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A call to place disability at the center of climate and disaster responsesEvery disaster is a disability disaster, argues Angela Frederick. Disabled Power: A Storm, A Grid, and Embodied Harm in the Age of Disaster (NYU Press, 2025) tells the stories of Texans with disabilities who endured the 2021 Texas power crisis, which forced millions of Texas residents to endure a dayslong winter storm without heat or water. Based on 58 in-depth interviews with disabled Texans and parents of disabled children, Frederick highlights how disabled people and those with chronic health conditions are uniquely harmed when basic infrastructure such as power and water systems fail. She argues that the vulnerability people with disabilities experienced during this disaster was not an inevitable consequence of individual disabled bodies. Rather, disability vulnerability was “produced” by policies that “disabled” vital infrastructure.Frederick also emphasizes another meaning of the phrase “disabled power:” the individual and collective resilience and creativity Texans with disabilities exercised to survive the disaster. Despite common perceptions of people with disabilities as passive victims, Frederick shows how many found strategies to survive and to provide and receive care within their communities. Ultimately, the implications of this disaster extend far beyond Texas and underscore our increased vulnerability to infrastructural failures as extreme weather events become more common. Disabled Power offers a blueprint for reimagining vulnerability and resilience to center people with disabilities in disaster research and emergency response.

Why were Jews once stereotyped as America's arsonists? In this episode, Rabbi Marc Katz sits down with historian Jeffrey Marx to discuss his fascinating book Jewish Firebugs: Arson and Antisemitism from the Civil War to World War I (NYU Press, 2026), which uncovers a little-known chapter in the history of American antisemitism. In the decades after the American Civil War, major insurance companies instructed agents to deny fire insurance to Jewish customers, claiming they were uniquely prone to arson. That accusation quickly spread beyond the insurance industry, finding its way into newspapers, cartoons, vaudeville, popular songs, and silent films, helping to cement the image of the "Jewish firebug" in the American imagination. Drawing on fire department records, insurance files, trial transcripts, newspapers, and other archival sources, Marx untangles the complicated relationship between stereotype and reality. He explores why some Jewish immigrants became involved in organized arson schemes, how insurance companies often enabled those crimes for their own financial interests, and why Jews became the only ethnic group in America burdened with this particular accusation. The result is a nuanced history that reveals as much about immigrant life, poverty, and urban America as it does about the enduring power of antisemitic myths. Together, Marx and Katz examine how stereotypes are created, why they persist long after the facts have faded, and what this forgotten episode teaches us about the history—and continuing evolution—of antisemitism in the United States.

In the three decades since the rise of the global internet, digitalization has transformed how media are made, circulated, and consumed, reshaping culture on a planetary scale. Yet the story of global media is not one of seamless connection or cultural homogenization. Planet Digital: A Global Media Cultures Reader (NYU Press, 2026) challenges the myth of a “global village,” revealing instead how regional histories, infrastructures, economies, and power relations shape the uneven terrains of our digital world. Edited by the series editors of Critical Cultural Communication, this field-defining anthology gathers leading scholars to examine the texts, genres, platforms, and industries that define today’s global entertainment landscape. From TikTok to Squid Game, K-Pop to Marvel, Bluey to Nollywood, each chapter offers a focused case study that illuminates how digital media both reflect and remake global cultural life. Spanning influencer culture, streaming platforms, esports, and beyond, Planet Digital shows how digital technologies and global media flows continually reshape one another, producing hybrid forms of creativity, circulation, and control. Together, these essays provide a vital framework for understanding how the world’s screens, sounds, and networks are rewriting the relationship between culture and power in the twenty-first century.

Participation in official governmental institutions and activities has declined dramatically. Americans are less inclined to express trust in, or cooperate with, political leaders and each other to address society's most pressing problems. In Neighborhoods Matter: How Place and People Affect Political Participation ( NYU Press, 2026), Carrie LeVan explores this growing crisis in civic engagement, arguing that where we live—and the people who live around us—may be to blame. Drawing on national surveys, census data, and spatial analysis, LeVan demonstrates how neighborhood design can dramatically impact political participation, including people's desire and ability to vote in local, state, and national elections. She argues that the suburbs, which isolate residents, require driving, and are zoned for single-use, do not provide an effective infrastructure for civic engagement. However, cities, which are often designed to be walkable, more interactive, and are zoned for mixed-use, provide a supportive environment where people and politics can thrive. Ultimately, LeVan underscores how neighborhoods that support interaction, competition, collective action—and even conflict—can support greater civic engagement and political participation. Neighborhoods Matter highlights the connection between politics, people, and place, calling for good suburban and urban design that can support a vibrant and engaging civic life.

In her latest book, Sanctuary People: Faith Based Organizing in Latina/o Communities (NYU Press, 2024), Dr. Gina Perez explores sanctuary practices in Ohio, locating them in broader local and national efforts to provide refuge and care in the face of the challenges facing Latina/o communities in a moment of increased surveillance, migrant detention, displacement, and economic and social marginalization. Pérez argues for a conceptualization of sanctuary that is capacious, placing support of Puerto Ricans displaced in the wake of Hurricane Maria within the broader practices of sanctuary and expanding our understandings of the movement that addresses the precarious conditions of Latinas/os beyond migration status.Based on four years of ethnographic research and interviews at the local, state, and national levels, Sanctuary People offers a compelling exploration of the ways in which faith communities are creating new activist strategies and enacting new forms of solidarity, working within the sometimes conflicting ideological space between religion and activism to answer the call of justice and live their faith. Dr. Gina Perez is a cultural anthropologist and chair of the Department of Comparative American Studies at Oberlin College. She is the author of two award-winning books—The Near Northwest Side Story: Gender, Migration and Puerto Rican Families (2004, University of California Press) and Citizen, Student, Soldier: Latina/o Youth, JROTC and the American Dream (2015, New York University Press). Pérez's research interests include Latinas/os, youth, militarism, gender, migration, urban ethnography, and faith-based organizing. Her new project focuses on sanctuary movements and multiethnic faith-based organizing among Latina/o communities in Ohio.

From Ghostbusters to Will & Grace, One Day at a Time to Jurassic Park, the past decade has seen Hollywood reach a new peak in its obsession with reboots, remakes, and revivals. Spearheaded by media giants like Disney and Netflix, these projects promise progress—more diverse casts, “timely” social commentary, and redemptive nostalgia—yet they often reproduce the very inequalities they claim to address.Rebooting Inequality: Critical Takes on Film and Television Remakes (NYU Press, 2026) brings together twelve concise, theoretically rich essays that interrogate how Hollywood’s recycling of intellectual property sustains entrenched systems of racial, gender, and sexual inequality. Across genres and platforms, contributors explore how the industry’s nostalgic return to familiar stories masks an ongoing reliance on white, patriarchal, and heteronormative frameworks of storytelling and production.Blending critical race, feminist, and media studies, the collection analyzes dozens of recent film and television revivals, remakes, and reboots from Roseanne to Charlie’s Angels to ask what it means when entertainment markets strive for diversity while leaving the structures of inequality intact.Accessible yet deeply analytical, Rebooting Inequality exposes how nostalgia has become both a marketing strategy and a political tool, revealing how the “new” Hollywood continues to reanimate the past—profitably, repeatedly, and unequally.

Whispers in the Pews: Evangelical Uniformity in a Divided America (NYU Press, 2026) reveals how mundane social interactions in an evangelical church silence difference and reinforce right-wing conformity Small talk, whether enjoyed or despised, is often thought of as trivial and largely useless. In certain situations, however, it can be surprisingly powerful. Whispers in the Pews offers a bottom-up explanation of Christian nationalism, revealing how cultural homogeneity within evangelical church communities is upheld by an active, manufactured effort to dodge reflective engagement with topics that could stir up diverging points of view. Whispers in the Pews exposes how small talk is utilized to construct an appearance of social and political sameness in evangelical church communities. Based on an ethnography of a church that appeals to students, working class residents, and racial minorities alike in a politically divided Southern college town, McDowell showcases how churchgoers avoid consequential issues that could expose disagreements on border control, electoral politics, race and gender. By confining themselves to blander topics, the church, which prides itself on inclusivity, positions itself as welcoming to all. But by creating an environment in which certain topics are discouraged from discussion, a façade is developed in which everyone is assumed to believe the same things, and any sort of debate is silenced. Whispers in the Pews shows that the presumption that everyone is of the same mind makes it difficult for churchgoers to articulate or contemplate progressive views, and by extension, advances the idea that differences of opinion are un-Christian, and therefore un-American.

Samiha Rahman’s Black Muslim Freedom Dreams: Islamic Education, Pan-Africanism, and Collective Care (New York University Press, 2026) follows three generations of Black American Muslims as they pursue education through the Tijani Sufi order in Medina Baye, Senegal, outside the anti-Black and anti-Muslim racism of the United States. This deeply rich ethnographic book captures the transatlantic flows of Black American religious life through the prism of Black mothers and othermothers (as conceptualized by Patricia Hill Collins “motherwork”) and the young people whose lives are transformed through the process. By focusing on the Islamic education offered by the Tijani Order, such as Qur’an education, we learn about the intricate networks of kin that step in to support the young Black Muslims who have migrated for schooling, highlighting the tangible realities of collective care and service that circulates within the Tijani Order. These registers of care and service are informed by Shaykh Ibrahim Niasse, the Senegalese Islamic scholar, Sufi Shaykh, and pan-Africanist, whose teachings define these networks of education, organizing, and care work. The book then offers critical insights into the flow of one particular Sufi community between the United States and Senegal, and how dreams of better futures for Black Muslim youth and the liberatory goals of Pan-Africanism intersect to co-constitute a significant economy of collective care, Sufi service, and Islamic piety. This book will be of interest to anyone who works on education, Sufism, Black and African Islam and much more.

Currencies of Cruelty: Slavery, Freak Shows, and the Performance Archive (NYU Press, 2026) is a bold and incisive reconsideration of the relationship between enslavement, disability, and performance in 19th- and early 20th-century America; a time when transition from slavery to legal freedom became entangled with the spectacle of the freak show stage, where disabled and racialized performers became lucrative attractions. At the heart of this powerful study are conjoined twins Millie Christine McKoy, born into slavery and later emancipated, and the so-called “original Siamese Twins,” Chang and Eng Bunker, who navigated the freak show circuit not only as performers but also as enslavers. Their stories reveal how archival practices surrounding enslavement and performance labor worked in tandem, creating a system where unfree and newly freed bodies were simultaneously valued and devalued—exploited for their spectacle yet rendered abject within traditional labor economies. Blending historical analysis with innovative archival theory, Currencies of Cruelty challenges conventional narratives of labor, freedom, and human worth. A gripping exploration of race, commerce, and bodily spectacle, this book sheds crucial light on how histories of subjugation continue to shape our understanding of value and visibility today. Author Danielle Bainbridge is an Assistant Professor of Theatre at Northwestern University, where she also holds courtesy appointments in Performance Studies and Black Studies. You can find her at the Northwestern University website, on Instagram, and on Bluesky. Subscribe, like, follow, and rate Additions to the Archive with Sullivan Summer on Instagram, Substack, and wherever you get your podcasts.

Detroit seemed to experience an explosive rebirth following its bankruptcy, the largest in US municipal history. It was as if the slate had been wiped clean and the color line erased in the nation’s largest Black city. Detroit Never Left explains the relation between racism and space by analyzing the ways opportunities changed in the years leading up to and following bankruptcy.Based on a variety of data, including in-depth interviews with people who identify as “Latina/o/x” in their early 20s, ethnographic observation, and media coverage, in Detroit Never Left: Black Space, White Borders, Latino Crossings (NYU Press, 2026), Dr. Nicole E. Trujillo-Pagán shows how a dialectic between empty and concrete abstractions created new opportunities for outside investment, often at the expense of residents' fortunes. She reveals space is much more than a neutral backdrop; It is continually produced through abstractions that act like bordering and crossing practices to control resources and opportunities. With broad implications for analyses of space and opportunity, Detroit Never Left tackles important contradictions in the post-bankruptcy city. For example, urban youth do not want to be moved out or isolated in their barrio. Similarly, many Detroiters feel spatial changes happen “to,” instead of “for” them. Ultimately, residents’ concerns underscored broader tensions between democratic inclusion and racialized capitalism. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.