Richard Diamond, Private Detective: The John Blackwell Case 12/17/1949

Summary

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Podcast Summary:

Choice Classic Radio Detectives | Richard Diamond, Private Detective: The John Blackwell Case (12/17/1949)
Release date: April 13, 2026
Main Cast: Dick Powell (Richard Diamond)

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Episode Theme Overview

In this Golden Age radio episode, private investigator Richard Diamond is hired by a mysterious client who confesses he plans to commit a murder — and wants expert advice to avoid getting caught. The story spirals through quirky humor, twists, and a rush to uncover the true identity of both killer and intended victim before it’s too late. Sleuthing, near-misses, and classic wisecracking keep the drama lively, culminating in a suspenseful benefit party showdown.

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Key Discussion & Plot Points

1. The Peculiar Potential Client

• [00:53] A man introduces himself as Mr. Johns (likely an alias) and hires Diamond, refusing to give his real name.
• Notably evasive, he says he wants advice on “every angle before I kill” — he has selected an intended victim and wants Diamond’s expertise on police procedures.
• Diamond is incredulous, threatens to call police; Johns pulls a gun and locks Diamond in his own closet ([03:08]).

2. Diamond’s Escape and New Threat

• [04:07] Diamond escapes his closet—only to encounter "Big Man" McCarthy, a small-statured tough wielding a gun.
• McCarthy holds Diamond at bay as a favor for Johns.
• Helen Asher, Diamond’s romantic interest, arrives. Quick thinking from Diamond allows him to knock out Big Man.
• Helen departs; Big Man flees after regaining consciousness ([07:12]).

3. Reporting to Police & Sketch Artist Antics

• [08:11] Diamond fills in Lieutenant Walt Levinson and Sergeant Otis. It’s clear the supposed client's name is an alias.

• They attempt to identify "J.B." using police files (unsuccessful), then visit eccentric artist Vladimir to sketch John Blackwell ("J.B.") from Diamond's description ([12:25]).

  "Can I sketch a man's face from a description? Did I not once catch the whole Russian army with one pencil?"
  —Vladimir ([12:58])

• The sketch reveals no obvious suspects, and Diamond’s search stalls.

4. The Attempted Shooting & The Party Invitation

• [15:55] On the street, Diamond is shot at by Big Man, but he escapes unharmed.
• Frustrated and at a dead end, he checks in with Walt, then heads to Helen's benefit party at the Parkers' penthouse ([17:10]).

5. The Breakthrough: Identity Unveiled

• [18:38] At the party, Helen’s friend recognizes the sketch—it’s Johnny Blackwell from Newport, attending the party with his wife. The true target is revealed just in time.

  "That’s a sketch of Johnny Blackwell!"
  —Helen Asher ([19:23])

6. Catching the Killers — Climax on the Terrace

• [20:35] Diamond, Walt, and Otis stake out the benefit, trailing Johnny Blackwell and party.

• As the plot unfolds, Big Man leads Mrs. Blackwell to the terrace, preparing to stage her death as an accident. He reveals Blackwell needs her "dough."

• Diamond and police intervene just before murder, arresting Big Man and Blackwell ([23:33]–[23:47]).

  "Getting my hands on this little rat was better than a year's vacation."
  —Richard Diamond ([23:51])

7. Lighthearted Aftermath & Signature Humor

• The episode closes with flirtations, witty banter, and Diamond performing a song and a yo-yo act at the party, showcasing the show’s signature blend of noir and comedy ([24:44]–[28:08]).

  "Well, time for my yo yo act."
  —Richard Diamond ([25:36])

8. Atmosphere and Standout Gags

• Throughout: Diamond’s quips ("Do you have $100 a day? I do. That's fine.") and Otis's bumbling ("Can I have a dance with her at the benefit tonight?").
• Vladimir’s artistic ego, and recurring yo-yo jokes, infuse the narrative with playful tone, counterbalancing the gritty murder plot.

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Notable Quotes & Moments with Timestamps

• Diamond’s snarky intro to a client:
  “Yeah. Down, up, round and down.” ([00:55])
• Client’s shocking request:
  “I want to have professional advice on every angle before I kill.” ([02:26])
• Diamond’s frustration:
  “Beating my brains out getting shot at! And for what?” ([16:19])
• Helen identifies the sketch:
  “That’s a sketch of Johnny Blackwell!” ([19:23])
• Big Man reveals the murder plan:
  “Mr. Blackwell needs your dough bad. Back up…” ([23:19])
• Diamond’s triumphant feeling:
  “Getting my hands on this little rat was better than a year's vacation.” ([23:51])
• Closing banter:
  “Well, time for my yo yo act.” ([25:36])
• Diamond’s playful crooning:
  "Are the stars out tonight? I don't know if it's cloudy or bright, 'cause I only have eyes for you..." ([26:21])

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Key Segment Timestamps

• The Client Arrives and Confession: [00:53]–[02:50]
• Diamond Locked in Closet & Escape: [03:08]–[04:54]
• Big Man's Confrontation/Escape: [04:54]–[07:12]
• Police HQ & Artist Vladimir: [10:28]–[14:26]
• Diamond Shot At, Frustration Mounts: [15:55]–[16:39]
• Party & Revelation: [17:10]–[20:01]
• Sting at Party; Attempted Murder Thwarted: [20:35]–[23:54]
• Afterglow & Entertainment: [24:44]–[28:08]

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Tone and Style

• Language: Snappy, tongue-in-cheek, and banter-filled, reflecting the era's detective-narrative style.
• Atmosphere: Wry, noir with lighthearted edges and moments of tension dissolving into humor.

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Summary Takeaway

The John Blackwell Case brings all the hallmark elements of vintage radio detective fiction: a razor-tongued PI, a client with a deadly secret, a would-be killer at large, and a resolution just in time to save an innocent. Wit, high jinks, and suspense blend seamlessly—a treat for fans of pulp mysteries and period banter.

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Transcript

[Tom Avery]

Welcome to Choice Classic Radio, where we bring to you the greatest old time radio shows like us on Facebook, subscribe to us on YouTube and thank you for [e-mail]

[Narrator]

portions of the following are transcribed. Here's Dick Powell as Richard diamond, private detective.

[Client (Mr. Johns)]

Is this the Diamond Detective Agency?

[Richard Diamond]

Yeah. Down, up, round and down.

[Client (Mr. Johns)]

Mr. Diamond, I presume?

[Richard Diamond]

Yes. And maybe no. Down, up, round and round.

[Client (Mr. Johns)]

I don't understand you.

[Richard Diamond]

Yes, I'm Diamond. And you're not presuming on me? Not if you're a client.

[Client (Mr. Johns)]

Well, that's not what I mean. What is that object you're playing with?

[Richard Diamond]

This? This is a yo yo. You make it go down, up, round and down. See?

[Client (Mr. Johns)]

Yes, yes, but I came in on business. Mr. Diamond, I want to hire you.

[Richard Diamond]

Just drop it like this.

[Otis Yalutin]

Down, up.

[Client (Mr. Johns)]

As a detective.

[Richard Diamond]

Oh, well, 100 a day in expenses and I throw in the yo yo lessons free.

[Lieutenant Walt Levinson]

Give me the.

[Client (Mr. Johns)]

Mr. Diamond, are you any business?

[Richard Diamond]

Do you have the 100 a day? I do.

[Otis Yalutin]

I am.

[Richard Diamond]

That's fine. Your.

[Client (Mr. Johns)]

Oh, I can't tell you that.

[Big Man McCarthy]

Goodbye.

[Client (Mr. Johns)]

Will you kindly put that thing away?

[Richard Diamond]

I have a terrible head. Oh, I don't know. It's not so bad. Carve it yourself.

[Client (Mr. Johns)]

Why, you insufferable.

[Richard Diamond]

Wait a minute. Until we've had a formal introduction, the word insufferable is your ticket for a new set of dentures. Now, why don't we get formal and save your gums that lonely feeling.

[Client (Mr. Johns)]

I told you, my name is not important.

[Richard Diamond]

That I believe. But let's kick it around anyway.

[Client (Mr. Johns)]

Is that necessary?

[Richard Diamond]

Look, look, you said you wanted to hire me. So either tell me your name or what you wanted me to do or let me get back to my practicing.

[Client (Mr. Johns)]

I should find another detective.

[Lieutenant Walt Levinson]

But you came highly recomm.

[Otis Yalutin]

So.

[Client (Mr. Johns)]

All right, you can call me Johns.

[Richard Diamond]

Otherwise, forget it. Initials on your briefcase read J.B. oh. Oh, that.

[Client (Mr. Johns)]

It's one I borrowed.

[Richard Diamond]

So now that I've conquered your coyness, what's the pitch?

[Client (Mr. Johns)]

Pitch? Oh, oh, you mean my assignment. Oh, it's very simple. But first, I must insist that no word of this conversation leaves your office.

[Richard Diamond]

So far, no one would believe it anyhow. But my ethics are in Good order, Mr. Johns.

[Lieutenant Walt Levinson]

Good, good.

[Client (Mr. Johns)]

This must be kept very secret.

[Richard Diamond]

Shall I pull down the blinds and stuff the keyhole?

[Lieutenant Walt Levinson]

Oh, that shan't be necessary.

[Otis Yalutin]

Thank you.

[Lieutenant Walt Levinson]

Your secret is murder, Mr. Dunc.

[Richard Diamond]

Oh, I just knew you were gonna say that. Where's the corpse?

[Client (Mr. Johns)]

The corpse? Well, that's what I came to you for. I want to have professional advice on every angle before I kill. Now, you've had police experience.

[Richard Diamond]

Unless my hearing aid's on the blink. You're saying you want to commit a murder? Not want.

[Client (Mr. Johns)]

I'm going to this evening.

[Richard Diamond]

Oh, what do you want me for?

[Lieutenant Walt Levinson]

The victim.

[Client (Mr. Johns)]

Oh, I have the victim, the opportunity, method and the man to handle the details. However, I want to be sure that I'm not tripped up by my lack of foresight to police procedures.

[Richard Diamond]

Sure, sure, sure.

[Client (Mr. Johns)]

Whom are you calling?

[Richard Diamond]

The police. But you'll probably get sent to Bellevue.

[Client (Mr. Johns)]

Mr. Diamond, your ethics.

[Richard Diamond]

Ethics? About concealing or helping a murder. A free passage to Sing Sing.

[Client (Mr. Johns)]

The phone. Put it down.

[Lieutenant Walt Levinson]

Quickly.

[Richard Diamond]

Oh, my, isn't that shiny?

[Lieutenant Walt Levinson]

A real gun.

[Richard Diamond]

Those things are illegal, you know. Must you shake it so much?

[Client (Mr. Johns)]

Oh, sorry.

[Richard Diamond]

I'm a little nervous. Oh, swell, you're nervous.

[Client (Mr. Johns)]

Quiet, quiet. I'm thinking. This visit has obviously been an error, but perhaps not a fatal one.

[Richard Diamond]

Let's see.

[Client (Mr. Johns)]

I have it into the closet. What?

[Richard Diamond]

With my bicycle? It'll be too crowded.

[Client (Mr. Johns)]

Your bicycle?

[Richard Diamond]

My exercise bicycle. There's my rowing board and my.

[Client (Mr. Johns)]

Quiet. Stop walking.

[Richard Diamond]

Oh, this is ridiculous.

[Client (Mr. Johns)]

Now open that door.

[Richard Diamond]

Okay.

[Client (Mr. Johns)]

Now, that bicycle. It has a seat?

[Richard Diamond]

Yes.

[Client (Mr. Johns)]

Sit on it.

[Richard Diamond]

So the Diamond Detective Agency sat in the stuffy closet listening to the sound of the desk being pulled over and jammed against the door. Not having anything better to do except call myself names, I rode. On my fifth lap around the world. I gave birth to a brainchild and began applying the art of leverage against the blockaded door using both legs and the flat of my back. Result? A Charlie Horse. On the third lap following, I came up with something more substantial. A heavy barbell. Four smashes and three torn ligaments later, the thin door collapsed over the desk, blocking it. I picked my way over the debris, trying to focus my eyes to the light. By instinct more than sight, I found the phone. But as I reached to pick it up, I suddenly realized I was shaking hands with someone.

[Big Man McCarthy]

Back up, Diamond.

[Richard Diamond]

Oh, this is getting ridiculous. All my clients waving guns at me.

[Big Man McCarthy]

I'm no client, Diamond. Mr. Johns, once. I should keep you company for a while.

[Richard Diamond]

Oh, well, you're a small one.

[Big Man McCarthy]

This gun makes me a big one, Diamond. Real big. That's why my nickname is Big man, even though I'm only four feet tall.

[Richard Diamond]

Well, maybe I could help you. I've got a lot of exercise things.

[Big Man McCarthy]

Be funny or shut up.

[Richard Diamond]

How about a few yo yo lessons?

[Big Man McCarthy]

It's very funny.

[Richard Diamond]

Shut up, big Man. What would happen if I took that gun Away from you.

[Big Man McCarthy]

You want to try?

[Richard Diamond]

I was giving it a thought, but on second thought, no.

[Big Man McCarthy]

Smart shammus. I can empty this magazine in your stomach before you make two steps.

[Helen Asher]

Rick, I. Oh, I didn't know you had a client.

[Big Man McCarthy]

Take it easy, Diamond. I got a gun in my pocket.

[Richard Diamond]

Helen. Helen, baby, come in. Meet Big Man McCarthy, an old pal from P.S. 69. Big man, this is Ms. Asher.

[Helen Asher]

Yes, delighted, Mr. McCarthy.

[Big Man McCarthy]

Same here, Chick. Same pal. You got good tastes.

[Helen Asher]

Some built such a flatterer. Rick, what happened to your closet?

[Richard Diamond]

The termites broke my non aggression pact. What's on your mind, baby?

[Helen Asher]

Well, I came to see if you were ready for the benefit tonight. You are, aren't you?

[Otis Yalutin]

Oh, well.

[Richard Diamond]

Am I? Just watch this new yo yo trick they call it Round the World.

[Mrs. Blackwell]

Oh, wonderful.

[Helen Asher]

Oh, Rick, you know so many things. Where'd you learn that?

[Big Man McCarthy]

A PS 69, of course.

[Mrs. Blackwell]

Where else?

[Helen Asher]

Mr. McCarthy. Do it again, Rick. I want to see how you do it.

[Richard Diamond]

Sure, baby. Just watch. You take it in your hand like this and throw it out like this.

[Mrs. Blackwell]

Oh, Rick, you struck that poor little man.

[Richard Diamond]

No. Well, that poor little man had a big nasty gun in his pocket and it was pointed right at my breakfast.

[Mrs. Blackwell]

Why, that horrible.

[Helen Asher]

Why didn't you hit him harder? He might have hurt you. Oh, darling, are you sure you're all right?

[Richard Diamond]

I'm sure, baby.

[Helen Asher]

Will you send for the police? He should be behind.

[Richard Diamond]

Now, look, Helen, this is my department. You go along with your errands.

[Helen Asher]

Rick, he's dangerous.

[Richard Diamond]

Helen, will you go away? I have a few questions I want to ask this little hood. And you'll be of no help, believe me.

[Helen Asher]

Well, all right, but you be careful. Oh, and about tonight. It's not at my apartment, but the park is penthouse up above in the same building. Now, come early and help Francis and me get things ready. Stop pushing.

[Richard Diamond]

I'll see you tonight, baby.

[Helen Asher]

Oh, Rick, are you sure I can't stay?

[Vladimir Runga Grand]

Go.

[Richard Diamond]

Scat. Now, for you, Mr. Big Man. Come here. Wake up. Wake up. The mule train went that way. Come on. Come out of it.

[Big Man McCarthy]

Achille.

[Richard Diamond]

Yeah, me. Now, what's the real name of your boss? Who's he gonna kill?

[Big Man McCarthy]

You can stop the questions, Diamond. I'm not gonna talk.

[Richard Diamond]

You want me to wring it out of you like a wet wash? Who is Mr. Johns?

[Big Man McCarthy]

You know, there's a big advantage in being Little Diamond.

[Richard Diamond]

Yeah, you can hide under smaller rocks. Who's your boss?

[Big Man McCarthy]

There's another advantage, too. Man, my size can be awfully hard to catch.

[Mrs. Blackwell]

What?

[Richard Diamond]

Hey, come back Here.

[Mrs. Blackwell]

Oh,

[Otis Yalutin]

Hey, Lieutenant, look at this Y. He never looked so good.

[Lieutenant Walt Levinson]

Shut up. He's really been worked over. Wonder what gang did this to him.

[Client (Mr. Johns)]

Rick.

[Lieutenant Walt Levinson]

Rick, snap out of it. Rick, what happened?

[Richard Diamond]

Oh, it just came through the door. Oh, what?

[Lieutenant Walt Levinson]

Coming through the door couldn't wreck you like that.

[Richard Diamond]

Oh, without opening it, you mean?

[Lieutenant Walt Levinson]

Oh, no. You got that china by running into the door. Shut up, Otis. Okay, Rick, where's the body?

[Richard Diamond]

Beside you.

[Lieutenant Walt Levinson]

That's Otis. I mean, where's the corpse?

[Richard Diamond]

The corpse isn't a corpse yet.

[Lieutenant Walt Levinson]

Otis, get my bicarbonate yellow tail.

[Richard Diamond]

Go on.

[Lieutenant Walt Levinson]

Rick, the corpse isn't a corpse. Tell me, what is it? A ghost.

[Richard Diamond]

Exactly.

[Otis Yalutin]

Otis Yalutin.

[Lieutenant Walt Levinson]

Now, Rick, do me a favor, please tell me what you're talking about.

[Richard Diamond]

Oh, you aren't trying, Walt. All I said was that the corpse isn't a corpse yet and that it's a ghost, because I don't know who's gonna be the corpse.

[Lieutenant Walt Levinson]

Rick, before I go stark raving mad, will you tell me what you're talking about?

[Richard Diamond]

A man came into my office this morning, said he was gonna commit a murder. Threw a gun on me. When I started to call, you, locked me in a closet. I broke out, only to find he left. This little man, Big Man. The midget who just ran out of here. So Helen came in, I turned the tables on Big Man. She left. I asked questions, drew a blank. Big man started to run.

[Lieutenant Walt Levinson]

Why didn't you nab him?

[Richard Diamond]

He ran through the door. I ran into it. You're up to date. I'm up to date. Get him.

[Lieutenant Walt Levinson]

I'm up to my ears in confusion. So we've got a man who's going to murder someone. All right, what's his name?

[Richard Diamond]

He said Johns, but it's a phony. Initials on his briefcase read JB Say Shammas.

[Otis Yalutin]

What do you look like?

[Richard Diamond]

Otis, do you have a son?

[Otis Yalutin]

Oh, you know I don't.

[Richard Diamond]

That's what he looked like.

[Lieutenant Walt Levinson]

Rick, are you sure this JB Is planning to kill someone tonight?

[Richard Diamond]

Well, if he isn't, he sure took a lot of pains for nothing. Let's go down to headquarters. I want to check the files.

[Lieutenant Walt Levinson]

Okay, but we don't keep files on ghosts.

[Richard Diamond]

Oh, by the way, why did you come up here?

[Lieutenant Walt Levinson]

Helen called, said you were holding a pigeon for us.

[Richard Diamond]

Oh, lovely girl.

[Otis Yalutin]

I'll say. Can I have a dance with her

[Francis (Butler)]

at the benefit tonight?

[Richard Diamond]

No, Otis, I think I better fix you up with Francis.

[Lieutenant Walt Levinson]

Swell, Otis, you gravelhead. Frances is a butler.

[Otis Yalutin]

Well, it's all right, Lieutenant. I like Them foreign dames.

[Richard Diamond]

Well, that's all the pictures, Walt. I've looked them all. John's doesn't have a record. Neither does a big man.

[Lieutenant Walt Levinson]

Well, they wouldn't. The one time we get a chance to stop a murder before it's committed. And we've even got a good description of the potential killer.

[Richard Diamond]

Walt, this. This JB Was no bum. Not even an ordinary working man. His clothes are expensive, and the briefcase he carried probably cost more than your weekly salary. Now it's an even bet he belongs to the social upper crust that are close to it.

[Lieutenant Walt Levinson]

That would narrow the field of that, but still.

[Richard Diamond]

How about the newspapers, Walt? They have society reporters who know anyone who is anyone. It's a long shot, but name me a better.

[Lieutenant Walt Levinson]

You can go through the newspaper morgues. They might have a picture.

[Richard Diamond]

Oh, no, no, Walt. No pictures. I'm nearly blind from looking at pictures now. Thanks, but I'll try the reporters with a description.

[Otis Yalutin]

Sounds like you're gonna search for a needle in a haystack.

[Richard Diamond]

Oh, Otis, please. Your cliche is showing.

[Otis Yalutin]

Ah, that's screwy. You can't kid me. Only dames wear cliches. How could mine be showing?

[Richard Diamond]

Besides, Aunt, when you die, will your brain to a clinic. Maybe they'll discover a cure for it.

[Otis Yalutin]

Ah, lay off. Besides, I got a good idea for your investigation.

[Richard Diamond]

I wouldn't miss hearing this for my next two issues of Batman.

[Otis Yalutin]

Yeah, I was thinking you could maybe save a lot of time if you got an artist to draw a picture from your description. They do it in all the movies and catch crooks easy.

[Lieutenant Walt Levinson]

Otis, how would you like a transfer?

[Richard Diamond]

Wait a minute. Wait a minute. He may have an idea. I know where there's an artist who could sketch JB From a description.

[Lieutenant Walt Levinson]

It's crazy, but you may as well try it. Rick Otis, you can drive him there.

[Richard Diamond]

Lieutenant, Tell him yes, Walt, I can't stand to see him cry.

[Lieutenant Walt Levinson]

All right, Otis, you can use the siren.

[Richard Diamond]

Come on, Otis. It's right at the head of the stairs.

[Otis Yalutin]

Who is this guy?

[Richard Diamond]

Name's Vladimir. And be careful, he's temperamental.

[Otis Yalutin]

Oh, that's okay. I've been vaccinated.

[Richard Diamond]

What?

[Helen Asher]

What?

[Mrs. Blackwell]

What?

[Vladimir Runga Grand]

Open up.

[Richard Diamond]

Vladimir Runga Grand.

[Vladimir Runga Grand]

Go away. My name Patrick o'.

[Big Man McCarthy]

Brien.

[Richard Diamond]

It's diamond, not the landlord, comrade.

[Vladimir Runga Grand]

Come in, stallion.

[Richard Diamond]

No, Vladimir, that's Sergeant Otis.

[Vladimir Runga Grand]

What a startle he gave me.

[Richard Diamond]

Vladimir, can you sketch a man's face from a description?

[Vladimir Runga Grand]

Can I sketch a man's face from a description? Can I sca. Did I not once catch the whole Russian army. And with one pencil.

[Richard Diamond]

Okay, Vladimir, but can you do it, comrade?

[Vladimir Runga Grand]

You doubt it? I am the greatest artist. That's impossible. I can draw. Comrade, you are paying cash money.

[Richard Diamond]

Cash money.

[Vladimir Runga Grand]

Oh, for that I can draw you Siberia and never miss a salt mine. I'm such a genius, I can't stand myself another man.

[Richard Diamond]

Vladimir, can you sketch the man's face? I think so. Okay, but make it fast. I'll give you the general idea and correct you as you go.

[Vladimir Runga Grand]

Corrections? You can make one criticism. I go back to my shave trim signs. Come with me to my easel.

[Richard Diamond]

Well, almost, Vladimir, but the nose still isn't quite right. Make it look a little more like a pickle. Sweet dill off that side. Just a pinch.

[Vladimir Runga Grand]

Like this.

[Richard Diamond]

Yeah, yeah, you've done it. That's him now. How much do I owe you?

[Vladimir Runga Grand]

For you, comrade? Hundred dollars. What? Fifty dollars a buck. Sell my genius for a buck?

[Richard Diamond]

I die first. A buck and a quarter.

[Vladimir Runga Grand]

Comrade, please. I'm capitalist now.

[Richard Diamond]

A buck and a half.

[Vladimir Runga Grand]

Last price I would get. Last. Last price I take it. But I may die.

[Richard Diamond]

If you do, give me a call. It's a good job, Vladimir.

[Vladimir Runga Grand]

Of course, was I not the artist to sketch the tsar himself? Of course, it didn't pay so well, but was great honor.

[Otis Yalutin]

Looks pretty fuzzy to me.

[Vladimir Runga Grand]

Comrade diamond, your patronage I appreciate, but if you must bring along this peasant, don't. Even his face makes me sick with the repulse.

[Richard Diamond]

Otis, come on. You have to pardon him, Vladimir. Whenever his shoelaces come untied, his brains slip out. See you later. When we left, Vladimir, I sent orders back to Walt and took off for the newspapers. I showed the sketch to one society reporter after another and watched the many heads shake. My eyes began to cross. It was 6:30 when I finished playing quizmaster. And there was no use kidding myself. I had struck out. I had to tell Walt. So I started for the 5th Precinct. I was at a point where I'd have hocked my Social Security for 30 seconds with a little Big Man. Then, as I walked down the street, I suddenly felt the nerves in my spine jump down into the pit of my stomach and goose pebbles skidded up my back like scared rice. It was a feeling I'd had before. So without turning, I headed for the steps of a basement apartment. Well, I got my meeting with Big man, all right. It came within inches of being a vamp into a Gabriel solo. Big man apparently thought his shots hit pay dirt. But when I peeked over the top of the stairs, he was in his car. And going I took in the torn ease of my pants, sent a few messages to the spirit world that would have barred me from any seance, and hauled what was left of the Diamond Detective Agency to see Walt Levinson. Well, you can have it, Walt. This is getting ridiculous. Beating my brains out, getting shot at. And for what?

[Lieutenant Walt Levinson]

Shot at?

[Richard Diamond]

That's right, I said shot at. You can have the whole stupid mess. I like to get fees for playing post office with slugs. And if a guy gets killed, call me. I'll help with the embalming.

[Mrs. Blackwell]

But.

[Vladimir Runga Grand]

But?

[Richard Diamond]

Oh, but nothing. It's seven o' clock and I'm not sticking around to split a three way crying job over a killing that may already have happened. I'm going to Helen's and get a drink.

[Lieutenant Walt Levinson]

Oh, all right. Go ahead, Rick. There's nothing more you can do anyhow.

[Richard Diamond]

I'll see you later.

[Lieutenant Walt Levinson]

Right.

[Richard Diamond]

And you stop looking like a panda with a belly ache.

[Client (Mr. Johns)]

Otis, no.

[Otis Yalutin]

What did I do?

[Richard Diamond]

Oh, shut up.

[Otis Yalutin]

Hey, where you going?

[Richard Diamond]

I'm going out and punch the first little guy I can find right in the nose. Just on general principles. I left the precinct and headed for Helen's party. I remembered that the benefit was being held in the penthouse and went on up. I was surprised to find Helen's butler, Francis, opening the door.

[Francis (Butler)]

Good evening, Mr. Duff.

[Mrs. Blackwell]

Oh, my.

[Francis (Butler)]

Did you have an accident?

[Richard Diamond]

This day has been an accident, Francis. But if you mean my clothes, I was playing spin the bottle with a bulldozer.

[Francis (Butler)]

You do look a little battered, if I may say so, sir.

[Richard Diamond]

You ought to see the bulldozer. What are you doing opening the door up here?

[Francis (Butler)]

Oh, the Parker's butler was taken ill, sir, as I was helping Ms. Asher with the decorations. Anyway, I remain to take his place for this evening.

[Richard Diamond]

Is she here?

[Francis (Butler)]

Yes, she's in the living room, sir.

[Richard Diamond]

Thanks. I'll go on in.

[Helen Asher]

Rick. Over here.

[Richard Diamond]

Hello, baby.

[Helen Asher]

What hit you?

[Mrs. Blackwell]

A bus.

[Richard Diamond]

Just a door and a sidewalk. The bus I get later.

[Mrs. Blackwell]

Oh, Rick. And just look at your suit. It's ruined.

[Richard Diamond]

Now, what's with the concern over my suit? You lobbying for my tailor?

[Helen Asher]

I wanted you to look your very best tonight. Here, let me see those knees. Come on, sit over here. That's it. No. Oh, well, they're not as bad as I thought.

[Richard Diamond]

Oh, cheer up. Maybe they'll get infected. That'll help.

[Helen Asher]

Who did this to you, Rick?

[Richard Diamond]

Our sweet little friend of this morning. Big Man. Or I should say his boss, JB he's the one who sent Big man after me. JB A specter sent to haunt me for my past sins. He hired the little killer you saw me sock with my yo yo.

[Mrs. Blackwell]

Your yo? Oh, you haven't lost your yo yo, have you?

[Richard Diamond]

Oh, Helen, baby, your Ricky's nearly been killed. Must you worry about my yo yo?

[Mrs. Blackwell]

I'm sorry, but it is. He is. All right.

[Richard Diamond]

In my pocket here.

[Otis Yalutin]

See?

[Big Man McCarthy]

Good as new.

[Helen Asher]

Oh, that's fine. Now, what about this JB person? Why did he send Big man to kill you, Rick?

[Richard Diamond]

Because I know he's gonna commit a murder tonight. Maybe doing it right now.

[Helen Asher]

Wait a minute.

[Mrs. Blackwell]

You said Big Man. Did you let him go this morning?

[Richard Diamond]

Yeah. Yeah, I let him go. And I've worn my feet off up to my eyebrows trying to find out who his boss is and who's on the spot to get knocked off.

[Helen Asher]

Poor Ricky. I wish I could help you.

[Richard Diamond]

It's not me that needs help now. I quit. It's the guy JB Is after.

[Mrs. Blackwell]

JB Are those his real initials?

[Richard Diamond]

Yeah. No, we've had lots of things to go on. Initials, descriptions, even a sketch of him. Here, I've got it in my pocket. For all the good it did.

[Helen Asher]

Oh, wait, don't tear it up. Let me look at it. Oh, wig, silly. This is no murderer. That's a sketch of Johnny Blackwell.

[Richard Diamond]

Helen, you know who this man is?

[Mrs. Blackwell]

Of course.

[Helen Asher]

It's Johnny Blackwell from Newport. He and his wife are up here visiting Adam Worcester.

[Mrs. Blackwell]

Rick, what is it? You're. You're all turning blue.

[Richard Diamond]

All day long I. When you were in my office, you could.

[Big Man McCarthy]

Oh, if I'd only asked.

[Lieutenant Walt Levinson]

Helen.

[Mrs. Blackwell]

Yes, Rick?

[Richard Diamond]

Give me some cyanide. No, water.

[Helen Asher]

Oh, but you must be mistaken about the sketch. Johnny Blackwell can't be a murderer.

[Richard Diamond]

Well, I'm getting out of here. Where can I find him?

[Helen Asher]

If you'll just sit still, he'll come to you. Adam Wooster's bringing him and his wife to the benefit tonight.

[Richard Diamond]

Well, that's the way the screwy world works sometimes. One minute you're on your uppers with a stick of baloney, you're trying to hold off three guys with swords. Then kismet makes a switch and tags your side for a gain in your living. I called Walt to pass on the good news, and in eight and a half minutes by the clock, he joined me with Sergeant Otis in the kitchen from where we could peek out at the growing crowd.

[Lieutenant Walt Levinson]

Let me take a look. Rick, has Blackwell come in yet?

[Richard Diamond]

Stay back. I'll let you know.

[Lieutenant Walt Levinson]

Otis, get out of that icebox.

[Otis Yalutin]

Oh, I'm hungry.

[Lieutenant Walt Levinson]

You heard me.

[Otis Yalutin]

There's fried chicken, Lieutenant.

[Lieutenant Walt Levinson]

Fried chicken I haven't had. Oh, that's

[Richard Diamond]

Walt. Walt, come take a look. There's Black Wolf.

[Lieutenant Walt Levinson]

Where?

[Richard Diamond]

Over there, just sitting down. The man with the sandy hair.

[Big Man McCarthy]

Yeah, yeah, I see him.

[Otis Yalutin]

Who?

[Lieutenant Walt Levinson]

Those people with him.

[Richard Diamond]

The woman must be his wife. Oh, but get a load of the little weasel. That's Big man. The guy who got away from me this morning. Oh, and the other man must be Adam Wister. Helen said he was bringing the Blackwells. Well, he did. So now we wait for the play. Well, we waited and watched the Blackpool party settle down to enjoy itself. Big man acted like he hadn't eaten for a week and made hors d' oeuvres vanish in his mouth like marbles down a manhole. After what seemed like weeks, the situation grew suddenly took shape. On Blackwell's urging, Big man rose to dance with Mrs. Blackwell. Mrs. Blackwell was a dark haired honey with curves. Right out of one of my better dreams. But my mind was on her husband and Wooster. As soon as they had the chance, they got up and headed out of the room.

[Lieutenant Walt Levinson]

Watch them, Rick. They're headed for the library.

[Richard Diamond]

Come on, this way. Through this door and down the hall. Well, Adam, it's nice to be visiting you again.

[Adam Wooster]

So glad to have you. John, we're sorry to hear about your losses in the market last year. Story here was that you were cleaned down.

[Big Man McCarthy]

Hey, diamond, what's he saying?

[Francis (Butler)]

Shut up, old.

[Client (Mr. Johns)]

Oh, I still have a little money, Adam. In fact, I'd like to buy back in with you as a partner.

[Adam Wooster]

You don't have that much, Johnny. And your wife won't give it to you.

[Richard Diamond]

She may, Adam, she may.

[Client (Mr. Johns)]

And quicker than you think.

[Richard Diamond]

Walt.

[Client (Mr. Johns)]

Come on.

[Richard Diamond]

We picked the wrong victim.

[Lieutenant Walt Levinson]

Let's find the Big Man.

[Big Man McCarthy]

Hey, it's nice on the terrace, Mrs. Blackwell. Yeah, real nice out here.

[Rita Blackwell]

I don't like it.

[Mrs. Blackwell]

It's chilly.

[Big Man McCarthy]

Oh, It'll warm up, Mrs. Blackwell.

[Rita Blackwell]

No, I'm going back in.

[Big Man McCarthy]

Better not.

[Rita Blackwell]

I don't like the way you're acting, Big Man. Get out of my way.

[Big Man McCarthy]

Get back and shut up.

[Mrs. Blackwell]

How dare you talk to me like that, you little.

[Big Man McCarthy]

Now I'm big, Mrs. Black.

[Richard Diamond]

We're real big.

[Mrs. Blackwell]

A gun. What in the world?

[Big Man McCarthy]

I was gonna kill him.

[Mrs. Blackwell]

Kill me?

[Big Man McCarthy]

Yeah, only it'll look like an accident.

[Mrs. Blackwell]

This is ridiculous. What kind of a joke is this?

[Big Man McCarthy]

It's no joke, Mrs. Blackwell. Your husband don't think it's no joke. He wanted me to tell you he was real sorry. Now I'm gonna kill you.

[Mrs. Blackwell]

You Mean it. You really mean it?

[Big Man McCarthy]

Yeah, sure, Mrs. Blackwell. Mr. Blackwell needs your dough bad. Back up.

[Mrs. Blackwell]

He can have it. All of it. Only don't kill me. Don't.

[Big Man McCarthy]

Sorry, Mrs. Blackwell. Too late now. Start back.

[Richard Diamond]

Please. Please.

[Big Man McCarthy]

Over to that wall. You're gonna play Humpty Dumpty? That's right.

[Otis Yalutin]

Now get up on the wall.

[Mrs. Blackwell]

No, no.

[Big Man McCarthy]

I'm a guy who's willing to help you.

[Otis Yalutin]

Me too, Simon.

[Big Man McCarthy]

Why?

[Richard Diamond]

You catch the girl, Walt?

[Otis Yalutin]

Big man's mind.

[Mrs. Blackwell]

He was going to kill me.

[Lieutenant Walt Levinson]

All right, Mrs. Blackwell, take her inside. Otis.

[Otis Yalutin]

Rick, you okay?

[Richard Diamond]

Yeah. Getting my hands on this little rat was better than a year's vacation.

[Lieutenant Walt Levinson]

Well, we sure heard enough to give both him and Blackwell a long vacation on the state. Keep him on ice. I'll collect the other one.

[Richard Diamond]

I'll be delighted.

[Big Man McCarthy]

Oh, my joy.

[Richard Diamond]

Oh, waking up. What a shame. What a lovely party. I do love these informal get togethers, don't you, big man? It was short, but very sweet. The wind up of the no. 1 was murdered case. The score was the kind to make you forget you didn't get a fee. Two killers caught. No victims. When I saw Walt take the little Big man. Not so big without his gun and his boss Blackwell off to the Bastille, my worries melted like a snowman in a blast furnace. And speaking of melting, the lovely Mrs. Blackwell showed signs of being upset. So what could I do but console the pretty little thing?

[Rita Blackwell]

Oh, Mr. Diamond, I think you are so wonderful and brave.

[Richard Diamond]

Oh, you show a few nice points yourself, Mrs. Blackwell. And call me Rick.

[Rita Blackwell]

You saved my life, Rick. And call me Rita. You can get to the point quick.

[Richard Diamond]

Why, Rita.

[Helen Asher]

Oh, There you are. Mrs. Blackwell, I know you must be terribly upset.

[Rita Blackwell]

Rick has been a great comfort to me.

[Helen Asher]

I bet he has. But I've arranged for Francis to take you home now. Now?

[Rita Blackwell]

Oh, well, thank you, Ms. Asher. And Rick.

[Richard Diamond]

Yes.

[Rita Blackwell]

Don't worry about the name calling.

[Mrs. Blackwell]

Just say, hey, you.

[Rita Blackwell]

I'll know what you mean.

[Richard Diamond]

I think I know what you mean by you. Well, sir, help me. I'm innocent.

[Helen Asher]

With lipstick on your collar?

[Richard Diamond]

That Otis. I've warned him to be careful with my shirts.

[Mrs. Blackwell]

Mm.

[Helen Asher]

Mm.

[Richard Diamond]

Well, time for my yo yo act.

[Helen Asher]

Your act? Oh, Rick, about that.

[Richard Diamond]

No, now, now, look, I've worked my finger to the bone practicing. Don't tell me why you specifically asked me to be here tonight.

[Helen Asher]

I know. And come on with me over to the band stage.

[Client (Mr. Johns)]

Oh, no, no, you don't.

[Richard Diamond]

I'm an artist tonight and not a singer.

[Helen Asher]

No. Single. No yo yo.

[Richard Diamond]

You mean if I sing. I can do my yo yo act

[Helen Asher]

if you make it pretty.

[Richard Diamond]

Uh, it's blackmail, but I'll do it.

[Helen Asher]

You stay right here. I want to talk to the orchestra leader.

[Richard Diamond]

Okay, I'll practice.

[Helen Asher]

Well, ladies and gentlemen, I give you Richard Diamond. His piano and his Yo Yo. Sing good, Rick.

[Richard Diamond]

Like a robin with a sponsor.

[Big Man McCarthy]

Are the stars out tonight? I don't know if it's cloudy or bright. Cause I only have eyes for you, dear. The moon may be high. But I can't see a thing in the sky. Cause I only have eyes for you. I don't know if we're in a garden or on a crowded avenue. You are here, so am I. Maybe millions of people go by. But they all disappear from view. And I only have eyes for you.

[Helen Asher]

And now, Mr. Diamond will present an exhibition of dexterity. Now?

[Big Man McCarthy]

Now.

[Otis Yalutin]

Oh, no, Shammas.

[Helen Asher]

No.

[Otis Yalutin]

You're doing it all wrong.

[Big Man McCarthy]

You gotta use my wrist action.

[Richard Diamond]

Oh. To stay out of the act.

[Otis Yalutin]

Oh, come on, let me show you. Here, give it to me. Now, you start it down like this. Helen.

[Helen Asher]

Yes, rick. He's better.

[Lieutenant Walt Levinson]

Ah.

[Richard Diamond]

Let's go home.

[Helen Asher]

And nick, wait till I get my ha.

[Narrator]

You have just heard Richard diamond, private detective, starring Dick Powell. Helen was played by Virginia Gregg, Lieutenant Levinson by Ed Begley. Also in our cast were Williams, Herbert, Hans Conreyed, Grace Albertson, Sydney Miller and High Everback. Music was under the direction of Frank Wirth. Tonight's story was written by Herb Purdom and edited and directed by Blake Edwards. Portions of the program were transcribed. Dick Powell soon will be seen in the screen version of the best selling novel, Mrs. Mike. Now this is Tom Avery inviting you to be with us again at the same time next week when we will again bring you Dick Powell as Richard diamond, private detective. Saturday night is packed with entertainment when you stay tuned for NBC's star lineup of shows. There's always a program of interest on NBC. Now stay tuned for Edward G. Robinson and the Hollywood Star Theater on NBC.