
(125) Magic Island - They Are Sinking
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Narrator
The magic island of Euclidea is rising from the sea. Not so long ago, the Euclideans submerged the island, taking it down to the bottom of the old volcanic crater and making everyone believe it had been destroyed. Now the island is coming out of the water again. This brings a very real danger to Captain Tex Bradford and Elaine Raleigh, who are attempting to imprison the Euclideans in their underwater city. When the island is above water, G47 and his men will have more openings for escape then Tex and Elaine can watch.
Narrator/Interviewer
How's it look to you now, Elaine?
Elaine Raleigh
The island is rising very slowly, but the tops of the defense chambers are showing above water.
Narrator/Interviewer
At that rate, we'll have a couple of minutes to work in.
Elaine Raleigh
And what can we accomplish?
Narrator/Interviewer
I'm not any too sure, but we've got to do our best to keep those fellows from getting loose.
Elaine Raleigh
You have only one charge of your solvent left, is that correct?
Narrator/Interviewer
That's right. Only one.
Elaine Raleigh
Then that may be used to guard only one exit. And when that island is above water, there are at least eight openings through which the Euclideans may escape.
Narrator/Interviewer
I know it. But we'll have to run a bluff of some kind.
Elaine Raleigh
I do not understand fully what you mean by bluffing, but this is the time to be sure what you are doing.
Narrator/Interviewer
Yes, if you can be sure. But when you can't bluff, then bluff quickly.
Elaine Raleigh
The island is rising.
Narrator/Interviewer
Have we got enough compressed air to taxi us around to the other side of the island?
Elaine Raleigh
I think not.
Narrator/Interviewer
It's our only hope.
Elaine Raleigh
I will try to cross the island. That is much shorter.
Narrator/Interviewer
Sure it is. But if the island comes up before we get across, what then?
Elaine Raleigh
Our position will be no worse than it is now.
Narrator/Interviewer
You are right, Elaine. All right, give it all you've got.
Elaine Raleigh
The jets are wide open. The air supply is diminishing very rapidly.
Narrator/Interviewer
We're getting across the island too. Hey, look out.
Elaine Raleigh
I will not strike that defense chamber.
Narrator/Interviewer
They can't open the doors in those things until the island is completely above water, can they?
Elaine Raleigh
Not without flooding the entire lower level of the island.
Narrator/Interviewer
Good. Now, when we get to the other side, Same we're scraping on the surface of the island.
Elaine Raleigh
It will be a very narrow margin, Captain, but I believe we will be over the side of the island before we are held by touching him.
Narrator/Interviewer
Let's hope you're right. We made it.
Elaine Raleigh
So I believe.
Narrator/Interviewer
Now cut your rudders around hard. We've got to get right back beside that elevator housing before we lose headway.
Elaine Raleigh
It will take only a few seconds to complete our circle.
Narrator/Interviewer
Things coming out of the water mighty fast now.
Elaine Raleigh
What is your plan, Captain?
Narrator/Interviewer
Now look, we'll want to stand by as near the elevator housing as possible. Near enough that I can reach out and break those bottles of solvent against the elevator door.
Elaine Raleigh
I see. Then that will allow your solvent to eat down through the surface of the island and the ocean will flood into that elevator shaft.
Narrator/Interviewer
Right. And if I remember the layout of this island, they can't shut off that water before it reaches the power rooms. And puts the whole island out of commission.
Elaine Raleigh
That is correct, Captain. Water going into this shaft will flood the entire island, forcing anyone within it to take refuge in the main city of Euclidea.
Narrator/Interviewer
That's what we're going to try to do, Elaine, and that's our only chance. When one of those doors opens, we'll warn whoever comes out that if they attack us or attempt to advance towards us, I'll break these bottles over the elevator housing and the solvent will eat its way into the island in five seconds.
Elaine Raleigh
An excellent plan, Captain. With the Euclideans driven back into the main city, we will have only the surface airlock to watch.
Narrator/Interviewer
Right. We're going to have to do something pretty soon. Looks as if that island is about on top.
Elaine Raleigh
It is now in position. Any moment we may expect to see a door open in one of the surface chambers.
Narrator/Interviewer
Well, I'll hold onto the side of this pier with one hand and hold the salvin in the other.
Elaine Raleigh
Is there no way in which I could help you, Captain?
Narrator/Interviewer
Afraid not. There's not much room in these little doorways.
Elaine Raleigh
Look. The central control chamber.
Narrator/Interviewer
Yeah, the door is opening.
Elaine Raleigh
One of the Euclideans is coming out on the surface.
Narrator/Interviewer
Well, I'll stop that. That's all for you. Don't come any near.
Thales
And what will you do if I advance upon you?
Narrator/Interviewer
I'll break these bottles of my solvent against this elevator housing. I'll flood your island.
Thales
That would be very foolish, Captain. Brentford.
Narrator/Interviewer
Well, that's what I'll do.
Elaine Raleigh
Try to find out what Thales has in mind.
Narrator/Interviewer
Suppose I break this bottle now what will you do?
Thales
Do you not see the Large ray gun protruding through the wall of this chamber at my side.
Narrator/Interviewer
I'm not afraid of your ray guns. You ought to know that those rays won't penetrate one of your own boats.
Thales
This ray will. We will use the metallic ray on you.
Narrator/Interviewer
What's a metallic ray link?
Elaine Raleigh
It will melt the metal of this plane as if it were wax.
Narrator/Interviewer
Well, Thales, looks just like. We stand here and look at each other for a while.
Thales
You will lower your salvage carefully into the water and release it.
Narrator/Interviewer
I will not.
Thales
Then we will turn the ray on your plane.
Narrator/Interviewer
Go to it. And when you do, I'll break those bottles on the elevator shaft. If we sink, we'll take this island with us.
Thales
It will mean your life.
Narrator/Interviewer
And without us on the surface to open these locks for you. It would mean the life of everyone on Euclidean.
Elaine Raleigh
Thales seems to be uncertain.
Narrator/Interviewer
I thought that might stop him for a minute.
Elaine Raleigh
Yes, he's going inside the chamber and closing the door.
Narrator/Interviewer
That gives us a little breathing spell.
Elaine Raleigh
Your position is most uncomfortable. Leaning far out the door with your arms extended.
Narrator/Interviewer
My arms are getting a little numb.
Elaine Raleigh
Why not use this respite to relax for a moment? Place the solvent on the floor of the plane.
Narrator/Interviewer
Afraid to? I'll bet you they're watching us right now. And the minute I take my arms in, they'll blow this plane to pieces with a metal ray.
Elaine Raleigh
Yes, that is quite likely. However, you cannot maintain that position indefinitely.
Narrator/Interviewer
Maybe not, but I can get out into the water and hold these things here a long time. Then when I get tired, you can get out and hold them.
Elaine Raleigh
Even so, that will give us only a few hours. It is well after noon now. In a few hours it will be dark. Then the Euclideans can attack us easily.
Narrator/Interviewer
I know it. But I want those few hours. If you'll hang on to that arm so I don't bump those bottles against the island. I'll slip out into the water.
Elaine Raleigh
Very well, Captain.
Narrator/Interviewer
Easy now. Don't bump those things together.
Elaine Raleigh
I would be careful.
Narrator/Interviewer
There we are. Now I'll keep floating here where I can support myself on the plane. We'll hold on until night at least.
Patricia Gregory
Patricia Gregory calling the plane. Gregory. Boat to Captain Bradford. Hello, Tex. Hello, Tex. Can you hear me?
Jerry
Gee, Mrs. Gregory, you can't raise them at all now.
Patricia Gregory
No, Jerry, I can't raise them at all.
Jerry
Joan and I went in and tried that little portable set in the captain's cabin. We thought maybe this set wasn't working just right.
Patricia Gregory
Yes, I know what you and Joan did, Jerry.
Narrator/Interviewer
You.
Patricia Gregory
And even though it didn't fool me. Thanks a lot for a grand gesture, huh?
Jerry
Now, Jerry, honest, I don't know what you're talking about. Mrs. Gregory.
Patricia Gregory
You don't remember having Joan use that portable transmitter, call me here, pretend to be Elaine, and tell me that all was well?
Jerry
Oh, I'm sorry. I guess we didn't do so well.
Patricia Gregory
It wasn't your fault, Jerry. Joan couldn't conceal the Euclidean training in her voice. Elaine has moved more often in the world, and she speaks as we do with very little effort.
Jerry
Yeah, I should have thought of that.
Patricia Gregory
We all could have thought of a lot of things, Jerry. And like yourself, we thought of them too late.
Jerry
Oh, now, Mrs. Gregory.
Patricia Gregory
I know what you're going to say, Jerry, and it's fine of you not to blame me for this, but after all, I started the whole thing looking for Joan. And I gave my permission for Tex and Elaine to attempt this wild flight.
Jerry
But, gee, Mrs. Gregory, we don't know for sure that anything's happened to them.
Patricia Gregory
Possibly not, but it's nearly dinner time and in a few minutes it'll be dark. And we haven't had a word from them since early morning.
Jerry
They said the island was being razed
Patricia Gregory
again, and that would mean Tex and Elaine captured or worse.
Jerry
Well, they wouldn't hurt Tex any more than they'd hurt any of us.
Patricia Gregory
But this time it's different, Jerry. They'll have Tex's formula. There won't be any further reason for them to treat us kindly.
Jerry
Well, quit worrying about for a little while.
Patricia Gregory
I'm sorry, Jerry, but I can't take it as kindly.
Jerry
That's what I mean. Be calm, like me.
Patricia Gregory
You don't realize that you've twisted all the buttons off your shirt.
Jerry
Huh? Well, how did I do that?
Patricia Gregory
Oh, just sitting there calmly twisting the buttons.
Jerry
Yeah, well, I'm not doing any better than you are.
Joan
Have you received any word as yet.
Patricia Gregory
Come in and close the door, John. There.
Joan
Yes, Hoover? You look very worried. What has happened?
Jerry
Nothing. Plenty of it.
Patricia Gregory
That's just the trouble, Joan. Nothing has happened.
Jerry
What have you been doing?
Joan
I have been in the pilot house with Mr. Johnson. He says we have made unusually good times.
Jerry
Good times?
Patricia Gregory
It seems to me that we've been crawling.
Joan
I do not understand just what has happened. But Mr. McLeod, the engineer, who has done something to the motors, and we have been going much faster than is safe for this boat.
Patricia Gregory
Good old man.
Jerry
Yeah. The boat holds together.
Patricia Gregory
The motors are making a terrible noise, and I suppose it isn't doing. But if we can arrive there by Noon tomorrow. Well, we may be in time to do some good.
Joan
Mr. Johnson says we will arrive at the position of Euclidea at daylight.
Jerry
Daylight?
Patricia Gregory
Joan, that is impossible.
Joan
I thought not, but we are within a few hours run of the island.
Patricia Gregory
Oh, if Tex could only know that it's getting dark and they'll be in some terrible position there with darkness coming on. And Tex will be figuring that we're 18 hours away.
Jerry
Daylight's only 12 hours away.
Joan
Mr. Johnson said we would arrive in 12 to 13 hours.
Patricia Gregory
Those six hours would mean a lot to Tex if he's waiting for us.
Jerry
If he's waiting for us, you know he's waiting for us.
Patricia Gregory
No, Jerry. I can only hope that he's still waiting.
Joan
Now, Mother, that feeling will not help.
Patricia Gregory
Oh, I'm sorry. You're both so cheerful and it all seems so hopeless.
Jerry
We could try him again on the radio if you want to.
Joan
Yes, Mother, we will try again.
Patricia Gregory
Very well. But we've been trying for hours.
Jerry
Maybe they're just too busy to answer us. Or maybe their radio's too weak. Or maybe they've gone onto the island to capture it.
Patricia Gregory
Or maybe a great many other things. But you don't believe it any more than I do.
Jerry
All right, I'm scared about what's happened to them, but let's try the radio anyway.
Patricia Gregory
We may as well. Patricia Gregory to Captain Bradford Gregory. Boat calling. Bradford. Hello, Texas. Pat calling. Hello, Tex. Can you hear me? We are within 12 hours of you. Can you hear me? We will be there in 12 hours. Hello, Tex. Hello, Tex.
Jerry
Oh, it's no good. Sure doesn't seem to be. But let's keep the receiver open anyhow.
Patricia Gregory
Do as you like, Jerry. I'm going out and walk around the deck.
Joan
Do you wish me to come with you, Mother?
Patricia Gregory
No, Joan dear. I want to walk quietly, all alone. I'll feel near at the. Tex outdoors. He's outdoors too.
Jerry
Gee, Joan, your mother's sure down in the dumps, isn't she?
Joan
I do not understand down in the dumps, Jerry.
Jerry
I mean, she's feeling bad.
Joan
Oh, Mother is very hopeless.
Jerry
Well, I feel the same way. But I thought if we acted cheerfully, it might make it a little easier for her.
Joan
Our radio message from the other cabin did not deceive her, did it? Not for a minute I thought it would not.
Jerry
If only we knew what text was going on.
Joan
Jerry, the radio standing. Island guard sinking. Hurry. Few hours will sink. Gregory. Hurry. Bradford sinking. Hurry. Oh, Jerry, that was Elaine.
Jerry
Yeah, and she and the captain are in trouble.
Joan
Serious trouble. They are thinking maybe they meant the island. No, Jerry. Their plane is sinking. Elaine said hurry.
Jerry
Well, look here, Joan. No matter what happens, don't tell your mother.
Joan
But Jerry.
Jerry
No, Joan. Not a word to her. We'll tell Johnson, the skipper and the engineer and they'll break this boat trying to get up to there. But it won't help her to worry your mother anymore. And maybe we'll be in time. Elaine said sinking. She didn't say sunk. And there's plenty of hope for some good luck between sinking and sunk.
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Carvana Customer
I sold my car in Carvana last night.
Thales
Well, that's cool.
Carvana Customer
No, you don't understand. It went perfectly. Real offer down to the penny. They're picking it up tomorrow. Nothing went wrong.
Elaine Raleigh
So what's the problem?
Carvana Customer
That is the problem. Nothing in my life goes as smoothly. I'm waiting for the catch.
Elaine Raleigh
Maybe there's no catch.
Carvana Customer
That's exactly what a catch would want me to think.
Elaine Raleigh
Wow. You need to relax.
Carvana Customer
I need to knock on wood. Do we have wood? Is this table wood?
Elaine Raleigh
I think it's laminate.
Carvana Customer
Okay.
Narrator/Interviewer
Yeah.
Carvana Customer
That's good. That's close enough.
Elaine Raleigh
Car selling without a catch Sell your
Jerry
car today on Carvana.
Elaine Raleigh
Pick up fees may apply.
Episode: (125) Magic Island - They Are Sinking
Date: June 15, 2026
Host: Harold’s Old Time Radio
This episode features the classic radio drama "Magic Island," immersing listeners in suspense as Captain Tex Bradford and Elaine Raleigh attempt to prevent the residents of the mysterious island, Euclidea, from escaping as the island rises back to the ocean surface. The show interweaves action, strategy, and the dangers of underwater adventure, with tension mounting as critical decisions and time pressure threaten both protagonists and their companions waiting nearby.
“You have only one charge of your solvent left, is that correct?”
— Elaine Raleigh (01:14)
Tex’s resolve in the face of danger:
“If we sink, we'll take this island with us.” — Narrator/Capt. Bradford (04:44)
Elaine’s unwavering logic:
“Our position will be no worse than it is now.” — Elaine Raleigh (01:48)
Patricia’s guilt and anxiety:
“I started the whole thing looking for Joan. And I gave my permission for Tex and Elaine to attempt this wild flight.” — Patricia Gregory (07:19)
Jerry’s attempt at optimism:
“That's what I mean. Be calm, like me.” — Jerry (08:02)
immediately undercut by acknowledgment of his own nervousness
Joan’s innocent misinterpretation:
“I do not understand down in the dumps, Jerry.” — Joan (10:55)
Tense, urgent, and deeply suspenseful, the episode captures the existential peril of classic adventure radio. The dialogue is crisp, strategic, and packed with quick exchanges, with frequent moments of dramatic irony and understated bravado. The parallel storylines—one of active peril, one of anguished waiting—underscore the stakes and inject a blend of hope, dread, courage, and compassion.
This episode of "Magic Island" leans into escalating tension as Tex Bradford and Elaine Raleigh balance courage and desperation to prevent the escape of their adversaries and possibly doom themselves with a single risky move. Meanwhile, their would-be rescuers confront increasing anxiety and must make tough choices with little information and mounting fear. The blend of action, suspense, and emotional honesty characterizes the best of Golden Age radio drama, leaving listeners eager for what will happen as day breaks on Magic Island.