Kitty’s Good Neighboring | Gunsmoke (12-04-60)

Summary

Podcast Summary: Gunsmoke | ”Kitty’s Good Neighboring” (Aired 12-04-60)

Podcast: Gunsmoke | OTRWesterns.com
Host: Andrew Rhynes
Episode Title: Kitty’s Good Neighboring
Original Air Date: December 4, 1960
Podcast Release Date: August 30, 2025

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Overview

This episode of Gunsmoke, titled “Kitty’s Good Neighboring,” explores themes of community, loyalty, and the complex dynamics of frontier life. The narrative centers on Kitty Russell’s deep sense of responsibility as she cares for her ailing friend, Nettie Morby, only to become entangled in a dangerous situation when a wanted outlaw appears. Marshal Matt Dillon, steadfast as ever, must navigate the tension between compassion and law enforcement, ultimately relying on the resilience and solidarity of Dodge City's women. The story blends suspense with character-driven drama, spotlighting the goodwill—and perils—of "good neighboring" in the Old West.

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Key Discussion Points & Story Breakdown

1. Setting the Stage: Dodge City’s Perils and Responsibilities (02:06–05:48)

• Matt Dillon introduces the persistent dangers in and around Dodge City, setting a somber tone (“It’s a chancy job and it makes a man watchful and a little lone.” — Matt Dillon, 02:06).
• Chester gets teased about his new hat, providing a lighter moment before the episode’s heavier themes develop.
• Matt and Chester lament the killing of Tall in a recent holdup, noting the involvement of the wanted man Gans.

2. Kitty Steps Up: Compassion in Action (06:19–07:44)

• Kitty hears from Doc that Nettie Morby, an old friend, is gravely ill and alone while her husband Luke is away.
  • “Us women have to stick together. I don't want her lying out there alone with no one around to take care of her.” — Kitty (07:25)
• Kitty decides to travel to Nettie’s homestead to nurse her.

3. Life on the Prairie: Women’s Hard Choices (10:16–12:40)

• Scene at the Morby homestead: Kitty tends to a weak Nettie, who reflects on marital loyalty and the hardship of prairie life.
  • “When a woman chooses her man, she chooses his way of life. Ain’t nobody saying it’s gonna be easy.” — Nettie (11:22)
  • Kitty gently suggests Nettie may be “too good for him,” to which Nettie defends her husband, highlighting the complexity of frontier relationships.
• Luke returns home, surprised and a bit hostile at Kitty’s presence, asking her to leave now that he’s back.

4. Tension and Suspicion: Luke’s Return (12:40–13:27)

• Luke’s brusque dismissal of Kitty raises suspicion. Kitty reluctantly agrees to leave, but later events drive her to reconsider.

5. Kitty’s Determination and Rising Suspense (13:44–16:18)

• Kitty tells Doc and Matt that Luke wouldn’t let her stay, but she remains concerned for Nettie.

• Kitty bravely returns to check on Nettie, sparking suspicion from both Luke and another man, Joe Gans, who is revealed to be the wanted outlaw.

• The tone turns threatening as Gans and Luke force Kitty to stay against her will.

  • “You want me to show you that I ain’t no child, lady? All right, then. You stay quiet and don’t try to get away, and nobody’ll get hurt.” — Joe Gans (17:10)

6. Back in Dodge: Kitty’s Disappearance Raises Alarm (18:57–20:16)

• Chester alerts Matt Dillon that Kitty never returned to Dodge and missed a scheduled meeting, raising concern for her welfare.
  • “They think it’s a funny thing that she didn’t show up.” — Chester (19:30)
• Matt and Chester set out for the Morby place to investigate.

7. Confrontation at the Morby Homestead (21:31–24:20)

• Gans spots Matt and Chester arriving and uses Kitty as leverage in a tense standoff.
  • “You can just save your friend’s life if you behave yourself.” — Joe Gans (22:00)
• Matt and Chester are forced to surrender their weapons at gunpoint to protect Kitty.
• In a decisive turn, Nettie, despite never having wielded a gun before, intervenes and holds Gans at gunpoint.
  • “I ain’t never picked up one before, Marshal Dillon, but I don't hold with bloodshed. But it seemed this was the only way to stop it.” — Nettie (24:24)

8. Resolution: Community Strength (24:20–25:01)

• Matt remarks that Nettie likely saved both herself and her husband by showing unexpected courage.
  • “Don’t worry about it, Ms. Morby. You probably saved you and Luke a lot of trouble.” — Matt Dillon (24:42)
• Kitty is safe, and the law is restored with the arrest of Gans.

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Notable Quotes and Memorable Moments

• Kitty’s Neighborly Spirit
  • “Us women have to stick together. I don't want her lying out there alone with no one around to take care of her.” (Kitty, 07:25)
• Reflection on Prairie Hardships
  • “When a woman chooses her man, she chooses his way of life. Ain’t nobody saying it’s gonna be easy.” (Nettie, 11:22)
• Thin Line Between Hostility and Desperation
  • “You ain’t needed no more, Luke.” (Luke, 13:06)
  • “You ain’t never raised a hand to me, Luke Morby.” (Nettie, 17:00)
• Courage in a Crisis
  • “I ain’t never picked up one before, Marshal Dillon, but I don't hold with bloodshed. But it seemed this was the only way to stop it.” (Nettie, 24:24)
  • “You probably saved you and Luke a lot of trouble.” (Matt Dillon, 24:42)

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Key Timestamps for Important Segments

• 02:06 – Opening theme and Matt Dillon’s narration
• 06:19 – Kitty learns of Nettie’s illness from Doc
• 10:16 – Kitty nurses Nettie and discusses marriage, prairie life
• 12:40 – Luke returns and demands Kitty leave
• 13:44 – Kitty discusses her unease with Doc and Matt
• 15:12 – Kitty decides to return, stumbles into a dangerous standoff
• 18:57 – Chester expresses concern over Kitty’s disappearance
• 21:32 – Gans uses Kitty as leverage during Marshal’s approach
• 24:20 – Nettie’s intervention disarms the outlaws and resolves the crisis
• 24:42 – Matt consoles Nettie, suggesting she likely prevented greater tragedy

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Tone & Language

The dialogue is true to Western drama—stoic, plainspoken, and peppered with dry humor and homespun wisdom. Kitty’s empathy and Nettie’s fortitude showcase the strength of Western women. Matt’s steady authority anchors the episode’s sense of justice, while the presence of outlaws highlights ever-present danger.

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Conclusion

“Kitty’s Good Neighboring” stands as a testament to the power of community, the quiet heroism of women, and the difficult choices imposed by frontier life. Kitty’s willingness to help and Nettie’s courage in a crisis rescue not only themselves but the men around them. The episode masterfully blends suspense with interpersonal drama, delivering a message of solidarity and everyday bravery that remains resonant long after the last gunshot fades.

Transcript

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[Kitty]

Foreign.

[Matt Dillon]

Welcome.

[Andrew Rines]

To the Old Time Radio Westerns. I'm your host Andrew Rines and I'm excited to bring you another episode absolutely free. This is one of over 80 episodes released monthly for your enjoyment. Now let's get into this episode.

[Matt Dillon]

Around Dodge City and in the territory on west, there's just one way to handle the killers and the spoilers, and that's with a U.S. marshal and the smell of gun Smoke. Gun Smoke Starring William Kahn. The story of the violence that moved west with young America and the story of a man who moved with it. I'm that man. Matt Dillon, United States Marshal, the first man they look for and the last they want to meet. It's a chancy job and it makes a man watchful and a little lone.

[Kitty]

If you're alignment in charge of keeping the lights on, Grainger understands that you go to great lengths and sometimes heights to ensure the power is always flowing. Which is why you can count on Grainger for professional grade products and next day delivery. So you have everything you need to.

[Matt Dillon]

Get the job done.

[Kitty]

Call 1-800-GRAINGER click granger.com or just stop by Granger for the ones who get it done.

[Matt Dillon]

In a world of doubting Thomases, decades ago it never would have been possible for stars to shine in the daytime. But in this Day and Atomic Age, anything's possible. Thus, it's not only possible, but a fact that only on stations of the CBS Radio Network. Stars do indeed shine in the daytime. And they're stars of the first magnitude, one and all. You'll find them illuminating an entire segment of your daytime listening. Every Monday through Friday. These stars have all been named. By celestial authority vested in their forebears. Those names are Arthur Godfrey, Art Linkletter, Bing Crosby, Rosemary Clooney, Gary Moore, and Durward Kirby. You won't find them in your book of the Planets and stars. But no compendium of show business luminaries would be complete without them. Monday through Friday, your radio set is your personal telescope. On this star studded display on your CBS radio station. To list them once again. Arthur Godfrey, Art Linkletter, the house party man. Bing Crosby and Rosemary Clooney in tandem. And Gary Moore and Derwood Kirby. Enjoy them often. Well, Matt, thanks for riding up. Glad to, George. That's one man I'd like to catch. Come on, Chester. Yes, sir.

[Kitty]

Bye, Sheriff.

[Matt Dillon]

So on. Chester, you take care of that hat. Oh, sure thing, Sheriff.

[Kitty]

I'll do that.

[Matt Dillon]

All right, let's get going.

[Kitty]

Now, just what incarnation did he mean about my hat?

[Matt Dillon]

Well, it's brand new, isn't it? Yes, sir, but I don't know it's.

[Kitty]

Any of his business.

[Matt Dillon]

You know, Chester, when a man goes around wearing the same hat for 10 years. And then comes out with a new one, that's bound to be noticed.

[Kitty]

Now, that ain't so. I couldn't have had that other in.

[Matt Dillon]

More than seven or eight years. There was lots of wear in that hat yet, too. If it hadn't fell off that hook on top of that stove. You'd be wearing it yet.

[Kitty]

I know.

[Matt Dillon]

Well, at least you got something out of the ride up here. Sure didn't get very close to that.

[Kitty]

Gans fella, did we?

[Matt Dillon]

He headed in another direction.

[Kitty]

You reckon he might turn up round Dodge?

[Matt Dillon]

I don't know, Chester. I sure hope so.

[Kitty]

Too bad about Tall getting killed in that hold up. Shot in the back to Boo.

[Matt Dillon]

Yeah. That G fellow mustn't be worth much.

[Kitty]

To do a thing like that.

[Matt Dillon]

He's worth a lot to me, Chester. A lot.

[Kitty]

Well, I know how you feel, Matthew. I'm just as glad you didn't run into him. You haven't got eyes in the back of your head, you know.

[Matt Dillon]

I wouldn't want to turn my back on Gans Kitty.

[Kitty]

Well, not if you knew it, no, but. Oh, here's Doc Yeah.

[Matt Dillon]

Hello, Kitty.

[Kitty]

Matt.

[Matt Dillon]

Hi, Doc.

[Kitty]

Sit down, Doc. Oh, thank you.

[Matt Dillon]

Thank you. Oh, you have a rough day and night. I've been out there with Nettie Morby. She's been awfully sick.

[Kitty]

Nettie? Sorry to hear about that.

[Matt Dillon]

Trouble is, she's all alone out there. She should stay down, have complete rest. But without somebody to look after her, I just don't know. Where's Luke? Oh, he's off somewhere. He's gone as much as his home, you know. You want me to help you bring her to town, Doc, where somebody can look after her?

[Kitty]

No. No.

[Matt Dillon]

Thank you, Mitch. You can't be moved just yet.

[Kitty]

Doc?

[Matt Dillon]

Yes, Kitty?

[Kitty]

Is there any reason I couldn't take care of it? Why, no.

[Matt Dillon]

There isn't anything difficult about it, Kitty. She just needs somebody to see she gets her meals and stays warm. You thinking of going out there, Kitty?

[Kitty]

Yeah, I am. Nettie and I have always been good friends. I don't want her lying out there alone with no one around to take care of it.

[Matt Dillon]

You should get better a lot faster, Kitty. There's no question about that.

[Kitty]

I'll get my thing.

[Matt Dillon]

You're going right now?

[Kitty]

She'll need some supper. Won't you, Doc?

[Matt Dillon]

Yes, Kitty, she will.

[Kitty]

No sense waiting then.

[Matt Dillon]

I'll ride out with you then, Kitty.

[Kitty]

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[Matt Dillon]

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[Kitty]

Come on now, Nettie. Finish the screw. There now, take just a little bit more. It's ripe, tasty, Kitty. You don't have to pretend to like it, Nettie, but it'll put some strength into you. There. You did a good job on that. Well, I'm sure beholden to you, Kitty, for all you've done. Forget it, Nettie. Us women have to stick together. I'd have been a sorry one without you. The last two, three days. I was weaker than I knew. It was a fine time for Luke to be gone, I'll say that. Well, he didn't know I was going to be took sick, Kitty. He's gone a lot, isn't he, Nettie? Well, it's as though he has to ride off come a certain time. No like he can't stand the land no more. Well, it hasn't been easy for you to stand either. No. No, Kitty, it ain't. But when a woman chooses her man, she chooses his way of life. Ain't nobody saying it's gonna be easy. You're too good for him. I ain't all that good. And Luke ain't all that bad either. Prairie's a hard place, makes hard people. You're not hard, Nettie. You can't tell me that a woman is as hard as she has to be, except when she's took sick. She ain't worth much then. I grant her that's foolish talk. I'll take the dish back and then I'll fix you for the night. Oh, there's no need to fuss. I could. That's Luke. That's Luke. He's coming. You sure it's him all right? A woman gets to know. Yeah, I guess she does. He's gone into the barn. He'll be here in a minute. Kitty. Yeah, Nettie? Would you straighten me up a little bit? I don't want to look no worse than I Am sure, Natty. Sure. I ain't never had no looks, but a woman ought to be presentable. Ah, you look fine. I'll go let him in. He'll be wondering about your horse. Hello, Luke.

[Matt Dillon]

How come you're here?

[Kitty]

Nettie's sick. Come in.

[Matt Dillon]

Nettie ain't never ailing.

[Kitty]

Well, she is now.

[Matt Dillon]

I'll go see.

[Kitty]

Hello, Luke.

[Matt Dillon]

Are you bad, Nettie?

[Kitty]

I'm all right. I had real good nursing.

[Matt Dillon]

She been here long?

[Kitty]

Three days.

[Matt Dillon]

She can go now.

[Kitty]

I'm in no hurry, Luke. I can stay till Nettie's up and around.

[Matt Dillon]

You ain't needed no more, Luke.

[Kitty]

There ain't no call for being unfriendly.

[Matt Dillon]

I thank her for looking after you.

[Kitty]

Now she can go, Nettie. It's all right, Kitty. I'll make out all right. You send for me if you need me.

[Matt Dillon]

She won't be needing you.

[Kitty]

I wish I were as sure about that as you are.

[Matt Dillon]

I swear to goodness, you two are sitting here as though you hadn't moved since I last saw you. Hello, Doc.

[Kitty]

Hi, Doc. Sit down. Oh, you can sit.

[Matt Dillon]

Say, I'm surprised to see you were here, Kitty. She owns the place, Doc. I thought you'd still be at, Nettie Mor.

[Kitty]

So did I, Doc. But her husband came home and said they didn't need me anymore. Luke. Luke.

[Matt Dillon]

I shouldn't think he'd be very handy at caring for anything.

[Kitty]

Well, I offered to stay as long as she needed me, but he seemed awful anxious for me to go. So who happened?

[Matt Dillon]

How was she when you left?

[Kitty]

She's doing better, Doc. She just started to eat a little. She certainly wasn't very strong.

[Matt Dillon]

I wish I could go by and see you tomorrow, but I can't. Why not, Doc? I promised that new young doctor at Hang City that I come up in the system at an operation. He just won't wait.

[Kitty]

I could go back out. You think it'd help?

[Matt Dillon]

No. I hate to have you make that trip again, Kitty. But you might be able to keep her from doing too much and going into a relapse.

[Kitty]

I don't mind, Doc.

[Matt Dillon]

You might be a great help, Kitty.

[Kitty]

All right, Doc. That's settled.

[Matt Dillon]

It's beginning to look like you missed your calling, Kitty. You should have been a nursemaid.

[Kitty]

Oh, you know better than that, Matt.

[Matt Dillon]

I guess you're right. I won't be able to ride out early in the morning, Kitty. I'm expecting a prisoner.

[Kitty]

That's all right. I'll see you when I get back.

[Matt Dillon]

All right, Kitty. And I'll try to Drum up some nursing business for you here in Dodge.

[Kitty]

You do. And you'll need some nursing yourself. It's me again, Nettie. Oh, Kitty, you shouldn't have come back. I just wanted to be sure Luke was taking good care of me. Yes, he's taken care of me just fine. There's no need for you to stay. Well, then I can just pass the time of day. I don't feel much like talking. Nothing's the matter, Natty. What is it? No, no, it ain't nothing, Kitty. It's just I don't feel like visiting. There ain't nothing for you to do around here. You might as well run along before dark. It won't be dark for hours, Nettie, and you know it. Kitty, listen to me.

[Matt Dillon]

You told me there wouldn't be nobody coming by. What are you doing back here?

[Kitty]

Kitty, I came to see how Nettie was getting along.

[Matt Dillon]

I told you we didn't need you.

[Kitty]

Please, Kitty, just go along.

[Matt Dillon]

A little late for that.

[Kitty]

Oh, you don't ask no questions, Kitty. Luke didn't do nothing. Luke, what is all this?

[Matt Dillon]

You're asking the wrong man, lady.

[Kitty]

All right, then, you tell me.

[Matt Dillon]

I'll tell you that. You just stay here and keep quiet until I'm ready to go. That's all you need to know.

[Kitty]

Joe, let her go. She ain't hurting nothing.

[Matt Dillon]

And let her tell everybody I'm here. You used to be smarter than that, Nettie.

[Kitty]

Luke, we got no right to keep Kitty from going back.

[Matt Dillon]

Luke make you shut up. You do like he says, Nettie.

[Kitty]

You ain't never raised a hand to me, Luke Morby.

[Matt Dillon]

He'd do it if I said so. Wouldn't you, Luke? Wouldn't you, Luke?

[Kitty]

Oh, for heaven's sake, stop acting like children.

[Matt Dillon]

You want me to show you that I ain't no child, lady? All right, then. You stay quiet and don't try to get away, and nobody'll get hurt.

[Kitty]

Is it all right if I watch after her?

[Matt Dillon]

Yeah, sure. You watch after her. And maybe you can watch after me. Some on the side.

[Kitty]

Don't hold your breath.

[Matt Dillon]

Crime, delinquency, threats of war. These are the subjects that dominate our news headlines these days. Not very pleasant subjects, are they? You may say that somebody ought to do something about cutting down on crime and delinquency and in promoting peace among nations. But that there's nothing you personally can do about it. That's where you're wrong. You can wage your own fight against crime and delinquency in your own family by taking the Family to the church or synagogue of your faith this week. Worshiping together brings your family closer together too. And supporting your own religious institution provides funds to help those individuals and families who, unlike you, are unable to help themselves, find the strength for your life. Worship together this week. Well, it seems to me that the U.S. marshal ought to be able to do something about it. Yeah. Will you tell me this, Dobie? Do you want me to stop the cattle drives from going through Dodge? Stop the cattle drives? No, no, of course not. You people at Dodge make a little money off of them, don't you? Well, yes, of course we do, but I don't see why we have to put up with cowboys carousing in the streets. You can't have a cattle drive without cowboys. Well, there ought to be something in it.

[Kitty]

Dylan.

[Matt Dillon]

Yeah, Chester, what is it?

[Kitty]

Mr. Dillon? Excuse me, Mr. Dillon.

[Matt Dillon]

No, you just go right ahead, Chester. I'm leaving anyway. I'm getting no place here, Marshall. It's how long, Toby? All right, Chester, what's on your mind?

[Kitty]

It's Miss Kitty.

[Matt Dillon]

What about Kitty?

[Kitty]

Well, I've just come from the Long Branch, Ms. Dillna, and they're kind of worried about her.

[Matt Dillon]

What's the matter with her?

[Kitty]

Well, that's just it. They don't know. She didn't come back last night.

[Matt Dillon]

She probably decided to stay the night with Nettie Morby.

[Kitty]

Yeah, but they say she said she wasn't going to.

[Matt Dillon]

She was supposed to see a whiskey drummer this morning. A fellow who was just gonna be.

[Kitty]

In Dodges one day. They think it's a funny thing that she didn't show up.

[Matt Dillon]

She probably just changed her mind, Chester. Women do that, you know, huh? Yes sir, but you might as well get the horses. We'll take a look out toward the Morby place anyway, huh?

[Kitty]

Yes, sir, Mr. Don. Well, I'm glad you decided to come, Mr. Joan.

[Matt Dillon]

Yeah, there's just an awful lot of.

[Kitty]

Things that can happen to a woman off alone.

[Matt Dillon]

Kitty can take pretty good care of herself, Chester.

[Kitty]

Oh, yeah, sure she can. But what if her horse run away with her? Uh huh. And what if it throwed her?

[Matt Dillon]

Well, there's not much chance of that.

[Kitty]

No, Mr. Dillon. Anybody can get through. Well, I'm on that Wilkins boy, and.

[Matt Dillon]

He was a real good. All right, Chester, all right. She's been throwed. We'll find out. The Moreby place ain't too far from.

[Kitty]

Here, is it, Mr. Jones?

[Matt Dillon]

It's around the bend. It's back on the roadways.

[Kitty]

You know, I wasn't worried too much.

[Matt Dillon]

When we started.

[Kitty]

But the longer we roved, the more worrying I did.

[Matt Dillon]

You've talked yourself into it.

[Kitty]

Now.

[Matt Dillon]

I talk about something else, huh?

[Kitty]

Well, I ain't thinking about anything.

[Matt Dillon]

Then just don't talk. Hey, Luke, Come here. What is it, Joe? Look there out the window, turning in from the road. Why, it's a marshal. How do you. Now let go, Joe. I didn't tell him. I ain't even seen nobody. Now, you know that. Then what is she coming here for? Why, it's her two.

[Kitty]

It's that Kitty.

[Matt Dillon]

The Marshall's always hanging around with her. He'd come after. He come after Kitty? Sure. Well, he dead.

[Kitty]

Nice.

[Matt Dillon]

Kitty, come here.

[Kitty]

What do you want?

[Matt Dillon]

Look out the window.

[Kitty]

About time he came after you.

[Matt Dillon]

Luke tells me you're real good friends.

[Kitty]

Good friends?

[Matt Dillon]

Well, you can just save your friend's life if you behave yourself.

[Kitty]

What do you mean?

[Matt Dillon]

You go out there on the porch and you do just what I say.

[Kitty]

It's a trick.

[Matt Dillon]

Better than standing here watching me shoot him, ain't it? All right, then, go on. Go out on the porch. Keep your mouth shut. I don't see this. Get his horse tied up. No worse now the track's laid up here. It may be in the barn. Yes, I guess could be.

[Kitty]

Look you on to Ms. Dylan.

[Matt Dillon]

What?

[Kitty]

That's Ms. Kitty coming out on the porch. Well, I guess she ain't hurt none.

[Matt Dillon]

I guess not. You staying out here for good, Kitty?

[Kitty]

Don't come any closer, Map.

[Matt Dillon]

Why not? Cuz I stay. Not long, man. Who are you? My name's Joe Gant, Marshall. And I ain't aiming to let you do nothing about it. Yes. Tell me you're good friends with this little lady. Feel good friends. What about it? Well, I figure you wouldn't want to see her get hurt. So I figure you'll play along. Gonna come out and get your gun.

[Kitty]

I'm not Mr. Gun.

[Matt Dillon]

He shot right next to her foot. Shoot much closer to her than that, Marshall. Do what he says, Kitty.

[Kitty]

All right.

[Matt Dillon]

That'S far enough. Now, you two. Throw down your gun, both of you. Ms. Dylan got a real good feed on her back. Throw on your gun, Tester. All right, little lady, pick him up and bring them back to me. Do what he says, Kitty.

[Kitty]

That's who. Everything's right like it is, Eddie. Drop your gun, Mr. Dillon. Yeah, I'll walk to you. Ms. Morby's holding a shotgun on him. You take this man away from here. Marshall. You just take him away from here.

[Matt Dillon]

I'll do that, Ms. Morby. I didn't know you were so handy with a gun.

[Kitty]

I ain't never picked up one before, Marshal Dillon, but I don't hold with bloodshed. But it seemed this was the only way to stop it.

[Matt Dillon]

It was a good way this morning.

[Kitty]

I don't know what'll happen to Luke or me, but I couldn't have no bloodshed. Marshal Dylan, just don't hold with it.

[Matt Dillon]

Don't Worry about it, Ms. Marley. You probably saved you and Luke a lot of trouble. We could borrow a couple of horses, ma'. Am. We'll be heading back to Dodge.

[Kitty]

Of course.

[Matt Dillon]

Marshall, you feel like riding Kitty?

[Kitty]

Sure.

[Matt Dillon]

Take charge of Gans, will you, sister?

[Kitty]

Yes, sir. All right, Gans. A long way back to Dodge.

[Matt Dillon]

Let's go. Hi, this is Dennis James with a longtime favorite. Yes, the longtime favorites are usually the best, aren't they? And one favorite folks have relied on over the years is Kellogg's all brand. Since 1919, America's favorite natural laxative cereal, Kellogg's All Brand is the safe, gentle way to overcome irregularity caused by lack of bulk in your diet. It tastes good, too, and it. It never gets mushy in milk. There's only one All Brand. Kellogg's All Brand. So relieve constipation the way millions do with Kellogg's All Brand. A double L hyphen. B, R, A, M. Yes. You're so right to stay regular with Kellogg's All Brand. Try it. Okay. Gunsmoke, produced and directed in Hollywood by Norman MacDonald, stars William Conrad as Matt Dillon, U.S. marshal. The story was specially written for Gunsmoke by Marion Clark with editorial supervision by John Mester. Featured in the cast were Virginia, Christine, Barney Phillips, John Dana, and Vic Perrin. Harley Bear is Chester, Howard McNear is Doc, and Georgia Ellis is Kitty. This is George Walsh inviting you to join us again next week when CBS Radio presents another story on gun smoke. CBS News goes double for you every day on the CBS Radio Network.

[Kitty]

Foreign.

[Andrew Rines]

This has been a presentation of otrwesterns.com and we hope you enjoyed. Please take some time to like and rate this episode within your favorite podcast application. Follow us on Facebook by going to otrwesterns.com Facebook and subscribe to our YouTube channel by going to otrwesterns.Com.

[Matt Dillon]

Become one.

[Andrew Rines]

Of our ranch hands and unlock some exclusive content. We want to thank our most recent ranch hands, Steve and Ron W. Who joined us recently. You too can join by going to otrwesterns.com donate send us an email podcasttrwesterns.com and you can call and leave us a voicemail. 707-986-8739 this episode is copyrighted under the Attribution Non Commercial Share Alike Copyright. For more information go to otrwesterns.com copyright have a great day and thanks for listening.

[Kitty]

Sam.