The Photographer | Gunsmoke (05-06-56)

Summary

Gunsmoke: "The Photographer" – Detailed Episode Summary

Original Air Date: May 6, 1956
Release Date: August 5, 2025
Host: Andrew Rines
Platform: OTRWesterns.com

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Episode Overview

"The Photographer" is a compelling episode of the classic Western drama Gunsmoke, set in the bustling town of Dodge City, Kansas. This installment delves into the mysterious activities of Professor Jacoby, a self-proclaimed "artist of the camera," whose obsession with capturing authentic images of the Wild West leads to unforeseen consequences. As tensions rise and violence erupts, U.S. Marshal Matt Dillon finds himself entangled in a web of suspicion and danger.

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Plot Summary

Introduction of Professor Jacoby

The episode begins with Professor Jacoby attracting the attention of the townsfolk and Marshal Matt Dillon at the Long Branch saloon. Jacoby's ambition is to photograph the raw and violent essence of the West, aiming to sell these authentic images to an eager eastern audience.

• Key Interaction:
  • Professor Jacoby: "You're one of the subjects I most wish to immortalize with the camera." (05:30)
  • Matt Dillon: "Ah, so that's it. You're taking pictures, huh?" (05:10)

Suspicion Arises

As Jacoby meticulously sets up his camera, Marshal Dillon grows suspicious of his true intentions. The professor's insistence on capturing genuine violence for his photographs raises red flags, especially after the tragic discovery of Old Toad's scalped body.

• Suspicious Activity:
  • Matt Dillon notices unusual marks on the ground, indicative of Jacoby's use of a surveyor's stand for his camera (13:10).
  • A confrontation between Dillon and Jacoby unfolds, hinting at foul play behind Old Toad's death.

Unraveling the Mystery

Dillon investigates Old Toad's murder, uncovering connections between Jacoby and the incident. The marshal deduces that Jacoby may have orchestrated the murder to obtain the violent photograph he desires.

• Key Revelation:
  • Matt Dillon: "He'll hang for it." (15:00)
  • Professor Jacoby: "I'll manage no how. You'll see I'm a man of ideas, Marshall." (08:59)

Climax: Confrontation and Justice

The tension culminates when Jacoby is attacked and scalped by Cheyenne warriors in retaliation for desecrating a burial ground with his intrusive photography. Dillon and his deputy, Chester, arrive just in time to witness the aftermath, ensuring that justice is served by burying Jacoby and his accomplice Grubs.

• Final Moments:
  • Chester: "All this Indian sign." (19:05)
  • Matt Dillon: "It was murder. Whoever did it'll hang for it." (15:00)
  • Chester: "He tacked it. Fought one of them off and I ran and hid." (20:18)

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Character Interactions and Development

Marshal Matt Dillon

Marshal Dillon is portrayed as the steadfast and perceptive lawman, keenly observant of the underlying tensions in Dodge City. His interactions with Jacoby reveal his protective nature toward the town and its inhabitants.

• Quote: "Maybe you won't take it back east, Jacoby. This might be one picture you paid too high a price for." (15:31)

Professor Jacoby

Jacoby embodies the intrusive outsider, whose artistic ambitions blind him to the cultural sensitivities of the West. His obsession with capturing violence leads him to cross ethical boundaries, ultimately resulting in his demise.

• Quote: "The violence I'm after most of all. That's what will sell my photographs." (08:34)

Chester

Chester serves as Dillon's deputy, providing both assistance and a moral compass. His revelations about Jacoby's activities underscore the importance of respecting local customs and traditions.

• Quote: "I guess I shouldn't have done it, Marshall." (21:08)

Kitty Russell

Kitty remains the compassionate and insightful saloon owner, offering a contrasting perspective to Dillon's authoritative stance. Her unease with Jacoby's presence hints at the town's undercurrent of distrust.

• Quote: "I don't like that man. Oh, there's something about him. I don't know what it is." (11:47)

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Key Themes and Insights

1. Obsession and Ethics: Professor Jacoby's relentless pursuit of authentic violence for his photographs highlights the ethical dilemmas faced when artistic ambition overrides moral considerations.

2. Cultural Sensitivity: The episode underscores the importance of respecting local traditions and the devastating consequences that can arise from cultural insensitivity.

3. Justice and Vigilance: Marshal Dillon's unwavering dedication to justice exemplifies the role of law enforcement in maintaining order and protecting the vulnerable in a tumultuous setting.

4. The Price of Fame: Jacoby's desire for recognition and fame leads him to commit heinous acts, suggesting a critique of those who seek notoriety without regard for the harm they cause.

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Notable Quotes with Timestamps

• Professor Jacoby: "That's what I'm after most of all. That's what will sell my photographs." (08:34)
• Matt Dillon: "Then all you have to do is wait." (08:50)
• Chester: "He's liable to skip town on you." (16:07)
• Professor Jacoby: "The violence of the West. And it's the violence I'm after most of all." (08:34)
• Matt Dillon: "I think you won't take it back east, Jacoby. This might be one picture you paid too high a price for." (15:31)

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Conclusion

"The Photographer" masterfully intertwines themes of ambition, ethics, and justice within the rugged backdrop of Dodge City. Through the intricate portrayal of its characters and their moral compasses, the episode invites listeners to reflect on the true cost of ambition and the responsibilities that come with wielding power. Marshal Matt Dillon's quest to uncover the truth serves as a timeless reminder of the vigilance required to uphold justice in the face of obsession and moral ambiguity.

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This summary captures the essence of "The Photographer" episode from Gunsmoke, highlighting key plot points, character dynamics, and thematic elements. Whether you're revisiting this classic or discovering it anew, this overview provides a comprehensive understanding of the episode's narrative and underlying messages.

Transcript

[Chester]

Foreign.

[Andrew Rines]

Welcome to the Old Time Radio Westerns. I'm your host, Andrew Rines. And before we get into this episode, I wanted to do a little PSA and remind you that I put out multiple shows a week of Old Time Radio Westerns. You can check them out by going to otrwesterns.com or looking up OTR Westerns on your podcast application of choice. We're releasing over 10 episodes a week so far, about a hundred a month. So definitely want you to check that out again otrwesterns.com and check it out. I also wanted to invite you to check out my sister podcast site, otnetcast. And that's N E T C A s t. So ot n e t c a s t netcast otnetcast.com we're currently releasing mystery genre shows and this is shows like the Shadow Escape, Suspense and the Whistler. And we have plans on bringing other shows to the network for you guys to listen to. So it's my non western old time radio channel that I can kind of do other genres that not only I like, but hopefully you would like too. You can check us out by going to otnetcast.com or searching on your podcast app of choice. Now let's get into this episode. This episode is going to be Gunsmoke. Original Air date is May 6, 1956 and the title is the Photographer.

[Narrator]

Gunsmoke. Brought to you by Chesterfield. Chesterfield packs more pleasure because it's more perfectly packed. Thanks to Accuray, they satisfy the most around Dodge City and in the territory on West. There's just one way to handle the killers and the spoilers, and that's with a U.S. marshal and the smell of garbage. Gun smoke. Gun smoke. Starring William Conrad. The transcribed story of the violence that moved west with young America and the story of a man who moved with it.

[Matt Dillon]

I'm that man, Matt Dillon, United States Marshal. The first man they look for and the last they want to meet. It's a chancy job and it makes.

[Chester]

A man watchful and a little lonely. This walk is just what I needed, Mr. Dylan. I sure been sleepy today.

[Matt Dillon]

You got spring fever, Chester?

[Chester]

I guess so is nice weather, ain't it? Won't be long now. The cattle drive will be starting.

[Matt Dillon]

Yeah, and the streets will be full of Texas cowhands looking for trouble.

[Chester]

Yes, sir. But you know, I'm almost looking forward to them this year.

[Matt Dillon]

You know, come July, you'll be pining for this peace and quiet.

[Chester]

Maybe. But not right now. Maybe I'll just stop by the tonsorial, Mr. Dillon, if it's all right with you.

[Matt Dillon]

Not sure what for.

[Chester]

Well, like you said, it's spring. They got a bath there. Besides, it's time to get unsowed.

[Matt Dillon]

You better leave them on. We might have a late frost.

[Chester]

I don't know. I'm beginning to itch some and. Hey, what's that crowd in front of the long branch?

[Professor Jacoby]

I don't know.

[Chester]

You suppose tis Mr. Dillon. Hey, maybe it's a medicine show.

[Matt Dillon]

Well, let's go take a look, huh?

[Chester]

Whatever it is, that fellow sure has drew a crowd. And that's a fact, huh? There he is. Ms. Kenny's talking to him. Yeah, well, guess it can't be no trouble, man.

[Kitty]

Oh, hello, Max.

[Matt Dillon]

Oh, Kenny.

[Professor Jacoby]

Hey, Marshall.

[Chester]

You come to have your picture took, too? Yeah, the Marshall look real smart in the te. You tell him to.

[Matt Dillon]

Ah, so that's it. You're taking pictures, huh?

[Kitty]

That's right. Matt, this is Professor Jacoby. He calls himself an artist of the camera.

[Chester]

Well, forevermore. So this is one of them things I've been hearing about.

[Professor Jacoby]

That's right.

[Chester]

Keep your hands.

[Professor Jacoby]

Keep your hands off it, my good man. It's a very sensitive instrument.

[Chester]

Oh, yes, sir. I'm sorry.

[Professor Jacoby]

Well, you're Marshall Dylan, I take it, sir?

[Matt Dillon]

That's right.

[Professor Jacoby]

Well, I'm glad to meet you, Marshall. I was coming to look you up directly. Quite naturally. You're one of the subjects I most wish to immortalize with the camera.

[Matt Dillon]

Oh, is that so?

[Professor Jacoby]

Certainly, certainly. Western Marshall is one of our great heroes back east there.

[Chester]

Are you? Don't say.

[Professor Jacoby]

Oh, yes, yes.

[Matt Dillon]

Say, yes, sir.

[Chester]

Professor, what's that little tent for?

[Professor Jacoby]

Oh, that's where I do my developing, sir.

[Chester]

Oh, development?

[Professor Jacoby]

Why, of course. Pyro and soda, you understand. Well, and the plate must be developed immediately, before it dries.

[Chester]

Oh, now, miss.

[Kitty]

Well, I'm as ready as I'll ever be.

[Professor Jacoby]

You stand aside. If you'll just relax, miss. I'm not going to shoot you, you know.

[Kitty]

Okay, let me see now.

[Professor Jacoby]

That's not precisely what I'm after. What we need is another subject.

[Kitty]

I beg your pardon?

[Professor Jacoby]

Oh, another person. Ah, you, sir, would you step up, please? Yes, me. You like that?

[Narrator]

He's gonna immortalize old Toad. Just come right over here.

[Matt Dillon]

That's it. That's it.

[Professor Jacoby]

Now, miss, if you'll just stand beside him.

[Kitty]

Him?

[Professor Jacoby]

Well, anything for art's sake, you know. We want this to look absolutely authentic.

[Chester]

I think I'm gonna like this, Miss Kitty.

[Kitty]

Now, don't go getting any ideas, Toad.

[Matt Dillon]

Ah, that's fine.

[Chester]

That's fine.

[Professor Jacoby]

Now, miss, if you. You just look up at him with that. Well, you know what I mean.

[Kitty]

No, I don't know.

[Matt Dillon]

Well, professor, why don't you just take your pictures of people the way you find them? They'll be authentic.

[Professor Jacoby]

Oh, now, of course, Marshall, I meant no offense.

[Kitty]

That's all right, man. Go ahead, Professor.

[Matt Dillon]

Yes, of course.

[Professor Jacoby]

That's it.

[Chester]

Hey, where's he going?

[Professor Jacoby]

Ducking under that black cloth.

[Chester]

There you go.

[Matt Dillon]

I have a hard time crawling into that little box.

[Professor Jacoby]

That's good now.

[Narrator]

That's good.

[Professor Jacoby]

Now, don't take your eyes off the camera and don't move a muscle while I'm counting, you understand? All right, take a big breath. Hold it.

[Chester]

One Missouri, two Missouri, three missour, four missour, five Missouri, seven missour, eight Missoura, nine Missoura. 10 Missouri, 11.

[Professor Jacoby]

Good, good.

[Matt Dillon]

Well, ain't that something? Mr. Dylan, you know I want see that picture. Kitty, you look like the camera was a rattlesnake.

[Kitty]

It might as well have been. I'm glad it's over.

[Professor Jacoby]

And now, Marshall. Marshall, maybe you will oblige.

[Matt Dillon]

Well, no, thank you, Professor. Maybe later then.

[Professor Jacoby]

Perhaps I'll take one of these gentlemen. You, sir, you look like a gunfighter.

[Matt Dillon]

Grubs may try to look and act like a gunman, professor, but he's not very desperate. Oh.

[Professor Jacoby]

Oh, I see. Well, perhaps you have someone in your jail, Marshall.

[Matt Dillon]

No, not at the moment.

[Professor Jacoby]

I know what the Eastern public wants, sir.

[Chester]

What?

[Professor Jacoby]

It wants to see dance hall girls, desperados, gunfighters, savage Indians, the violence of the West. And it's the violence I'm after most of all. That's what will sell my photographs, professor.

[Matt Dillon]

Then all you have to do is wait.

[Professor Jacoby]

Wait? For how long?

[Matt Dillon]

Maybe a few weeks when the trail herds start coming.

[Professor Jacoby]

I haven't got a few weeks, Marshall.

[Matt Dillon]

I guess we can't help you.

[Professor Jacoby]

Well, don't worry, Marshall. I'll manage no how. You'll see I'm a man of ideas, Marshall.

[Narrator]

That whistling man, Bobby Haggart really started something. Tonight we'd like to introduce a player piano that could have come right out of the long branch in Dodge City.

[Kitty]

Packs more pleasure, packs more pleasure Chesterfield packs more pleasure Because Chesterfield's more perfectly.

[Narrator]

Packed Than it stands to reason A cigarette made better and packed better smokes better, tastes better and Chesterfield is more perfectly packed By Accuray, this electronic miracle removes human error in cigarette manufacture. So Accuray Chesterfield is firm and pleasing to the lips. Mild, yet deeply satisfying. Yes, Chesterfield gives you something no Other cigarette can give you Chesterfield packs more.

[Kitty]

Pleasure Because Chesterfield's more perfectly packed to.

[Narrator]

The touch, to the taste Chesterfield packs more pleasure because it's more perfectly packed by Chesterfield Mild yet they satisfy the most.

[Chester]

Sam.

[Kitty]

Morning, Ma.

[Matt Dillon]

Hello, Kitty. If you mind if I sit down.

[Kitty]

Well, I haven't yet, have I?

[Matt Dillon]

What are you grinning about?

[Kitty]

I saw your picture. What was that you said to me about rattlesnakes?

[Matt Dillon]

Yeah, it was pretty bad, wasn't it? Well, maybe if you didn't have to hold still for so long.

[Kitty]

Sure. Anyway, you're immortalized now. The professor will have your face all over the papers back.

[Matt Dillon]

Easy if they'll print it.

[Kitty]

Matt, seriously, I don't like that man. Oh, there's something about him. I don't know what it is.

[Matt Dillon]

Oh, he seems all right, Kitty. Maybe you're just not used to photographers.

[Kitty]

Well, neither are you, bill.

[Matt Dillon]

Yeah, Janice.

[Chester]

Mr. Dillon, you better come now.

[Matt Dillon]

What's the matter?

[Chester]

Out at the end of Bridge street, they just found old Toad. He's dead. Dead? But that ain't all. He's been scalped. What do you make of it, Matt?

[Matt Dillon]

I don't know, Doc. Neither do I.

[Professor Jacoby]

There hasn't been any Indian trouble lately. Surely no Indian come this close to town.

[Matt Dillon]

Doc, it wasn't an Indian. That's not the way they use a knife.

[Chester]

Well, then who did do it, Mr. Dillon? Old toad wasn't much good, but he never hurt nobody. There's another funny thing, Matt. Doesn't look like it was done right here, but like it was done over there by that building.

[Professor Jacoby]

And then he was dragged out here into the open.

[Matt Dillon]

Yeah, out in the open, into the sunlight. Wait a minute.

[Chester]

What are you looking for, Mr. John?

[Matt Dillon]

This right here, Chester.

[Chester]

Well, I. I don't see nothing.

[Matt Dillon]

Those three little marks on the ground there. You know what makes marks like that?

[Chester]

No, what?

[Matt Dillon]

The three legged stand I used for a surveyor's instrument or a camera. Camera?

[Chester]

Matt, no man would do that just for a picture.

[Matt Dillon]

There's one way to find out.

[Professor Jacoby]

Come in.

[Kitty]

Come in.

[Professor Jacoby]

Ah, Marshall.

[Matt Dillon]

Ah, professor, looks like you're packing. Are you going someplace?

[Professor Jacoby]

Yes, yes, Marshall. I've covered Dodge pretty thoroughly. Now I want to go out onto the plains and get some pictures. You know, buffalo hunters, Indians.

[Matt Dillon]

Aren't you leaving kind of sudden?

[Professor Jacoby]

What do you mean? I've been planning to go down into the Indian territory.

[Matt Dillon]

They might be pretty dangerous right now, Professor.

[Professor Jacoby]

Oh, I'm not timid, Marshall.

[Matt Dillon]

Oh, I know that. Did you hear there's Indian trouble starting? The man was scalped this Morning. Right here in Dodge.

[Professor Jacoby]

Yes, I heard something of it, but I'm not frightened.

[Matt Dillon]

Why not, Professor? Because you know it wasn't an Indian that did it.

[Professor Jacoby]

Just what do you mean, Marshall?

[Matt Dillon]

I'd just like to know how you were able to get there and take a picture at Toad before anybody else knew anything about it.

[Professor Jacoby]

Perhaps I was just lucky, Marshall. I met the man who found him.

[Matt Dillon]

I think it was more than luck.

[Professor Jacoby]

Are you accusing me of killing that man?

[Matt Dillon]

Maybe you didn't do it yourself, but I think you hired a doctor.

[Professor Jacoby]

Can you prove that?

[Matt Dillon]

I can when I find the men you hired.

[Professor Jacoby]

The whole thing is ridiculous, Marshall. Inside he was nothing but a scavenger, a derelict.

[Matt Dillon]

He was a man, and it was murder. Whoever did it'll hang for it.

[Professor Jacoby]

Well, it's no concern of mine. Unless, of course, I can take a photograph of the hanging.

[Matt Dillon]

You'll do anything for a picture, won't you?

[Professor Jacoby]

Well, almost anything, Marshall. Like I told that girl, anything for art's sake. And that was a good picture I got of Toad, Marshall. Perhaps you'd like to see it.

[Matt Dillon]

No, thanks.

[Professor Jacoby]

Well, it's going to be quite a feather in my cap when I take it back east to Harper's.

[Matt Dillon]

Maybe you won't take it back east, Jacoby. This might be one picture you paid too high a price for.

[Professor Jacoby]

Matt.

[Chester]

Why didn't you lock him up?

[Matt Dillon]

I got no proof against him, Doc, unless I can find the man who actually did it. And I got no idea who that is. Jacoby's been seen around town with a lot of men, but nobody's special.

[Chester]

He's liable to skip town on you.

[Matt Dillon]

I hope so.

[Professor Jacoby]

What's that?

[Matt Dillon]

I figure he's going down into Indian territory. He won't go alone. Even he's not that foolish. And a logical one to go along with him is a man he'd already hired to do a job for him. Yeah, that's so. Anyway, it's the last chance I got.

[Chester]

The town sure stirred up about it. You never thought old Toad had a single friend.

[Matt Dillon]

Sure, they're upset. They think it was Indians.

[Professor Jacoby]

And the professor put the picture on.

[Chester]

Display in the window of the Dodge house.

[Professor Jacoby]

Did you know that?

[Matt Dillon]

Yeah, I heard.

[Chester]

Maybe it was him started the talk about calling the cavalry out against the Indians.

[Matt Dillon]

Well, he'd like nothing better than an Indian war to photograph.

[Chester]

What kind of a man is that? I don't know, Mr. Dylan Moss Grimmick says a professor left town just before dawn this morning.

[Matt Dillon]

Alone?

[Chester]

Nope. Tom Grubs was with him.

[Matt Dillon]

Tom Grubs? Sure. A two bit would be gunman. All right. Now all we got to do is catch up with them.

[Narrator]

Where are you listening to Gunsmoke in your favorite easy chair or out driving? Oh, there you are in the kitchen. Say you want to make whatever you're doing more enjoyable. Have a Chesterfield. Enjoy. Chesterfield's better taste and mildness it stands to reason a cigarette made better and packed better smokes better, tastes better and Chesterfield is more perfectly packed by Accuray. This electronic miracle removes human error in cigarette manufacture. So Accuray Chesterfield is firm and pleasing to the lips. Mild, yet deeply satisfying. Yes, Chesterfield gives you something no other cigarette can give you.

[Kitty]

Chesterfield packs more pleasure because Chesterfield's more perfectly packed.

[Narrator]

To the touch, to the taste. Chesterfield packs more pleasure because it's more perfectly packed by Chesterfield. Mild, yet they satisfy the most.

[Chester]

I don't like it, Mr. Dylan. I don't like it a little bit.

[Matt Dillon]

What, Chester?

[Chester]

All this Indian sign.

[Matt Dillon]

Now you just keep your eyes open. We'll manage. I guess Jacoby will be happy. He should be getting all the pictures he can use. I notice he's stopped several times.

[Chester]

Pictures? I hope I never meet another photographer.

[Matt Dillon]

Maybe they aren't all like him, Chester.

[Chester]

Well, I hope not.

[Matt Dillon]

Hold up, Chester.

[Chester]

What, Mr. Jones?

[Matt Dillon]

Something over in that clump of weeds there. Marshall.

[Chester]

Marshall. White man. A white man, Mr. Dillon, is grabbed.

[Matt Dillon]

Yeah. Come on.

[Kitty]

Oh.

[Chester]

Oh.

[Kitty]

Marshall.

[Chester]

Mr. Dillon. He's been hurt bad. He's bleeding.

[Matt Dillon]

Yeah, he's been knifed.

[Chester]

Help me, Marshall.

[Matt Dillon]

Where's Jacoby?

[Chester]

Over there somewhere. I don't know.

[Matt Dillon]

I ran and hit. What happened?

[Chester]

Indian.

[Matt Dillon]

Cheyenne.

[Chester]

I told you, Colby, but he wouldn't. Wouldn't listen. Tried to tell him, but he wouldn't listen.

[Matt Dillon]

Told him what about?

[Chester]

About the burial ground. Bad enough just being here and then him trying to take pictures of the shay. There was only three of them when they saw him taking a picture at the burial ground. My goodness, that's bad, Mr. Dillon. They get awful mad when somebody fooled around the burying place.

[Matt Dillon]

What did they do? Grubbs.

[Chester]

He tacked it. Fought one of them off and I ran and hid. I guess they couldn't find me.

[Matt Dillon]

Grubs. Why don't you tell me about it?

[Chester]

About what?

[Matt Dillon]

About Toad.

[Chester]

All right, I'll tell you. Professor gave me a lot of money. I guess I shouldn't have done it, Marshall.

[Matt Dillon]

Yeah.

[Chester]

I didn't even get my picture took. Ain't that he sure was some gunman killing a helpless little old man for money.

[Matt Dillon]

Yeah. Now let's see about Jacoby. Now.

[Chester]

Hey, Mr. Dillon, you think them Cheyenne might still be around?

[Matt Dillon]

No, they just shot up by now. Just.

[Chester]

There's the burial ground. Hey, look, there's his camera.

[Matt Dillon]

Yeah, all smashed.

[Chester]

And his pictures all scattered around. My gracious.

[Matt Dillon]

Chester, over here.

[Chester]

That ain't a nice sight, is it, Mr. John?

[Matt Dillon]

There's a kind of justice in it, Chester.

[Chester]

Yeah, they did to him just what he had grubs do to old Toad.

[Matt Dillon]

Well, we better bury him then. Maybe we better gather up those pictures. What for? They'll send them back east for him. Maybe they'll be immortal like he hoped. Who knows, he might turn out to be a big hero.

[Chester]

And wouldn't that be something?

[Matt Dillon]

Yeah. Doubt there have been heroes like that before. All right, come on.

[Narrator]

In a moment, our star, William Conrad.

[Kitty]

Chesterfield packs more pleasure because Chesterfield's more perfectly packed.

[Narrator]

A cigarette made better and packed better smokes better, tastes better. And Chesterfield is more perfectly packed by Accuray. This electronic miracle removes human error in cigarette manufacture. So accurate. Chesterfield is firm and pleasing to the lips. Chesterfield mild. Yet they satisfy the most.

[Matt Dillon]

You know, at best, it was hard to scratch out a living on the high plains. But next week, hunger, disease and a baby combined to defeat a man. And that was the West. Good night.

[Narrator]

Gunsmoke Produced and Directed by Norman McDonald. Stars William Conrad as Matt Dillon, U.S. marshal. The special music for Gunsmoke was composed and conducted by Rex Corey. Sound patterns by Ray Kemper and Bill James. Featured in the cast were Lawrence Dobkin, Harry Bartel and James Nusser. Marley Mayer as Chester. Howard McNear is DOC and Georgia Ellis as Kitty. Live Modern Smoke L, M.

[Matt Dillon]

Change to.

[Narrator]

L and M. Live Modern Smoke Smoke L and M. Only with L and M can you enjoy the full exciting flavor of today's finest tobaccos. No other cigarette, plane or filter gives you the full, exciting flavor you get through the pure white miracle tip. So light up, free up, let your taste come alive. Live Modern Smoke L and M. Join us again next week for another specially transcribed story on gun smoke.

[Andrew Rines]

This has been a presentation of otrwesterns.com and we hope you enjoyed. Please take some time to like and rate our shows in your favorite podcast application. Follow us on Facebook by going to otrwesterns.com Facebook subscribe to our YouTube channel by going to otrwesterns.Com YouTube and send us an email podcasttrwesterns.com you can call and leave us a voicemail 707-986-8739. This episode is copyright under the Attribution Non Commercial Share Like Copyright for more information go to otrwesterns.com copyright have a great day and thanks for listening.