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Playwright and director Aleshea Harris knew early on she wouldn’t be satisfied playing a role in someone else’s story—she wanted to create her own. Harris initially set out to be an actor, but quickly realized the limits of waiting for permission to tell more expansive stories centered on the Black experience. So began her career as one of the most fearless playwrights in contemporary theater, with works including What to Send Up When It Goes Down, On Sugarland, and Is God Is, the latter of which has been adapted into a film. But Harris didn’t hand the reins to another director—she took on the challenge of extending her vision from stage to screen on her own terms. In this episode, Harris explores transforming Is God Is into a film, what new muscles she’s developed as a first-time director, and how she thinks about white audiences consuming her very Black art.

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