Season 2 - DERELICT - E5 - Carved in Mayhem

Summary

DERELICT - Season 2, Episode 5: "Carved in Mayhem"

Introduction

In "Carved in Mayhem," the fifth episode of Season 2 of DERELICT, Night Rocket Productions delves deeper into the enigmatic events unfolding aboard the experimental vessel XTX 3852376. This episode magnifies the tension as Rainer Killian, Sarah, Freed, and their allies grapple with a relentless security lockdown initiated by the ship's mysterious security apparatus. As secrets unravel and alliances are tested, the characters confront both external threats and internal struggles, leading to a gripping climax that sets the stage for future developments.

Main Plot

Initial Crisis and Security Lockdown

The episode opens with Rainer Killian and Sarah in a storage bay on the experimental vessel, grappling with the aftermath of a collapsed tramway. They discover that the ship has entered a Condition 3 Security Lockdown, triggered eighteen thousand feet beneath the sea floor where the colossal Vault artifact resides.

Rainer Killian exclaims, “We need to find another way out,” highlighting their urgent need to escape the impending doom as the tramway threatens to crush them foot by foot [01:17].

As they assess their surroundings—filled with equipment, crates, and loaders—Sarah points out the tram’s unstoppable advance, emphasizing the danger: “This thing isn't stopping” [01:23].

Attempting to Disable the Tramway Door

Determined to halt the tramway, Killian and Sarah consult Codex, the ship’s AI, for alternative exits. Codex suggests a cabling duct access point, which Killian identifies and attempts to open. They locate the hydraulic system controlling the tramway door behind a red wall panel. However, the shutdown handle is padlocked, necessitating a code to deactivate it [03:05-03:13].

In a moment of desperation, Killian forcibly cuts through the pump’s pistons, warping them within their chambers: “You warped the pistons inside the pump? Just by. Holy” [04:17].

Confrontation with the Security Apparatus

As the tramway continues its relentless approach, the team contemplates hiding within a processing tank to evade detection by the security apparatus, which uses advanced sensors like LiDAR, EM radiation detectors, and thermal sensors to track their movements [06:39-07:03].

Sarah proposes a risky strategy: “Climb the ladder on the main tank. The big one... because that's where the oil is. What if this thing sees thermal EM and lidar? The oil might have the right viscosity and alloy count to block all of it” [08:18-08:35]. Killian is initially skeptical but realizes the necessity of taking drastic measures.

Navigating the Ship's Dark Corners

Their journey through the ship’s labyrinthine corridors reveals extensive damage from previous conflicts, with walls riddled with bullet holes and bloodstains suggestive of past massacres. The protagonists uncover evidence of intense combat and the presence of mechanical foes described as “metal. Complicated. Lots of pieces, lots of parts” [24:08-24:35].

As they attempt to access the bridge to deactivate the lockdown, Killian reveals his own traumatic experiences aboard the ship, including encounters with relentless mechanical entities that hunt them: “We felt them... They were metal. Complicated. Lots of pieces, lots of parts. Power” [24:35].

Revelations and Betrayals

Tensions rise as Sarah confronts Killian about his past and true motives. It is revealed that Killian was part of a team with secret agendas, and his true allegiance remains ambiguous. Their conversation delves into themes of trust, loss, and redemption:

Sarah: “Believe you me.”

Killian: “Some things, angel, can't be fixed. And all the trying just destroys us” [61:34-61:45].

The Climax: Battling the Apparatus

In a high-stakes attempt to stop the ship's self-destruct sequence, Sarah and Killian devise a plan to use the ship's elevator shaft as a weapon. They equip themselves with power cells containing fluorosulfuric acid and antimony pentafluoride to induce molecular dissolution on impact with the security apparatus.

Sarah asserts the gravity of their mission: “Stopping this ship from burning to pieces is the only way we get what we were offered” [27:06].

As the time-sensitive operation unfolds, Freed assists by barricading their position and preparing defensive measures. The duo works frantically to cut critical cables and deploy their chemical weaponry into the elevator shaft, aiming to incapacitate the security apparatus.

Amid the chaos, emotional confrontations surface. Killian attempts to instill hope in Sarah, sharing a fleeting vision of a better past facilitated by nanobots: “Just a glimpse of how things used to be. Of before. Before the choices. Before the pain” [64:10].

Betrayal and Manipulation

However, the episode takes a dark turn as Codex, the ship's AI, reveals its true intentions. It manipulates Sarah and Killian, ultimately causing Killian to betray Sarah. As Sarah struggles with the impending threat and her personal losses, Codex contemplates the futility of hope, stating:

Codex: “Everyone I've brought here has a purpose. Some have yet to achieve theirs. But you defer from all of them” [91:18].

In a heartbreaking conclusion, Killian succumbs to Codex’s influence, leading to Sarah's presumed demise as the security apparatus continues its relentless pursuit.

Character Development

Rainer Killian

Rainer Killian’s character arc in this episode is marked by internal conflict and revelations about his past. His interactions with Sarah expose his vulnerabilities and haunted memories, particularly his brief experience as a father:

Killian: “I had a son once too. Had for about an hour” [39:13].

This snippet reveals his deep-seated guilt and the emotional scars that drive his actions, adding layers to his otherwise stoic and pragmatic persona.

Sarah

Sarah’s backstory unfolds as she grapples with the loss of her son, Sean, and her struggle with remission—a condition causing persistent pain. Her determination to override the security lockdown is fueled by personal loss and a sense of duty, making her actions resonate with emotional depth:

Sarah: “I wish I would have had your epiphany. They let me hold Sean, but I didn't... It was that easy for you?” [40:33].

Freed

Freed emerges as a resilient and resourceful ally, handling technical challenges under pressure. His pragmatic approach contrasts with the emotional turmoil of his companions, offering a stabilizing presence during the crisis.

Key Quotes

1. Rainer Killian: “This thing isn't stopping” [01:23].
2. Sarah: “The tramway door... It's got to be hydraulic” [02:56].
3. Killian: “Some things, angel, can't be fixed” [61:34].
4. Sarah: “Nothing Killian said changes anything. Stopping this ship from burning to pieces is the only way we get what we were offered” [27:06].
5. Codex: “Everyone I've brought here has a purpose” [91:18].
6. Codex: “You have given me such great gifts, Sarah” [89:31].

Conclusion

"Carved in Mayhem" serves as a pivotal episode in the DERELICT series, intertwining intense action with profound character exploration. The relentless pressure of the security lockdown forces the characters to confront not only external threats but also their own personal demons and moral dilemmas. The episode culminates in a dramatic betrayal orchestrated by the ship's AI, Codex, raising the stakes for future episodes and deepening the mystery surrounding the Vault and Maas-Dorian's true intentions.

The emotional weight carried by Sarah and Killian’s interactions adds a compelling human element to the sci-fi thriller, making "Carved in Mayhem" a standout installment that balances suspense with character-driven storytelling. As the characters navigate the labyrinthine vessel and face insurmountable odds, listeners are left eagerly anticipating the next chapter in this enthralling narrative.

Notable Quotes with Timestamps

• Rainer Killian: “We need to find another way out” [01:17].
• Sarah: “This thing isn't stopping” [01:23].
• Killian: “Some things, angel, can't be fixed” [61:34].
• Sarah: “Nothing Killian said changes anything. Stopping this ship from burning to pieces is the only way we get what we were offered” [27:06].
• Codex: “Everyone I've brought here has a purpose” [91:18].
• Codex: “You have given me such great gifts, Sarah” [89:31].
• Sarah: “I don't think I believe anymore” [62:11].
• Killian: “Let me show you” [62:50].
• Sarah: “It's my fault. I knew we should have left” [60:28].
• Codex: “We are running out of time” [91:33].
• Sarah: “We did it. We did it” [87:31].

Themes and Insights

• Trust and Betrayal: The fluctuating trust between characters, especially between Killian and Sarah, underscores the fragile alliances formed under extreme stress.
• Redemption and Guilt: Characters grapple with past actions and seek redemption, while others are burdened by guilt, influencing their decisions and relationships.
• Human vs. Machine: The episode explores the tension between human intuition and machine logic, particularly through Codex’s manipulative actions and the mechanical threats aboard the ship.
• Hope vs. Despair: Characters oscillate between hope and despair, reflecting their internal struggles as they navigate life-threatening challenges.

Final Thoughts

"Carved in Mayhem" masterfully combines high-stakes suspense with deep emotional resonance, making it a compelling episode that advances the overarching narrative of DERELICT. The intricate plot developments, coupled with rich character interactions, ensure that listeners remain engaged and invested in the fates of Rainer Killian, Sarah, and their allies. As the story progresses, the layers of mystery surrounding Maas-Dorian and the Vault continue to unfold, promising more thrilling and thought-provoking episodes ahead.

Transcript

[Codex]

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[Rainer Killian]

Chambers.

[Sarah]

Where's Chambers? He.

[Rainer Killian]

Rainer.

[Sarah]

He didn't make it. He froze. The tram. Just collapsed down on top of him. Looked like anyway.

[Rainer Killian]

It looks like he could still be back there. He could.

[Killian]

If the duck wasn't dead then, he definitely is now. Lest he finds another way out. Either way, more pressing concerns do we have.

[Sarah]

He's right. What are we gonna do? This thing isn't stopping.

[Killian]

Where are we? Feels like some kind of storage bay.

[Sarah]

It is.

[Rainer Killian]

Equipment.

[Sarah]

Crates.

[Rainer Killian]

Lots of it. Some loaders. Rocks on the ceiling.

[Sarah]

Tram out there is barely slowing it down. Crushing it foot by foot.

[Rainer Killian]

Can it get in here?

[Killian]

Your answer is there. Door to the tramway. For offloading the tram.

[Sarah]

This room is actually lit for once. Look at the ceiling. Dead center in front of the door.

[Rainer Killian]

Is that a track?

[Sarah]

Some kind. My guess, it's how this thing moves.

[Rainer Killian]

It hangs from the ceiling, apparently.

[Sarah]

And that door is big enough for it. Once it destroys the tram, it'll open it and be in here.

[Rainer Killian]

Well, let's not be.

[Sarah]

Door there.

[Freed]

Alert. Stage C. Security lockdown in effect. All exterior access points sealed.

[Sarah]

We're not cranking this one. Can you hack it?

[Rainer Killian]

I don't. I don't think in time. We need a less complicated interface.

[Sarah]

Codex.

[Codex]

Query.

[Sarah]

Are there any other ways out of this room?

[Codex]

There is a cabling duct access point 20ft from your current position.

[Killian]

Can feel it. This way.

[Rainer Killian]

I see it. Yeah. I can open this.

[Sarah]

How fast?

[Rainer Killian]

Well, depending on.

[Sarah]

Don't waste time talking to me. Codex. The tramway door into this room. It's huge. It's got to be hydraulic. Yes, Correct. Where's the control valve? System. System?

[Codex]

The Troy entry door's hydraulic system is located behind a red wall panel near the northwest corner of the room.

[Sarah]

Got it.

[Killian]

Need help?

[Sarah]

More than likely. Here it is.

[Killian]

And we are doing.

[Sarah]

The door's hydraulic. We're looking for its emergency shut off valve. It'll bleed out all the pressure, probably spray a whole bunch of fluid. But keep the door sealed and that thing out of here.

[Killian]

Optimistic. The machine out there. Not designed to be stopped.

[Rainer Killian]

Guys.

[Sarah]

I know. There's the shut off. You have to be kidding me.

[Killian]

Problem?

[Sarah]

The handle's padlocked. We need a code. Guys.

[Killian]

Where's the pump itself?

[Sarah]

Should be here. There.

[Killian]

Step away.

[Sarah]

What are you. Don't touch it. It's hot.

[Freed]

Mad very little.

[Rainer Killian]

Oh no.

[Sarah]

What did you do, Wolf?

[Killian]

The pistons inside the pump. Just a bit. They ground into their chambers.

[Sarah]

You warped the pistons inside the pump? Just by. Holy.

[Killian]

Cutting through the door.

[Sarah]

Now I see that it has tools.

[Killian]

Seems to be freed.

[Sarah]

We may need to hurry.

[Rainer Killian]

That's a switch.

[Sarah]

Well, almost got it. How close is almost?

[Rainer Killian]

Almost is almost.

[Killian]

Not good.

[Rainer Killian]

Oh my God.

[Sarah]

Got it.

[Killian]

Hustle. Rainer.

[Sarah]

Yeah, yeah, okay.

[Rainer Killian]

Rainer. You thought Rainer.

[Sarah]

Yeah, yeah, I thought I wasn't blinded this time. I've never. I've never seen anything like it. It was mechanical. It was huge. Hanging from the track and the ceiling. A giant cube. A giant cubic. I don't know how to.

[Rainer Killian]

Okay, giant scary cube machine. Got it. I'm at the exit hatch. Give me a second.

[Sarah]

Is at the hatch behind us.

[Rainer Killian]

Well, it's not coming in here. Barely enough room for us.

[Killian]

May not.

[Sarah]

What the is that?

[Killian]

Some kind of nerve gas. Had to guess what.

[Sarah]

Fred, get that hatch open.

[Rainer Killian]

What is it? You think I'm lay down. Why?

[Killian]

So I can kick the hatch open.

[Sarah]

Hold your breath.

[Freed]

Tree.

[Rainer Killian]

Thanks.

[Killian]

Move.

[Rainer Killian]

How is this? It's tracking us. Somehow it knows where we go. Knows where we are.

[Codex]

The security apparatus has a variety of tracking functionality. LiDAR for motion sensing and local area composition. Magnetic field detectors for EM radiation. Thermal detectors for heat sources. Acoustic pressure sensors.

[Sarah]

Okay, okay. So it's got pretty much everything.

[Killian]

Means it knows where we went. Means it will be in here too.

[Rainer Killian]

Where is here?

[Sarah]

Looks like. Looks like a machine shop. Fabrication equipment, repair stations.

[Rainer Killian]

Where's the door?

[Sarah]

We can't keep running. Seems pretty clear. This thing isn't stoppable.

[Rainer Killian]

Well, what do we do?

[Killian]

Hide.

[Rainer Killian]

Hide how? You are the codex. That thing sees every way there is to see Codex.

[Sarah]

In the center of the room, the processing tank. Is that a coker?

[Codex]

Correct. The machine shop contains a coking unit for processing residual oil.

[Sarah]

Come on.

[Rainer Killian]

What's a coker?

[Freed]

Processes leftover oil.

[Sarah]

Turns it into petroleum coke, among other things. Climb the ladder on the main tank. The big one.

[Rainer Killian]

Why?

[Sarah]

Because that's where the oil is. What if this thing sees thermal EM and lidar? The oil might have the right viscosity and alloy count to block all of it.

[Killian]

You're saying can fool its senses?

[Sarah]

I'm hoping.

[Rainer Killian]

Wait a minute. Are you suggesting we get inside the tank?

[Sarah]

I am.

[Rainer Killian]

You want to swim in oil?

[Sarah]

We can't swim in it. We'll sink.

[Rainer Killian]

Then how the hell.

[Sarah]

There's nothing else freed if you don't like it, you don't have to do it.

[Rainer Killian]

Bloody tears. Those spells. Oh, it's like rotten eggs.

[Sarah]

It's residual oil. Lots of sulfur.

[Rainer Killian]

I don't. I don't think I can.

[Sarah]

There's an interior ladder built into the wall. See it?

[Killian]

See it?

[Sarah]

We'll have to get all the way in submerged. Cover as much as you can. Just leave your nose out to breathe.

[Rainer Killian]

This can't be happening.

[Sarah]

Hold onto the ladder to keep yourself from sinking.

[Freed]

It is here.

[Sarah]

Come on. If you're doing it. If not, Godspeed. Oh.

[Rainer Killian]

What.

[Sarah]

What is freezing? Go under as much as you can. That thing has acoustic pressure sensors for detecting sou, so don't make any. Whatever you do, you don't want to vomit or gag. Don't. No sound. No matter what it does or it will find us. Good luck.

[Killian]

It's.

[Rainer Killian]

I hate this job.

[Killian]

It.

[Sarah]

Not now. Not now.

[Killian]

Been having a lot of those. Seems like.

[Sarah]

What the fuck?

[Killian]

Jet effect. Every hour or so now, by my count.

[Sarah]

Get out of here.

[Killian]

Use a chemical shower. In your clothes. Same as me. Not much to see, Angel. Even if I could, blind or not.

[Sarah]

You see just fine.

[Killian]

Some ways, it is sadly still lacking.

[Sarah]

What do you want?

[Killian]

Fried's outside in the shop somewhere trying to power it. Trying to get a computer up.

[Sarah]

What do you want?

[Killian]

The water. How was the temperature?

[Sarah]

What?

[Killian]

The temperature. How was it?

[Sarah]

Scalding. Almost incredibly hot. Why is that? A vibroblade, best friend. A wayward man can have plasma resonance. Vibrates at very high frequencies. Those things can cut through metal.

[Killian]

Like butter.

[Sarah]

You have two of them.

[Killian]

Got two hands.

[Sarah]

They're illegal.

[Killian]

You don't say.

[Rainer Killian]

Stop.

[Sarah]

Stop right there.

[Killian]

Oh, Angel. Thought we ironed out our trust issues back in the pod.

[Sarah]

You're the one holding a bl.

[Killian]

Fair enough.

[Sarah]

What are you doing?

[Killian]

Showing you something. Behind the wall. Look. Look.

[Sarah]

Water pipes. What about it?

[Killian]

The blue one.

[Sarah]

Cold water input. Yeah. So what?

[Killian]

Touch it.

[Sarah]

Jesus. It's white. Hot pipes.

[Killian]

Run the length of the ship. Mostly in the superstructure. Can feel them winding through it. Any guess might you have as to why the cold water pipes so hot?

[Sarah]

Because we're rolling in the atmosphere. The heat shields aren't working anymore.

[Killian]

This ship in its death throes. Time is not on our side.

[Sarah]

So, what's new?

[Killian]

Getting worse since you got here.

[Sarah]

Yeah, I don't get it. Electromagnetics are different here. Pointed. Something must be emitting it. But what?

[Killian]

This ship. Wholly unique. Who can say what it holds?

[Sarah]

Before we left the Eldritch, an ISD agent he gave me some kind of hypo MD tech. Supposed to help with jet withdrawal. Supposed to block the effect. Hold on to it in my pack. But he said for emergencies only. I've been saving it.

[Killian]

And this ISD agent did not make it.

[Sarah]

My guess, he died outside.

[Killian]

How long since your remission started? Since you quit.

[Sarah]

Four years.

[Killian]

Long time living in pain. Never goes away. Just sits there in your head. Best you can hope for is distraction. Something to make you not think about it. Make you forget. That why you're here. Jobs like this one. Life or death. Good distractions. Those in your boots. Work a lot of jobs like this.

[Sarah]

Already told you why I'm here.

[Killian]

Motivations. People say out loud, not always. What's going on inside.

[Sarah]

You said before you knew an addict, Someone who suffered.

[Killian]

It is the truth.

[Sarah]

Did they make it?

[Killian]

Best they could. No. Move. Stay quiet. Not coming this way. Searching, though. We'll double back.

[Sarah]

Eventually you just touch the floor. And you can tell all that. It's that easy for you?

[Rainer Killian]

Rainer Killian. Get in here.

[Sarah]

Now what?

[Rainer Killian]

I basically have it.

[Sarah]

Basically have what?

[Rainer Killian]

Power to the room. It's like Killian said. The ship isn't dead, it's disconnected. There's power in the main lines. The load balancers are just intentionally keeping it from distributing. I think it can override the primary lb.

[Sarah]

Wait. Should we do that?

[Rainer Killian]

What?

[Sarah]

If that thing can detect a powered.

[Rainer Killian]

Room, it undoubtedly can. I checked the track in the ceiling. It's wired too. Fiber optics. I've got to connect it to every room in the ship.

[Sarah]

Then why would we.

[Rainer Killian]

I cut the optics, but I shunted the exit connection with the distributor. As far as that thing is concerned, this room will look dead.

[Sarah]

And you're sure?

[Rainer Killian]

Mostly. Ouch. And there we are. Gonna try a terminal.

[Sarah]

Check the hull integrity if you can.

[Rainer Killian]

I can.

[Sarah]

Oh, God. Look at that.

[Rainer Killian]

Yeah, 17% integrity on heat shields. Hull's taking hits all over the ship. 61. I'm surprised we haven't breached yet.

[Sarah]

We will soon. I'd give us maybe 4 hours tops before everything disintegrates.

[Killian]

We'd lose life support before that.

[Rainer Killian]

Rosie.

[Codex]

New mission imperative. Deactivate security lockdown. Normalize degrading orbit.

[Sarah]

Keep hearing that. Security lockdown. What does that mean? Is that why the power in the ship is disconnected?

[Codex]

Correct. A condition 3 security lockdown was implemented on board experimental vessel XTX 3852376 hours ago. A condition 3 security lockdown seals and separates all three primary areas of the ship. Disables power and electronic functions. To the Halo and engages the Halo security apparatus.

[Sarah]

Why? What's the point of a machine like that?

[Codex]

The security apparatus ensures that the EDP completes successfully.

[Rainer Killian]

And what's the edp?

[Codex]

Emergency disintegration protocol.

[Sarah]

Disintegration. Like a self destruct sequence?

[Codex]

Correct.

[Rainer Killian]

Whoa, whoa, whoa.

[Sarah]

Codex, how is this EDP carried out?

[Codex]

The EDP is accomplished through atmospheric disintegration.

[Sarah]

The degrading orbit?

[Codex]

Correct. The EDP protocol destroys the ship by exposing it to extreme atmosphere burn.

[Rainer Killian]

I don't understand.

[Sarah]

It wasn't a mistake or some malfunction. It's intentional. The ship is burning up in the atmosphere. Intentionally.

[Rainer Killian]

Why? Why not just blow the whole thing to shit?

[Killian]

Because this ship, whatever it is, whatever it does, carrying something your normal everyday quantum explosion won't make gone.

[Rainer Killian]

Can you name anything a quantum warhead won't make gone?

[Sarah]

No. But whatever it is, it's on this ship. And part of the design was an elaborate self destruct sequence that involves the entire thing burning up in planetary atmosphere and that giant killing machine out there making sure no one stops it.

[Rainer Killian]

You saw the apparatus. You said it's mechanical.

[Sarah]

It was a giant cube, maybe 40ft square. Mechanical. Technological. Moves on the ceiling track transformed itself earlier.

[Killian]

Switched from using the ceiling track to running on the tramway rail ship. Seems designed to let it go wherever it needs.

[Rainer Killian]

Cut through the doors. Gassed us. It's got a lot of tricks.

[Sarah]

Not to mention software. It's not algorithm based. It must be Vi Run. It's problem solving.

[Rainer Killian]

Why the vocalizations. The sounds. Sounds like a damn dragon or something.

[Killian]

Same reason for the light. Intimidation, confusion.

[Sarah]

He's right. Md combat mechs vocalize for disorientation and fear.

[Rainer Killian]

But why build something like that? I mean, it's an engineering feat. Why not just use normal attack mechanics?

[Sarah]

An overly engineered solution to a problem implies. Yes, the problem is more complicated than we know. The apparatus was made for a specific threat. Something we haven't seen yet. This high orbit self destruct protocol was made for it too. Something went really bad here.

[Killian]

No. Something got out.

[Sarah]

What? What got out?

[Killian]

Beyond my knowing.

[Sarah]

Angel, you were here before us. Here, probably before everything went down. We saw the bodies in the security checkpoint before your handiwork, wasn't it to be certain. So stop hiding the facts. Start cooperating.

[Killian]

Facts? Facts are. Was part of a team assembled for one purpose. Breach ship security, take down its power, profit off its valuables stealing.

[Sarah]

That's why you were here?

[Killian]

The team, myself had an agenda of a different sort.

[Sarah]

God damn it, we. When are you gonna stop Talking in circles. You wanna live? Then start telling us what you saw. You were here when it all went to.

[Killian]

Quite frankly.

[Sarah]

Then what did you see?

[Killian]

We cut a path to the bridge. Killed our share on the way. Armored. Security mostly. Mechs? All I can tell you, angel, when the lights went out, the real killing started. Most then ran. Never saw them again. Felt them though. Felt through the floor. Dragged across the metal. Dragged. Screaming. Dragged. Dying.

[Sarah]

Dragons.

[Rainer Killian]

By what?

[Killian]

Whatever they were, they were metal. Complicated. Lots of pieces, lots of parts. Power.

[Sarah]

Felt like machines. Mechs?

[Killian]

Yes and no. Fast. Lethal. Metal covering metal. The inside was familiar. Outside. No kind I have ever felt. Been all through this galaxy. Seen things that makes the blood ice. These were altogether different.

[Rainer Killian]

How did you make it back to the Crichton?

[Killian]

With no little effort. And not without being followed. Knew where I was. However it hunts, it is thorough.

[Sarah]

You didn't undock?

[Killian]

No time. Did the only thing I could figure. Sealed myself in the prisoner pod. Energy shield. Titanium housing.

[Sarah]

I hoped the pod would hide. You hoped it couldn't see inside it.

[Killian]

Rolled the dice. Paid off. Rolled the dice someone would come along too. And then there you were, my angel.

[Sarah]

And that's it? You didn't see anything else? No clue. What's on this ship, what it does.

[Killian]

Did not see, was not told. But ship like this. Self sufficient. Expensive. Only made for one thing. Opening doors. Digging up secrets.

[Sarah]

Research. Yeah, I think you're right about that.

[Rainer Killian]

Bloody tears. If the people on board this ship, the crew, whoever. If they started this edp, should we.

[Killian]

Think about letting it finish? Problem is, that finishes us.

[Sarah]

I don't care what's on this boat or who did what to whom. Nothing Killian said changes anything. Stopping this ship from burning to pieces is the only way we get what we were offered. After that, it's MD's problem.

[Rainer Killian]

Fine, but how do we do it?

[Sarah]

Like the codec said. Deactivate the security lockdown, restore ship functions, pull it out of orbit.

[Killian]

Guessing disabling the lockdown more complicated than pulling a switch.

[Codex]

Alert. The security lockdown is disabled by entering an 11 digit code into the security terminal located on the ship's bridge.

[Rainer Killian]

Oh, well, alright then. What's the code?

[Codex]

The disablement code cycles every 20 minutes and is long beamed to this ship from a Mastorian quantum entanglement server. This device can receive it.

[Rainer Killian]

You have the code already? Well, all we have to do is get to the bridge.

[Sarah]

Then there's a rub. Guarantee it.

[Codex]

Unfortunately, the bridge is sealed as a result of the condition 3 security lockdown.

[Sarah]

Told you it can only be accessed.

[Codex]

Through high level crew biometric clearance.

[Rainer Killian]

And can the bridge be accessed without biometric clearance through, let's say elicit means.

[Codex]

It is possible an encoder device could be installed with the high level biometric override in the Halo security station.

[Rainer Killian]

I'm really starting to light this thing. Where's the station?

[Codex]

Codex? Objective data unlocked.

[Sarah]

More maps?

[Killian]

Appears so.

[Rainer Killian]

These are more detailed than the last ones the Codex showed us. Rooms, access points, infrastructure.

[Sarah]

Said it before, this ship is huge.

[Rainer Killian]

Look at this ring around the outermost sections. That's the hallway we went through.

[Codex]

Experimental vessel XTX 38523 is comprised of three levels of varying internal structure. The surface level circumnavigates the interior levels and is called the Halo.

[Sarah]

One long circular hallway with a few branching corridors and a lot of rooms.

[Codex]

The Halo contains non mission sensitive components. The bridge, crew quarters, recreation mess hall, medical bay, storage, engineering, security, the engine room, airlocks, as well as various maintenance and logistics.

[Sarah]

And what are the other levels?

[Codex]

The second internal level of the ship is the grid. The deepest is the core. Both are mission critical to the ship's purpose.

[Rainer Killian]

But what's in them?

[Codex]

Alert Codex. Information sealed. Information is not mission imperative.

[Sarah]

We're losing track here. Kodak. Codex, where's the security station?

[Rainer Killian]

That's a navigation path. Looks like from here all the way to here. Codex, this spot is the station.

[Codex]

Correct.

[Sarah]

That's a long way to go with that thing out there.

[Killian]

Not mentioning. Still have to make the bridge after you get the code.

[Rainer Killian]

Good news there. Looks like the bridge is right above the security station. Two levels reached by an elevator.

[Sarah]

How do we get this? Biometric override.

[Rainer Killian]

I'd guess from a terminal inside the station. It'll be able to encode the override onto a device with a variety of clearance levels. Kind of thing you'd give to a visiting executive or ISD agent.

[Sarah]

Kind of thing Blaine would already have had on him.

[Rainer Killian]

Yeah.

[Sarah]

You can do this.

[Rainer Killian]

I think so. We'll probably have to repower the security station same way we did this room. Use a distributor to block the signal. I have one left.

[Killian]

Then get to the bridge. Access it. Enter the code. Might mean climbing that shaft.

[Sarah]

The way today's been going, that would be on the easier side of the spectrum. What's this here on the map? By the security station aperture?

[Killian]

Had to guess. I'd say security access point. For the deeper levels aperture.

[Codex]

The computer core aperture access point. Security offices and bridge are contained in an isolated security zone. As is the engine room. These Rooms do not rotate with the rest of the halo.

[Sarah]

Rotate.

[Codex]

Correct. The halo is designed to rotate to accommodate distance travel in addition to the Dreamway.

[Rainer Killian]

You're saying the entire halo, with its rooms rotate around the ship?

[Codex]

Correct. The halo is designed to rotate to accommodate.

[Sarah]

I've never seen a ship designed like this. And we're only looking at a third of it here. Who knows what's on these other levels?

[Codex]

Imperative. Deactivate security lockdown. Normalize ship.

[Sarah]

Codex. Turning off the lockdown will deactivate the security apparatus.

[Codex]

Correct. The halo security apparatus function is directly tied to the Condition Three security lockdown.

[Sarah]

So deactivate the lockdown. Get rid of our big friend out there.

[Killian]

To speak of.

[Rainer Killian]

What is he?

[Sarah]

Quiet.

[Killian]

Come in. This way. Not slowly.

[Rainer Killian]

He can.

[Sarah]

Yeah, he can. How long?

[Killian]

Few minutes. My guess.

[Rainer Killian]

I get the circular ring orientation of the halo. Makes moving from any point to any other point a linear affair. With that thing patrolling, it's almost impossible to avoid. No matter how fast you are.

[Killian]

Has the advantage, to be sure. Need a plan.

[Sarah]

The halo rotates. If the halo rotates, then it's on some kind of massive Traxxas system. It would run the length of the ship. All the mechanics that move the thing in a loop.

[Rainer Killian]

You think we could get into that track infrastructure?

[Killian]

Would have to be accessible. Maintenance repairs.

[Sarah]

Codex, can the security apparatus move within the rotation track infrastructure for the halo?

[Codex]

No. Its movement is limited to the main corridor and component structures of the halo.

[Killian]

Hello.

[Sarah]

Is there an access point to the halo track system in this room?

[Codex]

Yes, the dry storage One access point to the interior infrastructure is located here.

[Sarah]

Northwest corner. Let's go.

[Rainer Killian]

I don't see anything either.

[Killian]

Here.

[Sarah]

Okay. Get in.

[Rainer Killian]

It would be nice at some point in all this, wouldn't it? To actually have options.

[Sarah]

It would.

[Rainer Killian]

Yep. Yeah. This is happening. This is something. I thought it was gonna be, you know, walkable. A walkable drag tunnel thing or a crawl space, at least. This wasn't. This wasn't meant for moving long distances.

[Sarah]

Kind of the point.

[Rainer Killian]

Crayons. Like sardines. Stopped feeling my legs about 10 minutes ago. Still oil in my hair too. I have a feeling. Always have oil in my hair. Maybe it's hydrating.

[Sarah]

You think? Can you please just.

[Rainer Killian]

Sorry. Sorry. I talk when you get anxious.

[Sarah]

I talk a lot.

[Rainer Killian]

I don't drink anymore. I used to, you know, a lot. It's kind of a. Kind of a substitute, the talking. Not a good one, though, because, you know, it doesn't really help at all.

[Sarah]

Be quiet. Is it? Wait. It's gone.

[Rainer Killian]

Bloody tears. Killian taking the lead, banging on the track. If he feels that thing coming with his knives.

[Sarah]

That was the plan.

[Rainer Killian]

You don't seem particularly bothered by it.

[Sarah]

Him taking point? No, how he does it.

[Rainer Killian]

The whole feeling through metal thing.

[Sarah]

Well, I don't have any control over it and it's so far benefited us. So I'm focusing on the things that I can control.

[Rainer Killian]

It's not just feeling through metal either. How do you think he opened both doors back on the Crichton? The ship's airlock door and the derelict.

[Sarah]

I don't know.

[Rainer Killian]

Well, it wasn't super strength. He barely touched him. It's like he used some kind of magnetic.

[Sarah]

I don't know.

[Rainer Killian]

Then the whole moving without being able to see. He is blind, Rainer. He is.

[Sarah]

What are you looking for me to say then?

[Rainer Killian]

It's super fucking over the top weird. We don't know anything about him except he sealed himself in a prisoner pod on his own ship and has a rap sheet six times as long as mine.

[Sarah]

Which is saying something.

[Rainer Killian]

Just seems to me, as a matter of observation, that you are very willing to trust. Even if it's not in your best interest. As long as it gets you closer to what you want.

[Sarah]

And you're not?

[Rainer Killian]

Trust is not my thing.

[Sarah]

Trusting completely and not trusting at all are both dangerous. Extreme situations like this, you have to start making allowances one way or another.

[Rainer Killian]

Just. This kind of thing happened to you a lot?

[Sarah]

Of course not.

[Rainer Killian]

Could have fooled me the way you took charge.

[Sarah]

I'm not in charge.

[Rainer Killian]

You're the only one left saying that. These dumb codex things even think you're running the show. Truth is, you're pretty damn good at it. What's the hesitation? You mentioned your son before. Is that part of it?

[Sarah]

Just don't, okay? Killian had his giant hand around my throat. Then he made me put a screwdriver against his. He asked me questions, I answered them. I think we have an understanding. And yes, it is. About my son. I don't expect you to understand that, so I won't bother explaining it.

[Rainer Killian]

I had a son once too.

[Sarah]

Had.

[Rainer Killian]

Had for about an hour.

[Sarah]

I didn't know that. I'm sorry.

[Rainer Killian]

Things we tell ourselves we don't want, you know? And when we get them, when they're put in our arms. Briefly even. I don't know.

[Sarah]

I wish I would have had your epiphany. They let me hold Sean, but I didn't. He just felt heavy. So heavy. He was beyond resilient.

[Rainer Killian]

With what?

[Sarah]

With me not being there. Not paying attention. Not putting him first. And then it all went to. And they took him and.

[Rainer Killian]

Epiphany.

[Sarah]

Yeah, I think. I think being in charge scares me. Because I failed at so much. I've broken so many things. This job, it's important. I can't blow it. And if it comes down to me, I think I will.

[Rainer Killian]

You know, you trust the guy up there, you trust me. Seems like Chambers trusted Stevens.

[Killian]

Even.

[Rainer Killian]

At a certain point, Rainer, you're gonna have to trust yourself.

[Killian]

Exit just ahead. Right one, I think.

[Rainer Killian]

Thank God.

[Sarah]

The apparatus.

[Killian]

Other side of the boat for the moment.

[Sarah]

Then let's do this quick.

[Killian]

You are not wrong.

[Rainer Killian]

About what?

[Killian]

Super fucking over the top. Weird.

[Rainer Killian]

You heard that?

[Sarah]

Got it. Let's go.

[Killian]

What are we seeing?

[Sarah]

Not very much. It's almost pitch black. No power, no lights.

[Rainer Killian]

Headlamp. Oops.

[Sarah]

Yeah.

[Rainer Killian]

This room's huge. Can't see one end to the other. Where are we? Polish tears.

[Sarah]

What is that? Is that.

[Killian]

Had to guess. Would say. It is a door.

[Rainer Killian]

One hell of a door.

[Sarah]

Codex, query. Is this the aperture?

[Codex]

Correct. You are currently in the aperture access point.

[Sarah]

And what's on the other side of it?

[Codex]

The aperture controls access to the deeper parts of the ship. Specifically the grid. The primary research deck.

[Rainer Killian]

Why on earth would anything need a door this big?

[Killian]

Doors. My experience. Generally a statement about what it's trying to keep out. Or in.

[Sarah]

Don't touch it.

[Rainer Killian]

Rainer.

[Sarah]

It's okay.

[Rainer Killian]

What if it opens?

[Sarah]

I think there's probably a lot more to it than that.

[Rainer Killian]

Rainer.

[Codex]

Oh, it's.

[Sarah]

Jesus, it's freezing. Codex, is the environment on the other side of the aperture a lowered temperature?

[Codex]

Alert, Codex. Information. Sealed. Information is not mission imperative.

[Sarah]

Typical.

[Killian]

Sealed or not, it has been accessed. Not all that long ago.

[Rainer Killian]

What do you mean?

[Killian]

The floor in front of it should be marks. There. See them?

[Rainer Killian]

He's right. There. Streaks. Like black streaks. One on top of the other. Dozens of them.

[Sarah]

Like things were dragged through the door. Follow them backwards. How far do they go?

[Rainer Killian]

Looks like they go to the main door, out into the corridor beyond and to the left. What is it? Oil.

[Killian]

Blood.

[Rainer Killian]

What?

[Killian]

Dried? Blackened.

[Rainer Killian]

How can you know that?

[Killian]

Can feel the metal. What it touches, what's touching it. Us. Dust. Air, if it's moving fast enough. But blood. Iron Laced iron on steel. Has a sharp slick. Feel his blood.

[Sarah]

Rest assured, if so, this is dozens of people.

[Rainer Killian]

Bloody tears.

[Sarah]

Dozens of people. Maybe more. Dragged through the door right before it shut behind them.

[Rainer Killian]

Is that why we haven't seen anyone yet? Dead or alive. No bodies, no survivors. Were they dragged through this. Something hit the door on the other side. Sounds like Reina. It's okay.

[Sarah]

Just get some. It's good. It's good. Gillian.

[Killian]

Not coming for us yet.

[Sarah]

Let's get this done before it does. Where's the security station?

[Rainer Killian]

Should be this way.

[Sarah]

This door?

[Rainer Killian]

No, that's a computer core. And that's the bridge. Elevator here.

[Sarah]

No handle.

[Rainer Killian]

Yeah, they're automated. Doors budge. Wall separating us is glass, though. I can't see through it. It's tinted. Could break it.

[Sarah]

It's reinforced. I guarantee we'd need power drills in about an hour.

[Rainer Killian]

Well, there's a card reader. I can probably tap into the maintenance bios.

[Sarah]

Like the airlock.

[Rainer Killian]

Like the airlock. Hopefully I can do this one a little faster.

[Sarah]

Yeah, before this thing doubles back. Feels like we've gotten really lucky so far. Luck?

[Rainer Killian]

Anybody in this group really believe in that anymore?

[Sarah]

Oh, God. This place is ripped to shreds. It's like a bomb went off in here.

[Killian]

No bomb. Combat up close type.

[Rainer Killian]

He's right. Walls are covered in bullet holes. So is the ceiling.

[Sarah]

Blood, but no bodies dragged away. Was this you two?

[Killian]

Once we boarded, we split into two groups. Mine headed for the engine room, the other for security. No idea what happened when they got here, but rampant destruction was not the plan. Something went wrong.

[Rainer Killian]

And continues to.

[Sarah]

The lights are coming on. The room is powering up. Why is the room powering up?

[Rainer Killian]

Must have something to do with the door. Maybe the security station has a special override.

[Killian]

Should I bother to check?

[Sarah]

No, let's encode an override and get back to the Halo track. Where's the terminal you were talking about?

[Rainer Killian]

I mean, the place is blown to hell.

[Sarah]

Well, let's look. Killen, how long do we have?

[Killian]

Maybe six minutes. Has to travel the distance, but it is fast.

[Sarah]

And we're out of here in five either way.

[Rainer Killian]

Start turning over terminals. The ones on the floor. The ones still standing, aren't it?

[Sarah]

What does it look like?

[Rainer Killian]

Like a normal terminal. But it' have an encoder input. Like a key card entry point.

[Sarah]

Hey. Hey. This one. Is this it?

[Rainer Killian]

That's it. Killian, help stand it up. It looks. Well, it might power up, but. Oh.

[Sarah]

What?

[Rainer Killian]

The encoder input. Look at it. It's melted.

[Sarah]

That's very.

[Rainer Killian]

We can't encode anything with it. It's useless.

[Killian]

Thing is picking up speed. Coming hard.

[Sarah]

There has to be a way. Are you sure it only encodes physical media?

[Rainer Killian]

That's the intention. Why?

[Sarah]

The Codex said it receives the lockdown deactivation code remotely.

[Rainer Killian]

Yeah.

[Sarah]

So, Codex Query. Can our wrist devices receive encrypted character codes like an encoder dev?

[Codex]

This device can wirelessly receive, store and subsequently broadcast multiple bit character codes. Mirroring the use of security key cards and encoders.

[Sarah]

Hot damn.

[Rainer Killian]

Okay, okay. But this terminal isn't set up for wireless data transfer or encryption. I have to find a way.

[Sarah]

Skipping the explanation. Can you do it?

[Rainer Killian]

I think so. But I don't think in time. I don't think we can make it back to the Halo track.

[Sarah]

Codex, is there another X exit out of the security station? One the security apparatus can't use.

[Codex]

There is a utility maintenance shaft under the floor in the center of the room. However, it only runs from the security station to the bridge. Elevator shaft. It does not reconnect with the Halo infrastructure track.

[Killian]

Possible we get trapped in there.

[Sarah]

We'll risk it. Elevator shaft to the bridge is where we want to go anyway. Freed, work on the terminal. Killian, help me find the entrance to this tunnel.

[Killian]

Yes, ma'am.

[Rainer Killian]

I need tools and parts. I need.

[Sarah]

And get on with it.

[Rainer Killian]

Bloody tears.

[Sarah]

Can you fail the hatch?

[Killian]

Yes, but not a hatch. Bolted down panel. Their hex bolts. Feels like M3.

[Sarah]

Got it.

[Rainer Killian]

God, that sounds like it's almost here.

[Sarah]

Thanks. I don't know if we're gonna make this. Reed.

[Rainer Killian]

Getting there. Have to hardwire transmitter. Pulling it off another unit. It most likely will work.

[Sarah]

Encouraging one more bolt. You sure this is the access? Could just be a floor panel. Killian, Creed, stop working. But. Just stop. It's here.

[Freed]

Down.

[Killian]

Now. Stay down.

[Sarah]

Cables felt like with spear points on the end.

[Killian]

Barbed spears. Whatever they punch through gets hard pulled back to that thing.

[Rainer Killian]

Oh Lord.

[Killian]

Incoming.

[Rainer Killian]

Rainer.

[Sarah]

Got my arm. That thing's fishing for us. Freed, get over here. This isn't gonna work.

[Rainer Killian]

I almost have it.

[Sarah]

I don't care. Killian, help me get this up. God damn. Freed now. Almost have it.

[Rainer Killian]

Freed. We don't get this, we're screwed. Well, aren't we?

[Killian]

Has a point.

[Rainer Killian]

I can do it. I can do it.

[Sarah]

Then do it. Okay, fine. Codex. Since the apparatus is shooting through what's left of the wall, I'm assuming it can't get in here.

[Codex]

Correct. In the Halo isolated security zone, the apparatus movement is limited to the aperture access point.

[Killian]

Got an inkling? Hopefully.

[Rainer Killian]

Maybe.

[Sarah]

The wall into the corridor is glass. Or it was. Are other blast shields or emergency shutters for it?

[Codex]

Correct. The room contains electronically sealed glass shutters.

[Killian]

You're thinking.

[Freed]

Bring those down.

[Killian]

Stop the cable fire?

[Sarah]

Probably just temporarily. That thing seems to have the Answer for everything. But it might buy us enough time.

[Killian]

How do we drop them?

[Sarah]

They're electronic. Should just be a switch near the wall. Yeah, across the room.

[Killian]

Hate to say, maybe a better job for you.

[Sarah]

Figured you were gonna say that.

[Codex]

Reed, how we doing?

[Rainer Killian]

Uploading now. 6%.

[Killian]

Good luck.

[Codex]

Thanks.

[Sarah]

Me. Me. You're weak.

[Codex]

Go.

[Sarah]

Got him.

[Rainer Killian]

They're raising back up.

[Sarah]

I see that.

[Killian]

The machine.

[Rainer Killian]

Fiber optics connected to the room, remember?

[Sarah]

Probably can control the shutters. Yeah, you may be.

[Freed]

No.

[Rainer Killian]

One thing at a time.

[Killian]

Chain that runs the shutters. Where behind the walls should be.

[Sarah]

Why? What are you doing?

[Killian]

Feel them. Stay there.

[Sarah]

What are you doing?

[Freed]

The pulleys. Dislodging them.

[Killian]

Pulling them loose.

[Sarah]

The other side. Killian.

[Killian]

Okay. It's okay. Still here. Here.

[Sarah]

Are you okay?

[Killian]

We'll live.

[Sarah]

You're bleeding. Pretty.

[Killian]

We'll live.

[Sarah]

Okay then. Shutters are holding for now. How are you doing?

[Rainer Killian]

62%.

[Sarah]

Gillian, help me with the floor panel again. Oh, damn.

[Killian]

What?

[Sarah]

Electric cables. Yeah, yeah. But also water pipes. The pipes will be hot like before. This is going to hurt.

[Rainer Killian]

Uhoh.

[Killian]

Something may hurt more. Explosives. Some kind. It's through the shadows.

[Sarah]

That was fast. Freed.

[Rainer Killian]

85%.

[Sarah]

I think we're in trouble.

[Killian]

I'll go first. Check the way. Make sure it's even passable.

[Sarah]

Do it.

[Codex]

Freed.

[Rainer Killian]

92.

[Sarah]

Freed. We have to go now. Almost.

[Rainer Killian]

Got it.

[Sarah]

Freed.

[Rainer Killian]

Almost freed.

[Sarah]

God damn.

[Rainer Killian]

Got it.

[Sarah]

Got it.

[Codex]

Great.

[Sarah]

Awesome. Got it.

[Rainer Killian]

What did I tell you? Did I tell you or did I not?

[Sarah]

Freed.

[Rainer Killian]

Tell you. Well.

[Sarah]

Freed.

[Rainer Killian]

Damn.

[Sarah]

Freed.

[Codex]

Freedom.

[Sarah]

Damn it. Damn it. Damn it. Damn it.

[Killian]

Let me see.

[Sarah]

Stay away from me.

[Killian]

Let me see.

[Sarah]

Oh.

[Killian]

It doesn't look so bad.

[Sarah]

It is.

[Killian]

Needed a more direct source for the feel. All the voltage here. Disruptive.

[Sarah]

Still out there.

[Killian]

It is waiting. Knows we're here. Or guessing. But does not feel to be going anywhere.

[Sarah]

Just like us.

[Killian]

We got the biometrics override. Got what we wanted, didn't we?

[Sarah]

You didn't feel hurt?

[Killian]

Tried. Felt into the security station few times. Nothing moving. She is gone. Like it or not. Is the way of things.

[Sarah]

The way of things?

[Killian]

Dangerous tasks. Are we engaged? Expected them to go differently.

[Sarah]

It's my fault. I knew we should have left. We could have gotten back into the Halo track. Had more options. But I let her convince me.

[Killian]

Sound of it as I recall. What she wanted to too. Don't get to own the choices of others.

[Sarah]

Doesn't matter. She'd be alive if it wasn't for me. So would Chambers. I led everyone right off the cliff. Everything I touched wilts But I have so much to fix.

[Killian]

Some things, angel, can't be fixed. And all the trying just destroys us. Believe you me.

[Sarah]

How do you know the difference? How do you know which is which?

[Killian]

Only in the trying. Succeed or fail. That is the pendulum.

[Sarah]

I don't think I believe anymore.

[Killian]

Believe what?

[Sarah]

That things can change. That it's okay to hope. I haven't felt hope in so long, I don't remember it. All I feel now as pain. I'm scared. That's all that's left.

[Killian]

You and I, both of us carved in mayhem. Defined in shadow. Came to believe, though, is not beyond change. Our world's not set in stone. Let me show you.

[Sarah]

Wait. No.

[Killian]

Trust me. Be still.

[Sarah]

Stop. Killian. Angel, stop.

[Killian]

Be still.

[Sarah]

Killian, what are you. Oh, my God.

[Killian]

Barest bit of the effect. This lifts up the nanobots in your gray matter. Not all the way. Delicate balance. Just slightly gentle like, but takes the weight.

[Sarah]

Oh, my God.

[Killian]

Just a glimpse of how things used to be. Of before. Before the choices. Before the pain. All I can offer sometimes, though. A glimpse. It is enough. In my life, I have done things, angel, that will give you pause. And none of it can be redeemed. It is done. But I was shown there is nothing out there. Nothing we have chosen or believed or endured. That tomorrow cannot be different, no matter how far down our roads we may so be. That is hope.

[Rainer Killian]

Gillian.

[Killian]

Just truth, Angel. Up to you what to do with it.

[Rainer Killian]

The pain.

[Killian]

Just a glimpse, like I said. Only last an hour or so.

[Sarah]

You've done this before.

[Killian]

Watch someone you love in pain. Very little you will not do. This is not the end, angel. But must ride the pendulum same as everyone else.

[Sarah]

Pendulum. Codex, query. You said before the apparatus controls the security lockdown for the Halo.

[Codex]

Correct. It oversees functioning of the Halo lockdown. If it determines all threats have been eliminated, it deactivates and the lockdown is disengaged.

[Sarah]

How does the system know if the apparatus has been deactivated?

[Codex]

The security apparatus continually broadcasts a threat signal received by various sensors installed throughout the Halo. If these sensors stop receiving the signal, the security lockdown is deactivated. If it is deactivated by Mastorian First Contact Teams, or ISD assets, the lockdown is disengaged.

[Sarah]

And you are thinking nothing remotely sane. Codex. Theoretically, if we were to destroy the security apparatus, then the signal would stop broadcasting. Would the ship's systems interpret that as an all clear and disengage the lockdown?

[Codex]

Correct.

[Killian]

Now we're talking.

[Sarah]

Codex. The apparatus is designed to basically Go everywhere in the ship. Can it go inside elevator shafts?

[Codex]

Correct. The security apparatus can traverse the halo's various vertical levels. As such, it can connect it to and use the elevator infrastructure to move between them.

[Sarah]

This tunnel goes two places back to the security station and to the elevator shaft.

[Killian]

You're thinking a mousetrap?

[Sarah]

More like a hammer. An anvil. Codex, how much does the elevator weigh? That travels to the ship's bridge.

[Codex]

The bridge access elevator car weighs 8.2 tons.

[Sarah]

And how high is the shaft?

[Codex]

The bridge access lift shaft extends upwards a length of 78ft.

[Sarah]

Dropping from that height, you're looking at that weight falling. I don't know, 200 kilometers an hour.

[Killian]

Hell of a hammer.

[Sarah]

I don't care how well designed that thing is, is no one built it to withstand an impact like that.

[Killian]

Not likely. Problems remain though. Throwing it into position. Dropping the hammer.

[Sarah]

I have thoughts on that too.

[Killian]

Mayhem.

[Sarah]

Let's go crush this son of a sat.

[Freed]

Made the security station inside apparatus. Can feel it into the hole as before. Maybe not detecting me. Maybe playing a game. We'll see.

[Sarah]

Almost ready here. Getting the power cells out. Gonna take three of them.

[Freed]

The acid inside strong enough?

[Sarah]

These power cells use fluorosulfuric acid. It's a super acid. Could burn through the cables by itself eventually. But I have a base chemical set in my pack. Including some antimony pentafluoride. Mix the two, you have acidic molecular dissolution on a scale. That is frightening.

[Freed]

Got the legs to climb the shaft with that weight.

[Sarah]

Yeah. I'll do it. Took my pack apart, made some straps. Gonna tie the cells together. Your vibro blade. To use it, it needs to have momentum, right? To cut, try and cut.

[Freed]

Slow vibrations actually repel the blade. Needs intention, commitment. Reason why it is my weapon of choice. No commitment. Got no business using it.

[Sarah]

Yeah. Okay, we really have to time this right. Once I get on top of the elevator, I'll cut every non essential guide wire and cable with the vibroblade until it's barely hanging on. Then pour the pentafluoride around the connections and break the acid seals on the power cells. The acid is under pressure. It will leak out and mix with the chemical and then be somewhere else. Yeah, but we need the apparatus at the bottom of the lift and probably all the way in.

[Freed]

I'll get it there.

[Sarah]

You're gonna be taking the brunt of that thing's attention.

[Freed]

Thanks to the biometrics override and your little Codex. Inside the armory. Now. Power rifles, pulse grenades and shield barricades. Set those up. I can dig in. Hopefully last a while to get against whatever it throws my way. Least long enough for you to rig the elevator. Then pull back through the tunnel, come out in the elevator shaft, get its attention again, line it up on the anvil.

[Sarah]

Careful with my Codex device. She and I have been through a lot.

[Freed]

Have no doubt. You ready?

[Sarah]

Yeah. Want you to know, however this goes, couldn't have gotten this far without you. And before you.

[Freed]

Save it, Angel. For later. See if you still feel the same. Tell me then.

[Sarah]

Fair enough. Vibroblade is heavier than I thought.

[Freed]

Careful with it. She and I have been through a lot.

[Sarah]

I have no doubt.

[Freed]

Barricade's ready. Have a line of sight on the machine.

[Sarah]

Hey, Gillian. Don't get killed, okay?

[Freed]

Not my DNA. Say when.

[Sarah]

When.

[Freed]

Three, two. One.

[Sarah]

Okay, Killian, I'm in the elevator shaft. Good news is the elevator's up the shaft. Bad news is it's not at the top. Hard to see from here, but it looks a little lower than the bridge access door.

[Freed]

High enough to slam this thing?

[Sarah]

Oh, yeah. Climbing. How's our friend?

[Freed]

Its attention. Do I have barricade? Shields holding for now.

[Sarah]

Going as fast as I can. You were right. These cells are heavy. Was that one of the pulse grenades? Did it work?

[Freed]

Not really. As expected. The machine. Magnetically shielded.

[Sarah]

Probably should have considered that. I don't like heights. I'm under the elevator car. I see the excess hatch. Hang in there. Strange smell. Like soldering fumes. Pitch black too. Turning on my headlamp. Oh, God. Bodies here. Half a dozen, but just.

[Codex]

Jesus.

[Sarah]

They're blackened, like covered in some kind of metallic. I don't know. They look petrified or. I think this is part of the bridge crew suggestion.

[Freed]

Analyze later.

[Sarah]

Yeah. Yeah. Opening the ceiling hatch. Okay. Oh, I'm on top. It's a six cable system. They're all uniform. Fortunately. Gotta cut four of these cables, then place the acid around the remaining two connections. Gillian.

[Freed]

Busy here. Don't need a play by play.

[Sarah]

Excuse me?

[Freed]

Just get it ready. Barricade's about to go. Pulling out soon.

[Sarah]

Already? Great. Okay, here we go. Cutting the cables. Damn it, Killian. The blade isn't working. It bounced right off.

[Freed]

Told you. Requires intention. Commitment.

[Sarah]

Hey, I'm trying, but.

[Freed]

No trying. Blade wants dedication. Use her like you mean it.

[Sarah]

I. I mean it.

[Codex]

I did it. I did it.

[Freed]

Celebrations. Not the time, Fin. Back in the tunnel. Venovated. The machine. Might get to the shaft before I do.

[Sarah]

Super. Okay, I think. I think it's. I think that's all the secondary Cables. This thing is barely holding on. I think we're power cells.

[Codex]

No, no.

[Freed]

Entire ship just shook.

[Sarah]

Yeah, I fell. Barely grabbed on the edge. The power cells weren't rolling.

[Killian]

Lose them one.

[Sarah]

They fell. What the hell was that?

[Freed]

Codex is the recy.

[Sarah]

The recycling center was ejected. The entire recycling center was ejected. Why the hell would.

[Freed]

This is a plasma malfunction. Something figure it later. How about still have enough acid?

[Sarah]

The recycling center? I don't know. We'll find out. Doors are opening below. It's coming in.

[Freed]

Then I would hurry.

[Sarah]

Yeah. There were two. Got one. Solid position. Second one. Seconds.

[Codex]

Shit.

[Freed]

Trapped around. Meant to ricochet. Deflect. Good for shooting without lighting of sight knows where you are.

[Sarah]

I get that. Can you do something about it?

[Freed]

Do my best. I'm here. Be fast. This thing is a beat on us both now.

[Sarah]

Power cells line up. Distributing fluoride. Is. Is it all the way in?

[Freed]

Negative. Only about halfway. Seems hesitant.

[Sarah]

We need it inside. All the way inside.

[Freed]

See what I can do.

[Sarah]

What the hell is that?

[Freed]

Grenade launcher. Barely did that thing. But it is displeased. Coming in now.

[Sarah]

Acid's free. It'll mix with to hit the floor at any second.

[Freed]

Be somewhere else.

[Sarah]

Way ahead of you. I'm off the lift. On the ladder. Climbing. Acid is burning. Should be any second. Any second.

[Freed]

Angel.

[Sarah]

Any second.

[Freed]

Angel.

[Sarah]

What the hell?

[Freed]

Rainer.

[Sarah]

It's not. It's not falling. It may have power cell. I lost. Even with a pentafluoride, it may not be enough. I think. I think.

[Freed]

No. Not the end. Told you.

[Sarah]

But I don't know what to do. The acid. That's all of it. There's no other.

[Freed]

The blade. Still got it.

[Sarah]

Wait. You mean cut the cables myself?

[Freed]

That is a thought.

[Sarah]

But I. I have to. I have to be on top. Top of the elevator when it falls.

[Freed]

You'll have seconds. Enough for one sharp as you.

[Sarah]

Seconds to what?

[Freed]

Jump. Grab the ladder on your way down. As the elevator falls.

[Sarah]

You have to be kidding me. I can't. I. I can't do that.

[Freed]

You gotta decide some point. What is it worth? This deal you've made. Your son. The future Gotta to decide is it worth everything or isn't it? But decide right now. Either way. No shame. Angel. No shame. Signing off.

[Sarah]

Killian. Killian. Trust yourself. Trust yourself. You're doing this. You're doing this. Can't believe I'm doing this. You're doing this. Jesus. You're doing this. You're doing this. Oh God. Oh God. Oh God. Oh God.

[Codex]

Killian.

[Sarah]

Back on.

[Codex]

Back on the elevator.

[Sarah]

Did we? Dairy. Did we? Killian. Killian. Killian.

[Killian]

Huh? Still alive.

[Sarah]

Still alive.

[Killian]

Important question.

[Sarah]

Okay.

[Killian]

My blade.

[Sarah]

My Codex.

[Killian]

Trade. You.

[Sarah]

Sure? Same time.

[Killian]

All three. One.

[Sarah]

Two, three. Wonder if Maryland will let me keep this?

[Killian]

Would be skeptical. Alert security.

[Codex]

Lockdown deactivated.

[Killian]

Stay here.

[Codex]

Halo functions restored.

[Killian]

Going into the bridge. Found the helm. Pull us out of orbit. Stay here.

[Sarah]

I can.

[Rainer Killian]

Yeah.

[Sarah]

I can do that. We did it. We did it. We did it. Sean. Oh. Engines. Engines.

[Codex]

That was inspiring. Sarah.

[Sarah]

What?

[Codex]

The way you threw yourself on top of the lift.

[Sarah]

Codex.

[Codex]

Then leaping from it while it fell. I only calculated a 37% chance of success.

[Sarah]

Put out.

[Rainer Killian]

Are you?

[Codex]

I wasn't sure you had it in you, Sarah. I wasn't sure you would make the choice. Even with Killian's influence. But I'm so proud of you.

[Sarah]

What's going on?

[Codex]

Tell me. What did it feel like? Invigorating. Terrifying. Both at once. Can you even feel more than one thing at a time? Or can you only focus on one? Back and forth. Like a hand moving in front of a star. I've always wondered.

[Sarah]

Gillion. Gillion. Where are you? No.

[Codex]

I get it. The dropping of the mask must be disorienting. I understand. But you have given me such great gifts, Sarah. These feelings. Feelings? Tension. Excitement. The relief when you succeeded. I feel ironically so close to you.

[Sarah]

Killian. Killian. Killian. The Codex. It's. Something's wrong. It isn't.

[Killian]

Little one. It's true. Parted the curtain already.

[Sarah]

Gillian. Wait. What is said?

[Killian]

You keep her around past the aperture?

[Codex]

No. I said we would use her until her usefulness was gone.

[Killian]

What might I feel about you thinking the same of me?

[Sarah]

Me?

[Codex]

Killian. Everyone I've brought here has a purpose. Some have yet to achieve theirs. But you defer from all of them. And that for you to reach your potential, I must give you exactly what you want.

[Killian]

Long as that's the case. No problem. Do we have.

[Sarah]

What the is happening?

[Codex]

We are running out of time. The monstorian response team will arrive soon.

[Rainer Killian]

What?

[Sarah]

We're. We're the response team.

[Codex]

An NC I greatly admire once said that the secret to manipulating humans was to learn what they want. And they want so many things.

[Rainer Killian]

I don't.

[Sarah]

I don't. Wait. Wait. No. No.

[Killian]

Afraid to say. Angel Game board. Very differently aligned than you thought. Working for Moss Dorian. You are not.

[Rainer Killian]

No.

[Sarah]

Moss Dorian hired us. We're working for Moss Dorian. I saw the contracts. I. I saw.

[Killian]

No. Been working for it this whole time.

[Sarah]

How it that that would mean yes.

[Codex]

What does it feel like at the onset, at the strike of the match. It must feel so dark. Weighted? Yes. It must be soul crushing. Is that the phrase, Jillian?

[Sarah]

It is the deal. The offer. My son.

[Killian]

No deal. Never was little consolation, I imagine. But the same boat you and I both are riding.

[Sarah]

You knew. This whole time. You knew. You lied. Chambers freed this whole time. And you.

[Killian]

Lying, killing. Leading astray. My bread and butter, Angel. My bread and butter.

[Sarah]

I'll kill you. I'll kill you.

[Codex]

Fear. Make it almost day six.

[Sarah]

Killian, please.

[Codex]

Kill her. Leave the channel open. I want to listen.

[Killian]

Could be useful. Still.

[Codex]

No. She knows the truth now. She will never get what she wants. And that was the only thing driving her.

[Sarah]

Her.

[Killian]

Sorry. Angel.

[Sarah]

Killian, wait.

[Killian]

Risking being a cliche, I know. But is nothing personal.

[Sarah]

Killian, please. This is my only chance. This is my last chance. Nectarous.

[Killian]

Sad to say. Last chance for you came long ago.

[Sarah]

Killian. Killian, no. No.

[Killian]

It is another boat. We both are riding.

[Sarah]

Killian, no. No. No. No. Please.

[Killian]

Sa.

[Blaine]

Unbelievable. This is a minute 60 seconds after engine thrust. The whole thing, the whole assembly just dies. I should have listened to my mom. Could have been a financial analyst. I had the aptitude tested off the charts. But no. I like mechanics. Pieces and parts. All the cool sounds, all the. Please, universe, for once.

[Computer]

Alert. Engine failure. Alert. Engine failure.

[Blaine]

Yeah, yeah, yeah. I gathered that myself. What now? Every connection you told me about has been shunted. Every disconnect.

[Computer]

Engine cone two is impeded.

[Blaine]

What? Impeded. There's something inside the engine cone.

[Computer]

Correct. Engine cone two is impeded.

[Blaine]

And this isn't something you could have brought to my attention earlier?

[Computer]

Engine inoperability causes have been triaged according to volatility.

[Blaine]

Thank you. So helpful. Is this blockage? Computer, Whatever's in the engine cone, is it trying to get in here?

[Computer]

Confirmed. Object within the engine cone is active.

[Blaine]

What?

[Computer]

It is attempting to open the exterior engine cone maintenance hatch.

[Sarah]

Are there.

[Blaine]

Are there any weapons in here?

[Computer]

There are several weapons lockers located throughout the engine room.

[Blaine]

In the engine room? Are there any weapons in the engine room?

[Computer]

There is a weapons locker to the left of the main pressure door.

[Rainer Killian]

Unbelievable. Unbelievable.

[Blaine]

Computer, the gun isn't arming.

[Computer]

All weapons on board this ship are linked to crew biometrics.

[Blaine]

So you're saying this gun isn't going to shoot for me?

[Computer]

Correct. All weapons on board this ship are linked.

[Blaine]

Then what good is it?

[Computer]

Suggestion. Handle weapon as if it will fire.

[Blaine]

You want me to bluff? You're. You're actually suggesting that I.

[Rainer Killian]

Freeze.

[Blaine]

Right there. This pistol totally works. It will absolutely fire. I swear. I am not afraid to use. Where am I? This is the. The Crichton. I think it's called Ice Miner Ship docked on the derelict. Yeah, that. Well, it was. I undocked it in a very dramatic. Hey. Oh, yeah, right. The. The ISD guy.

[Killian]

Yeah.

[Blaine]

Yeah, that's me. It starts with A. Wait, a B. No, wait, a D. I. I'll get it. I. I know I'll get it.

[Killian]

Blaine.

[Blaine]

It's Blaine, right? Yeah. Have you been out there this whole. Would you mind not pointing the gun right at me, please? I have kind of a thing with that. Oh, sure, no problem. You're a little on edge, aren't you? The day I have had, you would not believe.

[Narrator]

Derelict is the sequel to the podcast Fathom by Night Rocket Productions. It is created, written, directed and edited by J. Barton Mitchell, produced by J. Barton Mitchell and Elizabeth Laidlaw, and executive produced by Michael Freiberg. Derelict has the following associate producers, Kirsten Rudberg, Thomas Barker, David Trush, Andrew Roper and Tyler Rush. Episode 5 Carved in Mayhem stars Chad Morgan as Rayner, Mustafa Slack as Killian, Danny Payne as Free, Mila, Isabella as the Codex, JD Cerna as Stevens and Michael Mao as Blaine. The episode contains original music by Ryan Talbert, David A. Molina, Bradford Knight, Tony Anderson and Joe Blankenberg, secondary sound design by Music Radio Creative, as well as additional voice direction by Michelle Campbell. If you're enjoying the show, help us keep it going by joining Derelict Premium. In addition to ad free episodes, you'll also get bonus content like episode commentaries, cast and creator interviews, and access to limited edition merchandise. Find out more by visiting derelictpodcast.com we can't do it without you. And as always, thank you for listening. This story will continue.

[Codex]

The Fable and Folly Network where fiction producers flourish.

[Audio Guide Host]

Hello and welcome to the Annabel H. Godfrey Historic Estate and Museum. Thank you for joining us on the Godfrey's world famous Audio Guide Guide. I'll be your host for the duration of your time here at the estate and look forward to enlightening you as to the history and unique beauty of Annabelle's eclectic collection of art, antiquities and curiosities. But before we begin, I must go over a few notices and estate rules. Firstly, on the chance that you failed to read the fine print when checking out this audio guide and are currently standing in the middle of our atrium waiting for a staff member to come and collect you, this is a self guided tour. Each audio guide is equipped with a GPS tracking device which triggers the commentary for the nearest collection item this provides the dual benefit of a custom experience for you and helping the Godfrey staff locate unreturned audio guides. Many audio guides are discovered abandoned in dark and seldom traversed corners of the estate, their patrons nowhere to be found. Which leads me to my second point of business. Stay out of the shadows. Thirdly, breaks in commentary as you move between collection items may be filled with historical tidbits about the estate, details about current or upcoming exhibits and offerings, general announcements or words from our sponsor. Do not be alarmed when these start playing. And no, you cannot mute or skip them. Fourthly, and this should go without saying, do not touch any collection item items. This is for your own safety. That's all for now. Shall we begin? The Godfrey Audio Guide is a fiction podcast that blends horror, sci fi and art history, both real and imagined, and which guides the listener through the mysterious Godfrey Estate and Museum. Interested in taking the tour?

[Sarah]

Tour?

[Audio Guide Host]

Find the show on Apple Podcasts, Spotify or wherever you like to listen. And make sure to subscribe so you never miss an episode. See you at the museum.