Yours Truly, Johnny Dollar: The Hired Homicide Matter 12/06/1959

Summary

Podcast Summary: Choice Classic Radio Detectives – Yours Truly, Johnny Dollar: "The Hired Homicide Matter" (12/06/1959)

Host: Choice Classic Radio
Episode Featured: Yours Truly, Johnny Dollar – "The Hired Homicide Matter"
Original Air Date: December 6, 1959
Podcast Release Date: March 9, 2026

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Episode Overview

This episode revisits “Yours Truly, Johnny Dollar,” one of radio’s most beloved detective dramas, focusing on the case titled "The Hired Homicide Matter." Johnny Dollar, the “man with the action-packed expense account,” is drawn into a desperate and dangerous situation when a grieving father, Horace W. Milford, tries to reverse a murder plot he himself set into motion. The episode deftly blends suspense, emotional drama, and classic detective work as Johnny races against time to prevent a hired killing.

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Key Discussion Points & Plot Breakdown

1. The Urgent Call for Help

• (00:49-01:47) Johnny Dollar is contacted by Horace W. Milford, who requests Johnny's immediate presence in Denver for a "personal matter" concerning insurance—specifically, to prevent a murder.
  • Notable Quote:
    • Horace W. Milford: “...it's a matter of preventing—a murder.” (01:47)
• Milford insists on strict confidentiality and warns Johnny not to contact the insurance company just yet.

2. Milford’s Confession and Family Tragedy

• (03:27-07:43)
  • Milford recounts the history of his advertising agency, his late wife, and his daughter Claire. He introduces his son-in-law, Tony Feringer, a manipulative opportunist who married Claire for personal gain and helped secure a vital business account through blackmail.
  • The account with Bonar Electronics is critical to Milford’s business survival. Tony’s failures and mistreatment of Claire led her to suicide.
    • Quote:
      • Horace W. Milford: “Claire, my daughter, my only child... Claire took her own life.” (06:40)
• Milford, devastated and vengeful, arranged through underworld contact Eric Blinker to have Tony killed. By the time a change of heart arrived—after Bonar Electronics pledged loyalty to Milford—he realized he couldn’t call off the murder.

3. The Hired Killer and a Race Against Time

• (07:43-11:39)
  • Minnesota reveals he cannot contact "Blackie," the professional killer, because his only link (Blenker) was found murdered.
  • Johnny attempts to assess options: contacting police or warning Tony, but Milford fears exposure and blackmail.
    • Quote:
      • Johnny Dollar: “Mr. Milford, you've really stuck your neck in a noose.” (10:25)

4. Johnny’s Decoy Gambit

• (13:29-15:03)
  • Johnny tracks Tony to his home, then enacts a scheme: he subdues Tony, makes it appear that Tony is passed out drunk, and relocates him to a seedy rooming house, intending to keep him hidden and safe.

5. Confrontation With the Killer

• (16:38-18:45)
  • Back at Tony’s house, Johnny encounters Blackie, who quickly reveals he’s aware of Johnny’s interference and intends to kill both Tony and anyone who knows his identity.
    • Memorable Exchange:
      • Blackie: “Mister, I hate to do a killing without getting paid for it, but as long as you know so much...you don’t give me much choice, do you?” (17:39)
      • Johnny Dollar: “You think you’re gonna get away with this?” (18:13)
  • In a calculated maneuver, Johnny tricks Blackie, floors him, and ends his criminal run. Blackie’s refusal to talk (the “code of the underworld”) ensures no further repercussions for Milford.

6. Resolution and Closure

• (19:00 - End)
  • Johnny keeps Milford’s involvement from the authorities and saves the insurance company from a payout.
  • Tony, rescued, remains unaware of Johnny’s intervention.
  • Johnny, exhausted by the complexity and moral ambiguity of the case, wishes for a “nice, clean case” next time.
    • Notable Quote:
      • Johnny Dollar: “Now, will somebody please give me a nice clean case to work on?” (19:44)

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Important Timestamps

| Timestamp | Segment/Event |
|---|---|
| 00:49 | Milford’s initial call to Johnny Dollar | | 03:27 | Milford insists on confidentiality and big business pressure | | 06:40 | Milford reveals Claire’s suicide | | 07:43 | Milford admits hiring a killer to murder Tony | | 09:10 | Eric Blinker’s murder closes off contact with Blackie | | 13:29 | Johnny’s plan to hide Tony | | 16:38 | Johnny confronted by Blackie | | 18:13 | Tense exchange and Johnny’s counterattack | | 19:44 | Johnny’s closing reflection – craving a simpler case |

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Memorable Moments & Tone

• The episode maintains a noir, suspenseful mood, with Johnny’s deadpan wit offering brief moments of levity.
• The distress of Horace W. Milford, mingled with Johnny’s pragmatic, dry detective style, drives the emotional core.

Johnny Dollar (anti-heroic humor):
"Now, will somebody please give me a nice clean case to work on?" (19:44)

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Conclusion

A classic, tightly plotted old-time radio drama, “The Hired Homicide Matter” showcases the genre’s strengths—moral ambiguity, tense pacing, and sharp dialogue. Listeners journey with Johnny Dollar through a maze of regret, revenge, and redemption, proving once again why the series endures as a shining example of the Golden Age of Radio detective fiction.

Transcript

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[Narrator]

Welcome to Choice Classic Radio where we bring to you the greatest old time radio shows like us on Facebook. Subscribe to us on YouTube and thank you for [e-mail].

[Horace W. Milford]

Johnny Dollar, this is the Milford Advertising Agency in Denver, Colorado.

[Johnny Dollar]

Mr. Dollar Advertising Agency.

[Horace W. Milford]

Mr. Horace W. Milford would like to speak.

[Narrator]

Hold on, please. Hello? Dollar?

[Johnny Dollar]

That's right, Mr. Milford. Yes.

[Narrator]

Can you come out here to Denver to see me right away?

[Johnny Dollar]

Well now look, sir, if you're interested in buying commercial time on my weekly radio program, you'll have to contact CBS Radio in New York.

[Narrator]

No, $, this is a purely personal matter that I wish to see you about. That I must see you about.

[Johnny Dollar]

Well, I'm sorry Mr. Milford, but unless there's insurance involved.

[Narrator]

Well, yes. Yes there is. The same company that's insured my life.

[Johnny Dollar]

One of the outfits I work with.

[Narrator]

Tri Western Life Insurance Company.

[Johnny Dollar]

Yeah, that's one of my clients.

[Narrator]

Well then please come out here right away.

[Johnny Dollar]

Well, I'd better check first with the company and get their authorization to.

[Narrator]

What was that? No, by all means do not contact the insurance company. Not yet.

[Johnny Dollar]

Well, there's a little matter of my

[Narrator]

expense account that will be taken care of most adequately.

[Johnny Dollar]

Okay, whatever you say. Now what's this all about, Mr. Milford?

[Narrator]

Mr. Dollar here on the phone. I can only tell you it's a matter of preventing. Yeah, yes, of preventing a murder. CBS radio brings you Bob Bailey in the exciting adventures of the man with the action packed expense account, America's fabulous freelance insurance investigator, yours truly, Johnny doll. And now act one of yours truly, Johnny Dollar.

[Johnny Dollar]

Expense account submitted by special Investigator Johnny Dollar. Mr. Horace W. No, no. To the Tri Western Life Insurance Company. You'll see why later on. And following is an account of expenses incurred during my investigation of the hired hom. Expense account item 1, $77 plane fare. The big mainliner took off from Bradley Field in Hartford at 8:25pm and set me down at Staple and Field in Denver at the ungodly hour of 3:35am Item 2, $5 for a cab into the Brown Palace Hotel where I added some sleep to the few hours I'd had aboard the plane. Breakfast was item three, $1.50. And then I walked over to the office of the Milford Advertising Agency on California Street. Horace W. Milford was tall, gray haired and with a very dignified bearing. He got to the point immediately. And yet in a kind of Roundabout

[Narrator]

Way, Mr. Dollar, I must emphasize that this whole thing must be completely confidential.

[Johnny Dollar]

Oh, well, now, that depends.

[Narrator]

I will pay you well. Very well.

[Johnny Dollar]

You sound as though there might be something illegal about whatever it is you want me to do.

[Narrator]

I can only hope that you can prevent something illegal from happening. Something terribly wrong.

[Johnny Dollar]

You mentioned murder.

[Narrator]

I said prevent a murder.

[Johnny Dollar]

Pose, Mr. Melford, yours.

[Narrator]

I'll be as brief as possible, Mr. Dollar. Time is of the essence, but first you must know some background.

[Johnny Dollar]

Right ahead, sir.

[Narrator]

Since my wife passed away some years ago, this advertising business and my daughter Claire have been my sole interest in life.

[Johnny Dollar]

How old is Claire?

[Narrator]

She was 27 on her last. Now listen, please. I built this business by myself until two years ago. I made all the client contacts, planned the campaigns, wrote the copy. I bought the space and radio, time, everything. And then Tony came along.

[Johnny Dollar]

Tony?

[Narrator]

Anthony Ferringer. He's my son in law.

[Johnny Dollar]

And he works for you, Mr. Milford.

[Narrator]

Out of pity for a young man who seemed to be struggling to make his way in the world, I gave him a job. Then by way of repaying me, I thought he brought the Bonar Electronics account to this office.

[Johnny Dollar]

Bonar Electronics Corporation? Yeah, I've heard of them. Pretty big outfit.

[Narrator]

I understand it means annual billings of some $2 million.

[Johnny Dollar]

To us, that's a sizable advertising account.

[Narrator]

Now, the point is. Well, he told me later that his means of getting it were somewhat unorthodox. Unethical is a better word.

[Johnny Dollar]

Now, how do you mean?

[Narrator]

He told me that he had something on officers of the Bonar organization. That he threatened exposure and ruinous scandal if he weren't permitted to handle their advertising here.

[Johnny Dollar]

Well, now, that doesn't seem possible with a big but.

[Narrator]

Thanks largely to my own efforts and ideas, we have established them as one of the most important companies in their field.

[Johnny Dollar]

Don't ever underestimate the value of advertising, huh?

[Narrator]

Yes, to the public as well as to the company. Yeah.

[Johnny Dollar]

Well, now, mister.

[Narrator]

Once I took over the account, young Tony was content to sit around, collect his salary in a big commission and do nothing. Nothing, that is, but constantly remind me that he had brought the business here.

[Johnny Dollar]

I see.

[Narrator]

But Mr. Dollar, were the account suddenly to go to some other agency, it would ruin me. Oh?

[Johnny Dollar]

How so?

[Narrator]

Buying this building, setting up the organization adequately to service such an account cost me everything I had. I'm not a young man anymore.

[Johnny Dollar]

Or is somebody else scanning for Bonar Electronics?

[Narrator]

Far worse than that, Mr. Dollar.

[Johnny Dollar]

Now, wait a minute, please. I'm afraid we've got far away from the subject of murder that you, Mr. Dollar.

[Narrator]

Far worse than his simply falling down on the job is the fact that Tony Ferringer, against my will, mind you, because I knew him well enough not to trust him, courted and eloped with my daughter. And it wasn't because he loved her, believe me. It was only a further step in a plan to get his hands on this advertising business of mine.

[Johnny Dollar]

You're sure of that?

[Narrator]

He had the nerve, the audacity, to say so himself. I can see him now, sitting right there where you are, with a smirk on his face, blandly telling me that now that he'd lost her, he'd have to resort to other tactics. That he'd have to take this important account away from me by opening his own agency and that I couldn't stop him.

[Johnny Dollar]

Wait a minute, please. You said lost her. What did you mean by that?

[Narrator]

Because of his duplicity, what he'd done to me, because of the miserable way he treated and tortured her. Claire, my daughter, my only child. Claire took her own life.

[Johnny Dollar]

Oh, I'm sorry.

[Narrator]

Well, the shock of it almost killed me, $. Tony Ferringer was bringing my whole life crashing and crushing down upon my head. I hated him with every fiber of my being. I was beside myself. I could see only one thing left for me to do.

[Johnny Dollar]

Milford, please.

[Narrator]

Then my clients at Bonar came to me two days ago and they told me they realized what had happened and why. And they assured me there was nothing Tony could do or say that would hurt them and that they would stand by me. Well, that straightened me out, Mr. Dallas. It made me realize that killing Tony, there was no point, no use in it.

[Johnny Dollar]

Well, I'm glad of that, sir. But then I'm afraid I don't see why you sent for me.

[Narrator]

Because it was too late. What, Because I had already hired a man, a professional killer, to murder him? Yes.

[Johnny Dollar]

Well, then, good heavens, man, call him off.

[Narrator]

I can't.

[Johnny Dollar]

Sure get in touch with him.

[Narrator]

And what do you mean you can't? There's no possible way for me to reach him, contact him until after he's murdered Tony Ferringer. And now, act two of yours truly, Johnny Dollar. And the hired homicide matter.

[Johnny Dollar]

Now, wait a minute, Mr. Milford. You mean there's no way to reach this hired killer to call him off, to tell him not to murder Tony Fenger?

[Narrator]

No, none whatever.

[Johnny Dollar]

But look here, you can't just.

[Narrator]

Mr. Dollar. When the only thing I wanted in life was to see him dead for all the terrible things he did to me, to my daughter, I went about arranging it very carefully. How? By means. I don't need to go into here. I finally established a contact in the. In the underworld here in Denver. Sort of a stool pigeon, I suppose you'd call him. A man named Eric Blinker.

[Horace W. Milford]

Yeah.

[Johnny Dollar]

Yeah, for a price.

[Narrator]

Blinker had the killer contact me at my home.

[Johnny Dollar]

You know the name of this killer?

[Narrator]

Well, he only told me that if he felt it necessary to phone me to contact me in any way before the job was done, he would identify himself as Blackie. Oh, great. Great.

[Johnny Dollar]

Then the only thing you can do is contact this Eric Blinker again. Tell him to call off Blackie. Have Blackie get in touch with you.

[Narrator]

No, Mr. What do you mean, no? Eric Blinker's body was found floating down the Platte river yesterday afternoon just before I called you. But don't you see, Mr. Dollar? Unless we can somehow contact this Blackie, he'll go ahead with the murder. The murder I arranged. It must not happen.

[Johnny Dollar]

All right. How much do you know about Blackie? What does he look like?

[Narrator]

I don't know.

[Johnny Dollar]

But you just finished telling me that he called on you to make arrangements for the killing.

[Narrator]

He came to my home at night. He insisted on talking to me from outside a window where I couldn't see him. I couldn't see.

[Johnny Dollar]

All right. Did you give him any money?

[Narrator]

$5,000 in cash. Marked.

[Johnny Dollar]

Huh? Marked bills.

[Narrator]

No. Oh, fuck. Well, he said that if any of the money was marked in any way, that he would know about it and that he wouldn't hesitate to kill me. All right.

[Johnny Dollar]

When was he to do the job?

[Narrator]

He would only say by the end of the week.

[Johnny Dollar]

And this is Friday.

[Narrator]

This is Friday.

[Johnny Dollar]

And you can't give me anything to go on to find this man Blackie?

[Narrator]

Nothing. Unless he calls.

[Johnny Dollar]

Well, if that happens, you don't need me. Mr. Milford.

[Narrator]

Yes? Have you.

[Johnny Dollar]

Have you told Tony Feringer anything of this?

[Narrator]

Good heavens, Dollar, you don't know the man. Can't you see what would surely happen if I did? He would bleed me for everything I have. Me, accessory to a plot to murder him. Don't you see what that means?

[Johnny Dollar]

Yeah, sure I do. And if you were to call in the police, it would be just as. Oh, yeah. Mr. Milford, you've really stuck your neck in a noose.

[Narrator]

Somehow you've got to get me out of this. You?

[Johnny Dollar]

What about Tony? Right guy or wrong, he's the one who's gonna be killed.

[Narrator]

Well, I meant stop this thing. I don't want his blood on my hands, not anymore. Somehow you've got to stop this killing.

[Johnny Dollar]

Oh, yeah, sure, great. But how? You got any good ideas? Hey, a phony telegram, something like that.

[Narrator]

What?

[Johnny Dollar]

Yeah, some kind of a message telling Tony to get out of town.

[Narrator]

But if it weren't to reach him soon enough, or if you. If he were to disregard it, if

[Johnny Dollar]

you were to go to the police.

[Narrator]

Oh, I'd sooner kill myself. I might as well.

[Johnny Dollar]

Or contact them. An anonymous warning, maybe.

[Narrator]

There is only one place from which Tony Feringer might expect trouble.

[Johnny Dollar]

From me, Mr. Milford. Well. Oh, I. I don't know. So. So help me. I don't know. I'm. I'm not even sure you deserve help after what you've done.

[Narrator]

I. I beg you, Mr. Dolly. Hey, you.

[Johnny Dollar]

You told me on the phone there's insurance involved in all this.

[Narrator]

Well, when he first came with me, Tony had his life insured. He named some distant relative as the beneficiary through tri.

[Johnny Dollar]

Western life.

[Narrator]

Yes, but he didn't even name Claire in it when he married her.

[Johnny Dollar]

Yeah, well, that's beside the point.

[Narrator]

Do you have an idea, Mr. Dollo? Something, some way.

[Johnny Dollar]

Oh, no, no. I was just thinking. It's not only your neck I've got to look out for now, but I got to keep the insurance company from having to pay off on Tony.

[Narrator]

You. You could watch over him.

[Johnny Dollar]

Oh, yeah, sure. Sit on his lap for 24 hours a day without his knowing it. Where is he now? I don't know. Where does he live?

[Narrator]

Well, then you will watch over.

[Johnny Dollar]

We'll see. Scribble down his address and phone number for him.

[Narrator]

Oh, yes, yes, of course. He lives at 425.

[Johnny Dollar]

What does he look like?

[Narrator]

About the same height and weight that you are here.

[Johnny Dollar]

My God, 425.

[Narrator]

But his hair and complexion are somewhat different. Tony? That's right, papa. And who are you, mister?

[Johnny Dollar]

I take it you're Tony Ferringer.

[Narrator]

That's right. Oh, Tony. Oh, listen, you old fool. I just found out you spoiled my

[Johnny Dollar]

chances of starting my own agency. That you can't bone our electronics into staying with you.

[Narrator]

No, no. It's because you lied to me about the way you got us.

[Johnny Dollar]

That account. So you finally caught on.

[Narrator]

Tony, will you listen to me?

[Johnny Dollar]

You listen to me. I'm not gonna let you get away with this.

[Narrator]

Please, Tony. Or maybe you will. Maybe I can't stop you. But believe me, believe me, you're gonna pay me plenty. Tony, will you pay me?

[Johnny Dollar]

Why, I haven't figured it out yet,

[Narrator]

but you'll pay me, Papa. Just remember that.

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[Narrator]

Oh, dear. I don't know. I don't know what to do.

[Johnny Dollar]

Just keep your shirt on. Mr. Melford.

[Narrator]

Yeah, what?

[Johnny Dollar]

Yeah, and wish me luck. Item 2, $5 for a taxi that followed Tony Farridge's car to a residential section east of town. And sure enough, he pulled up in front of his own home.

[Narrator]

Maybe.

[Johnny Dollar]

Maybe the wild, the crazy idea that I'd suddenly got back there in the office would work.

[Narrator]

Driver. Yeah.

[Johnny Dollar]

End of the line. Pull around this corner. All right, here. Here's a five spot. Stick around for a while. Instead of walking up to Tony's front door, I sneaked around to the back half, hidden by a hedge at the side. I hope that none of the neighbors would see me, raise a fuss or report me as a prowler. I rang the buzzer at the back door, then stood aside, flat against the wall so that whoever opened it wouldn't see me.

[Narrator]

Yes. Yes. Hello. Somebody ring this door buzzer. And now

[Johnny Dollar]

the rest of this wild plan works out. In you go, Ton.

[Narrator]

And now, act three of yours truly, Johnny Dollar.

[Johnny Dollar]

After wasting some fine scotch whiskey pouring it on Tony Farringe's clothes. Item three was another five to the cabbie for helping me haul my apparently drunken friend to a cheap rooming house over on the other side of town. A place run by a frowzy old dame who called herself Ma Letcher.

[Horace W. Milford]

Here, mister, just carry him up and let him sleep it off in this room here at the top of the stairs. Here, I'll open it up for you.

[Narrator]

Yeah, thanks.

[Horace W. Milford]

You ask me, somebody must have hit him with a bottle. Here you are. Well, you can lay him onto the bed. This room will cost you a buck and a half, though.

[Johnny Dollar]

All right, here. Here's a five Spot.

[Horace W. Milford]

Well, thanks. Who do I tell? Him.

[Johnny Dollar]

And here's another for telling him. A taxi driver brought him in here. Somebody you never saw before.

[Horace W. Milford]

Oh, don't worry. I know how to keep my mouth shut when I get paid for it. Paid good, that is.

[Johnny Dollar]

Okay, I'll make a 10.

[Narrator]

Here.

[Horace W. Milford]

Well, mister, you ain't got a worry in the world.

[Johnny Dollar]

Wanna bet? Item 4. A$10 for another cab back to Tony Fering again. Hoping none of the neighbors would see me, I let myself in the back door with a key I'd taken out of his pocket. I figured all I could do now was sit around and wait until the killer showed up. But as I walked through the doorway into the living room.

[Narrator]

Just hold it and don't turn around, mister. Hands up high,

[Johnny Dollar]

Blackie.

[Narrator]

That's right, Blackie. Well, carrying a gun, huh? No, don't turn around. Just walk over to that bench now and sit down. The piano bench there in front of you.

[Johnny Dollar]

Now, look, if you think I'm Tony Farringer, sit down. Now, keep pacing.

[Narrator]

That way.

[Johnny Dollar]

I suppose I haven't got much choice.

[Narrator]

I know you're not Tony, but you know who I am. That means you know what I was hired for. That means you know too much.

[Johnny Dollar]

All right, now, listen, Blackie. Base front.

[Narrator]

I was afraid Eric Blenker might talk, but I didn't dump him in the river soon enough. And listen.

[Johnny Dollar]

I'm listening.

[Narrator]

You think I won't get Tony, but you're wrong.

[Johnny Dollar]

I saw you take him into that crummy rooming house.

[Narrator]

I saw what you did to him too. He won't be moving out of there for a while. That means I have plenty of time.

[Johnny Dollar]

Hey, Blackie.

[Narrator]

Mister, I hate to do a killing without getting paid for it, but as long as you know so much. Well, I'm afraid you don't give me much choice, do you?

[Johnny Dollar]

Are you talking for your own amusement? I'm giving you a chance to say

[Narrator]

your prayers, if you still know how.

[Johnny Dollar]

Hey, Blackie, look, we can front. Well, what difference does it make, huh? If I should see you? I mean, if you're gonna kill me?

[Narrator]

Let's just say I prefer it this way. Are you ready?

[Johnny Dollar]

Are you kidding? You think you're gonna get away with this?

[Narrator]

I'm absolutely sure of it.

[Johnny Dollar]

And I asked you, do you think I'd come here looking for you without taking precautions? You've said enough. Now, do you feel this gun in the back of your head? I could tell by his voice that he stood directly behind me. I put my right heel tightly against the leg of the piano bench. And then, as I felt the cold muzzle of his gun against the back of my head, I suddenly dropped to the floor, kicking the bench against his. Well, Blackie, I'm afraid your rather unique career has finally come to an end. Listen, boy, down. Nailing Blackie for the murder of Erica Stooli made it easy for me to keep Mr. Milford out of the picture completely. Nor did Blackie talk something cold in the underworld, I guess. As for the expense account, well, in view of the fee that was handed to me, you can forget it. Tony Feringer, incidentally, never did quite know what happened to him. Now, will somebody please give me a nice clean case to work on? Yours truly, Johnny Doll.

[Narrator]

Yours truly, Johnny Dollar, starring Bob Bailey, originates in Hollywood and is written, produced and directed by Jack Johnstone. Heard in our cast were Virginia Gregg, Marvin Miller, Lawrence Dobkin, and Russell Thorson. Be sure to join us next week, same time and station, for another exciting story of yours truly, Johnny Dollar. This is Dan Coverley speaking. Johnny Dollar has come to you through the worldwide facilities of the United States Armed Forces Radio and Telev.

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