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John Lang
Welcome to Choice Classic Radio where we bring to you the greatest old time radio shows like us on Facebook, subscribe to us on YouTube and thank you for donating@ChoiceClassicRadio.com
Narrator
the Adventures of Michael Shane, Private Detective. The people who make 76 gasoline and Triton motor oil. Union Oil Company present. The adventures of michael shane, private detective starring wally mayer and kathy lewis. Even the busiest detectives can't always be detecting. And on this late Saturday afternoon, we find Mike Shane and his pretty assistant Phyllis Knight, driving through the timber country high up near the Nevada border. They're on their way to keep an important date. A date with a wedding. But no, not theirs. It's the wedding of Betty Harrison, daughter of the timber tycoon. And Mike has been unwillingly dragged along to help Phil carry out her social obligations.
Michael Shane
You know, I ought to have my head examined. Coming way out here to see two people I don't know get married.
Phyllis Knight
Oh, Mike, Betty was my closest friend at finishing school.
Michael Shane
Yeah, but I only finished high school. Now, where do I fit into this high society stuff?
Phyllis Knight
Michael, it's a quiet wedding. We're the only guests.
Michael Shane
And I'm supposed to hold the bridegroom's fevered head.
Phyllis Knight
Mike, where is your romance?
Michael Shane
Romance? I've got angel, but when it comes to rice and orange blossoms, I'm strictly allergic.
Phyllis Knight
You're hopeless. Hey, look, look. There's the Harrison place.
Michael Shane
Place you say. That, my love, is quite a shack.
Phyllis Knight
And there's Betty. There's Betty waiting for us.
Michael Shane
Yeah. Say, honey, that. That guy with her looks familiar, huh? Mike, that's Inspector Faraday in the flesh. And that spells trouble.
Phyllis Knight
Betty. Betty. Phyllis.
Betty Harrison
Phyllis, I'm so glad you've come.
Phyllis Knight
Oh, you look wonderful. Me too. Betty, this is Mike Shane. Hello.
Michael Shane
I'm pleased to meet you.
Inspector Faraday
Well, I'll be. Mike and Phyllis.
Michael Shane
Say, Inspector, aren't you early with your vacation?
Inspector Faraday
No, I'm here on business, Mike. Mr. Harrison phoned me. Said he was leaving on the second section of 98, that he transferred to his own private trainer for me to meet him here.
Betty Harrison
Father wasn't planning to come up for the wedding. Then all of a sudden I get
Phyllis Knight
a wire that he is.
Inspector Faraday
That must be Harrison's train now.
Betty Harrison
Yes, it runs up to a little station behind the house.
Michael Shane
Well, then why don't we walk over and meet it, huh?
Phyllis Knight
Let's.
Betty Harrison
Father will be surprised.
Phyllis Knight
Betty. Hey, where's the bridegroom?
Betty Harrison
Don should have been here by now.
Michael Shane
Oh, bridegrooms are always late those last free hours.
Betty Harrison
You be quiet, oh, there's Don coming now.
Phyllis Knight
Hey, he's a bit of all right.
Michael Shane
I'm sorry I'm late. Had a flat tire.
Betty Harrison
Oh, Don dearest, this is Phyllis Knight. Mr. Shane, Mr. Faraday, Don Manchester, my fiance.
Michael Shane
How do you do? Hello there.
Inspector Faraday
How are you?
Michael Shane
Well, there she is. A coming around the mountain.
Phyllis Knight
You know, this is something to see. An engine pulling one coaster.
Michael Shane
They dropped the lumber cars off at Camp Junction.
Phyllis Knight
Hey, look there. There's somebody getting off.
Betty Harrison
Oh, that's Mr. Oliver, Father's business associate.
Michael Shane
That's Mr. Miller getting off the back platform.
Inspector Faraday
I still don't see Mr. Harrison.
Phyllis Knight
No.
Betty Harrison
Oh, Mr. Oliver.
John Lang
Oh, hello, Betty.
Betty Harrison
Where's Father?
John Lang
Oh, as usual, in his private compartment. Hasn't even stepped out since we left Northwood City.
Betty Harrison
He's probably napping again.
John Lang
He certainly was fine company. Well, I'm going up to the house.
Michael Shane
That's one happy character.
Betty Harrison
Let's climb aboard and get farther.
Phyllis Knight
Sort of like a welcoming committee, huh?
Michael Shane
Okay, Inspector. Watch your lumbago on these steps.
Inspector Faraday
Never mind my lumbago, Mike. Watch out for those fallen arches of yours.
Michael Shane
Oh, get him.
Betty Harrison
Here's father's compartment. I'll sneak in and shout boo.
Michael Shane
Father, something's wrong. What is it? What is it?
Inspector Faraday
It's Harrison stretched out on the floor.
Michael Shane
I bet he's fainting. Here, put her on that couch. Don't rub her wrist.
Phyllis Knight
Wait a minute, I'll get some water.
Michael Shane
Well, Inspector, how's Mr. Harrison?
Inspector Faraday
He's dead, Mike. Looks like a heart attack.
Michael Shane
Uh huh. Maybe so, Inspector, but this heart attack has had a little help.
Inspector Faraday
What are you talking about?
Michael Shane
About murder, Inspector. Froth on the lips and dilated eyes don't spell a heart attack. Somebody slipped Mr. Harrison a nice big slug of poison.
Inspector Faraday
Oh, there you are, Mike. Get Betty up at the house. All right.
Michael Shane
Yes, Inspector. Phil and Don are taking care of her.
Inspector Faraday
You still think Mr. Harrison was poisoned?
Michael Shane
I know so, Inspector. Look at his neck stiff and his jaws locked. Eyes wide open and staring. I've got a little plan, Inspector. Would you like to try it?
Inspector Faraday
You know me, Mike.
Michael Shane
Well, look, no one knows we suspect murder. And whoever pulled this job figured on a local doc calling it a heart attack. So now you take Harrison's body into Northwood City along with that thermos of coffee we found by him. While you're checking for poison, Uncle Shane here will keep his big ears open. Here. All right, honey. How's Betty?
Phyllis Knight
Oh, she's a little better, Mike. She's sleeping now.
Michael Shane
Oh, the poor kid. Say, what was that? Betty said about her father not coming up for her wedding.
Phyllis Knight
Well, originally he didn't like the idea of her marrying, but she was going
Michael Shane
to go through with it anyway.
Phyllis Knight
Yes, then Mr. Harrison changed his mind, that's all.
Michael Shane
Maybe it is, maybe it isn't.
Phyllis Knight
Mike, when you start double talking, I get worried.
Michael Shane
Angel, look, there were three men on that private train making a 50 mile trip. Now come to the end of the line. What happens?
Phyllis Knight
Well, I'm listening.
Michael Shane
Mike Miller gets off the back platform and scoots. Oliver hops off the front and goes away mad.
Phyllis Knight
And we go aboard and find Mr. Harrison dead.
Michael Shane
Uh huh. That's it. This Mr. Harrison is the big boss. Honey, you'd think those other two would wait for him. Sociable like.
Phyllis Knight
Oh, it's probably just a coincidence, Mike.
Michael Shane
And is it a coincidence that Faraday is here on business?
Phyllis Knight
All right, all right, mastermind. So what do you make of it?
Michael Shane
Uh, Angel, A good detective works from facts. So let's go get some facts.
Phyllis Knight
Where?
Michael Shane
Where? Mike, Mr. Miller's room is at the end of this hallway. Let's stop in and say hello.
Phyllis Knight
Oh, I hope you know what you're doing.
Michael Shane
Yeah, me too. Here's his room, unlocked.
Phyllis Knight
There's no answer, Mike.
Michael Shane
So being friendly people, we'll go in and wait.
Phyllis Knight
Well, you can't just barge into somebody.
Michael Shane
Why not? The door's not locked. Come on, come on.
Phyllis Knight
Mike, I don't like this.
Michael Shane
Well, now, don't you worry your pretty head. Wow. The remains of a fire in the fireplace. I always love to poke around ashes. Now let's see.
Phyllis Knight
Those look like letters.
Michael Shane
Letters? They were letters to Betty.
Phyllis Knight
Well, she's asleep in her room while
Michael Shane
someone conveniently burns her mail.
Phyllis Knight
Mike, let's get out of here.
Michael Shane
What's the matter, Angel? There's just us two.
Inspector Faraday
That's where you're wrong, Mike.
Phyllis Knight
Us.
Michael Shane
Well, well, Mr. Miller. And with a nice shiny gun.
Inspector Faraday
We don't like snoopers around here. Get going.
Michael Shane
Just a mistake, Miller, just a mistake.
Inspector Faraday
That kind of mistake isn't healthy. Get out while you're still lucky.
Michael Shane
Sure, by coincidence we were just leaving. Come on, Angel. The gentleman doesn't like our type. And I'm afraid the feeling is very mut. These couple of scraps I took from Miller's fireplace don't help much, honey.
Phyllis Knight
Well, I can't understand why anyone would burn Betty's letters from her father.
Michael Shane
Oh, well, plenty of books around, Michael.
Phyllis Knight
After all, this room is the library.
Michael Shane
Encyclopedia Modern Timbered Methods. Look honey, here's a book. Famous Scotland Yard Murder Cases.
Phyllis Knight
Well, that ought to help you, Mike.
Michael Shane
And here's a bookmark in the section on poisons.
Phyllis Knight
Mike, Here comes Don. Mr. Oliver's with him, huh?
Michael Shane
Mr. Shane. Well, what's up, Don? I told Mr. Oliver you're a detective. He wants to talk to him.
John Lang
Yes, something quite confidential.
Michael Shane
Ms. Knight is my assistant.
Phyllis Knight
Never mind, never mind. I'll go look up a sandwich.
Michael Shane
Okay, dear. All right, Oliver.
John Lang
Now, what's the trouble, Mr. Shane? I want protection.
Michael Shane
Protection? From what? Miller.
John Lang
He threatened my life on the train.
Michael Shane
Oh, what happened?
John Lang
Well, shortly after Miller came aboard Mr. Harrelson's private train at Northwood City, I discovered him going through some of Mr. Harrison's private papers.
Michael Shane
Then what?
John Lang
We had an argument and he drew a gun on me.
Michael Shane
What is Miller's position in the company?
John Lang
Frankly, I don't know. He's on Harrison's personal payroll.
Michael Shane
Betty's been rather worried. She felt that Mr. Miller had some sort of a hold on her father.
John Lang
Yes, that's it exactly. It was a very suspicious relationship.
Michael Shane
And you want me to do what?
John Lang
Watch Miller every minute. He's dangerous.
Phyllis Knight
Mike.
Michael Shane
Yes, honey?
Phyllis Knight
Mike?
Michael Shane
Yes?
Phyllis Knight
Telephone call for you here in the den.
Michael Shane
Oh, okay.
Phyllis Knight
Inspector Faraday.
Michael Shane
All right. Okay, Phil. Close the door.
Phyllis Knight
All right.
Michael Shane
Hello, Faraday. Well, what's the dough? Yeah, well, that might help. Oh, sure, sure. They're all here. Don't worry. I'll be careful. Okay, Inspector. Hurry back. So long.
Phyllis Knight
What'd he say, Mike?
Michael Shane
I was right, honey. 100% right. Harrison was loaded with strychnine.
Phyllis Knight
Well, then it. It was murder.
Michael Shane
And that's not all. I heard the click of an extension phone.
Phyllis Knight
There are extensions all over the house, Mike. Someone listened.
Michael Shane
We're keeping company with a murderer, honey. And the trouble is, we don't know who he is. But he knows we're looking for.
Narrator
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Phyllis Knight
Come on, honey, I'm hurrying as fast as I can.
Michael Shane
I want to see if that briefcase is still in the car. Inspector Faraday remembered that Harrison mentioned some important papers he was bringing up with him.
Phyllis Knight
Then whoever was listening on the extension, they know about it too.
Michael Shane
Right. And I want first crack at that briefcase.
Phyllis Knight
Hey, maybe you do, Mike, but so does someone else.
Michael Shane
Yeah, Flashlight in Harrison's private car.
Phyllis Knight
Maybe it's the murderer.
Michael Shane
Hang on, honey, we'll find out.
Phyllis Knight
Mike.
Michael Shane
Mike.
Phyllis Knight
There he is at the end of the car.
Michael Shane
Hey honey, look out.
Phyllis Knight
Mike.
Michael Shane
Mike.
Phyllis Knight
Did he hit you?
Michael Shane
No, no, a clean miss.
Phyllis Knight
Well, he got away out the front.
Michael Shane
Could you see who it was?
Phyllis Knight
No, a flashlight in my eyes.
Michael Shane
Well, we'll catch up with him sooner or later. Let's go look over the compartment. Here it is. The briefcase.
Phyllis Knight
Oh, what a break for us. We frightened him away without the case.
Michael Shane
Sorry, honey, bad guess. The lock on the briefcase has been forced open.
Phyllis Knight
Oh, and whoever was here opened it and got what he wanted.
Michael Shane
Correct. Now here's some papers, business letters, checkbook, some kind of a report.
Phyllis Knight
Honey, what's the matter?
Michael Shane
This report. It's from the Atlas outfit.
Phyllis Knight
Atlas?
Michael Shane
Uh huh.
Phyllis Knight
The. The detective agency in Los Angeles.
Michael Shane
Sure, sure. Listen to this. On the basis of our completed investigation, you have sufficient grounds to instigate criminal action against Z.
Phyllis Knight
Z?
Michael Shane
Evidently Harrison didn't want the name mentioned.
Phyllis Knight
Well, Mr. Harrison was certainly checking up
Michael Shane
on somebody and getting ready for the kill. I'll bet that's why Inspector Faraday's here.
Phyllis Knight
Mike, this is the motive for the murder. All we have to do is find out if Miller or Oliver is the Z in that report and we've got the murderer.
Michael Shane
Partly right, angel, partly. But I'd say it was better this way. Find out which one of and the other guy is the killer, Huh?
Phyllis Knight
I don't get it, Mike.
Michael Shane
Angel, look, the murderer listened in on my telephone conversation with Faraday. He heard the inspector tell me about this briefcase, and he knew it held evidence that could hang him.
Phyllis Knight
Well, of course. That's why he dashed down here.
Michael Shane
Right, Angel? He beat us to the briefcase, and yet this report is here for us to find.
Phyllis Knight
Oh.
Michael Shane
Oh, you see, he wanted us to find this report. And that means the killer isn't Mr. Z. As soon as we get back to the house, I'll send a telegram to the Atlas people.
Phyllis Knight
Okay, but these high heels don't go very well with forests. Yeah, Mike. Yeah, yeah, I heard there's someone on that other path.
Michael Shane
Freeze. Behind this tree.
Phyllis Knight
Right. Whoever it is, he's walking fast. He's going past.
Michael Shane
No, he isn't. Hey, you. Hold it.
Inspector Faraday
Hey, what the.
Phyllis Knight
Mike. Mike, it's Miller.
Inspector Faraday
I say, what's the big idea of roughing?
Michael Shane
I just want to ask you a few friendly questions, Tom. Now, look here. First, about a gun that took a couple of shots at us.
Inspector Faraday
You're off the beam. I'm not carrying a gun.
Michael Shane
No? Well, don't mind me. I'll just search.
Inspector Faraday
Go ahead.
Phyllis Knight
Well, well, Mike.
Michael Shane
No. No gun. But you could have ditched it easy enough. Ms. Knight. Mr. Shane.
Phyllis Knight
Ms. Don.
Michael Shane
What's the hurry, Don? I was out for a walk. Is something wrong? Plenty. I'm glad you're here. I don't understand.
Inspector Faraday
Yes, Shane, how about you doing some explaining?
Michael Shane
Okay. Mr. Harrison was murdered. What? Murdered? But why?
Phyllis Knight
Who?
Michael Shane
That's what we're finding out. Miller, you're on the spot. And it's plenty hot.
Inspector Faraday
Are you saying I killed Harrison?
Michael Shane
He was poisoned on that coach, and you and Oliver were the only ones aboard.
Inspector Faraday
That doesn't prove a thing.
Michael Shane
It proves there's a 50. 50 chance that you're it.
Inspector Faraday
Listen, smart guy, your mathematics aren't so good. There were three of us on that train.
Michael Shane
Sure, sure, but only you and Oliver walked off.
Inspector Faraday
I don't mean Harrison. Somebody else got on that coach.
Michael Shane
Now we have the ever present mysterious third party.
Inspector Faraday
Not so mysterious. He's standing right next to you.
Michael Shane
All right, Don, that means you. Well, as a matter of fact, Mr. Shane, I did get on Mr. Harrison's train at Mill Junction.
Inspector Faraday
Well, Shane, guess I can be running along while you turn the heat on him.
Michael Shane
Not so fast. I still think you know some of the answers.
Inspector Faraday
You know, maybe I do. And maybe I might just do a little talking to the right party and when it will do me the most good.
Michael Shane
You're sticking your chin out a mile. This is murder.
Inspector Faraday
Well, I'll be around resting in my room.
Michael Shane
I don't trust him at all. Yeah, but you're still right in the middle of this. Don't. You were on that death train. But I only stayed a minute. You see, Mr. Harrison was asleep and I didn't want to disturb him. Which still doesn't explain why you drove out of your way from Northwood City to meet the train at the junction. It's a very personal matter. Look, Don. Look. A man has been murdered.
Narrator
Wait.
Michael Shane
Why should I want to kill my future father in law? Harrison wasn't too happy about you marrying his daughter, but he changed his mind. That's why he sent me a telegram this afternoon asking me to meet his train. And what kind of a telegram might that be? Well, I have it right here. Read it for yourself. Here, honey.
Phyllis Knight
Huh?
Michael Shane
The flashlight.
Phyllis Knight
All right. M. Wait a minute, Don. Have changed my mind. Happy to have you as son in law. Meet my train at Camp Junction. We'll ride in together. Much to talk over.
Michael Shane
Harrison sounds all right. Let me see. An angel. Yeah, yeah, from Northwood City at 3:20 today. I wish I could help in some way. Yeah, sure, but. Hey, what was that?
Phyllis Knight
It's a window. Someone lowered it.
Michael Shane
That's Mr. Oliver's room, Mike.
Phyllis Knight
He must have heard everything.
Michael Shane
And something tells me we'll be hearing his little story very soon. That's right. The telegram is to the Atlas Detective Agency, Los Angeles. This is it. Please advise immediately. Name of Z. Yes, Z. The last letter in the Alphabet. Name of Z in report to Harrison. Right. Sign that Michael Shane. That's right. Send it right out, please. And phone the reply here to me at Harrison's place. Thank you. Goodbye.
Phyllis Knight
The answer to that telegram should mean a lot, Mike.
Michael Shane
Well, it'll help, darling, but there are some angles I don't get. Miller is a mysterious employee of Harriet Harrison's. All very hush hush. Oliver's scared stiff of Miller. And Don goes walking around in the moonlight right after somebody takes a shot at us.
Phyllis Knight
Oh, you can't blame him for that, Mike. Here the night before his wedding and his future father in law is poisoned.
Michael Shane
Yeah, sure, sure. But there's one thing we do know. There's a killer here.
Phyllis Knight
Well, there's a car outside.
Michael Shane
That must be Inspector Faraday. And in a big hurry.
Phyllis Knight
It's too bad you haven't the murderer. All signed, sealed and ready to deliver.
Michael Shane
Now, angel, now. Sarcasm doesn't become well Mike.
Inspector Faraday
Bill. How goes the home front?
Michael Shane
Oh, quite a few interesting details for you, Inspector.
Inspector Faraday
Whatever you're figuring, Mike, forget it.
Phyllis Knight
That means the inspector knows something.
Michael Shane
Plenty.
Inspector Faraday
While you two were taking it easy, I cracked this case wide open.
Michael Shane
Yeah, well, Gibbs, who's the murderer?
Inspector Faraday
Miller.
Phyllis Knight
Miller?
Michael Shane
Sure. I thought his face had a familiar
Inspector Faraday
profile, so I checked on him with headquarters.
Michael Shane
And found what?
Inspector Faraday
He's got a record a mile long.
Michael Shane
Mm. Well, I'd be willing to wager it's for blackmail. That's right.
Inspector Faraday
But how did you know?
Phyllis Knight
Inspector, are you forgetting Mike is smart?
Michael Shane
All right.
Inspector Faraday
I hope Miller's still around.
Michael Shane
He said he'd be in his room.
Inspector Faraday
Good. Let's go pick him up.
Michael Shane
Okay, let's go.
Phyllis Knight
Mr. Shane, it looks like Faraday beat us to it this time.
Michael Shane
Ah, he's just a good man, honey. Yeah, tell me, what's the line on Miller?
Inspector Faraday
All the usual stuff. Hires out as a private investigator and then turns the information he picks up into blackmail.
Michael Shane
Wow. Cute boy. That racket should put him in clover.
Inspector Faraday
Yeah, but this time, Mike, it'll put him right in the middle of the lethal chamber at San Quentin.
Michael Shane
Here's Miller's room.
Inspector Faraday
Yeah, no need to knock, Mike. Just open it up.
Michael Shane
Okay. Here goes.
Inspector Faraday
Miller, we want you.
Michael Shane
Say what? Well, there's your man, Inspector. You can take him in, but unfortunately, he's very dead.
Narrator
We'll return to Mike Shane and his adventures in just a moment. It's true that clean spark plugs make a difference in engine performance and gasoline mileage. But it's also true that even the finest spark plugs cannot fire properly if the ignition cables are defective. These cables are the small, fine wires which carry the electricity from the distributor to the spark plugs. They should be carefully inspected whenever your spark plugs are checked, because old or damaged ignition cables leak electricity, which means that only a thin, weak spark reaches the plugs. So to get new performance out of old engines, ask the Union Oil Minuteman to check both spark plugs and ignition cables. Then you'll be sure of more power and better mileage. Just drive in wherever you see the sign of the big orange and blue 76 and ask for Union Oil Ignition Service.
Michael Shane
Thank you,
Narrator
Phyllis. Mike and Inspector Faraday have just burst into Miller's room, only to find him dead. Shot through the heart. This new development has put quite a crimp in the inspector's plans. And Mike is pointing this fact out to him.
Michael Shane
Looks like you were wrong about Miller, Inspector. At least wrong about his being the murderer.
Inspector Faraday
Miller could still have been the one who bumped off Harrison. Then somebody took care of him.
Michael Shane
Well, that would leave us with two killers. Well, could be, but it doesn't stack up that way.
Inspector Faraday
Well, as far as I'm concerned, I'm gonna take Oliver in and charge him with murder.
Michael Shane
Okay, so you charge him with murder. But how are you gonna make it a stick, Inspector? How about motive? What evidence do you have?
Inspector Faraday
2 and 2 make 4. Mike Harrison must have been poisoned on that private train. So it had to be Oliver. There's Miller lying there, absolutely eliminated.
Michael Shane
All fine and good. But it leads us to one other little item. Don was on that train, too.
Inspector Faraday
Don? Betty's fiance.
Phyllis Knight
Mike, you saw the telegram Mr. Harrison sent him. Don couldn't have been the murderer.
Michael Shane
In this business, honey, we've got to figure every guilty until we know their innocence.
Inspector Faraday
Yeah, Mike's right. Oh, Phil, would you step into the other room and phone the coroner down at Northwood City?
Phyllis Knight
Yeah, yeah, sure, Inspector. I'll give him your compliment.
Michael Shane
You know, this business is beginning to make sense. The one who poisoned Harrison had to get rid of Miller because he knew too much. Miller said he might do some talking when the right time came.
Inspector Faraday
Well, Mike, for my money, Oliver fits into the picture. He's our man, and I'll get some evidence out of him.
Michael Shane
Oh, I'm sure he knows plenty, but.
Phyllis Knight
Yeah, Inspector, I tried to call a coroner, but the telephones are dead. Uh.
Michael Shane
Oh, the wires have been cut.
Inspector Faraday
Well, that don't make much difference.
Michael Shane
Oh, yes, it will, Inspector. You see, I'm expecting a reply to a telegram. I just sent a very important telegram. About this case? Yes, sir. In connection with the detective agency's report to Mr. Harrison. The answer to that why? Might be just what we need.
Phyllis Knight
Oh, now that the phones are dead, what are we going to do?
Michael Shane
Do? Simple, darling. The inspector will sit tight here while you and I go for a nice moonlight ride back to Northwood.
Phyllis Knight
There it is. There's the telegraph office just on the other side of the tracks.
Michael Shane
Okay, I'll park the bus here. Now, watch it. Easy crossing these tracks, honey.
Phyllis Knight
Oh, thanks for the tip. Oh, boy, but you could have carried me, huh? More trains.
Michael Shane
Yeah, this is the main line from San Francisco.
Phyllis Knight
Isn't this the place where Harrison transferred to his private train?
Michael Shane
Correct. Well, here's the telegraph office. Excuse, Mr. Folks. Can I help you? Yes, I'm Mike Shane. I'm expecting a wire from Los Angeles.
Phyllis Knight
Shane?
Michael Shane
Let me see. Yeah, your telegram's coming in now. I'll have it for you in just a minute. Okay,
Phyllis Knight
Look, Mike, there's another. The train just pulled in.
Michael Shane
That's 8:20, miss. Only stops for a few minutes. 8:20. Well, it's late. It's 8:35 now. Nope trains on time. That there's a second section of the 8:20.
Phyllis Knight
Oh, so many people traveling, huh?
Michael Shane
Yep, too many. That's why they run two sections. Like this afternoon, the second section in 98 came in at 3:40 with a whole parcel of folks. Is that right? You know, honey, that's interesting. Very interesting.
Phyllis Knight
Yeah, yeah, of course it is. What are you staring at me that way for?
Michael Shane
Well, it's telegram, mister. Oh, swell, swell.
Phyllis Knight
Come on, come on. Who was Mr. Z in that report?
Michael Shane
Well, this does it, honey. This does it. That Z is nobody else but Oliver.
Phyllis Knight
Oliver? Then Faraday's right.
Michael Shane
No, Angel, Faraday isn't right. Oliver wasn't Harrison's murderer. But come on back to Harrison's place for a little meeting of the minds with Inspector Faraday.
Inspector Faraday
All right.
Michael Shane
Is everybody coming?
Inspector Faraday
Yeah, they're coming.
Phyllis Knight
I told Betty and Don. Oliver.
Michael Shane
Good girl, good girl. Now. Now to open these French windows there. Okay, Faraday, now out on the porch with him.
Inspector Faraday
Right, Mike.
Michael Shane
Phil, drape that beautiful body in that chair.
Phyllis Knight
Thank you. Yes, The Lord master. Well, here comes Betty and Don.
Michael Shane
Oh, hello. I'm sorry it was necessary to bother
Betty Harrison
you, Don and I understand.
Michael Shane
I'm glad to help in any way, Mr. Shane. Thanks, Don. Come over here. Stand by me. Out of range? Certainly, but out of range. I don't understand. What is all this rigamar all about in the middle of the night? There's nothing to get excited about, Oliver. I asked Ms. Knight to call you downstairs for a conference. A conference? About what? About mysterious happenings around here. But particularly about why Harrison had you investigated by a detective agency, Mr. Shane.
John Lang
What do you mean?
Michael Shane
I mean you've been cheating the Harrison Timber Company out of thousands of dollars. Oh, that's ridiculous. Why, Mr. Harrison trusted me implicitly. He did until he finally caught up with you. That's why he was going to turn you over to Inspector Faraday today. I won't listen to this. There's no proof. There's plenty of proof, all written down in black and white. What's more, you knew Harrison had your dead to rights. That's why you poisoned him. You're mad. I never killed anyone. Know you saliva, you're hooked like a fish. I didn't murder him. You can't frame him.
Inspector Faraday
Fine.
Phyllis Knight
He's running. He's running towards that window.
Michael Shane
I'll stop him. No, Don, no. Drop that gun. That's better. You knocked the gun out of my hand. You let Oliver get away. Oh, no, no. Here comes the inspector. And he's got our friend Oliver by the well known collar. Oh, here he is, Mike.
Inspector Faraday
Squirming, but safe and sound.
Michael Shane
I didn't do it. I'm innocent. Take him in, Faraday. You've got enough on him to make it stick and stick hard.
Inspector Faraday
Yes, he's a dead duck.
Betty Harrison
Oh, Mr. Shane, I can't believe Mr. Oliver would kill my father.
Michael Shane
But he didn't bet him. What? Well, you just told the inspector to take him in.
Inspector Faraday
Sure, Don. I'm taking Oliver in for theft. But for Mr. Harris's murder, we'll take you.
Michael Shane
Me?
Phyllis Knight
What are you saying?
Michael Shane
Sorry, Betty. Don wanted to marry you in the worst way.
Inspector Faraday
He married a couple of other girls with wealthy parents.
Michael Shane
Oh, Betty, don't listen to him.
Phyllis Knight
When your father suddenly wired he was coming up, Don knew it was the showdown.
Michael Shane
That's ridiculous. Oh, no, no, no. You had a hunch. Harrison engaged Miller to investigate. It's a lie. You saw the telegram Mr. Harrison sent me just this afternoon. Sure, darn sure. You got a telegram. A telegram you sent to yourself. All you did was slip over to the Northwood City, wait until the train pulled in and then send that telegram to your own address and sign Harrison's name. Nothing but lies. No, no, no, son. It's a fact. A fact that we can prove because you made a mistake. A bad mistake. Don't. You saw the train pull into Northwood City and thought that Harrison was on it. But you didn't know that there were two sections of that train today and that Harrison was on the second section. You sent that telegram 20 minutes before Harrison got there.
Phyllis Knight
Mike. You know, it's wonderful to be getting back home here by the Golden Gate.
Michael Shane
Oh, I like it. You know, honey, one of these days they're going to put up a statue for me right on Market Street.
Phyllis Knight
I don't doubt it. I don't doubt it at all. You're such a genius.
Michael Shane
Well, maybe not a genius, but quick with the answers.
Phyllis Knight
Speaking of answers, as a couple, you still owe me.
Michael Shane
Oh, please, honey, no more questions.
Phyllis Knight
Now remember. Remember, Mike, that statue to a genius.
Michael Shane
Okay, okay, shoot me the question.
Phyllis Knight
When did you know for sure that Don was the murderer?
Michael Shane
When we found Miller shot, of course.
Phyllis Knight
Why then?
Michael Shane
Don't you remember, honey? When we caught up with Miller sneaking back to the house from Harrison's private train, he said he would talk to the right person when it would do him the most good.
Phyllis Knight
Yeah, yeah. I thought he meant Faraday.
Michael Shane
Oh, no, no, no. Our blackmailing friend was talking right through us to the only other party there. Which meant, Don, he was throwing out a hint for a payoff.
Phyllis Knight
Well, of course I know, but. How about that?
Michael Shane
That's all, honey, please. That's all. Positively all. And hold on to your. Because I'm turning.
Phyllis Knight
Just a minute. This isn't the way to the office. You're turning into Golden Gate Park.
Michael Shane
Is that bad?
Narrator
Tune in again next week at 8:30 for another adventure with Michael Shane. Private Detective, starring Wally Mayer and Kathy Lewis. With Joe Forte as Inspector Faraday. Tonight's story was written by Richard DeGraff and based on the character created by Brett Halliday. Music was composed and directed by Bernard Katz. This is John Lang saying good night for the people who make 76 gasoline. And Triton Motor Oil. Union Oil Company. This is the Mutual Don Lee Broadcasting System.
Podcast: Choice Classic Radio Detectives | Old Time Radio
Episode Title: Michael Shayne: Date with a Wedding
Release Date: May 26, 2026
Original Airdate: May 14, 1945
Main Cast: Wally Mayer (Michael Shane), Kathy Lewis (Phyllis Knight), Joe Forte (Inspector Faraday)
This episode, “Date with a Wedding,” puts private detective Michael Shayne and his assistant Phyllis Knight in the middle of what’s supposed to be a tranquil wedding weekend in timber country. Instead, a sudden death turns celebration into intrigue after timber magnate Mr. Harrison is found dead—apparently poisoned. Shayne must unravel a complex web of blackmail, deceit, and murder among a cast of high-society characters, all within a vintage Golden Age radio drama ambiance.
“Romance? I've got angel, but when it comes to rice and orange blossoms, I'm strictly allergic.”
— Michael Shayne (01:38)
“Froth on the lips and dilated eyes don't spell a heart attack. Somebody slipped Mr. Harrison a nice big slug of poison.”
— Michael Shayne (04:08)
“I was right, honey. 100% right. Harrison was loaded with strychnine.”
— Michael Shayne (09:15)
“The murderer listened in on my telephone conversation with Faraday. ... He wanted us to find this report. And that means the killer isn't Mr. Z.”
— Michael Shayne (13:13)
“You made a mistake... You sent that telegram 20 minutes before Harrison got there.”
— Michael Shayne (26:11)
“Date with a Wedding” swiftly shifts from celebration to classic locked-room mystery, packed with blackmail, corporate intrigue, and romantic deception. Michael Shayne’s deductive prowess and Phyllis Knight’s resourceful support guide listeners through a maze of red herrings to unmask the real killer. The episode embodies the essence of Golden Age detective stories—jazzy, suspenseful, and deftly plotted.
For classic detective fans, this is a solid example of Michael Shayne’s sharp tongue and sharper mind at work.