
Loading summary
Narrator
Welcome to Choice Classic Radio where we bring to you the greatest old time radio shows, like us on Facebook, subscribe to us on YouTube and thank you for donating@ChoiceClassicRadio.com.
Boston Blackie
It.
Shorty
Sure is a nice day, isn't it, Ms. Wesley?
Mary Wesley
Now, how can you tell, Tom, all.
Janice Larson
You do is go up and down.
Mary Wesley
In the elevator all day long.
Boston Blackie
When I'm on the main floor, I can sneak a look out the front.
Announcer
Door to keep myself posted.
Mary Wesley
Oh, I see.
Boston Blackie
Here's your floor, Ms. Wesley.
Mary Wesley
Thank you.
Janice Larson
When Mr. Boston Blackie arrives, bring him.
Mary Wesley
Right up, will you?
Boston Blackie
Sure will.
Mary Wesley
Oh, Tom.
Janice Larson
Tom, quick, come in.
Inspector Faraday
Holy mattress.
Janice Larson
Jump, Jump. Jump.
Mary Wesley
Please.
Shorty
Wesley, grab her, quick. I'm coming.
Janice Larson
Get away from that window.
Shorty
Get away from me.
Janice Larson
Let go of me. Let out much longer.
Boston Blackie
I'm coming.
Janice Larson
Let me tell.
Boston Blackie
Please.
Janice Larson
My brother. You have no choice of family. Well, you shouldn't have stopped me.
Shorty
You shouldn't. You shouldn't.
Inspector Faraday
25 stories, lady.
Shorty
In town all the way.
Mary Wesley
Let's take you to my apartment.
Shorty
Yes, ma'.
Boston Blackie
Am.
Inspector Faraday
Good thing we got here.
Janice Larson
No, you've just postponed it. I tell you, I've got to die.
Boston Blackie
Now.
Announcer
Meet Richard Kalmer's Boston Blackie. Enemy to those who make him an enemy, Friend to those who have no friend.
Mary Wesley
Oh, Blackie, I'm glad you're here. I couldn't do a thing with it.
Boston Blackie
That's all right, Mary. Maybe I can do something.
Shorty
Anything I can do.
Boston Blackie
Be a nice boy, shorty. Nice and quiet.
Shorty
Oh, sure, boss.
Boston Blackie
Mary, what's this girl's name? I don't know.
Mary Wesley
She won't tell me.
Boston Blackie
Look, Mary, Mr. Whatever your name is.
Janice Larson
Oh, please, I want to die. Can't you let me alone?
Boston Blackie
Look, nothing can be as bad as all that.
Janice Larson
Please let me go.
Boston Blackie
When you're all right, we'll let you go.
Mary Wesley
I'm all right now.
Boston Blackie
Jump out the window again. Oh, no, please.
Janice Larson
I want to die. I have to die.
Boston Blackie
Won't you tell us your name? No Looking up her, Mary. And see if you can find a name and address.
Mary Wesley
All right? You don't understand, either one of you.
Boston Blackie
We understand perfectly. That's why we want to help you.
Mary Wesley
No one can help me. Life is a doable bird. Ooh, no wonder it's a haven.
Boston Blackie
What about identification?
Mary Wesley
Oh, well, there doesn't seem to be much of anything in it. This card.
Boston Blackie
Let's see it.
Mary Wesley
There's a name written on it in pencil. Oscar Wolfe. Up here.
Boston Blackie
Look, miss, what's your name? Are you Mrs. Oscar Wolf?
Shorty
No.
Mary Wesley
If you must know, my name Larson. Mrs. Janice Larson. Say, bored, boy?
Boston Blackie
Just a minute, shorty. Look, Mrs. Larson, what's your connection with Oscar Wolfe?
Janice Larson
He's the reason that I.
Shorty
That I.
Boston Blackie
In words. Then he's making trouble for you.
Shorty
That guy Wolf makes trouble for everybody, boss.
Boston Blackie
You know him, Julie, that's what I've.
Shorty
Been trying to tell you.
Janice Larson
Please let me go, will you?
Boston Blackie
Not yet. Try to keep it quiet, will you, Mary? Thanks, Shorty. How do you happen to know Oscar Wolf?
Shorty
Well, I guess I shouldn't have said nothing, Blackie, but me and my pals are gonna take care of Wolf our own way.
Boston Blackie
Now wait a minute, short one. You know better than to get in trouble again.
Shorty
Yeah. What me and my pals are figuring out doing to this Wolf ain't no trouble, boss. That's a pleasure.
Boston Blackie
You let me handle Wolf for you.
Shorty
No, no, no. Thanks, boss.
Boston Blackie
Where can I see him, Shorty?
Shorty
Now look, please, boss, stay away from him, will you?
Boston Blackie
Mrs. Lawson, maybe you'll be able to tell me where I can get in touch with Mr. Wolf.
Mary Wesley
I can't tell you.
Boston Blackie
All right, Shorty.
Shorty
Blackie, do I have to?
Boston Blackie
What's his address?
Shorty
Well, all right. Got an office in a hollow building, number 2121. But that's just the front.
Boston Blackie
Thanks, Rudy. And Mrs. Larson, cheer up. When I find out what's behind that front, I'll be back.
Shorty
Take the phone, take a letter to Mr. Robert Hyman. Dear Mr. Hyman, how are you? I am fine. I am fine, period.
Boston Blackie
Cellar calling.
Shorty
It'S not a regular profession. Now let's see how it comes back. Say, you push the best part needle back.
Announcer
So.
Shorty
Take the phone, take a letter to Mr. Robert Hyman. Dear Mr. Hyman, how are you? What? Peter. Ah, hiya, Mr. Wolfe. How many times have I told you not to play with that dictaphone? Oh, Mr. Wolf, it's fun.
Inspector Faraday
Look, I've been buzzing you on the.
Shorty
Inter office phone for a whole minute. Couldn't you hear me? Was that what the buzzing was, Mr. Wolf? I'm sorry. Listen, we're having a visitor in a few minutes. Yeah, Boston Blackie? Yeah, he phoned from downstairs. He's on his way up. Yeah. Do you have to answer?
Boston Blackie
Yeah, yeah.
Shorty
To everything I say? Yeah. Listen, I don't know why Boston Blackie suddenly wants to see me, but I have a good idea. Probably find out what we're up to. Yeah, all right. Maybe Blackie knows nothing, so no rough stuff unless it's necessary. When you say the word, Mr. Wolf, I'm gonna let you Decide when and if this Blackie needs your attention. When he comes in, send him right into my office. You sit here at your desk and listen in through the inter office telephone, understand?
Boston Blackie
Sure.
Shorty
And don't take time off to play with that dictaphone. No, listen, then on you will be just as much fun. All right. If what Blackie talks to me about hits too close to home, you come into my office and get rid of him. Rough stuff maybe, huh? Only if necessary, understand? Yes. That's probably Blankie on the hall. Now wait a minute and then send him into my office.
Inspector Faraday
Yeah?
Boston Blackie
Mr. Wolf.
Shorty
Come in.
Boston Blackie
It's after Walt's office. Yeah, I'm Boston Blackie, I just phoned and made an appointment. Mr. Wolfe.
Shorty
Go right in, he's waiting for you.
Announcer
Thanks.
Shorty
The door right there.
Boston Blackie
Thank you. Ms. Wolf.
Shorty
Come in, come in.
Boston Blackie
I'm Boston Blackie.
Shorty
And to what do I owe the pleasure of this visit?
Boston Blackie
It may not be a pleasure, Wolf. You know you look very familiar to me.
Shorty
I get out and arose.
Boston Blackie
I think you mean in and out, Wolf, in and out of jail.
Shorty
I've never been in jail, not under.
Boston Blackie
The name of Otka Wolf.
Shorty
What do you mean?
Boston Blackie
I came here with the idea that I was going to talk to a semi legitimate businessman about some clients of his. I didn't know I was going to talk to you. You don't have clients, you have victims.
Shorty
Well, go ahead.
Boston Blackie
Look, Wolf, I don't know what your racket is, but that's only because I haven't bothered to check into it yet.
Shorty
Is this the beginning of a threat?
Boston Blackie
That depends on you. It might only be a warning. But leave certain friends of mine alone or I'll not only break your racket but your neck along with it.
Shorty
I don't know what you're talking about.
Boston Blackie
But you know what I mean, don't you?
Shorty
You propose violence to put an end to my business.
Boston Blackie
And to you too, Wolf.
Shorty
Are you suggesting, Blackie, that you'll go so far as to kill me?
Boston Blackie
Why not? Nobody'd miss you. Except the people you're on death with make happen.
Shorty
You entertain rather morbid thoughts.
Boston Blackie
I am the entertaining type. But don't let these friends of mine have any more trouble with you, Wolf. That's all I've got to say.
Shorty
I still don't know what. Yes he is, but I think he's leaving.
Boston Blackie
Yes, I guess I am.
Shorty
Goodbye, Blackie.
Boston Blackie
If I were you, I'd keep hoping this is goodbye.
Shorty
Well, Peter, I'm glad you didn't forget to listen in on the Inter office phone. I did more than that, Mr. Wolf. I not only listened, I took down everything he said on a Dictaphone. Won't you ever stop playing with that Dictaphone? Oh, boys, it was fun. Now I got something else to listen to besides the decephone coming back to me.
Inspector Faraday
All right, where's the guy who calls himself Jada?
Shorty
Here, you want to talk to me, huh?
Inspector Faraday
Yeah. When you came into this office this morning, you find your boss's body, huh?
Shorty
Yeah.
Inspector Faraday
Did you know Oscar Wolf was really Teddy pascal?
Shorty
He was, Mr. Wolf.
Inspector Faraday
You look dumb enough to believe that. Who's been gunning for him lately?
Shorty
Nobody.
Inspector Faraday
Come on, come on. A guy like Wolf has guys waiting for him in every corner. Who could have come in here and let Wolf have it?
Shorty
A man came in here yesterday and said he would like to kill Mr. Wolf.
Inspector Faraday
Know the man's name?
Shorty
Question Blackie.
Inspector Faraday
No.
Shorty
No.
Inspector Faraday
I don't believe it. This is one time I won't be talked into thinking Blackie killed a guy.
Shorty
I have a sycophone record that talks back to Blackie and Mr. Wolf.
Inspector Faraday
You better talk sense. You won't believe me.
Shorty
Listen. Play it way.
Boston Blackie
Now, listen.
Shorty
Are you suggesting, Blackie, that you'll go so far as to kill me?
Boston Blackie
Why not? Nobody miss you except the people your death would make happy.
Shorty
You entertain rather morbid thoughts.
Inspector Faraday
Stop that thing.
Boston Blackie
Good.
Shorty
Inspector.
Inspector Faraday
That was Blackie talking, all right. This is one time Blackie's talked himself into a charge of murder.
Boston Blackie
I don't think Wolf will bother you again, Shoney.
Shorty
Oh, me and the boys are seeing to that, Blackie. In fact, we might have seen to it already.
Boston Blackie
Huh? What does that mean?
Shorty
Nothing. Nothing.
Boston Blackie
Shorty, if you're up to anything, I'll get it. Probably the laundry. See if my fountain pen's in the bedroom, will you, Shorty? I've been missing it.
Shorty
Oh, sure, Paul.
Boston Blackie
All right, all right, all right. Now, what do you.
Inspector Faraday
Hello, Blackie.
Boston Blackie
Well, Inspector Faraday, I suppose I have to invite you in.
Inspector Faraday
I'll come in anyhow.
Boston Blackie
I'm sure of that. I was just thinking about you. Or rather, I was thinking about absolutely nothing. And that's the thing. Same thing.
Inspector Faraday
Don't try any tricks now, Blackie. This time I've got you on a murder app. You'll never be. You're coming with me.
Boston Blackie
No, no, not again. Put that gun away, Blackie.
Inspector Faraday
Come back here. I'll shoot.
Boston Blackie
Then go ahead and shoot. I'm going into the bedroom and lie down. I'm tired, and mostly of you.
Inspector Faraday
Blackie.
Shorty
Sir.
Inspector Faraday
Help me. Open that door. I'll let you have it. Unlock that door, Blankie.
Boston Blackie
I can hardly wait.
Shorty
Who did I kill this time?
Inspector Faraday
Inspector Teddy Pascal, alias Oscar Wolf. Teddy Pascal, huh?
Boston Blackie
You might seen that face somewhere before.
Inspector Faraday
Oh, then you admit you went to see him.
Boston Blackie
Sure, I saw him. What did I do, forget to pay admission?
Inspector Faraday
You threatened to kill him, Blackie, and you're dead.
Boston Blackie
Did that puff brain sidekick of his hear anything I said to Wolf?
Inspector Faraday
He not only heard it, wise guy, he made a recording of it.
Boston Blackie
Every word.
Inspector Faraday
That's why I'm taking you in for the murder of Oscar Wolf.
Boston Blackie
Sorry, Inspector, but I have other plans.
Inspector Faraday
The only thing you'll be able to plan from now on is a jailbreak, chum. Because I've got the goods on you this time.
Shorty
All right, Blackie.
Inspector Faraday
I gave you the warning to open that door.
Shorty
Blackie.
Inspector Faraday
Blackie.
Shorty
Yeah. Oh.
Inspector Faraday
What's the idea of scaring me like that? You know I missed on purpose. But next time I won't. And on purpose. Open up. Okay, that's better. Come out with your hands up.
Mary Wesley
I ain't done nothing.
Boston Blackie
Sure.
Inspector Faraday
Do you mean to tell me I've been talking to you?
Shorty
Yeah, me.
Inspector Faraday
Where's Blackie?
Shorty
Well, a minute ago, he all of a sudden got tired of convoicing with you, and I tailed it out the back way.
Announcer
Now, back to boston blackie. When a woman who later identified herself as Janice Larsen tried to commit suicide, she was stopped by Mary Wesley, Boston Blackie's girlfriend. Blackie discovered that a man named Oscar Wolf was the cause of the woman's difficulties. Wolf, it seems, had also been making trouble for Shorty, Blackie's longtime friend. So Blackie saw Wolf, threatened him and left. Later, Wolf was found dead. When Inspector Faraday began to investigate, he found that Wolf's assistant had made a recording of the conversation between Wolf and Blackie. Rarity went to Blackie's apartment to make an arrest, but Blackie escaped. It is late the same afternoon and Blackie is sitting on a park bench with Mary.
Mary Wesley
What are you thinking about, Blackie?
Boston Blackie
Not what I ought to be thinking about at a time like this in a place like this. You'll forgive me, won't you, Mary? Well.
Mary Wesley
All the same, we aren't just going to sit here and count ages, are we?
Boston Blackie
No, no, no. I've been doing some thinking.
Mary Wesley
About what?
Boston Blackie
About what saps we were to fall for that Larson woman's story. On account of it, I've had to duck Faraday's cops for hours.
Mary Wesley
Well, Blackie, it Seems so real.
Boston Blackie
If the story she told was real, why isn't the woman real too? There's no such person as Jennifer Janice Lawson. A telephone book or a city director.
Mary Wesley
Well, then she just gave a false name. Under the circumstances, I don't blame him.
Boston Blackie
She's tied up with Wolf's death. In fact, I have two theories about Wolf's murder.
Mary Wesley
Two?
Boston Blackie
Shorty and his underworld pals were considering some kind of action against Wolf.
Mary Wesley
Oh, you don't think Shorty and his friends might have killed him?
Boston Blackie
I hope I'm wrong, but until I find Shorty, I have to think so.
Mary Wesley
You said you had two theories.
Boston Blackie
My other guess is that Janice Lawson's attempt at suicide was a phony and the beginning of a plot to frame me for Wolf's murder.
Mary Wesley
Oh, darling, what makes you think so?
Boston Blackie
Isn't it just a little more than coincidence that Oscar Wolfe was killed a few hours after I threatened him? Oh, yes, and isn't it peculiar that Wolf's dumb assistant makes a recording of everything I said?
Shorty
What?
Mary Wesley
You said he was just like an overgrown kid with a new toy.
Boston Blackie
Well, all I know is Faraday is going to hunt through this town till he finds me. If he has to start using a vacuum cleaner. And I have to find Mrs. Larson before he finds me.
Mary Wesley
Blackie, Mrs. Larson had a Hazleton purse.
Boston Blackie
Oh, that certainly helps.
Mary Wesley
Well, of course it does, silly. Hazelton purses are custom made by the B.J. hazelton Company. I don't think they make more than 40 or 50 a year.
Boston Blackie
Say, if we can describe Mrs. Lawson's purse, the Hazleton Company might tell us where we can get a hold of her.
Mary Wesley
I should think so.
Boston Blackie
Well, come on, let's get down to Hazleton's. You may have the answer, right?
Mary Wesley
Do you think so?
Boston Blackie
If we can get some information on the bag. This thing may be in the bag. Fourth floor, please.
Mary Wesley
So far so bad, huh, Blackie?
Boston Blackie
Well, we found out from Hazelton that just two people bought a bag like the one we described, not 20.
Mary Wesley
Yes, but the first woman we went to see wasn't our Mrs. Larson.
Boston Blackie
Then this has got to be.
Mary Wesley
What if it isn't?
Boston Blackie
Well, not to even think about that.
Mary Wesley
Here we are, apartment 411.
Boston Blackie
Cross your fingers, Mary. This is better.
Announcer
Be it.
Mary Wesley
They've crossed the heart. They ache. Bring the buzzer.
Boston Blackie
What a wonderful way to spend a beautiful Wednesday evening.
Mary Wesley
Yes?
Boston Blackie
We'd like to speak to the lady of the house.
Mary Wesley
She isn't in.
Boston Blackie
Hey, don't close the door just yet. We'll Come in and wait.
Mary Wesley
She's out of town, Chief. We'll be back for a moment.
Boston Blackie
Thanks. In that case, we won't wait.
Mary Wesley
Oh, Blackie, what are we going to do?
Shorty
I don't know.
Boston Blackie
Come on.
Mary Wesley
Maybe we better go back and ask if he a picture of that woman.
Boston Blackie
Say, Mary, did it seem to you that that maid at the door was nervous? Yes, I noticed that she should be. She is the woman we're looking for. She's Janice Lawson, Blackie.
Mary Wesley
You're right. Of course you are. I wondered why she almost closed the door as soon as she saw us.
Boston Blackie
But I got a good look at her before she did.
Mary Wesley
And I see now how she got her expensive clothes in that Hazleton's purse. She borrowed them from the woman who lives in that apartment.
Boston Blackie
And she picked your building in your floor to stage a suicide. She was hired by someone planning to kill Wolf. The whole thing is a frame.
Mary Wesley
Then Shorty didn't kill Mr. Wolf.
Boston Blackie
Shorty may still be mixed up in this some way.
Mary Wesley
Hey, let's go back and talk to that maid.
Boston Blackie
Oh, no, no, no. I'm leaving her alone until tomorrow night.
Mary Wesley
Tomorrow night? Thursday.
Boston Blackie
Thursday, my sweet. That's maid night Out.
Mary Wesley
Hi, Blackie.
Boston Blackie
Get in the car, Mary. Too bad you didn't get back sooner. I was just listening to the police on the radio. Guess what? After two days, they're still looking for me.
Mary Wesley
I'm so surprised.
Shorty
Move over.
Boston Blackie
Convenient instruments. Order radios.
Mary Wesley
Oh, the maid is in that drug store. And she's doing just what you thought, Frankie. She's telephony. She knows that we've been following her.
Boston Blackie
Close the door. She may come out in a minute and drive off.
Mary Wesley
Okay. I got close enough to the telephone booth to hear part of what she was saying. She's going out to meet her friends and she has told them that you were following her.
Boston Blackie
Well, this is working out better than I thought.
Mary Wesley
Oh, Blackie. No, it isn't. They apparently told her to let you follow it. I'll set a trap for you.
Boston Blackie
Perfect. I'll ride right into it.
Mary Wesley
No, Blackie, no, you can't.
Boston Blackie
No, I'm pretty sure I can. Don't you see, Mary? If that maid is leading me into a trap, she also is leading me to Oscar Wolf's killer.
Mary Wesley
And also to an early grave.
Boston Blackie
Maybe, but cemeteries are so pretty this time of year.
Mary Wesley
Oh, Blackie, they'll be waiting for you. You don't know when or where. Now that they know you suspect them, there's no telling what they'll do to you.
Boston Blackie
Look, Mary, I'm glad you're worried about me. I wouldn't like it any other way. But unless I follow this girl, I'll have Faraday following me the rest of my life. Now, that's a repulsive thought.
Mary Wesley
Well, if you must trail this girl, then call the inspector and have him go with you.
Boston Blackie
Mary, if I called Faraday, I'd have to go with him. But you're right about the danger, honey. I think I better solo from here on.
Mary Wesley
Blackie, please, please, will you get Faraday?
Boston Blackie
Why do you think I left my own car at home and rented this cream colored jalopy? I don't want Faraday near me.
Mary Wesley
Please don't do this, darling.
Boston Blackie
Honey, I have to. Now be a good girl and go home. I'll call you as soon as I have this thing cleared up.
Mary Wesley
Blackie, you. You're such a fool.
Boston Blackie
Go ahead, Mary, please. A fool then, huh? Out.
Mary Wesley
I'll say I'm getting out. Oh. Oh, my goodness, my purse. I dropped it.
Boston Blackie
Oh, you dropped your purse. Wait a minute, I'll come around and pick it up for you.
Janice Larson
I can pick up my own purse, thank you.
Boston Blackie
Well, better do it quickly then. Our girlfriend, the maid, is coming out of the drugstore.
Mary Wesley
Blackie, please, will you change your mind and call Faraday?
Boston Blackie
Not a chance. I won't call him and he has no way of finding me.
Mary Wesley
No. If I were you, Blackie, I wouldn't be quite so sure.
Boston Blackie
Oh, brother, another red light.
Inspector Faraday
Give me a lift, Bun. Sorry, I don't yell for no cops or this gun will go off in your middle.
Boston Blackie
Well, you came along sooner than I thought you would.
Inspector Faraday
You gotta go light.
Shorty
Get going.
Boston Blackie
Sure. Okay. Where to?
Inspector Faraday
Just keep following that car.
Boston Blackie
With pleasure.
Inspector Faraday
And with me, Go left at this crossroads. I got a gun on you, see?
Boston Blackie
I'd rather watch the road than the rod joke.
Shorty
Glad you told me. And it's a cop car in back of it. Can't warn us, but don't give no.
Inspector Faraday
Signals when he passes.
Boston Blackie
Signals? You mean like dropping my handkerchief?
Inspector Faraday
Hey, somebody to break that cop. And cut the door.
Boston Blackie
How unfortunate.
Shorty
What is it?
Boston Blackie
That we have company.
Inspector Faraday
Okay, blankie, don't try any tricks. I got a gun on you, Inspector Faraday.
Boston Blackie
Why, everybody has a gun on me, Even my little playmate here.
Inspector Faraday
Grab him on the other side, Monahan.
Boston Blackie
Got him.
Shorty
Why do you go with me?
Inspector Faraday
I got a permit. Sure, sure. Come on, Blackie, you and your partner are going down to headquarters.
Boston Blackie
Not till I finish what I started.
Inspector Faraday
You were finished when you killed Oscar Wolfe.
Boston Blackie
I Didn't kill Wolf. And thanks to you, my one clue to Wolf's real kill.
Inspector Faraday
I got away. Oh, Starling, come on.
Boston Blackie
Look, Faraday, give me 60 seconds alone in this car with my pal here, and I'll find out who Wolf's killer.
Inspector Faraday
Really is and have you drive away. Nothing doing.
Boston Blackie
All right.
Shorty
Here.
Boston Blackie
Here are the keys to this car, ignition and everything.
Inspector Faraday
I don't know why I listened to you, Blackie.
Boston Blackie
Because if you don't, you won't know anything.
Shorty
Let me out of here.
Boston Blackie
Oh, no, pal. Oh, no. You and I are going to sit here and play patty cake. Faraday, you and Monahan take a little walk, will you?
Inspector Faraday
What are you going to do?
Boston Blackie
Give my pal here 20 seconds to tell me where I can find Wolf's killer.
Inspector Faraday
What if he won't talk?
Boston Blackie
He'll talk, Faraday, or it'll be a week before he can move his jaw again. That mug said Wolf's killer was at 47 Willis street and this is 47 Willis Street. All right, let's open the door.
Inspector Faraday
How did you do that?
Boston Blackie
It was extremely difficult. I turned the knob. Wait a minute. Adhesive tape is coming off my knuckles. My pal's jaw was a little hard.
Inspector Faraday
Look, if that door was unlocked, we're not on the trail of any killer. A killer doesn't hide out in an unlocked house.
Boston Blackie
He may have been expecting someone. You know. You? Yes. He expected me to be following a girl named Janice Lawson.
Inspector Faraday
Who is she?
Boston Blackie
The girl I was following. And not for the reason you think. She probably screamed when she heard the siren on your car. Janet. Sh. What did I tell you?
Inspector Faraday
A voice came from that room there.
Boston Blackie
Let's go. Not so fast, Janet. Unless he thinks it's Janice, he may duck out the back way. Come on, open the door, quick.
Shorty
Who's that? It's Janice.
Boston Blackie
Okay, Faraday, let's go.
Inspector Faraday
All right, don't move.
Shorty
Hey, what is this?
Boston Blackie
Hey, Faraday, look who's here. It's Jeter, Oscar Wilde's secretary.
Shorty
Hey, Inspector Fardy.
Boston Blackie
Well, aren't you going to say hello to me? Or did you expect me to arrive with less official company?
Inspector Faraday
What's this guy got to do with killing Wolf?
Boston Blackie
Check on Wolf and you'll find he was the boss of a very high paying racket.
Inspector Faraday
I've already checked. He was hijacking drugstore supplies and selling them to anybody who'd take a chance.
Boston Blackie
And this guy Jeter wanted to boss the racket himself.
Inspector Faraday
He's too dumb for that.
Shorty
I wouldn't hurt Mr. Wolf. He was Nice to me.
Boston Blackie
Don't start putting on that act again, Jeter. No dope could have planned to frame me into Wolf's kill as well as you did. First you sent that Lawson girl up to Mary's apartment house to pretend suicide, then to tell me a phony story so I'd come down to see Wolf.
Shorty
I don't know what you're talking about.
Boston Blackie
Well, I do. When I told you, Trick, you made a recording of everything I said to Wolf, which just about cinched the case against me. When what you had on that record sounded like condemning evidence against me, you shot and killed Wolf.
Shorty
You don't make any sense.
Inspector Faraday
It seemed kind of funny to me that you'd have a record of Blackie's voice was too pat. I don't say this proves you killed Wolf, but you're coming to headquarters for questioning.
Boston Blackie
Don't yell, Jeter. Just say come in. Let's get behind the door and stab it quick.
Shorty
Come in.
Mary Wesley
Peter, something awful has happened. Blackie stopped following me and I had a duck. Some guy.
Shorty
Who are you?
Mary Wesley
What do you mean, who am I? You owe me $500.
Shorty
I never seen you before me life.
Mary Wesley
You never saw me before. You hired me to put on an act in that apartment building for you so you could get Boston Blackie into your boss's office. That's it.
Boston Blackie
Barnie, you fool.
Shorty
Why didn't you keep your mask shut? All right, lady.
Inspector Faraday
You too, Jeter. You're coming down to headquarters still.
Boston Blackie
Only for questioning, Inspector, for answering Blackie.
Inspector Faraday
To a charge of murder. I know when I found my man.
Boston Blackie
My congratulations, Inspector, for the brilliant way you found him.
Mary Wesley
You seem very happy tonight, Blackie.
Boston Blackie
I'm a little puzzled though, Mary, and worried.
Mary Wesley
Worried? About Shorty?
Boston Blackie
No, no, no. I found Shorty. He and his friends had nothing to do with Wolf's death. And the reason I couldn't find Shorty before is that he was looking for me.
Mary Wesley
Well, then what are you worried about?
Boston Blackie
The way Faraday managed to find me when I was trailing the maid's car. He's getting too smart.
Mary Wesley
Oh. Oh, Blackie, I'm afraid I have a confession to make.
Boston Blackie
A confession?
Shorty
Uh huh.
Mary Wesley
You remember when I accidentally dropped my purse?
Boston Blackie
Accidentally?
Mary Wesley
Well, it wasn't accidentally. I dropped it so that I could use my lipstick to write the word Blackie on that nice cream colored car of yours.
Boston Blackie
You mean I drove down the street with the word Blackie written on the side of my car in lipstick?
Mary Wesley
Sure. Don't you like Blackie in lipstick?
Boston Blackie
Well, maybe, Mary, but that's getting it the hard way.
Podcast: Choice Classic Radio Detectives | Old Time Radio
Episode Airdate: June 11, 1945 (rebroadcast: January 10, 2026)
Featured Detective: Boston Blackie
This episode of Boston Blackie immerses listeners in a classic whodunit involving suicide attempts, criminal rackets, double-crosses, and clever detective work. It opens with Blackie and his friends intervening in an apparent suicide attempt by a distraught woman, only to quickly spiral into a murder investigation when the notorious Oscar Wolfe is found dead. With damning evidence planted against Blackie, he must dodge the police, unravel the real culprit’s identity, and clear his own name in typical fast-talking, wisecracking fashion.
| Segment | Timestamp | |-------------------------------|------------| | Suicide attempt introduction | 00:54–01:40| | Blackie visits Oscar Wolfe | 06:34–08:25| | Wolfe is found dead | 08:54–12:02| | Blackie’s theories | 13:09–14:39| | Hazleton purse clue | 14:39–16:39| | Blackie trails Janice | 16:49–18:29| | Car chase & confrontation | 19:13–21:00| | The trap at 47 Willis | 21:18–23:53| | Mary’s lipstick trick | 24:33–24:54|
The episode brims with snappy, sardonic dialogue, energetic banter, and rapid plot twists typical of 1940s detective dramas. Blackie is clever and cocky, the supporting cast blends subtle comedy and genre tropes, and the conclusion delivers both justice and a wink at the audience.
In short, this is a finely-plotted detective story featuring a dangerous frame-up, tightly executed investigation, and sly humor, all delivered with the punchy style of classic radio’s golden age.