
Original Air Date: July 24, 1960Host: Andrew RhynesShow: GunsmokePhone: (707) 98 OTRDW (6-8739) Stars:• William Conrad (Matt Dillion)• Parley Baer (Chester)• Georgia Ellis (Kitty)• Howard McNear (Doc) Special Guests:• Lawrence Dobkin• Vic Perrin• Jeann...
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Sasha
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Andrew Rines
Welcome to the Old Time Radio Westerns. I'm your host Andrew Rines and I'm excited to bring you another episode absolutely free. This is one of over 80 episodes released monthly for your enjoyment. Now let's get into this episode.
William Conrad
Around Dodge City and in the territory on west, there's just one way to handle the killers and the spoilers, and that's with a U.S. marshal and the smell of gun smoke. Gun Sport starring William Conrad. The story of the violence that moved west with young America and the story of a man who moved with it.
Matt Dillon
I'm that man. Matt Dillon, United States Marshal, the first man they look for and the last they want to meet. It's a chancy job and it makes a man watchful and a little lonely.
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Matt Dillon
You don't have to come with me, Chester.
Chester
I'm coming with John. Keeping up as best I can.
Matt Dillon
Well, if that's all the gumption you got, you're better off back at the office.
Chester
Well, just let me rest a little bit. But you don't.
Matt Dillon
What's the matter? Are you sick?
Chester
I. I just ain't got no spunk to me these days.
Matt Dillon
What? Have you seen Doc?
Chester
Oh, man, no. Last time I asked him you'd give me a tonic. He wanted to charge me a whole dollar for it, and at that, he wouldn't make no guarantee he'd cure me.
Matt Dillon
Look, Chester, I'm only going to the telegraph office. There's no need for you to come along now.
Chester
I don't want to shirk my job.
Matt Dillon
Will you go back to the office and lie down?
Chester
I couldn't do that, Mr. Stone.
Matt Dillon
Lying down is the best cure I know for being tired, Chester.
Chester
No, sir, it ain't. Pardon me. That's one of the worst things a body can do. Lay yourself down when he's tired.
Matt Dillon
It isn't.
Chester
Tis for me. I get to hear myself breathing so hard owing to how tired I am, and it just clean wears me out, listening to me breathe. Time, Dick. Well, no, I do declare.
Matt Dillon
What? What?
Chester
Look yonder. There's that nice little Miss Curtin loading her wagon over to Jonas's. Now, where at is Rob Curtin? And he ain't loading up his own wagon.
Matt Dillon
Well, I don't know, Chester, but I.
Chester
Well, you may be able to stand by and watch a lady do a man's work, but it's something I just cannot buy. Poor little thing like that. Lifting and heftening. Them big heavy things. None of them, Miss Curtin. You just leave them feed sacks to us, Miss Curtin.
Miss Curtin
Marshall. Chester. Well, they are might heavy for a.
Chester
Little bit of a thing like you, maybe, but for me, I. Here, you want to grab the other end of that potato sack, Mr. Dillon?
Matt Dillon
Well, you can make it, can't you?
Chester
If you don't mind, you try. No, mister, that'd be better for you.
Matt Dillon
All right.
Chester
Here we go.
Miss Curtin
Well, I do thank you, and just wait till I tell Rob who gave me a hand.
Chester
Anything else to go in, Mrs. Curtin?
Miss Curtin
Oh, not that I know of, Chester.
Matt Dillon
How is Rob anyway?
Miss Curtin
Fine and silk, thank you, Marshall. Well, you can see for yourself. Look here, Rob, all the Nice help I've had.
Rob Curtin
Hello, Marshall.
Chester
Well, now, I didn't know, but what you was home ailing her, maybe working one or the other.
Rob Curtin
Guess you two took care of all the heavy stuff. I was waiting on Jonas. He went out back to fetch me these nails. I'm much obliged to you.
Miss Curtin
You folks just never get out our way. I'll be pleased if you'd come take supper with us sometime.
Matt Dillon
That's very kind of you, Ms. Curtin. We better be starting back.
Rob Curtin
Thanks again for the help.
Matt Dillon
Don't mention it, Rock.
Chester
I suppose it's worth a small mansion. All right.
Miss Curtin
We'll hope to see you soon now.
Matt Dillon
All right. Well, aren't you gonna wave to him, Jesse?
Chester
Well, I'd like to, Mr. Don. I declare, I am just clean played out. Matt, do you know the sheriff? This sheriff. What's his name, Matt?
Matt Dillon
Captain Stringer. Not. I don't know him by name.
Miss Curtin
Might know him by sight in Miami, Texas.
Rob Curtin
That's a new name earlier.
Matt Dillon
That's town on the panhandle. Last time I rode through, it was too small to have a sheriff. Guess the cattle drives will fatten it up some.
Chester
Let me see that telegram again, will you?
Matt Dillon
Oh, yeah, sure.
Chester
Let me see here. It says, bringing prisoner in need your help meet afternoon stage. And it's signed, A.B.
A.B. Stringer
Stringer, Sheriff.
Rob Curtin
And it's Miami, Texas.
Chester
Yeah, that's what I thought. Yeah.
Matt Dillon
Something wrong?
Chester
Well, it doesn't say anyone's wounded or doesn't say anyone needs a doctor.
Matt Dillon
No, but it says he needs help. If he's had trouble, somebody's likely to be hurt.
Chester
Well, that fellow there is the last passenger they had. I sure didn't see two men get off together.
Matt Dillon
I didn't either, but that one's wearing a star. You A.B. stringer, mister?
A.B. Stringer
Well, you're bound to be. Marshall Dillon.
Matt Dillon
Yeah, that's right. This is Doc Adams.
A.B. Stringer
Proud to meet you, sir.
Rob Curtin
Yes, sir.
Chester
How did you.
Matt Dillon
Sir. Well, where is he, Stringer? Where's who? The telegram here says you're bringing in a prisoner.
A.B. Stringer
Do you mind if I look at that?
Matt Dillon
No, go right ahead.
A.B. Stringer
Thank you. I declare. Oh, I do declare. Well, one thing. He got my name right. I got to give him that.
Matt Dillon
Well, you sent this telegram, didn't you?
A.B. Stringer
Oh, I sent you a telegram, all right. Marshall Dillon. But know that fool Slim Ballou? You know him? Telegraph operator down to Dalhart?
Matt Dillon
Uh, no, no, I can't say.
A.B. Stringer
Well, I known him. I known him years. You know, we were jawing about me taking a fellow prisoner, all right. And I Guess that's what blew old Slim off of the track then.
Matt Dillon
You haven't got a prisoner then, huh?
A.B. Stringer
I not only haven't got him, Marshall, I'm counting on you to help me get him.
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A.B. Stringer
Well, now, they sure are a fierce looking crew, ain't they, Marshall?
Matt Dillon
Yeah, some of them look mighty rough all right, Stringer.
A.B. Stringer
Of course, I say these wanted pictures, they serve their purpose. Looking through them Keep a man in out of the heat or the rain or the cold. Ain't worth dried beans to help a man find the no account he's looking for.
Matt Dillon
They start a pretty good fire on.
A.B. Stringer
A cold morning, don't they though?
Matt Dillon
You haven't come across your man in these?
A.B. Stringer
No. Wouldn't be the first time I went fishing into a mess of these and didn't get my catch. Course, might be ain't stayed one place long enough to get his picture took.
Matt Dillon
That name you gave me, Sam Frazier, it doesn't mean a thing to me.
A.B. Stringer
Well, changing your name is just like rolling over in bed, Marshall. Taint everything to it. Changing your face, that's another story that comes a mite harder.
Matt Dillon
Yeah, but I've seen them try.
A.B. Stringer
Oh, yeah, Many's a time then they get by with it now and again. You know, I found out a long time ago, if a man sets out to fool you and he's half bright about it, he can get the job done.
Matt Dillon
But you know this Frazier, you'd know him.
A.B. Stringer
Oh, and he'd know me.
Matt Dillon
Well, here's the latest batch of wanted posters.
A.B. Stringer
Thank you.
Matt Dillon
If he isn't in them, we'll have to try something else, I guess.
A.B. Stringer
Yeah, we're used to that, you and me. Is that a fact?
Matt Dillon
Yeah.
A.B. Stringer
Always trying something else.
Matt Dillon
Yeah, that's the job.
A.B. Stringer
No, sir, Marshall. No, sir. You just ain't Got a picture of Sam Fraser in your collection?
Matt Dillon
Well, if you're pretty sure he's in Dodge, you better have a look around, I guess.
A.B. Stringer
Now, Marshall, I didn't come all this way on pretty sure I know he's in Dodge. Or was.
Matt Dillon
Tall, sandy haired fellows, about 30.
A.B. Stringer
That Sam?
Matt Dillon
Yeah, and about half the other men in Dodge.
A.B. Stringer
Well, just this one tiny difference in Sam. Marshall, he robbed a bank and killed a man.
Kitty
I tell you, Matt, wouldn't hurt to study Abel Wild. He's the best natured law man I've ever seen.
Matt Dillon
Oh, you got some kind of idea I'm not jovial, Kitty.
Kitty
You got some kind of idea you are.
Matt Dillon
No, no, I haven't.
Kitty
I'm about half serious though, Matt. Last night he was the last to walk out of here on his own two feet. Sam Noonan carried the other two out.
Matt Dillon
And who were they?
Kitty
Ruth Connors and Ed Crouch.
Matt Dillon
Stringer spent most of the evening with them. Did he?
Kitty
Didn't seem to me he was playing any favorites. One time or the other he played a hand of poker or had a drink with Evelyn here. Why?
Matt Dillon
I was just thinking. Rufe and Ed both fit the description of the man Stringer's trailing. Tall, Sandy haired, about 30.
Kitty
What had keed him from arresting one of them then?
Matt Dillon
Nothing, if he was the right man. Give me the name. Sam Fraser. Does that mean anything to you?
Kitty
Methodical. As long as I've lived here, I can't remember anyone named Fraser. Where's Ab today? He hasn't been in here.
Matt Dillon
He went off early this morning with Doc on some calls. Had an idea since he can't seem to find this Frazier in town, he might have hired on with some spread near here.
Kitty
Not a bad idea.
Matt Dillon
A man wanted for murder likely wouldn't stick in a town like Dodge too long.
Kitty
Well, I'll be done.
Matt Dillon
What's the matter?
Kitty
Rob Curtin just came in. I bet he hasn't been in here three times since he and Sarah got married.
Matt Dillon
Doesn't look like you'll make any money off of him. He's not stopping at the bar.
Miss Curtin
Hello, Rob.
Kitty
Oh, good to see you.
Rob Curtin
Ms. Kitty Marshall.
Matt Dillon
How are you, Rob?
Rob Curtin
Sarah asked me to drop this by for you. Miss Kitty, Huh? It's that mending she was to do.
Kitty
Well, thanks very much for bringing it in. Will you have a beer with us?
Rob Curtin
Oh, thank you, no. I. I gotta get back home. Just came in to switch those nails I bought from Jonas the other day. Seeing I was coming, Sarah said I should bring you by.
Kitty
Well, you tell her I'll have more for her to do next time she comes in, if she's got the time.
Rob Curtin
Sarah makes time, Miss Kitty. I don't know how she manages. She says she just can't abide idle hands. She'll be coming into town tomorrow or the next day.
Kitty
Fine. Sam will pay you. Rob.
Matt Dillon
Much obliged to you, Rob. You don't have any new hands at the ranch by any chance, do you?
Rob Curtin
Same old hands. Marshall, mine and Sarah.
Matt Dillon
You run that spread alone now.
Rob Curtin
You see something wrong in that?
Matt Dillon
No, nothing, except the hard work of it.
Rob Curtin
Oh, we're willing for that, Sarah and me. Well, afternoon to you.
Chester
Oh, now you're funny. Me again. Abstract.
A.B. Stringer
Oh, that'd be a full thing for me to try. It's the truth, Chester. Just ask Marshall Dylan. He been all through that part of Texas.
Chester
You mean. Tell me the whole of that town is dug out storm cellar.
A.B. Stringer
There are two buildings in that town that stand above the ground. That's what I'm telling you, man. Riding through at night, I swear there's no town there at all. And riding through in the light of day, he'd be sure of it.
Chester
Well, that makes folks living like sacks of potatoes. Of course, that's cool living. Dug down in the earth that way.
A.B. Stringer
And a panhandle summer will give you cause to want cool living. But it's the winds, you know, it's the cyclones. That's how come they live that way.
Chester
Well, a cyclone can't blow away where it's not standing there in the first place. I can see that.
A.B. Stringer
Sure. Now some folks say that that's how come nobody can talk a Texan down. Cause you see, anybody learns to talk against the wind like that, he ain't going to be out talked by no mortal man.
William Conrad
Well now.
Chester
You. You got me. So I don't know what's joshing in.
A.B. Stringer
Well, that don't really bother you, does it, Jim?
Chester
Oh, Moser, I can admire it. All this laughing and fun and seeing you got trouble you're hiding.
A.B. Stringer
Well, everybody's got troubles right enough.
Chester
Yeah, but you just ain't one bit closer to finding that Sam Fraser now are you?
A.B. Stringer
Well, I haven't found him yet. But now, you know, with all this looking behind me, I must be getting closer now, wouldn't you say?
Chester
My dude, you got away seeing the bright side for sure.
Matt Dillon
I'm sorry.
Chester
Oh, Miss Curtain. Oh, I am sorry.
Miss Curtin
My fault. Chester. Rob says if I don't quit backing out of doors, I'll get trampled one day.
Chester
Let me gather up your goods for you. Oh, Miss Curtin, this here is Mr. A.B. stringer.
Miss Curtin
Well, you're mighty kind to help, Mr. Stringer.
A.B. Stringer
I'm very pleased to meet you. It's Mrs. Curtin, is it?
Miss Curtin
Yes, sir.
Chester
Mrs. Curtin, won't we should just put these parcels in your wagon for you, ma' am.
Miss Curtin
Well, if you don't mind. Seems like you load my wagon more than Rob does lately, Chester.
Chester
Oh, he ain't with you today, huh?
Miss Curtin
No, he's at the ranch. I had just these few things to get and some errands to run. Rob says there wasn't any man's work to it. Now, you tell the marshal I was serious as could be about you taking supper with us just anytime you're out our way.
Chester
Oh, yes, ma' am.
A.B. Stringer
I'll do that.
Chester
I'll remind him.
A.B. Stringer
Sure.
Miss Curtin
Oh, and I thank you kindly for your help, Mr. Stringer.
A.B. Stringer
I'm glad to oblige you, lady. Ma' am. Here, allow me give you a hand up.
Miss Curtin
Thank you.
Chester
Here's your lines, man.
Miss Curtin
Next thing you know, you'll be driving me home. Goodbye to you.
Matt Dillon
Goodbye to miss.
Chester
Bye. I declare, if we don't get back to office, Mr. Young will think we walk seen out of town.
A.B. Stringer
You go on, Chester. I'm just going over to the stable for spell.
Chester
Well, now, you ain't thinking of riding off and leaving us now?
A.B. Stringer
If I told you, Chester, you'd swear I was fun on you again.
Chester
Well, I'd have told you sooner, but you and Clay was talking first along Mr. Jones.
Matt Dillon
That's not your fault, Chester. And we don't know if he followed Sarah Curtin. We just think he did swear.
Chester
I just can't get it through my head that he ain't abstringer the way he's been saying.
Matt Dillon
Clay says he can't be. And he ought to know. He's just up from Texas. He was there when they found Abstringer's buddy.
Chester
And they're pretty sure this fella we've been calling Ab is the one who killed him.
Matt Dillon
Well, Ab Stringer was bringing in a prisoner. And this man we know showed me Ab's credentials. So he must have killed him and stole his papers.
Chester
Just don't see how it could be. I swear I never met a nicer fella. And I sure never laugh so much.
Matt Dillon
Yeah, he's kept us all laughing, Chester. Maybe a little too.
Miss Curtin
In the name of heaven, what is this all about?
Rob Curtin
You shouldn't be out here in the barn, Sarah.
Chester
He'll kill you too.
A.B. Stringer
All you've Got to do is throw out the money. Sam, I don't have to kill you.
Miss Curtin
He keeps calling you, Sam. Tell him you're not who he thinks you are. Bob, tell him.
A.B. Stringer
You.
Rob Curtin
You spare my wife, I'll give you the money.
A.B. Stringer
Ain't got nothing against her.
Rob Curtin
I'm coming out. You wait where you are. It'll take me a minute to fetch the money.
A.B. Stringer
One minute. And then I start shooting again.
Miss Curtin
Sam. Bob Curtin, will you tell me what this is about? What money is there? Why does he call you Sam?
Rob Curtin
Well, it is Sam. A long time ago, before you, Sarah, I was Sam Fraser in this month. It's not mine.
Miss Curtin
Well, if it's his, why do they have to have a gun to get it from him?
Rob Curtin
It's not his, Sarah.
Miss Curtin
Rob, Then why? What is it? I don't understand.
Rob Curtin
Sarah, there isn't time. Maybe later. Maybe I can help you understand. Now, you stay here. You lie down flat while I take it to him.
Miss Curtin
I want to help you, Rob. Let me help you, then.
Rob Curtin
You stay there. Sarah.
A.B. Stringer
Sure sliced that minute kind of thing. Sambo.
Rob Curtin
I thought you were dead.
A.B. Stringer
Now, what kind of greeting is that? Between old friends, of course. I can see you'd a lot rather I was dead. You could have kept all that money.
Rob Curtin
You got your share years ago.
A.B. Stringer
Well, you was always more frugal than me, Sam. When I got to running again, I knew I could count on you. How come you still got it?
Rob Curtin
Most of it's there, but not all. I. I've been working. My wife's been working. I. I was gonna send it all.
A.B. Stringer
Back to the bank we robbed.
Rob Curtin
I got a life. I wanted to live it clean.
A.B. Stringer
And taking your ma's name, hiding behind it, that's your idea? Living clean?
Rob Curtin
It helped. Till now.
A.B. Stringer
Well, Sam, we killed a man.
Rob Curtin
I know I'm paying for that every day and night of my life.
A.B. Stringer
Minute I heard. Heard that name, meeting your woman, I knew my worries was done and gone.
Rob Curtin
You can live with what's passed, can't you? The killing, the.
Chester
The taking of the life.
A.B. Stringer
I got more killings than that to fret me, but I can live with them all fine. Now, I got this money. There's blood on it, but not enough. Sam, the way you're thinking, you're going to worry yourself to death. And I got to spare you that.
Rob Curtin
I haven't even got a gun.
A.B. Stringer
Well, I see, Sam boy.
William Conrad
So I see.
A.B. Stringer
Goodbye, Sam boy.
Matt Dillon
Here, hold it right there.
A.B. Stringer
Well, Marshall Dillon. Hey, we had an accident here.
Matt Dillon
I saw the whole thing, Ab. Oh, the only accident Was that I couldn't stop you in time. You gone to jail for murder.
A.B. Stringer
Now look here, Marshall. Rob Curtin.
Matt Dillon
I said you're going to jail. Now get your hands up.
A.B. Stringer
Not hardly. You. You got bright in a hurry, Marshall.
Matt Dillon
Not hurry enough.
A.B. Stringer
No.
Matt Dillon
You're dying.
A.B. Stringer
Well, I ain't lingering long. Marshall. You was helpful, you and Chester. Mind I told you, if a man sets out to fool you and he's half bright about it, he can get the job done. And.
Chester
Mr. Dillon, look yonder.
Matt Dillon
What? Sarah, you shouldn't have come out here.
Miss Curtin
Leave me be. I've seen it all. Yeah, they're both dead.
Matt Dillon
Sorry I was too late.
Miss Curtin
No matter. Not now anyway.
Matt Dillon
I'll take care of Rob for you.
Miss Curtin
You'll do no such thing. You good has killed him. You'll not touch him now.
Matt Dillon
But you can't manage it, sir.
Miss Curtin
Oh, you come here now is more gall than I understand. And telling me what I can manage. You got no idea that Marshall, Sir, I'm.
Matt Dillon
I'm sorry. I. I didn't know who he was. I lived three miles from Rob and didn't know who he was. These two years now.
Miss Curtin
I lived with him night and day these two years. He was Rob Curtin. And that's all he was. There was no Sam Fraser about him.
Matt Dillon
He had that money.
Miss Curtin
He offered it back. Your friend, Chester's friend. You're good as let him kill my rod. You're good as give him your leave.
Matt Dillon
It's not gonna be easy living with it, sir.
Miss Curtin
I hope it isn't. I hope you crawl with it the rest of your days.
Matt Dillon
I'm sorry, sir. I'm terribly sorry.
Miss Curtin
You're a Marshall. I know. Only question is, sorrow don't quite fix things, does it?
William Conrad
Gun Smoke produced and directed in Hollywood by Norman Macdonald stars William Conrad as Matt Dillon, U.S. marshal. The story was specially written for Gunsmoke by Kathleen Height with editorial supervision by John Meston. Featured in the cast were Lawrence Dobkin, Vic Paron and Jean Bates. Harley Bear is Chester, Howard McNear is Doc, and Georgia Ellis is Kitty.
Matt Dillon
Foreign.
William Conrad
This is George Walsh inviting you to join us again next week when CBS Radio presents another story on Gun Smoke.
Chester
SA.
Andrew Rines
This has been a presentation of OTRWesterns.com and we hope you enjoyed. Please take some time to like and rate this episode within your favorite podcast application. Follow us on Facebook by going to otrwesterns.com Facebook and subscribe to our YouTube channel by going to otrwesterns.Com YouTube become one of our ranch hands and unlock some exclusive content. We want to thank our most recent ranch hands, Steve and Technogod who joined us recently. You too can join by going to otrwesterns.com send us an email podcasttrwesterns.com and you can call and leave us a voicemail. 707-986-8739 this episode is copyrighted under the Attribution Non Commercial Share Alike Copyright. For more information go to otrwesterns.com copyright have a great day and thanks for listening.
A.B. Stringer
It.
Podcast Title: Gunsmoke | OTRWesterns.com
Episode: The Imposter
Host: Andrew Rines
Release Date: June 22, 2025
In the gripping episode titled "The Imposter", Gunsmoke delves into themes of identity, deception, and justice in the rugged landscape of Dodge City, Kansas. Hosted by Andrew Rines, this episode masterfully weaves a tale of suspense and moral ambiguity, showcasing the relentless pursuit of truth by U.S. Marshal Matt Dillon and his steadfast deputy, Chester. The narrative intricately explores the complexities of trusting appearances and the heavy burdens carried by those tasked with upholding the law.
Matt Dillon (William Conrad): The seasoned and principled U.S. Marshal of Dodge City, known for his unwavering dedication to justice.
Chester (Harley Bear): Matt Dillon’s loyal and sometimes comical deputy, providing both assistance and levity.
Miss Curtin (Georgia Ellis): A hardworking and strong-willed woman whose husband, Rob Curtin, plays a pivotal role in the unfolding drama.
Rob Curtin (Rob Curtin): Miss Curtin’s husband, initially appearing as a supportive rancher but later revealed to harbor a dark secret.
A.B. Stringer (Lawrence Dobkin): A seemingly trustworthy Sheriff from Miami, Texas, whose true intentions unfold as the story progresses.
Doc Adams (Howard McNear): The town's doctor, offering a grounding presence amidst the tension.
The episode commences with Matt Dillon and Chester receiving a telegram from Sheriff A.B. Stringer seeking assistance with a prisoner named Sam Frazier (07:44). Skeptical yet duty-bound, Matt agrees to investigate, bringing along Doc Adams to support their mission.
As Matt and Chester attend to Miss Curtin’s wagon, their interactions reveal the community’s intertwined relationships. Miss Curtin extends a warm invitation for supper, hinting at underlying tensions (06:25). Rob Curtin appears as a diligent rancher, though subtle discrepancies in his behavior begin to arouse Matt’s suspicions later in the episode.
Sheriff Stringer’s arrival introduces immediate tension. From the moment he reviews the telegram, doubts arise about his authenticity. Stringer mentions a fellow named Slim Ballou, hinting at previous conflicts and setting the stage for his concealed motives (08:07). His conversation with Matt reveals inconsistencies, particularly regarding the identity and whereabouts of Sam Frazier (12:09).
The narrative reaches a turning point when Kitty, the town’s bartender, provides insights into Sheriff Stringer’s interactions, juxtaposing his seemingly benign demeanor with suspicious actions. Her observations lead Matt to question Stringer’s true intentions further (13:08).
The climax unfolds in Miss Curtin's barn when Stringer confronts Rob Curtin, revealing himself as Sam Fraser, the very man involved in a past bank robbery and murder. The revelation forces a harrowing confrontation where Rob is coerced into handing over money (20:43).
As tensions escalate, Matt Dillon is faced with a moral quandary. In a desperate attempt to prevent further bloodshed, Matt intervenes, resulting in a fatal confrontation where he must shoot Stringer/Fraser to uphold the law and protect the innocent (24:11).
In the aftermath, Miss Curtin grapples with the betrayal, realizing that her husband Rob was living a double life as Sam Fraser. Her emotional outburst underscores the profound personal costs of deception and the relentless demands of justice (25:13).
Chester: "He just ain't Got a picture of Sam Fraser in your collection?" (12:15)
Matt Dillon: "If he isn't in them, we'll have to try something else, I guess." (11:59)
Stringer/Fraser: "You were bound to be, Marshall Dillon. Hey, we had an accident here." (23:33)
Matt Dillon: "The only accident Was that I couldn't stop you in time. You gone to jail for murder." (23:37)
Miss Curtin: "I lived with him night and day these two years. He was Rob Curtin. And that's all he was. There was no Sam Fraser about him." (25:41)
Matt Dillon: "I'm terribly sorry." (26:07)
Stringer/Fraser: "Well, Marshall, you just ain't Got a picture of Sam Fraser in your collection?" (12:15)
Matt Dillon: "You're dying." (24:13)
"The Imposter" masterfully captures the essence of Gunsmoke by balancing action with deep emotional and moral questions. Through Matt Dillon’s unwavering pursuit of justice and the harrowing revelations that challenge community bonds, the episode underscores the complexities of identity and the heavy toll of maintaining law and order in a frontier town. Not only does it provide thrilling narrative twists, but it also invites listeners to ponder the true cost of deception and the sacrifices made by those who serve to protect society.
Notable Quotes with Timestamps:
Matt Dillon: "What? Have you seen Doc?" (04:35)
Chester: "I just can't get it through my head that he ain't A.B. Stringer the way he's been saying." (19:18)
Miss Curtin: "You're a Marshal. I know. Only question is, sorrow don't quite fix things, does it?" (26:30)
Credits:
Gunsmoke is produced and directed in Hollywood by Norman Macdonald, featuring William Conrad as Matt Dillon, Lawrence Dobkin, Vic Paron, Jean Bates, Harley Bear as Chester, Howard McNear as Doc Adams, and Georgia Ellis as Kitty. The story was specially written by Kathleen Height with editorial supervision by John Meston.
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