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Choice Classic Radio Host
Welcome to Choice Classic Radio where we bring to you the greatest old time radio shows like us on Facebook, subscribe to us on YouTube and thank you for donating@ChoiceClassicRadio.com this is your FBI.
FBI Narrator
This is your FBI. An official broadcast from the files of the Federal Bureau of Investigation, presented as a public service by the Equitable Life Assurance Society of the United States. To your FBI, you look for national security. And to the Equitable Society for financial security. These two great institutions are dedicated to the protection of you, your home and your country. Tonight, the story of a crime against the home. Kidnapping.
FBI Agent
Just as it takes a special type of criminal to become a Hitler, so it takes a special type to become a kidnapper. Someone who refuses to face the fact that eventually all kidnappers and those who aid them will be hunted down by the FBI until they are dead or brought to justice. Such criminals aren't born, they're made. Created by environment, by society, by circumstance. And in one case, a kidnapper was created by something else too. By his wife.
Choice Classic Radio Host
Sally. Ain't that enough for today? No, that last round was. No, Frank, I'm tired.
Sally Hadley
Then rest for a minute.
Choice Classic Radio Host
Dragging me out here every day for two weeks.
Sally Hadley
I'm a good enough shot for small time holdups.
Choice Classic Radio Host
Maybe that bank job was. No, sir.
Sally Hadley
You don't have to tell me about that bank job, Frank. That was my idea. Just like everything's been my idea.
Choice Classic Radio Host
Okay, it's all yours. Take the gun, too.
Sally Hadley
Darling. Darling, you know I didn't mean it that way. You know I plan everything just for you. Besides, I couldn't do it all myself.
FBI Narrator
If you could, you would.
Sally Hadley
Don't be silly.
Choice Classic Radio Host
I don't know what the point of all this target practice is anyway.
Sally Hadley
Gonna give you a reputation.
Choice Classic Radio Host
With two stretches behind me, I've got.
Sally Hadley
One like a hundred others. But you're going to be bigger. Bigger than all of them.
Choice Classic Radio Host
Bigger?
FBI Agent
Yes.
Sally Hadley
What's the Point of being anything if you can't be the biggest, the best. If you can't be number one. And that's what we're going to be, Frank. Number one.
Frank Hadley
You're crazy.
Sally Hadley
Wait and see.
Frank Hadley
Look.
Choice Classic Radio Host
Couple more bank jobs and we could be driving on gasoline for the rest of our lives.
Sally Hadley
That's what my father must have said to my mother. And what were they? Petty crooks. Now they have to live on what I hand out to them. No, darling, we're going to do it right. One real job and then we quit.
Choice Classic Radio Host
What one real job?
Sally Hadley
Never mind.
Choice Classic Radio Host
Come on.
Sally Hadley
When we're ready, I'll tell you. Sally, darling, have I ever given you a bum steer?
Walter Montgomery
Well, have I?
Frank Hadley
No, but.
Sally Hadley
Now empty both barrels like a good boy and we'll call it quits for today.
FBI Agent
Professional criminals don't work alone. They help each other. The most successful are those who get the most help. And they get it through their reputations in the crime world. Sally Hadley learned this the way most people learn things. Through experience. She made her husband an expert with a sawed off shotgun. And then she made herself his press agent. She gave him a name, Shotgun Hadley. She passed out shells as souvenirs. She planned robberies and hold ups. Saw that he carried them out perfectly. She built up his reputation. And then she was ready. Ready for really big game. Ready for that hot Saturday night in July when an Oklahoma millionaire named Walter Montgomery was playing cards on the screen porch of his home with his wife and his best friend.
Mrs. Montgomery
There's no point in playing with you, Henry. You always win.
FBI Narrator
You and Walter.
Mr. Butler
Just let me win. Because I'm your guest.
FBI Narrator
Right, Walter?
Frank Hadley
I'm sorry. What'd you say, Henry?
Walter Montgomery
Oh, Walt.
Frank Hadley
I thought I heard a car stop down below.
Mrs. Montgomery
You always think you hear something nobody else does.
Frank Hadley
How about another hand?
FBI Agent
Not for me.
Mr. Butler
Me either. I'm about ready for bed.
Choice Classic Radio Host
Oh, why don't you sit down and keep quiet?
Walter Montgomery
What are you.
FBI Agent
Sit down.
Choice Classic Radio Host
The shotgun works. Which one of you is Waller Montgomery?
Frank Hadley
Where do you want to know?
Choice Classic Radio Host
Never mind. Which one of you is Montgomery? Which one of them's your husband, lady? Okay, I'll take both of them, but you can't.
FBI Agent
Shut up.
Choice Classic Radio Host
Come on, on your feet, boys. We're going for a little drive. Ever want to see your husband again? Stay away from the phone, Mrs. Montgomery. I told you, the shotgun works.
FBI Agent
One hour later, a blue sedan stopped at an intersection 12 miles from Oklahoma City. A man was shoved out and his empty wallet thrown after him. Then the car continued on its way with Walter Montgomery. Blindfolded on the back seat. Just about that time, Mrs. Montgomery was putting through a long distance call. She knew kidnapping was a federal offense. And following the Attorney General's advice to the public, she telephoned Mr. J. Edgar Hoover in Washington in less than 45 minutes. Special agents assigned by Mr. Hoover were on their way. They took no immediate action, not even four days later when Mrs. Montgomery received a typewritten letter. The first of a series of letters. The first of a series of ransom notes.
Mrs. Montgomery
There was this note from my husband enclosed in the letter.
Walter Montgomery
Are you sure that's his handwriting? Mrs. Montgomery?
Mrs. Montgomery
Yes. He said to give them the $200,000.
Walter Montgomery
He certainly set a high price. Did they give you instructions how to pay?
Mrs. Montgomery
Well, the letter says to watch for.
Walter Montgomery
An ad in the paper and then take an ad yourself.
Mrs. Montgomery
Yes.
Walter Montgomery
Then it told you not to notify the police.
Mrs. Montgomery
Yes.
Walter Montgomery
Not to take down the serial number of the bills and have only used $20 notes.
Mrs. Montgomery
How did you know?
Walter Montgomery
We haven't been reading your mail. It's just that kidnapping notes always follow the same pattern. Who do they want as the intermediary to deliver the money?
Mrs. Montgomery
Henry. Mr. Carroll. He's my husband's best friend.
Walter Montgomery
Well, if they put that ad in the paper tomorrow and you answer immediately, your husband should be back first of next week.
Mrs. Montgomery
Unless something happens.
Walter Montgomery
What do you mean?
Mrs. Montgomery
Mr. Schuyler?
Walter Montgomery
Yes.
Mrs. Montgomery
I want to cooperate with the government. I know kidnappers are the worst kind of criminals, but you see, I. Well, I want my husband back. Please don't do anything.
Walter Montgomery
Mrs. Montgomery, there's no need for you to worry. The first concern of the FBI in any kidnapping case is to get the victim home safely. We want to see your husband back here as much as you do. And we won't make one single move that will stand in the way of his coming back.
FBI Agent
Thank you. Three days later, arrangements were made to have a satchel containing $200,000 thrown from the observation platform of a speeding train at a certain spot in Oklahoma. Although no one knew it, the serial number of every bill was taken down and listed. And nine days after he was kidnapped, Walter Montgomery came home to his wife. He hadn't had much sleep, was very tired, but he was safe. He was alive. He was home. As soon as he'd recovered from the shock and rested, he was interviewed by the FBI.
Walter Montgomery
Now, Mr. Montgomery.
Frank Hadley
Yes.
Walter Montgomery
What was the last thing you saw before being blindfolded?
Frank Hadley
Why, a lot of lights. Must have been some kind of plant.
Walter Montgomery
Well, there was a power plant near where they dropped Mr. Carroll.
Frank Hadley
It could have Been a power plant.
Walter Montgomery
Now, on the way to the house, did you hear anything?
Frank Hadley
Well, one or two cars passed us, but. Oh, yes, we must have passed an oil field. Why? I heard the sound of the pumps, and twice I remember smelling gas.
Walter Montgomery
Then you passed two oil fields?
Frank Hadley
That's right.
Walter Montgomery
Now, how long after you passed that second field would you guess it was before you got to the house?
Frank Hadley
Oh, I don't know for sure. Not long, though.
Walter Montgomery
Fifteen minutes or less.
Frank Hadley
I think about 10, say.
Walter Montgomery
Good. Now, did the car drive right up to the house or did they stop for anything?
Frank Hadley
They stopped to open the gate.
Walter Montgomery
How do you know?
Frank Hadley
I heard a creak.
Walter Montgomery
And then they drove right up to the house?
Frank Hadley
No, they drove into some kind of a building. A barn, it must have been, because I could smell hay.
Walter Montgomery
Well, then the house is probably a farmhouse.
Frank Hadley
Yes. Yes.
Walter Montgomery
Was it close to the barn?
Frank Hadley
It was exactly 12 steps away. I counted.
Walter Montgomery
Glad you did. Now, tell me, did you have to go up any steps to the house?
Frank Hadley
Three. And they creaked.
Walter Montgomery
What happened when you got inside?
Frank Hadley
Well, they put cotton in my ears and taped it over with adhesives so I couldn't hear what they said. But every morning I could hear a rooster crow. And then about, oh, less than a minute afterward, the sound of an airplane passing over the house.
Walter Montgomery
An airplane? Did you hear it every day?
Frank Hadley
Yes. No, one day it didn't come.
Walter Montgomery
Which day?
Frank Hadley
Well, I don't know, but it rained that day.
Walter Montgomery
That was Sunday. That's the only day it rained while you were away. And that's the only day you didn't hear the airplane?
Frank Hadley
That's right. I don't know whether this is of any aid to you. At the time, I knew I should try to remember everything that happened so I could be of assistance.
Walter Montgomery
Mr. Montgomery, I think you've practically drawn us a map right to that farmhouse.
FBI Agent
For the FBI, anything can be a clue. The lights on a power plant, the smell of an oil field, the sound of an airplane. Using the information gotten from Mr. Montgomery, special agents mapped to circle a ring around the approximate location of the farmhouse. They went to the airlines, checked schedules, checked. Flights, checked what line did not run a plane. On that one Sunday, they figured over approximately what area. The early morning light passed and the ring around the farmhouse grew smaller, tighter. Closer. Now the FBI agents moved into the ring looking for the farmhouse. Looking for a farmhouse with a gate wide enough for a car to pass through. A farmhouse with a barn only 12 steps away. 12 steps away from a porch with three creaking stairs.
Walter Montgomery
4, 5, 6.
Sally Hadley
What do you want.
Walter Montgomery
I'm sorry. I didn't know there was anyone home.
Mrs. Montgomery
Well, you can see I'm home, can't you?
FBI Agent
Yes.
Mrs. Montgomery
What do you want?
Walter Montgomery
I'm representing a real estate company in Tulsa. We're looking over farms in this neighborhood with a view to buying them.
Mrs. Montgomery
You want to buy this farm?
Walter Montgomery
Does it belong to you?
Mrs. Montgomery
Well, it belongs to my daughter, Ms. Hadley.
Walter Montgomery
Sally Hadley?
Mrs. Montgomery
Yes. You know her?
Walter Montgomery
I've heard of her.
Mrs. Montgomery
Oh, she was gonna give me the place anyways. Now you wanna buy it?
Walter Montgomery
Well, looks like the right place to me. But I'll have to have some of the men in my company look it over this afternoon, if it's all right with you.
Mrs. Montgomery
Oh, it's fine with me.
Walter Montgomery
You'll be here?
Mrs. Montgomery
Yeah, I'll be here. Long as I can count on seeing you later.
Walter Montgomery
Oh, don't worry. You can count on seeing me. Definitely.
FBI Narrator
We momentarily closed the Federal Bureau of Investigation file of the case of Shotgun Hadley. We will return to this case in just a moment. In pioneer days, Americans looked to their neighbors for security. When Mrs. Brown was sick of bed, neighboring wives came over to help out. If her husband died. Neighbors saw to it that she and her children had clothes, food and shelter. But as the nation grew in population, as life became more complex, this neighborly security was no longer sufficient to take its place. In the year 1859, a group of Americans founded the Equitable Life Assurance Society of the United States. Today, it has grown into a strong mutual organization in which each member enjoys the advantages of association with 3,200,000 good neighbors who have pooled their dollars to protect each other. The Equitable management then puts these dollars to work in ways that benefit the entire nation. Equitable funds encourage home ownership. They lend the farmer a helping hand. They finance great industries on which our prosperity depends. So is it not right and proper to speak of life insurance funds as one of democracy's greatest assets? By serving its members, the Equitable serves America. And now back to the file on Shotgun Hadley, kidnapper.
FBI Agent
Small things, but enough for the FBI special agents to move swiftly on the trail of the kidnappers. The parents of Sally Hadley were arrested and jailed throughout the nation. The FBI sent a list of the serial numbers on the ransom money, sent a description of the kidnapper, sent the call and fine Shotgun Hadley. To the FBI, Frank Hadley was another criminal who had to be caught. To the nation, he was public enemy number one. To his wife, with whom he shared a hotel suite in St. Louis, Shotgun Hadley was a frightened fool.
Sally Hadley
We don't have to get out of here. Now, sit down and cool off. Darling.
Choice Classic Radio Host
Sally, they've got the serial numbers of this dough.
Sally Hadley
Shall I mix you another drink, too?
Choice Classic Radio Host
They've picked up some of the bills already.
Sally Hadley
Frank, will you sit down and relax?
Choice Classic Radio Host
Sure. Sit down and wait for them to clap us in jail along with your mother and father.
Sally Hadley
They're not going to put us in jail because they're not going to catch us.
Choice Classic Radio Host
They will if we don't get on the move.
Sally Hadley
We'll move, but there's something we've got to do first.
FBI Agent
What?
Sally Hadley
Sit down.
Frank Hadley
What for?
Sally Hadley
Come on. That's it, darling. Now you're going to write a letter.
Choice Classic Radio Host
A letter?
Sally Hadley
Mm. Here's a pen and paper. Just write what I tell you.
Choice Classic Radio Host
Who's it to?
Sally Hadley
Just write what I tell you. Dear Mr. Hoover.
Choice Classic Radio Host
What are you.
Sally Hadley
Go on. Dear Mr. Hoover. While you and your men are knocking yourselves out, Sally will no change that to wearing yourselves out? I am living on the fat of the land. Go on, darling.
Choice Classic Radio Host
Wait a minute. What's the rest of this going to say?
Sally Hadley
Oh, it's going to say that he'll never catch you because you're too good for him.
Choice Classic Radio Host
What?
Sally Hadley
You did this alone, all by yourself, without anyone's help, and you did.
Choice Classic Radio Host
What are you trying to do, tie a noose around my neck? Frank, this is a confession.
Sally Hadley
You got my poor mother and father in jail, and I've got to get them out.
Choice Classic Radio Host
By having me confess?
Sally Hadley
Look, he knows you did it anyway. This will just clear my folks and show him that you're not afraid of anything.
Choice Classic Radio Host
Just put me in jail instead of them.
Sally Hadley
Oh, you're really afraid of your own shadow, aren't you, darling?
Choice Classic Radio Host
Sally, listen.
Sally Hadley
You listen to me. Now. When I married you, I thought you were a man. I thought you were a man who could be the number one boy in this country. I thought you had guts. Sally, what are you afraid of? You are number one. Now, you've got to show them that. You've got to show them that they're the ones to be afraid. You've got to show them that you're too big to touch. Because you are, Frank. You are.
Choice Classic Radio Host
Sally, look, if we mail the letter.
Sally Hadley
From here, we're going to. I'm going to send it to a friend of mine in Chicago and have her mail it from there. When they get it, they'll see how big you are. They'll see you don't care.
Choice Classic Radio Host
Yeah, yeah, sure.
Sally Hadley
And then tomorrow we're going to buy another car, and before they even have a chance to look at the. The bills. We'll be on our way.
Frank Hadley
Okay?
Choice Classic Radio Host
Okay, honey.
FBI Agent
Okay.
Sally Hadley
You just don't realize what a big man you've become. Now, what have you written?
Choice Classic Radio Host
Dear Mr. Hoover, while you and your men are.
Sally Hadley
Wait, Wait. I've got a wonderful idea. An idea that will top the whole thing off.
FBI Agent
What?
Sally Hadley
Now, Hoover may think the letter is from some crank, but do you know what you're going to do? You're going to put your fingerprints on it. Darling, what you're going to prove. This is straight from Shotgun Hadley.
FBI Agent
From Chicago, from Dallas, from Denver, from cities all over the west come letters to the FBI. And as the letters turn up, money turns up, too. Ransom money. $20 bills reported by alert citizens to the FBI. $20 bills that put the FBI closer on the trail of Frank and Sally Hadley. But Sally Hadley has gotten impatient. Leaving her husband in a small house near Memphis, she buys a cheap gingham dress, a red wig and a secondhand car. And with complete unconcern drives right back to Oklahoma. On the way, she gives a lift to two hitchhikers. A man and his eight year old daughter.
Sally Hadley
I guess your little girl is asleep, Mr. Butler.
Mr. Butler
Yeah, she was awful tired.
Sally Hadley
Of course she was. Well, we'll get her a good dinner as soon as we get to town.
Mr. Butler
You've been so nice, I couldn't let you do anything else.
Sally Hadley
First man, don't be silly. I want to. Besides, she reminds me of my own little girl.
Mr. Butler
Oh, do you have one?
Sally Hadley
Yes, by my first husband. He died, poor man. And Frank, that's my second husband, he won't let my little baby live with her.
Mr. Butler
Oh, that's terrible.
Sally Hadley
Well, he isn't a very Nice man, he. Mr. Butler?
Mr. Butler
Yeah?
Sally Hadley
Can I trust you?
Mr. Butler
Of course.
Sally Hadley
I'm in terrible trouble and I've got to speak to somebody. I just got to get help from someone.
Mr. Butler
Ma' am. If there's anything at all I can do.
Sally Hadley
Well, maybe you won't say that when you know the truth. I'm Sally Hadley, and my husband is Shotgun Hadley.
Mr. Butler
The kidnapper.
Sally Hadley
Yes. Geez, I didn't know what kind of a man he was. When I married him, I. Well, it's a little too late for that now, isn't it? But he's done terrible things to me, too. To my little girl, to my family. Oh, because of him, my poor mother and father in jail now. And Mr. Butler, I just got to get them out.
Mr. Butler
But the papers.
Sally Hadley
I know, I know. But anything my father and mother did, he made them do at the point of that shotgun of his. Will you do me a favor, please? Will you just go to Oklahoma City and see my lawyer for me?
FBI Narrator
Sure.
Sally Hadley
You see, I can't go because the police are looking for me. But I want him to get a message to the FBI. Phony. I want him to tell him that if they release my mother and father, I'll tell them where my husband is.
Mr. Butler
I'll be glad to take your message, Mrs. Hadley, only.
Sally Hadley
Only what?
Mr. Butler
Well, my little girl.
Sally Hadley
Oh, don't worry about her. I'll keep her here with me. Why, she'll be as safe as my own little girl would.
Walter Montgomery
Hello, Skyler speaking. Oh yes. No, not just yet. I'm trying to reach the Bureau in Washington. May I call you back in a few minutes? Fine. Goodbye. Mrs. Hadley's lawyer again.
Mr. Butler
Pretty anxious for our answer, isn't he?
Walter Montgomery
Yes.
Mr. Butler
Suppose he seriously thinks we're going to release the mother and father? Skylar?
Walter Montgomery
I don't know. He is. Sally Headley.
Mr. Butler
There's a sweet double crosser for you. Ready to sell out her own husband.
Walter Montgomery
Well, if he's half as tough as his reputation, I don't blame him.
Mr. Butler
I wonder if she was crazy enough to come back here to Oklahoma.
Walter Montgomery
She might be. We know she hasn't been to a lawyer's office.
Mr. Butler
I don't think we can stall him much longer.
Walter Montgomery
We don't have to. He's covered by now. And as soon as we find Sally.
Mr. Butler
Hadley's intermediary, we'll find her and her sharpshooting husband.
FBI Agent
Right.
Walter Montgomery
Will you get Mrs. Hadley's lawyer for me please?
FBI Agent
Sally Hadley, waiting in an auto camp outside Oklahoma City for the message from a lawyer gets frightened. And so Sally Hadley, with a little child as her protection runs to her husband who is now in Memphis. Meanwhile, special agents of the FBI located a man in Oklahoma City. The man who was Sally Hadley's intermediary. The man whose 8 year old child is on her way to a gangster's hideout.
Mr. Butler
Well, now we've got a little 8 year old girl to worry about. Skyler.
Walter Montgomery
Yes, I just hope that had to.
FBI Agent
Woman of the.
Walter Montgomery
Hello, Skylar. You did? I see. When? Well, that's that.
Frank Hadley
What?
Mr. Butler
Where's she going?
Walter Montgomery
I don't know. We'd better send out a call for a woman driving with an eight year old girl.
Mr. Butler
A woman with a red wig.
Walter Montgomery
Right.
Mr. Butler
She's probably going back to her husband.
Walter Montgomery
That's my guess too. And they'll probably try to move with old girl. Scholar speaking. Yes, got it.
Choice Classic Radio Host
Right. Right.
Walter Montgomery
That was Memphis, oh two days ago. A secondhand car dealer down there brought in a flock of those $20 bills. Then a man who sells wigs brought in another.
Mr. Butler
I see.
Walter Montgomery
And at 4:00 clock this afternoon, a liquor dealer brought in another.
Mr. Butler
Well, I guess I'd better phone my wife and tell her I won't be home for dinner again.
Walter Montgomery
Yes, I think we'll be having dinner in Memphis.
FBI Agent
At a quarter to 41 September morning, a little girl sat on the Memphis railroad station. A frightened little girl clutching a ticket that would take her back to her father. But a little girl who remembered that she had had supper in a frame house near the edge of the city. And that she had seen a shotgun in that house. At 5:35 that same morning, agents of the FBI and local officers surrounded the frame house. They were armed with guns. With guns who battled against the murderous reputation of a man called Shotgun Hadley. It was just beginning to get light when two of them quietly entered the house. They stood for a moment in a dark room. To the left were two doors. Two closed doors leading to two bedrooms, leading to Shotgun Hadley. They opened the first.
Walter Montgomery
Keep quiet.
Sally Hadley
Who are you?
Walter Montgomery
Federal Bureau of Investigation.
FBI Agent
Federal.
Sally Hadley
Oh, thank God. Listen. He's in there. Get him. He ruined my life.
FBI Agent
That was Sally Hadley, the woman who had planned the kidnapping. The woman who later tried unsuccessfully to convince a jury that she was innocent. A woman who cared no more for her husband than she did for his gun. But she had built up a tremendous reputation for him. And now, as the FBI agents moved to the door of his bedroom, they checked their guns. The they try to anticipate the blast of that shotgun. And then, in a quick movement, they rush the door to Frank Hadley. There was no battle, no fight. No shooting. Frank Hadley, kidnapper Frank Shotgun Hadley, public enemy number one, stood against the wall, his hands raised high, his knees shaking.
Walter Montgomery
Don't shoot me.
Sally Hadley
Don't shoot.
FBI Agent
That was the beginning of the popular use of the phrase G men. G men, meaning government men, meaning FBI agents. And that was the first and last time Frank or Sally Hadley tried a kidnapping no kidnapper in this country has ever tried. Twice, once the FBI has caught them. Because the FBI is the largest protective force in the world. You see, it doesn't consist only of a director and a Washington headquarters of field officers and special agents. It also consists of you and all those like you. In every case, it's the cooperation of the people which enables the FBI to find the criminal. And that is the way it should be. Because the FBI, like our government, is created by the people, for the people. It is the people.
FBI Narrator
Have you ever said to yourself, no, I can't possibly buy an extra war bond. Then you find yourself thinking of someone you know in the army or Navy, your son. And you think, what are your sacrifices compared to his? And so somehow or other you find the money for that extra war bond. Remember the extra satisfaction you felt. Well, that's how members of the Equitable Life Assurance Society of the United States feel about the special campaign. Their all premium dollars received from new Equitable policies written in April will be matched with an equal number of dollars by the equitable will be combined total during the seventh war loan bond drive in May. Remember, these war bonds will be over purchases which amounted to the largest single subscription in both the fifth and sixth dollars for you, your home. The incidents used in tonight's broadcast are taken from the files of the Federal Bureau of Investigation. However, all names used are fictitious and any similarity thereof to the names of persons living or dead is accidental. In tonight's cast, Sally was played by Leslie woods and Hadley by Mandel Kramer. The music was under the direction of Van Cleave. The author was Lawrence MacArthur and your narrator was Frank Lovejoy. This is your FBI is a Jerry Devine production. This is Carl Frank speaking for the Equitable Life Assurance Society of the United States and inviting you to tune in again next week at this same time for this is your fvi.
FBI Agent
This is the Blue Network of the American Broadcasting Company.
Podcast: Choice Classic Radio Detectives | Old Time Radio
Host: Choice Classic Radio
Episode: This Is Your FBI: Kidnapping 04/20/1945
Release Date: May 18, 2025
Overview:
In this gripping episode of This Is Your FBI, Choice Classic Radio delves into the enthralling tale of Frank and Sally Hadley, a cunning duo whose methodical approach to kidnapping and crime brought them face-to-face with the formidable prowess of the Federal Bureau of Investigation. Set against the backdrop of the mid-20th century, the story underscores the evolution of criminal tactics and the corresponding advancements in federal investigative techniques.
The narrative begins by introducing Frank Hadley and his wife, Sally Hadley, a seemingly ordinary couple with a penchant for minor crimes. However, as the story unfolds, it becomes evident that Sally is the strategizer behind their escalating criminal activities.
Notable Quote:
Sally Hadley asserts her dominance and strategic mindset:
“You don’t have to tell me about that bank job, Frank. That was my idea. Just like everything’s been my idea.”
[02:37]
Driven by ambition and the desire to cement their reputation in the criminal underworld, Sally masterminds the kidnapping of Oklahoma millionaire Walter Montgomery. The meticulous planning highlights their transition from petty crimes to high-stakes offenses.
Notable Quote:
Sally emphasizes their ambition to be top-tier criminals:
“What’s the point of being anything if you can’t be the biggest, the best. If you can’t be number one. And that’s what we’re going to be, Frank. Number one.”
[03:28]
On a tranquil Saturday night, Walter Montgomery is abducted from his home during a card game. The methodical execution of the kidnapping showcases the Hadleys' calculated approach.
Key Events:
Notable Quote:
During the confrontation, the FBI agents assert their authority:
“Federal Bureau of Investigation.”
[26:02]
The FBI, alerted by Mrs. Montgomery, swiftly mobilizes to trace the kidnappers. Through meticulous interviewing and analysis, agents gather crucial clues from Walter's fragmented recollections.
Key Points:
Notable Quote:
An FBI agent highlights the importance of public cooperation:
“For the FBI, anything can be a clue. The lights on a power plant, the smell of an oil field, the sound of an airplane.”
[11:56]
As the FBI edges closer, the Hadleys attempt to outmaneuver the authorities. Sally's desperation leads her to involve innocent parties, showcasing the lengths she is willing to go to save her parents from incarceration.
Key Points:
Notable Quote:
Sally confronts Frank's fears and manipulates him into compliance:
“When I married you, I thought you were a man who could be the number one boy in this country. I thought you had guts. Sally, what are you afraid of? You are number one. Now, you've got to show them that.”
[18:02]
The relentless pursuit culminates in the FBI's strategic raid on the Hadleys' hideout. Despite the notorious reputation Frank had cultivated, he is apprehended without resistance, underscoring the effectiveness of federal efforts.
Key Points:
Notable Quote:
Frank, facing capture, pleads for mercy:
“Don’t shoot me.”
[26:56]
The episode concludes by highlighting the FBI's role as an ever-present protective force, emphasizing the importance of public cooperation in maintaining national security.
Key Points:
Notable Quote:
An FBI agent encapsulates the organization's ethos:
“Because the FBI, like our government, is created by the people, for the people. It is the people.”
[27:09]
This Is Your FBI: Kidnapping 04/20/1945 serves as both a thrilling narrative and a historical snapshot of mid-20th-century law enforcement. The episode underscores the meticulous nature of FBI investigations and the transition from traditional community-based security to structured federal intervention. Through the lens of Frank and Sally Hadley's criminal endeavors, listeners gain an appreciation for the strategic depth and dedication of federal agents in safeguarding national security.
Furthermore, the story illustrates the complexities of criminal partnerships and the pivotal role of individual agency in both perpetrating and resolving crimes. Sally Hadley's character, in particular, exemplifies how personal motivations and relationships can significantly influence criminal behavior and decision-making processes.
Production Notes:
The episode features performances by Leslie Woods as Sally Hadley and Mandel Kramer as Frank Hadley, with music directed by Van Cleave. Authored by Lawrence MacArthur and narrated by Frank Lovejoy, this production by Jerry Devine captures the essence of classic FBI radio dramas.