Broadway is my Beat: The Frank Conway Murder Case 07/03/1950

Summary

Choice Classic Radio Detectives | Old Time Radio
Episode Summary: "Broadway is My Beat: The Frank Conway Murder Case"
Release Date: June 18, 2025

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Introduction

In the thrilling episode titled "Broadway is My Beat: The Frank Conway Murder Case," listeners are immersed in the gritty underbelly of Broadway through the eyes of Detective Danny Clover, portrayed by Larry Thor. Set against the vibrant and often perilous backdrop of New York's most famous street, this episode delves into a complex murder investigation that intertwines deceit, greed, and unexpected alliances.

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The Murder at Olympian Hotel

The story kicks off on a silent Broadway morning, with the tranquility shattered by the discovery of Frank Conroy, a wealthy Texan, dead in room 312 of the Olympian Hotel. Detective Clover is promptly summoned to the scene.

Narrator [02:13]: "In the morning, a kind of silence touches Broadway... And Broadway is awake now. It's starting a new day at the Olympian Hotel."

Upon arrival, Clover inspects the room, noting suspicious elements like a roulette wheel—a forbidden item at the hotel.

Matthew Porter [03:43]: "They wear those things. Died with his boots on, eh? Classic."

The investigation reveals that Frank Conroy was not a guest but somehow accessed the room undetected, raising immediate red flags about possible internal involvement.

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Interrogating the Hotel Management

Clover engages with Henry Sherwood, the hotel’s manager, uncovering that Conroy was unfamiliar to the hotel staff, further deepening the mystery.

Matthew Porter [04:22]: "You're registering at the Olympian Hotel, room 312."

Sherwood's evasive behavior and the peculiar telegram addressed to Eddie Donald ignite suspicions. The telegram hints at a connection between the deceased and Donald, propelling Detective Clover to seek further leads.

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The Search for Eddie Donald

Clover's investigation leads him to Mrs. Tolby, the hotel’s proprietor, who provides cryptic remarks about Eddie Donald but remains conspicuously unhelpful.

Mrs. Tolby [06:39]: "What's the matter? You got monkeys in your ears?"

Undeterred, Clover discovers a photograph of Liz Nelson, a singer associated with Eddie, marked "forever and ever," suggesting a significant relationship.

Narrator [07:18]: "You ever seen the girl before? Only in shop windows and on counters and magazines all over the country."

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Encounter with Mark Oslo

The plot thickens as Clover meets Mark Oslo, a known figure in the gambling scene, who reveals a convoluted backstory involving Rigged roulette games and personal vendettas.

Mark Oslo [23:04]: "It was like this, Danny. I took a rap in Dannemora."

Oslo confesses to orchestrating a confrontation that led to Conroy's death, indicating that the game was manipulated to frame another party, thereby complicating the investigation.

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The Turn of Events

As Clover pieces together the puzzle, he faces betrayal and unexpected turns. Eddie Donald becomes a suspect, but his connections with Liz Nelson introduce new layers to the case.

Eddie Donald [25:03]: "I love her."

In a dramatic confrontation, Liz Nelson reveals her true motives, highlighting themes of greed and manipulation.

Liz Nelson [25:58]: "Shut up, Eddie. Make him shut up."

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Climax and Resolution

The climax unfolds with Liz Nelson confronting both Clover and Donald, leading to a tense standoff that exposes her as the true murderer. Her actions stem from a desire to secure the ill-gotten gains, manipulating those around her to cover her tracks.

Matthew Porter [26:04]: "You could have had the money. Don't you understand? You could have had it."

Clover's perseverance and keen detective work ultimately unravel the web of deceit, bringing justice to Frank Conroy and resolving the complex case.

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Conclusion

"Broadway is My Beat: The Frank Conway Murder Case" masterfully blends suspense, intricate character dynamics, and the vibrant atmosphere of Broadway to deliver a captivating detective story. Detective Danny Clover's journey through deception and revelation underscores the timeless appeal of classic detective narratives, leaving listeners eagerly anticipating his next case.

Larry Thor [28:18]: "We invite you to join us next week at this same time when Detective Danny Clover returns again with Broadway's My Beat."

Produced and directed by Elliot Lewis, with music by Alexander Courage, this episode stands as a testament to the enduring allure of old-time radio detective dramas.

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For more episodes and to support the show, visit Choice Classic Radio and follow them on Facebook and YouTube.

Transcript

[Podcast Host]

This podcast is sponsored by Talkspace. You know when you're really stressed or not feeling so great about your life or about yourself, talking to someone who understands can really help. But who is that person? How do you find them? Where do you even start? Talkspace Talkspace makes it easy to get the support you need. With Talkspace, you can go online, answer a few questions about your preferences, and be matched with a therapist. And because you'll meet your therapist online, you don't have to take time off work or arrange childcare. You, you'll meet on your schedule wherever you feel most at ease. If you're depressed, stressed, struggling with a relationship, or if you want some counseling for you and your partner or just need a little extra one on one support, Talkspace is here for you. Plus, Talkspace works with most major insurers and most insured members have a $0 copay. No insurance, no problem. Now get $80 off of your first month with promo code SPACE80 when you go to talkspace.com match with a licensed therapist today at talkspace.com save $80 with code SPACE80 at talk.

[Choice Classic Radio Announcer]

Welcome to Choice Classic Radio where we bring to you the greatest old time radio shows like us on Facebook. Subscribe to us on YouTube and thank you for [e-mail].

[Narrator]

Broadway's My Beat From Times Square to Columbus Circle, the gaudiest, the most violent, the lonesomest mile in the world.

[Larry Thor]

Broadway's My Beat, the thrilling drama of murder and mystery and the people who walk the Great White Way, starring Larry Thor as Detective Danny Clover.

[Narrator]

In the morning, a kind of silence touches Broadway. The color has been squeezed from it, drained, spent by the wanton night. The neon is still in a spectacular sleep. The scavengers walk soft, grub furtively in the refuse of the night. And if you listen close, you can hear the wind. And it's the same wind that purrs through ruins at headquarters. You welcome Broadway's silence, but you know it'll splinter in your face. And it does. Its shape is a slip of paper tossed carelessly on your desk. On it are written the words Homicide Olympian Hotel, room 312. And Broadway is awake now. It's starting a new day at the Olympian Hotel. You walk down a corridor that's been painted in a color that won't offend anybod. Then a door opens to you and a voice designed not to frighten you welcomes you into a room lately furnished with death.

[Matthew Porter]

Come in, come in, please. Your headquarters, I presume. And you Matthew Porter, Yale, 47. Head of the crime detection bureau for the management. This is my first murder.

[Narrator]

Shot.45, I'd say. Who was he? A guest?

[Matthew Porter]

Not likely. Oh, I took the liberty of going through his pockets for identification. Of course, I find he is a Frank Conroy. Obviously one of those people from Texas. The high heeled boots. That 10 gallon monstrosity over there on the bed. They wear those things. Died with his boots on, eh? Classic.

[Narrator]

And this courtesy of the management.

[Matthew Porter]

The roulette wheel? Of course not. Gambling in the rooms is positively forbidden at the Olympian.

[Narrator]

But this is a roulette wheel. I'd swear it, Mr. Potter.

[Matthew Porter]

Maybe the Texan brought it with him. You know Texas millionaires. Oil steers, women, roulette. The black and the red.

[Narrator]

You say he wasn't a guest?

[Matthew Porter]

Never saw him before. How he got in without my notice, I don't know.

[Narrator]

Whose room is this?

[Matthew Porter]

Oh, Mr. Henry Sherwood. Stocks and bonds. Inoffensive chap. A moment, please. Yes. Oh, thank you. Strange. A telegram. Addressed to an Eddie Donald. Care of this room.

[Narrator]

Open it.

[Matthew Porter]

But.

[Narrator]

Open it. Read it aloud.

[Matthew Porter]

Dear Eddie. Stop. Arrived Flight 12 from Cleveland. Stop. 11:15 this morning. Stop. Hope you had good rest. Stop. Ha ha. Stop. Signed Henry Sherwood.

[Narrator]

What time is it now?

[Matthew Porter]

103 on the nose.

[Narrator]

That gives me an hour. You'll be courteous to the public servants when they come for the dead Texan, won't you, Yale? It took just about that hour to get to LaGuardia. Four engine plane from Cleveland made a storybook landing, and the people who walked through its door made storybook exits. Pause at the door, smile, wave, and walk down the ramp. The stewardess stood there checking off each performance. I asked her who was Henry Sherwood? And she pointed out a little man with a briefcase who was just going off the field. Sherwood. Henry Sherwood. Hey, is your name Sherwood?

[Henry Sherwood]

Who are you?

[Narrator]

Police. You Henry Sherwood, Police?

[Henry Sherwood]

Say, what is this?

[Narrator]

You're registered at the Olympian Hotel, room 312.

[Henry Sherwood]

Yes, I am.

[Narrator]

Who's Eddie Donald?

[Henry Sherwood]

Eddie Donald? What's he got to do with the police?

[Narrator]

We're looking for him. What's he got to do with you?

[Henry Sherwood]

Why, I lent him my suite while I was in Cleveland. I called him and told him he could live like a king in my suite for the week I was away.

[Narrator]

He.

[Matthew Porter]

Yes.

[Narrator]

All right. Where does Eddie Donald usually live?

[Henry Sherwood]

In a hotel, Ha ha. On West 59th. Let me think of just where you.

[Narrator]

Do that, Mr. Sherwood. On the way down to headquarters. It didn't take Mr. Sherwood all the way down to Headquarters to think of it. He thought of Eddie Donald's address. Just as I was lifting him into the squad car, he wriggled and said I could let him go now. I said they'd point a finger at me if I did. At headquarters, Mr. Sherwood said he'd take up police brutality with the stock exchange, the governor, the State Department. When he got to Drew Pearson, I walked out. Eddie Donald's hotel was run by a sweet and charming lady. Everybody told her she was then, so she told me.

[Mrs. Tolby]

Just call me mom, Mr. Clover. Everybody calls me that. It's because I treat my boys like as if they was my own son, Mrs. Tolby. What's the matter? You got monkeys in your ears? I told you to call me Mom.

[Narrator]

Okay, okay, Mom. Eddie Donald. Is he home?

[Mrs. Tolby]

Eddie. Now what do you want with dear, sweet Eddie?

[Narrator]

All I want is. Is he home?

[Mrs. Tolby]

Eddie brings me candy on Mother's Day. He brings me flowers. Go on, Mr. Clover. Talk to mom about Eddie.

[Narrator]

We want him for murder.

[Mrs. Tolby]

Murder? Why, that dirty, low down no good. The flowers he brought me, they stunk. The candy he picked up off a subway seat. He's week behind in his rent and he has the gall to commit murder.

[Narrator]

Take it easy, Mom. Where is he?

[Mrs. Tolby]

Wherever he is, I hope it's crawling. For the shame he brought to my hotel.

[Narrator]

He's not here.

[Mrs. Tolby]

No. He didn't come home all week. Every night I waited for him to bring me a bop. He didn't come home to Mom.

[Narrator]

You mind if I take a look?

[Mrs. Tolby]

Look to the green face.

[Magna]

Come on.

[Mrs. Tolby]

This is his room as of now. It's got a sign on it. Room to let half price show that.

[Narrator]

Eddie, this picture.

[Mrs. Tolby]

September's the only picture of a month in the altogether I ever see. Now comes November, she don't even look cold.

[Narrator]

It's framed. The calendar part's been cut off. To Eddie, it says forever and ever. No signature. You ever seen the girl before?

[Mrs. Tolby]

Only in shop windows and on counters and magazines all over the country. You like her?

[Narrator]

The artist? Magna, a Magna girl. Mind if I take the picture with me?

[Mrs. Tolby]

You lonely boy? Take it. Mom says you can take it.

[Narrator]

Thanks, Mom. Ah, I beg your pardon. Ah. Whose name is Magna around here?

[Magna]

But I am. My studio, my artistry, my cocktail party for my one man show. But I am a joke. A joke?

[Narrator]

No, I was just asking.

[Magna]

You have taken the tour. Come, I will show you. Magna. Here on this pedestal is the trunk of a small tree on which Magna first carved the.

[Narrator]

I think you misspelled the word there. Ah.

[Magna]

You saw it. You saw it. A Magna extracted the essence of the word and set it down for the world to applaud.

[Matthew Porter]

Oh, you.

[Magna]

You primitive.

[Matthew Porter]

You saw him.

[Narrator]

Stop jumping up and down, Mr. Mr. Magna, I want to ask you a couple of questions.

[Magna]

You don't understand my art.

[Narrator]

I understand your calendars.

[Magna]

You are not a primitive after all.

[Narrator]

Take a look at this one. I brought it along.

[Magna]

Magna does not autograph reproduction.

[Narrator]

Who is this girl who modeled for.

[Magna]

This painting as it is printed on top? November model for it.

[Narrator]

Yeah, but what's her name?

[Magna]

November.

[Narrator]

I forgot to tell you. I'm from the police, Mr. Mag. November.

[Magna]

Purge for the painting. A touch of gold, a sniff of sorrow, the dying days, all embodied in a woman. I found one. You're a cop? I found November one day at a model agency.

[Narrator]

Who is she?

[Magna]

Nelson. Liz Nelson. A pedestrian name for November. Yes. No.

[Narrator]

Where do I find her?

[Magna]

Lise Nelson.

[Narrator]

Her address. Her address.

[Magna]

I will write it down for you.

[Narrator]

Don't extract the essence for me, Mr. Magna. Just the number and street.

[Henry Sherwood]

What else?

[Narrator]

Go away.

[Liz Nelson]

If you're the Fuller Brush man, go away. If you want me to sign a petition, go away. Whatever's eating you, go away.

[Narrator]

I'm from the police, Ms. Nelson.

[Liz Nelson]

Oh, yeah. Now I can tell. Can tell by the way you put your foot in the door. Police. Or a mature college boy working his way through a mature college.

[Narrator]

Let's go inside, Ms. Nelson.

[Liz Nelson]

All right, let's go inside. The bed. It looks like that because I live in it. But I'm not working that ad every minute. That way I stay. The police want me to pose to improve their public relations. That's why you're here.

[Narrator]

Eddie Donald. You know him, Ms. Nelson, huh? And maybe you can tell me where he is. You can't tell about him, huh? Tell me.

[Liz Nelson]

You first. You tell me why, huh? Well, let's see now. I know Eddie for. Oh, let's see. For four years now. Two years of that, he was in Dannemora Prison.

[Narrator]

Why?

[Liz Nelson]

I never followed his career, so I don't know why. After that, he called me lots of times. Left a number where I reach him. Sometimes I call back. Depended on my schedule and my mood.

[Narrator]

When was the last time the schedule permitted?

[Liz Nelson]

About three months ago. I got it penciled in, in my little black book.

[Narrator]

Frank Conroy, a man from Texas. He in the book?

[Liz Nelson]

He's dead, isn't he? I read about it.

[Narrator]

Is he in the book?

[Liz Nelson]

First I heard of him, he was dead.

[Narrator]

And Eddie Donald. When was the last time you saw him?

[Liz Nelson]

I told you three months ago.

[Narrator]

You inscribed a picture to him forever and ever. It said. A calendar picture.

[Liz Nelson]

The cost of my beauty. Men look at my picture and they want me to belong to them forever and ever. Sometimes it's for always. I put down what they tell me.

[Narrator]

Oh.

[Liz Nelson]

Let'S not answer it, huh?

[Narrator]

Uh. Oh.

[Liz Nelson]

Eddie.

[Choice Classic Radio Announcer]

Eddie. Mm. I figure you'd be there. This is Jack Perry. I'll make it easy for you. Try room B. 1829 was 47.

[Liz Nelson]

Who was it?

[Narrator]

Uh, Ms. Nelson.

[Choice Classic Radio Announcer]

There. You came realer. Who are you?

[Narrator]

Police. Danny Clover.

[Choice Classic Radio Announcer]

I did what?

[Narrator]

Did I come in?

[Choice Classic Radio Announcer]

No.

[Narrator]

Your name? Jack Perry.

[Choice Classic Radio Announcer]

State your business right from there. All right. So your muscle got you in my real important thing.

[Narrator]

Look, Perry, I'm trying to find out who killed a man from Texas.

[Choice Classic Radio Announcer]

What voice whispered, my name is Perry?

[Narrator]

You did?

[Choice Classic Radio Announcer]

What else did I do?

[Narrator]

Over the phone when you called.

[Choice Classic Radio Announcer]

Liz, spare me the method police. I got it figured already. Your muscle lifted the phone. Said it was Eddie Donald.

[Narrator]

You're real anxious to talk to Eddie, aren't you?

[Choice Classic Radio Announcer]

Real, real. Why in that way? Mind if I sit down?

[Narrator]

Let's go, Perry. We got a squad car outside.

[Choice Classic Radio Announcer]

Oil for me?

[Narrator]

The police are looking for Eddie. Maybe you'll help. Let's go.

[Choice Classic Radio Announcer]

Yeah, sure, I'll help. I'll help you from here.

[Narrator]

All right.

[Choice Classic Radio Announcer]

Eddie's got a lot of money. That's mine. It's a reason for a man wanting to see him in.

[Narrator]

How much money?

[Choice Classic Radio Announcer]

What's the difference?

[Narrator]

A lot.

[Choice Classic Radio Announcer]

You know what?

[Matthew Porter]

Police.

[Choice Classic Radio Announcer]

Someone's in backup.

[Narrator]

Yeah, I know. Let's go.

[Choice Classic Radio Announcer]

Someone is lets.

[Narrator]

His laughter, mixed well with pain, came in tides and swelled and rolled over me. The thing that pounded at my brain was the thing that exploded and showered down like a million nickels, bright colored red and green and black. Then everything stopped. It came back again later and I opened my eyes. The color, the paint of the room was the same. The pattern frayed furniture and dust. And Jack Perry was still there. Only he was different. He wasn't laughing anymore. He couldn't. He'd been shot to death. Though the hour months fade and the oysters forsake Broadway, life still goes on there. The box scores to consider, the hot dogs with everything. And for exercise, you can now dial Nassau County. As if this weren't enough, Broadway offers another diversion. Double killing this time. Backdrop to the roulette wheel and a police officer who got slugged at the scene of the crime. Broadway tucks the protesting wiener back into the role, takes another bite and chews appreciatively later, at police headquarters, Sergeant De Taglia summed it all up.

[Sergeant De Taglia]

This is something you can stick your teeth into. Danny, what is this? Sticky apple, Mrs. Tartaglia. Packed with my lunch.

[Narrator]

Mmm.

[Sergeant De Taglia]

It's tasty and good.

[Narrator]

I'm sure it is, Gino, but I got a headache. I've just come from the infirmary and Dr. Sinski said I'd feel a lot better if I didn't have any emotional disturbances for a while. So let's all pitch in and help Dr. Sinski.

[Sergeant De Taglia]

Roger, we'll go.

[Narrator]

Thank you.

[Sergeant De Taglia]

So, to work we go. To wit, in the matter of Frank Conroy. From Texas. He is indeed from Texas. Police authorities in Texas sent a 500 word telegram to us to that effect.

[Narrator]

500 words indeed.

[Sergeant De Taglia]

It states that Frank Conroy is an esteemed owner of oil wells and well known in Galveston. The rest of the telegram is about Texas.

[Narrator]

Go on.

[Sergeant De Taglia]

In the matter of Jack Perry, the man who was killed under your very nose was a man known to all and sundry as a man who delighted in floating games of chance. That's what on him.

[Narrator]

All right, tell me about the man we're looking for. Eddie Donald.

[Sergeant De Taglia]

An all points bulletin is out on him at this very moment.

[Narrator]

What else?

[Sergeant De Taglia]

Eddie Donald was released from Dannemora Nyanka six months ago after serving a two year stretch for assault and battery.

[Narrator]

Before he went to jail, hearsay has.

[Sergeant De Taglia]

It that this same Eddie Donald was a steerer for the gambling industry. Precisely speaking for Mark Oslo.

[Narrator]

Yeah. And hearsay has it that Mark Oslo isn't operating anymore.

[Sergeant De Taglia]

You believe that, Danny?

[Narrator]

No. I've never been able to get anything on him. To Taglia.

[Sergeant De Taglia]

Yeah.

[Narrator]

Does Oslo still live at the same address?

[Sergeant De Taglia]

I checked that already, Danny, and yeah, he does. In that tumble down shack on Park Avenue. Hey, Danny, I brought you one, too. I was hiding a sticky apple behind my back.

[Narrator]

The shack of Mark Oslo occupied five floors of a gilt edge apartment house where dogs were walked by student psychiatrists. On the first floor of his hovel, something in silk knee britches and epaulets held a candelabra to your badge side press profoundly adjusted its wig and ushered you into a private elevator. On the second floor, you caught a glimpse of a library with real books, thousands of them. On the third floor, a girl with ashen hair and leg slits in her Mandarin robe waved joy to you as you floated up. On the fourth floor, a chef sniffing a chafing dish took time to consider you as a potential sauce rejected you. Then you were on the fifth floor. The mate of the thing in silk knee britches led you through a luster of elegant men and women in silent prayer at a roulette table. Then Mark Oslo extended a glittering hand to you. You didn't take it.

[Henry Sherwood]

No, Danny. You don't shake my hand and it sets up a melody of sorrow in my heart.

[Narrator]

Cry a tear, Mark. I'd like to see it.

[Henry Sherwood]

You'd be the first. You want a tear, Danny? I could arrange it.

[Narrator]

You could. Having a party, Mark?

[Henry Sherwood]

You mean my friends at the table. They're playing for matchsticks, Danny. Literally. Matchsticks. Come along, Danny. I'll show you.

[Narrator]

Don't bother.

[Magna]

No.

[Henry Sherwood]

Your pleasure, Danny. I should get back to my guests.

[Narrator]

State your pleasure, Eddie Donald.

[Henry Sherwood]

Eddie Donald. Mark Oslo knows such a man.

[Narrator]

Yeah, Mark, Oslo does. Shall I freshen it up for you, Mark?

[Henry Sherwood]

No need, Danny. Thank you. It'll come back. Eddie Donald. Oh, yes. You want him for murder and you.

[Narrator]

Come to me for help for Eddie Donald. Not for what you said, Mark.

[Henry Sherwood]

He was a good boy. Came to work on time, conscientious. Stuffed the suggestion box with suggestions. I read a few. Not bad. I sent word down for him to keep trying.

[Narrator]

Where is he, Mark?

[Henry Sherwood]

My chef baked some delicacies for him. I had them sent to Eddie at Dannemara. After that, we lost touch. Not even a thank you note from Eddie.

[Podcast Host]

This podcast is sponsored by Talkspace. You know when you're really stressed or not feeling so great about your life or about yourself, Talking to someone who understands can really help. But who is that person? How do you find them? Where do you even start? Talkspace. Talkspace makes it easy to get the support you need. With Talkspace, you can go online, answer a few questions about your preferences, and be matched with a therapist. And because you'll meet your therapist online, you don't have to take time off work or arrange childcare. You'll meet on your schedule wherever you feel most at ease. If you're depressed, stressed, struggling with a relationship, or if you want some counseling for you and your partner or just need a little extra one on one support, Talkspace is here for you. Plus, Talkspace works with most major insurers and most insured members have a zero dollar copay. No insurance, no problem. Now get $80 off of your first month with promo code space80 when you go to talkspace.com match with a licensed therapist. Today at talkspace.com save $80 with code [e-mail] it calls.

[Narrator]

It calls a man named Frank Conroy.

[Henry Sherwood]

What does that do to You Mark the dead Texan. Nothing at all. Someone pointed it out to me while I was having a rub and it didn't do anything at all.

[Narrator]

Jack Him.

[Henry Sherwood]

Some of my friends sent a wreath. I paid for it. Should I have done more? Oh, of course. You were hurt in that one, weren't you, Danny? Name your favorite charity.

[Narrator]

Eddie, Donald, Mark. That's all I want. Send the word around, get him to me.

[Henry Sherwood]

You're ordering me, Danny?

[Narrator]

Yeah. Surprise you?

[Henry Sherwood]

No, I find it rather delightful. I'll tell you what, Danny. Mark. Oslo will see what he can do, and the footman will show you out. Goodbye, Danny.

[Narrator]

On the way back down on the elevator, I caught a glimpse of the girl in the Mandarin robe again. This time she was eating a hamburger. I was disenchanted about the whole thing. I called headquarters. Nothing on Eddie Donald. Phoned cab garages. Nothing. Spent a few more hours dropping in on back rooms and dropping the name of Eddie Donald. Blank stairs. Then I went home and slept on it. The way it happened was simple. The next morning I walked out of the door. There was a hand on my sleeve by the time I stepped onto the pavement.

[Magna]

Hi, Darren.

[Narrator]

Benny Fain. You're looking good, Benny.

[Magna]

Yeah, yeah, yeah, I am. I. I'm. I'm on my way to work. How do you like that?

[Narrator]

I like it. What happened?

[Magna]

I kicked it Danny off the stubborn got a job. Look at me. $50 suit, suede shoes, watched by Long Jean. Beautiful, huh? On credit, Danny, but I'm gonna pay for it. Legitimate job.

[Narrator]

Publishing, huh? Publishing what?

[Magna]

Well, anyhow, Danny, the reason I've been waiting for you on my way to work is because I never let my old friends down. So you never let them down. Still working for you. Now don't call it stewing, Danny. I can't stand that word.

[Narrator]

Nobody called it anything, Benny.

[Sergeant De Taglia]

Okay, okay.

[Magna]

Now look, try the Bronx, Danny, if you want to find Eddie Dolan. You know where those guys go? In shacks by the river? Those guys? Those guys out of work? Or try the one with a Bull Durham sign for a. For a front door.

[Matthew Porter]

Come on in, pal.

[Choice Classic Radio Announcer]

Oh, it's.

[Matthew Porter]

It's not a pal?

[Narrator]

No.

[Matthew Porter]

Eddie, I'd appreciate it if you tell me your name. It slips the memory.

[Narrator]

Danny Clover. Police.

[Matthew Porter]

That's right. Danny Clover. You are the sluff who wants me for the murder of. Let me think now. Frank Conroy from Texas and Jack Perry from Stinkville, right?

[Narrator]

Uh huh. Let's go, Eddie.

[Matthew Porter]

Gladly.

[Narrator]

Huh?

[Matthew Porter]

I said I will go with you. Gladly. However, if you should care to Listen to my side for a minute. I think this courtesy will not go unrewarded.

[Narrator]

You haven't got much time, Eddie.

[Matthew Porter]

Not even enough to give you the for real murder of those two.

[Narrator]

The real murderer already.

[Matthew Porter]

For real interest. Maybe a story goes with it, Mr. Clover. That Texan, he shouldn't have died. It wasn't planned that way.

[Narrator]

No?

[Matthew Porter]

No, mister. Mind if I call you Danny?

[Narrator]

Go ahead.

[Matthew Porter]

It was like this, Danny. I took a rap in Dannemora.

[Narrator]

I know.

[Choice Classic Radio Announcer]

Yeah.

[Matthew Porter]

Then Perry puts salt in the wound. While I am in the crib, he purloins my girl.

[Narrator]

Go on.

[Matthew Porter]

Well, look at me, Danny. How little I am. Can't knock over Mosquito. But one night in a bar, I meet a Texan. He wants to fight. I figure, who better he should beat up than Jack Perry from Stinkville? This can be so easy.

[Narrator]

Arranged by that roulette game in the Olympian.

[Matthew Porter]

Exactly. Exactly. This is a game rigged by Perry. The same night he tells me, go get a sucker for old times sake. No hard feelings. I got a hotel room, courtesy of a friend. So get a sucker. The sucker I bring him is the Texan.

[Narrator]

And?

[Matthew Porter]

And I play Perry for the sucker. While the Texan loses, I bet against him and keep winning. Then when I got it all, I tell the Texan he's been taken by a rigged wheel. I figure this will make him mad at Perry.

[Narrator]

Didn't.

[Matthew Porter]

No. The Texan turns yellow just because Perry pulls a gun on him. I quick turn out the lights, there's a shot and I flee with the DOE. 50 grand. So? For the murder of the Texan, you should have talked to Perry.

[Narrator]

I was talking to Perry and somebody killed him. You.

[Matthew Porter]

That's what I've been trying to tell you. Not me. Look, all you gotta do is let me go for a little bit and I'll lead you to the for real murderer.

[Narrator]

Sorry. Let's go.

[Matthew Porter]

You got it, Danny. You gotta. I'll get the murderer for you.

[Narrator]

Let me go. I'll make you let me go. The little man took a swing at me, flicked my chin and I pretended he'd knocked me cold. How I kept from laughing out loud at his surprised, bewildered, then proud face, I'll never know. But I did. I let Eddie go because I believed him. To follow him together for real murderer. Or maybe to make an idiot out of Danny Clover. It was the chance I took. I watched him while he made a phone call. I watched him while he had some coffee. Then I watched him while he hailed a cab. And I hailed one, too. He stopped at an address I'd been to once before. I let him go in and I waited five minutes. Then I went to the apartment where I knew he'd be.

[Liz Nelson]

I'm telling you to get out of here.

[Choice Classic Radio Announcer]

Eddie.

[Liz Nelson]

You don't get them, you don't get anything.

[Matthew Porter]

You know, I figured different.

[Narrator]

Please, I'll do you figured. Eddie, the policeman.

[Liz Nelson]

Look, Eddie, they caught up with you.

[Matthew Porter]

Oh, Danny, you recovered. There's your murderer. Danny, I told you. Give me a chance.

[Narrator]

Ms. Nelson here murdered Perry. Is that how you figured?

[Liz Nelson]

Take him out of here.

[Narrator]

I'm repeating myself, Eddie. Let's go.

[Matthew Porter]

No, no, listen to me. You gotta listen. She wants me to get electrocuted. That's why she did the whole thing. And you know something? I love her.

[Liz Nelson]

My kick's for just now. Take him away.

[Matthew Porter]

Don't laugh at me, Liz. You could have had the money. Don't you understand? You could have had it.

[Liz Nelson]

Now, you two play Patty cake down on the pavement. I'm bus.

[Narrator]

What about now, Eddie?

[Matthew Porter]

Don't you see, Danny? Don't you see what she's done? She kills Perry so I can sit in the electric chair for it.

[Narrator]

Why would she want to do a thing like that?

[Matthew Porter]

Because she's greedy. She wanted all the dough for herself.

[Liz Nelson]

Shut up, Eddie. Make him shut up.

[Matthew Porter]

I gave her the money I won, and she said she loved me all over again. And I believed her. But when she heard the cops were looking for me for that rhubarb in the Olympian Hotel, she got cagey as all get out. Kills Perry and books me solid with the executioner.

[Narrator]

You're an accomplished girl, Ms. Nelson. You model. You pistol whip me in Perry's room. You kill Perry. Accomplished.

[Liz Nelson]

Uh, Try again.

[Matthew Porter]

Don't be like that, Liz. Show him the money. All that money. Give it to him, Eddie.

[Narrator]

You fool.

[Matthew Porter]

Go ahead, Liz. The man's waiting. Give it some time. Shut up. Shut up now, Liz.

[Liz Nelson]

I told you to shut up. I told you.

[Matthew Porter]

Oh.

[Narrator]

Drop that gun. Drop it. Oh, it's a lot better.

[Liz Nelson]

All that money.

[Narrator]

That money. He ruined it, Eddie. Bad Eddie.

[Matthew Porter]

I. I got a bad shoulder now, Danny.

[Narrator]

You're a fool, Eddie. She could have killed you.

[Matthew Porter]

Yeah, I know. I didn't know whether she did it or not, what I said. But I had to find out. I loved her. I really did.

[Narrator]

Broadway it's an eight beat revival meeting and the lost souls wail To a hot trumpet and sax It's a hunger complete with syncopation and spinning neon Grab your dream and dance a while Then try to look it in the face. You can't. It's a mask of terror. It's Broadway. The gaudiest, the most violent, the lonesomest mile in the world. Broadway. My Beat.

[Larry Thor]

We invite you to join us next week at this same time when Detective Danny Clover returns again with Broadway's My Beat. Broadway's My Beat is produced and directed by Elliot Lewis, with music composed and conducted by Alexander Courage. The program is written by Morton Fine and David Friedkin and stars Larry Thor as Detective Danny Clover, with Charles Calvert as Tartaglia. Included in tonight's cast were Peggy Weber, Francis Robinson, Eddie Quillen, Herb Butterfield, Jay Novello and Anthony Barrett. Bob Stevenson speaking. This is cbs, the Columbia Broadcasting.

[Mrs. Tolby]

Ram.

[Narrator]

SA.