.

[Vicki Starr]

All right, I got the Sanchez.

[Anthony J. Lyon]

Carmen, 22.

[Jeff Regan]

Date of death, age 30.

[Anthony J. Lyon]

47. Alcoholic poisoning. She drank a lot.

[Jeff Regan]

Who signed the certificate?

[Anthony J. Lyon]

P. Menlo MD Thanks.

[Vicki Starr]

Next time, make it something hard.

[Anthony J. Lyon]

All right, try this.

[Jeff Regan]

Menlo's wife died about the same time.

[Anthony J. Lyon]

Master Maurice Melbourne Babbitt Manlow, Sylvia, 3492.

[Vicki Starr]

47. Alcoholic poisoning.

[Anthony J. Lyon]

Certification T. Menlo.

[Vicki Starr]

That guy can't keep a patient.

[Jeff Regan]

Well, I left and I went back out into the street. It was almost 5 and the traffic was heavy. I started to cross the street to a sandwich shop on the corner. A yellow cab raced me to the sidewalk, but I won. I went inside and a skinny waitress with peanut colored hair. Brought me a cup of stale coffee and a burnt hamburger. I sat there and I tried to figure. Was like swimming through a tidal wave in hip boots. Three deaths from the same thing. And Menlo's name on every one of them. Well, the answers weren't in the coffee cups. So I went home, picked up my car. And drove out to Menlo's place in Encino. The drive was nice and so was the reception.

[Vicki Starr]

I build a fire.

[Jeff Regan]

I forgot the marshmallows.

[Vicki Starr]

We'll think of something else. You know, I'm not mad anymore.

[Jeff Regan]

I'm still looking for your doctor.

[Vicki Starr]

Let me take care.

[Jeff Regan]

No, I want to see him.

[Vicki Starr]

You'll have to wait. Again?

[Jeff Regan]

When's he going to climb out of that bottle?

[Vicki Starr]

We had dinner at a place on Ventura. Paul found the bar.

[Jeff Regan]

I better go there.

[Vicki Starr]

Questions again? Maybe I know some swell answers.

[Anthony J. Lyon]

I bet you do.

[Vicki Starr]

I've worked for him a long time.

[Jeff Regan]

One year.

[Vicki Starr]

How did you know? This is my night off.

[Jeff Regan]

You here all alone?

[Anthony J. Lyon]

Isn't it terrible?

[Vicki Starr]

Anything's happening. How do you like it?

[Jeff Regan]

Your way.

[Vicki Starr]

What's better? Now let's have a nice quiet evening, just you and me. I had a feeling you'd be back.

[Jeff Regan]

That way. You wore that.

[Vicki Starr]

Like it?

[Jeff Regan]

Well, you've got talent, lady.

[Vicki Starr]

Discover me. It's been a famine of men like you.

[Jeff Regan]

You don't look underfed.

[Vicki Starr]

Why didn't I meet you sooner?

[Jeff Regan]

We didn't travel in the same crowd.

[Vicki Starr]

Let's start over.

[Jeff Regan]

Do you keep his files?

[Vicki Starr]

What's that got to do with us?

[Jeff Regan]

They'd never pass inspection.

[Vicki Starr]

Are you talking about something I should know?

[Jeff Regan]

Carmen Santee.

[Vicki Starr]

What about her?

[Jeff Regan]

She died. Menlo signed her death certificate.

[Vicki Starr]

Paul's lost a lot of patience. She's not very good. Did I tell you I played the piano?

[Jeff Regan]

You told me some other things.

[Vicki Starr]

Did I?

[Jeff Regan]

They make a good story.

[Vicki Starr]

I don't like stories.

[Jeff Regan]

Well, I'm gonna tell you anyway.

[Vicki Starr]

I thought we were going to have a nice, quiet evening.

[Jeff Regan]

A girl walked in his office one day and dropped dead.

[Vicki Starr]

Good opening. Why'd she do that?

[Jeff Regan]

Alcoholic poisoning. She was a nobody named Carmen Sanchez.

[Vicki Starr]

Sorry's getting dull.

[Jeff Regan]

There was a snapshot in her pocketbook. Not much else.

[Vicki Starr]

When does the action begin?

[Jeff Regan]

Right now, lady. The doctor's wife had an insurance policy.

[Anthony J. Lyon]

He convinced her to take a trip.

[Vicki Starr]

Why do you want to do a thing like that?

[Jeff Regan]

So he could pull a name fix and collect his wife's insurance. He had a body.

[Vicki Starr]

No one will ever believe this slot.

[Jeff Regan]

He buried an empty box.

[Vicki Starr]

How do you know?

[Jeff Regan]

I'm gonna have somebody dig it up.

[Vicki Starr]

What about the body?

[Jeff Regan]

He turned that over to the county.

[Vicki Starr]

Everybody looked happy ever after. Don't you like my music?

[Jeff Regan]

You're gonna have to take up the harmonica, lady.

[Vicki Starr]

Why?

[Jeff Regan]

The gas Chamber isn't big enough for a piano.

[Vicki Starr]

Who's going to the gas chamber?

[Jeff Regan]

You, maybe. An insurance fraud's one thing. Murder's a longer rap.

[Vicki Starr]

You haven't touched your drink.

[Jeff Regan]

I don't like mine. That's strong. Now, come on, lady, get your coat. Max, I thought you were alone.

[Vicki Starr]

I lied.

[Isabel Sanchez]

Hello, Regan.

[Jeff Regan]

You're looking.

[Vicki Starr]

It's tough, Matt. Soften him up.

[Jeff Regan]

I was in a white room when the trip ended. I tried to move my head, but it felt like a grand piano. So I just lay there. Pretty soon, somebody put something damp on my face and I began to see things. Vicki was there, Max. So was Menlo. If I'd have had a deck of cards, we could have played a pinup game. Menlo looked kind of upset, like an ostrich with a sore throat. He had a needle in his hand.

[Anthony J. Lyon]

I get the shakes.

[Vicki Starr]

You're all right, Paul. Now go ahead.

[Jeff Regan]

Just like Isabelle.

[Vicki Starr]

You should have stayed out, Regan.

[Jeff Regan]

I wanted one more look at you, baby.

[Vicki Starr]

I hate to see the nice ones go, but it'll all be over in a minute. All right, Paul.

[Anthony J. Lyon]

Give me a drink, Vicki.

[Vicki Starr]

Never mind. Hurry up.

[Anthony J. Lyon]

Gotta have a drink.

[Vicki Starr]

Oh, you're too slow, Max.

[Jeff Regan]

Yeah.

[Anthony J. Lyon]

Keep away from me, Max. I'll kill you.

[Jack Webb]

Keep away from me.

[Anthony J. Lyon]

I swear I'll. I told you to keep him away.

[Jeff Regan]

Menlo. Slug took care of Max, but Vicki shot Menlo twice and his knees knocked together. He began to pitch around like a toy balloon in a hurricane. He dropped his gun, but he held onto the needle. Then he slumped forward and made a grab for Vicki. And they both went down. He jammed the needle into her arm.

[Anthony J. Lyon]

Vegan. Come here.

[Jeff Regan]

Same stuff you used on Isabel.

[Anthony J. Lyon]

Yeah, I'll call it Alcoholic Boy.

[Jeff Regan]

I'll straighten him out again.

[Anthony J. Lyon]

Move my head. Yeah.

[Jeff Regan]

Here.

[Anthony J. Lyon]

Call a doctor.

[Jeff Regan]

He'd never make it.

[Anthony J. Lyon]

Doctor.

[Jeff Regan]

Give me five good reasons.

[Anthony J. Lyon]

Five good reason. I got Vicky. I'll never use a needle again. And.

[Jeff Regan]

You only gave me two. Well, we didn't hear from the suburbs. But there were enough ballots to make it an election. Homicide got the insurance commissioner down there and he threw in a vote. Seems that Isabel Sanchez was Menlo's wife, only her name was Sylvia. When a dame named Carmen Sanchez dropped dead in his office. Menlo got kind of ambitious. He talked his wife into the switch. And, well, everything might have worked out. Except one night when he was seeing elephants, he told Vicki the whole thing. She set the squeeze pull with Max in the dugout. When Sylvia got back and saw how things were. She called herself Isabel Sanchez and went to the lion with a story about a lost sister. I was hired for scare work and when she figured they had enough, she called me off. But it didn't take. And you know the rest. Well, the insurance company issued a fee for exposing it to fraud. And the lion got his picture on page one, was right next to Vicki's. He was wearing one of those French swimming suits. The lion said that'd do us a lot of good. It did. We each had a free bathing suit.

[Jack Webb]

Jack Webb is featured as Jeff Regan with Herb Butterfield as Anthony J. Lyon. It's CBS and the same time next week for more hard boiled action and mystery with Jeff Regan, investigator. Written by E. Jack Newman and Larry Roman. Produced by Sterling Tracy. The role of Nikki Star was played by Yvonne Paty. Lorraine Tuttle was Isabel Sanchez. Ken Christie played Dr. Paul Menlo. And Larry Dobkin was Max Brenner. Original music for this program is by Milton Charles. Bob Stevenson speaking. This is cbs, the Columbia Broadcasting System.

[Vicki Starr]

From the Cascades to PDX to your kitchen. We recycle like we live here. That's why governments, brands and recycling companies.

[Jeff Regan]

Are all joining together to bring change.

[Vicki Starr]

To make recycling better. As in trusting that your recyclables end up in the right places to be made into new things and having brands help fund the cost of recycling. You can find the Latest [e-mail] Oregon. From Mount Hood to the bin under your desk, together we can do this.

[T-Mobile Advertiser]

Hi, I'm Chris Gethard and I'm very excited to tell you about Beautiful Anonymous, a podcast where I talk to random people on the phone. I tweet out a phone number. Thousands of people check to call you talk to one of them. They stay anonymous. I can't hang up. That's all the rules. I never know what's gonna happen. We get serious ones. I've talked with meth dealers on their way to prison. I've talked to people who survived mass shootings. Crazy funny ones. I talked to a guy with a goose laugh. Somebody who dresses up as a pirate on the weekends. I never know what's gonna happen. It's a great show. Subscribe today. Beautiful Anonymous.

[Jeff Regan]

My name's Reagan. I get 10 a day in expenses from a detective bureau run by a guy named Anthony J. Lyon. They call me the Lion's Eye.

[Jack Webb]

Jack Webb is Jeff Regan, investigator, as CBS offers you hard boiled action and mystery and thrilling adventure in tonight's story of the lady with too much.

[Anthony J. Lyon]

Ha.

[Jeff Regan]

It's suite 308 in the Cosmopolitan building on 7th near Olive. The letters on the door say International Detective Bureau. Anthony J. Lyon, President. They used to be in gold, but the lion scraped them off one day and made some kind of a deal with Fort Knox. Oh, it isn't much of an office. One room the size of a cigar box and it smells about the same. There's an overstuffed chair in one corner with a loose spring that's a menace right over it there's a crack in the ceiling, but the lion doesn't seem to mind.

[Anthony J. Lyon]

He says the place is rigged for comfort.

[Jeff Regan]

Well, that's where I was at 5:25 last Wednesday night. Lion was sitting behind the desk looking at himself in a mirror. What he saw should have scared him. A pair of shoe button eyes mounted in a head like a Spanish onion.

[Isabel Sanchez]

You know, Regan, I don't feel like I used to.

[Jeff Regan]

Neither do the Republicans.

[Isabel Sanchez]

Think I've got that middle aged look.

[Jeff Regan]

Just the spread.

[Isabel Sanchez]

It's getting a little scarce on top.

[Jeff Regan]

Change your shampoo.

[Isabel Sanchez]

I shouldn't be getting bald at my age. I'm only 39.

[Jeff Regan]

Your addition is kind of bad, isn't it?

[Isabel Sanchez]

I guess it's because I got so much worry. None of this business takes a lot out of a man.

[Jeff Regan]

Takes more out of your clients.

[Isabel Sanchez]

They get good service at reasonable rates.

[Jeff Regan]

Well, I've heard the commercial, Regan.

[Isabel Sanchez]

Cancel all arrangements for tonight. You're gonna be busy.

[Jeff Regan]

Doing what?

[Isabel Sanchez]

That's the trouble with you, young man, too hasty. Learn how to relax, like me.

[Jeff Regan]

Tell that to you elser.

[Isabel Sanchez]

Ever hear of a lady named Hazel Carr?

[Anthony J. Lyon]

No.

[Isabel Sanchez]

Where are you going? She's a businesswoman and we got business with her.

[Jeff Regan]

What kind?

[Isabel Sanchez]

Later.

[Jeff Regan]

When?

[Isabel Sanchez]

Anthony J. Lyon, International. Detect.

[Anthony J. Lyon]

Yeah, yeah, yeah.

[Isabel Sanchez]

1302 Beechwood. Right away, Mrs. Carr. Okay, there's the kickoff, Regan.

[Jeff Regan]

Who's playing?

[Isabel Sanchez]

You and a red headed guy hop over this address and hide behind a tree or something.

[Jeff Regan]

I forgot my beard.

[Isabel Sanchez]

You'll see a red headed guy coming out of the house in about 45 minutes. Get a real good look at him.

[Anthony J. Lyon]

Why?

[Isabel Sanchez]

He's the guy you're gonna study so you'll know him anytime you see him.

[Jeff Regan]

Where does Hazel Carr fit?

[Isabel Sanchez]

She's inside the house. After you spot the guy, go in and see her.

[Jeff Regan]

Fill in the rest.

[Isabel Sanchez]

She'll give you all you gotta know. Now get moving and stay on the ball.

[Jeff Regan]

I work for you, how can I get. Well, I left the lion sitting there and I drove out to the Beechwood address. Turned out to be a corner house stuck on the top Of a hill and it figured a good rain would wash it down the drain. Well, I parked across the street and lit a cigarette. Watched a kid on a bicycle throwing newspapers. His aim was real good. He got them all on the roof. I watched him finish the block and that's when my knee action began to suffer. A heavy guy in a trench coat had his foot on my running board. He had a big face and he turned it sideways and stuck it in the window.

[Anthony J. Lyon]

What's the matter, buddy? Out of gas?

[Jeff Regan]

No, my foot fell asleep.

[Anthony J. Lyon]

Oh. How about a light? Want a light?

[Jeff Regan]

Got one.

[Anthony J. Lyon]

Okay.

[Jeff Regan]

Out of fluid anyway. I'll pull your head out of here before you lose it.

[Anthony J. Lyon]

It's all right. I always carry a spare.

[Jeff Regan]

Come on, beat it, buster. You spoil my view.

[Anthony J. Lyon]

Oh, peeking, huh? Maybe you say maybe, I say yes.

[Jeff Regan]

All right, what do you want?

[Anthony J. Lyon]

Same as you.

[Jeff Regan]

You're looking.

[Anthony J. Lyon]

I'm looking?

[Jeff Regan]

Who side you on?

[Anthony J. Lyon]

The pen. On what? Whose side you're on the.

[Jeff Regan]

That was when the front door of the car house opened and six feet of pinstripe gray came out on the sidewalk. His 200 pounds was topped off with a bush of red hair and he had a face to match. It had had a flushed look like a high school boy at a burlesque show. He started down the street, the guy in the trench coat crossed over the other side and moved after him, kind of slow. Then they disappeared around the corner. Now he was playing his hand, I was playing mine. I climbed out of my car and walked up to the door of the car place. The bell sounded like something that should have been in Buckingham. But the woman who answered wasn't any queen.

[Vicki Starr]

Yes?

[Jeff Regan]

My name's Regan, International Detective Bureau.

[Vicki Starr]

Oh, Lion's Eye. Please come in, Mr. Regan. I'm Hazel Carr.

[Anthony J. Lyon]

All right.

[Vicki Starr]

You saw him, I suppose.

[Jeff Regan]

The redhead.

[Vicki Starr]

Rather large, isn't he?

[Jeff Regan]

The dons are missing a bet.

[Vicki Starr]

Sit down. Mr. Regan, may I offer you something?

[Jeff Regan]

I'll try a story.

[Vicki Starr]

We'll get to that in a moment.

[Jeff Regan]

What's wrong with right now?

[Vicki Starr]

We have other things to discuss. You have a dark suit, I suppose?

[Jeff Regan]

Yeah, I got it on.

[Vicki Starr]

Well, get it pressed. You're going out tonight, Mr. Regan?

[Jeff Regan]

I'm already booked.

[Vicki Starr]

Then disappoint her. You see, from now on, you're working for me.

[Jeff Regan]

Come on. Strike a match, lady. I don't like the dark.

[Vicki Starr]

You're going to meet the 7:10 at the Union Station. My daughter Phyllis is coming in. She's been at an Eastern school getting finished.

[Jeff Regan]

How'd she turn out?

[Vicki Starr]

Just A vacation. She's dying to see Hollywood. She should have a young man.

[Jeff Regan]

I'm no escort bureau.

[Vicki Starr]

I want more than an escort for Phyllis. I want a man with authority.

[Anthony J. Lyon]

She play that rough?

[Vicki Starr]

That redhead you saw? He thinks he's in love with her.

[Jeff Regan]

We all make mistakes.

[Vicki Starr]

But he's impetuous. Follows her all over. He even threatened her. He says he'll kill her and himself if she doesn't marry him.

[Jeff Regan]

Well, either way, he loses.

[Vicki Starr]

I don't care about him. It's Phyllis that worries me. She's so young. But I don't want her to know that things are so bad. She needs protection. You must remember that.

[Jeff Regan]

Maybe she'll figure it out herself.

[Vicki Starr]

Don't let her. Anyway, I've wired her that a young man was going to meet her at the train to show her around. A nice young man. Can you act the part?

[Jeff Regan]

I'll try.

[Vicki Starr]

See that you do.

[Jeff Regan]

Who's that boy out in front in the trench coat?

[Vicki Starr]

I don't know what you mean.

[Anthony J. Lyon]

Okay.

[Jeff Regan]

Anything else?

[Vicki Starr]

I made your reservations for dinner. Dancing at the Grove. I'll show her a good time.

[Jeff Regan]

You're paying the bills.

[Vicki Starr]

And keep her occupied until I figure out a way to get rid of that redhead.

[Jeff Regan]

Murder might work.

[Vicki Starr]

Think about it. Call me after you pick her up.

[Anthony J. Lyon]

Sure.

[Vicki Starr]

Now, you. You better go.

[Anthony J. Lyon]

Okay.

[Vicki Starr]

Oh, Mr. Regan.

[Jeff Regan]

Yeah?

[Vicki Starr]

Here.

[Jeff Regan]

What's this?

[Vicki Starr]

Emily Post read up on your manners.

[Jeff Regan]

Well, I figured she wasn't telling everything, but it was her play. I headed for my place to clean up before meeting the train. It took a little time bucking traffic on Franklin at Gower. I played tag with a truck driver trying hard to crease my fenders. Was about 6:15 when I pulled to a stop in front of my apartment. When I opened the door, I smelled cigar smoke. Somebody was over for a slumber party. A short, stocky guy with a stub crammed in his face was sleeping on the bed. Must have been having a real good dream because he was tough to wake up. Hey, come on, buddy.

[Anthony J. Lyon]

Hey, come on.

[Jeff Regan]

The alarm just went off.

[Anthony J. Lyon]

Oh, hi, Regan. Yes, I dozed off waiting for you.

[Jeff Regan]

Pajamas in the top drawer.

[Anthony J. Lyon]

What are you using, like a scratch? Look, kind of late last night.

[Jeff Regan]

You should have stayed home today.

[Anthony J. Lyon]

Had to see you. What for? You know what's a pretty crummy mattress you got?

[Jeff Regan]

Well, I'll put in for a beauty rest, huh?

[Anthony J. Lyon]

Yeah, do that, Regan.

[Jeff Regan]

All right, punk, let's get to it.

[Anthony J. Lyon]

Ease off. Ease off, pilgrim. I'm still shaking the sand at him.

[Jeff Regan]

Well, get up and start talking.

[Anthony J. Lyon]

Easy, easy. Name's Moe. I'm a friend.

[Jeff Regan]

Convince me.

[Anthony J. Lyon]

I'm gone. Hey, maybe get something to drink around.

[Jeff Regan]

Maybe after the talk, I guess. Who sent you?

[Anthony J. Lyon]

Your insurance company? I'm paid up and not in the collection department.

[Jeff Regan]

What else they got?

[Anthony J. Lyon]

Friendly service, goodwill. Getting close to Christmas.

[Jeff Regan]

Yeah, I'll send you a card.

[Anthony J. Lyon]

Don't want no card. Just want the pleasure of knowing I did you a service.

[Jeff Regan]

Name the kind.

[Anthony J. Lyon]

Guys going to meet. Trains have accidents sometimes.

[Jeff Regan]

Santa Fe's not gonna like you.

[Anthony J. Lyon]

But I figure you will. Tiffin ya. How to stay healthy.

[Jeff Regan]

My doctor tells me. Vitamins.

[Anthony J. Lyon]

Mo says it's a wrong dope. Skip the train and take in a show.

[Jeff Regan]

I don't like popcorn.

[Anthony J. Lyon]

It'd pay you to learn.

[Jeff Regan]

You want to tell me why?

[Anthony J. Lyon]

You got enough? How about that drink, friend?

[Jeff Regan]

You didn't earn it.

[Anthony J. Lyon]

Suit yourself, people. But being nice is really an act. With me. I'm pretty nasty.

[Jeff Regan]

That won't get you an argument.

[Anthony J. Lyon]

I'd even hit a guy two feet shorter than me. Yeah.

[Jeff Regan]

I'm turning pale.

[Anthony J. Lyon]

That's a good color for you, Regan. Stay that way.

[Jeff Regan]

He chewed on a cigar a couple of times and then he went out to find a spittoon. The whole thing had a crummy look, like a box of stale crackers. I tried to figure whether he was working for the redhead or grubbing around on his own, but not enough scenes were in to make it a full picture. Well, the car woman was writing the checks and I was still trying. I cleaned up, threw on some fresh clothes, made it to the union station a little after seven. The super chief was just coming in. The station master, who walked with a slight list, took her name and said he'd bring her to me. And then I fought my way to the restaurant and the waiter brought me a cup of coffee. He was a skinny little guy with a lot of neck muscles. I guess he got that way from talking so much.

[Vicki Starr]

Are you going someplace, mister?

[Jeff Regan]

Just been.

[Anthony J. Lyon]

Oh. Got fun.

[Jeff Regan]

It wasn't bad.

[Vicki Starr]

Sugar?

[Jeff Regan]

No, thanks.

[Anthony J. Lyon]

That's no good for you anyway. Gives you diabetes.

[Vicki Starr]

You know, mister, I gotta go someplace myself sometime.

[Jeff Regan]

I got a suggestion.

[Vicki Starr]

I've been working here 12 years. Yeah? People come, people go.

[Anthony J. Lyon]

Pete broidy stays on forever. Kareem? No, it's just as well. It's sour.

[Vicki Starr]

You know the farthest place I ever go, mister? That first door to the right. Are you Mr. Regan?

[Anthony J. Lyon]

Yeah.

[Vicki Starr]

I believe you're waiting for me.

[Jeff Regan]

Got a name?

[Vicki Starr]

Phyllis Carr.

[Jeff Regan]

That'll do.

[Vicki Starr]

Oh, the Darling, aren't you going to ask me to sit down?

[Jeff Regan]

You can handle that yourself.

[Vicki Starr]

Thank you.

[Jeff Regan]

Where's your baggage?

[Vicki Starr]

We'll have to pick it up. Are you going someplace, lady? I just got in. I've been figuring on going someplace myself. I was just telling your friend here.

[Jeff Regan]

Get us some coffee.

[Vicki Starr]

But I. I get it.

[Anthony J. Lyon]

Okay, okay.

[Jeff Regan]

I'm just being friendly.

[Vicki Starr]

Yeah, I'm gonna adore it here. Town full of mashers.

[Jeff Regan]

They'll get along.

[Vicki Starr]

I'm much older than I look, you know.

[Jeff Regan]

Carry a sign.

[Vicki Starr]

You don't seem very happy with me. I'm dreadfully sorry. You're much better than I expected.

[Jeff Regan]

Your mother thought different.

[Vicki Starr]

Oh, she's a dear. I thought at first she might pick me one of those children from ucla.

[Anthony J. Lyon]

They'll grow up, darling.

[Vicki Starr]

Who can wait that long? I want to have fun while I'm young.

[Jeff Regan]

Look, what kind of school do you go to?

[Vicki Starr]

All girl.

[Jeff Regan]

Well, that explains a little.

[Vicki Starr]

And it's very progressive. Here's your coffin, lady. Oh, thank you so much. I. Don't mention it, lady. Like I was telling your friend here before. Where are you going, Mr. Reagan? I figured on going.

[Jeff Regan]

No, not you.

[Anthony J. Lyon]

Me.

[Jeff Regan]

Me. Oh, the phone. Your mother.

[Vicki Starr]

Say hello to the dear for me.

[Jeff Regan]

I'm gonna say a lot more. Now, you sit right there till I get back.

[Vicki Starr]

Oh, whatever you say, darling. I'll be making myself more beautiful.

[Jeff Regan]

Save that for the redhead.

[Vicki Starr]

Where'd you hear about him?

[Jeff Regan]

News gets around.

[Vicki Starr]

You're more my tie.

[Jeff Regan]

You better settle for ucla. You don't want to wind up an old maid. Well, it wasn't appealing. Nurse made to a junior miss trying hard to work up a sweat. The curtain wasn't down, but I was ready to call off the show. I scratched around for a nickel and I found the phone booth between the newsstand and a broom closet. It was some old gal inside with a waffle for a hat having a private filibuster. When she finished, I went in and started to dial Hazel Carr. That's when I spotted that redhead in the pinstripe working his way through the crowd. He had an eager look, like an English setter flushing quail. I threw the receiver back on the hook and started for Phyllis. As soon as I stepped out of the booth, the thunder broke. Somebody threw two slugs into the redhead and his light went out. The crowd began to gather, so I went back for Phyllis.

[Anthony J. Lyon]

It was hard going.

[Jeff Regan]

I was moving against the grain.

[Isabel Sanchez]

Hey.

[Jeff Regan]

Hey, boys. How are you going? What?

[Jack Webb]

I heard the shots. Just come out.

[Anthony J. Lyon]

Hey.

[Vicki Starr]

Hey, you Some excitement outside.

[Jeff Regan]

Hey, mister, call Homicide. I've been working here 12 years, seen a lot of things. Where'd she go? One day? A whack chase, the major all over the place. Oh, listen, listen. That blonde sitting over in the corner with a high meter reading. Where'd she go? Yes, from in the cor.

[Anthony J. Lyon]

Now see what you done?

[Jeff Regan]

What happened to her?

[Vicki Starr]

Leave me alone.

[Jeff Regan]

Give it to me. She went out. When?

[Isabel Sanchez]

Just after you did.

[Jeff Regan]

Before or after the shot? I. I don't remember. Well, think.

[Isabel Sanchez]

Before.

[Vicki Starr]

Yeah.

[Anthony J. Lyon]

Yeah, before. I remember watching the way she walked.

[Jeff Regan]

She got a date?

[Vicki Starr]

She tried, but she said she was.

[Jeff Regan]

Going steady with a redheaded guy. Well, things weren't going to get any better at the Union Station Homicide to be down there scratching around. So I used the back door of the restaurant, picked up my car and went out to the lions. When he opened the front door, he had a bottle of beer in one hand and a chicken sandwich in the other. He looked unhappy. Like a beaver with a loose tooth.

[Isabel Sanchez]

Regan, where you been? I've been looking all over for you.

[Jeff Regan]

Did you try Missing Persons?

[Isabel Sanchez]

Called your place three times. Nobody answered.

[Jeff Regan]

You know I was working.

[Isabel Sanchez]

That's what I called you about. I got something to tell you.

[Jeff Regan]

Well, wait your turn.

[Isabel Sanchez]

What's the matter with you? In trouble again?

[Jeff Regan]

No. You are. Big shot. Another bum client.

[Isabel Sanchez]

International detective never had a bum client.

[Jeff Regan]

Well, those two women just spoiled your record.

[Isabel Sanchez]

You've been drinking.

[Jeff Regan]

Better call Homicide and get us off that hook. And then turn back car's retainer.

[Isabel Sanchez]

Regan, what are you saying?

[Jeff Regan]

You heard me.

[Isabel Sanchez]

But it's unethical to return money when Anthony J. Lyons.

[Jeff Regan]

Stop it, will you? You quit giving blood when you found out somebody'd pay for it.

[Isabel Sanchez]

You're out of line.

[Jeff Regan]

Every time you cut yourself, you make a beeline for the Red Cross to get it back.

[Isabel Sanchez]

International detectives under obligation to Mrs. Carr. And we're going to see it true.

[Anthony J. Lyon]

All right.

[Jeff Regan]

You hold her hand in the gas chamber.

[Isabel Sanchez]

What does that mean?

[Jeff Regan]

That's where she's going to be after the police get through.

[Anthony J. Lyon]

What?

[Isabel Sanchez]

What happened?

[Jeff Regan]

That redhead got himself a free ride to the morgue. It looks like her daughter, Phyllis Car called the play.

[Anthony J. Lyon]

You're out of your mind.

[Isabel Sanchez]

Look at this telegram.

[Jeff Regan]

Let me see.

[Isabel Sanchez]

It's from Phyllis Car in New York. She just ran away from school with a Princeton man.

[Jack Webb]

You are listening to the story of the lady with too much hair. Tonight's Adventure with Jeff Regan. Investigator commissions are still available in the Army Nurse Corps graduate registered nurses between the ages of 21 and 45 may qualify for service with this fine organization. Nurses may request active or inactive status. Those on active status enjoy the same privileges as regular army officers. Those on inactive status may continue their civilian nursing duties but stand ready to serve in time of emergency. If you are interested in joining the Army Nurse Corps and believe you qualify for a commission, apply to the adjutant general, Washington, D.C. and now back to Jeff Regan, investigator. And the story of the lady with too much hair.

[Jeff Regan]

Well, it all made sense like a girdle on a Siamese twin. Started out with a redhead and a pinstripe and wound up a nurse maid job with a girl named Phyllis. While I'm in a phone booth, somebody throws a couple of sleeping pills at the redheaded guy. The smoke cleared and Rhett's doing the big sleep in Union Station. And my dates somewhere else. The lion makes it a Sunday special with a telegram that says everything is off. Well, it didn't take 2020 vision to see that the girl in the station was a substitute or the telegram was a phony. It was easy to figure my next move. I went across the street and I found a booth way over in the corner. I was two drinks into the house when the skinny guy in the trench coat eased down beside me.

[Anthony J. Lyon]

Hi, Regan. Think it all helps you get around. So do you.

[Jeff Regan]

Still following people?

[Anthony J. Lyon]

I gave up. You.

[Jeff Regan]

You got something to say?

[Anthony J. Lyon]

I'm just here for a friendly drink.

[Jeff Regan]

Try the bartender.

[Anthony J. Lyon]

I like conversation.

[Jeff Regan]

What kind?

[Anthony J. Lyon]

All kinds. Bourbon and water. Don't look so worried, Regan. I'll pay for my own.

[Jeff Regan]

You're gonna make a night of it.

[Anthony J. Lyon]

I can't. Got things to do. Gotta find a man who shot a man.

[Jeff Regan]

What man?

[Anthony J. Lyon]

The one I followed. The one you watched. Any idea? Yeah.

[Vicki Starr]

Who?

[Anthony J. Lyon]

You bug jilkery.

[Jeff Regan]

Well, why'd you follow him?

[Anthony J. Lyon]

My business. Besides, I lost him in a traffic jam.

[Isabel Sanchez]

Here, ya mick.

[Anthony J. Lyon]

Thanks. Well, here's to the newspapers. Seen this one yet? With pictures all about our friend? Fine murder story?

[Jeff Regan]

No. I work the crosswords.

[Anthony J. Lyon]

Oh, give me crime and lots of it. You know why?

[Jeff Regan]

No. Tell me why.

[Anthony J. Lyon]

It's sin. And sin is here to stay.

[Jeff Regan]

All right, you said your piece.

[Anthony J. Lyon]

Unknown assailant fires two shots. And a traveler at Union Station listening.

[Jeff Regan]

It's an old story.

[Anthony J. Lyon]

Think so?

[Jeff Regan]

He got his red hair dirty on the floor.

[Anthony J. Lyon]

Wrong keeper.

[Jeff Regan]

Well, I'll catch up later.

[Anthony J. Lyon]

This guy was different. How? Bald. Like a boiled egg.

[Jeff Regan]

Crazy. Gimme that.

[Anthony J. Lyon]

See what I mean? The guy in the picture ain't got red hair, got no hair.

[Jeff Regan]

What's your Angle buster.

[Anthony J. Lyon]

Like I said, I read papers. Why?

[Jeff Regan]

I thought maybe you belonged to the Barbers Union. Well, it turned out to be an even trade. I took his newspaper, and he got my ice in the drink. Well, I went back to the office and sat down and tried to figure it out. Was all crazy, like an Eskimo with a Popsicle. I started by calling Hazel Carr's house, but the nickel came back. The phone book gave a business address, so I drove out. There was a pink stucco job out of an Olympic. Right after you pass Redondo. A red neon sign told you that Hazel Carr Incorporated specialized in hairpieces. Nobody answered up front, so I slipped around to the back door. The door opened into a workroom. I scratched a match. Somebody'd been looking for something, and it wasn't dandruff. Every wig in the place was torn apart. Just about then that I heard a step, and then a flashlight jumped out at me, and I smelled a cigar. It was Mo.

[Anthony J. Lyon]

Hi, Regan.

[Jeff Regan]

Well, Sleeping beauty, I'm awake.

[Anthony J. Lyon]

This time.

[Jeff Regan]

I'm impressed. Tell me more.

[Anthony J. Lyon]

Stand still, Reagan. This alarm clock goes off, it's already rung. I didn't do it.

[Jeff Regan]

Body in Union Station. Chamber of Commerce gets upset.

[Anthony J. Lyon]

I'm from Florida.

[Jeff Regan]

Figured to bring up the orange crop.

[Anthony J. Lyon]

Didn't do this either. Spit out the seeds, Regan. You're not friendly.

[Jeff Regan]

You got here first.

[Anthony J. Lyon]

I'm here all the time.

[Jeff Regan]

You're trying too hard, Mo.

[Anthony J. Lyon]

I work here. It's a serious business. We make billiard balls happy.

[Jeff Regan]

All right, so you work for Hazel Carr. Say something with hormones, you're learning nothing.

[Anthony J. Lyon]

That'S not in the trades.

[Jeff Regan]

Why'd you snatch the redhead's toupee?

[Anthony J. Lyon]

You make me tired of saying I didn't.

[Jeff Regan]

Couldn't meet his installments.

[Anthony J. Lyon]

The gout. You'll get credit.

[Jeff Regan]

What's in that toupee?

[Anthony J. Lyon]

Don't ask enough questions, Reagan.

[Jeff Regan]

Relax, buddy. You'll burn out your coils.

[Anthony J. Lyon]

You're in the way. I told you once, I was born.

[Jeff Regan]

On the second honeymoon.

[Anthony J. Lyon]

Well, happy birthday, Junior.

[Jeff Regan]

I was lying face down in a pile of Santa Claus beards and yak tails. When I rolled over, there was the lion, who was shaking like a polar bear in a French bathing suit.

[Isabel Sanchez]

Wake up.

[Anthony J. Lyon]

Wake up.

[Isabel Sanchez]

I could hire a detective for the price of you.

[Jeff Regan]

Get a midget and he'd starve to death.

[Isabel Sanchez]

We got a client.

[Anthony J. Lyon]

She needs you.

[Jeff Regan]

What are you, Silent Arrow?

[Isabel Sanchez]

I'm a nursemaid with you around. She called the office.

[Jeff Regan]

Gonna have another daughter.

[Isabel Sanchez]

I told you, it's legitimate. She didn't know nothing about the phony.

[Jeff Regan]

Where is she now?

[Isabel Sanchez]

1629 Locust Avenue.

[Anthony J. Lyon]

Why?

[Jeff Regan]

She's in the middle of a smuggle. You sure it adds up?

[Isabel Sanchez]

She pays the bill. She's straight.

[Jeff Regan]

How'd you meet her in the first place?

[Isabel Sanchez]

I got a right to a private life.

[Jeff Regan]

Not at your age. I left the lion standing here and I climbed in my car. I made a couple of right turns in the wrong zone, but I found the address all right. 1629. Turned out to be a two story Monterey number in the middle of what looked like a golf course. Hazel Carr owned this place too. She must have been selling toupees to Crosby's whole stable. I parked the car and I headed for the lights that were on downstairs. I took the front steps two at a time.

[Vicki Starr]

Well, if it isn't ucla.

[Jeff Regan]

I just got in from Berkeley.

[Vicki Starr]

Well, don't be bitter.

[Jeff Regan]

I'm not. Where you been?

[Vicki Starr]

Jealous?

[Anthony J. Lyon]

You're fickle.

[Vicki Starr]

Just when I'm in college.

[Anthony J. Lyon]

Lucky student body.

[Vicki Starr]

I didn't know you noticed.

[Jeff Regan]

Skip it. It was a lousy act anyway.

[Vicki Starr]

Good enough to fool you. Going somewhere?

[Jeff Regan]

I got a date.

[Vicki Starr]

If it's with Mrs. Carr, don't bother. I sent for you.

[Jeff Regan]

You better try again.

[Vicki Starr]

Your boss just got a phone call. If I put on one act, I can put on another, can't I?

[Jeff Regan]

You didn't kill Red.

[Vicki Starr]

Not important.

[Anthony J. Lyon]

Yes, it is.

[Jeff Regan]

Come on back inside. We're gonna have a threesome.

[Vicki Starr]

I like it better at the Zebra Room. You could find a dark place.

[Jeff Regan]

That'll come later.

[Vicki Starr]

Uh, I'm leaving.

[Jeff Regan]

No, you're not. Inside, sis.

[Vicki Starr]

You don't have to coax me.

[Jeff Regan]

Where is she?

[Anthony J. Lyon]

Mrs. Carr?

[Vicki Starr]

Look, it wasn't me. She's been dead a long time.

[Jeff Regan]

So's your alibi.

[Vicki Starr]

I've only been here for five minutes.

[Jeff Regan]

You're lying.

[Vicki Starr]

I'll make you listen to me.

[Jeff Regan]

Look out.

[Anthony J. Lyon]

Stop it.

[Jeff Regan]

You pick up that gun and I'll break you in two.

[Vicki Starr]

Oh, stop it. Get me a drink. Some over there. Look, I didn't kill him. Not either one of them. Sure you don't believe anything?

[Jeff Regan]

Depends on the source.

[Anthony J. Lyon]

Here, this will slow you down.

[Vicki Starr]

Thanks.

[Jeff Regan]

Alright, now let's start talking.

[Vicki Starr]

He got me into it, Mo. Maybe.

[Anthony J. Lyon]

Say yes.

[Vicki Starr]

Don't be personal.

[Jeff Regan]

You get me out of the way so he can plug the redhead and snatch the toupee.

[Vicki Starr]

Moe's impulsive, that's all. Forget about him.

[Jeff Regan]

But the toupee was empty. So the two of you have to scratch around some other places for it.

[Vicki Starr]

How I run my fingers through your hair.

[Jeff Regan]

Let's stick to the subject.

[Vicki Starr]

I wish you would.

[Jeff Regan]

Did the redhead know he was carrying an empty load?

[Vicki Starr]

Nobody did, except Mrs. Carr.

[Jeff Regan]

It was a smuggle and she was holding out.

[Vicki Starr]

It's a mistake for a woman, don't you think?

[Jeff Regan]

They had a trio and she wanted to sing solo.

[Vicki Starr]

The boys weren't smart like you are.

[Jeff Regan]

Maybe she was worried about her daughter. Maybe she wanted to go straight and the boys didn't want her to.

[Vicki Starr]

You're wasting our time. Let me show you where I fit in.

[Jeff Regan]

No, you're on the wrong floor.

[Vicki Starr]

There's a way to fix everything.

[Jeff Regan]

You're an accessory.

[Vicki Starr]

I can become essential.

[Jeff Regan]

You'd get lipstick on my expense account.

[Vicki Starr]

Come here.

[Jeff Regan]

Now break it up, baby. You scratched around every place. You still can't find the goods?

[Vicki Starr]

I think I found it.

[Jeff Regan]

You figure the old lady used me as a safe deposit box?

[Vicki Starr]

Where else could it be?

[Jeff Regan]

All right. Supposing I got it? What next?

[Vicki Starr]

Do I have to draw a diagram? Might as well be realistic about this thing.

[Anthony J. Lyon]

What's it worth?

[Vicki Starr]

$50,000 of the white stuff.

[Jeff Regan]

I don't like the dream.

[Vicki Starr]

You look like you could use one. I'm extra.

[Anthony J. Lyon]

Meet the contract there?

[Jeff Regan]

Yeah. Ms. Act figured a duet.

[Anthony J. Lyon]

Mo got a good memory.

[Vicki Starr]

Mo, baby.

[Anthony J. Lyon]

Skip it. Stand still, pilgrim.

[Vicki Starr]

I was trying to get it for you.

[Anthony J. Lyon]

I heard the song. That Regan might like to hear the chorus.

[Vicki Starr]

Oh, Mr. Bet, Regan. You should grab an offer when it's hot.

[Anthony J. Lyon]

Don't be sad, pilgrim. She smiled at all the boys. Come on, let's get out of here. You'll look better with slow paralysis.

[Jeff Regan]

I had about as much chance as a clean towel in a boarding house. When the muscle said move, I had to be polite. I guess he figured the car place was too crowded and he wanted new scenery. Well, we went out to the street and he steered me for his car. It was a black job with white sidewalls and there were two suitcases in the back seat. But all his bags weren't packed. It was missing a small package. And he had the idea it was over at my place when we got there. It was about midnight. But it wasn't too late for him to go to work.

[Anthony J. Lyon]

Now, isn't this better riggin? Home sweet home.

[Jeff Regan]

I never liked it anyway.

[Anthony J. Lyon]

Moo.

[Jeff Regan]

I got a lease.

[Anthony J. Lyon]

Those things can be broken. Want me to show you how?

[Jeff Regan]

No, I'll struggle along.

[Anthony J. Lyon]

You make things hard on yourself. Now do something the easy way. Get me the stuff.

[Jeff Regan]

You're wasting your time.

[Anthony J. Lyon]

I got Lots of it.

[Jeff Regan]

You ain't. Well, I haven't got it.

[Anthony J. Lyon]

Mo thinks you have. Well, and he's pretty dumb, that Sonic. I don't like your choice of words.

[Jeff Regan]

Buy me a dictionary.

[Anthony J. Lyon]

You're going to get yourself two big holes in your middle if you don't lay that stuff in my hand. Sorry I had to do that to him, Regan. I forgive you. I just came up to get my newspaper back and he was acting nasty.

[Jeff Regan]

A little guy in the bar.

[Anthony J. Lyon]

My boss doesn't like it when I shoot people.

[Jeff Regan]

Uncle Sam, huh?

[Anthony J. Lyon]

Narcotics. I tried to tip you off before, but you weren't listening.

[Jeff Regan]

Somebody should have tipped Mo.

[Anthony J. Lyon]

Weren't you watching? I just did.

[Jeff Regan]

Well, was all over fast. Like a shark beer in a cheap saloon. They took him away in a basket. All I had left was a spot on the rug. They had a good thing until Hazel Carr got anxious and decided to pull out. Only she wanted to be clean and have the stuff too. That's what started the scavenger hunt. The only thing straight in the whole corkscrew was the part about the daughter needing protection. But I guess she got it back at Princeton. The stuff. Oh, it finally turned up. Hazel Card found herself a good place to hide it. The Fed spotted it the first thing the next morning when he saw the lion. How could he miss? The lion looked awful in that red toupee.

[Jack Webb]

Jack Webb is featured as Jeff Regan with Herb Butterfield as Anthony J. Lyon. It's CBS at the same time next week for more hard boiled action and mystery with Jeff Regan, Investigator written by Larry Roman and Jackson Gillis. Produced by Sterling Tracy. Included in tonight's cast were Mary Lansing, Ken Christie, Sydney Miller, Laurette Pilbrandt and Ed Barrier. 29,000 nurses are needed to join the new Army Nurse Corps Officers Reserve. For the first time in history, qualified nurses have the opportunity of receiving commissions in the regular Army Reserve. These nurses will remain on inactive status ready to serve their country in time of emergency. 4,000 of them, if they wish, may choose active duty. All nurses who receive commissions will benefit from the opportunity for specialized training offered to them by the Army. Inactive reserve status will not interfere with the nurse's civilian life. If you are a registered graduate nurse between the ages of 21 and 45, drop a card to the Adjudant General Washington, D.C. original music for this program is by Milton Charles. Bob Stevenson speaking. This is cbs, the Columbia Broadcasting System.

[T-Mobile Advertiser]

Marketing is hard, but I'll tell you a little secret. It doesn't have to be. Let me point something out. You're listening to a podcast right now and it's great. You love the host. You seek it out and download it. You listen to it while driving, working out, cooking, even going to the bathroom. Podcasts are a pretty close companion. And this is a podcast ad. Did I get your attention? You can reach great listeners like yourself with podcast advertising from Libsyn Ads. Choose from hundreds of top podcasts offering host endorsements, or run a pre produced ad like this one across thousands of shows. To reach your target audience in their favorite podcasts with Libsyn Ads, go to libsynads. Com. That's Libsyn Ads. Com Today.