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Vicki Terrence
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Vicki Terrence
I love it. I really do.
Michael Waring
Welcome to Choice Classic Radio where we bring to you the greatest old time radio shows like us on Facebook. Subscribe to us on YouTube and thank you for donating@ChoiceClassicRadio.com the Adventures of the Falcon Starring Les Damon. Hello? Yes, this is the Falcon speaking. Oh, Linda, thanks for the call, but I have to say nix tonight, angel, as I'm involved with a prize fighter. They tell me he's murdering the ring, but it looks like there may be.
Ken Floyd
A murder out of it.
Michael Waring
This is Ed Herlihy friends inviting you to listen to the Adventures of the Falcon. Transcribed tonight. You met the Falcon first in his best selling novels and you saw him in his thrilling motion picture series. Now join him on the air when the Falcon solves the case of the Beautiful bait. Now the case of the beautiful bait. It's Wednesday night in New York and in a fight arena, Al Lassiter is eagerly watching one of the boys in the second round of the main event. Lassiter is the fat little man at ringside who keeps poking the pretty girl sitting next to him with his to call her attention to what excites him.
Joey O'Hara
Mickey, that kid's terrific. Yeah, look at that jab.
Vicki Terrence
Oh, look at it. I felt it. Wow.
Joey O'Hara
There's another. Hey, that one hurt.
Vicki Terrence
I'll say. Broke three ribs. Look, Al, you don't have to keep giving me the elbow. I'm paying attention.
Joey O'Hara
I just want you to watch his boy.
Vicki Terrence
What do you think? I'm watching the scenery.
Joey O'Hara
He's dynamite. Come on, Joey, you got him going. Keep on top of him. Yo, Joey will kill him.
Vicki Terrence
Well, he better do it quick or I'll kill you.
Joey O'Hara
This is it, Vicky.
Michael Waring
This is it.
Joey O'Hara
Course he's in trouble. Look at that Joey go. He's out for K.O. it crosses down.
Vicki Terrence
Well, thanks for telling me last year. I wouldn't have known.
Joey O'Hara
Ah, he's thrown.
Vicki Terrence
Well, I hope so. I can't take much more.
Joey O'Hara
Well, that's it. Come on, let's go.
Vicki Terrence
Yeah, It's a pleasure. Next time I go to a fight with you, I'm going into training too.
Joey O'Hara
I gotta get that Joey o'. Hara.
Vicki Terrence
Get him.
Joey O'Hara
His contract's up. If he's handled right. Maybe he won't renew with Whitcomb.
Vicki Terrence
How do you handle him right?
Joey O'Hara
I don't. That's your department.
Vicki Terrence
Well, don't you get bright ideas?
Joey O'Hara
Play him along. Before he knows it. His name's on my contract.
Vicki Terrence
Did anybody ask me?
Joey O'Hara
I'm telling you.
Vicki Terrence
Well, what if I don't play?
Joey O'Hara
I don't put it like that. Put it? If you do play. You know that convertible you've been wanting?
Vicki Terrence
Uh huh.
Joey O'Hara
Joey signs with me, it's yours.
Vicki Terrence
All of a sudden Joey interests me.
Joey O'Hara
I gotta sew him up. Vicki, the boy's gone places, right to the top. You don't find light heavies like him every day. He's young. Who knows, he may put on a few pounds and challenge the big boys.
Vicki Terrence
Yes sir, the kid's dynam dynamite. And you want me to light the fuse. Excuse me. Aren't you Joey o'? Hara?
Michael Waring
Yeah, that's right.
Vicki Terrence
I recognized you from the other side of the hotel lobby. I. I saw you fight the other night.
Michael Waring
Oh, yeah. You don't look like a fight fan.
Vicki Terrence
No? How do fight fans look?
Michael Waring
Oh, I mean, you're. Well, a lady.
Vicki Terrence
Thanks. And you're obviously a gentleman. But you, you're a fighter. Why shouldn't I be a fan?
Michael Waring
Oh, if you want to be, I think it's swell. It's just. Well, I don't know.
Vicki Terrence
You mean you're ashamed of being a boxer? Well, you shouldn't be. It takes courage, skill, clean living. Do I sound silly?
Michael Waring
No, no, it sounds good when you say it.
Vicki Terrence
Well, I. I won't keep you. Now, you. You were going somewhere when I stopped you.
Michael Waring
Just out to a movie.
Joey O'Hara
I.
Michael Waring
Hey, how about you coming along?
Vicki Terrence
Well, I. I don't have anything planned.
Michael Waring
Good. Then it's settled.
Joey O'Hara
Let.
Vicki Terrence
Kenny Floyd. What are you doing in New York?
Ken Floyd
I'm looking for you. Sweetheart. Detroit's not the same without you.
Vicki Terrence
They're still making cars, I hear.
Ken Floyd
But not making beautiful music.
Vicki Terrence
Look, run along, Ken, will you? I got a date.
Ken Floyd
And you're gonna cancel it.
Vicki Terrence
Now look, chum, before this goes any further, my date happens to be with an artist with his fist.
Ken Floyd
Oh, you got me real worried. What do you say we go inside? It's more comfortable standing here in the hall. I know. What's the matter, Vicki, you're a chick who plays the percentages. Now I don't hold that against you. I think that's smart.
Vicki Terrence
Meaning what?
Ken Floyd
Meanin you got an eye for the blue chips. I had a short stack. So you Pulled out. And, honey, things are different now. My luck's changed.
Michael Waring
Here, take a look at this roll. Catch.
Vicki Terrence
So you got a roll? So what am I supposed to do, wear a ring in my nose?
Ken Floyd
They're all 50s, honey. Help yourself. There's plenty more where they came from.
Vicki Terrence
No sale.
Ken Floyd
All right, sweetheart, and let's look at it like this. According to the columns, you're dating Joey o'.
Michael Waring
Hara.
Ken Floyd
That's what tipped me you were in the big town.
Vicki Terrence
Well, what do you know? He can read.
Ken Floyd
So I moved in and I've been asking around. And what do you think?
Vicki Terrence
I found out how many bars there are in New York.
Ken Floyd
I found out that up until a couple of weeks ago, you were real chummy with Al Lasseter.
Vicki Terrence
Fancy that.
Ken Floyd
So it figures. Lassiter has chips, you'd go for that. And he has a stable of fighters. He could be interested in this o'. Hara, and you're just the bait he'd need.
Vicki Terrence
Now we're playing guessing games?
Ken Floyd
One way to find out if I'm guessing. I could drop a hint to o'. Hara.
Vicki Terrence
No, Ken. Oh.
Michael Waring
Oh.
Ken Floyd
All of a sudden she's not the sharp chick. That hit a nerve.
Vicki Terrence
Well, it's just that Joey might get the wrong idea. And he likes me, see? He likes me a lot. I wouldn't want to hurt him.
Ken Floyd
Now, wait a minute, Vicki. Something's out of gear. You started running too fast. Now, don't tell me you're that worried about hurting some jerk who saw.
Joey O'Hara
Wait a minute. Now, wait.
Ken Floyd
Why didn't I think of that? Certainly you're soft on him. Maybe Lassiter's the one I ought to talk to.
Vicki Terrence
Look, what are you trying to do? Just what is it you want?
Ken Floyd
I thought that was obvious, sweetheart. I want you.
Vicki Terrence
And you think this will get me? Blackmail?
Ken Floyd
Why not? I have what Lassiter has. A bankroll. Of course, maybe I don't have shoulders like o'. Hara, but you used to think I wasn't so hard to take. You'll come around again.
Vicki Terrence
I hate to disappoint you, but you're counting this chick a little too fast. Ken, if we're gonna play guessing games, I can do some guessing, too. Like where this bankroll came from you're so proud of. You didn't get it. Singing hymns.
Ken Floyd
You don't know where I got it.
Vicki Terrence
Well, maybe I know where to find out. So before you go running to Joey or Lassiter with any pipe dreams, just remember it's a two way street, honey, and you could have an accident. Now, here's the roll back. Catch.
Michael Waring
Hello.
Vicki Terrence
Hello. Are you Michael Waring?
Michael Waring
Mm. Also called the Falcon, but don't ask me why. And you're Vicki Terrence, huh?
Vicki Terrence
Well, I heard you're a good detective, but that's kind of stretching it.
Michael Waring
Why? I've just been looking at a picture of you and o' Hara nightclubbing together.
Vicki Terrence
I didn't know we'd been published.
Michael Waring
You don't read the police Gazette? Come in.
Vicki Terrence
Thanks.
Michael Waring
Well, now, why do you want a detective?
Vicki Terrence
Well, Mr. Waring.
Michael Waring
Oh, call me Mike. I'll call you Vicky. Unless o' Hara objects.
Vicki Terrence
Don't worry about Joey. He's a lion in the ring, but a lamb out of it.
Michael Waring
With you as little Bo Peep, I can believe it. But back to business.
Vicki Terrence
Well, Mike, there's a. There's a fellow I used to go with in Detroit, Ken Floyd. He's come to New York and wants to make trouble between me and Joey.
Ken Floyd
How?
Vicki Terrence
Well, he has some wacky yarn. He's threatened to tell Joey.
Joey O'Hara
What yarn?
Vicki Terrence
Well, it hasn't anything to do with what I want you for.
Michael Waring
Vicki, I found out when people who want to hire me start holding out on me.
Vicki Terrence
I'm not holding out. But I'm beginning to wonder if I didn't make a mistake coming here.
Michael Waring
So am I, angel.
Vicki Terrence
Look, all I want is for you to check up on Ken. He's waving a bankroll, and I'd like to know where he got it.
Walter Whitcomb
Why?
Vicki Terrence
Look, I'm offering you a job. Take it or leave it.
Michael Waring
Now, how do I know you're not planning to blackmail this Ken Floyd if I bring something hot in on it?
Vicki Terrence
Oh, brother. He's trying to blackmail me.
Michael Waring
How? What's he got on you?
Vicki Terrence
It's been nice knowing you, Mr. Waring. I think I go now.
Michael Waring
How long? The key.
Vicki Terrence
You know, most people have to work if they want to eat. Maybe you're not hungry, huh? So long, Mike.
Michael Waring
Now, Here we are. C4, 5 and 6. You going first, Mr. Lassiter.
Joey O'Hara
All right, Joey.
Michael Waring
And now you, Vic.
Vicki Terrence
Oh, no, thanks, Joey. You're in better shape. You can take it, huh? I mean, you and Mr. Lasseter may have some things you want to talk about. You sit next to him.
Michael Waring
Okay.
Vicki Terrence
Good. That's a load off my ribs.
Michael Waring
Well, Mr. Lassiter, ought to be some good action tonight.
Joey O'Hara
Yes, there's gonna be some good boys in there.
Michael Waring
You know, I like this.
Joey O'Hara
Uh, what's the matter?
Michael Waring
There's Witcomb, and he sees me.
Joey O'Hara
Oh, yeah, he's coming over. Well, don't worry. He can't do anything. Hello, Wickham.
Walter Whitcomb
Looks like a jolly little party. Hello, Lester and Joey.
Michael Waring
Hello, Mr. Witkin.
Walter Whitcomb
And this must be the little lady I've been hearing about.
Michael Waring
This is Vicki.
Walter Whitcomb
Yes, yes, I know Vicki Terrence.
Michael Waring
Ah, you read the papers, too.
Walter Whitcomb
I didn't get it from the papers. They just say you've been out with her. But I happen to know why.
Vicki Terrence
And I happen to smell a rat. Or could it be a weasel?
Michael Waring
What's that, Vicki?
Vicki Terrence
I just mean somebody's trying to make trouble.
Michael Waring
Who? Why?
Vicki Terrence
Obviously someone who'd rather have his dirty work done by somebody else. You know, Whitcomb, I never thought of that angle.
Michael Waring
Yeah, I don't get it. What's. What's this all about?
Walter Whitcomb
There's nothing mysterious about it, Joey. I just didn't have my eyes open. Somebody opened them for me.
Michael Waring
If I don't get an answer, I understand pretty quick. Somebody's gonna close them for you.
Walter Whitcomb
I see Ms. Terrence has introduced you to Lassiter.
Michael Waring
Yeah.
Walter Whitcomb
And told you he was a friend of the family or some such.
Joey O'Hara
All right, that's enough, Witkin.
Michael Waring
Wait a minute, Mr. Lasseter. I want to hear this. Go on, Wickham.
Walter Whitcomb
Well, Joey, it's just that she and Lassiter happen to be more than friends, that's all.
Michael Waring
Huh?
Walter Whitcomb
She's his girl, Joey. Don't you get it?
Joey O'Hara
Don't listen to him, Joey.
Michael Waring
Vicki.
Vicki Terrence
It's a lie. Joe.
Walter Whitcomb
I've been wondering why you were so hard to talk to lately, Joy. Now I find out. Lassiter's girl leading you along so you'll sign with him.
Michael Waring
I don't believe it.
Walter Whitcomb
She did ask you to sign with Laster, didn't she? Well, didn't she?
Michael Waring
She said she thought it'd be a good idea.
Walter Whitcomb
Yeah, good for her.
Michael Waring
But still don't prove.
Walter Whitcomb
All right, all right. You want proof? I'll get it. I didn't know she was Laster's girl. But there are people who do. Just. Just promise me this, Joey, that you won't sign with Laster until you talk to them.
Michael Waring
I can't promise that.
Walter Whitcomb
Why not?
Michael Waring
Because I already did sign with him today. Hello. Looking for me? Corbett?
Walter Whitcomb
Oh.
Michael Waring
That you, Waring? Yeah, I'm looking for you. I'm sorry, I can't make it tonight, angel. I have to. You'll make it this afternoon. I want to talk to you. What about? What do you know about Vicky Terrence? Vicki? Oh, beautiful eyes. Wonderful complexion. Gorgeous figure. Look, the inventory. I can take myself. What I want to know. What's with you? And her? Nothing. I gave her the brush. Oh, a girl with a bill like hers? I don't believe it. Oh, it's her boyfriend's bill that stopped me. Now look, I'm in her room. Oh, well, you better be careful, Corbett. That boyfriend I mentioned. I'll tell take care of the boyfriend. Now what I started to say I find your name in her address book. How come? Oh, come now, Corbett. If you're going to start investigating all the girls who have my name, I'm investigating this one. Now, what's with you and Vicki? Well, is she there? Yeah, why not ask her? Well, that'll be a little tough, Mike, seeing as how somebody strangled her this morning. Waring. Please, Corbett, I'm trying to eat. But again, every time I look into Ed's luncheonette, I find you. Somebody's got to support him. Look, I don't have all day to hang around here. Well, so long then. Warring. I've told you all I know. Corbett. You admit the girl wanted to hire you? Yes. To check on a Ken Floyd? Yes. But what'd you find out about it? I didn't. Look, I don't buy your dropping the case. Why not? Well, first, the girl's looks. Well, I told you. And second, anytime you turn down a chance to make a buck. That I gotta see. All right, open your eyes. Look, are you gonna cooperate? I told you, she named Ken Floyd. You can check on her. I will. And you can check on her boyfriend, o'. Hara. Now, we're trying to find him. He's disappeared. Well, all the more reason to check. And you could check with the desk clerk at her apartment. Maybe he saw someone go up. Are you trying to tell me my business, Waring? And it so happens the desk is closed from midnight to 8. And Doc says it's possible that she was killed before 8. Well, you've still got enough to keep you busy for a while. If you don't get anywhere, come on back and I'll be happy to take over the case for you. Why, For a fee, of course. So long, Corbett.
Walter Whitcomb
Michael Waring?
Michael Waring
That's right.
Walter Whitcomb
My name's Walter Whitcomb. I'd like to talk with you.
Michael Waring
Walter Whit. Oh, yeah, Joey o' Hara's manager.
Walter Whitcomb
Ex manager. That's what I wanted to see you about. May I come in?
Michael Waring
Yeah, sure. Well, looks like destiny. Why that I should get involved with o'? Hara?
Walter Whitcomb
I don't understand.
Michael Waring
Well, you don't need to. What's the trouble, Al?
Walter Whitcomb
Esther wanted to get Joey away from me. He baited his hook with a beautiful girl.
Michael Waring
Vicki. Vicky.
Walter Whitcomb
Yes. You've seen in the papers what happened to her. But what the papers don't know is that the girl was just being used by Laster. They also don't know that she was successful.
Michael Waring
What do you mean?
Walter Whitcomb
Last night I learned that Joey signed with Lassiter.
Michael Waring
Oh, well, it's bound to come out pretty soon.
Walter Whitcomb
I know. And when it does, the police may think I killed the girl for revenge.
Michael Waring
Yeah, they might. So you want me to prove you didn't?
Walter Whitcomb
Yeah.
Michael Waring
Well, just one thing first. What's that? What gave you the idea that Lassiter was behind Vicki's attentions to Joey?
Walter Whitcomb
Why, it's obvious.
Michael Waring
Yeah, but was it until somebody tipped you off?
Walter Whitcomb
Well, it was suggested.
Michael Waring
And would the somebody who suggested it be a fellow by the name of Ken Floyd? Wow.
Walter Whitcomb
Incredible.
Michael Waring
It's elementary, my dear Whitcomb. All done with mirrors.
Walter Whitcomb
What do you know about Floyd?
Michael Waring
Not as much as I'd like to. I'll have to look him up after I get through with Lassiter.
Walter Whitcomb
Oh, then you. You are taking the case.
Michael Waring
Waring. Who am I to fly in the face of destiny? Yeah, Whitcomb. I'll take the.
Vicki Terrence
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Vicki Terrence
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Vicki Terrence
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Vicki Terrence
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Vicki Terrence
Launch your podcast on Podbean today.
Joey O'Hara
Wait a minute. You must think I'm absolutely crazy. Wary.
Michael Waring
Not absolutely.
Joey O'Hara
Lassiter, you come here and ask me a lot of questions, all of which are trying to prove that Joey o' Hara killed Vicky.
Michael Waring
I never said that last.
Joey O'Hara
Well, your questions imply it. But Joey just signed up with me. If you think I'm gonna sell my own fighter up the river, you got another thing coming.
Michael Waring
Look, look, I'm just trying to find out a few things about o'. Hara. You've got to admit, things don't look good for him. Disappearing right after the murder.
Joey O'Hara
All right, he's not at his hotel. That doesn't say disappeared.
Michael Waring
What does it say?
Joey O'Hara
I don't know anything about him, and I've got nothing more to say, Sir. Waring, I know that you're a busy man.
Michael Waring
Yeah, sure, sure. Well, thanks for nothing. Lassiter.
Joey O'Hara
What was that?
Michael Waring
Something in the next Room?
Ken Floyd
Yeah.
Joey O'Hara
Must have come in the back way. Who's there?
Michael Waring
It's me, Mr. Lassiter. Bumped into a chair.
Joey O'Hara
Oh, Joey. Say, what's the matter with you, boy? You look sick.
Michael Waring
I'm all right. Who's this?
Joey O'Hara
Mike Waring.
Michael Waring
Oh, hello, Joey. Where you been? I don't know where I've been.
Joey O'Hara
You what?
Michael Waring
That's right, Lass. I don't know. The Woodcomb told me about you and Vicki. I didn't know what to do. Went to a bar, had a couple, three, four. I don't know. That's all I remember.
Joey O'Hara
I wasn't very smart, Joey.
Michael Waring
Yeah, Yeah, I know, Mr. Lasseter. I'm not very smart. Just a slap happy jerk letting you and a girl make a real schmo out of me. But you're not gonna get away with it.
Joey O'Hara
What are you gonna do?
Michael Waring
I'm gonna. Who's he?
Joey O'Hara
I told you. Mike Waring.
Michael Waring
Oh, yeah? Yeah. Well, what's he want? I wanted to talk to you, Joey, and so does Sergeant Corbett. Why don't you come along with me? What do you want to talk about? Viking. Oh, that little. I don't want to talk about her.
Joey O'Hara
You don't have to talk, Joey. Wait till I get your lawyer, huh?
Michael Waring
Lawyer? What for?
Joey O'Hara
They want to pin the murder on you. Don't you understand?
Michael Waring
What murder?
Joey O'Hara
Vicky's.
Michael Waring
Vicky's. Has Vicky been.
Joey O'Hara
Didn't you know?
Michael Waring
Who did it?
Joey O'Hara
Hey, hey, let go.
Michael Waring
Who did it?
Joey O'Hara
I don't know.
Michael Waring
That's enough, Joey.
Joey O'Hara
Stop it.
Michael Waring
Stay out of this, Mr. Waring. I will when I get you out of it. Now let him go. All right, let him go. It's the difference. Vicky's dead, huh? Wanna talk about it? Got nothing to say? I think you better go see Sergeant Corbett just the same. Police? Yeah, why not?
Joey O'Hara
Joey. Joey, you don't understand. They'll say you did it.
Michael Waring
Let him say. I don't care. Vicki's dead, huh? I don't know. Did I love her? Did I hate her? Come on, mister. All right, Joey.
Joey O'Hara
No, Joey, wait.
Michael Waring
I'll see you later.
Joey O'Hara
Well, at least don't say anything, Joey. Not until I get your lawyer. I'll get one down there right away. Ah, that crazy. Jake.
Michael Waring
How are you?
Ken Floyd
I put down that phone. Lesson, huh?
Joey O'Hara
Who you?
Ken Floyd
Ken Floyd, friend of Vicki's. Joey left the back door open, so I come in.
Joey O'Hara
What do you want?
Ken Floyd
Save you the cost of a phone call and lawyer fee. Put down the phone.
Joey O'Hara
I got a call.
Ken Floyd
Put it down.
Joey O'Hara
Wait a minute. Be careful with that gun.
Ken Floyd
All right, you be Careful, too. Just do like I tell you.
Joey O'Hara
Yeah, I will.
Ken Floyd
That's better.
Joey O'Hara
What do you want, Floyd?
Ken Floyd
I told you. To keep you from wasting your money. No use hiring a lawyer to protect somebody else's fighter, is there?
Joey O'Hara
I don't know what you mean. Joey signed with me.
Ken Floyd
So you say. But you can't prove it without a contract.
Joey O'Hara
I've got a contract.
Ken Floyd
Yes, but it's not on record yet.
Joey O'Hara
All right, it will be.
Ken Floyd
I don't think so. You and I are going down to your office. You're gonna open up the safe.
Joey O'Hara
Wait a minute. Who you working for? Whitcomb?
Ken Floyd
I make it a point never to work for anybody except Ken Floyd. I figure your copies of the contract ought to be worth a nice piece of change to Whitcomb. So we can destroy him. Sign up Joey himself.
Joey O'Hara
Well, maybe Whitcomb won't be interested. There's a murder rap hanging over Joey's head.
Ken Floyd
You were ready to spend money on lawyers. I should think Whitcomb would be too. And on the contracts, Joey's worth the risk.
Joey O'Hara
I see. How much do you expect Whitcomb to pay for the contract?
Ken Floyd
Why do you want it?
Joey O'Hara
Something I might.
Michael Waring
Good. Good.
Ken Floyd
I don't care who I deal with as long as the price is right. But there's no use peddling contracts until I got them. So let's get moving, Lassiter.
Michael Waring
Now, back to the Adventures of the Falcon. It's the day after Ken Floyd took over Joey o' Hara's contract at gunpoint. He's put it up for sale, weighed his offers, and now he's closing the deal with the highest bidder.
Ken Floyd
8008-509009-50000. All right, Whitcomb, that makes it an even 10 grand.
Walter Whitcomb
Well, Floyd, now the contracts.
Ken Floyd
Here you are, Whitcomb.
Michael Waring
Good.
Ken Floyd
That's what Lassiter gets. Would be in a cheapskate.
Walter Whitcomb
Now, first to get rid of these.
Ken Floyd
Oh, here, use my lighter.
Michael Waring
Thanks.
Walter Whitcomb
Well, there they go. Up in smoke. That's a beautiful sight.
Ken Floyd
But you're gonna burn the table.
Michael Waring
No, no.
Walter Whitcomb
I'll throw them in a grate. And now that I can do business with Joey again, I'd better see how things are getting along.
Ken Floyd
There's no use my hanging around. So long, Witkin.
Walter Whitcomb
Goodbye, Fl.
Michael Waring
Hello.
Walter Whitcomb
Is that the Falcon?
Michael Waring
Yes, this is the Falcon speaking.
Walter Whitcomb
Well, this is Walter Whitcomb.
Michael Waring
Mm.
Walter Whitcomb
I understand you picked up Joey o'.
Michael Waring
Hara. That's right.
Walter Whitcomb
And do the police think he's guilty?
Michael Waring
They're not sure. Why?
Walter Whitcomb
I find I made a mistake about him. And Laster, I'm in a position to deal with Joey after all. So naturally, I'd like to see him cleared. According to the paper, he didn't tell the police anything damaging.
Michael Waring
He didn't tell them anything, period. So they were holding him until he felt a more conversational mood.
Walter Whitcomb
You say we're holding him. Does that mean he's been released?
Michael Waring
Not exactly. I'm afraid I have bad news for you, Whitcomb.
Walter Whitcomb
What do you mean?
Michael Waring
Well, I just got word Joey killed himself in his cell half an hour ago.
Ken Floyd
Nine hundred. Nine hundred and fifty.
Michael Waring
A thousand.
Ken Floyd
Well, that does it, Lassiter. And even 10 grand.
Joey O'Hara
All right, now let's have the contract.
Walter Whitcomb
Floyd.
Ken Floyd
Yeah? The photostats, the proof Joey signed with you.
Michael Waring
Uh huh.
Joey O'Hara
And now. Just a second, Floyd. Oh, you again. Wary.
Michael Waring
Lassiter. Who's your friend?
Joey O'Hara
That's Ken, Floyd.
Michael Waring
Oh, good. I've been wanting to meet him. You can ask me in.
Joey O'Hara
Looks like you're asking yourself that. What'd you come here for, Wary?
Michael Waring
Well, you were trying to protect Joey before because you figured to cash in on him. But now that he can't be of any more use to you.
Joey O'Hara
What do you mean, can't be of any more use to me?
Michael Waring
Now that he's dead.
Joey O'Hara
What?
Michael Waring
Yes. Didn't you know he killed himself?
Joey O'Hara
Floyd, did you know about this?
Ken Floyd
Oh, Lassiter. Sir, Help me.
Michael Waring
What's Floyd got to do with it?
Ken Floyd
Nothing. Wearing it.
Joey O'Hara
I'll settle with you later, Floyd.
Michael Waring
Maybe I will too. But first, Lassiter, can you tell me anything about Joey you didn't tell me before?
Joey O'Hara
Wait a minute. How do I know this isn't a bluff about him being dead?
Michael Waring
Turn on the radio. You'll hear it on the news.
Joey O'Hara
Well, all right, Waring, so it's on the level. But what do you expect me to tell you about Joey?
Michael Waring
Anything that might tie him to the murder.
Joey O'Hara
Well, doesn't a suicide do it?
Michael Waring
Not entirely. And I've got a client to clear it.
Joey O'Hara
Well, I know Joey threatened Vicky, but that doesn't say he killed her.
Michael Waring
How do you know he threatened her?
Joey O'Hara
Well, she called me about four in the morning. Said he was banging on a door to her bedroom, trying to get in. I had to go over and drag him away. Maybe he went back, but I don't know how you're gonna prove it.
Michael Waring
Maybe we won't have to. There's a good chance.
Joey O'Hara
Hey, wait a minute. Where's Floyd?
Michael Waring
Looks like he slipped out the back way while we were talking.
Joey O'Hara
We gotta get him. He's got Ken Grandem on.
Michael Waring
We'll get him. At first we're going to headquarters.
Joey O'Hara
Why?
Michael Waring
To give Corbett our proof.
Joey O'Hara
But I told you, I don't have.
Michael Waring
Proof that Joey killed Vicki. I know that, but we have proof that you did. Huh? Sure, Lassiter. You killed Vicki. So let's go tell Corbett about it. Waring, there's just one thing. I want to know why Lassiter killed Vicki. Well, I'll tell you, Corbett. He was using Vicki to work on Joey for him. But he found out that she was taking her work too seriously. She really fell for Joey. And Lassiter killed her in a jealous rage. No, that's not what I wanted to ask. Oh, you wonder how I knew that Lassiter was the murderer? Well, he said Vicky phoned him from her room at 4 in the morning. But the desk in her apartment house is closed from midnight to 8 and calls have to go through the desk. So she couldn't have phoned at 4. Yeah, but that's still not so. I knew Lassiter was lying. He was trying to throw suspicion on Joey and at the same time explained what he was doing at Vicki's in case anyone saw him going there that night. All right, all right, Waring. But now will you just answer one thing? Sure, Corbett. You told me you turned down the case. And still I find you involved with Joey Lassiter, Wichita and Floyd. Go ahead, explain that. Well, it's really very simple, Corbett. There's only one trouble. Yeah? What's that? You wouldn't believe me. Oh. Good night, Corbett.
Host: Choice Classic Radio
Episode Release Date: August 14, 2025
Original Air Date: August 22, 1951
In this thrilling episode of The Falcon, titled The Case of the Beautiful Bait, listeners are transported to the bustling streets of 1950s New York. Hosted by Choice Classic Radio, this installment weaves a complex tale of deception, ambition, and murder within the world of professional boxing. The story intricately blends personal relationships with criminal intrigue, keeping listeners on the edge of their seats until the very end.
The episode opens with the vibrant atmosphere of a Wednesday night boxing match at a New York fight arena. Al Lassiter, a character known for his penchant for disrupting Vicki Terrence's evenings, is keenly watching the fight alongside a pretty girl. Vicki and Joey O'Hara, Al's friend, engage in banter that hints at underlying tensions.
Vicki Terrence ([01:59]): "Well, thanks for telling me last year. I wouldn't have known."
As the fight progresses, Al becomes increasingly annoyed with Vicki's constant elbowing to gain her attention, revealing his controlling nature. Meanwhile, Vicki notices Joey's exceptional performance in the ring.
Vicki Terrence ([02:21]): "Well, he better do it quick or I'll kill you."
The scene shifts to a conversation between Vicki and Michael Waring—the Falcon himself—at a luncheonette, where Vicki seeks Michael's help regarding Ken Floyd, an old acquaintance whose recent actions suggest malicious intent.
Ken Floyd arrives, attempting to manipulate Vicki and create discord between her and Joey. His motives become suspicious as he hints at using Vicki as bait to undermine Joey, who is a rising star under Michael's protection.
Ken Floyd ([05:27]): "So what am I supposed to do, wear a ring in my nose?"
Vicki Terrence ([07:05]): "Now, before you go running to Joey or Lassiter with any pipe dreams, just remember it's a two-way street, honey, and you could have an accident."
Vicki reaches out to Michael Waring for assistance, suspecting that Ken Floyd's sudden interest in her is more than coincidental.
Michael investigates Ken Floyd's background, uncovering Floyd's attempts to sabotage Joey's burgeoning career. Floyd's actions include seizing Joey's contract and attempting to sell it, indicating a deeper conspiracy aimed at controlling Joey for his own gain.
Michael Waring ([15:07]): "What do you mean?"
Walter Whitcomb ([14:29]): "My name's Walter Whitcomb. I'd like to talk with you."
As the plot thickens, Floyd's interference leads to Joey being implicated in Vicki's suspicious death, raising stakes and urgency in Michael's quest to clear Joey's name.
The tension culminates in a dramatic confrontation where Michael, now fully immersed in solving the case, confronts Joey about the implications of Joey's potential involvement in Vicki's murder. Simultaneously, Floyd's true intentions are revealed as he attempts to coerce Joey into relinquishing his autonomy.
Michael Waring ([18:00]): "Now let him go. It's the difference. Vicki's dead, huh? Wanna talk about it? Got nothing to say? I think you better go see Sergeant Corbett just the same."
In a pivotal moment, Michael discovers that Floyd has ulterior motives tied to Walter Whitcomb, further entangling the web of deceit surrounding Vicki's demise.
As the investigation progresses, it becomes clear that Al Lassiter orchestrated the events leading to Vicki's death out of jealousy and a desire to control Joey's career. Utilizing misleading information about Vicki's late-night activities, Lassiter aims to deflect suspicion onto Joey.
Vicki Terrence ([08:34]): "Well, Mike, there's a. There's a fellow I used to go with in Detroit, Ken Floyd. He's come to New York and wants to make trouble between me and Joey."
Michael pieces together the inconsistencies in Lassiter's account, particularly the impossible timing of Vicki's phone call, leading to the unraveling of the true murderer.
Michael Waring ([09:55]): "You know, Whitcomb, I never thought of that angle."
In the final showdown, Michael confronts Lassiter, revealing that Joey's supposed suicide was part of a larger scheme to eliminate evidence and protect Lassiter's interests.
Michael Waring ([23:16]): "Well, looks like destiny. Why that I should get involved with o'? Hara?"
Joey O'Hara ([24:05]): "Well, doesn't a suicide do it?"
With meticulous deduction, Michael clears Joey's name, exposes Floyd's manipulations, and brings Lassiter to justice, restoring order and trust among the characters.
The Case of the Beautiful Bait masterfully combines elements of mystery and drama, showcasing Michael Waring's prowess as The Falcon. Through sharp dialogue and intricate plotting, the episode delves into themes of loyalty, ambition, and the destructive power of jealousy. Listeners are treated to a captivating narrative that not only entertains but also highlights the timeless appeal of classic detective storytelling.
This episode exemplifies the Golden Age of Radio's ability to weave intricate and engaging stories, leaving listeners eagerly anticipating the next adventure of The Falcon.