Newsma’am | Gunsmoke (10-23-60)

Summary

Podcast Summary: "Newsma’am | Gunsmoke (10-23-60)"

Podcast Information:

• Title: Gunsmoke | OTRWesterns.com
• Host/Author: Andrew Rhynes
• Description: "Gunsmoke" is a quintessential Western drama set in Dodge City, Kansas, chronicling the challenges and adventures during the American West's settlement. The radio series, which aired from April 26, 1952, to June 18, 1961, features United States Marshal Matt Dillon as the central character.
• Episode: Newsma’am
• Release Date: August 9, 2025

---

Introduction

In the "Newsma’am" episode of "Gunsmoke," listeners are introduced to a dynamic interplay between Matt Dillon, the steadfast U.S. Marshal, and Phoebe Appleby, a determined female journalist with a mission to document the realities of the Wild West. This episode delves into themes of gender roles, ambition, and the relentless pursuit of truth amidst the rugged backdrop of Dodge City.

---

Story Overview

Arrival of Phoebe Appleby: Phoebe Appleby arrives in Dodge City with the intent to observe and report on the local cattle drives. Her presence disrupts the traditional dynamics of the town, challenging Matt Dillon's established routines and perceptions.

Initial Conflict: Matt Dillon, upholding the law, initially confronts Phoebe for her unauthorized observation of a cattle drive. Their first encounter is marked by tension, as Phoebe's insistence on her journalistic duties clashes with Matt's protective nature over the town's operations.

Developing Relationship: As the episode progresses, Phoebe remains undeterred, expressing her commitment to unveiling the untold stories of the West. Matt, while skeptical at first, begins to see Phoebe's determination and the value of her perspective. Their interactions oscillate between conflict and mutual respect, highlighting the evolving dynamics between them.

Climactic Resolution: Tensions peak when Phoebe intervenes in a potentially volatile situation at the local saloon, demonstrating her capability and courage. Matt recognizes her genuine intent and the importance of her work, leading to a tentative understanding. The episode culminates with Phoebe deciding to leave Dodge City, acknowledging that while their paths may diverge, the impact of their encounter remains significant.

---

Character Interactions

Matt Dillon (William Conrad): As the U.S. Marshal, Matt embodies the law and order of Dodge City. His initial skepticism towards Phoebe transforms as he witnesses her unwavering dedication. Matt's protective instincts are evident when he confronts Phoebe, but his character demonstrates growth as he becomes more accommodating and understanding.

• Notable Quote:
  [07:09] Phoebe Appleby: "I have already told you. I was observing a cattle drive."
  [07:17] Matt Dillon: "Well, I don't know how it is where you come from, Ms. Appleby, but out here, a cattle drive isn't figured to be a place for a woman."

Phoebe Appleby (Georgia Ellis): Phoebe represents the modern woman, challenging societal norms by venturing into the male-dominated world of cattle driving. Her determination to document the true essence of the West showcases her resilience and passion for journalism.

• Notable Quote:
  [16:56] Phoebe Appleby: "She was so anxious to get the story of the cattle drive."

Kitty Russell (Gene Bates): Kitty serves as Matt Dillon's confidante and offers a grounded perspective on the unfolding events. Her interactions provide comic relief and highlight the everyday challenges in Dodge City.

• Notable Quote:
  [09:15] Phoebe Appleby: "Well, you better get her some clothes."

---

Key Themes and Insights

1. Gender Roles and Empowerment: Phoebe's role as a journalist in a predominantly male environment challenges traditional gender expectations. Her ability to assert herself and pursue her career ambitions serves as a commentary on women's evolving roles during the era.

   • Notable Quote:
     [16:01] Phoebe Appleby: "But I do think a woman should have a chance at a career. Don't you, Marshal?"

2. Pursuit of Truth: The episode underscores the importance of truth and documentation, with Phoebe's determination to capture an authentic portrayal of the West juxtaposed against Matt's duty to maintain order.

3. Conflict and Understanding: The evolving relationship between Matt and Phoebe highlights how initial misunderstandings and conflicts can lead to deeper mutual respect and understanding.

4. Law and Protection: Matt's actions, while initially perceived as protective, reveal the complexities of law enforcement in a lawless territory. His ultimate decision to support Phoebe reflects his adaptability and fairness.

---

Notable Quotes with Timestamps

• Phoebe Appleby:
  [07:09] "I have already told you. I was observing a cattle drive."

• Matt Dillon:
  [07:17] "Well, I don't know how it is where you come from, Ms. Appleby, but out here, a cattle drive isn't figured to be a place for a woman."

• Phoebe Appleby:
  [16:01] "But I do think a woman should have a chance at a career. Don't you, Marshal?"

• Matt Dillon:
  [16:13] "How about me?"

• Phoebe Appleby:
  [17:25] "Well, then I'll ride out with you."

• Matt Dillon:
  [17:41] "Come to think of it, you might even hinder whoever I was after."

• Phoebe Appleby:
  [27:37] "Well, the marshal's office can stop worrying about me soon as this train pulls out."

• Matt Dillon:
  [27:50] "There'll be other things."

---

Conclusion

"Newsma’am" offers a compelling narrative that blends action, character development, and thematic depth. The introduction of Phoebe Appleby as a strong, independent journalist provides a fresh perspective within the traditional Western format. Through their interactions, the episode explores the balance between duty and personal ambition, ultimately celebrating the strength and resilience of individuals who dare to defy societal expectations. Matt Dillon's evolving relationship with Phoebe underscores the timeless message that understanding and collaboration can bridge even the most unlikely divides.

---

Additional Information

• Production Credits:
  Produced and directed in Hollywood by Norman McDonald. Written by Marion Clark with editorial supervision by John Neston.
  Cast:

  • William Conrad as Matt Dillon
  • Gene Bates
  • Barney Phillips
  • Harry Bartel
  • Vic Herron
  • Marley Bear as Chester
  • Howard McNear as Doc
  • Georgia Ellis as Phoebe Appleby

• Host Closing Remarks:
  George Walsh invites listeners to return for more adventures in the next episode of "Gunsmoke."

---

This summary encapsulates the essence of the "Newsma’am" episode, highlighting the key plot points, character dynamics, and thematic elements that make "Gunsmoke" a beloved classic in the Western genre.

Transcript

[Matt Dillon]

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[Phoebe Appleby]

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[Andrew Rines]

Welcome to the Old Time Radio Westerns. I'm your host Andrew Rines and I'm excited to bring you another episode absolutely free. This is one of over 80 episodes released monthly for your enjoyment. Now let's get into this episode.

[Matt Dillon]

Around Dodge City and in the territory on west, there's just one way to handle the killers and the spoilers, and that's with a U.S. marshal and the smell of gun smoke. Gun Smoke Starring William Conrad. The story of the violence that moved west with young America and the story of a man who moved with it. I'm that man. Matt Dillon, United States Marshal, the first man they look for and the last they want to meet. It's a chancy job and it makes a man watchful and a little lonely.

[Phoebe Appleby]

Janet, I'm worried about the church supper, Mother. I promised I'd make the chicken pies, but the way I felt lately with headache and muscular aches and pains, I don't feel up to it. I don't wonder with that discomfort. Better do something about it. But what? Try Doan's Pills.

[Matt Dillon]

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[Phoebe Appleby]

Not this time, Matt.

[Matt Dillon]

Thank you. I got a call tonight. All right. But I might give you another lesson in checkers after supper. You're sure welcome to try. All right, then.

[Phoebe Appleby]

I'll see you later.

[Matt Dillon]

So on the US Marshal ought to be where folks can find it. Hello there, Finn. It seems to me even a US Marshal has a right to some breakfast. Sure took your time at it. Hell, I'm here now. Who's this fellow with you? That's what I come about. Listen here, Marshall. Can a man run his own cattle driver? Can't he? It seems to me you've always run yours, Finn. What's the trouble? A man don't have to have nobody riding with him less than he wants. Does he, Marshal? Of course he doesn't. You know that. Well, then lock her up. Lock who up? This is lying contrary mule headed woman. Woman, come here. Turn around so's Marshall can see you what you are.

[Phoebe Appleby]

Take your hands off me.

[Matt Dillon]

See, Marshall, See? Now just a minute.

[Phoebe Appleby]

You have no right to keep me here, either of you.

[Matt Dillon]

Your smart talk won't do you no good around here. You've been breaking the law like I've been saying, right?

[Phoebe Appleby]

There is no law that.

[Matt Dillon]

Both of you quiet down. All right now, Finn, what's this all about? She wouldn't get Marshall, that's all there is to it. She hung on like a stray cat. You mean she rode up all the way from Texas? No, she joined up when we come to the Cimarron. She was pesky as a tick at Deep Hole Crossing. You got an idea what a woman can do to a cattle driver?

[Phoebe Appleby]

I merely want to observe.

[Matt Dillon]

Well, I ain't carrying you along to Abilene. You lock her up, Marshall. Now, wait a minute, Finn. Wait a minute. I'm not sure there's any reason to lock her up. She's an unwomanly woman, that's what she is. Unwoman. All right, hold on there. Here now, Marshall. Slashing at a man with a quirt? That's disturbing the peace. You gotta lock her up.

[Phoebe Appleby]

You can't talk to me like that.

[Matt Dillon]

Hold on. All right, Finn, you go along. I'll take care of this. Better put the irons on her too. Just let me worry about it. I'm just warning. I said go on.

[Phoebe Appleby]

Fine specimen of a man.

[Matt Dillon]

Never mind about that. What's your name?

[Phoebe Appleby]

I don't have to submit to interrogation.

[Matt Dillon]

I said, what's your name?

[Phoebe Appleby]

Phoebe Appleby.

[Matt Dillon]

All right, Ms. Appleby. I suppose you told me what you were doing hanging on to Finn's cattle train.

[Phoebe Appleby]

I have already told you. I was observing a cattle drive. Exactly. There was no reason for him to object.

[Matt Dillon]

Well, I don't know how it is where you come from, Ms. Appleby, but out here, a cattle drive isn't figured to be a place for a woman. Trail boss is not gonna welcome you.

[Phoebe Appleby]

He had no right to speak as he did.

[Matt Dillon]

You wouldn't leave when he asked you to, would you?

[Phoebe Appleby]

No, I wouldn't leave. A journalist has to become accustomed to not being welcome.

[Matt Dillon]

A journalist?

[Phoebe Appleby]

That's right, Marshall. I'm here to write a true picture of the West. And I must say I'm not impressed.

[Matt Dillon]

A woman dressed in man's clothes isn't given a true picture herself.

[Phoebe Appleby]

I don't need any lectures from you.

[Matt Dillon]

You're not gonna get any. All right, come on back here.

[Phoebe Appleby]

Where? What for?

[Matt Dillon]

I'm gonna lock you up until I can figure out what to do with you.

[Phoebe Appleby]

I've committed no crime.

[Matt Dillon]

I don't want anybody else to commit one either.

[Phoebe Appleby]

My paper will hear about this.

[Matt Dillon]

Yeah, I may write him a letter myself. Now, come on.

[Phoebe Appleby]

You better have another beer, Mat, to calm your nerves.

[Matt Dillon]

It is not that funny, Kitty.

[Phoebe Appleby]

You'll have to admit this one woman. As you're more upset than the last few gunmen you've had to contend with.

[Matt Dillon]

I know what to do with a.

[Phoebe Appleby]

Gunman and not with a woman. Is that it?

[Matt Dillon]

Ms. Russell, when you're through enjoying the big joke, maybe I can ask you to help me, huh?

[Phoebe Appleby]

Oh, sure, Matt. You know I'll help. What do you want me to do?

[Matt Dillon]

Well, she's. She's got to have a place to stay.

[Phoebe Appleby]

You're gonna Let her go then.

[Matt Dillon]

I locked her up more for her own protection than anything else. No telling what had happened to her if she walked up Front Street.

[Phoebe Appleby]

I thought you said she wasn't very well. That she wouldn't exactly turn men's heads.

[Matt Dillon]

Oh, she's no looker, Kitty. It's the man's get up she's wearing. She's a sight. The rowdies aren't going to make it easy for her, that's all.

[Phoebe Appleby]

Well, you better get her some clothes.

[Matt Dillon]

Yeah, yeah, that'll help some.

[Phoebe Appleby]

And I think Ma Smolly let her stay in the back room until the woman. What's her name?

[Matt Dillon]

Oh, Appleby. Phoebe Appleby.

[Phoebe Appleby]

Until Phoebe makes up her mind what she wants to do. Yeah.

[Matt Dillon]

Kitty, you got some clothes she could wear? Maybe.

[Phoebe Appleby]

Well, I don't know, Matt. What size is she?

[Matt Dillon]

Well, she's about. Well, you know, about that high, I guess. And, well, she's not very big around.

[Phoebe Appleby]

Well, thanks, but I think I'd better see for myself.

[Matt Dillon]

Yeah, I guess maybe you better.

[Phoebe Appleby]

Hello.

[Matt Dillon]

My name Wang li.

[Phoebe Appleby]

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[Matt Dillon]

Back here. Kidding. Ms. Appleby, this is Kitty Russell. She's come to help you.

[Phoebe Appleby]

Hello, Phoebe. I don't need any help from you. Well, somebody ought to help you get some clothes. My clothes are waiting for me in Abilene. Not going to do you much good in Dodge. If you would stand up, let me look at you, maybe I could find something to fit you. I suppose even Dodge City has a shop that sells dresses. There's a general store. It sells dresses. It sells dresses? I suppose it'll have to do. We managed to get along. Here. What's this? I should think you could See It's a purse. Ms. Russell, you may purchase me a dress. Something in a pale yellow. I should think of good material. Something better than calico. Oh, of course. We couldn't expect you to wear calico. And perhaps you can get me some suitable under things. I'll try all right if I go now, Matt?

[Matt Dillon]

Yeah, sure, Kitty. You might find out about Ma Smalley's room, too.

[Phoebe Appleby]

What's that?

[Matt Dillon]

Well, we're looking up a room for you to stay in, Ms. Appleby.

[Phoebe Appleby]

Would that be in a boarding house?

[Matt Dillon]

Yeah.

[Phoebe Appleby]

Ms. Russell, on your way back with my dress, would you please engage a room at the hotel, Matt?

[Matt Dillon]

I guess you might as well, Kitty. It'll save Ma Smolly some trouble.

[Phoebe Appleby]

Sure, Ms. Russell. Yeah, Phoebe? Please get a room that's suitable for me, will you? That won't be easy, but I'll try.

[Matt Dillon]

I'm glad to see your appetite has returned, Matt. Well, more. I didn't know you'd been feeling poorly, Mr. Jones. I'm all right, Chester. He was off his feet at noon just then. He was? I'd say it was woman trouble, wouldn't you, Kitty?

[Phoebe Appleby]

She'd take my appetite away.

[Matt Dillon]

Well, now, of course I ain't sorry, but it sounds like you're being mighty hard on a poor, misguided female lady.

[Phoebe Appleby]

You all right, Miss Kitty?

[Matt Dillon]

It's merely a case of smothered imprecation.

[Phoebe Appleby]

Chest.

[Matt Dillon]

What's that?

[Phoebe Appleby]

Dog.

[Matt Dillon]

Is that something serious? Never mind, Chester. Just finish your dinner and let's get out of here. But Doc says she's got Marshall. Yeah, Pete. I got this note for you from her. Oh? From who? That lady. That table over there. Oh, thanks. Well, go ahead. Go ahead and read it. Oh, yeah. She wants to talk to me. She does? Who is it? Strange woman in town.

[Phoebe Appleby]

You've been talking about her all through dinner. That woman over there in the yellow dress. Yeah, that's Phoebe Appleville.

[Matt Dillon]

But she doesn't look the way Matt described her. She's not bad looking at all. As a matter of fact, she's a very handsome woman.

[Phoebe Appleby]

Well, Matt, she's waiting.

[Matt Dillon]

Yeah. You wanted to see me?

[Phoebe Appleby]

Yes, I did. Sit down.

[Matt Dillon]

Thank you. What did you want to see me about?

[Phoebe Appleby]

I guess I owe you an apology for my appearance earlier today.

[Matt Dillon]

No, there's no need for that.

[Phoebe Appleby]

Yes, I think there is. A woman should always look her best, don't you agree?

[Matt Dillon]

I guess that's up to the woman.

[Phoebe Appleby]

That's very clever of you. I had a reason, of course. I was so anxious to get the story of the cattle drive.

[Matt Dillon]

Very few women look their best under those circumstances, Ms. Appleby.

[Phoebe Appleby]

No, no, of course not. But I do think a woman should have a chance at a career. Don't you, Marshall?

[Matt Dillon]

I guess that depends on the woman, too.

[Phoebe Appleby]

How about me?

[Matt Dillon]

Well, Ms. Appleby.

[Phoebe Appleby]

Call me Phoebe.

[Matt Dillon]

Phoebe is this doesn't seem like you would need a career.

[Phoebe Appleby]

What do you mean?

[Matt Dillon]

It's just that rather handsome woman.

[Phoebe Appleby]

Your ideas have changed since this morning, haven't they?

[Matt Dillon]

Well, so have you.

[Phoebe Appleby]

Not really. I still want to observe. Send back a true story of the way things are in the West. The wild, wild West.

[Matt Dillon]

We aren't that wild. We aren't that interesting either.

[Phoebe Appleby]

Then I'll have to observe that too.

[Matt Dillon]

Listen, Phoebe, there are a lot better things for a woman to observe.

[Phoebe Appleby]

Are you afraid some big man with a gun will walk me into your office again and ask you to lock me up?

[Matt Dillon]

Maybe.

[Phoebe Appleby]

Well, it's not going to happen this time. This time I'll be right where you can watch me.

[Matt Dillon]

I'm glad to hear that.

[Phoebe Appleby]

I'm going to stay here and dodge acting like a lady until the next time you go out to round up a prisoner.

[Matt Dillon]

No. Then what?

[Phoebe Appleby]

Well, then I'll ride out with you.

[Matt Dillon]

Hold on.

[Phoebe Appleby]

I should have thought of it before riding out on a manhunt. That'll be a story that sends back to Philadelphia.

[Matt Dillon]

I'm afraid that's a story that you're going to have to make up.

[Phoebe Appleby]

Give me a chance. I can ride. I can even shoot. I wouldn't hinder you.

[Matt Dillon]

Come to think of it, you might even hinder whoever I was after.

[Phoebe Appleby]

Don't laugh at me, Marshall. I'm serious.

[Matt Dillon]

I'm serious too, Phoebe. I couldn't take you out on government business.

[Phoebe Appleby]

You're afraid. You're afraid to let me go with you.

[Matt Dillon]

As a matter of fact, you may be right about that. Hi, this is Dennis James with a long time favorite. Yes, the longtime favorites are usually the best, aren't they? And one favorite folks have relied on over the years is Kellogg's all brand. Since 1919, America's favorite natural laxative cereal. Kellogg's All Brand is the safe, gentle way to overcome irregularity caused by lack of bulk in your diet. It tastes good too. And it. It never gets mushy in milk. There's only one All Brand. Kellogg's All Brand. So relieve constipation the way millions do with Kellogg's All Brand. A double L hyphen. B, R, A, N. Yes, you're so right to stay regular with Kellogg's All Brand. Try it. Okay. Okay.

[Phoebe Appleby]

Hello, Doc. Sit down.

[Matt Dillon]

Thank you. Thank you, Kitty.

[Phoebe Appleby]

Have a drink. Oh, thank you, Kitty. Now I've got too much to do yet, huh?

[Matt Dillon]

I actually came in to look for Matt.

[Phoebe Appleby]

He isn't here.

[Matt Dillon]

Oh, well, here. Know where I might find him?

[Phoebe Appleby]

No, Doc. I don't. I haven't seen much of him lately.

[Matt Dillon]

Oh, I see.

[Phoebe Appleby]

What do you mean, oh, I see? Oh, nothing. Nothing, kiddie.

[Matt Dillon]

No, it's just that you don't seem very happy with Matt just now.

[Phoebe Appleby]

I'm not happy or unhappy. Just that I hate to see him making a fool of himself.

[Matt Dillon]

Oh, do you think that's the way the wind blows, huh?

[Phoebe Appleby]

That woman's after something from that doc. My guess is she's gonna get it.

[Matt Dillon]

Well, now, I don't know about that, Gideon. I must say, though, that she has turned out to be a real looker, hasn't she?

[Phoebe Appleby]

Your new dress never hurt any woman, Doc. Especially when she's been wearing trousers.

[Matt Dillon]

Oh, yes, but you get she. Oh, great heavens.

[Phoebe Appleby]

What's the matter?

[Matt Dillon]

What in tarnish is that woman doing in here?

[Phoebe Appleby]

Looks to me like she's going right up to the bar. Excuse me, Doc. Thanks, bright bartender. Leave the bottle. Hello, phoebe. Oh, why, Ms. Russell. That's right. Of course. This is where you work, isn't it? I'm an owner of this saloon. But it isn't a very good place for unescorted women. Phoebe, if this whiskey is in any indication, it isn't a very good place for anybody. I'd really suggest, Ms. Russell, that you improve its quality. A whiskey should be the least of your worries. I'm not really worried, Ms. Russell. Well, you should be. Women just don't come into the Long Branch, baby. Be smart of you to leave. I have a right to observe, Ms. Russell. The American people have a right to know what goes on in these Western places. I can tell you that in this saloon they drink. Are you afraid of what I might say in my article? No, I'm not afraid. Go ahead, observe. I'll be here in case you need help. I'm sure I won't call for help, Ms. Russell.

[Matt Dillon]

Let's go. That little lady.

[Phoebe Appleby]

Who are you?

[Matt Dillon]

Just call me Penn, ma'. Am. I sure do like a woman who knows her own mind.

[Phoebe Appleby]

Well, that's a refreshing attitude, I must say.

[Matt Dillon]

That's a what? Hey, Russ, come up this way. I got me a fancy talking woman for sure. You better watch out, Pen. Them kind is dangerous. Ah, not when they're so purty. Let me buy you a drink, lady.

[Phoebe Appleby]

No, thank you. I have one.

[Matt Dillon]

Oh, come on. I got me plenty of money. They got me enough money to buy everybody a drink.

[Phoebe Appleby]

No, I'm sure you have.

[Matt Dillon]

Sure I have. Just listen. Come on, everybody. I'm fine. Look, don't do it. That's right. That's right. Step right up. Step right up. See, lady, I got the money. You and me could be good friends. Take it easy, Penn. Just cause we got it in a hurry don't mean you gotta spend it in a hurry.

[Phoebe Appleby]

Oh, did do you mean strike it rich?

[Matt Dillon]

Yes, ma', am. You could say we'd done that. Then why don't we now?

[Phoebe Appleby]

How did you make your strike?

[Matt Dillon]

Made it? Gambling.

[Phoebe Appleby]

I didn't quite understand.

[Matt Dillon]

Never mind, ma'. Am. Nothing to trouble pretty gals mind with, don't you think? On a little, lady.

[Phoebe Appleby]

On the contrary, I'd like to know about it. I think you can buy me that drink after all.

[Matt Dillon]

Ms. Dillon. You better come quick, huh? Come where, Justin? The long bench. Miss Kitty sent me. All right, come on.

[Phoebe Appleby]

Hurry up.

[Matt Dillon]

Trouble? Well, there ain't no trouble yet. It's just what might happen with that Miss Appleby lady. Phoebe? Yeah, she down there. She walked in just bold as brass, Ms. Kitty says, and stepped right up to the bar. She don't act like she's got good sense. She's trying to prove she's got too much sense, Chester. That's the trouble. Well, Miss Kitty says a couple half drunk strangers up there at the bar crooping and carrying on something terrible. And she's afraid there might be a Rufus. Yeah.

[Phoebe Appleby]

Mr. Dillon, tell me, what makes a.

[Matt Dillon]

Lady get such a crazy idea as to go into a place like the Long Bend camp? I don't know, Chester. Let's just hope we can give her the idea to get out.

[Phoebe Appleby]

Believe me, Mr. Penn, I do want to know all about it. It'll make a first rate story. Now this mine. Where did you say it was?

[Matt Dillon]

Why, it was north, always.

[Phoebe Appleby]

You don't seem to agree.

[Matt Dillon]

Well, that's because he ain't never knowed when to keep his mouth shut. Now you listen here, Rudd. I got as much right to talk as you got. You talk enough and you wind us up in jail.

[Phoebe Appleby]

You mean this might be a case for the law?

[Matt Dillon]

Now you see there, Pin? Well, it ain't nothing, lady. Nothing at all.

[Phoebe Appleby]

I have an idea that you didn't get the money from a mine at all.

[Matt Dillon]

Come on, Pim. Come on where? We're gonna get out of here before you talk anymore.

[Phoebe Appleby]

I said move a gun.

[Matt Dillon]

That's right, lady. Now you get out of the way. She ain't gonna get out of the way. He's gonna stay right here in front of me. Now you ain't gonna shoot a lady, Rudd, are you?

[Phoebe Appleby]

Let me go.

[Matt Dillon]

Not right now, lady. Not till he Gets gone, I'll shoot the both of you if I have to. All right, drop the gun. Not hardly. Let the lady go. I didn't hurt her none. Get his gun, Chester. Mister. All right, you, get up. Come on. My hand. You near shot my hand off. You're lucky. Take him along, Chester. Lock him up. It was her, Marshall. It was her making pen talk. There'd never have been no trouble. You'd never have known I might have. A wanted poster came in this morning. All right, go on, Chester, get Doc a look at that hand. All right, come on.

[Phoebe Appleby]

You.

[Matt Dillon]

All right, Phoebe? Looks like you got a story after all, Phoebe.

[Phoebe Appleby]

You're gonna have to wait for your answer.

[Matt Dillon]

Matt.

[Phoebe Appleby]

The lady journalist has just fainted. You act a little anxious, Marshall. Great. I'll miss the train.

[Matt Dillon]

I'll be glad to see you safely out of here. We'll say that.

[Phoebe Appleby]

I hate to ever admit a man is right, but you were about one thing, Marshall.

[Matt Dillon]

Oh, what's that?

[Phoebe Appleby]

There are better places for me to pursue my career than a Dodge City saloon.

[Matt Dillon]

Yeah?

[Phoebe Appleby]

Well, the marshal's office can stop worrying about me soon as this train pulls out.

[Matt Dillon]

There'll be other things.

[Phoebe Appleby]

Yes, I'm sure there will be. And I wouldn't be surprised if once in a while you wished you had me to worry about instead. Isn't that right, Matt?

[Matt Dillon]

Yeah. Yeah, I wouldn't be surprised. Well, come on. Help me get on the train.

[Phoebe Appleby]

Bye, Ma.

[Matt Dillon]

Goodbye.

[Phoebe Appleby]

Be sociable, look smart Keep up to date with Pepsi. Drink light, refreshing Pepsi. Stay young and fair and debonair. Be sociable, have a Pepsi.

[Matt Dillon]

When you're out for fun there's nothing like carton along an extra carton or two of light, refreshing Pepsi Cola. You can enjoy all you want of Pepsi's lively taste and sparkle. Because Pepsi refreshes without filling. So travel light with light, refreshing Pepsi wherever you go. And whatever you do, Buy an extra carton.

[Phoebe Appleby]

Be sociable, look smart, Keep up up to date with Pepsi. Drink like refreshing Pepsi. Stay on and fair and debonair. Be sociable, have a Pepsi.

[Matt Dillon]

Gun smoke Produced and directed in Hollywood by Norman McDonald. Stars William Conrad as Matt Dillon, U.S. marshal. The story was specially written for Gunsmoke by Marion Clark with editorial supervision by John Neston. Featured in the cast were Gene Bates, Barney Phillips, Harry Bartel and Vic Herron. Marley Bear is Chester, Howard McNear is Doc and Georgia Ellis is kidding. This is George Walsh inviting you to join us again next week when CBS Radio presents another story on Gunsmoke.

[Phoebe Appleby]

Twinkle, Twinkle, Little Star.

[Matt Dillon]

CBS radios where you are Stars shine.

[Phoebe Appleby]

Every morning they shine right through the.

[Matt Dillon]

Day on CBS Radio we never put the stars away Heart Leap Ladder Moore and Godfrey sing and Froonie songs on CBS CBS Radio Star shine all day.

[Phoebe Appleby]

Long Twinkle twinkle little star CBS Radio.

[Matt Dillon]

Where you are and where you are right now is wbt, your CBS station in Charlotte. Presenting next the CBS News at 7:05 Keep tuned for another hard hitting adventure with yours Trick Dollar tonight.

[Andrew Rines]

This has been a presentation of OTRWesterns.com and we hope you enjoyed. Please take some time to like and rate this episode within your favorite podcast application. Follow us on Facebook by going to otrwesterns.com Facebook and subscribe to our YouTube channel by going to otrwesterns.Com YouTube become one of our ranch hands and unlock some exclusive content. We want to thank our most recent ranch hands, Steve and Ron W. Who joined us recently. You too can join by going to otrwesterns.com donate send us an email podcasttrwesterns.com and you can call and leave us a voicemail 707-986-8739. This episode is copyrighted under the Attribution Non Commercial Share Alike Copyright. For more information go to otrwesterns.com copyright have a great day and thanks for listening.

[Phoebe Appleby]

Sam.