The Executioner | Gunsmoke (04-15-56)

Summary

Podcast Summary: Gunsmoke | OTRWesterns.com
Episode: "The Executioner"
Original Air Date: April 15, 1956
Release Date: July 31, 2025
Host: Andrew Rines

---

Introduction

"The Executioner," an episode from the iconic Western drama Gunsmoke, delves into themes of justice, revenge, and the moral dilemmas faced by lawmen in the untamed American West. Set in Dodge City, Kansas, this episode, originally aired on April 15, 1956, features intense character interactions and a gripping narrative that explores the fine line between upholding the law and seeking personal vengeance.

Main Characters

• Matt Dillon (William Conrad): The steadfast U.S. Marshal of Dodge City, dedicated to maintaining law and order.
• Morgan Curry (Morgan Curry): A ranch owner and longtime acquaintance of Matt Dillon, driven by personal loss.
• Tom Clegg (Tom Clegg): A former gunman with a vendetta, seeking retribution for past grievances.
• Kitty (Georgia Ellis): The owner of the local bar, serving as a confidante to Matt Dillon.

Plot Overview

Arrival of Tom Clegg

The episode begins with Morgan Curry expressing concern over a stranger, Tom Clegg, who arrives at his ranch. Tensions escalate as Clegg confronts Morgan and Abe, Morgan's brother, leading to a heated altercation. Clegg's aggressive demeanor and penchant for violence soon reveal his true nature as a seasoned gunman seeking to challenge Matt Dillon.

Morgan Curry [05:04]: "Well, now. Say, there is a good looking horse, Mr. Dillon. I'll."

Tom Clegg [05:20]: "Why don't you try me?"

Revelations and Backstory

As the story unfolds, it's revealed that Clegg and Dillon share a tumultuous history dating back to Las Cruces eight years prior. Clegg admits to killing a man from Las Cruces, emphasizing his transformation into a lethal gunman over the years.

Tom Clegg [06:36]: "I went back and I killed him."

Matt Dillon [07:04]: "You're telling me you turned gunman, huh?"

Morgan Curry's Plea

Morgan Curry approaches Marshal Dillon, seeking justice for his brother Abe's death at the hands of Clegg. He challenges Dillon's adherence to the law, arguing that legal avenues are insufficient when faced with a relentless killer.

Morgan Curry [09:52]: "Marshall, you've known me and Abe a long time."

Matt Dillon [10:14]: "The law says he can."

Morgan Curry [10:38]: "Look, Marshal, I ain't a coward, you know that. But there's no use my facing him. He'd kill me easy as he did Abe. Now, what good would that do?"

Escalation and Conflict

Clegg's continued provocations force Dillon into a moral quandary. While bound by duty, Dillon grapples with the desire to protect his town and honor his friends. The tension culminates in a confrontation where Clegg directly challenges Dillon's principles.

Tom Clegg [14:10]: "It's making me jumpy. I don't like being stared at all the time."

Morgan Curry [15:17]: "I don't know if you're fast enough for him, Marshall. You're the only man I do know who might be."

Climactic Showdown

The inevitable showdown occurs when Clegg, fueled by vengeance, confronts Dillon. Despite Dillon's reluctance to engage in personal retribution, the situation forces him to act decisively. The altercation results in Clegg's death, but not without significant personal cost.

Tom Clegg [19:27]: "Keep your eyes on mine, Marshall. I want to see the look in them when it hits you."

Morgan Curry [21:58]: "He murdered my brother and murdered me the same way. But we got him anyway, didn't we?"

Resolution and Aftermath

In the aftermath, both Dillon and Morgan reflect on the heavy toll of their actions. Dillon feels conflicted about becoming an executioner, while Morgan grapples with the loss and the justice served. The episode closes on a somber note, highlighting the perpetual struggle between law and personal vendetta in the Wild West.

Matt Dillon [22:36]: "But you know something, Doc? I feel like a hangman. He made an executioner out of me, and I don't like it."

Morgan Curry [21:58]: "He was right. He won. Even if they had to die to do it. Yeah."

Key Themes and Insights

1. Justice vs. Vengeance: The episode masterfully juxtaposes the principles of law enforcement against personal retribution, questioning the effectiveness and morality of each.

2. Moral Dilemmas: Matt Dillon's internal conflict showcases the emotional burdens carried by those tasked with maintaining order in chaotic environments.

3. Transformation and Identity: Tom Clegg's evolution from a hesitant individual to a feared gunman underscores the impact of circumstance and trauma on personal identity.

4. Community and Responsibility: Morgan Curry's plea highlights the community's reliance on its leaders and the desperation that can arise in the face of relentless threat.

Notable Quotes with Timestamps

• Morgan Curry [10:38]: "Look, Marshal, I ain't a coward, you know that. But there's no use my facing him. He'd kill me easy as he did Abe. Now, what good would that do?"

• Matt Dillon [07:04]: "You're telling me you turned gunman, huh?"

• Tom Clegg [14:10]: "It's making me jumpy. I don't like being stared at all the time."

• Matt Dillon [22:36]: "But you know something, Doc? I feel like a hangman. He made an executioner out of me, and I don't like it."

Conclusion

"The Executioner" is a quintessential Gunsmoke episode that delves deep into the complexities of justice in the American frontier. Through its rich character development and morally charged narrative, it offers listeners a poignant exploration of duty, loss, and the human condition. Matt Dillon's unwavering commitment to the law, juxtaposed with the personal anguish of losing loved ones, encapsulates the enduring struggle between upholding societal norms and addressing personal grief.

For fans and newcomers alike, "The Executioner" stands as a testament to Gunsmoke's ability to blend action, emotion, and philosophical inquiry, solidifying its place as a cornerstone of Western storytelling.

Transcript

[Morgan Curry]

Foreign.

[Andrew Rines]

Welcome to the Old Time Radio Westerns. I'm your host Andrew Rines. And before we get into this episode, I wanted to do a little PSA and remind you that I put out multiple shows a week of Old Time Radio Westerns. You can check them out by going to otrwesterns.com or looking up OTR Westerns on your podcast application of choice. We're releasing over 10 episodes a week so far, about a hundred a month. So definitely want you to check that out again otrwesterns.com and check it out. I also wanted to invite you to check out my sister podcast site, otnetcast. And that's N E T C A s t. So ot n e t c a s t netcast otnetcast.com we're currently releasing mystery genre shows and this is shows like the Shadow Escape, Suspense and the Whistler. And we have plans on bringing other shows to the network for you guys to listen to. So it's my non western old time radio channel that I can kind of do other genres that not only I like, but hopefully you would like too. You can check us out by going to otnetcast.com or searching T N E T C A S T on your podcast app of choice. Now let's get into this episode. This episode is going to be Gunsmoke original air dates April 15, 1956 and the title is the Executioner.

[William Conrad]

Gun Smoke brought to you by Chesterfield. Chesterfield packs more pleasure because it's more perfectly packed. Thanks to Accuray, they satisfy the most around Dodge City and in the territory on west. There's just one way to handle the killers and the spoilers, and that's with a U.S. marshal and the smell of gun smoke. Gun Smoke Starring William Conrad. The France fraud story of the violence that moved west with young America and the story of a man who moved with it.

[Matt Dillon]

I'm that man. Matt Dillon, United States Marshal. The first man they look for and the last they want to meet. It's a chancy job and it makes a man watchful and a little lone.

[Morgan Curry]

You know this fellow riding in Morgan? He's a stranger for sure. Abe. That brand on his horse, I can't even read it.

[William Conrad]

Good horse, though.

[Morgan Curry]

Joe. Get down, stranger.

[Tom Clegg]

Who are you men?

[Morgan Curry]

We're the Curry brothers. We own this ranch.

[Tom Clegg]

How far is it to dodge?

[Morgan Curry]

60 mile if you're riding a straight line.

[Tom Clegg]

I want some grain for my horse.

[Morgan Curry]

Where is it? Look, stranger, we got no grain. We're fresh out. Now, Abe, if he wants a little Grain. Then he can act more polite about it.

[Tom Clegg]

Oh, ain't I been polite enough for you? Maybe I oughta change my ways just for you.

[Morgan Curry]

What are you, anyway? Some kid who thinks he's a man.

[William Conrad]

Just cause he's wearing a gun for the first time?

[Tom Clegg]

Mister, I've been wearing a gun eight years, ever since I was 16.

[Morgan Curry]

That makes you 24 and still a kid. That ought to be taken out to the shed.

[Tom Clegg]

You aim to take me out, mister?

[William Conrad]

Somebody oughta.

[Tom Clegg]

A lot of men have tried. I guess it's your turn now. Go ahead. You're wearing a gun. Oh, now we won't have any fighting.

[Morgan Curry]

You watch your temper, Abe. The kid don't mean nothing.

[Tom Clegg]

The name's Tom Clegg. I ain't a kid.

[Morgan Curry]

All right, Clegg. Forget it.

[Tom Clegg]

You too, Abe.

[Morgan Curry]

Well.

[Tom Clegg]

Say you're sorry, mister.

[Morgan Curry]

Say what?

[Tom Clegg]

You heard me. You crazy. Maybe this will help you. Now draw.

[Morgan Curry]

No, Abe.

[Tom Clegg]

Abe. Don't move, mister.

[Morgan Curry]

You killed him. You killed my brother. Well, you hardly got his hand on his gun.

[Tom Clegg]

Why don't you try me?

[Morgan Curry]

Abe wasn't no gunfighter. Neither am I then.

[Tom Clegg]

I tell you what. You practice a little, I'll be in dodge for a spell. Come see me.

[Morgan Curry]

Well, now. Say, there is a good looking horse, Mr. Dillon. I'll.

[Matt Dillon]

Which one, Chester?

[Morgan Curry]

That big baby. That young fella's just getting off of there, huh, Wellaney?

[Matt Dillon]

Well, I wasn't looking at the horse, Justin.

[Morgan Curry]

Oh, you know that fella?

[Matt Dillon]

Yeah, maybe.

[Tom Clegg]

What are you people staring at?

[Matt Dillon]

Aren't you Tom Craig?

[Tom Clegg]

Matt Dylan?

[Matt Dillon]

At Las Cruces? About eight years ago, wasn't it?

[Tom Clegg]

Exactly eight years ago. I've changed some since then. Marshal Dillon?

[Matt Dillon]

Yeah, I'm a marshal. This Chester Proudfoot Clay.

[Morgan Curry]

How do you do.

[Tom Clegg]

Marshall, I suppose you're remembering how I didn't dare draw on that fella in Las Cruces.

[Matt Dillon]

You were smart not to. He'd have killed you.

[Tom Clegg]

Sure, I left there. I went out by myself. I practiced for two years every day. I got pretty good with a gun. Marshall, that fellow's dead now. I went back and I killed him.

[Matt Dillon]

Wasn't much of a quarrel.

[Tom Clegg]

I don't need much, Marshall. Oh, I killed a lot of men since then. But don't you worry about me. They always draw first.

[Matt Dillon]

You're telling me you turn gunman, huh?

[Tom Clegg]

I've got me a pretty fair reputation in New Mexico.

[Matt Dillon]

Now you want to be known in Kansas. That's why you came here.

[Tom Clegg]

I didn't say that.

[Matt Dillon]

I know you're kind Clegg, I ought to. I've killed enough of them.

[Tom Clegg]

Not me, Marshall. You ain't gonna kill me. I'm too fast for you and I'm too smart. I'll show you.

[William Conrad]

That whistling. Man, Bobby Haggart really started something tonight. The Calypso boys join in. Ready, Amig.

[Kitty]

Packs more pleasure, Packs more pleasure Chesterfield packs more pleasure Because Chesterfield's.

[William Conrad]

More perfectly packed it stands to reason A cigarette made better and packed better Smokes better, tastes better and Chesterfield is more perfectly packed by accuray this electronic miracle Removes human error in cigarette manufacture so Accuray Chesterfield is firm and pleasing to the lips Mild, yet deeply satisfying yes, Chesterfield gives you something no other cigarette can give you Chesterfield packs more.

[Kitty]

Pleasure Because Chesterfield's more perfectly packed to.

[William Conrad]

The touch, to the taste Chesterfield packs more pleasure because it's more perfectly packed by Chesterfield Mild, yet they satisfy the most.

[Morgan Curry]

Sam.

[Matt Dillon]

Oh, Chester.

[Morgan Curry]

Chester. I'm coming, Mr. Dillon. What was it you wanted?

[Matt Dillon]

You all throughout, sir.

[William Conrad]

Well, I'm through to one.

[Morgan Curry]

I was. Tries to open that back door again. I guess it won't never get fixed. Proper lesson. You just build us in, Morgan Curry. All right.

[Matt Dillon]

Come on in, Morgan.

[Morgan Curry]

Hello, Chester. Where's Abe at? About Abe, I come see the marshal.

[Matt Dillon]

Something wrong, Morgan?

[Morgan Curry]

Marshall, you've known me and Abe a long time.

[Matt Dillon]

I sure have.

[Morgan Curry]

Would you say I'm a man who tells lies?

[Matt Dillon]

You know the answer to that, Morgan.

[Morgan Curry]

And I'll say it short. A fellow rode up to the ranch day before yesterday and him and Abe got into a little argument. But Abe was about willing to call it off when this fellow slapped him.

[Matt Dillon]

And Abe went for his gun.

[Morgan Curry]

Never had a chance. Marshal. This fellow was the fastest man I ever seen.

[Matt Dillon]

You say his name, Morgan?

[Morgan Curry]

Tom Clegg.

[Matt Dillon]

Yeah, I thought so.

[Morgan Curry]

He's a killer, Marshall. He made Abe draw.

[Matt Dillon]

That's what he means about being smart.

[Morgan Curry]

No man can take being slapped. That ain't self defense, Marshall, and he can't claim it is.

[Matt Dillon]

The law says he can.

[Morgan Curry]

Look, Marshal, I ain't a coward, you know that. But there's no use my facing him. He'd kill me easy as he did Abe. Now, what good would that do?

[Matt Dillon]

I wish I could help you, Morgan.

[Morgan Curry]

Well, it ain't just me, Marshall. It's all the men he's going to kill before he's through. Somebody's got to stop him.

[Matt Dillon]

Somebody will. Someday.

[Morgan Curry]

Now, before he kills any more men. It's like poisoning a wolf. Don't you see that, Morgan?

[Matt Dillon]

I'm a lawman. When Tom Clegg breaks the law, I'll go after him.

[Morgan Curry]

But in.

[Matt Dillon]

Until he does, there's nothing I can do.

[Morgan Curry]

I don't know if you're fast enough for him, Marshall. You're the only man I do know who might be.

[Matt Dillon]

I'm not hired to gun men down, Morgan.

[Morgan Curry]

He's got to be killed.

[Matt Dillon]

And I'll admit the world would be.

[Morgan Curry]

Better off without him. You said something about his being smart. Now, he claimed that, and we'll see how smart he is. Marshall, Tom Clay's going to die. No matter what, he's going to die.

[Kitty]

You want another beer, Matt?

[Matt Dillon]

No, one's my limit, Kitty.

[Kitty]

One.

[Morgan Curry]

Oh, you're expecting trouble?

[Matt Dillon]

I didn't say that.

[Kitty]

One beer said it.

[Matt Dillon]

You know me too well, Kitty. But you're right about my expecting trouble.

[Kitty]

Well, I already knew about that. I've watched Morgan Curry following Clegg in and out of here for two days now.

[Matt Dillon]

I don't know what Morgan has in mind, Kitty, but I'm sure he doesn't plan to shoot Clegg in the back or anything like that.

[Kitty]

He isn't even carrying a gun.

[Matt Dillon]

Yeah, I know.

[Kitty]

He just stands around at a distance and sort of keeps an eye on Clegg. It's driving him crazy.

[Matt Dillon]

But Morgan's not carrying a gun. It's made Clegg helpless to do anything about it.

[Kitty]

Maybe he's trying to get him into a fist fight, Matt.

[Matt Dillon]

Ah, Clegg wouldn't fight him, Kitty. He knows he'd get torn apart.

[Kitty]

It beats me what he's up to.

[Matt Dillon]

I wish Morgan would go home and forget about it.

[Kitty]

Maybe it's you he's trying to shame, Matt.

[Morgan Curry]

Me?

[William Conrad]

What for?

[Kitty]

For not doing anything about Clegg murdering his brother.

[Matt Dillon]

It wasn't murder, Kitty. Abe drew first.

[Kitty]

The way I heard it, Clegg made him draw. And I don't care what the law calls self defense.

[Matt Dillon]

Well, I have to, Kitty. I have to care.

[Kitty]

Yeah, I know, Matt.

[Morgan Curry]

Well, there they are.

[Matt Dillon]

What?

[Kitty]

Clegg. He just went to the bar. Morgan will be along directly.

[Matt Dillon]

Yeah, well, you keep an eye on him, Kitty.

[Kitty]

Me keep an eye on him?

[Matt Dillon]

I got a ride out into the country tomorrow. I'm leaving before dawn so as I can get back early in the afternoon.

[Kitty]

Well, then you better get to bed. Good night, Matt.

[Matt Dillon]

I'll see you tomorrow, Kitty.

[Kitty]

Sure.

[Tom Clegg]

Marshall, I want to talk to you.

[Matt Dillon]

Go ahead, Clegg, talk.

[Tom Clegg]

It's about him.

[William Conrad]

Oh, Morgan.

[Tom Clegg]

Hey, Morgan, what are you calling him for?

[Morgan Curry]

You want me, Marshall?

[Matt Dillon]

Yeah. Clegg here wanted to talk to me about you, Morgan. I thought maybe you ought to hear it, too.

[Tom Clegg]

Sure, he can hear it. I want him to stop following me around, that's all.

[Matt Dillon]

Why tell me that, Clegg?

[Tom Clegg]

Cause you've got to stop him.

[Matt Dillon]

Me stop him? He isn't breaking any law.

[Tom Clegg]

He ain't wearing a gun. A dirty coward.

[Matt Dillon]

There's no law that a man has to wear a gun.

[Tom Clegg]

It's making me jumpy. I don't like being stared at all the time.

[Morgan Curry]

You got a guilty conscience about something, Clay?

[Tom Clegg]

You shut up.

[Morgan Curry]

Why don't you take your gun off and shut me up, Clay?

[Tom Clegg]

You hear him, Marshall? You see what a coward he is?

[Matt Dillon]

I can't help you, Clay.

[Tom Clegg]

Lock him up, Marshall. Go on, lock him up. You heard me?

[Matt Dillon]

Yeah, I heard you.

[Tom Clegg]

Then do it.

[Matt Dillon]

Not very likely.

[Morgan Curry]

All right.

[Tom Clegg]

You're wearing a gun. Are you a coward, too, Marshall?

[Matt Dillon]

Morgan, come outside. I want to talk to you.

[Morgan Curry]

Okay, Marshall.

[Tom Clegg]

You're both cowards. That's what you are. Cowards.

[Morgan Curry]

Why didn't you kill him in there, Marshall? That was your chance.

[Matt Dillon]

I'm not a gunman, Morgan. I'm a law man. Won't you ever understand that?

[Morgan Curry]

Maybe I'm beginning to.

[Matt Dillon]

Look, Morgan, it's no use. I'm not gonna fight, Clay. Now, you can't use the law for your own revenge. That's not what it's for. Now, why don't you forget this and go back home, Marshall?

[Morgan Curry]

Do you think I'm a coward because I won't put on a gun and let him kill me?

[Matt Dillon]

I don't know what to think, Morgan. You seem to be doing all the thinking these days.

[Morgan Curry]

My brother Abe was murdered, Marshall. He was murdered.

[Matt Dillon]

I'm sorry, Morgan, but there's nothing I can do. Now, good night.

[William Conrad]

Where are you? Listening to gun smoke in your favorite easy chair or out driving. Oh, there you are in the kitchen. Say you want to make whatever you're doing more enjoyable. Have a chesterfield. Enjoy Chesterfield's better taste and mildness. You see, Chesterfield packs more pleasure because it's more perfectly packed. A more perfectly packed cigarette gives you an open, easy draw that unlocks all the better taste and mildness of fine tobaccos. And Chesterfield, made by exclusive accuray is more perfectly packed with an even distribution of tobacco from one end of your chesterfield to the other. Firm and pleasing to the lips. Mild, yet deeply satisfying. Remember to the touch, to the taste.

[Kitty]

Chesterfield packs more pleasure because chesterfield's more.

[William Conrad]

Perfectly packed by chesterfield. Mild, yet they satisfy the most.

[Morgan Curry]

Hello, Mr. Dillon.

[Matt Dillon]

Oh, where Is everybody Chester? Why is the town so quiet this afternoon?

[Morgan Curry]

Everybody seen you riding in again, all right. They've been waiting for you to get back.

[Matt Dillon]

Waiting for me?

[Morgan Curry]

Why? I told them you'd be back early afternoon. There's trouble here this morning, Mr. Dillon.

[Matt Dillon]

You mean a shooting?

[Morgan Curry]

Yes, sir.

[Matt Dillon]

Morgan?

[Morgan Curry]

Yes, sir. It was Morgan. Yeah.

[Matt Dillon]

So he put on a gun after all, huh?

[Morgan Curry]

No, sir. He was unarmed. What? He ain't dead, though. At least not yet. He's up at dark. Where's Clegg? Clegg must have saw you ride in too. He's standing across the street now, behind you, there. Ah.

[Matt Dillon]

Well, I won't keep him waiting. I hear you shot another man, Craig.

[Tom Clegg]

He deserved it.

[William Conrad]

Did he?

[Tom Clegg]

I warned him about following me around. It drove me half crazy.

[Matt Dillon]

So you stopped him?

[Tom Clegg]

He slapped me. No man can take that.

[Matt Dillon]

No, not even his brother Abe could.

[Tom Clegg]

Say I plumb forgot about that.

[Matt Dillon]

You told me once how smart you are, Clegg. I guess you forgot about that too.

[Tom Clegg]

What do you mean?

[Matt Dillon]

Morgan was unarmed.

[Tom Clegg]

You gonna try to put me in jail, Marshall?

[Morgan Curry]

Mm.

[Matt Dillon]

I'm gonna try.

[Tom Clegg]

Now, you're forgetting I also told you.

[William Conrad]

I'm too fast for you.

[Morgan Curry]

Maybe you are.

[Matt Dillon]

I'm arresting you, Clegg.

[Tom Clegg]

Keep your eyes on mine, Marshall. I want to see the look in them when it hits you. That's the best part. Now.

[Morgan Curry]

Hello, Matt. Doc. I heard the shots Met. I see Clegg still lying there.

[Matt Dillon]

And if he's got any friends, they can move it.

[Morgan Curry]

I doubt if he has, man like that.

[Matt Dillon]

I guess not, Doc.

[Morgan Curry]

You did it the only way possible.

[Matt Dillon]

I was trying to arrest him, Doc. I didn't walk out there to shoot him down. How's Morgan?

[Morgan Curry]

With two bullets in him? He's doing as well as might be expected. I don't mean any of what he's dying, man. Now.

[Matt Dillon]

Now let's go see him.

[Morgan Curry]

Matter of fact, there's no reason at all he should have lived this long. I can't understand it. Most men would have died on the spot, shot up the way he was.

[Matt Dillon]

Morgan.

[Morgan Curry]

Marshall. I heard some shooting, didn't I?

[Tom Clegg]

Yeah.

[Matt Dillon]

Yeah, you did.

[Morgan Curry]

Was you in it? I was in plague. Steady.

[Matt Dillon]

That's how you wanted it, wasn't it?

[Morgan Curry]

That's how I wanted it. It's what I've been hanging on for. Morgan.

[Matt Dillon]

You knew he'd shoot you when you slapped him, didn't you?

[Morgan Curry]

I had him on edge, Marshall. I planned it that way.

[Matt Dillon]

I thought so. And you were willing to die just to get me to face him.

[Morgan Curry]

Huh? There wasn't no other way. I couldn't kill him myself.

[Matt Dillon]

Well, I can't say I admire your thinking, but you're sure not a coward.

[Morgan Curry]

He murdered my brother and murdered me the same way. But we got him anyway, didn't we? Didn't we, Mother? Well, he was right. He won. Even if they had to die to do it. Yeah.

[Matt Dillon]

But you know something, Doc? I feel like a hangman. He made an executioner out of me, and I don't like it.

[Morgan Curry]

I understand that matter, but you'll forget it. You'll forget it in time.

[Matt Dillon]

Yeah, sure. One more thing to forget.

[William Conrad]

In a moment, our star, William Conrad.

[Kitty]

Chesterfield packs more pleasure because Chesterfield's more perfectly packed.

[William Conrad]

A cigarette made better and packed better smokes better, tastes better and Chesterfield is more perfectly packed by accuray. This electronic miracle removes human error in cigarette manufacture. So accurate. Chesterfield is firm and pleasing to the lips. Chesterfield mild. Yet they satisfy the most.

[Matt Dillon]

On the frontier, bands of marauding Indians weren't too uncommon. And next week, during an attack, three people are killed, but not by the Indians. And that was the West. Good night.

[William Conrad]

Gunsmoke, produced and Directed by Norman McDonald. Stars William Conrad as Matt Dillon, U.S. marshal. Our story was specially written for Gun Smoke by John Meston with music composed and conducted by Rex Corey, sound patterned by Ray Kemper and Bill James. Featured in the cast were Sam Edwards, Vic Paran and John Dana. Harley Bear as Chester. Howard McMir is Doc and Georgia Ellis is kidding. Take a tip from the L and M people, the people who have put the pleasure back into cigarette smoking. Take the L and M miracle tip, the tip that lets all the flavor of superior tobaccos come rich, come clean, come easy. Once you light up an lm, you'll understand why we say they're so good to your taste, so quick on the draw. It's the pure white miracle tip that adds so much to your enjoyment. So make today your big red letter day change to L and M. Join us again next week for another specially transcribed story on gun smoke.

[Andrew Rines]

This has been a presentation of otrwesterns.com and we hope you enjoyed. Please take some time to like and rate our shows in your favorite podcast application. Follow us on Facebook by going to otrwesterns.com Facebook subscribe to our YouTube channel by going to otrwesterns.Com YouTube and send us an email podcasttrwesterns.com you can call and leave us a voicemail. 707986, 8739. This episode is copyright under the Attribution Non Commercial Share Like Copyright for more information go to otrwesterns.com copyright have a great day and thanks for listening.