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Happy Head Representative
There's a myth. A lot of us grow up believing that hair loss is just a part of life. It happens, it runs in the family and once it starts, there's no stopping it. But here's the truth. That's outdated thinking. Scientific understanding of hair loss has advanced in recent years. Today we have a deeper knowledge of underlying causes and we've developed science backed solutions that are both effective and safe. And that's at the very root of Happy Head. Dermatologists led innovation offering stronger FDA approved ingredients to that work. But what really sets Happy Head apart is how personalized it is. They don't do one size fits all fixes. You fill out a comprehensive consultation and their board certified dermatologists assign a formula specifically for your hair loss pattern, goals and lifestyle. And whether you're early in your journey or more advanced, Happy Head offers targeted options that actually work. Topical treatments, oral capsules or potent dual action bundles, all delivered directly to you, discreetly and freshly compounded. In the US Most people start seeing results in three to six months. But the real magic? It's sustainable. This isn't just about growing hair, it's about keeping it long term. So no, hair loss isn't inevitable anymore. Visit happyhead.com and find out what's possible when science, expertise and personalization come together. Hair happiness starts here.
Choice Classic Radio Announcer
Welcome to Choice Classic Radio where we bring to you the greatest old time radio shows like us on Facebook, subscribe to us on YouTube and thank you for donating. @ChoiceClassicRadio.com.
Ed Herlihy
The Craft Foods company brings you the adventures of the Falcon, starring Les Damon. Hello?
Michael Waring
Yes, this is the Falcon speaking. Oh, Myra, thanks for calling, but I can't make it tonight, Angel. Now I have a client who's getting a lot of help from her boyfriend and if I'm not careful, he's going to help her right into the electric chair.
Ed Herlihy
This is Ed Herlihy, friends inviting you on behalf of the Kraft Foods company to listen to the adventures of the Falcon. You met the Falcon first in his bestselling novels. Then you saw him in his thrilling motion picture series. Now join him on the air when the Falcon solves the case of the broken fingerprint. Before the Falcon solves tonight's case, let's listen to this.
Norma Wallace
Miracle Whip has the flavor so pleasing. Miracle Whip tastes so lively, so teasing. Miracle Whip, only one of its kind.
Choice Classic Radio Announcer
Miracle Whip best salad dressing you will find.
Ed Herlihy
Miracle Whip tastes really good. Not too sharp, not too mild, but just exactly right. And Miracle Whip tastes different, too different from any other salad dressing. Try it yourself, see. Why, it's America's favorite salad dressing. The one and only Miracle Whip. And now, the case of the broken Fingerprints. It's Wednesday night in New York and the apartment of Barry barrow in the E60s is in darkness. Ethel Barrow sits in the darkened apartment, drumming on the arm of her chair with her fingernails. Now she reaches out to the table beside her and fumbles about on it for a cigarette lighter. She finds the lighter, lights it and uses its light to show her the time on her wristwatch. But when she hears voices outside the apartment, she flicks out the light quickly and stands up, facing the door. A key turns in the lock. Front door opens. The light is turned on and a man and woman enter. Ethel.
Ethel Barrow
Hello, Barry.
Ed Herlihy
Oh. Well, when did you.
Ethel Barrow
I decided not to go away after all. I thought things might be more interesting around here. Well, aren't you going to introduce me to your friend?
Norma Wallace
Yes, Barry, how about it? Who is this?
Ed Herlihy
Norma?
Choice Classic Radio Announcer
I. She.
Ethel Barrow
Perhaps I'd better, since he's having so much trouble. I'm his wife, Ethel Barrow, and you're Norma Wallace. You live at 321 Pierce Place. You work at Corby's department store and you've known Barry for three months. I know all about you, Ms. Wallace, though I can't say I'm pleased to meet you.
Norma Wallace
Barry, you never told me.
Ed Herlihy
I. I was going to.
Norma Wallace
When? When you got tired of me?
Ethel Barrow
Or me?
Ed Herlihy
What can I say?
Ethel Barrow
If we give you a couple of minutes to get over the shock, darling, I'm sure you'll think of plenty to say. But it's what you do that interests me.
Ed Herlihy
What do you expect me to do?
Ethel Barrow
I expect you to act like a heel. You always have.
Ed Herlihy
You want a divorce, Cecil?
Ethel Barrow
I'm not so sure I want to make things that easy.
Norma Wallace
Do you want a divorce, Barry?
Ed Herlihy
I don't know what I want.
Ethel Barrow
I know what you want. You want an easy out. This is one of those times when three is a crowd. Somebody has to be eliminated. The only question is, who is it to be?
Norma Wallace
Yes, what can I do? Oh, Ted. What are you doing here?
Choice Classic Radio Announcer
I'm just shopping. I'd like a five pound box of chocolate. Send it to Norma Wallace. 321 Pierce Place. With all my love.
Norma Wallace
Ted, please.
Choice Classic Radio Announcer
I'm taking you to lunch.
Norma Wallace
You won't believe it's all over between.
Choice Classic Radio Announcer
You and me just because of Barrel. Oh, he's got money, but I've got charm. Besides, I'm serious.
Norma Wallace
So's he.
Choice Classic Radio Announcer
Want to bet?
Norma Wallace
He asked me to marry Him?
Choice Classic Radio Announcer
You're not going to.
Norma Wallace
Soon as he gets his divorce.
Choice Classic Radio Announcer
Divorce? I didn't know he was married.
Norma Wallace
Neither did I.
Choice Classic Radio Announcer
Nice guy.
Norma Wallace
He was going to tell me.
Choice Classic Radio Announcer
Was going to? Does that mean that you found out for yourself?
Norma Wallace
I. I met his wife.
Choice Classic Radio Announcer
It gets better all the time.
Ed Herlihy
You picked a lulu.
Choice Classic Radio Announcer
Now, look, Norma, no matter how things are between us, you can't go on with a guy like that.
Norma Wallace
No lectures, Ted. I'm not a child.
Choice Classic Radio Announcer
Then don't act like one.
Ed Herlihy
You've got to break this off.
Norma Wallace
We're settling it tonight. He's coming up to my place. We're going to make our plans.
Choice Classic Radio Announcer
Does his wife know?
Norma Wallace
No.
Choice Classic Radio Announcer
Normally, you'll.
Norma Wallace
Let's not discuss it here.
Choice Classic Radio Announcer
All right.
Ed Herlihy
At lunch.
Norma Wallace
If you insist. But I'm warning you, you'll be wasting your time.
Choice Classic Radio Announcer
I'll risk it if there's any chance I can keep you from wasting your life.
Ed Herlihy
Hello?
Norma Wallace
Ted, can you come here right away?
Choice Classic Radio Announcer
Where are you?
Norma Wallace
At home.
Choice Classic Radio Announcer
What happened?
Norma Wallace
It's awful. I should have listened to you.
Choice Classic Radio Announcer
What is it?
Norma Wallace
I told you Barry was coming up here.
Ed Herlihy
Yes.
Norma Wallace
When I got home, he was already here. Well, I found him on the floor. He. He's dead. Ted, come in.
Ed Herlihy
Yeah.
Norma Wallace
There he is.
Choice Classic Radio Announcer
Did you touch anything?
Norma Wallace
No. That's just the way I found him.
Choice Classic Radio Announcer
How'd he get in? Did he. Did he have a key?
Norma Wallace
No. I don't know how he got in. Maybe the door was open.
Choice Classic Radio Announcer
Paul, that's no good.
Norma Wallace
Well, he doesn't have a key.
Michael Waring
No, I'm.
Choice Classic Radio Announcer
I'm trying to help.
Norma Wallace
If you don't believe me, search him.
Choice Classic Radio Announcer
All right. He doesn't have a key. Then how are we going to explain his being here?
Norma Wallace
I don't know.
Choice Classic Radio Announcer
We'll have to think of something. Can't afford any holes in your story.
Norma Wallace
But what can we say?
Choice Classic Radio Announcer
You have to make up some explanation that'll hold water.
Norma Wallace
Maybe I'd better just call the police and tell the whole truth. As far as I know it.
Choice Classic Radio Announcer
You asked me to help you, didn't you?
Norma Wallace
Yes.
Choice Classic Radio Announcer
Then do it my way.
Norma Wallace
But he was here. That's the truth. Why can't I just say it?
Choice Classic Radio Announcer
They'll never believe it. I don't believe it.
Norma Wallace
It's the truth.
Choice Classic Radio Announcer
There's no use repeating that. It's just no good. Now, let's see. He was killed here. There's no avoiding that. But the door being unlocked will never stand up. I know what you can say. You were here when it happened. You let him in. Oh, no, Ted, don't worry.
Norma Wallace
But Then I'd have seen.
Choice Classic Radio Announcer
Not necessarily. I'll drag him over here to the door. Then I'll tell you what to say. And then you'll call Michael Waring.
Norma Wallace
Michael Waring?
Ed Herlihy
Yeah, the Falcon.
Choice Classic Radio Announcer
He's a private detective.
Norma Wallace
But what do I want with him? He might find out something the police overlooked. If it's something we're trying to hide.
Choice Classic Radio Announcer
That'S the chance we'll have to take. And that's just the point. If you were guilty, you wouldn't want to take that chance. By hiring Waring, you convince the police of your innocence.
Norma Wallace
Well, I hope you know what you're doing.
Choice Classic Radio Announcer
Don't worry, darling. You can stake your life on it.
Norma Wallace
I'd better be able to, Ted, because that's exactly what I'm doing. When I found out he was married, I didn't want to have anything to do with him. But you know how it is, Mr. Waring. He wouldn't take no for an answer. Found out where I lived and came up to see me.
Michael Waring
And you gave him the final brush?
Norma Wallace
Yes. And then he went to the door, opened it, and then he saw someone in the hall. They had a few words and then there was a shot.
Michael Waring
What words?
Norma Wallace
I don't remember exactly. He said something like, oh, it's you. And she said yes. Surprise, isn't it? I think that's what it was.
Michael Waring
You say she said yes.
Norma Wallace
It was a woman's voice.
Michael Waring
But you didn't see her?
Norma Wallace
No. He was in the way.
Ed Herlihy
No.
Michael Waring
Where were you?
Norma Wallace
Right over here.
Michael Waring
That's funny.
Norma Wallace
What is?
Michael Waring
That he blocked your view of the doorway. You say he dropped immediately when he was shot. And you haven't touched anything.
Norma Wallace
That's right.
Michael Waring
And to block your view, he would have had to be standing in the doorway. And he fell forward because he's lying on his face. So he should have fallen into the hall. Instead he's in the room, into the side of the door so that we can swing it open and closed without hitting him.
Norma Wallace
Maybe he staggered back.
Michael Waring
Did he?
Norma Wallace
I don't remember. I was too startled. He must have. What are you doing?
Michael Waring
What you should have done when it happened. Instead of calling me or calling the police.
Norma Wallace
But you are going to help me.
Michael Waring
Well, I'll try to find out who the murderer is if you still want me to. But I'm not so sure that comes under the heading of help, are you?
Choice Classic Radio Announcer
Hello, Mike.
Michael Waring
Hi, Ed.
Ed Herlihy
How's business? Oh, hectic. And for you, too. Yeah. Sergeant Corbett has phoned three times for you this morning.
Michael Waring
Oh, thanks, Ed. I Told him I was having lunch here. And what does he want?
Ed Herlihy
Oh, I don't know, but he sounded sore.
Michael Waring
Well, now, what can be troubling him? I called him in on the case as soon as things broke yesterday.
Ed Herlihy
Well, all I know is he keeps calling here, and he sounds like he has more than hamburger and coleslaw in his mind.
Michael Waring
Well, maybe he has, but, you know, right at this moment, I don't. I'm hungry.
Ed Herlihy
All right. What'll it be, Mike?
Michael Waring
Well, I don't know.
Ed Herlihy
Let's see.
Michael Waring
As far as I'm concerned, Ed's Luncheonette serves the best hamburger in town.
Ed Herlihy
That's right.
Michael Waring
All right, make it a nice big one.
Ed Herlihy
Some French fries and some of my special coleslaw.
Michael Waring
Yeah. Trying to sneak a salad in on me again?
Ed Herlihy
Now, Mike, you know you've got to eat salad. They got lots of vitamins and minerals and stuff you should have.
Michael Waring
Yeah, sure.
Ed Herlihy
Honestly, you think they didn't taste good the way you talk?
Michael Waring
Well, I didn't say that.
Ed Herlihy
Well, I should hope not. My salads taste mighty good, and you know why?
Michael Waring
Yes. Because you make them with your own lily white hands from recipes handed down from your great great grandmother on your father's island.
Ed Herlihy
Yes. No, Mike, not at all. It's the salad dressing I use. It's Miracle Whip.
Michael Waring
Not so loud. Somebody might be listening.
Ed Herlihy
Oh, it's no secret, Mike. Folks everywhere know about Miracle Whip. Why, the craft salesman told me just yesterday that more Miracle Whip is sold than the next 20 leading brands of salad dressing combined. So it's America's favorite salad dressing. Imagine that.
Michael Waring
Well, I'll try. Does it come in a solid gold jar or something?
Ed Herlihy
No, Mike, it's just mighty good tasting. And folks know a good thing when they taste it. Miracle Whip has a swell, peppy flavor. A flavor that isn't too sharp, either. My customers call it just right. And you know, Miracle Whip tastes different, too, because it really is a different kind of salad dressing. That's why they call it the one and only Ed.
Michael Waring
And yes, Mike, now that I've succeeded in getting you all excited about what seems to be your favorite subject, I better tell you.
Ed Herlihy
Tell me what?
Michael Waring
I've been enjoying Miracle Whip on salads for years.
Ed Herlihy
No kidding?
Michael Waring
Sure. After all, I should know my salad dressing.
Ed Herlihy
How come?
Michael Waring
Well, I've had dates with lots of peaches, but I'll settle Renault or coleslaw right now.
Ed Herlihy
That'll be a pleasure, Mike. I know you'll like it. Uh. Oh, that's more than I can say for your Interview with Sergeant Corbett. Oh, here he comes. And if you think I was kidding about his being sore, catch that look in his eyes.
Choice Classic Radio Announcer
All right, Waring, where is she?
Michael Waring
Where is who?
Choice Classic Radio Announcer
Of course you don't know who I'm talking about.
Michael Waring
I'm glad we agree on something.
Choice Classic Radio Announcer
The girl, Norma Wallace.
Michael Waring
You're working for her and you found it out all by yourself. All right, what do you want, a pat on the head or a recommendation to the chief?
Choice Classic Radio Announcer
I want to know what's become of the girl.
Michael Waring
Well, I assume she's done a vanishing act.
Choice Classic Radio Announcer
You assume? I questioned her last night, went to talk to her again today.
Michael Waring
And she stood you up. You better start reading the ads, chum.
Choice Classic Radio Announcer
You know where she is.
Michael Waring
Your confidence is touching. But as a matter of fact, Corbett.
Choice Classic Radio Announcer
I haven't the slightest idea what you're working for.
Michael Waring
Yes, so you said. So I ought to be the one who's excited, not you. Seems I've lost a client.
Choice Classic Radio Announcer
Stop being funny.
Michael Waring
Thanks for the compliment.
Choice Classic Radio Announcer
Are you gonna talk?
Michael Waring
Gladly.
Choice Classic Radio Announcer
What about? All right, Waring, all right. But I'm gonna prove you've been holding out. And when I do?
Michael Waring
Oh, I shudder to think of it. Come on, sit down. Corbett. I see they have brains on the menu today. Why don'.
Norma Wallace
Yes?
Michael Waring
Hello. Are you Mrs. Barrow?
Norma Wallace
Yes.
Michael Waring
My name is Michael Waring. I'm investigating your husband's murder.
Ethel Barrow
Are you a detective?
Michael Waring
Yes.
Ethel Barrow
That girl sent you.
Michael Waring
What girl?
Ethel Barrow
Norma Wallace.
Michael Waring
What do you know about her? Enough to be jealous.
Ethel Barrow
That's what she'd like you to think, Mr. Waring. She wants you to believe that I killed Barry.
Michael Waring
You had motive, so did she.
Ethel Barrow
It takes three to make a triangle. And then there's Donahue.
Ed Herlihy
Who?
Ethel Barrow
Ted Donahue. He fits another triangle, and I'm not in that one.
Michael Waring
Well, how so?
Ethel Barrow
He was the Wallace girl's boyfriend. He could have resented Barry's cutting him out.
Michael Waring
Yes, so he could. Well, thank you, Mrs. Barrow. I knew you'd help me.
Ethel Barrow
You're easy to satisfy.
Michael Waring
Well, I'm not striking you off my suspect list yet. But right now I'm not looking for the murderer. I'm looking for my client.
Choice Classic Radio Announcer
Yes? What do you want?
Michael Waring
You Ted Donahue?
Ed Herlihy
Yeah.
Choice Classic Radio Announcer
Who?
Michael Waring
You Mike Waring. May I come in?
Choice Classic Radio Announcer
Why?
Michael Waring
I want to talk to you. What about? Norma Wallace.
Choice Classic Radio Announcer
We can talk here.
Michael Waring
Yes, but it would be more comfortable inside.
Choice Classic Radio Announcer
What do you want to know?
Michael Waring
Where she is.
Choice Classic Radio Announcer
What makes you think I'd know?
Michael Waring
Well, you're trying to keep me out, for one thing.
Choice Classic Radio Announcer
You think she's here?
Michael Waring
I'm beginning To.
Choice Classic Radio Announcer
All right, come on in. Look for yourself.
Michael Waring
Thanks. That's better.
Choice Classic Radio Announcer
I haven't seen Norma in weeks.
Michael Waring
Why not? You get the air?
Choice Classic Radio Announcer
No, it's just that I never knew Norma very well.
Michael Waring
That's not what she says.
Choice Classic Radio Announcer
What do you mean? She didn't tell you anything about me.
Michael Waring
How do you know if you haven't seen her?
Choice Classic Radio Announcer
There's nothing to say.
Michael Waring
Okay, if Norma isn't your girl, who is?
Choice Classic Radio Announcer
I don't have a girl.
Michael Waring
Then who's the girl who was up here a little while ago?
Ed Herlihy
What girl?
Michael Waring
The one who left the lipstick on that glass.
Choice Classic Radio Announcer
Just. Just a friend.
Norma Wallace
No.
Michael Waring
Well, do you mind if I take this glass?
Choice Classic Radio Announcer
What do you want with it?
Michael Waring
I'm looking for Norma. I think you're a lead. But in case Corbett needs convincing, it may be the prints on this glass that will change his mind for him.
Choice Classic Radio Announcer
Put that down.
Michael Waring
Look, Albaya doesn't like it.
Choice Classic Radio Announcer
I said put it down. Hey, watch out me that glass.
Happy Head Representative
There's a myth a lot of us grow up believing that hair loss is just a part of life. It happens, it runs in the family. And once it starts, there's no stopping it. But here's the truth. That's outdated thinking. Scientific understanding of hair loss has advanced in recent years. Today we have a deeper knowledge of underlying causes. And we've developed science backed solutions that are both effective and safe. And that's at the very root of Happy. Hence dermatologists led innovation offering stronger FDA approved ingredients that work. But what really sets Happy Head apart is how personalized it is. They don't do one size fits all fixes. You fill out a comprehensive consultation and their board certified dermatologists assign a formula specifically for your hair loss pattern, goals and lifestyle. And whether you're early in your journey or more advanced, Happy Head offers targeted options that actually work. Topical treatments, oral capsules or potent dual action bundles. All delivered directly to youth, discreetly and freshly compounded. In the US most people start seeing results in three to six months. But the real magic, it's sustainable. This isn't just about growing hair, it's about keeping it long term. So no, hair loss isn't inevitable anymore. Visit happyhead.com and find out what's possible. When science, expertise and personalization come together, Hair happiness starts here.
Michael Waring
You shouldn't knock it out of my hand. Now it's broken.
Choice Classic Radio Announcer
Isn't that a shame? Here go your fingerprints.
Ed Herlihy
Not mine.
Michael Waring
Norma's.
Choice Classic Radio Announcer
You can't prove that.
Michael Waring
Looks like you've already done it for me. Are you going to Tell me where I can find her.
Choice Classic Radio Announcer
I don't know where she is. Now get out of here.
Michael Waring
Okay, but when you see Norma, tell.
Choice Classic Radio Announcer
Her I'm not going to see her.
Michael Waring
Yes, I know. But when you do, tell her that if she wants me to help her, she'd better call me.
Norma Wallace
Hello, Norma.
Choice Classic Radio Announcer
Listen, quick. Right after you left, Mike Waring was here.
Norma Wallace
He was? How did he know about you?
Choice Classic Radio Announcer
Oh, I suppose he's not a detective for nothing.
Norma Wallace
Oh, Ted, I'm afraid my running away was a mistake.
Choice Classic Radio Announcer
It was no use taking chances. But I've got to talk to you.
Norma Wallace
All right. Where shall I meet you?
Choice Classic Radio Announcer
Well, you can't come here. And I've got to be careful I'm not followed. Wearing may think I'll lead him to you.
Norma Wallace
What are we going to do?
Choice Classic Radio Announcer
Go to Penn Station. Give him the keep yourself lost in the crowd. At 3:30 by the station clock, go upstairs on the 7th Avenue side. You know where the big columns are?
Norma Wallace
Yes.
Choice Classic Radio Announcer
At exactly 3:30, walk out to the curb. I'll drive by and pick you up.
Norma Wallace
All right.
Choice Classic Radio Announcer
I'll make sure I'm not being followed. But if anything goes wrong, you just wait two minutes. If I haven't come in that time, get away from there fast. Then call me from a phone booth.
Norma Wallace
All right, Ted, but I wonder if it wouldn't be better if I.
Choice Classic Radio Announcer
It'll be better if you do. Just like I tell you. I'll see you at 3:30. All right, Norma.
Norma Wallace
Quick. Yes, Ted.
Choice Classic Radio Announcer
3:30 on the nose.
Norma Wallace
I don't like this hide and seek, Ted. It's going to mean trouble.
Choice Classic Radio Announcer
Will you leave things to me?
Norma Wallace
But how will I explain it?
Choice Classic Radio Announcer
You won't have to. You and I know that Mrs. Barrow killed her husband. And the police are bound to find it out. Once they do, it won't matter what you've done.
Norma Wallace
Then why is it necessary for me to run away?
Choice Classic Radio Announcer
I told you, they can't prove anything against you. But until they have a case against Mrs. Barrow, they may suspect you. They could lock you up and make things pretty unpleasant.
Norma Wallace
Well, this isn't exactly my idea of pleasant. Only there was some way to speed things up.
Choice Classic Radio Announcer
Maybe there is. That's why I wanted to see you.
Norma Wallace
You think there's something we can do?
Choice Classic Radio Announcer
Yeah, but first you'll have to get rid of Waring.
Norma Wallace
But you wanted me to hire him.
Choice Classic Radio Announcer
I know, but he's getting in the way. And for what I have in mind. Uhoh.
Norma Wallace
What's the matter?
Choice Classic Radio Announcer
Police car. I think it's following us.
Norma Wallace
I Thought you said no one.
Ed Herlihy
I did.
Choice Classic Radio Announcer
I was positive nobody followed me. Can't understand it.
Norma Wallace
Maybe they're just cruising this way.
Choice Classic Radio Announcer
I'll turn this corner and see.
Norma Wallace
All right, if they are following, what do we do?
Choice Classic Radio Announcer
Try to shake them.
Norma Wallace
Hate to get you involved.
Choice Classic Radio Announcer
I'm glad I have a chance to help.
Norma Wallace
Here they come.
Choice Classic Radio Announcer
And here I go.
Norma Wallace
I'm afraid this isn't such a good idea.
Choice Classic Radio Announcer
What else can we do?
Norma Wallace
I don't know, but try now.
Ed Herlihy
Run.
Norma Wallace
A police car.
Choice Classic Radio Announcer
Hang on, Kona. Coming.
Norma Wallace
All right. If they catch us, it's going to mean trouble for you, too.
Choice Classic Radio Announcer
I know.
Norma Wallace
They're gaining.
Choice Classic Radio Announcer
And look at that. Traffic's against us. We'll never get through. Well, this is it. Sorry, Mama.
Norma Wallace
You couldn't help it.
Ed Herlihy
All right, buddy.
Norma Wallace
We're so hurry.
Choice Classic Radio Announcer
What? Did you see that red light back there? Red light?
Ed Herlihy
Yeah, when I tried to call you on it. You start playing tag.
Choice Classic Radio Announcer
You want me for going through a red light?
Ed Herlihy
You're hitting 60 in city traffic. Your girlfriend thinks it's funny, Officer.
Choice Classic Radio Announcer
She has a screwy sense of humor.
Norma Wallace
Don't pay any attention to her.
Choice Classic Radio Announcer
Here's my license.
Michael Waring
Hello?
Norma Wallace
Hello? Is that Mr. Waring?
Michael Waring
Yes. This sounds like my disappearing client.
Norma Wallace
Ex client, Mr. Waring. That's why I'm calling.
Michael Waring
You picked a great time to fire me.
Norma Wallace
I don't think I need you anymore.
Michael Waring
If Sergeant Corbett catches up with you, you'll think differently.
Norma Wallace
Does he really think I killed Barry?
Michael Waring
You lied. You ran out. What expect him to think?
Norma Wallace
But I hired you.
Michael Waring
Yes, and now you're firing me. Your hands look about as clean as some of the Kefauver witnesses.
Norma Wallace
But it was Mrs. Barrow who killed Barrow. You know that.
Michael Waring
Corbett doesn't. He's satisfied with her alibi.
Norma Wallace
Oh, she has an alibi?
Michael Waring
Yeah, she has. So you better come clean, angel.
Norma Wallace
I have. I didn't do it.
Michael Waring
Well, then why this weird routine?
Norma Wallace
I have my reason.
Michael Waring
They better be good ones. You're on the spot, baby.
Norma Wallace
Yes, I'm afraid I am.
Michael Waring
Well, I'm still willing to listen if you want to forget about firing me. Provided, of course, that you have something to say.
Norma Wallace
I have.
Michael Waring
All right, go ahead.
Norma Wallace
Well, it's just the Ted and I thought.
Michael Waring
Who's Ted?
Norma Wallace
A friend of mine. I called him when I discovered the body.
Michael Waring
Oh, before you called me?
Norma Wallace
Before I did anything. I decided I had to have help. And luckily he was home.
Michael Waring
Wonder if it was so lucky.
Norma Wallace
Why do you say that?
Michael Waring
His help didn't turn out so good.
Norma Wallace
Well, it was his idea that I hire you.
Michael Waring
Was it also his idea that you fire me? Yes, he seems to have a lot of ideas. Look, where are you? I think we better get together at.
Norma Wallace
The burroughs hotel on 43rd, room 405.
Michael Waring
Okay. Sit tight. I'll be right over.
Norma Wallace
All right. Goodbye.
Choice Classic Radio Announcer
Is that the way you fire him, Norma?
Norma Wallace
Ted. I didn't know you were still here.
Choice Classic Radio Announcer
Looks like it's a good thing I am.
Norma Wallace
Yes, Ted, the only question is good for whom?
Ed Herlihy
Well, I can answer Norma's question. Good for whom? They're good for everyone. I mean, salads are good for everyone. And they're mighty good eating too, when you make them with Miracle Whip.
Choice Classic Radio Announcer
Miracle Whip has a flavor so pleasing.
Norma Wallace
Miracle Whip tastes so lively, so teasing Miracle Whip, only one of its kind.
Choice Classic Radio Announcer
Miracle Whip, best salad dressing you'll find.
Ed Herlihy
Miracle Whip is the only one of its kind because it's a different type of salad dressing. Made from a secret craft recipe. Miracle Whip combines the best qualities of boiled dressing and old fashioned mayonnaise. So it's truly distinctive and delicious with a flavor millions of folks call just exist. Exactly right. Try it, won't you? One taste will tell you why it's America's favorite salad dressing. The one and only Miracle Whip. Now back to the Adventures of the falcon. 10 minutes have passed since Mike Waring talked himself off the unemployment line. Ted had objections, but he seems to have been overruled. Because when Norma opens the door for the Falcon, Ted is nowhere in sight.
Norma Wallace
Hello, Mr. Waring. Come in.
Michael Waring
Thanks. What's the matter with you? You look frightened.
Norma Wallace
Frightened? No, just bewildered.
Michael Waring
About what you said.
Norma Wallace
Mrs. Barrow has an alibi, according to Corbett. I don't understand it.
Michael Waring
Why not?
Norma Wallace
I told you. Barry went to the door and I heard him talking to someone. Just before he was shot. Yeah, I said it was a woman's voice. I'm almost certain it was Mrs. Barrow.
Michael Waring
Why didn't you say that before?
Norma Wallace
I didn't like to accuse her without being sure.
Michael Waring
What made you change your mind?
Norma Wallace
I haven't. I just want you to check. Couldn't there be something wrong with her alibi?
Michael Waring
Yes, there could be, but not as wrong as with your story.
Norma Wallace
What do you mean?
Michael Waring
You're lying again.
Norma Wallace
I'm not.
Michael Waring
You didn't hear Barrow talking to anybody.
Norma Wallace
What makes you say that?
Michael Waring
When you spoke to me on the phone, you used the phrase when I found the body. If Barrow had been killed in front of you, you wouldn't have talked about finding the body. You wouldn't have had to find. It would have been right. There.
Norma Wallace
I meant when I found he was dead.
Michael Waring
That's not what you said.
Norma Wallace
You misunderstood me.
Michael Waring
Yes, and apparently I still do. I suppose we go see Sergeant Corbett and get this straightened out.
Norma Wallace
No.
Michael Waring
Look, you can't keep running.
Norma Wallace
I can try. And in case you have any idea of trying to stop me, this gun should change your mind.
Michael Waring
Well, it's changed, but not as often as you change yours. Goodbye, Normal. Well, angel, have you changed your mind again?
Norma Wallace
Let me in.
Michael Waring
Sure. Now, look, before we go any further, I'm taking the gun. Just in case you decide to make another switch.
Norma Wallace
Here it is. It's not loaded.
Michael Waring
Now she tells me.
Norma Wallace
I'm sorry about what happened. I couldn't help myself.
Michael Waring
Well, I can't help yourself either. Unless you start telling the truth for a change.
Norma Wallace
I will.
Michael Waring
Okay. At least that'll be a novelty. Go ahead.
Norma Wallace
I didn't see the shooting. I didn't hear any voices, Mrs. Barrows or anyone else's. I just said I did because Ted told me it would sound better that way. Ted told me what to say. Told me to run away.
Michael Waring
Look, did you have to take orders from him?
Norma Wallace
I thought he was trying to help me.
Michael Waring
Some help.
Norma Wallace
I was frightened. I had to turn to someone. I trusted Ted. Then he told me to fire you. I tried, but you talked me out of it.
Michael Waring
But somebody talked you out of that.
Norma Wallace
Yes. Ted overheard my conversation with you. He was furious. He made me say what I did to you. When you got up there, he was hiding in the next room.
Michael Waring
And if you had disobeyed.
Norma Wallace
He had a gun and his was loaded.
Michael Waring
Does he know you came here?
Norma Wallace
Of course not. If he finds out.
Michael Waring
He won't find out. Where is he now?
Norma Wallace
He went home. Thinks I went home.
Michael Waring
How come he trusted you.
Norma Wallace
He said if I didn't do exactly what he told me, he'd prove that I killed Barry. But I know he can't. So if you'll help me, I.
Michael Waring
All right, I will. Now call him. Tell him you've got to talk to him. Ask him to come right over. It'll take him 20 minutes to get to your place. By that time we can be there too.
Norma Wallace
But what are we going to do?
Michael Waring
Well, first I'll have to have all the facts. So for a change, let's have exactly what did happen today. From the beginning.
Norma Wallace
All right. I've let myself into the apartment and there was Barry on the floor, blood still running out of that hole in his head. It was awful. Who's that?
Michael Waring
I don't know.
Norma Wallace
What if it's Ted. What if he didn't go home? If he followed him?
Michael Waring
All right, all right, I'll handle it.
Norma Wallace
Can I get out the back now?
Ed Herlihy
Just sit tight.
Michael Waring
If it is Ted, now's a chance to wrap this up and I can't do it without you.
Ed Herlihy
Yeah, I'm coming.
Michael Waring
You'll be all right. Just leave it to me.
Norma Wallace
If you say so.
Michael Waring
I do. Oh, Sergeant Corbett. This is a surprise.
Choice Classic Radio Announcer
Oh, I see. You didn't know where the girl was, did you, Waring? You couldn't help me find her? Oh, no.
Ed Herlihy
That's right, Corbett. Sure.
Choice Classic Radio Announcer
Well, Ms. Wallace, is waring finished coaching you on what to say?
Michael Waring
I didn't have to, Corbett. She had. Lessons from an expert, huh? Yeah, she called him in as soon as she found the body. He told her what to say and do.
Norma Wallace
That's right.
Choice Classic Radio Announcer
Who's this we're talking about?
Michael Waring
Ted Donahue.
Choice Classic Radio Announcer
And he told her to run out on me?
Michael Waring
Yep.
Choice Classic Radio Announcer
I'd like to talk to this Donahue.
Michael Waring
Well, that can be arranged. But first I'd like to hear the medical examiner's report.
Choice Classic Radio Announcer
What's to hear? Bullet in the brain. Died instantly.32 caliber.
Michael Waring
Okay, okay, that's enough.
Choice Classic Radio Announcer
All right, Waring. Do we see Donahue?
Michael Waring
If you like.
Choice Classic Radio Announcer
I like. But don't get the idea that because I'm willing to listen, you're steering me off your girlfriend here.
Norma Wallace
But Sergeant.
Choice Classic Radio Announcer
And as for you, Waring, I'm gonna prove you knew where she was.
Michael Waring
Think whatever you want about me, Corbett, but you can't think that Norma did the shooting.
Choice Classic Radio Announcer
Oh, can I?
Michael Waring
Of course not.
Choice Classic Radio Announcer
Why not?
Michael Waring
Because she did.
Norma Wallace
What's that?
Michael Waring
Sure. Norma, you killed Barim. So with Corbett's habit of always being wrong, he can't possibly think it was you. Coffee and Danish yet?
Choice Classic Radio Announcer
Please.
Michael Waring
I missed dessert before.
Choice Classic Radio Announcer
Well, Mike, we've got the motive. When it came to a showdown, Varro decided to stick with his wife. So Norma plunged him.
Ed Herlihy
Keep it up, Corbett.
Michael Waring
You're doing fine.
Choice Classic Radio Announcer
What's to keep up? That's it?
Michael Waring
Well, not entirely. How about the clue that gave her away?
Choice Classic Radio Announcer
She must have said something to you.
Michael Waring
Don't you want to know what it was?
Choice Classic Radio Announcer
All right, Waring, if you gotta strut your stuff, go ahead. How did you happen to stumble onto this one?
Michael Waring
Stumble?
Choice Classic Radio Announcer
Easy. What do you want me to do? Beat my head on the floor in appreciation?
Michael Waring
That's an idea.
Choice Classic Radio Announcer
Well, if you want to tell me how bright you are, go ahead. I'm listening. But get it over with.
Michael Waring
Well, Norma played along with Ted Donahue in order to have a fall guy in reserve. And he was crazy enough about it to try to keep her out of trouble. Anyway, when it turned out that Mrs. Barrow had an alibi that satisfied the police, Norma decided to make use of Ted. Only she went a little too far.
Choice Classic Radio Announcer
How so?
Michael Waring
Well, if she just left it at the things he actually did, she might have been all right. But she tried to tell me he pulled a gun on her and threatened her. He only would have done that if he were actually the killer.
Choice Classic Radio Announcer
Well, that's what she was trying to prove.
Michael Waring
Yes, but since he couldn't be, the killer gave her away.
Ed Herlihy
Couldn't?
Choice Classic Radio Announcer
Why not?
Michael Waring
Well, you said Barrow was killed instantly. And Norma admits that when she found him, he was still bleeding. The bleeding stops a few minutes after a person dies.
Choice Classic Radio Announcer
Well, so why couldn't she have found him in the first few minutes?
Michael Waring
Because she told me that as soon as she found the body, she called Donahuehue at his home. O' Donohue lives at least 20 minutes away from Norma. If he was home, he just couldn't have been at Norma's.
Choice Classic Radio Announcer
Oh. Huh. Well, wearing. Nice try.
Michael Waring
Try solve the case.
Choice Classic Radio Announcer
Yeah, but you were trying to show me how bright you are. Can't say that I'm impressed. After all, you pulled quite a boner.
Michael Waring
What?
Choice Classic Radio Announcer
You pinned the murder on the girl, and she happens to be a dainty dish, but who wants to go dating at Sing Sing?
Michael Waring
Well, you got a point there, Corbett, but you're overlooking one thing.
Choice Classic Radio Announcer
What's that?
Michael Waring
Mrs. Barrow. Now, she's going to be lonely few months from now. She's going to want someone to cheer her up, to wine her diner, do the town. And speaking of dishes, Corbett, that's mine.
Ed Herlihy
Did you know that you can make a rich, delicious chocolate flavored malted milk right in your own kitchen? Well, you can, and easily. With crafts. Wonderful chocolate flavored malted milk. Just make a tasty paste of some craft malted milk and a little milk in the bottom of a tall glass. Fill that glass with chilled milk, stir it again, and there you are. Your craft malted is delicious. And it's mighty nourishing too, because it's full of all the food values in milk. Enjoy a craft malted often. Get a jar of craft chocolate flavored malted milk from your grocer tomorrow. The Case of the Nervous Shakedown. The Case of the Nervous Shakedown. That's the title of next week's Adventure of the Falcon. When Mike Waring learns that what some people try to get away with is pure unadulterated murder. So be sure to listen at this same time next week to another exciting adventure of the Falcon, brought to you by the Craft Foods Company. The adventures of the Falcon are based on the famous character created by Drexel Drake, produced by Bernard L. Shubert, written tonight by Jerome Epstein and directed by Richard Lewis. Music was by Arlo. Les Damon was starred as the Falcon, with Chuck Webster as Sergeant Corbett. This is Ed Hurley. He's speaking for the Kraft Foods Company. Laugh with Groucho. He's next on nb.
Choice Classic Radio Detectives | Old Time Radio
Episode Summary: "The Falcon: The Case of the Broken Fingerprint"
Release Date: June 26, 2025
Original Air Date: June 20, 1951
In this gripping installment of The Falcon series, hosted by Choice Classic Radio, listeners are immersed in the suspenseful investigation led by the suave private detective, Michael Waring—known as The Falcon. Set against the backdrop of 1950s New York, "The Case of the Broken Fingerprint" weaves a complex tale of love, betrayal, and murder.
The episode opens with Ethel Barrow confronting her husband, Barry Barrow, and his new girlfriend, Norma Wallace, highlighting the strained relationships that set the stage for impending conflict.
[03:40] Ethel Barrow:
"I'm his wife, Ethel Barrow, and you're Norma Wallace. You live at 321 Pierce Place. You work at Corby's department store and you've known Barry for three months."
As tensions escalate, Ethel hints at a possible divorce, creating a volatile love triangle. The situation takes a deadly turn when Norma discovers Barry dead in his apartment.
[06:25] Norma Wallace:
"I found him on the floor. He. He's dead."
Panicking, Norma seeks help from her boyfriend, Ted Donahue, who advises her to concoct a believable story to cover the inexplicable presence of Barry in her home. Ted insists that Norma hire Michael Waring to assist her, believing his detective skills will shield her from suspicion.
The Falcon's Arrival:
Upon taking the case, The Falcon meets with Norma to understand the circumstances surrounding Barry's death. His keen observation skills quickly identify inconsistencies in Norma's account.
[09:03] Michael Waring:
"You say she said yes."
As the investigation unfolds, The Falcon interrogates Ted Donahue, uncovering his deep involvement in Norma's attempt to conceal the truth. Ted's conflicting statements and the broken fingerprint found at the crime scene become pivotal clues.
Critical Revelation:
During a tense confrontation, Norma breaks down and confesses the truth, revealing her manipulation under Ted's coercion.
[25:16] Norma Wallace:
"I didn't see the shooting. I didn't hear any voices, Mrs. Barrows or anyone else's. I just said I did because Ted told me it would sound better that way."
Michael Waring (The Falcon):
The astute detective whose dedication to uncovering the truth drives the narrative forward. His interactions with Norma and Ted showcase his analytical prowess and unwavering commitment to justice.
Norma Wallace:
Caught between her affections for Barry and Ted, Norma's desperation leads her to deceit, highlighting the tragic consequences of her entanglements.
Ted Donahue:
Norma's manipulative boyfriend, whose influence pushes her towards fabricating evidence to protect herself, ultimately leading to his downfall.
Ethel Barrow:
Barry's wife, whose confrontation with Norma sets off the chain of events leading to the murder investigation.
In the final act, The Falcon masterfully pieces together the puzzle. His examination of the evidence and strategic questioning dismantle Norma and Ted's fabricated story. Faced with undeniable proof, Norma admits her culpability, unraveling the deceit that Ted orchestrated.
[29:00] Michael Waring:
"Norma, you killed Barrow."
The episode culminates with the apprehension of Norma and Ted, restoring order and justice. The Falcon's brilliance not only solves the case but also delivers a moral lesson on the perils of deception and manipulation.
Michael Waring (The Falcon):
"You're lying again." [24:16]
Norma Wallace:
"I didn't want to have anything to do with him." [08:09]
Ted Donahue:
"They can't prove anything against you.” [18:45]
Michael Waring:
"Corbett doesn't. He's satisfied with her alibi." [21:05]
"The Falcon: The Case of the Broken Fingerprint" exemplifies the Golden Age of Radio Detectives with its intricate plot, dynamic characters, and the unbeatable intellect of The Falcon. Through meticulous investigation and sharp dialogue, the episode delivers suspense and satisfaction, solidifying its place among classic detective narratives.
Listeners are left with a compelling reminder of the importance of truth and the futility of deceit, masterfully portrayed through the adventures of Michael Waring.
Recommendation:
For enthusiasts of classic detective stories and old-time radio dramas, this episode offers a quintessential experience, blending mystery, character development, and era-authentic storytelling.