The Adventures of Philip Marlowe: The Face To Forget 6/14/1950

Summary

Summary of "The Adventures of Philip Marlowe: The Face To Forget"

Podcast Information:

• Title: Choice Classic Radio Detectives | Old Time Radio
• Host/Author: Choice Classic Radio
• Episode: The Adventures of Philip Marlowe: The Face To Forget
• Release Date: November 17, 2024

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Introduction

In this riveting episode of "The Adventures of Philip Marlowe," titled "The Face To Forget," listeners are plunged into a classic noir narrative set in the mid-20th century. Gerald Moore masterfully portrays Raymond Chandler's iconic private detective, Philip Marlowe, as he navigates a labyrinth of deception, murder, and complex relationships. Directed and produced by Norman Macdonald with a script crafted by Robert Mitchell and Gene Levitt, this episode promises an engaging journey through Marlowe's sleuthing prowess.

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Plot Overview

Initiation of the Case

The episode opens with Philip Marlowe meticulously searching for Dave Stroud, a man who has inexplicably vanished, leaving behind a once-happy life. Marlowe's quest begins in a dingy rooming house where he confronts the landlord:

Philip Marlowe [00:28]: "Crime is a sucker's road, and those who travel it wind up in the gut of the prison of the grave."

After discovering that Stroud plans to depart for San Francisco, Marlowe arranges to meet his client, Ellen Wyatt, at the Leopard Spot bar. Their conversation reveals that Stroud had recently severed ties with his girlfriend and job, raising suspicions about his sudden disappearance.

The Train to San Francisco

Marlowe boards the 10 o'clock train to San Francisco, hoping to intercept Stroud. In the Leopard Spot, he and Ellen discuss potential leads, including Stroud's gambling habits. Marlowe's keen observational skills lead him to confrontations and near-misses as he attempts to identify Stroud among the train passengers.

A significant moment occurs when Marlowe mistakenly interacts with another passenger, Gerald Moore, who inadvertently aids Marlowe by returning his wallet and providing crucial information about a man named Daniel Stacy. This encounter heightens the tension as Marlowe realizes that Roy Tawney, a character with a sinister edge, is entangled in the mystery.

Confrontation and Revelation

As the train speeds towards San Francisco, Marlowe's investigation intensifies. He discovers that Tawney is connected to Stroud's disappearance and is involved in criminal activities, including murder. A climactic confrontation ensues in which Marlowe is threatened by Tawney wielding a .22 automatic, leading to a tense standoff.

Determined to resolve the case, Marlowe races against time to Fulton, a town nearing the train's final stop. He narrowly escapes Tawney's attempts on his life and uncovers the grim truth: Tawney is responsible for the murders and Stroud's predicament.

Resolution

In the aftermath, Marlowe collaborates with Dunford Police to bring Tawney to justice. The episode concludes with Marlowe reflecting on the complexities of human relationships and the dark paths that lead individuals astray.

Philip Marlowe [27:17]: "I got a big fat hunch. A hunch that may be able to stop a second murder if I make it to Fulton in time."

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Key Characters

• Philip Marlowe (Gerald Moore): The quintessential hard-boiled private detective, Marlowe exhibits sharp wit, unwavering determination, and a moral compass that guides him through morally ambiguous situations.

• Ellen Wyatt: Marlowe's client, a woman deeply concerned for the safety and well-being of her missing fiancé, Dave Stroud. Her interactions with Marlowe reveal layers of desperation and underlying tensions.

• Dave Stroud: The missing individual whose sudden disappearance sets the plot in motion. Stroud's motivations and circumstances become central to unraveling the mystery.

• Roy Tawney: The antagonist, whose involvement in criminal activities and personal vendetta against Ellen Wyatt complicates the narrative and presents a formidable challenge for Marlowe.

• Willis Hansen: Marlowe's father, who plays a supportive role in aiding his son's investigation, showcasing the personal stakes involved in Marlowe's quest.

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Significant Scenes and Quotes

1. Marlowe's Philosophy on Crime:

   Philip Marlowe [00:28]: "Crime is a sucker's road, and those who travel it wind up in the gut of the prison of the grave."

   This opening statement encapsulates Marlowe's disdain for criminality and sets the tone for his relentless pursuit of justice.

2. Marlowe's Determination:

   Philip Marlowe [02:19]: "I got my rules, and I got a job to do. I've been looking for Dave Stroud for a solid week, and his trail finally led me here."

   Demonstrates Marlowe's commitment and methodical approach to his cases.

3. Confrontation with Roy Tawney:

   Philip Marlowe [17:25]: "Better, isn't it?" Philip Marlowe [20:08]: "I couldn't say much for the alternatives, but one look back over my shoulder at the gaping 22 automatic level at my head and Tawney's ice cold gray eyes above made up my mind for me. Jump. It had to be."

   Highlights the intense and dangerous encounters Marlowe faces, emphasizing the high stakes of his investigation.

4. Final Reflection:

   Philip Marlowe [29:08]: "When I was in knee pants, my mammy done told me, 'Son, a woman's a two face, a worrisome thing. Will leave you to sing the blues in the night.'"

   Marlowe's introspection underscores the personal toll his work takes, blending professional duty with emotional complexity.

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Themes and Insights

• Moral Ambiguity: The episode delves into the murky waters of right and wrong, showcasing characters with conflicting motivations and ethical dilemmas.

• Isolation and Connection: Marlowe's solitary pursuit of truth contrasts with his interactions with Ellen Wyatt and other characters, highlighting the human need for connection amidst chaos.

• Fate and Free Will: The narrative explores the extent to which characters control their destinies versus being swept along by circumstances beyond their control.

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Conclusion

"The Face To Forget" is a quintessential Philip Marlowe adventure that masterfully blends suspense, intricate plotting, and rich character development. Gerald Moore's portrayal of Marlowe captures the essence of Raymond Chandler's creation, bringing to life the detective's resilience and moral integrity. The episode's seamless integration of dialogue, tension, and thematic depth makes it a standout installment in the "Choice Classic Radio Detectives" series. Whether you're a longtime fan or a newcomer to old-time radio, this episode offers a compelling glimpse into the golden age of radio detective storytelling.

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Notable Production Elements

• Direction and Production: Under the direction of Norman Macdonald, the episode boasts tight pacing and atmospheric soundscapes that enhance the noir ambiance.

• Scriptwriting: Robert Mitchell and Gene Levitt's script weaves a complex narrative with sharp dialogue and unexpected twists, staying true to the Philip Marlowe legacy.

• Music and Sound: Composed and conducted by Richard Arant, the special music underscores the tension and emotion, providing an immersive listening experience.

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Closing Remarks

As the episode wraps up, the recurring theme of perseverance in the face of adversity resonates strongly. Marlowe's unwavering dedication to uncovering the truth serves as a testament to the enduring appeal of classic detective stories. "The Face To Forget" not only entertains but also invites listeners to ponder the intricate dynamics of human nature and justice.

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Quote for Closure:

Philip Marlowe [30:39]: "I tangled with three snakes. The first was made of gold, the second wore a mustache, and the third was in the bag. And each in its own way, poisoned."

This closing line encapsulates the treacherous journey Marlowe undertakes, symbolizing the various challenges and betrayals he faces throughout the investigation.

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Listen to more classic adventures and immerse yourself in the timeless tales of Philip Marlowe by subscribing to Choice Classic Radio on Facebook and YouTube.

Transcript

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[Radio Announcer]

Welcome to Choice Classic Radio, where we bring to you the greatest old time radio shows like us on Facebook. Subscribe to us on YouTube, and thank you for donating at choice classicradio.com get.

[Philip Marlowe]

This and get it straight. Crime is a sucker's road, and those who travel it wind up in the gut of the prison of the grave. There's no other end, but they never learn.

[Gerald Moore]

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[Philip Marlowe]

That's right, landlord. But I found all I needed.

[Gerald Moore]

Well, you won't be able to use it after I teach you some manners. No, I'll teach you to break into.

[Philip Marlowe]

A respectable room and house. Not leading with your rights. You won't. Get up. Come on, get up. Okay. I'll teach you something about cooperation, Landlord. All I wanted to do was look this room over, and I was nice about asking.

[Gerald Moore]

Cut it out.

[Philip Marlowe]

I got my rules, and I got a job to do. I've been looking for Dave Stroud for a solid week, and his trail finally let me here.

[Gerald Moore]

I got to look out for my rumor's privacy.

[Philip Marlowe]

Sure, sure. Only Dave Stroud checked out of here this afternoon. He's no longer your guest. Anyway, I found enough in here to know. Stroud's taking the train tonight to San Francisco. So that winds up my lecture and, I'm happy to say my business with you and your charming establishment. Good night, landlord. When I stepped out of the cheap, musty rooming house into the warm night, I felt for the first time in a week that I wasn't wasting my time. But by tomorrow, I'd know why a quiet young guy named Dave Stroud had suddenly dropped everything that gave Life, some sense. Everything from a lovely girl to a fine job. And vanished completely. I stopped in a phone booth, called my client and told her to meet me in an hour at the Leopard Spot, the bar in her hotel. Then I made a reservation on the 10 o'clock train for San Francisco. Went home and threw a toothbrush and shirt into a bag. And when I walked into the Leopard Spot, I was right on time. I found my client, Ellen Wyatt, in a booth near the back. The soft rose lights touching her face made me wonder all over again what kind of pressure it could possibly have been to drive Dave Stroud away from a girl like this.

[Ellen Wyatt]

Tried to wait in my apartment upstairs, Phil, but I just couldn't. Is it good news?

[Philip Marlowe]

I hope so, Ellen. That broken down rooming house over in East LA paid off all right.

[Ellen Wyatt]

Dave was staying there?

[Philip Marlowe]

Yeah, he had been. Under the name of Donald Stranagan.

[Ellen Wyatt]

But why would he take a place like that? He must have plenty of money with him.

[Philip Marlowe]

Oh, well, the city's cluttered with those joints. They're as common as tin cans. He figured you can't look into all of them. We were just lucky then.

[Ellen Wyatt]

He knows what he's doing. There's nothing wrong with him. Like. Like amnesia?

[Philip Marlowe]

No, it's something else, ellen.

[Gerald Moore]

Good evening, Ms. Wild.

[Philip Marlowe]

Martini?

[Ellen Wyatt]

Yes, please.

[Gerald Moore]

For you, sir?

[Philip Marlowe]

Martini sounds fine. Yes, sir.

[Ellen Wyatt]

Right, Marlow? Maybe that hunch I had about gambling. Maybe it was right after all. Couldn't some kind of terrible jam with gamblers do this to Dave?

[Philip Marlowe]

Yeah, I didn't mind, but I checked that and drew a blank. Say, listen, Ellen, the description of Dave I got at that roaming house isn't too complete. That snapshot I asked you about, did you bring it?

[Gerald Moore]

Oh, yes.

[Philip Marlowe]

Oh, good.

[Ellen Wyatt]

It's in my purse. Oh, here. That was taken on our first date four years ago.

[Philip Marlowe]

Four years ago? This year has made quite a change in both of you.

[Ellen Wyatt]

Yes, Dave and I are good for each other, Phil.

[Philip Marlowe]

Oh, sure.

[Ellen Wyatt]

I. I only hope that the next four years.

[Radio Announcer]

Martini, very dry.

[Philip Marlowe]

Oh.

[Gerald Moore]

Oh, thank you, sir.

[Ellen Wyatt]

Well, I. I wish we had the kind of news we could host.

[Philip Marlowe]

Maybe we will. Sooner than you think.

[Ellen Wyatt]

You've got a new lead. You know where Dave is?

[Philip Marlowe]

Well, close enough to be pretty sure he's taking at 10 o'clock to San Francisco.

[Ellen Wyatt]

San Francisco?

[Philip Marlowe]

Yeah, and so am I. About coming down to the station with me, huh?

[Ellen Wyatt]

Me? But do you think that's wise? What if he saw me first?

[Philip Marlowe]

Well, it's worth a chance for you to point him out to me. What do you Say, baby, got something to drink to now?

[Ellen Wyatt]

Yes. I better drink fast before I start to borrow. Tears would be awful in a martini. No luck, Phil. I still haven't seen him.

[Philip Marlowe]

Wait a minute. How about that one Ellen over there at the cigar counter?

[Ellen Wyatt]

Oh, you fell in the T shirt.

[Philip Marlowe]

Yeah.

[Ellen Wyatt]

Dave couldn't look that sloppy. And besides, he's taller. Well, that's it, Phil.

[Philip Marlowe]

Yeah. Well, I guess we missed him. I better get aboard, huh?

[Ellen Wyatt]

This kind of scares me. You don't think Dave just pretended to be leaving? That he tricked you?

[Philip Marlowe]

No, no, those leads weren't planted. They weren't that good. Don't worry, baby. Dave will be on this train when it pulls out. I'll bet my last buck on it.

[Ellen Wyatt]

Find him for Michelle.

[Philip Marlowe]

Sure. You just keep that chin up.

[Gerald Moore]

I will.

[Philip Marlowe]

Okay.

[Ellen Wyatt]

You call me the very first chance you get.

[Philip Marlowe]

Pardon me, lady. I'm sorry. Hey, you.

[Gerald Moore]

Happen to favor dirty shirt size 17, you're in for a big disappointment.

[Philip Marlowe]

What are you talking about?

[Gerald Moore]

Well, I think you made a small mistake.

[Philip Marlowe]

There.

[Gerald Moore]

Isn't that my bag?

[Philip Marlowe]

I'm afraid not. Mr. C.P. is in. Philip Emerson Marlow.

[Gerald Moore]

Well, how do you like that? I saw you pick it up back there at the information booth. That's where I left mine. I could have sworn it belonged to me. I'm sure sorry.

[Philip Marlowe]

It's all right. Happens to everybody sooner or later.

[Gerald Moore]

Big of your friend. Say, you're going to be on Old 61 for Frisco too, aren't you? Well, let's call this an introduction. Arbac's my handle. Manny Arbeck on the road for Pfeiffer Plumbing Fixtures. Yes, sir. I'll see you on board, Brent.

[Philip Marlowe]

Not much doubt about that.

[Gerald Moore]

No. We might get up a little game. Fun, huh?

[Philip Marlowe]

Oh, fine.

[Gerald Moore]

Yeah. Well, I better shake a leg and get my bag. I'll find you all right. I never forget a face.

[Philip Marlowe]

Maybe I ought to cut my head off. I stopped off in my compartment just long enough to drop my suitcase. And as we pulled out, I moved through the train to the dining car and picked a seat where I could keep an eye on the rest of the tables for Dave Stroud, who even if I didn't recognize his face, I knew from his fiance would handle a knife and fork European style. He likely to order liver and bacon and drink tea without sugar and would probably be dressed in Willard sweets with the shirt collar open. Well, as soon as I sat down, macabre began to fill my table. Companion acquired tab collar type had his own business and you had a mind. It almost 100%. Which he did for the 15 minutes it took him to eat.

[Radio Announcer]

Well, I don't know why food always tastes better on a train, but it does.

[Gerald Moore]

Thanks for letting me share the table with you.

[Philip Marlowe]

Oh, not at all.

[Radio Announcer]

Perhaps I'll see you later in the club car. We might have a nightcap.

[Philip Marlowe]

Yeah, it's a deal. Fine. So there you are. Fine.

[Gerald Moore]

I've been looking high and low for you, my friend. What you doing in here? They serve nothing but food in this car, you know. Say, who's your pal?

[Philip Marlowe]

I don't know. I don't know. He was here 15 minutes and we didn't get that far.

[Gerald Moore]

I know exactly what you mean.

[Philip Marlowe]

You do?

[Gerald Moore]

Yeah. Those quiet birds give me the willies too. You know, friend, I've seen him someplace before and I never forget a face. You didn't catch his name, huh?

[Philip Marlowe]

He didn't throw it.

[Gerald Moore]

He didn't throw you like that? Yes, sir. You're right on, my friend. Well, it'll come to me. Faces are kind of a hobby with me. I meet a lot of people, but I never forget a. Hey, have you lost somebody in here? The way you keep looking around, yeah.

[Philip Marlowe]

But I think I found them again.

[Gerald Moore]

Hey, what's up? Where you going? Hey, follow the leader. I'll see you all back. Hey, Marlow, come back. You dropped something here.

[Philip Marlowe]

In spite of the fog kicked up by the traveling typhoon who never forgot a face, I'd managed to catch a glimpse at the door of a bunch of tweeds in an open collar on a bill that exactly fit the four year old snapshot in my wallet. I bucked a huddle of undecided dowages blocking the aisle, but managed to keep him inside all the way back to car 16 without being seen there. I watched him unlock compartment L and go inside. I was convinced it was Dave Stroud, but at this point I had to be sure. I went to look for the conductor and finally found him tucked away at a lonely table back in the club car, as intent on his ticket count as a cheat. It's solitaire. I figured I could afford the time now, so I decided to wait. I headed back to the seat and I ran into my dinner partner, the tad color.

[Radio Announcer]

Well, hello again.

[Philip Marlowe]

You're a little early for that night.

[Gerald Moore]

Cat, but sit down anyway.

[Philip Marlowe]

Thanks.

[Radio Announcer]

Oh, by the way, I'm Roy Carney.

[Philip Marlowe]

Oh, mine's Marlow. Philip Marlowe.

[Radio Announcer]

Philip Marlow. I've read that name many times. You're the famous private detective.

[Philip Marlowe]

Well, private detective anyway. Glad to know you, Tony. Privilege for me.

[Radio Announcer]

Oh, Are you looking for a match?

[Philip Marlowe]

Here. Yeah.

[Gerald Moore]

No, keep them, keep them.

[Radio Announcer]

I have others.

[Philip Marlowe]

Oh, thanks. Thanks again.

[Radio Announcer]

Are you on a case now, Marlowe, or shouldn't I ask?

[Philip Marlowe]

Well, as a matter of fact. I know Marlo.

[Gerald Moore]

Nan. Are you hard to hang on to, but you're mighty lucky. I'm honest, my friend. Do you see this?

[Philip Marlowe]

Yeah, I see. It's my wallet.

[Gerald Moore]

Yeah, when you bolted out of the dining car, you dropped it on the seat. I found it for you.

[Philip Marlowe]

Oh.

[Gerald Moore]

Nothing fell out but this picture here and.

[Philip Marlowe]

Is he all right?

[Gerald Moore]

Man, oh, man. Who is you, boy? The name, I mean. Huh?

[Philip Marlowe]

Don't tell me. I bet you you've seen it before. Yeah, yeah, that's right.

[Gerald Moore]

And I never forget a face.

[Philip Marlowe]

Uhuh. Well, thanks. Now, if you let me have it, I'm very grateful.

[Gerald Moore]

Sure, sure. Glad to be of service, my friend. Anytime I can. Well, speaking of familiar faces, this is a gentleman that you had dinner with, huh?

[Philip Marlowe]

That's right. Auerbach, this is the gentleman. Mr. Auerbach. Mr. T. For better or worse, till your destination do you part. How do you do?

[Gerald Moore]

Tiny?

[Philip Marlowe]

Now that's funny.

[Gerald Moore]

You know, I was just telling Marlo here that I recognized you from some place.

[Radio Announcer]

It's very unlikely. I have a fair memory myself. I don't remember you.

[Gerald Moore]

Well, I don't know. I. I'm pretty good. Hey, wait, wait a minute. I'm getting it. Sure, sure. Oh, this is silly. Why, I saw you tonight in the railroad.

[Radio Announcer]

No, no, that's impossible. I was so late and nearly missed the train.

[Philip Marlowe]

Me too.

[Gerald Moore]

Only you had a good reason. Oh, yes, sir, my friend. You were kissing the little woman goodbye. I couldn't see her too well, but she was quite a looker. And judging from the way you were going at it. Yeah, yeah.

[Philip Marlowe]

Well, now, wait a.

[Gerald Moore]

Wait a minute. I didn't mean any sense. I was just kidding you along. Yeah. Well, I guess I'll go buy my way into a little poker. Excuse me.

[Radio Announcer]

I suppose there has to be one on every train.

[Philip Marlowe]

Yeah, yeah, they help the ride like a square wheel. Yeah.

[Radio Announcer]

Well, I think I'll go read a while. Marlow.

[Philip Marlowe]

Good luck on your case. When the conductor climbed out of his pile of tickets to stretch, I went over, introduced myself and asked the 64 question.

[Gerald Moore]

Car 16, compartment L, huh?

[Philip Marlowe]

Well, let's see.

[Gerald Moore]

Oh, here it is. Mr. Marlow. That room's occupied by one Daniel Stacy.

[Philip Marlowe]

Daniel Stacy? Sure. Same initials as Dave Strah.

[Gerald Moore]

But we're not carrying any Dave Stroud tonight.

[Philip Marlowe]

Don't bet on that conductor. It was that simple. I walked up through the train to car 16, and when I got to the door of compartment L, I'd already decided on how to handle Dave convinced him that he had to go back to Ellen Wyatt regardless of what had happened. So, yeah, I had it all figured. Until I heard it. They come from inside. The door was unlocked, but the lights were out. When I got them on again, I realized that nothing was simple. Ever. Stretched out on the floor of Dave's room was Manny Auerbach, staring straight up as he rocked with the picture of it framed the side of his head against the sharp steel corner. His eyes already beginning to glaze. He said he knew side rings.

[Gerald Moore]

Remember sometime.

[Philip Marlowe]

Remember what? Why did you come here? Manny said.

[Gerald Moore]

I remember.

[Philip Marlowe]

Manny. Manny. Now Mama, she'll move again. Let's see you tell this Ellen Wire. Who's that? What? Oh.

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[Gerald Moore]

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[Philip Marlowe]

Either it had been the flood of the pistol crashing against the side of my head or my head crashing against the stone hard floor of the compartment. Then it turned light into dark and left me with a welt behind one ear the size and shape of a cue ball. I couldn't tell which. When I had both my eyes open, I knew that it didn't matter. Nothing mattered, really, except that I was staring into Manny Auerbach's dead face. But only inches away, a pair of feet were moving. Feet that belonged to Dave Stroud, whose suitcase and toe was on his way out, one hand already on the doorknob. I went for him around the knees.

[Radio Announcer]

Let go.

[Philip Marlowe]

Let go. I see. By the time I was off the floor and after him, he was well out in front. Wrestling with a heavy steel door at the end of the empty passageway slowed him down. When we reached the platform between the cars, he was almost mine. But then suddenly, a hand shot out of the dark, grabbed a fistful of shirt front and spun me hard against the opposite door.

[Gerald Moore]

No.

[Philip Marlowe]

A hand that belonged to a man in a tab color, Mr. Roy Tawney. Plus a shiny.22 automatic. And minus his club car. Velvet voice.

[Radio Announcer]

Get up, Marlow.

[Philip Marlowe]

Is got a little talk coming at this stage. It'll be a pleasure, believe me.

[Radio Announcer]

We'll see. What do you want with Dave Stroud?

[Philip Marlowe]

I'm a census taker. Who's real? Got it.

[Radio Announcer]

Time is running short.

[Philip Marlowe]

Mono.

[Radio Announcer]

When you get off at this stop coming up, you stay off.

[Philip Marlowe]

Yeah. What's your angle, Dave?

[Radio Announcer]

He still needs my help. And he's still gonna have it no.

[Philip Marlowe]

Matter who he kills.

[Radio Announcer]

Kills? What's that supposed to mean?

[Philip Marlowe]

Manny hour back, the chummy one who couldn't forget faces. He's very dead back in Dave's compartment.

[Radio Announcer]

Well. And that loudmouth wasn't just a blowhard salesman after all. He was what Dave's been running from. One of those lousy card shop slips, huh, Tony? Yeah, but they don't count, Mr. Detective. Nothing counts anymore but Dave getting out of a jam. That can cost him his hide. Just for the record, that game back in LA three months ago, that cost Dave every cent he had, plus 10. Grant he didn't was about as level as the rest of that knee pants town ever gets.

[Philip Marlowe]

Which makes you what?

[Radio Announcer]

Two things, smart Alec. First, a guy from Detroit, a real town who doesn't like a lousy fix. And second, I like a fix even less when the sucker on tap is my own brother. Now, people, get back away from that door. The station's on that side. I wouldn't want you to run for it and get shot before you got to say a few words. Back over here.

[Philip Marlowe]

Marlow. Take it easy with that gun, huh? They go off, you know.

[Radio Announcer]

All right, the pitch. Let's have it.

[Philip Marlowe]

Now, what's Dave to you, Ellen? Wyatt mean anything?

[Radio Announcer]

Not very much. But Dave is sorry about that. So when you get back to your client, you hold it just like you are in state cheerful.

[Gerald Moore]

Stop. Carter. Carter.

[Radio Announcer]

Gentlemen.

[Philip Marlowe]

Conductor. This.

[Radio Announcer]

This train wait here a while. I mean, is there any time to get off and stretch?

[Gerald Moore]

No, sir. Just stop long enough to pick up male leave Little male. Once in a while, take on a passenger. Hardly ever, though. Carter folks aren't much on traveling. Oh, by the way, aren't you the gentleman who was looking for Mr. Stacy?

[Philip Marlowe]

Yeah, I found him. Thanks.

[Gerald Moore]

Oh, don't mention it. Glad to be of service. Say, don't get too close to the edge here, gentlemen.

[Philip Marlowe]

Carter.

[Gerald Moore]

Carter, California.

[Philip Marlowe]

We. We were talking about Ellen Wyatt. Honey, why didn't precious brother Dave ever let her know that he had to lay low? That he was in a jam with gamblers? A bunch of roses with cotton clothes could have gone a long way. Or again as the.

[Radio Announcer]

Oh, button that up, Marlow. I don't know any of the details. Maybe the kid didn't want to know. He couldn't stay away from the pasteboards. Maybe he just didn't want her to worry. Anyway, that's not the point.

[Philip Marlowe]

And what is that?

[Radio Announcer]

A broken heart beats a broken skull.

[Philip Marlowe]

Seven times a week.

[Radio Announcer]

You should know that much, Pete.

[Philip Marlowe]

So?

[Radio Announcer]

So I don't want you, the girl or anyone else to know where Dave is heading. At least not until I get back to la, buy my lonesome and call a few spades.

[Philip Marlowe]

Just that. Like they do in Detroit, maybe, huh?

[Radio Announcer]

Like they do in Detroit. No.

[Philip Marlowe]

Me.

[Radio Announcer]

You tell the Wyatt babe I look her up then. Now you get over there at the door and you take your choice.

[Philip Marlowe]

Camp or get pushed.

[Radio Announcer]

Jump.

[Gerald Moore]

Pushed. Her.

[Radio Announcer]

Shot. Go on, Marlow.

[Philip Marlowe]

This is you.

[Radio Announcer]

Get off. The longer you wait, the harder it's going to be. Name it.

[Gerald Moore]

Jump, push or shot.

[Philip Marlowe]

I couldn't say much for the alternatives, but one look back over my shoulder at the gaping 22 automatic level at my head and Tawny's ice cold gray eyes above made up my mind for me. Jump. It had to be. I. I would always remember one thing about Carter, California. The right of way was more sand than stone. I. I was grateful.

[Willis Hansen]

Carter Station, Willis Hand speaking. The Limited left 10 minutes ago. No, no package for you, Miss. L. I'm sure. Sure I'm sure, huh? Me snapping at you. Now listen, Ms. Lily Brass, as some people. Hey, what happened to you, son?

[Philip Marlowe]

Hi, Tripp. Dad, this is important. Can you tell me where the Limited stops next?

[Willis Hansen]

Well, is anybody getting on at Murdoch corner?

[Philip Marlowe]

No, no, no. The first wheel stop. A good sized town.

[Willis Hansen]

Let's see. Smoke. Cigar or something?

[Philip Marlowe]

No, no, no. Look, dad, this counts. Now, come on, tell me, will you?

[Willis Hansen]

Yeah, yeah, sure. Well, now, there's Fulton. That's half our weight. You got a match, please, sir?

[Philip Marlowe]

Oh, yeah. Here. Here's a whole bun. Now tell me how Far is Fulton?

[Willis Hansen]

Oh, 40, maybe 50 miles. Upgrade on the road.

[Philip Marlowe]

How can I get there in a hurry? I gotta catch that train.

[Willis Hansen]

Well, if you got a car, you can.

[Philip Marlowe]

Where can I rent a car or get a cab?

[Willis Hansen]

Not a chance, honey. Oh, excuse me. Jake's calling from Baker Street.

[Gerald Moore]

He's.

[Willis Hansen]

He's expecting a grandchild.

[Philip Marlowe]

All right. For Jake. Now, listen to me, dad. There's a dead mine on the Limited and there's killer as well. And I was tossed off at train. Now, let's take the business.

[Willis Hansen]

Well, in that case, let's call ahead and get the police.

[Philip Marlowe]

No, I don't want that.

[Willis Hansen]

Why not, John?

[Philip Marlowe]

Because for one thing, the killer may have been justified. Self defense from the sight of the law will toss him into a lot of panic. Will only end up in more gun play. And for another, I have a very personal ax to grind.

[Willis Hansen]

Getting tossed off the train?

[Philip Marlowe]

Yeah, among other things. Now, will you tell me, that coupe out there, is it yours?

[Willis Hansen]

Yeah, but I can't use my car. Your cash?

[Philip Marlowe]

Cash. Here. Also, here's my credentials. I'm a private detective out of la. I'll get your car back to you as soon as. I'll pay you another 50 when I do. Now give me the keys, will you? Quick.

[Willis Hansen]

Yeah, sure, sure, sure, sure.

[Philip Marlowe]

Here. Here.

[Willis Hansen]

It's the one in the middle.

[Philip Marlowe]

Thanks, dad. And don't worry, I'll drive real quick.

[Willis Hansen]

What's your matter, son? Well, you're staring like you don't feel so good.

[Gerald Moore]

What is it?

[Willis Hansen]

Your head, maybe?

[Philip Marlowe]

Yeah, yeah, my head. Maybe I ought to have it examined. Sometimes it's real slow coming up with the truth.

[Willis Hansen]

The truth? What do you mean, son?

[Philip Marlowe]

I mean I got a big fat hunch. A hunch that may be able to stop a second murder if I make it to Fulton in time. So long, dad. Thanks a lot. You've been a great help. My apologies and congratulations to Jake. Like the station agent himself, Willard Hansen's coupe was a little less than spry. But with the accelerator jammed hard to the floor and only straight, empty highway ahead, I managed to keep it at restraining 70 most of the way. And 50 minutes later when I tore into Fulton and followed the street markers to the station, a long, low welcome sound of the night told me I was on time. The train was just getting underway again. I slammed to a stop at the end of the depot, piled out of the coupe and started to run for the last car. But I changed my mind. A train could chug on its merry way without me. After all, it was going Without Dave Stroud and his big brother. The two men were walking down the deserted platform toward me. I slid back into the shadows of a pile of crates and waited, my hand tight on the.38 in my pocket, suddenly positive that my hunch was now a sure thing. Roy T was not Dave's brother, but he was the one who had murdered Man Al back in car 16, compartment L. And he was ready to try murder again.

[Radio Announcer]

All right, Straw, that's far enough out.

[Gerald Moore]

There, T. You're out of your mind. You've got no reason to kill me. I'll never say anything. Ellen knows that. That's why I ran. I could never turn Ellen over to the police. I love her.

[Radio Announcer]

Oh, yeah, sure. You're nuts about it.

[Gerald Moore]

You got lots of reasons to be, haven't you?

[Radio Announcer]

Reasons like Ellen crossing you up for me in a tall stack of dough? Reasons like knowing that we're both responsible for knocking off our ex boss to come into that dough. Sure, kid, you got lots of reasons to love her.

[Gerald Moore]

But Tawny, I tell you, I do. I ran away, didn't I?

[Radio Announcer]

Oh, but of course, Mr. Stroud. Of course. You ran so that you could wait for a smart time in a smart place to try blackmail.

[Gerald Moore]

No, no, that's not it. I ran because I love Ellen. Because whatever she's done has been your fault.

[Radio Announcer]

Oh, no, you got it all wrong. The lady was the pilot. All the way even to hire an lousy people named Marlowe to tag you. So I know where to get my hands on you.

[Gerald Moore]

The man on the floor in my compartment, the dead man that was a.

[Radio Announcer]

Loud mouthed salesman with a memory for faces. He would have spoiled everything if he'd remembered that he saw me with Ellen in the railroad station and passed it on to Marlow. I had to shut him up and then give the peeper a big cock and bull story about you being my brother and in hot water with gamblers.

[Gerald Moore]

And Marlow was the other one. The one who grabbed for me.

[Radio Announcer]

That's right, Strah. That was Marlow.

[Philip Marlowe]

Too bad he didn't grab.

[Radio Announcer]

Better, isn't it?

[Philip Marlowe]

Yeah. Perfect shame, Tony.

[Gerald Moore]

Next two of us.

[Philip Marlowe]

Dick.

[Gerald Moore]

Is he dead, Mama?

[Philip Marlowe]

Yeah, Dave. Even in Detroit he'd be called dead. Come on, Dave. We got some telephone calls to make. The police, for one.

[Gerald Moore]

All right, Marlow. Is all this really true?

[Philip Marlowe]

Yeah, I'm afraid so, Dave. The girl you wouldn't turn in for murder wanted to murder you. Believe it, kid. All at once. It'll be easier later on that way.

[Gerald Moore]

Yeah, sure. Thanks, Marlow, for getting Here, when you did, you saved my life.

[Philip Marlowe]

Well, not exactly. A guy named Willis Hanset gets part credit for that guy who runs a railroad station at Calder, California, and also smokes cigars and sometimes runs out of matches.

[Gerald Moore]

What does that have to do with it?

[Philip Marlowe]

Everything, Dave. See, Hans had needed a light and I gave him a book of matches that Roy Taney had given me earlier in the club car. I hadn't noticed them then, but I did. When Hans had used them, they came from the Leopard Spot. The Leopard spot? Yeah.

[Gerald Moore]

The cocktail lounge at Ellen's hotel.

[Philip Marlowe]

That's right. And I couldn't buy Tawny's having them as just coincidence. It tied him into Ellen too tight. A hunch said so. Wait here, will you, kid? That'll only be a couple of minutes. I've got a long distance call to make before we get in touch with the police.

[Gerald Moore]

So, Ellen. But what are you gonna tell her, Marlowe?

[Philip Marlowe]

Anything, Dame. Anything that'll keep her right where she is, ready and waiting for what's gonna turn out to be the LA police. I won't be long.

[Ellen Wyatt]

Kidding.

[Philip Marlowe]

After the telephone call, Dave and I spent a long hour with the Fulton police explaining why a man named Roy Taney was lying in their quiet railroad station, face down in a pool of his own blood. And it was a long hour again with the railroad officials who arrived with their own set of questions. Well, it was 4:00 in the morning before we were finally aboard a train heading back for la. Dave Stroud and I sat opposite each other in silence through that bleak, empty hour when you can almost feel the day that's coming up nudge the one that's just gone by. I was real glad to see it go. I sat there looking at Stroud and wondered if he'd ever heard the lyrics of a song. A train whistle always makes me think of. My mammy done told me When I was in knee pants My mammy done told me Son, a woman's a two face A worrisome thing Will leave you to sing the blues in the night.

[Gerald Moore]

Remember, friends, to make every day more enjoyable, treat yourself often to refreshing, delicious Wrigley Spearmint Chewing Gum. There's lots of cooling, real mint flavor in every stick. And chewing Wrigley Spearmint helps keep you feeling fresh and alert. You feel better, work better, get more fun out of doing things. So indoors, outdoors, wherever you go, keep some healthful, refreshing Wrigley Spearmint Chewing Gum. Handy to make every day more enjoyable, Treat yourself often to delicious Wrigley Spearmint Chewing Gum. The Adventures of Philip Marlow, bringing you Raymond Chandler's most famous character Star Gerald Moore, are produced and directed by Norman Macdonald and written for radio by Robert Mitchell and Gene Levitt. Featured in the cast were Harry Bartel, Sammy Hill, Roy Rowan, Parley Bear, Larry Dobkin, Elliot Reed and Junious Matthews. The special music is composed and conducted by Richard Arant. The makers of Wrigley's Spearmint Chewing Gum. Invite you to be with us next week when Philip Marlow says, this time.

[Philip Marlowe]

I tangled with three snakes. The first was made of gold, the second wore a mustache, and the third was in the bag. And each in its own way, poisoned.

[Gerald Moore]

Bob Stevenson speaking. This is cbs, the Columbia Broadcasting System.