Sunday Supplement | Gunsmoke (06-24-56)

Summary

Podcast Summary: Gunsmoke – “Sunday Supplement” (Original Air Date: June 24, 1956)

Podcast: Gunsmoke | OTRWesterns.com
Host: Andrew Rhynes
Episode Release Date: August 18, 2025
Story Setting: Dodge City, Kansas, during the settlement of the American West

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Overview

This classic episode of Gunsmoke, titled "Sunday Supplement," centers on the disruption caused by two New York writers visiting Dodge City in search of sensational stories. Their intrusion—driven by a hunger for drama—ultimately stirs fatal trouble, provoking a once-peaceful Pawnee chief, Little Hawk, into violence. The episode explores the consequences of outsiders meddling in local affairs for the sake of publicity and personal gain, as well as the ripple effects of cultural insensitivity and greed.

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Key Discussion Points & Insights

1. Outsiders Arrive: The Writers from New York

[04:12–05:43]

• Kitty introduces Matt Dillon and Doc Adams to Samuel Sprague and Cliff Bunker, who have arrived in an ostentatious surrey brought from the East.
• The men reveal they are writers, “from New York,” seeking true stories of Western violence and excitement.
• Matt Dillon and Doc Adams express skepticism and wariness, referencing an infamous writer:

  “Most of [Ned Buntline’s stories] were lies. They made Bridger look like a fool.” —Matt Dillon [05:10]

• The writers lament the lack of gunfights or Indian attacks, which they believe would make for better stories.

2. Critique of Sensationalism and Fame

[05:06–05:24]

• Discussion of fame and the popularization of Western figures:

  “They also made Jim Bridger famous, Marshall.” —Sprague
  “I guess it depends how you get that way, Mr. Sprigg.” —Matt Dillon

3. The Trouble Unleashed: Indian Attack and Its Origins

[08:08–11:38]

• Matt and Chester encounter a battered cavalry patrol. Lt. Bane reports an unprovoked attack led by Chief Little Hawk, stating:

  “Little Hawk and 40 braves jumped reservation 4, 5 days ago.” —Lt. Bane [09:16]

• The oddity is that Little Hawk was known as peaceful.
• They visit a Pawnee burial ground, discovering its platforms have recently been disturbed:

  “They bury people up in the air on them platforms, don’t they?” —Chester [10:51] “Little Hawk must have come by here to pick up his dad and take him with him.” —Matt Dillon [11:20]

4. The Writers’ Role Exposed: The Stolen Totem

[15:09–15:58]

• At the Long Branch Saloon, Matt learns that Sprague and Bunker brought an Indian totem bone (a clan symbol) which is being displayed at the bar.
  • The writers admit they acquired it from a "private" at Fort Dodge, later revealed as a lie.
  • Matt becomes suspicious:

  “You men robbed a Pawnee grave. You stole a totem. A totem of Little Hawk's clan.” —Matt Dillon [21:47]

5. Confrontation at the Fort: Seeking Accountability

[16:19–17:45]

• Matt takes the totem to Major Honeyman at Fort Dodge, insinuating that the grave robbery may have triggered the violence.
• The “private” who supposedly supplied the totem is found never to have existed, exposing the writers’ falsehoods.

6. The Deadly Aftermath

[20:05–22:30]

• Sprague and Bunker excitedly relay that they witnessed the cavalry ambush and near annihilation of Little Hawk and his band:

  “Yesterday...we were driving along the Arkansas and heard all that gunfire...We got there just in time to see what few Indians were left running for their lives...They killed all but half a dozen of them. And they got that chief Little Hawk too.” —Bunker [20:52]

• Matt is furious at their callousness and directly blames them for the tragedy:

  “You men robbed a Pawnee grave. You stole a totem...Little Hawk did. He went on a war path.” —Matt Dillon [21:47]

• The writers dismiss this as “nonsense.” Matt floors them with indignation:

  “He was a good chief. He was a brave man and a peaceful one till you shamed him.” —Matt Dillon [22:09] “Now you get out, both of you. You get out. Today. Enough men have died because of you.” —Matt Dillon [22:30]

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Notable Quotes & Memorable Moments

• Matt’s Reflection on Fame:

  “I guess it depends how you get that way, Mr. Sprigg.” —[05:22]

• Chester’s Discomfort in the Graveyard:

  “I declare, I...I don’t feel right here, Mr. Dillon.” —[11:12]

• Matt’s Fury at the Writers’ Sensationalism:

  “You want me to guide a couple of vultures like you?” —[14:23]

• Moral Condemnation:

  “You men robbed a Pawnee grave. You stole a totem...He was a good chief. He was a brave man and a peaceful one till you shamed him.” —Matt Dillon [21:47–22:09]

• Closing Rebuke:

  “You go back to New York, and when you get there, you write a story about a marshal who’d like nothing better than handing you over to Little Hawk.” —Matt Dillon [22:39]

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Important Timestamps

• [04:12] — Introduction of New York writers, discussion of their motives
• [09:06] — Lt. Bane reports the Indian attack, expresses disbelief at Little Hawk's involvement
• [10:51] — Discovery of disturbed Pawnee burial ground
• [15:09] — Kitty and Matt discuss the Indian totem brought by the writers
• [16:19] — Matt Dillon confronts the Fort Dodge major about the missing totem and fake private
• [20:05–21:15] — Writers boast about witnessing the battle, Matt passes judgment
• [21:47–22:39] — Matt confronts the writers with their responsibility for the tragedy

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Episode Tone and Style

The conversation maintains the classic, clipped, and gritty tone of Gunsmoke, with heavy themes of morality, unintended consequences, and a deep disdain for exploitation. The dialogue is natural and character-driven, balanced with moments of dry frontier humor—especially from Chester and Kitty.

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Conclusion

“Sunday Supplement” offers a powerful meditation on the dangers of sensationalism and disrespect toward other cultures. The arrival of outsiders seeking exciting stories leads, through a small act of theft and thoughtlessness, to a chain of violence and loss. Matt Dillon’s strong moral core is clear: public notoriety is hollow if it is built on suffering. The episode serves as a critique of those who would exploit tragedy for personal gain, whether in the 19th century or today.

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Transcript

[Chester]

Foreign.

[Andrew Rines]

Welcome to the Old Time Radio Westerns. I'm your host Andrew Rines. And before we get into this episode, I wanted to do a little PSA and remind you that I put out multiple shows a week of Old Time Radio Westerns. You can check them out by going to otrwesterns.com or looking up OTR Westerns on your podcast application of choice. We're releasing over 10 episodes a week so far, about a hundred a month. So definitely want you to check that out again otrwesterns.com and check it out. I also wanted to invite you to check out my sister podcast site, otnetcast, and that's N E T C A s t. So ot n e t c a s t netcast otnetcast.com we're currently releasing mystery genre shows and this is shows like the Shadow Escape, Suspense and the Whistler. And we have plans on bringing other shows to the network for you guys to listen to. So it's my non western old time radio channel that I can kind of do other genres that not only I like, but hopefully you would like too. You can check us out by going to otnetcast.com or searching t N E T C A S T on your podcast app of choice. Now let's get into this episode. This episode is going to be Gunsmoke Original Air Dates June 24, 1956 and the title is Sunday Supplement.

[Narrator/Announcer]

Gun Smoke brought to you by Chesterfield. Chesterfield packs more pleasure because it's more perfectly packed. Thanks to Accuray, they satisfy the most around Dodge City and in the territory on West. There's just one way to handle the killers and the spoilers, and that's with a U.S. marshal. And the smell of Dodge. Gun Smoke. Gun Smoke. Starring William Conrad. The transcribed story of the violence that moved west with young America and the story of a man who moved with it.

[Matt Dillon]

I'm that man, Matt Dillon, United States Marshal, the first man they look for and the last they want to meet. It's a chancy job and it makes.

[Chester]

A man watchful and a little lonely. Well, well, for heaven's sake, Matt.

[Matt Dillon]

Yeah, What?

[Chester]

Doc, look at that coming. It's a surrey. What? Our four passengers. Surrey. Oh, well, that's the first one of those I've seen west of St. Louis. What?

[Matt Dillon]

That's Kitty up there with a driver, isn't it?

[Chester]

Dog, Kitty or. Oh, why, so it is. But who is the driver?

[Matt Dillon]

I don't know. I don't know the one sitting in the back either.

[Chester]

That's pretty fancy. For dogs.

[Matt Dillon]

Yeah. Those are a couple of dudes if.

[Chester]

I ever saw any Green Squad.

[Kitty]

Hi, Matt.

[Chester]

Hello, Kitty.

[Kitty]

We haven't met anyone.

[Chester]

Haven't even seen them yet.

[Kitty]

There they are. Marshall Dylan, Doc Adams, Samuel Sprague and Cliffs and Bunker.

[Chester]

Hello. Quite a wagon you gentlemen have. We brought it with us, Doctor, on the train. We've been all over the country around here in that surrey, haven't we, Bunker? What are you, Prospectors? No, Doc, we're writers, Doctor, from New York. Writers? Did you ever read anything by Ned Buntline? Oh, then you're not reporters. You. You write make believe stories. Well, we want to write true stories, Doctor, but there doesn't seem to be much material around here.

[Kitty]

Kind of disappointed. There hasn't been a gunfight since they arrived. And every Indian in Kansas seems to be growing old on a reservation.

[Chester]

You're not going to get any stories this way.

[Matt Dillon]

You mentioned that writer Ned Buntline, Mr. Spring? I met him once through Jim Bridger.

[Chester]

Oh, yes. He wrote a lot of stories about Jim Bridger's adventures.

[Matt Dillon]

Most of them were lies. They made Bridger look like a fool.

[Chester]

They also made Jim Bridger famous, Marshall.

[Matt Dillon]

Like Wyatt Earp. Von D Line wrote about him, too.

[Chester]

Anything wrong with being famous?

[Matt Dillon]

I guess it depends how you get that way, Mr. Sprigg.

[Chester]

Yeah, go stir him up some Indians, Matt. A few massacred families out here would. Oh, that'd make nice reading in New York.

[Matt Dillon]

Yeah.

[Chester]

Let's go get a drink, Kitty.

[Kitty]

You two go ahead. I'll join you.

[Chester]

All right. Good day, gentlemen. Gentlemen.

[Kitty]

Well, you were a great help.

[Matt Dillon]

What do you care about then?

[Kitty]

Kitty, I don't think a series of stories in the New York papers would hurt Dodge any, do you?

[Chester]

Oh. Oh, she's thinking of business night. I. I keep forgetting she's half owner of the Long branch now.

[Matt Dillon]

So that's it, huh?

[Kitty]

Of course it is. Don't want anybody killed, but you might at least be polite to him.

[Matt Dillon]

Haven't got time. Kidding.

[Chester]

What?

[Matt Dillon]

I got to ride up to Hayes City tomorrow. I may not be back for a week.

[Kitty]

Good.

[Matt Dillon]

You want to come along?

[Narrator/Announcer]

Introducing one of the country's best known jazz musicians and arrangers, Mr. Bobby Haggart. How about whistling along with him?

[Kitty]

Packs more pleasure, Packs more pleasure. Chesterfield packs more more pleasure Because Chesterfield's.

[Narrator/Announcer]

More perfectly packed it stands to reason a cigarette made better and packed better smokes better, tastes better and Chesterfield is more perfectly packed By Accuray, this electronic miracle removes human error in cigarette manufacture. So Accuray, Chesterfield is firm and Pleasing to the lips, mild yet deeply satisfying. Yes, Chesterfield gives you something no other cigarette can give you.

[Kitty]

Chesterfield packs more pleasure Because Chesterfield's more.

[Narrator/Announcer]

Perfectly packed to the touch, to the taste. Chesterfield packs more pleasure because it's more perfectly packed by Chesterfield mild, yet they satisfy the most.

[Chester]

Look. That's cavalry up ahead there, Mr. Dillon.

[Matt Dillon]

Yeah.

[Chester]

Pretty sloppy looking, ain't they? Half of them ain't even setting their saddles straight.

[Matt Dillon]

Uh huh.

[Chester]

Yeah. Not that I blame them then, riding them terrible McClellan saddles.

[Matt Dillon]

I think they've been ahead, Chester. They must have had a fight, Harry.

[Chester]

By golly, I think you're right.

[Matt Dillon]

Let's pull up.

[Chester]

Some of them boys is wounded. And look there. A couple of them tied across their saddles. They're dead.

[Matt Dillon]

I think I know that, Lieutenant. Justin. Yeah, That's Lieutenant Bane.

[Chester]

What in the world do you suppose this happened?

[Matt Dillon]

Hello, Lieutenant. Can we give you any help?

[Chester]

Might have this morning, Marshal. Indians, Chief Little Hawk.

[Narrator/Announcer]

Little Hawk?

[Matt Dillon]

The Pawnee.

[Chester]

Haven't you heard, Marshall?

[Matt Dillon]

What? I've been to Hayes City for a week.

[Chester]

Little Hawk and 40 Brave jumped reservation four, five days ago.

[Matt Dillon]

He's one of the most peaceful chiefs in Kansas, Lieutenant.

[Chester]

Look at my patrol, Marshal. Two dead and half a dozen wounded.

[Matt Dillon]

I don't understand it.

[Chester]

Neither does anybody else. He wiped out a family over on Walnut Creek yesterday and he hit us this morning.

[Matt Dillon]

You're the only cavalry in the field.

[Chester]

Yeah. Funny thing. We picked up Little Hawk's trail right here, Marshal. Right out of that grove of trees. It's a Pawnee burying ground. Guess they stopped there to make medicine or something. Well, see you at the dance, Marshal.

[Matt Dillon]

Yeah. Lieutenant, I'm sorry it happened.

[Chester]

So am I. That.

[Matt Dillon]

Come on, Justin.

[Chester]

Them four doubles, they really got it, didn't they?

[Matt Dillon]

Well, they're not far from Fort Dodge now.

[Chester]

Where are we going? Look at this Pawnee graveyard.

[Matt Dillon]

Not exactly a graveyard, Jesse.

[Chester]

What is it then?

[Matt Dillon]

You'll see.

[Chester]

Mr. Dillon. What? All them poles sticking up over there with them platforms on graves, Justin. I've heard of that. They bury people up in the air on them platforms, don't they?

[Matt Dillon]

Yeah, that's right.

[Chester]

These is all new, Mr. Dillon. At least they're empty. Ain't no corpses laying on.

[Matt Dillon]

Little Hawk must have come by here to pick up his dad and take him with him.

[Chester]

What for?

[Matt Dillon]

I don't know.

[Chester]

He must have been in an awful hurry. Look at that platform over there. Uh huh. It's half tore down.

[Matt Dillon]

Yeah, I noticed it.

[Chester]

The rest of them ain't. No. I declare, I. I don't feel right here, Mr. Gentleman.

[Matt Dillon]

Neither do I, Chester. All right, come on, let's.

[Chester]

I'll buy us the first drinks, Mr. Dylan.

[Matt Dillon]

All right, Jessica.

[Chester]

I swear my throat's solid alkaline. Yes.

[Matt Dillon]

Kitty.

[Chester]

Yeah? She wants you, mister.

[Matt Dillon]

I'll join you at the bar, Justin.

[Chester]

All right.

[Kitty]

How long have you been back, Matt?

[Matt Dillon]

Since noon, Kitty. I had a lot of business. At the bank, huh? Well, not personal business, you understand.

[Kitty]

Matt, you remember Sprig and Bunker?

[Matt Dillon]

No. Those dudes still in town?

[Kitty]

Matt, they want to talk to you.

[Matt Dillon]

Now, Kitty, their stories aren't going to put Pressure Dodge on the map. It's already there. Texas cattle did it not. New York riders.

[Kitty]

Please. Map. I'm asking.

[Matt Dillon]

Well, if you're going to turn female.

[Kitty]

On me, you forget I'm part owner of this place. Now, I can have you thrown out.

[Matt Dillon]

Yeah, I'd sure be talking to those.

[Kitty]

Two right there, Matt. At that table. You see him?

[Matt Dillon]

No.

[Kitty]

Well, then walk around a while. You'll find them. I'm going to talk to Justin.

[Matt Dillon]

Good evening, gentlemen. Marshall Dillon.

[Chester]

Sit down, Marshall. Sit down.

[Matt Dillon]

All right.

[Chester]

Marshall, we've got a proposition to make you. Oh? The Utah. Well, Marshall, we heard about those Indians.

[Matt Dillon]

Some soldiers from Fort Dodge were in.

[Chester]

Here a while ago, and we want to find them.

[Matt Dillon]

What are you talking about? Spring.

[Chester]

Well, I don't mean find them exactly, but the next time they attack some settler, we want to be the first to get there. That way we'd really see what it's like.

[Narrator/Announcer]

Marshall, maybe we could even talk to the survivors.

[Matt Dillon]

If there are any. We'll pay you.

[Chester]

Well.

[Matt Dillon]

They made for what?

[Chester]

For guiding us. For taking us there. What do you say, Marshall?

[Matt Dillon]

You want me to guide a couple of vultures like you?

[Chester]

That's uncalled for, Marshall.

[Matt Dillon]

Why don't you go back to New York, huh? They got plenty of corpses there. And they're a whole lot prettier than anything the Indians might leave for you.

[Chester]

Now, look here, Marshall, there's no getting along with McAll.

[Kitty]

Well, you certainly didn't talk to them very long, Matt.

[Matt Dillon]

Is that my drink, Chester?

[Chester]

No, sir, it ain't. No, it ain't. It ain't. It's my. It's my.

[Matt Dillon]

It's.

[Chester]

It's yours. Now.

[Matt Dillon]

Pour yourself another one. I'll buy it.

[Chester]

Well, thank you. I don't mind if I do. Oh, Mr. D. Look at this. Little D. Miss Kitty's been showing me, huh? They had it hung up behind the bar there. See? It's all carved out of bone.

[Kitty]

Here, let me see that interesting, isn't it, Matt?

[Matt Dillon]

Where'd this come from, Kitty?

[Kitty]

Well, it's an Indian totem of some kind. Spriggan Bunker brought it in.

[Matt Dillon]

Spriggan Bunker?

[Kitty]

They're just lending it to us to hang behind the bar. You know what? I'll go with him, Chester.

[Chester]

Well, I'll go.

[Matt Dillon]

Where did your men get this totem?

[Chester]

We've had enough of you for tonight, Marshall.

[Matt Dillon]

I want to know where you got this totem sprig.

[Chester]

You're joking me.

[Matt Dillon]

Then tell me.

[Chester]

We got it from a soldier.

[Matt Dillon]

A soldier? What soldier?

[Chester]

A private from Fort Badge. It was Roger Harlow. We bought it. What is it, Mr. Dylan?

[Matt Dillon]

Jester, we're riding out to Fort Dodge in the morning and time to wake up Major Honeyman.

[Chester]

All right, Marshall. B Company moved out yesterday. My judgment of the situation is that they'll make almost immediate contact.

[Matt Dillon]

I see, major.

[Chester]

But I don't like your insinuation that the cavalry is responsible for Little Hawk jumping reservation. I'll admit garrison life's dull, but no soldier in my command would want action that badly. Where's your proof, marshal?

[Matt Dillon]

Right here, major.

[Chester]

Why, this is a Pawnee totem.

[Matt Dillon]

It's more than that, Major. It's a fox clan totem.

[Chester]

Little Hawks clan. Yeah.

[Matt Dillon]

Well, I've told you where I think it came from. Now, let's get that private in here and settle this, huh?

[Chester]

Marshall, I'll feed him the Little Hawk if this is true. Oh, sergeant. Sergeant Grimes. Oh, what'd you say his name is? Harlow.

[Matt Dillon]

Roger Harlow.

[Chester]

Yes, major. Sergeant, you pride yourself on knowing every man at Fort Dodge. As regimental sergeant, I consider it my duty, sir. What company is Private Roger Harlo assigned to? Private Roger Harlow? Yes, that's right. There ain't no Roger Harlow on this post, major. Never had been.

[Narrator/Announcer]

Where are you listening to Gunsmoke? In your kitchen getting ready for Sunday supper? Maybe in your living room relaxing or out driving, Say, be sure and watch the road. But remember there's pleasure ahead when you smoke Chesterfield when you satisfy yourself with Chesterfield's better taste than mildness it stands to reason A cigarette made better and packed better smokes better, tastes better and Chesterfield is more perfectly packed by accuray. This electronic miracle removes human error in cigarette manufacture. So accurate. Chesterfield is firm and pleasing to the lips. Mild, yet deeply satisfying. Yes, Chesterfield gives you something no other cigarette can give you.

[Kitty]

Chesterfield packs more pleasure because Chesterfield's more.

[Chester]

Perfectly packed to the touch, to the taste.

[Narrator/Announcer]

Chesterfield packs more pleasure because it's more perfectly packed by Chesterfield Mild, yet they satisfy the most.

[Chester]

Sam.

[Matt Dillon]

Morning, Doc.

[Chester]

Hey, good morning. Did you find Sprig in Bunker last night, man?

[Matt Dillon]

No. We finally learned at the stable. They drove out of Dodge in that surrey yesterday morning.

[Chester]

You going after him?

[Matt Dillon]

Yeah, as soon as Chester comes with our horses.

[Chester]

What do you think they're up to now, man?

[Matt Dillon]

I wish I knew, Doc.

[Chester]

May ought to be hung at dark. Yes.

[Matt Dillon]

Look over there. Come under the plaza.

[Chester]

Oh, yeah. Well, you won't have to ride after them now. No. Them and their fancy, sir. Yep. Matt, where you going? Hello, Marshall.

[Matt Dillon]

Get on, Bunker. You, too. Spring.

[Chester]

Now. Well, we saw it, Marshall. We saw practically all of it. It was exciting and with no help from you. Oh, it was magnificent. The cavalry really got their own back this time.

[Matt Dillon]

What are you talking about?

[Chester]

The Indians.

[Narrator/Announcer]

The cavalry practically wiped them out.

[Matt Dillon]

What?

[Chester]

Yesterday, Marshall, just before dark. We were driving along the Arkansas and heard all that gunfire and commotion up ahead. And we got there just in time to see what few Indians were left running for their lives. They killed all but half a dozen of them. And they got that cheap little or two.

[Matt Dillon]

You saw this, Marshall?

[Chester]

We wouldn't be making it up, would we? And I might add that it's about.

[Matt Dillon]

Time we saw something around here in our sprig. I was talking to Doc Adams over there when you drove in. You know what he'd like to see?

[Chester]

No.

[Matt Dillon]

He'd like to see you and Bunker hung.

[Chester]

What?

[Matt Dillon]

And so would I.

[Chester]

What's the matter with you, Marshall?

[Matt Dillon]

Why did you tell me a soldier gave you that totem?

[Chester]

Oh, you. You found out.

[Matt Dillon]

Why did you lie about it?

[Narrator/Announcer]

Because you were choking me.

[Chester]

And because I didn't know what you do next or why. Wine.

[Matt Dillon]

You men robbed a Pawnee grave. You stole a totem. A totem of Little Hawk's clan.

[Chester]

That's all we took. Who cares about a savage idol anyway?

[Matt Dillon]

Little Hawk did. He went on a war path.

[Chester]

Nonsense, Marshall. Over a fool thing like that? Marshal, you're not standing up for a bloodthirsty redskin, are you?

[Matt Dillon]

I knew Little Hawk Sprig. He was a good chief. He was a brave man and a peaceful one till you shamed him.

[Chester]

Well, he's not shamed now, Marshall. He's a good Indian.

[Matt Dillon]

Now, you get out, both of you. You get out. Today. Enough men have died because of you. And you go back to New York, and when you get there, you write a story about a marshal who'd I like nothing better than handing you over a little hook. Maybe we're still alive.

[Narrator/Announcer]

In a moment. Our star, William Conrad.

[Kitty]

Chesterfield packs more pleasure because Chesterfield's more perfectly packed.

[Narrator/Announcer]

A cigarette made better and packed better smokes better, tastes better, and Chesterfield is more perfectly packed. By Accuray. This electronic miracle removes human error in cigarette manufacture. So accurate. Chesterfield is firm and pleasing to the lips, Chesterfield mild. Yet they satisfy the most.

[Matt Dillon]

You know, there's a saying on the frontier, kicking won't get you nowhere less than you're a mule. Well, next week a man complains that somebody's trying to kill him and isn't believed until it happens. But that was the West. Good night.

[Narrator/Announcer]

Gun Smoke Produced and Directed by Norman McDonald. Stars William Conrad as Matt Dillon, U.S. marshal. Our story was found specially written for Gunsmoke by John Mustin, with music composed and conducted by Rex Corey, sound patterns by Tom Hanley and Bill James. Featured in the cast were Harry Bartel, John Dana, Joseph Kearns, Lou Krugman and Ralph Moody. Barley Bear is Chester, Howard McNear is Doc and Georgia Ellis is Kitty. Live Modern Smoke L and M.

[Chester]

Only.

[Narrator/Announcer]

With L M can you enjoy the full, exciting flavor of today's finest tobaccos through the modern miracle of the pure white miracle.

[Chester]

Tip so light up, free up, let.

[Narrator/Announcer]

Your taste come alive. Live Modern Smoke L and M. Live.

[Chester]

Modern Change to L and M.

[Narrator/Announcer]

Join us again next week for another specially transcribed story on gun smoke.

[Chester]

Sam Sat Foreign.

[Andrew Rines]

This has been a presentation of otrwesterns.com and we hope you enjoyed. Please take some time to like and rate our shows in your favorite podcast application. Follow us on Facebook by going to otrwesterns.com subscribe to our YouTube channel by going to otrwesterns.Com YouTube and send us an email podcasttrwesterns.com you can call and leave us a voicemail 707-986-8739 this episode is copyright under the Attribution Non Commercial Share Like Copyright. For more information go to otrwesterns.com copyright have a great day and thanks for listening.