Broadway Is My Beat: The Roberto Segura Murder Case 01/31/1950

Summary

Broadway Is My Beat: The Roberto Segura Murder Case – Detailed Summary

Podcast Title: Choice Classic Radio Detectives | Old Time Radio
Episode: Broadway Is My Beat: The Roberto Segura Murder Case
Host: Choice Classic Radio
Release Date: January 31, 1950 (Released on January 22, 2025)

---

Introduction

Broadway Is My Beat introduces listeners to Detective Danny Clover, portrayed by Larry Thor, navigating the gritty underbelly of Broadway. Set against the backdrop of Times Square and Columbus Circle, the episode delves into the mysterious murder of Roberto Segura, unraveling a complex web of relationships, deceit, and betrayal.

The Murder Case

The episode opens with Detective Clover receiving an urgent anonymous call about a murder:

• Danny Clover (00:41): “At 11:45 on a January night, you look down on Broadway and watch it generate its own heat...”

Upon arriving at the scene on 116th Street, Clover discovers Christina Perez amidst the aftermath:

• Narration (01:09): “A girl and a boy, a pattern of torment and death...”

Key Points:

• Victim: Roberto Segura, identified as deceased for three hours.
• Survivor: Christina Perez, in extreme shock, believed to be out of immediate danger.

Investigation Unfolds

Detective Clover interacts with Don Eduardo Perez, Christina's father, to gain insights:

• Danny Clover (04:03): “I want to talk to Christina Paris.”
• Don Eduardo Perez (04:14): “Cristina is such...”

Clover learns about Roberto’s roommate, Johnny Martinez, leading him to investigate further:

• Johnny Martinez (07:28): “I stuck a shiv at a small man with glasses...”

Key Points:

• Alibi: Both Johnny Martinez and Don Eduardo Perez claim alibis for the time of the murder.
• Suspicions: Christina's erratic behavior raises red flags.

Interviews and Alibis

Clover's interrogation reveals inconsistencies:

• Cristina Perez (18:37): “You have come to tell me you have found my Christina?”
• Danny Clover (19:08): “You're under arrest for the murder of Roberto Segura.”

Notable Quotes:

• Cristina Perez (20:12): “He is evil. I tell you this because you should know it.”
• Danny Clover (24:33): “You're Cristina. You killed her to keep her to yourself, didn’t you, rado?”

Key Points:

• Motives: Eduardo Perez harbors hatred towards Roberto Segura.
• Timelines: Rigor mortis and temperature discrepancies suggest the murder occurred later than initially reported.

Breakthrough and Confrontation

A pivotal moment occurs when Cristina Perez confronts Clover, revealing her involvement:

• Cristina Perez (25:34): “No one good enough for Cristina but you.”
• Danny Clover (26:00): “You had help, of course.”

The tension escalates as Cristina admits to orchestrating Roberto's murder to keep Cristina under her control, involving Johnny Martinez as an accomplice.

Notable Quotes:

• Cristina Perez (25:51): “It is as you say, senor. No one good enough. So I had Roberto killed.”
• Danny Clover (26:24): “You will not kill me.”

Conclusion

Detective Clover skillfully maneuvers through alibis and confrontations, ultimately apprehending Cristina Perez for the murder of Roberto Segura. The episode concludes with Clover reflecting on the dark and deceptive nature of Broadway, emphasizing the relentless pursuit of truth amidst glamor and chaos.

Final Narration (27:50): “Like I was saying, let's go get booked for murder. Broadway. It's an enchanted island or a desert of dust... It's Broadway. My beat.”

Key Takeaways:

• Character Depth: Cristina Perez emerges as a tragic antagonist, driven by possessiveness and familial pressures.
• Mystery Resolution: The intricate plot underscores the complexity of human motives and the challenges faced by investigators in the Golden Age of Radio.

---

Production Details

Broadway's My Beat features an impressive cast, including Tony Barrett, Jeanette Nolan, and Herb Butterfield, with a musical score composed by Alexander Courage. Directed by Elliot Lewis, the episode masterfully combines suspense, drama, and classic detective storytelling, embodying the essence of old-time radio's golden era.

Notable Contributions:

• Music: Alexander Courage
• Production & Direction: Elliot Lewis
• Cast Highlights: Larry Thor (Danny Clover), Tony Barrett, Jeanette Nolan

---

Conclusion

Broadway Is My Beat: The Roberto Segura Murder Case captivates listeners with its intricate plot, compelling characters, and atmospheric storytelling. Detective Danny Clover's relentless pursuit of justice amidst the dazzling yet perilous streets of Broadway offers a timeless narrative that continues to resonate with fans of classic detective radio dramas.

---

Notable Quotes Compilation:

1. Danny Clover (00:53): “Broadway is my beat.”
2. Don Eduardo Perez (04:29): “Cristina is the child of my body also. I am the mother of Christina.”
3. Jimmy Martinez (08:25): “Have you talked to her? Have you looked at her?”
4. Cristina Perez (20:12): “He is evil. I tell you this because you should know it.”
5. Cristina Perez (25:51): “I had Roberto killed.”
6. Danny Clover (26:24): “You will not kill me.”
7. Final Narration (27:50): “It's Broadway. My beat.”

These quotes highlight the critical turning points and character motivations that drive the narrative forward, providing listeners with memorable lines that encapsulate the episode's essence.

Transcript

[Danny Clover]

Your message amplified. Ready to share your message with the world? Start your podcast journey with Podbean.

[Joe Candelaria]

Podbean.

[Danny Clover]

Podbean. Podbean. Podbean, the AI powered all in one podcast platform. Thousands of businesses and enterprises trust Podbean to launch their podcasts. Launch your podcast on podbean today. My school uses Podbean. My church too. I love it.

[Larry Thor]

I really do. Welcome to Choice Classic Radio, where we bring to you the greatest old time radio shows like us on Facebook. Subscribe to us on YouTube and thank you for [e-mail] Broadway's My Beat From.

[Danny Clover]

Times Square to Columbus Circle, the gaudiest, the most violent, the lonesomest mile in the world.

[Larry Thor]

Broadway's my beat. With Larry Thor as detective Danny Clover.

[Danny Clover]

Broadway. It's the end of the dream and the start of the wilderness. The dumping ground of odds and ends and beginnings and leftovers. It's a place to stop and take the kind of pleasure you need. It's a street of neon names that beckons to your loneliness. And you better hurry, kid, because it's a street where your name is written on water. It's Broadway, my beat. At 11:45 on a January night, you look down on Broadway and watch it generate its own heat, like I was doing for my office window at headquarters. Then a call came from a shy caller. He preferred to be anonymous, he said, and he gave an address, and he said I'd better come there. He said not to knock, to walk right in. And his disguised voice couldn't disguise the urgency in it. So I went. The address was on 116th street, just off Amsterdam. A section where the posters are in Spanish and furtive laughter mixes lightly with a dimly heard tango rhythm. The street was dark and there were no house numbers. I beg your pardon? Where's number 212? Thanks. Open up. It's the police. Okay, I'm coming in. She sat there like death, almost. Only her fingers moved, whipping the strings of a guitar. Black hair spread over her shoulders and frozen eyes on a single tear. And near her, sprawled on the floor, a man. A man and the knife in his heart. A dead man. What happened here? Who are you? Who is this man? Her hands lost the guitar, searched for it. Then her body twisted slowly to the floor. Even in the moment of her final embrace of shock and nothingness, the movement was somehow exquisite and dance like. And the pattern they made, the girl and the boy, was a pattern of torment and death. Then the cold cycle of murder began. The dead boy's wallet established him as Roberta Segura. This room was his home. Dr. Sinski reported that the boy had been dead for three hours. Probably killed at about nine o'clock. The girl was Christina Perez. She was in extreme shock and should be taken home. She was. I waited until morning to go back to her.

[Don Eduardo Perez]

You desire something, senor?

[Danny Clover]

I'm Danny Clover of the police. I want to talk to Christina Paris.

[Don Eduardo Perez]

Please come in, senor.

[Danny Clover]

Thank you.

[Don Eduardo Perez]

It's necessary first to be granted the permission of Don and Puarto.

[Danny Clover]

Oh.

[Don Eduardo Perez]

The father of Cristina.

[Danny Clover]

I see. And you? You're.

[Don Eduardo Perez]

Cristina is the child of my body also. I am the mother of Christina. Wait here for a moment, please, senor.

[Danny Clover]

Of course.

[Cristina Perez]

Ah, si. I am Don Eduardo Pere. Senor. The heritage of my forefathers demands I say you are welcome in my house. But I will not say it for the reason that I abhor your presence.

[Danny Clover]

I was told I needed your permission to talk to Cristina. See, I am asking you for.

[Cristina Perez]

Have you observed, senor, that your feet are standing on the tiles of the immortal artist Goya? Everything else in my house is at least of equal value. Some possessions are even more extraordinary.

[Danny Clover]

I'm happy for you, Eduardo. Cristina. Where is she?

[Cristina Perez]

Even more extraordinary. More delicate, more fragile. Cristina is such.

[Danny Clover]

You mean I can't see her?

[Cristina Perez]

I think I have made it plain.

[Danny Clover]

No, Eduardo. It's all cluttered up. Explain it to me.

[Cristina Perez]

Your own doctor said my Cristina was in shock. You do not believe your workmen like doctors?

[Danny Clover]

Yeah, I do. Dr. Sinski's a good workman. He said. Kristina should be over it by now.

[Cristina Perez]

My physician says no. And now you must go, senor. You must have many official duties.

[Danny Clover]

I'm glad you said that. I do, Eduardo. Like the murdered boy, Roberta Segura. Did you know him?

[Cristina Perez]

He was not permitted in my house.

[Danny Clover]

Still, Cristina was in love with him.

[Cristina Perez]

She was not. She was not. Not with that.

[Danny Clover]

But she was with him when he was dying and dead. Maybe she was with him when someone put a knife into him.

[Cristina Perez]

This you will have to wait to find out, Senior. Only until my Christina is well. Until you are permitted to see her.

[Danny Clover]

I'll wait. Keep watching over Christina. Don't want to get lost, Eduardo. She's in your custody. Is that plain? Eduardo? Don Eduardo Perez smiled his finest Castilian smile to make it known that it was plain. He made it even plainer by looking my hat onto my head, then staring me out of the door. I called headquarters. They had a couple of things for me. They'd searched Roberto's room and Noted that the only bright spot in the otherwise drab walk up was a color photograph of Christina Perez. And then the maybe important thing. Roberto had a roommate. One Johnny Martinez. A dishwasher, they told me because they checked in a restaurant on 112th Street. That's where I went. To see Johnny Martinez. Your name Martinez? Johnny Martinez.

[Johnny Martinez]

Where'd let him put down these dishes? Yeah, I'm Johnny Martinez.

[Danny Clover]

Haven't I seen you before?

[Johnny Martinez]

Maybe my back was turned because I don't remember you.

[Danny Clover]

You're a boxer, aren't you? I've seen you at the fights.

[Johnny Martinez]

You must have come early to see me. Never fought better than the first four round prelim. I got yella in one fight. Never left me.

[Danny Clover]

I'm from the police. My name's Danny Clover. What have you been doing?

[Johnny Martinez]

Been doing in jail for a year and a day. Tuesday will be an anniversary of my being out three months.

[Danny Clover]

What'd they get you for?

[Johnny Martinez]

Attempted robbery with a weapon. I stuck a shiv at a small man with glasses. He hit me over the head with a briefcase and knocked me cold. I lost that like I lost everything else.

[Danny Clover]

You roomed with Roberta Segura.

[Johnny Martinez]

You know I did, else you wouldn't be here.

[Danny Clover]

Know any reason why he should be murdered?

[Johnny Martinez]

Sure, somebody hit him.

[Danny Clover]

You?

[Johnny Martinez]

No, not me. Papers say Roberta was killed at 9 last night. I was here till 10. 30. 8 hours all the time. Ask the proprietor.

[Danny Clover]

Yeah. Tell me about Roberta, Johnny.

[Johnny Martinez]

What was he, Clover? Guy with long sideburns, a family tree from Guadalajara and maybe a buck 35 in his pocket, like me.

[Danny Clover]

You're a bitter boy.

[Johnny Martinez]

Nah, nah, I'm not bitter. I read the right papers. Roberto never would.

[Danny Clover]

Do you know Christina Paris?

[Johnny Martinez]

I'm not trying to stall you, Clover. Takes a second to gather up all the nice things about her, turn them into a smile.

[Danny Clover]

That way, huh?

[Johnny Martinez]

Do you know what?

[Danny Clover]

Cola.

[Johnny Martinez]

Have you talked to her? Have you looked at her?

[Danny Clover]

Only she loved Roberto.

[Johnny Martinez]

I know now what? Roberto is dead. Now I can try my best. Now I'll get haircuts and be a gentleman. In a week or so, Christina will smile because I'll say something that'll amuse her. Anything else?

[Danny Clover]

Yeah. What did Roberto do last night? What were his plans?

[Johnny Martinez]

Same as always. He spent the evenings at Papa Candelari's place. I guess last night too.

[Danny Clover]

But Papa Candelaria, huh?

[Johnny Martinez]

What's that upstairs? Private club for the natives, Clover. Try 1203, 116th Street. Upstairs, but legitimate. They open at 9 and a p.m. thanks, Johnny.

[Danny Clover]

I'll see You?

[Johnny Martinez]

Yeah, sure. I'll look for you.

[Joe Candelaria]

Hello, Keith. Who sent you?

[Danny Clover]

Hello. What's your name, kid?

[Joe Candelaria]

Joe. Joe Candelaria. I am 11 years old. I am in the seventh grade and when on a case, I am allowed to stay up until 12 o'clock at night. What's your name, kid?

[Danny Clover]

Danny. Danny Clover.

[Joe Candelaria]

Danny. I like that name.

[Danny Clover]

Then you won't mind that I'm from the police. Hunch.

[Joe Candelaria]

Mind. I am delighted you are my brother. Pasa Dibley, my brother. I myself am a private ojo.

[Danny Clover]

What?

[Joe Candelaria]

Private ojo. Spanish for private eye.

[Danny Clover]

Oh, I'll bet you're good, Joe.

[Joe Candelaria]

The best, sweethearts. Nothing escapes from my keen eye, my keen intelligence. Only last night I saw a big black car with two hoodlums sitting in it with dangerous machine guns.

[Danny Clover]

Jo, I.

[Joe Candelaria]

The other day I found a lady's glove. One glove. And I knew she was in desperate trouble because she left behind one club. And this, to Jo Candelaria, was a clue.

[Danny Clover]

I hate to break it up, Joe, but I gotta get in there. Into the club. Is it all right?

[Joe Candelaria]

Oh, you are on a case too?

[Danny Clover]

Yeah, Joe, that's the way it is. A case. You understand? As a fellow professional, don't speak further.

[Joe Candelaria]

I understand. It's a room at the end of the hall, brother.

[Danny Clover]

Thanks, pal.

[Joe Candelaria]

Good luck, sweethearts. I'll go back to my pose.

[Danny Clover]

The room at the end of the hall was without windows, its walls whitewashed to better display the posters of gypsy dancers in scarlet, of bull fighters in gold, and of wounded bulls on yellow sand. The shadows of the men that filled the room were black and of great depth. Over it all hung a veil of cigar smoke and the odor of licorice. And in the center, in a cleared space, dancing to savage music, was Christina Paris. Like some animal in fury. Watching her at a little marble top table was her father, Don Eduardo. Your position, Eduardo. He preserv. Describe this for Christina. I am fool. Christina is dancing, tiger. Look at her. Is it all right if we talk now, Eduardo?

[Cristina Perez]

Christina is a sublime artist. Makes me ill to be distracted when she dances. What do you want, Senor?

[Danny Clover]

I put Christina in your custody because you said she was too sick to talk to me. She got better fast, didn't she, Eduardo?

[Cristina Perez]

As you say, senor, she got better fast. You still wish to speak with her?

[Danny Clover]

Yeah, I still wish.

[Cristina Perez]

My Cristina is in her dressing room. Just through those curtains and down a hall.

[Danny Clover]

Yeah. Podbean, your message amplified, ready to share your message with the world. Start your podcast journey with Podbean. Podbean. The AI powered all in one podcast platform. Thousands of businesses and enterprises trust Podbean to launch their podcasts.

[Larry Thor]

Use Podbean to record your podcast.

[Danny Clover]

Use PodBean AI to optimize your podcast. Use PodBean AI to turn your blog into a podcast. Use Podbean to distribute your podcast everywhere. Launch your podcast on podbean today. Hey. What? Whoever it was didn't answer me. Whoever it was was pounding on me over and over. Whoever it was.

[Larry Thor]

You are listening to Broadway's My Beat, written by Morton Fine and David Friedkin, and starring Larry Thor as Detective Danny Clover. Benny and Bergen Crosby and Groucho, Luigi and Irma. There's a lot of sheer exuberant fun around on CBS in the nighttime. But don't forget that every weekday, Monday through Friday, some fellows who are very good at being entertaining are right here. Reading from right to left, left to right, and right down the middle. They are Gary Moore, Art Linkletter and Arthur Godfrey. Yes, every day, Monday through Friday over most of these CBS stations.

[Danny Clover]

Broadway is a place that hardly ever gets excited. It takes the winning of a war to do that. Or the opening of a musical comedy. The best response you can expect for a murdered boy in a cheap room is polite applause. This for maintaining the violent death rate of the city. And a man can lie in an alley in a tortured, painful sleep. And Broadway tiptoes right by him. And the next morning, the man can walk down the subway steps, wiping blood off his face. And Broadway will turn its back. It's a tired movie they've seen before. I know all this because it happened to me. No one gave me a backward glance until I returned to headquarters. Then I got clucked over by two mother hens at the infirmary. Dr. Sinski being efficient and Sergeant Tartaglia being nervous.

[Sergeant Tartaglia]

Does it hurt much, Danny?

[Danny Clover]

It hurts today.

[Sergeant Tartaglia]

Well, now, don't you worry about a thing. Just that you should get. Okay again. Just that your head should look symmetrical.

[Danny Clover]

You know, Danny, this is an interesting.

[Cristina Perez]

Formation you got on top of your head here. The bump on top of a lump.

[Danny Clover]

I could write it up for the generals. Take it easy. Talk. Read me what you got so far tonight.

[Sergeant Tartaglia]

Yeah, sure, Danny, sure. Now, in the matter of suspects, we have none for the following reasons. The deceased, Roberto Segura being deceased at 9:00. That lets out Johnny Martinez, who was at his place of business until 10:30.

[Cristina Perez]

Check.

[Sergeant Tartaglia]

Senor. Senora Perez. In each other's company until 10:00pm Check. And about the girl, Christine.

[Danny Clover]

Grab hold to the table, Danny.

[Johnny Martinez]

This Might hurt.

[Danny Clover]

Yeah. Oh, what was that stuff is the bottle, then? Yeah, but what is it?

[Johnny Martinez]

Doctor's free sample of commercial laboratory. Sent me this morning. First time I tried it.

[Cristina Perez]

Hey, sir.

[Johnny Martinez]

It's a good sign.

[Sergeant Tartaglia]

The girl, Christina. Danny. Not only don't we get an alibi from her, we don't get her either. She's missing. Danny, What?

[Cristina Perez]

Hey, get back on the table.

[Danny Clover]

Danny.

[Larry Thor]

Where do you think you're going?

[Danny Clover]

I got only one place to go. Doc. Get me a squad car to Taglia. Papa Candelario. I was here last night. You must have seen me. You know who I am? Do you mean you don't understand English?

[Cristina Perez]

No English. Non tienda.

[Danny Clover]

Try hard, Papa. I'm of the police. Police, understand? Try this. I was beaten up here last night. This could make trouble for Papa Candelaria. Big trouble.

[Cristina Perez]

Papa Candelaria?

[Danny Clover]

Yes.

[Cristina Perez]

Soy Papa Candelario.

[Danny Clover]

Christina Perez. Papa, what does that do to you? Yeah, Papa. Yeah. Christina Perez. That's right. Where is she? She was here last night. She's disappeared.

[Joe Candelaria]

Oh, look who is here. My brother, Danny Clover.

[Danny Clover]

Joe. Joe, am I glad to see you.

[Joe Candelaria]

And I am glad to see you. Said, sweetheart, you know that big case I was working on? A big black car with a gun to. I think it is all solved.

[Danny Clover]

Joe. Joe, listen. I want you to do something for me.

[Joe Candelaria]

Anything, Danny. You are my brother.

[Danny Clover]

I want you to translate for me. I have to ask your father some questions. He doesn't understand English, so I want you to translate for me.

[Joe Candelaria]

Papa, please. Danny is my brother. Please speak to him.

[Cristina Perez]

All right, Jose. I will tell him.

[Danny Clover]

Oh, then you do?

[Cristina Perez]

Si, senor. I do speak English. I only tell you this because it is the wish of my son, whom I love. You will find Cristina Perez with her mother at the Convent of Santa Cecilia. That is all I can tell you.

[Joe Candelaria]

Oh, Papa, you are my brother. Papa is now a brother to both of us, huh, Danny?

[Danny Clover]

Yeah. Joan? Thank Papa for me. And you too, kid. Thanks, brother. The Convent of St. Cecilia stood high on Morningside Drive. A sister led me through a courtyard and into a grey stone building and into a room, a large room, simply furnished, and told me to wait. Then she left. It was 15 minutes before the door swung softly open again. Senora Perez and his daughter Cristina. They didn't seem surprised to see me. They walked to a cast iron bench and sat down and folded their hands and waited. Senor of Paris, who was it that.

[Don Eduardo Perez]

He sent you to? Us, senor.

[Danny Clover]

But they're gonna lie to you.

[Don Eduardo Perez]

This is difficult to believe. No, Mother. It Isn't difficult. You must realize, like I do, that it's useless to hide from the police.

[Danny Clover]

Why are you hiding, Christina?

[Don Eduardo Perez]

My mother thought it was the best way. Way? Now it doesn't matter.

[Danny Clover]

It still doesn't explain very much. You were in Roberta's apartment when they found him dead. You were dancing when you should have been sick. You ran away when you should have been available. Let's start up top and see why.

[Don Eduardo Perez]

I was supposed to meet Roberto. A rendezvous, Mr. Clover. On the night he died. He was late. I went to his place to look for it.

[Joe Candelaria]

I found him dead.

[Danny Clover]

Go on.

[Don Eduardo Perez]

I danced because my father wished to look at me dancing. I do not disobey my father under any circumstances. Never. Mr. Clover isn't a fool. He'll find out anything. Cristina, enough. You have said already too much. And I ran away because my mother wished me to run away. I do not disobey my mother either.

[Danny Clover]

Tell me something, Cristina. Tell me about Roberto. I love your father. What was his reaction to Roberto?

[Don Eduardo Perez]

My father hated him.

[Danny Clover]

Roberta had a roommate, Johnny Martinez. What about him?

[Don Eduardo Perez]

My father hated him.

[Danny Clover]

I'm getting the impression that your father hated anyone who had an emotion about you, Senhor Perez.

[Don Eduardo Perez]

He is evil. I tell you this because you should know it. I tell you he is evil. He will never return to Senhor Perez. You understand why, senor?

[Danny Clover]

I'm beginning to. What now, Cristina? What are you gonna do now?

[Don Eduardo Perez]

That depends on you, Mr. Crawford. Am I arrested?

[Danny Clover]

Not if you stay right here, you're not.

[Don Eduardo Perez]

It will be like that then.

[Danny Clover]

Good. Don't worry about anything. Senhora Perez, if what you say is true, your husband had his own type motive for killing Roberto. Except for one thing.

[Don Eduardo Perez]

And that is what, senor?

[Danny Clover]

He just couldn't have done it. You're his alibi for 9 o'clock. He was with you. When the murder was done, Maria Perez sank to her knees, drew the black lace shawl close about her head. With the fingers of her clasped hands, moving endlessly in a kind of torn pleading, began a voiceless prayer. Christina looked at me for a long time, her eyes empty and staring at the door. I turned back for a moment. Then Christina had not moved, had not changed. It was hard to believe that this was the girl who danced with fury and like flame at headquarters. Nothing added up. Nothing took shape. Motives were there, but alibis were there too. Hard, cold, unbreakable. No one, it seemed, was around when Roberta Segura was murdered. They had reason to be there, but they hadn't made it. They were somewhere else.

[Sergeant Tartaglia]

I don't like busting in, Danny.

[Danny Clover]

What do you want there, tiger?

[Sergeant Tartaglia]

Well, you have a visit.

[Danny Clover]

Hell, I'm busy. I'm out. Anything you think of?

[Sergeant Tartaglia]

Oh, I tried, Danny. I tried, but it's no use. Your visitor is. Now, wait, let me see.

[Joe Candelaria]

Sweetheart. Joe. Joe Calendaria. Hello, Keith.

[Danny Clover]

Hi, Joe. Look, kid, I'm pretty busy right now.

[Joe Candelaria]

Oh, sure. Okay, Danny.

[Danny Clover]

But look, Joe, how would you like to have Sergeant Detaglia show you around police headquarters?

[Joe Candelaria]

Oh, that would be super keen. You mean it, Danny?

[Danny Clover]

Sure, kid. Take Joe around Titaglia, everything. It works.

[Sergeant Tartaglia]

Sure, Danny, sure. Come on, let's go. Don Jose.

[Joe Candelaria]

Wait a minute, Sergeant. First I must tell Danny he's all solved my case. The black card I love is all solved. Let's go, Sergeant.

[Danny Clover]

Hey, wait a minute. What's this about the black card, Joe? You're always talking about it.

[Joe Candelaria]

Very mysterious, Danny. This black car was standing in there for a long time with all its windows open.

[Danny Clover]

That's bad, huh?

[Joe Candelaria]

I don't know about that. But it is very mysterious because it was so cold at night. So cold I wore my hoppy shirt and my hoppy jacket and my hoppy hat.

[Danny Clover]

Where was this car, Joe?

[Joe Candelaria]

In front of the house of Don Eduardo Pere.

[Danny Clover]

Oh, when was it, Joe? Night before last.

[Joe Candelaria]

That's right, night before last. 11:00 by my Mickey Mouse watch.

[Danny Clover]

Who was in the car, Joe? You said there were two men. Did you recognize them?

[Joe Candelaria]

Si, si.

[Danny Clover]

Who were they, Joe? Who were they?

[Joe Candelaria]

Do not ask me, Danny, because I cannot tell you.

[Danny Clover]

Why? Good detectives should tell other detectives Joe when he has something important.

[Joe Candelaria]

I cannot tell you, Danny, because I am not a good detective. I am only an afraid detective. I cannot tell you now. I cannot see police headquarters.

[Danny Clover]

Sure, Joe, sure you can see it. Go on, Titaglia. Take my brother Joe around.

[Cristina Perez]

Oh, Senor Clover.

[Danny Clover]

Yeah, Eduardo. Senor Clover. Invite me in.

[Cristina Perez]

You have come to tell me you have found my Christina?

[Danny Clover]

Yeah, that too. Let's go inside, shall we? It's warm in here, not cold like outside. Edwardo.

[Cristina Perez]

Where is she? Senor? You have no right to torment me. Can go badly for you.

[Danny Clover]

For all of us. You and me.

[Cristina Perez]

Where is she, senor? I must go to her.

[Danny Clover]

She's at the Convent of St. Cecilia with her mother. Don't bother with your coat and hat, Eduardo. You won't need them.

[Cristina Perez]

What?

[Danny Clover]

You won't need them. We'll bring Cristina to you. If she wants. We'll let her visit you and her cell.

[Cristina Perez]

What are you trying to tell me, senor?

[Danny Clover]

I'M not trying, Eduardo. It's easy to say. You're under arrest for the murder of Roberto Segura.

[Cristina Perez]

You are insane.

[Danny Clover]

It had me fooled, Eduardo, for a long time. Such an airtight alibi. All because we thought the boy was murdered at 9 o'clock.

[Cristina Perez]

You have a reason to believe it was at another time?

[Danny Clover]

Yeah, say around 11. That was neat, Eduardo. Killing him, then letting his body sit in your car in the cold air so that rigor mortis would set in quickly.

[Cristina Perez]

You talk with the mouth of a babbling idiot.

[Danny Clover]

And you brought him to his room. And because it was warm there, Dr. Sinski figured the boy had been dead for three hours. Because that's how long rigor mortis might take in a warm room. But in the cold, in a car with open windows, it doesn't take so long, Eduardo.

[Cristina Perez]

No, you are right, senor. It is a good way to kill. A good way to deceive the stupid ones of the law.

[Danny Clover]

Yeah. Yeah, we're pretty stupid, Eduardo. We don't understand how it means to possess things like Goya tiles or a daughter like Cristina. You're Cristina. You killed her to keep her to yourself, didn't you, rado? No one good enough for Cristina but you.

[Cristina Perez]

It is as you say, senor. No one good enough. So I had Roberto killed.

[Danny Clover]

You had help, of course.

[Cristina Perez]

I do not soil my hands unnecessarily, senhora. Johnny Martinez helped me.

[Danny Clover]

Why should he do that?

[Cristina Perez]

Because I promised him, Christina. But you, senor, for you, I need no help. I will kill you with my own hand.

[Danny Clover]

Give me the gun, Eduardo.

[Cristina Perez]

It frightens you. Brave, senor.

[Danny Clover]

Yeah, does that. You gave it to me. Drop it. No. I've got the gun, Eduardo. What does it do to you? Frighten you?

[Larry Thor]

You will not kill me.

[Danny Clover]

You will. Let's go, Eduardo. You gotta be booked for murder. I can get to Johnny Martinez later.

[Johnny Martinez]

You got to him already, Clover.

[Danny Clover]

Well, Johnny, welcome. Eavesdropping, huh? No, no.

[Johnny Martinez]

Don't turn around, Clover. Now that you've peeped at my gun, just keep in mind.

[Danny Clover]

Sure.

[Johnny Martinez]

I believe he's driving the next room.

[Danny Clover]

I don't mind. You can come to headquarters, too. Shoot him, Johnny. Kill him.

[Cristina Perez]

You should have killed him last night when you knocked him unconscious.

[Danny Clover]

Kill him.

[Johnny Martinez]

All right, all right, you say so, Senor Perez. All right.

[Danny Clover]

Just this. Before you do, Johnny, Eduardo would like to know about it.

[Cristina Perez]

Know about what, senor?

[Danny Clover]

The gun I'm pointing at you. If Johnny shoots me, I'm just liable to react. I'm liable to grab onto something When Johnny's bullet hits me, the trigger of this gun, maybe. Then you're liable to be shot, Eduardo. Killed, maybe.

[Johnny Martinez]

You got a point, Senor Bridge.

[Danny Clover]

Well, I do.

[Joe Candelaria]

What?

[Danny Clover]

What do you want me to do?

[Cristina Perez]

Drop that gun.

[Danny Clover]

Grab it. Grab that.

[Larry Thor]

Guys.

[Danny Clover]

Like I was saying, let's go get booked for murder. Broadway. It's an enchanted island or a desert of dust. A crazy dance that starts off wild then winds down to a dirge and blues time. You look at it one way and it's a magician's pitch. With golden mirrors and jeweled fountains. Then you blink and the whole thing dissolves. Your hands are bloody from beating against the wall. Corroded with pain. It's Broadway. The gaudiest, the most violent, the lonesomest. Mile and a word. Broadway. My beat.

[Larry Thor]

Broadway's My Beat. Stars Larry Thor as Detective Danny Clover. With Charles Calvert as Tartaglia. The musical score was composed by Alexander Courage and conducted by Wilbur Hatch. And the program was produced and directed by Elliot Lewis. The cast tonight included Tony Barrett, Jeanette Nolan, Herb Butterfield, Jack Crucian, Michael Ann Barrett and Armando Corral. Dinah Shore, Jack Smith, Margaret Whiting, Dick Haynes, the Andrews Sisters, Beulah, Edward R. Murrow, Lowell Thomas. These top names in radio are all on CBS regularly, not once, but five times a week. Top news, top color, top reporting. Lowell Thomas and Ed Murrow each are heard for 15 minutes every Monday through Friday in the early evening hours. And then there's the wonderful comedy of Beulah. The Tops and Pops with the Jack Smith, Dinah Shore, Margaret Whiting Show. The grand singing of Club 15's Dick Haynes, the Andrews Sisters and Evelyn Knight. You can hear them all on most of these same CBS stations Monday through Friday evenings. Listen, tomorrow night. This is Joe Walters speaking. This is cbs, where Wednesday night is Bing Crosby Night. The Columbia Broadcasting System.