Sarah’s Search | Gunsmoke (02-22-59)

Summary

Gunsmoke - OTRWesterns.com: "Sarah’s Search" (02-22-59)

Host: Andrew Rhynes
Release Date: October 6, 2024
Original Air Date: February 22, 1959

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Introduction

In the "Sarah’s Search" episode of "Gunsmoke," listeners are immersed in a gripping Western narrative set against the rugged backdrop of Dodge City, Kansas. This episode delves into themes of love, loss, and the relentless pursuit of truth as Sarah Howell arrives in town seeking her missing fiancé, Guy Porter. The story intertwines the resolute law enforcement of U.S. Marshal Matt Dillon with the mysterious circumstances surrounding Sarah’s plight.

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Main Characters

• Matt Dillon (William Conrad): The steadfast U.S. Marshal of Dodge City, committed to maintaining law and order.
• Chester (Harley Bear): Matt Dillon's loyal deputy, providing both assistance and comic relief.
• Doc (Howard McNear): The town's physician with a mysterious past and a knack for trouble.
• Kitty (Georgia Ellis): The warm-hearted owner of Moss Molly's boarding house.
• Sarah Howell (Anne Morrison): A distressed woman searching for her fiancé, Guy Porter.
• Guy Porter (Vic Peron): Sarah's fiancé, whose fate becomes the central mystery of the episode.
• Rance Matson (Gordon Clark): A young farmer with connections to Sarah Howell's search.

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Plot Summary

Arrival in Dodge City

At [04:02], Sarah Howell arrives in Dodge City with a broken-down buggy, seeking assistance from Marshal Matt Dillon. Her urgent quest is to locate her fiancé, Guy Porter, who she believes is in town. Her distress is palpable as she explains, “I'm coming to Dodge City to find my fiancé, Marshall. And maybe you can help me find him. Maybe you even know him” ([05:22]).

Community Interactions

As Sarah's predicament unfolds, interactions among the townsfolk add depth to the narrative. At [06:50], Kitty converses with Chester about Sarah's arrival, highlighting the tight-knit community's concerns for her safety. Chester remarks, “She comes from Wichita, Miss Kitty. And she wants Mr. Doone to round up a man who's supposed to be out this way some worse” ([07:51]), indicating the seriousness of the situation.

Rance Matson’s Involvement

Rance Matson enters the scene around [09:01], revealing his connection to Sarah Howell and escalating the tension. He warns Doc about a woman searching for him, implying past transgressions that could jeopardize his safety ([10:04]). This subplot introduces an additional layer of conflict, hinting at Doc's mysterious history.

The Assault

Tragedy strikes when Sarah Howell is assaulted, leading to her hospitalization. Matt Dillon is informed by Doc that Sarah is delirious and struggling to remember details, complicating the search for Guy Porter ([14:14]). A critical moment occurs when Sarah moans for "somebody named Guy," but her fragmented memories hinder progress ([14:48]).

Mistaken Identity and Revelation

As Matt Dillon investigates, he encounters Guy Porter, who does not match the description provided by Sarah Howell. At [22:20], Guy Porter confronts Matt, clarifying his identity and expressing confusion over Dillon's search for "Guy," suggesting a case of mistaken identity or possible deception. The tension peaks when it becomes evident that the man brought before Sarah is not her fiancé but an outlaw named William Marshall ([22:20]).

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Notable Quotes

• Matt Dillon: “I'm that man, Matt Dullen, United States Marshal. The first man they look for and the last they want to meet. It's a chance, a job. And it makes a man watchful and a little lone.” ([02:15])

• Sarah Howell: “I'm coming to Dodge City to find my fiancé, Marshall. And maybe you can help me about that.” ([05:22])

• Chester: “But all they do is increase their self and pock up the prairie at them holes.” ([03:09])

• Doc: “Now, you go right ahead and do that.” ([03:24])

• Guy Porter: “Guy Porter never did a dishonest thing in his life.” ([20:15])

• Matt Dillon: “I have to tell you, Ms. Howell, this man is wanted for robbery in Wichita. And he. He may even be the man who beat you up.” ([20:00])

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Themes and Insights

Pursuit of Truth: Matt Dillon embodies the unwavering pursuit of justice, navigating through ambiguous clues to uncover the truth behind Sarah Howell's missing fiancé.

Mistaken Identity: The episode explores the complexities of identity, as the genuine Guy Porter is obscured by the presence of an outlaw bearing a similar name, leading to dramatic confrontations and moral dilemmas.

Mental Health and Obsession: Sarah Howell's relentless search for her fiancé highlights the psychological toll of loss and obsession, raising questions about memory, perception, and reality in the harsh landscape of the American West.

Community and Isolation: The interactions among Dodge City's residents underscore the challenges of maintaining a supportive community amidst personal tragedies and lawlessness.

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Conclusion

"Sarah’s Search" masterfully weaves a tale of love, loss, and the relentless quest for truth within the unforgiving terrain of Dodge City. Through Matt Dillon's determined efforts and the intricate relationships among the townsfolk, the episode captures the essence of Western drama. The revelation that the man found is not the sought-after Guy Porter leaves listeners pondering the thin line between justice and deception, a hallmark of "Gunsmoke's" enduring legacy in Western storytelling.

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Produced and Directed by: Norman McDonald
Featured Cast: William Conrad, Vic Peron, Gordon Clark, Anne Morrison, Harley Bear, Howard McNear, Georgia Ellis
Written by: Marion Clark
Editorial Supervision by: John Meston

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This summary is intended for listeners seeking an in-depth understanding of the "Sarah’s Search" episode of "Gunsmoke" and serves as a comprehensive overview for those who have yet to experience this classic Western drama.

Transcript

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[Matt Dillon]

Foreign.

[Chester]

Welcome.

[Andrew Rines]

To the Old Time Radio Westerns. I'm your host, Andrew Rines, and I'm excited to bring you another episode absolutely free. This episode is just one of over 80 episodes we release monthly. Now let's get into this episode.

[Narrator]

Around D City and in the territory on west, there's just one way to handle the killers and the spoilers, and that's with a U.S. marshal and the smell of gun smoke. Gunsport, starring William Conrad. The story of the violence that moved west with young America. And the story of a man who moved with it.

[Matt Dillon]

I'm that man, Matt Dullen, United States Marshal. The first man they look for and the last they want to meet. It's a chance, a job. And it makes a man watchful and a little lone.

[Chester]

Mr. Dillon.

[Matt Dillon]

Yeah, what, Chester?

[Chester]

Just look at them doggone prairie dogs. Skittering all around everywhere, scurrying down all them holes.

[Matt Dillon]

Well, what about them?

[Chester]

Well, I was just wondering, did you ever give them much thought?

[Matt Dillon]

Oh, I can't say that I have.

[Chester]

Well, they ain't good for nothing. Not one cussed thing.

[Matt Dillon]

You're right about that.

[Chester]

But all they do is increase their self and pock up the prairie at them holes.

[Matt Dillon]

You figuring on doing something about it, chester?

[Chester]

Well, yes, Mr. Dillon. I thought I might just maybe write a letter to the government about it.

[Matt Dillon]

Now, you go right ahead and do that.

[Chester]

You think you'd do any good?

[Matt Dillon]

Sure it would, Jester. The government would turn it over to the nearest marshal's office. Then I can turn it over to you right away and you can spend your time rounding up Prairie Dog.

[Chester]

Well, come right down to it, I ain't such a hand to write letters after all. Look, you, Honor, Mr. Dillon, a buggy pulled up to the side of the road there.

[Matt Dillon]

Yeah. Now let's see if anything's wrong, huh?

[Chester]

What in the world would a lady be doing way out here all by herself?

[Matt Dillon]

Let's see. You need any help, ma'am?

[Sarah Howell]

It's that rear wheel. It just seemed to give way.

[Matt Dillon]

I will have a look.

[Sarah Howell]

In Wichita they said this was a down buggy.

[Chester]

You come all the way from Witch alone without no man?

[Sarah Howell]

Well, I. I hope to meet him in Dodge City.

[Chester]

Well, but it just ain't safe for a woman to go driving all over kingdom come without no man, Chester. Yeah, I know, but he's just plain foolish.

[Matt Dillon]

Let's have a look at the wheel, huh?

[Chester]

Yes, sir.

[Matt Dillon]

Yeah, let's see here.

[Chester]

Look at there. The pin that holds the wheel on the axles. Come on. Wonder that wheel ain't rolling away across the prairie trail yet.

[Matt Dillon]

Yeah, there's not much we can do about it out here.

[Chester]

No, sir. That needs some first rate blacksmithing.

[Matt Dillon]

Well, ma'am, looks like you're stuck here. Can you ride a horse?

[Sarah Howell]

Well, I've ridden a horse, certainly, but never on a saddle like that.

[Matt Dillon]

Well, don't worry about it. We'll lift you up and you can sit sideways. We'll walk the horse in. It's not too far to Dodge.

[Sarah Howell]

I'm not sure I'm not accustomed to traveling with gentlemen. I don't know.

[Matt Dillon]

I'm the marshal out of Dodge City, man.

[Sarah Howell]

Marshall. I suppose it's all right then. My name is Sarah Howell.

[Matt Dillon]

Oh, Mrs. Howell is Chester proud for it.

[Chester]

How you do, ma'am?

[Sarah Howell]

It's Ms. Howell, Marshall. I'm not married yet. As a matter of fact, you might be able to help me about that.

[Matt Dillon]

How's that?

[Sarah Howell]

I'm coming to Dodge City to find my fiance, Marshall. And maybe you can help me find him. Maybe you even know him.

[Matt Dillon]

Well, what's his name, Ms. Helen?

[Sarah Howell]

His name is Guy Porter. He's a tall man and very handsome. Do you know him, Marshall?

[Matt Dillon]

No, ma'am, I'm afraid I don't. Are you sure he came this way?

[Sarah Howell]

He told me he was heading west. I have reason to believe he may be in Dodge City.

[Matt Dillon]

A lot of people come and go in Dodge. Cross.

[Sarah Howell]

You'll help me find him, I know you will.

[Matt Dillon]

A man can lose himself out here if he wants to, you know.

[Sarah Howell]

Oh, Guy isn't trying to hide from me, Marshall. He said he was coming back and I. I know he meant it. No, I. I'm afraid something's happened to him. I'm afraid there's trouble.

[Matt Dillon]

Well, if there's trouble, ma'am. I'd stand a better chance of locating him for you.

[Chester]

Yeah.

[Matt Dillon]

Come on, let's get going.

[Kitty]

Hello there, Chester. When did you get back?

[Chester]

Just a little bit ago, Miss Kitty. And I don't mind telling you, if I don't never take that ride to Park City again, I won't do no bellyaching about it. That is the one longest, driest, most, no count piece of.

[Kitty]

Did Matt come back with you?

[Chester]

Oh, yes, he did, Miss Kitty. He'll be in directed. He's seeing to a lady down to Moss Molly's.

[Kitty]

Oh, where'd he find the lady? Park City.

[Chester]

Well, no, that ain't exactly the way it was. It was more like that he found her along the way. Curious thing and.

[Kitty]

Come on over to the bar, Chester. I'll buy you a beer to wash some of that dust down.

[Chester]

Well, that is mighty friendly of you, Miss Kitty.

[Kitty]

This lady you brought in.

[Chester]

Oh, do you want to hear about her?

[Kitty]

Chester will have a beer, Sam.

[Doc]

Sure, Kitty. Sure do.

[Chester]

Thank you, Miss Kitty.

[Kitty]

Go on about the lady, Chester.

[Doc]

Here you are, Chester.

[Chester]

Oh, thank you, Sam.

[Kitty]

Chester, the lady.

[Doc]

Oh, yes.

[Chester]

Well, she come from Wichita, Miss Kitty. And she wants Mr. Doone to round up a man who's supposed to be out this way some worse.

[Kitty]

Does Map know who he is?

[Chester]

No, we don't. But he wouldn't have no trouble recognizing him if he seen him tall and toe headed forward. Him all the way from Wichita.

[Doc]

She did.

[Chester]

I guess women folks can do that better than anybody.

[Kitty]

So what?

[Chester]

Chester, recollect what a feller looks like. Why, they can take just one look at a man's face and they got it stored away in their minds forevermore. How his teeth was set, the way his hair growed out. What man don't hardly have a chance.

[Kitty]

Well, I wouldn't worry about it.

[Chester]

What do you mean?

[Kitty]

An awful lot of you get away.

[Chester]

Oh, hey, there's a stage going down the street, ain't it?

[Kitty]

That sounded like it to me.

[Matt Dillon]

Yeah.

[Chester]

Well, then I better get down for the mail. Thank you for the beer, mister.

[Kitty]

All right, Chester. See you later.

[Chester]

Yes, ma'am.

[Doc]

I'll sure be back, ma'am.

[Kitty]

I'll be up for a while.

[Doc]

All right. Kitty. Kitty.

[Rance]

I seen you a minute?

[Kitty]

Well, sure, Rance. What's on your mind?

[Matt Dillon]

What?

[Rance]

That woman Chester was talking about, he say what her name was?

[Kitty]

No, Rance, he didn't.

[Guy Porter]

Why?

[Rance]

Well, I just thought I might know her. I got kinfolk in Wichita.

[Matt Dillon]

They was.

[Rance]

I was talking about a cousin coming out here.

[Kitty]

Oh, Well, I can tell you where she's staying. You could go down there and find out about her.

[Rance]

That'd help all right.

[Kitty]

Matt took her to Moss Molly's, the boarding house on the south end of town.

[Rance]

Thanks, Kitty. I'll go down there right off.

[Doc]

What's the matter with you, Ranch? You come pounding in here like the devil's on your tail.

[Rance]

You better start worrying about that a little bit, Joe.

[Doc]

What do you mean?

[Rance]

You talked me into saying you could stay on here with me. Mighty nice, claiming nobody saw you get away with that Wichita money.

[Doc]

Well, that's right. Nobody did.

[Rance]

Well, you should have looked back over the other shoulder. There's a woman asking all over town after you.

[Doc]

What?

[Rance]

She's giving you a description to the marshal right down to that pretty white hair. And he's looking for you too. Now, you. You just gotta get out of here, Joe.

[Doc]

Now, just a minute, Rance. You sure you know what you're talking about?

[Rance]

I know all right. This woman's from Wichita. She's standing at a town boarding house and she's asking about you. Now, I don't want no trouble with the law.

[Doc]

Quit your ballin, Rance. Ain't gonna be no trouble.

[Rance]

But if she spots.

[Doc]

She ain't gonna spot me.

[Rance]

You gonna move on?

[Doc]

No, she is tonight.

[Rance]

How do you know?

[Doc]

I'm gonna fix it, that's how. You know where this boarding house is?

[Rance]

Yeah, sure.

[Doc]

All right, you show me. After dark.

[Rance]

Well, you ain't gonna.

[Doc]

You want her to show me to the marshal?

[Rance]

No.

[Doc]

Well, then leave it to me.

[Sarah Howell]

Oh, I tell you too, Ms. Howell. Tain't often one of my lodgers takes it in mind to help out with the chalk? No, I'd sooner not have idle hands. Mrs. Smalley, I am grateful to you. Would you care to come set a spell in the parlor when we finish up? That's kind of you, but I think I'll just take a little stroll. You're going out walking? Whatever for, guy? Mr. Porter and I, we used to stroll. We used to take lovely strolls in the summer evenings. Perhaps I might even run into him. Stranger things have happened, haven't they, Mrs. Smalley? Take lightly. But there's always a chance in this life, Mrs. Smalley. Always a chance. Will you watch that you're back before it's full dark. Dodge City ain't the safest place in the world for a lady after nightfall. Oh, I don't think you need to worry, Mrs. Molly. I've never been troubled that way. I'm sure no one would bother me. Mr. Porter used to say a man can always tell a lady. I'm sure that's so, my dear. But in this town they just ain't particular if you're a lady or if you're not.

[Doc]

Rance. Here, come over here. Did you find out who she is? You know where her room is?

[Rance]

I know who she is all right, Joe. Her name's Howell.

[Doc]

Come on then, let's go.

[Rance]

Now wait a minute. She ain't there.

[Doc]

Ain't there? You listen to me, Rance. It won't do you no good to try to trick me away from doing this.

[Rance]

Now that ain't it. I swear it ain't. She went out for a walk. That's what they told me.

[Doc]

Out for a walk. Why would. Wait a minute.

[Matt Dillon]

What's the matter?

[Doc]

Quiet. It must be her walking alone.

[Rance]

And don't you do nothing, Joe.

[Doc]

Don't you hurt. You be quiet now. You won't be talking about me or nobody else. Oh, hello, Matt. I was gonna send somebody for you.

[Matt Dillon]

Yeah, I just heard, Duck. How is she?

[Doc]

Well, Matt, I don't know. There must be something about this town. I'm continually being called in to take care of somebody who ought to be dead but isn't.

[Matt Dillon]

Not quite. Does she have a chance?

[Doc]

Any doctor in his right mind would say no, she shouldn't be alive. But she is. I don't know. She just may stay that way.

[Matt Dillon]

Any idea who did it to her?

[Doc]

I didn't have time to ask.

[Matt Dillon]

Could I see her?

[Doc]

Oh, no, I wouldn't recommend it.

[Matt Dillon]

Would it hurt her?

[Doc]

Well, no, I guess it won't hurt her, but it won't do you any good. She's delirious, man. She just keeps moaning and calling for somebody named Guy. She's not able to tell you anything.

[Matt Dillon]

Well, I guess that's the way they wanted it. Thanks, Kitty.

[Kitty]

It's hard to figure why anybody do such an awful thing. What could that poor woman have done to anybody?

[Matt Dillon]

I don't know, Kitty. It's pretty bad, even for Dodge.

[Kitty]

She hasn't been able to tell you anything yet.

[Matt Dillon]

I don't suppose she will be able to, even if she gets well. It was dark and whoever it was jumped her from behind.

[Kitty]

Dodge. Seems a strange place for a lone middle aged woman like her to come to, doesn't it, Matt?

[Matt Dillon]

Especially when she said she came to find the man she was engaged to.

[Kitty]

You think he could have done it?

[Matt Dillon]

I'm not even sure there is such a man, Kitty.

[Kitty]

Well, Lance Matson couldn't have been the one, he's much too young. Rance Matson, that young farmer lives out of town.

[Matt Dillon]

Oh yeah, I know who he is. Well, what's he got to do with this?

[Kitty]

Oh, maybe nothing. But he was in here earlier asking about the woman who came from Wichita. Thought she might be one of his kinfolk.

[Matt Dillon]

Oh, what do you want to know.

[Kitty]

Her name, where she was staying? Matt, do you think?

[Matt Dillon]

I don't know, Kitty, but I'm sure gonna find out.

[Chester]

I sure wasn't anxious to be out on this road again so soon, Mr. Dun. Seems like we ain't hardly been off it.

[Matt Dillon]

Yeah, we could have stopped off at.

[Chester]

The Matson place yesterday just as easy on our way back from Park City.

[Matt Dillon]

And it might have saved some trouble if we had. Chester. Come on, let's turn in here.

[Chester]

Here's ranch standing out in front there.

[Matt Dillon]

Yeah. Anson, I want to talk to you.

[Chester]

Why, he's running, Mr. Gillet, and where you are.

[Rance]

Don't shoot again. Don't shoot.

[Matt Dillon]

Next time I'll be aiming for you. Get his gun, Chester.

[Chester]

Yes, sir.

[Rance]

Now look, come on, I don't want no more trouble.

[Matt Dillon]

Chester, keep an eye on him. I'm going up to the house.

[Chester]

Yes, sir. There's nothing inside.

[Matt Dillon]

All right, come on out of there. Come on. There are two of us here.

[Chester]

No, don't shoot anymore.

[Kitty]

I'm.

[Guy Porter]

I'm hit.

[Matt Dillon]

Then come on out. All right, Chester, let's try to patch him up, huh? Want him to last long enough to answer a few questions.

[Doc]

All right, Matt, come in. I'll be as gentle about it. As you can see, Hardly has any strength left.

[Matt Dillon]

Okay, Doc. Ms. Howell. Ms. Howell. Oh, it's Matt Darwin, Ms. Howell. I. I'd like to talk to you for a minute.

[Guy Porter]

Oh, Marshall, nice of you to come.

[Matt Dillon]

To see us about. About the man you were looking for.

[Guy Porter]

Guy. You. You found Guy?

[Matt Dillon]

Well, we might have, Ms. Howell.

[Guy Porter]

Guy.

[Sarah Howell]

I knew I'd find him.

[Matt Dillon]

Now you said that he was a tall man.

[Guy Porter]

Tall, Marshall. Straight as a young tree and yellow headed. He has light colored hair all right. It shines into the sun.

[Matt Dillon]

Well, we found a man that looks something like that.

[Guy Porter]

When can I see him? Where is he? Marshall?

[Matt Dillon]

Now just a minute, Miss Howell.

[Chester]

You.

[Matt Dillon]

You might not be so glad to see him as you think.

[Guy Porter]

Marshall Dilling, you mustn't talk that way. I've never had a thought for any other than him.

[Matt Dillon]

I didn't mean that. But for this man. He may have changed some since you last saw him.

[Guy Porter]

Oh, not Guy. He couldn't have. Besides, it Was just a little while ago.

[Matt Dillon]

I have to tell you, Ms. Howell, this man is wanted for robbery in Wichita. And he. He may even be the man who beat you up. Oh, Marshall Dillon, I'm sorry, but that's the way it looks.

[Guy Porter]

Why, Guy Porter never did a dishonest thing in his life. Where is he, Marshall? Let me see him.

[Matt Dillon]

I didn't know the way it turned out. If you didn't want to see him after all.

[Guy Porter]

Please, Marshall, bring him to me.

[Matt Dillon]

All right, ma'am. She wants to see him, Doc.

[Doc]

All right, ma'am.

[Matt Dillon]

Chester.

[Kitty]

Yes, sir.

[Matt Dillon]

Bring him in.

[Guy Porter]

Yes, sir.

[Chester]

Come along now, mind you steps up.

[Matt Dillon]

Take your hat off in a lady's bedroom. Here he is, Ms. Holmes.

[Guy Porter]

Guy. Guy. Come. Come closer now.

[Matt Dillon]

Go on, step up there.

[Guy Porter]

Tall and slim.

[Matt Dillon]

But you're old.

[Doc]

Old?

[Guy Porter]

No, no, you're not, Guy.

[Matt Dillon]

You sure about that, ma'am?

[Guy Porter]

Of course I'm sure, Marshall. What? Guy is young. Young? He's only a couple years older than I am, Marshall.

[Doc]

Young.

[Chester]

Mr. Young.

[Doc]

You better take him out here, Chester.

[Chester]

All right, Doc.

[Doc]

Matt.

[Matt Dillon]

Yeah, Doc, I'm. I'm ready to.

[Guy Porter]

Just a minute, Marshall, if you please.

[Matt Dillon]

Yes, ma'am.

[Guy Porter]

I don't seem to have made myself clear to you about Mr. Porter, Marshall. Perhaps in the interest of preventing another unfortunate error, you don't have to talk anymore. I prefer to get things straight, Doctor. Guy Porter is a young man, Marshall. We grew up together.

[Matt Dillon]

That's all right, Ms. Hart.

[Guy Porter]

No, no, it certainly is not all right. You clearly don't understand greeting that middle aged man in those rough clothes. White Guy would never let his uniform look so tacky.

[Matt Dillon]

His uniform?

[Guy Porter]

Of course, Marshall Dillon, as long as the war continues, he'll be in uniform. Even though his regiment was ordered into the western wilderness, he'd never let himself look like that.

[Doc]

Well, you better leave Madder. I'll give her something.

[Matt Dillon]

Yeah, Doc, you. You do that.

[Guy Porter]

They ordered him west and I waited and waited and finally I came to find him. It was all right for me to come, wasn't it, Marshall?

[Matt Dillon]

It was all right, ma'am.

[Guy Porter]

You won't make a mistake and bring me the wrong man again. William Marshall. Just Guy.

[Matt Dillon]

No, ma'am. I won't bring you the wrong man again.

[Chester]

By jing, I tell you for sure, Mr. Jones. I'm glad they sent a deputy to take that outlaw back to Witcha on the stage. I sure wasn't hankering to ride that road again so soon. Yeah, he was a awful mean one, beating up a lady like that. Is Ms. Howe gonna be all right, Mr. Dillon.

[Matt Dillon]

I guess she'll get over the beating, Jester. But Doc doesn't think her mind will ever be any better.

[Chester]

How could she go on like that all these years, thinking that fellow was coming back to her?

[Matt Dillon]

I don't know. Memory can do funny things.

[Chester]

Yeah, but Doc says she was carrying around a telegraph for the War Department center years ago, telling her this guy Porter had been killed.

[Matt Dillon]

Yeah, I know. She didn't want to believe it. No, she didn't. And I guess she never will.

[Narrator]

Gun Smoke produced and Directed by Norman McDonald. Stars William Conrad as Matt Dillon, U.S. marshal. The story was specially written for Gun Smoke by Marion Clark with editorial supervision by John Meston. Featured in the cast were Vic Peron, Clark, Gordon and Anne Morrison. Harley Bear is Chester, Howard McNear is Doc, and Georgia Ellis is Kitty. This is George Walsh inviting you to join us again next week for another story on Gun Smoke.

[Rance]

Foreign.

[Andrew Rines]

This has been a presentation of otrwesterns.com and we hope you enjoyed. Please take some time to like and rate our shows in your favorite podcast application. Follow us on Facebook by going to otrwesterns.com Facebook subscribe to our YouTube channel by going to otrwesterns.Com YouTube and send us an email podcasttrwesterns.com you can call and leave us a voicemail 707-986-8739. This episode is copyright under the Attribution Non Commercial Share Like Copyright. For more information go to otrwesterns.com copyright have a great day and thanks for listening.