DERELICT Presents: Thirst

Summary

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DERELICT Presents: Thirst – Episode Summary

Episode: “Thirst” – Chapter 1: Icebreaker
Date: January 3, 2026
Podcast Feed: DERELICT by Night Rocket Productions (Presents episode from The Penumbra Podcast – Thirst)

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Overview

This episode of DERELICT Presents spotlights the premiere of Thirst, a new horror satire audio drama from The Penumbra Podcast. The show merges reality TV’s cutthroat competition with a harrowing near-future America, exploring what people will do for love, survival, and a chance at security in a crumbling world.

The narrative follows contestants on a violent dating game show, set in a broken country obsessed with entertainment amidst political upheaval and environmental disaster. “Thirst” sharply satirizes the voyeurism, cruelty, and desperation of modern reality TV, all filtered through a chilling, AI-driven competition.

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Key Discussion Points & Episode Structure

1. Introduction to Thirst & Setup

(03:41 – 05:00)

• Creative Introduction: Harley Takagi Kaner of The Penumbra briefly introduces the tone of Thirst, warning it is much darker and more explicit than their prior work.

• Trigger Warnings: Listeners are guided to comprehensive trigger warnings at transcript end/show notes.

  “Thirst is much more explicit and a lot darker than our other series, so I would not recommend it for children. If you have concerns about potential triggers, those will always be listed…” — Harley Takagi Kaner (04:01)

2. "Confess Your Crimes" Show Excerpt: The Brutality of Reality TV

(05:00 – 12:16)

• The episode opens with an in-universe fake reality show in which contestants must air their darkest secrets before friends and family for a prize.

• Descriptions of painful confessions, betrayals, and even a murder admission, all for a $10,000 reward and land, highlight just how far the moral line can be pushed in search of survival.

• The segment is played by two central characters, who watch and react to the horror with a mixture of fascination and discomfort.

  “So, Claudia, Marcus, if you want that $10,000, you’re going to have to confess your crimes. That’s right.” — The Host (05:19)

  “I just don’t know if I’m going to be able to do anything like that, Dennis.” — Anouk (12:16)

3. Contestants Introduced: Anouk & Dennis, Pair Dynamics

(12:16 – 16:56)

• Anouk and Dennis, the main couple, discuss their fears and motivations for competing in "Thirst," the new reality competition.

• Dennis is a seasoned competition show participant who is confident about “playing the game” for a big prize, reassuring Anouk, who is nervous and out of her element.

• Their banter is loving but reveals the tension between those who are “in on the game” and those worried about the unseen dangers and manipulations.

  “The thing is, getting second place in a competition show is actually the smart move. Everybody loves an underdog.” — Dennis (14:15)

  “I’m scared, but I trust you. After all, I hear my teammate in this game is a real big deal.” — Anouk (12:45)

4. Atmospheric Shift: Arrival and Isolation

(19:07 – 22:52)

• The pair arrives at the remote, eerily empty San Narcisse University, the filming site.

• Their bags drive off in an automated van, communications cut out, and a sense of abandonment sets in, reinforcing their lack of agency and raising stakes.

  “It’s not like we have a choice. Teaser trailer airs tonight. We haven’t even filmed a minute of it yet.” — Dennis (20:55)

5. Lost in the Woods & The Macabre Discovery

(22:52 – 32:07)

• The couple becomes lost en route to the set, causing mounting anxiety and reinforcing the dangerous unpredictability of their “game.”

• Anouk is separated, finds a rotting deer with its face torn off, and has a panic attack before being helped by Rain, a spiritual healer and fellow contestant.

• Their brief exchange highlights the stress and surreal horror underlying the competition, with oddities like the unnatural deer suggesting something more sinister.

  “Its face looks like it’s been torn off. But the rest of its body… no signs of scavengers… Only the face. It’s just ripped away completely.” — Anouk (31:20)

6. Meet the Cast: Dinner Introduction and Group Unease

(32:07 – 42:48)

• The full roster of contestants are gathered, revealing varied backgrounds: survivalists, academics, influencers, and spiritualists.

• The group grows uneasy at the absence of any producers, lack of communications, and supplies that suggest they’ve been left alone for an indeterminate period.

• The blending of personalities, competitive history, and subtle barbs paint a believable reality-show stew.

  “There’s food in the kitchen, but most looks like it spoiled months ago. … Most interesting of all, in my opinion, is the obvious woodlouse infestation.” — Dennis L. (38:42)

7. Disturbing Show Elements: Fake Footage & Paranoia

(44:17 – 51:13)

• The night’s tension spikes when a montage of AI-generated, doctored “audition videos” is projected. Contestants see themselves in places they’ve never visited, doing things they never did.

• The group debates the morals and repercussions of AI manipulation on their reality, shifting from nervous laughter to deeper paranoia.

• Capote, an AI developer, insists the tech isn’t capable of such feats, fueling further uncertainty.

  “If they could make a video of us drinking things we never drank, what else could they show us doing?” — Anouk (51:03)

8. Interpersonal Friction and Mounting Tension

(51:13 – 54:00)

• Arguments break out, water is thrown, and paranoia about both the show and each other rises.

• Anouk, overwhelmed, has an outburst, escalating the sense that the environment is engineered to provoke conflict as much as competition.

  “Well, the producers were telling me that this crop of contestants were drop-dead gorgeous, but I didn't think they meant that literally.” — Dennis (52:49)

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Notable Quotes & Moments

• On The State of the World & Survival:

  • “All that for a ten-thousand-dollar prize? That’s nothing. That’s barely three days in the hospital. And that man threw away his life confessing to murder for it.” — Anouk (16:24)
  • “There's no good reason to believe the world's ending besides, you know, the heat and no safe drinking water and biblical flooding…” — Anouk (25:06)

• On Reality TV and AI Control:

  • “The unwritten rule of these shows is if the audience gets bored watching you, the producers find a reason to give you the axe.” — Dennis (16:31)
  • “If they could make a video of us drinking things we never drank, what else could they show us doing?” — Anouk (51:03)

• On Love and Motivation:

  • “All you need to do is tune in and let the magic happen. My name’s Jedediah Jordan and this is Can’t Tear My Eyes from You.” — Host (47:59)
  • “I think if I could ever find that kind of strength within myself, that’s the kind of thing I might do for love. Even if people think it’s crazy.” — Rain (47:23)

• Surreal/Comic Interludes:

  • “I love you no matter where your bowels are.” — Dennis (24:58)
  • “Oh, I'm busting all over the place. Hither and yon, sea to shining sea.” — Dennis L. (33:43)

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Timestamps for Key Segments

• (03:41 – 05:00): Introduction, content warning, and setup for Thirst
• (05:00 – 12:16): “Confess Your Crimes” in-universe show segment
• (12:16 – 19:07): Dennis and Anouk’s private dialogue about the show and stakes
• (19:07 – 22:52): Arrival and unsettling logistics at filming location
• (22:52 – 32:07): Lost in woods, deer discovery, and Rain’s introduction
• (32:07 – 38:49): Arrival at campus dining, full contestant roster meets
• (38:49 – 44:17): Isolation unveiled, discussion of lack of contact/agency
• (44:17 – 51:13): Group reacts to AI-made fake footage, debates manipulation
• (51:13 – 54:00): Paranoia and confrontation escalate, interpersonal tension peaks

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Tone and Language

Thirst’s first episode is smart, unsettling, and loaded with dark comedy reminiscent of Black Mirror by way of The Bachelor. The dialogue is sharp and well-paced, moving between playful banter and teeth-grinding anxiety as the darkness of their situation becomes clear.

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Conclusion

This episode deftly sets the stage for a satirical horror tale about modern desperation, the ethics of entertainment, and the uncertain line between spectacle and reality. With its sharp ensemble cast and mounting existential horror, Thirst promises a thrilling, thought-provoking narrative about what happens when people are pushed to compete for survival—and the eyes of a watching, invisible world.

Recommendation:
Fans of dystopian science fiction, horror satire, and shows like The Hunger Games, Black Mirror, or Squid Game will find much to love—and fear—here.

For more episodes and production details, visit: derelictpodcast.com

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Transcript

[A]

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[B]

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[A]

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[B]

Welcome to Desert Skies, traveler. Your journey through the physical plane has.

[A]

Come to an end.

[B]

I am the attendant. My colleague here is the mechanic. Yo. This is your last stop on your way to the great beyond. It's our job to make sure you're prepared for the ride. Now, before hitting the road, we have an impressive selection of over 34 varieties of microwavable burritos.

[A]

Um, what's going on?

[B]

There's gotta be a better afterlife than this. I mean, come on. Uh, that's offensive.

[A]

Something seems to be wrong with me.

[B]

You left something major undone. I have a life outside of this gas station, you know. You quite literally do not. Any hobbies? Nope. Ever travel?

[A]

Nope.

[B]

Love interests? Are you kidding? Oh, my God. You're like the human version of a plain bagel. Cash register. How can I help you? Attendant? Play some music. You got it.

[A]

It's kind of funny though. What I needed wasn't back there. It was here waiting for me.

[B]

I wonder what it feels like neck to miss the physical plane. The people you. You know. I had a wife who died three years ago. Wish I could go back. No, you don't need to go back. You just need to be here. And a new traveler approaches. Ready, team? Ready. Good. Let's do this. Find desert skies wherever you listen to podcasts. Hi, everybody. JBM here with another edition of Derelict Presents. This time for a really cool, as they call it, horror satire show on the Penumbra podcast feed called Thirst. Thirst is a reality show themed horror story that launched in July 2025 as the sixth season of the Penumbra podcast. Set in the not so distant future of the 47 habitable states of America, where the news is too terrifying to watch and entertainment reigns supreme, Thirst tells the story of a violent dating competition. Can't tear my eyes from you. Contestants in this brutal game are pushed to their limits by a tirelessly cheerful algorithm that designs their challenges and a sadistic host with a flair for cruelty. The series explores the dark question of whether a cash prize and a safe home away from the rising sea are enough to make the contestants sell their soul for a brutal game with inscrutable goals. On the Penumbra feed, there's also some other really well done series to check out like Juno Steel, a noir style detective science fiction series set on Mars, and the second Citadel, a fantasy series where humans battle against mind manipulating monsters. So please check out Thirst and everything else that Penumbra has to offer. There's some really unique storylines there with awesome production values. And lastly, as a reminder, if you haven't yet, sign up for the Derelict newsletter by clicking the link in the episode notes below or you can go to derelictpodcast.com join there's a lot of really cool things developing behind the scenes for the show right now, so signing up for the newsletter is going to be the best way to stay on top of all the announcements. Coming soon. Again, you can sign up by going to derelictpodcast.com join or just clicking the link in the episode notes below. Thanks for listening as always and hope you enjoyed the first episode of Thirst.

[A]

Hello, this is Harley Takagi Kaner, one of the creators of the Penumbra podcast. If you're just checking out the feed for the first time, welcome. If you've been a listener of the Juno Steel or second Citadel series, welcome back. We are so excited to share our new story Thirst with all of you.

[B]

If you are familiar with our previous work, I do want to let you.

[A]

Know that Thirst is much more explicit and a lot darker than our other series, so I would not recommend it for children. If you have concerns about potential triggers.

[B]

Those will always be listed at the.

[A]

End of the transcript and in the show notes. And here in the series premiere, we have also included a more comprehensive list so that you can decide whether or.

[B]

Not the show as a whole is right for you.

[A]

I do hope you decide to stick around though. And now Thirst can't tear my eyes from you. Chapter 1 Icebreaker.

[B]

Claudia Marcus, it's been a long road to get here. You've both made great sacrifices, personally and professionally. But if you want a shot at our $10,000 prize plus that half acre of landlocked property, well, I hope you've both got something big up your sleeves. You know the game by now. Your loved ones are in the audience, your family, best friends. Hell, Marcus, even your boss at the cannery took the day off to come and hear what you've been hiding from him. Hi Dave. This better be good, Williams. Our producers scoured America and interviewed thousands of applicants to find the deepest, darkest secrets we could. Our private team of investigators is on standby to confirm anything our contestants claim. So Claudia Marcus, if you want that $10,000, you're going to have to Confess your crimes. That's right. And we've learned a lot, haven't we, Marcus? We learned you've been jealous of your little brother ever since he went missing 20 years ago. So jealous you faked your report cards and diploma and, hell, even your job, just to get Mommy proud of you again. And Claudia, Hoo. We. Where do we even start? Cheated your way through high school, Plagiarized your valedictorian speech, beat a girl in your sorority within an inch of her life and blamed it on her boyfriend. I just hope you haven't let your best secrets loose too early.

[A]

Me too, Alex. Me too.

[B]

But now it's our final round. So each of you gets to pull just one last skeleton out of your closet. Most terrible secret, verified by our investigators wins. Audience decides who tells first. So, audience, are we ready? Then get voting.

[A]

Wow. That's really extreme, isn't it?

[B]

Is this too much? They're not all like this, I promise. I just picked this one because it's the last thing our producers worked on, so I thought we could, you know, study the lay of the land a little.

[A]

Our producers, huh? I'm not sure it quite hit me until you said that.

[B]

If this is too much, we can stop watching. I promised you.

[A]

I know. I know. Okay. Okay, I'm ready.

[B]

You're sure?

[A]

You're right. We should study if we're going to. That's my fault for not watching your kind of show earlier. You can start it up again.

[B]

Okay. Let's try to enjoy it, huh? These secrets are gonna be juicy.

[A]

Juicy. That's good.

[B]

The votes are in, and Claudia, looks like you're up first. So, ready to confess your crimes?

[A]

Okay, Bill, I.

[B]

Bill, as in your supportive husband, Bill. He's in the crowd today. Why don't you stand up, Bill? Let everybody get a good look at you.

[A]

Yeah.

[B]

Claudia.

[A]

Bill, I. You know I love you. More than anything. I love you, and I regret it so much.

[B]

But just say it, please.

[A]

When you were in the hospital, when you had that heart attack, and the doctor said they didn't think you were going to make it, I. I told you I had no reception. And I missed your mother's calls. That traffic was so bad I couldn't make it there.

[B]

Claudia. No.

[A]

It'S not true. I was with Chris.

[B]

For those playing at home, that's Chris Lyman, Claudia's ex. You told me you weren't talking to him anymore after last time I saw your calls.

[A]

But we'd had a few drinks, and he booked a hotel room, and we. We were we were.

[B]

You. You. You sick. And Bill has left the building burning bridges with the father of your child, Claudia. That's a hell of a showing. How do you feel?

[A]

I'm sorry. I don't know why I'm like this. I'm so sorry. Great.

[B]

Our investigators are on the line with Mr. Lyman now. And we'll get him him to corroborate your story shortly. That's going to be hard to beat. But first, Marcus, I think you know what time it is. I. I do, yeah. Anybody you want to point your confession to? My mom. Mama's boy Marcus strikes again. Lydia, are you out there? Stand on up, Lydia. Help her out, folks. Her knees aren't what they used to be.

[A]

Marky, please, you don't have to do this.

[B]

We lost the house, Mom. What am I supposed to do?

[A]

We can just leave. Everything you've said so far, I forgive you. Really.

[B]

We could walk out of here and pretend this never happened. So sorry, Mrs. Williams, but we've got a contract with your boy's name on it that says otherwise. Clock's ticking, Marcus. What do you want to tell dear old mom and all the millions of Americans watching at home? Mom, I. I know where Martin is. Juicy. Go on, Marcus. Don't leave us hanging. Dead or alive, he's dead. He has been for 20 years. I was there when he died. I'm the reason he's dead. A murder confession. You can't make this stuff up, people. That's the magic of live television. I didn't mean to do. Was the lake, mom. The frozen lake. My grandpa's house. And he had been telling us all these stories about how he used to go ice skating there. And he told us not to. But it was such a cold winter. We'd never seen a frozen before. Martin didn't want to go. He thought it was. So I called him a chicken. And we caught in a fight. I punched him hard. Harder than I meant to in his. Must be lousy reception. Come on. Come on. Get up. I told him he had to get up. But then the ice cracked and just before I could reach him, he just. He just. Team of investigators is trawling Firefly Pond as we speak. Will be back with the bloated corpse of Martin Williams after these messages from Family oats. Family oats. A wholesome meal for the wholesome American family. Damn. No service out here in the sticks. I guess we'll just have to look up who won later. So did you, like, confess yous crimes?

[A]

I just don't know if I'M going to be able to do anything like that, Dennis.

[B]

What? Beat me up and drown me in a frozen life lake? That's disappointing. I wouldn't have married you if I knew that's where you drew the line. Are you doing okay?

[A]

Me? Yes, yes, I'm fine. Of course I'm fine. Why wouldn't I be fine?

[B]

I'm really grateful that you agreed to do this, you know, I know it's not nothing to you, but I'd be lying if I said I wasn't so excited you're here. I really miss you when I'm away filming a show.

[A]

I miss you too, Dee. And I'm glad we're together. I'm scared, but I trust you. After all, I hear my teammate in this game is a real big deal.

[B]

Oh, am I a real big deal?

[A]

The size of the deal. Big.

[B]

The realness. Oh, you better believe it's real, damn it.

[A]

Every time.

[B]

What can I say? Dennis Cruz does not lose. I'm like one of those heroes in the that book you gave me. The one with the naked lady riding the fisherman's platter on the COVID No.

[A]

No, I'm not going to take the bait. You know who that is?

[B]

Oh, you got me. Who could ever forget the great myths about the woman born from the waves? Soggy Catherine.

[A]

You'd better be careful, D. Aphrodite, the goddess of love and beauty, has done terrible things to men for saying much less than that.

[B]

Goddess of beauty, huh? That's weird. She doesn't look anything like you.

[A]

Disgusting.

[B]

I do my best, but yeah, I'm like a mythological hero when you think about it. One of the good ones. Percy has never lost a fight, did he?

[A]

I think you're more of an Ajax.

[B]

Ajax? Ajax.

[A]

Think Trojan, no hints.

[B]

Ajax the great. Second best in the Greek army during the Trojan War. So you do listen when I talk about work. But there's one big difference between me and him. I'm second best on purpose. Because the thing is.

[A]

The thing is, getting second place in a competition show is actually the smart move. It is though, because everybody loves an underdog.

[B]

Don't forget about the prize money.

[A]

And then you get the runner up prize without the press banging down your door all the time. Pretty smart, right?

[B]

Wow, that is such a wise and intelligent and handsome thing you just said. Did you come up with that or.

[A]

I learned from the second best.

[B]

Not for long I'm not. Because you and me are cashing out, babe, and taking this competition show is how we do it. You don't need to be nervous. It's the end of the world, Anuk.

[A]

What?

[B]

I said it's not the end of the world. If we don't win this, I can always go on another show. So we'll get in there, I'll try to figure out our win, and if not, who cares? We got a free trip out into the country.

[A]

Did you really just go call Weston Moss, the country city boy?

[B]

It's got trees, doesn't it? That's country enough for me. And anyway, Huntry girl, it's beautiful out here. Air's great, no flood risk. Think of this as a paid vacation. Just one where we could win $100 million in a house somewhere far away from the sea.

[A]

That would be nice. You sure it's 100 million?

[B]

You prefer your contracts written or verbal? Cause I got both flavors. The executive producer, Ms. Laplace, she called me personally to give me the offer.

[A]

She did? You didn't tell me that.

[B]

I didn't want you to feel pressured to say yes. If you didn't want to, I would have just. Anyway, Ms. Laplace called me the day before we filmed our audition tape and asked me, Mr. Cruz, you're married, right? And I tell her I am, but for the right price, that can be dealt with. And she says, how's a chance at $100 million sound to you? And I tell her it sounds great, of course, but you should have heard her, babe. People love rooting for you, and it's time you were paid your due. She even said she liked my videos. Anouk, she mentioned. Recap. Roundup by name. See, the pros want us here, babe. They're not gonna make you do anything you don't want to do. I promise.

[A]

And this Ms. Laplace also produced that Confess yous Crimes show.

[B]

I really freaked you out watching that, didn't I? I knew I should have picked 24 hour dodgeball for us to study.

[A]

No, no, it was great. Obviously. I just. All that for a ten thousand dollar prize? That's nothing. That's barely three days in the hospital. And that man threw away his life confessing to murder for it.

[B]

It'll probably talk him down to manslaughter. And the tears and the shouting and all that, that's just theater. Unwritten rule of these shows is if the audience gets bored watching you, the producers find a reason to give you the axe. So the winners, they just play a good character, right? But that doesn't mean that's who they really are. They're nice.

[A]

Usually I just feel like I should have Done more to prepare. Watched more of these shows or studied them like you do. I'm going to be so angry with myself if I let you down.

[B]

It's not your fault. Competition shows stress you out. They aren't for everybody. Just almost everybody. Listen, I'll say this as many times as you need. I'm glad you're here. I mean, when we win this thing, this is gonna be my last competition show ever. The Dennis Cruz swan song. I'll still upload all my videos and stuff, but this is emotional for me. I'm glad you're here to help. And you couldn't possibly let me down, honest.

[A]

Thanks, D. It's just.

[B]

Yeah.

[A]

I'm sorry. Doing these shows has just been so much of your life for so long. Even more than your videos. And it's just hard for me to believe it's almost over. But you promised. You're done after this.

[B]

Really? I promise.

[A]

Just keep your promises. I know.

[B]

I mean it. Get pumped, babe, because this is the finish line. One more win and we'll have enough for life.

[A]

We already have enough, D. I just have to go full time and.

[B]

No. Nope. No. When we first met, I promised you I'd support you until your paintings took off. And we're too close to give up now. 100 million, Anouk. A place somewhere safe. Somewhere we won't have to move from in 10 years. I have to take that deal. It'd be irresponsible not to. Sure, it's gonna be hard. And sure, these shows are scary, but they can't make you do anything. So what's the worst that could happen?

[A]

You like that scariness, don't you?

[B]

I do. But if I need a thrill in the future, I'll take up skydiving. With 100 million, I can buy my own plane.

[A]

Maybe you should buy a parachute first.

[B]

I knew I was forgetting something. I ever tell you how lucky I am to have you? Oh, you're shaking. Don't be nervous. I'm here.

[A]

I know. I'm glad.

[B]

You'll feel better when this van gets us on set. A little fresh air, a little crafty in your belly, and this will all seem much more doable. Hey, driver. Sorry, I didn't get your name. How much longer till we get wherever we're going? I guess he's not very talkative.

[A]

Did we just stop?

[B]

Seems like yeah. Hope I didn't offend the guy. Everything all right up there, sir?

[A]

I don't have cell service. Do you?

[B]

It doesn't look like I'm just Gonna check to see what's up.

[A]

D?

[B]

It'll be fine. He probably just needs help changing a tire or something. Hey, anything I can?

[A]

Huh? D? Why did we stop?

[B]

We're here, I guess.

[A]

Really? Welcome to San Narcisse University. Contestants. Please follow the signs to the student building.

[B]

Guess we're supposed to walk from here.

[A]

Did the driver say anything?

[B]

Ask him yourself.

[A]

Excuse me, Is this.

[B]

Oh, nobody here but us mice.

[A]

Did the driver already go somewhere? I didn't see anyone walk away.

[B]

I'm guessing it's an automated van. Easier to keep things under wraps. That way nobody can leak our location. If nobody knows we're here.

[A]

Wait. Nobody knows where we are? And the nearest city is how far away?

[B]

I mean, the producers know, and I'm sure they got emergency services on speed dial. Let's give them a chance. I'm sure they got something worked out. Let's just grab our stuff and shit.

[A]

Wait, hold on. We don't have our bags yet. What the hell?

[B]

I mean, at least it's going the same direction we are.

[A]

Then why couldn't it give us a ride?

[B]

Glitch in the programming, maybe when we get to the student building, we'll figure it out. We should get moving.

[A]

You are sure about this?

[B]

I am. But also, it's not like we have a choice. Teaser trailer airs tonight. We haven't filmed a minute of it yet. My brothers will be watching. What about your aunt?

[A]

Of course. They can really edit the footage into a trailer that quickly? It's already full.

[B]

That is pretty quick. But Studio Laplace are some of the best in the business. I guess we should hurry in case we're late, though. Come on. It'll be alright. We've got each other, don't we? Well, I can't say I've ever screwed up this particular way before.

[A]

Don't say that. You're making me nervous.

[B]

I mean, getting lost on a straight path, that is next level.

[A]

It's just. It's not even possible. How could we be lost?

[B]

I don't know what else could have happened, though. If the van was automated and it picked us up on time, it should have dropped us off on time too, right? And we've been walking this path pretty quickly. But I haven't seen the building yet. I don't know how we're gonna have time to film this thing. Neither of us can tell your aunt about this. I worked hard to get the micro shred of respect she's given me, and I'm not losing it that easy.

[A]

I wouldn't tell Her? Honestly, she'd probably kill me for staying out in the woods so long without bug spray.

[B]

I wouldn't give your aunt's horror stories that much credit. You should have heard some of the stuff she was trying to get me to believe. Last time we went over for dinner, man, eating deer and giant ticks and whatever else. I just kept wanting to be like. You know this is Massachusetts, right? Turkeys, Thanksgiving, you put a fish in the ground to make the corn grow, all that kind of thing. The way she talks, you'd think this is like Chernobyl or the backside of the moon or, I don't know, Florida.

[A]

Yeah. Yeah, she's a lot. But she is right about some things. People really do keep disappearing in the woods.

[B]

Yeah, people always have, though.

[A]

And the wildlife, the mosquitoes. I was watching a report yesterday that said the way they move, the way they swarm, it's almost like they cannot.

[B]

Watching stuff like that. I don't see the point. If nobody's even figured out why it's happening or what to do about it. I mean, why bother?

[A]

I just. Well, maybe I shouldn't. Sometimes I think it might be useful to see the bad things coming before they get here, you know?

[B]

Take it from your TV guy, babe. You can't trust everything you hear on tv. Watching the news, that was your first mistake. If I believed every bad thing they say on the news. Hell, I don't know how you could do that without going completely mental.

[A]

Mental, right. It definitely feels that way.

[B]

We've been walking way too long to be on the right path. Let me check my phone again, see if I can get a GPS signal. Now.

[A]

Huh? D, Is something wrong?

[B]

I can't find my phone. I must have dropped it at some point.

[A]

Dennis, your phone always falls out of those pockets. They're too small. I thought you were going to donate those pants.

[B]

I was, but then I checked again, and I gotta look good for the premiere, you know what I mean? Have you seen my button? These?

[A]

Yes, and it's juicy as hell, Dee, but priorities, please. Well, at least it's a straight path. Let's go back.

[B]

Nope. No time. I can run faster than you. I'll go back for my phone, and you keep walking. I'll catch up with you in a minute.

[A]

I really don't want to be in these woods alone.

[B]

Why not? You and your aunt used to do that kind of thing all the time, right?

[A]

That's different.

[B]

How? Come on. You're tough, babe.

[A]

Just feels different right now. I don't want to be tough out Here alone.

[B]

Well, you're always tough, so. You'll be okay. I promise. We're running behind schedule and breaking one of these contracts. Trust me, that's something real to be scared of. So keep walking, stay posy, and I'll catch up with you in a minute, okay?

[A]

Dee, we were just talking about the woods being dangerous. What are you going to do if you come back to the disemboweled corpse of your wife?

[B]

I love you no matter where your bowels are.

[A]

Babe.

[B]

Be right back. Love you. Grab my phone, find my babe, record the teaser. Grab my phone, find my babe, record the teaser.

[A]

Love you, too. Come on, Anuk. You can't be afraid of Aunt Goat's ghost stories forever. Because she's crazy, right? She always says she's crazy. There's no good reason to believe the world's ending besides, you know, the heat and no safe drinking water and biblical flooding so bad we don't even know where all this salt water is coming from. And the climate of Siberia and the Sahara just switching places and the animals going completely crazy just like. Aren't goat's crazy and I'm crazy and everyone's crazy. And isn't life more fun inside the madhouse anyway? D, Is that you? I must have just stepped on a twig or something. Dennis, are you there? Whoever's there, you better not. No, no, it can't. Dennis, I need you to. Dennis, come back, please. Dennis. Here it comes. This wasn't supposed sad. If I never started again. I just went.

[B]

What?

[A]

What the. No, no, no, no, no. Not again. No, no, no.

[B]

Whoa, whoa.

[A]

What's going on? Are you hurt? How. I didn't hear you. You didn't hear me because. Because you were making enough noise for both of us. Take a breath and talk to me. Are you in danger? Are any bears or, I don't know, rural sex pests about to come running through those bushes?

[B]

What? No.

[A]

I thought I had. That body. That dead body, its face. It's a deer. And it's too dead to hurt you now. And that means you only have one job right now, and that's to get your shit together. Okay? We're going to do it together. Can you handle that? Hi. Yes, I can. Good. Sit up straight so you can have space to receive air. Okay. Nice. Now relax. Get comfortable. Soft gaze. Okay. Right. Okay. Now try to place your spirit somewhere down low. Low above the buttocks and between the ovaries. Okay. Wait, what? Now's not for talking. Now is for breathing. Ready? Inhale for 1, 2, 3, 4. Hold it in, 2, 3, 4. Exhale, 2, 3, 4. Wow. That was really. And inhale, 2, 3, 4 dot Hold, 2, 3, 4. EXHALE, 2, 3, 4. INHALE, 2, 3, FOUR. Hold, 2, 3, FOUR. EXHALE, 2, three, four. So, are we done yet? The work is never done, but, like, it literally is at some point. Right there. Ready to face the world again? Yeah, sorry, I just heard. I thought I heard something that I. Sorry. Yes. Thank you. No problem. It's my job. Finding lost women in the woods and helping them through panic attacks. Yeah. Huh. So, like, do they have schools for that or. I would describe most of my clients as women lost in the woods. I'm a spiritual healer. Conduit for the unspoken wisdom of the universe. Yoga instructor. Oh, you meant, like, metaphorically. That makes so much more sense. I thought you were a park ranger or something. I. I don't really care for that word. Oh, are we all angry at park rangers now for some reason? I meant metaphorically. I just don't see the point in having a word for things that aren't true. If it isn't true, why would we spend time talking about it? So if we talk about it, it must be true, right? That's. Huh. That's fun. You're much nicer to talk to than my husband. I guess that's another reason to be glad I lost him in the woods here. Your husband? Then are you here for the competition show too? I am. And I guess that makes you the competition. I hope I don't end up regretting saving you from that pile of rotting meat that used to be a deer. I'm Rain Rayn Randolph. And you? Anuk Kalhara. Exotic. Do you think that's going to give you an edge on the show? I don't know. I don't really watch shows like this. Diving in the deep end first. That's brave. So what's a brave girl like you doing screaming about dead deer in the middle of the woods? The woods is, like, where dead deer live. Didn't you notice its face? Ugh, no. The flies told me most of what I need to know. Thanks. It's. Its face looks like it's been torn off. But the rest of its body, it looks like it's been out here for a few weeks. But there are no signs of scavengers picking at the rest of its body. Only the face. It's just ripped away completely. Huh. Must just be a gross deer. What?

[B]

It's.

[A]

It's just that scavengers don't behave that way. Food is food. And there's a lot of meat on a deer this size. Yeah, the dead deer is super weird and interesting. But you're from around here with that accent? Not originally, but most of my life, yeah. Oh, Massachusetts. What a concept. What was that?

[B]

I think I heard her over this way. Come on. I'm moving as fast as I can, all right. These aren't exactly hiking shoes.

[A]

Sounds to me like the kind of animal we really should be scared of. Dennis. Dennis? How do you know Dennis? What?

[B]

Babe? There you are. Dennis.

[A]

Oh, that Dennis. I thought you meant Jesus Cruz.

[B]

I asked you to wait up.

[A]

That Dennis.

[B]

Happy to see you too, honey. Let me clear things up before they get too confusing. Anouk, this is my new pal, Denis Lang. And you must be Rain. Nice to meet you. I'm.

[A]

I know who you are. I've watched TV before. So your guy is the Dennis Cruz, huh? Yes. I hear he's on a lot of shows like this one.

[B]

A lot. He's on every one of these stupid shows. Jackpot Triathlon. The Big Sexy House. John McGraw's Last Stand. Saloon, presented by John McGraw.

[A]

Quiz me, Daddy. Sell me your trash. Gambler's Pair of Dice.

[B]

Road Trip. Warzone. Alone in the mall With a Very Big Bear.

[A]

This is the winter when we dis content the Great American Tax Write off. If you're here, who's driving? Business boy.

[B]

Season five and the third All Star season.

[A]

Right? The Princess of Profit. Have to ask, were you all really at each other's throats like that all.

[B]

The time or that that was just an act? Except Caleb. Everybody really did hate that guy.

[A]

Really? Then the punch.

[B]

Real. Wait. Punches in the bowl or like the fist?

[A]

Either.

[B]

Both.

[A]

I knew it. God, that was such good TV.

[B]

I found All Stars 2 more compelling.

[A]

Personally, Dennis? Yeah. Oh, that's not going to get annoying.

[B]

She said my name. What was I supposed. Reigns right though. This is gonna get confusing. Hey, here's an idea. Why don't we call you Dennis? L. And what are we calling you? Oh, just Dennis is fine.

[A]

Ha.

[B]

Very funny. I'm just absolutely busting about it.

[A]

Don't say busting.

[B]

Oh, I'm busting all over the place. Hither and yon sea to shining sea. I'm just kidding you. Anyway, Dennis L. So glad we bumped into each other because. Hey, baby, you're not going to believe this, but Lang here knows the way to San Narcisse. I was worried we'd be late, but apparently they haven't even set up for filming yet.

[A]

There's no way that's true.

[B]

I knew you'd say that, so I grabbed one of these on the way out.

[A]

An invitation to dinner.

[B]

One of the producers gift this to you? I didn't see a producer while I was there. Just the other contestants. None of them had seen a producer either. They said they'd each found one of these in their rooms. Let's get going then. I'm starving.

[A]

Oof.

[B]

Think we have any more Dennises in store for us, fellow Dennis? Guess we'll just have to hope we get lucky. Hey, who's up for an icebreaker while we walk?

[A]

The. Fascinating. You must be the last person alive who actually likes icebreakers.

[B]

The world couldn't handle two of us. Here's one that always gets people talking. If you were to be executed by firing squad, would you be a blindfold on or blindfold off kind of guy?

[A]

Oh, my God.

[B]

What? I think it's kind of fun to think about blindfold on. Obviously that's the only rational answer. If I'm going to be dead anyway, why would I add all that suspense on top of it? What up, party people? Who's ready for dinner? Huh? Well, this wasn't exactly the vibe I was expecting to walk into.

[A]

Hmm.

[B]

Look, Dennis is back with friends. You had us worried. We thought all that screaming in the woods might have been you. Ha ha. Guess a little gratitude's too much to expect.

[A]

You heard that from here.

[B]

Oh, and look. Now you made the nook feel bad.

[A]

It's our nook, actually.

[B]

Jesus Christ. Can anybody lay off me for like, two seconds? I'm glad nobody's hurt. We were just discussing whether we should send someone to check and see what screaming was all about. Bad idea. Splitting the group in the middle of unknown territory and is asking for trouble.

[A]

And my husband would know. He's a survival specialist.

[B]

I'm sorry. That wasn't kind of me. It's been a very long day. Georgia Whitaker. And this is my husband, Capote Whitaker.

[A]

Pleasure, Capote. And I'm Holiday Murdoch, a psychology researcher at Arkansas College. And the national hero sitting next to me is my husband, Murdoch. His name is Murdoch. Murdoch.

[B]

Everyone just calls me Murdoch. But some people like to start with Sergeant. Good to meet you, Sarge. You know, my dad was military, too. What branch? Special Forces. That must be a nice life. Taxes bite off enough of my money that I bet you eat better than I do. I'm retired. Thank you for your service. Well, it sounds like you already know my good pal, Dennis L. Boy, do we ever. And this is my new friend. Friend? Rain, I can introduce my own wife. Thanks, Rain. Everybody. Everybody. Rain. Wow.

[A]

I'm so glad you're here to roll out the red carpet, Dennis.

[B]

L. This is, of course, my beautiful wife, Anouk.

[A]

Hello.

[B]

And I'm. Crazy Reputation precedes me, I guess. Cruz here thinks that the producer should be starting things up any minute now. Who's gonna tell him?

[A]

Tell him what, exactly?

[B]

We've all been saying that for how long now, Cap?

[A]

Mmm.

[B]

Eight hours.

[A]

Eight hours? How much longer are they going to take?

[B]

We'll tell you as soon as anybody tells us.

[A]

Well, personally, I am just thrilled for this competition show to begin. I'm so very confident in the love my Murdoch and I have built together. And I will represent my country proudly. What's with her?

[B]

Does she still think the show's already started? She won't talk about it directly.

[A]

I think she thinks it'll make her look bad.

[B]

What?

[A]

Don't be silly. That would be so paranoid.

[B]

Best way to make yourself paranoid is to act paranoid. I don't think it's paranoid. Great energy, Holiday. Really fantastic. Just some quick advice from someone who's written this rodeo a few times before. Try to relax into it and have some fun, huh? The cameras are gonna love that. Really? Really. Look, people, I think Holiday here has the right attitude. You said you work at Arkansas College, right, Holiday? Where is that exactly? Why? Just kidding. Yeah, but since we're sitting in the college dining room right now, that means we're on your turf, so I think we should follow your lead. If the producers told us we're filming the teaser today, you can bet we're filming it. And given that the thing's supposed to air in how long? Half an hour, by my watch. Thank you, Sarge. I think it's likely we're already filming.

[A]

Really? I. I didn't see any cameras.

[B]

You never do on these things. Obviously. Not to burst your bubble, Dennis, but we've already tried most of the things you might expect for a hidden camera show. So, really, we were starting to wonder if.

[A]

Wonder if what?

[B]

Well, if there's been some kind of production error. Hopefully just scheduled.

[A]

Hopefully.

[B]

What, you think they just drove us out into the woods and abandoned us here? Oh, my. It seems unlikely, but the evidence is mounting. There's food in the kitchen, but most of it looks like it spoiled months ago. There's a greenhouse on campus, but we would have to do some serious bushwhacking to see if there's anything edible growing there. It looks like nobody's tended to it in years. And most Interesting of all, in my opinion, is the obvious woodlouse infestation. Ew. Of course, woodlice typically gravitate toward damp wood, which. Never mind. I just think they're interesting. That's weird. Sure. But, hell, we all have Marina Laplace's number, right? So why don't we just call her and see what's up? Someone must have reception out here. That's the thing, Dennis. Not one of us does. Landlines don't work either, Chuck to myself.

[A]

Then we're just stranded out here without food or anything?

[B]

Some canned. Enough to last eight people one week, maybe two.

[A]

Jesus. What about water?

[B]

We'll be thirsty, but we'll live modern life in a nutshell. Isn't it grand?

[A]

Well, there's nothing to stop us from just leaving on our own, is there? We may be in the woods, but this is a small state. It couldn't take more than a day. I mean, you don't want to do that. Excuse me.

[B]

She's right, Holly.

[A]

Oh, well, then I guess we'll all figure something out together.

[B]

I'm gonna be honest. I'm not convinced there's anything to figure out here. Respectfully, Dennis, if this is all just part of a game, why would the producers have kept us in the dark without so much as a hello for eight hours? Well, maybe they were waiting for us. And look, whether or not Studio Laplace has left us out here to die, we're gonna be stuck together for a while. So we might as well get to know each other, right? No matter what's going on here? That seems like our next move. Okay, I'm taking a walk. My ice is already broken. Thanks.

[A]

Have fun, Dennis.

[B]

L. Well, it seems like we've lucked into two of the most charming Dennis's in the country. You'll have to let me interview you before we're done here. I'm sure my viewers would love to hear from you again. Oh, do you have a channel online or something?

[A]

Yes, a small one.

[B]

Celebrity Gossip. I've covered you before. That's so cool. You'll have to send me a link. Georgia, I can't believe I've never seen your stuff before.

[A]

Oh, you have? Maybe the name Georgia Akubude sounds more familiar.

[B]

Sorry. You must be thinking of someone else.

[A]

No. Well, what did you say about him in your videos?

[B]

You're married to him. I think you can probably guess. She doesn't watch my shows. Explains a lot. So Capote must help with your channel, then. Oh, no, I'm. Well, I'm a writer of a Kind, but a writer.

[A]

That's so exciting. And what do you write?

[B]

Nothing anybody reads. Hey, Georgia, didn't you say you already checked the kitchen? Murdoch and I both did. Why? Then what's this exactly?

[A]

Oh, my goodness. Is that a pot roast?

[B]

It looks like it. Tastes like it, too.

[A]

May I?

[B]

May you what?

[A]

Maybe you could try a fork instead of your finger. Oh, my goodness. I think that's weird. Real beef? That. That can't be right. I'm sure of it. Where I grew up in Montana, there used to be cattle ranches. And ever since the water. Well, I obviously haven't had real beef since I was a little girl.

[B]

Hey, we're really getting the star treatment. This must be how the rich and famous eat. It isn't, though. I'm starving. Bring that bad boy over here, Dennis, and let's dig in. Yeah, I'm happy to provide. No reason to thank me. I just found this while I was looking, looking around, and I decided to, you know, share the wealth. It's just the kind of guy I am.

[A]

Share the wealth? As opposed to what? Eating it all yourself? Is that the alternative? You want us to be proud of you for sharing our dinner instead of eating eight pounds of beef by yourself?

[B]

Obviously not. There. Let me take that off your hands. Sure, whatever. Like I was saying, there are vegetables, too.

[A]

You didn't hunt the cow, Dennis.

[B]

L sup calling me that.

[A]

You haven't provided. Shit.

[B]

Dig in, people. Let's not let a delicacy go to waste. Yeah. Help yourselves, guys. So you're a writer, Capote. That's awesome. I bet you and Anukal have a lot to talk about. She's an artist, too. Tell them about it, babe.

[A]

Oh, I. I wouldn't call it the same thing, really.

[B]

She's being modest. Her paintings are just so. So good.

[A]

That.

[B]

That sounds wonderful. I don't know much about painting. Anouk, she says the paint. She uses this really rare paint that you can't even find online. It's wild. But I guess something happened and they can't make it anymore. So now it's even rarer, right?

[A]

I think we really don't have to get into all that.

[B]

Why not? Maybe one of them knows where you can get some.

[A]

I really don't think they will.

[B]

I've interviewed a few painters. Maybe I have a connection.

[A]

What's it called?

[B]

Oh, really? That'd be great. It's called Venga Black. Don't you mean Vanta Black? Oh, God. See? Thank you. That's what I said. But no, Anuk Says it's a totally different thing. And what's crazy is the name's.

[A]

We don't have to act like children just because the lights went out.

[B]

Look, some kind of projector's playing on the wall. Can tear my eyes from you. Nothing else that I can do. Let me ask you a question, America. What's the craziest thing you would do for love? I went to war for her.

[A]

Oh, be serious. We didn't meet until after you enlisted.

[B]

Well, I didn't know you yet, but I knew you were out there. And I thought even if I never got to meet you, I'd do anything I could to make sure you never went thirsty. And I meant it.

[A]

Oh. Oh, Squish.

[B]

It's a tough world out there, folks. And it feels like it's just getting tougher every day. And times like this make you ask, how are we supposed to make it through? So I was in high school. We don't have to say how long ago. And I was planning this stupid stunt for weeks, right? I broke the lock on the door to the roof of the school. And I had this big banner I made that said will you go to prom with me, Kelly B. You didn't just wait because it's so much worse than you think? Because the fellas, right, they said I should lock the door behind me and knock him off the roof. Til Kelly B. Said yes. So that's what I did. They had to call the fire department to put me off there.

[A]

Then Kelly didn't say yes?

[B]

No. But even worse, it turns out she was out sick that day. So all I got was an in school suspension and a second degree sunburn. So what do we need to get by? Well, you've probably guessed it by now. It's your favorite four letter word that doesn't rhyme with duck. It's love, baby. And we're just living it.

[A]

I don't think I believe in crazy. Really? If an idea works, it works. And if it doesn't, it shouldn't matter how it sounds.

[B]

I'll agree with that. Sure.

[A]

But do you remember that great master I studied under a few years ago?

[B]

You're not going to convince me that there's a great master in Queens Reign.

[A]

He had himself convinced enough for all of us, trust me. But he did tell me this beautiful story about a special spiritual wanderer whose lover died when they were both very young. So she trained. She trained for years on end to separate herself from her physical body, to travel everywhere else. Everywhere that's real, that matters. But that you can't touch. Well, let me finish. She finds him eventually. But when she returns to her body, she sees that it's nothing but a pile of bones. She'd been gone searching for a thousand years. But the journey had meant so much to her that she hadn't noticed the time pass her by. I think. I think if I could ever find that kind of strength within myself, that's the kind of thing I might do for love. Even if people think it's crazy.

[B]

I don't think that's crazy. That's beautiful. That great master, though. Yikes.

[A]

Do you remember the hair?

[B]

Oh, my God. What the hell did he call it? That combination mohawk and white guy cornrows thing.

[A]

Cornhawk.

[B]

Oh, God. Everyone's so negative these days. You'd think the world was ending the way people talk. But just because the problems are complicated doesn't mean the solutions have to be. Love can save you from folks. I mean it. And we're gonna show you how. You know, I used to have an apartment. It was a nice place. It did look a bit like a ghost lived there. Yes, and the walls were totally bare. But. Well, I liked it. But then we got together and I thought, I have to be with this woman. And when you're with Georgia, you're living life at her pace. I can count on one hand the number of nights I've slept in my own bed in the the last year. Besides that, it's just hotels all over the country. Capote, I followed you into a literal war zone. And you think the craziest thing you've done is sleep in hotels? We're on a hunt for love, ladies and gents. And we've got top of the line tech helping us track it down. Our series of highly scientific tests of love. Hell, our entire program will be designed by the most knowledgeable computer mind in the country. And let me tell you, it's not gonna let up until we prove we've found America's sweethearts. Love will save you. We'll show you how. All you need to do is tune in and let the magic happen. My name's Jedediah Jordan and this is Can't Tear My Eyes from youm. Catch us Thursdays at 8pm only on America's favorite channel. Well, that was. That was really sweet, don't you all think?

[A]

I didn't record any of that.

[B]

Yes, you did.

[A]

What are you talking about? You were with me in that video. You know we never filmed that.

[B]

Not in that room. Sure. That was from our audition tape.

[A]

Ours too. But how could it be from our audition tapes? I've never been in the. The room they showed in that clip.

[B]

It's a digital composite. They put our auditions onto new backgrounds. Or their supposed state of the art AI did. At least. They've been able to do that for a long time. But it's more expensive and time consuming than just finding a new room to record in, so it hasn't been in vogue for a while. This is obviously just showing off whatever tech they're running.

[A]

I didn't know this show was being put together by an AI.

[B]

You didn't? Ah, that's the only reason to be on this stupid thing. It's gonna be a disaster. The stuff they're promising with this AI, it can't even be half true. And you know this how? Glad you asked. Whitaker. See, my specialty is encoding thinking systems into interactive digital spaces.

[A]

He makes video games.

[B]

I make award winning video games. Strategy, mostly. But it's the enemy AI that grabs people. You develop a relationship with it over the course of a game, right? It holds grudges. It gets jealous. Really?

[A]

Feel all that?

[B]

It's just a computer. It doesn't feel anything. My point is, if this AI could do what they say it can, I'd know. And I don't. So it can't.

[A]

Huh.

[B]

And a lot of people pay money for that kind of thing. It's better than watching the news.

[A]

Do they usually make fake videos of the contestants on shows like this? Mr. Cruz?

[B]

Basically. Don't be dense. No, they don't. In that clip, they had me drinking beer. And how do I know I wasn't drinking beer when we were recording? Because beer is. Is for idiots drinking all those carbohydrates, you might as well drink a loaf of bread.

[A]

I could drink a loaf of bread right now.

[B]

If they could make a video of us drinking things we never drank, what else could they show us doing? Nothing. Our contracts say they can't.

[A]

Oh.

[B]

We were supposed to specify everything we didn't want to be shown doing on our contracts. Then, silly me, I got halfway through the Seven Deadly Sins and ran out of steam. Babe, everything all right?

[A]

This is how TV is made. And we signed up for it. But what?

[B]

How? I've interviewed enough competition show contestants to know that this is not how it's made. And we're not going to let Mr. Cruz convince us all that this is normal. You need some space. You want to get some air. What I want to know is who turned on the darn projector? Could the AI have done that Dennis. He's not the goddamn expert on everything here.

[A]

He was talking to you, Dennis.

[B]

L. Then he should have.

[A]

Is she all right, mister? Yeah.

[B]

Well, no, she definitely doesn't feel good. She has your room. Tell me the number and I'll get it for you. What's with all the long faces, love birds? Romance is in the air. Was that her water glass?

[A]

Jesus, Anuk, you almost broke his nose. Oh, my God.

[B]

Good aim. Barely two inches off.

[A]

And all that water. How. How horrible.

[B]

Guess she's not thirsty.

[A]

I don't know why, it's just. But you. I didn't.

[B]

A nuke. A nuke. This is. Sorry, just one second. A nuke. Well, the producers were telling me that this crop of contestants were drop dead gorgeous, but I didn't think they meant that literally. If you like our stories and you'd like us to keep making them, please follow us and spread the word about us on social media, including Hepenumbra podcast on Instagram and TikTok, the Penumbra podcast on Facebook and hepanumbrapod Bsky Social on Bluesky. If you have a little bit to spare, we have merch galore available for you to buy, including T shirts, mugs, posters, recordings of live shows, official soundtracks, and so much more. You can find [e-mail] the kind of support that helps us most of all, though, is a recurring monthly subscription over at the Penumbra Special edition at the penumbra podcast.supercast.com youm can receive early ad free episodes and a huge amount of behind the scenes content including production scripts, commentaries, live streams and more. We have all this available for the same price on our old [e-mail] thepennumberpodcast as well. But we get a better rate on your contributions over at the Special edition. So if you want your dollar to go farther in helping us, that's the place to go. We use your contributions to pay our actors and artists competitive rates, purchase equipment and licensed software that allows us to work and record remotely with a wide range of performers, and buy time to work obsessively on these stories to make them as good as they can be. If you want indie art to continue existing, please continue supporting it how you can. Thank you. And hey, speaking of behind the scenes content, one of our favorite rewards is our companion podcast for Wet Hot American Doomsday where Harley and I chat with the actors and artists, Artists of Thirst. This week we're talking about chemistry between actors with Melody Pereira and Joshua Elon.

[A]

Okay, I'll be blunt. It is weird because I've never met Joshua. I've only seen him through a tiny little window on Zoom. Or, you know. And.

[B]

And what? Do you look through my windows when you were following me on?

[A]

Yes, because I'm a pervert. Yeah.

[B]

But we'd also like to shower thanks upon our endless gratitude to your supporters who give so generously to keep our show alive. Mikayla Baer Skyfire Forever Radius Elna the Werners Thanking the Penumbra team for preserving and creating Jun Gashoku Jonathan the Wilkas Wilkes Kiki's Podcast Patronage Service Gregory Seidman Ari Berry J. Hull Diana Coz Courtu Desert Willow the Lady Guinevere and the Extra Large Snack Eden the Gay Bookworm Jane Marie Cohen Tanya's Robot Repair Chloe De Moulin, Charlie Kane, Joey Minshew In Memory of Spiral Opal and Genetic thank you all so much. This episode of Thirst, Chapter 1 Icebreaker was performed by Joshua Elon as Dennis Cruz, Melody Pereira as Anouk Kalhara, Marge Dunn as Rain Randolph, Stephano Purdy as Dennis Lang, Amanda Egboo as Georgia Whitaker, Quinn McKenzie as Capote Whitaker, Mark Pierre as Sergeant Murdoch, Eleanor Cho Fellerhoff as Holiday Murdoch and Alexander Stravinsky as the host. The Can't Tear My Eyes from youm theme was written by Harrison M. Beck. Our composer is Ryan Vibert. Our graphic designer is Jeff Wright. Our head of operations is Ginny d'. Angelo. Thirst and the Penumbra podcast are created and produced by Harley Takagi Kaner, our director and sound designer, as well as Kevin Vibert, that's me, our lead writer for additional credits, including credits for ensemble roles, our script editing team, our transcripts and more. Check out the show notes for this episode. That's all the apocalypse we have time for today. Thanks for listening and stay hydrated.

[A]

The Fable and Folly Network where fiction producers flourish from the team behind the award winning best fiction horror podcast, Nightlight, a new audio drama that brings the Southern folklore of true blood and the cosmic horror of Lovecraft country to your ears. You don't hear that, do you? Afflicted is a tale of hoodoo, a demonic book bound in human flesh and natural disaster. Disasters that are anything but natural. Which grave did you get the dirt from? Which grave? Afflicted, a horror thriller audio drama coming this Halloween. Thanks to our Indiegogo supporters. Subscribe now to get notified the moment the first episode drops. It's jumping.