
1st Nighter 1948-02-19 Oh Bury Me Not
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Larry Keating
Campana's first nighter program from the Little Theater of Times Square. Starring Barbara Luddy and Olin Soule. With an all star cast sent to you by Campana, the quality name in cosmetics. It's theater time on Broadway and tonight we're to witness the biggest event on the Great White Way. The premiere of a brand new play in the Little Theater of Times Square. There'll be plenty of excitement too, because the opening night performance is the crucial one the evening when the public and the critics say yes or no to the play's bid for success. And now here's our host for the evening, the genial First Nighter.
Announcer
Good evening, ladies and gentlemen. I'm just in the mood for a gay Broadway premiere this evening. Are you all right? Here's my cab. Won't you step in? Okay, driver, to the Little Theater up Broadway, across 42nd street and into the glare and glamour of the dazzling lights that give the Great White Way its famous name. And now up ahead is the Little Theater off Times Square. Well, here we are.
Mr. Lane
Isn't that beautiful creature over there Dorothy McGuire?
Announcer
Someone say Governor Buey's here tonight.
Billy Martin
Have your tickets ready, please. Have your tickets ready, please.
Mr. Lane
Good evening, Mr. Fur Snyder, the usher.
Billy Martin
Show you to your seats.
Announcer
Thank you. We'll go right in. Yes, indeed, ladies and gentlemen, this is a packed house tonight because word is out that this evening's play is a comedy that no one wants to miss. And from the looks of the first night is crowding inside the theater. Everyone is here to enjoy it. The program says the play is entitled oh Bury Me not from the pen of Bud Baldus Jr. And Dick Bell. In the stellar roles are those two favorites, Barbara Luddy and Olin Soule. With Ms. Luddy playing Anne La Texas rancher. And Mr. Soleil taking the part of Billy Martin, a city bred cowboy crooner. And what an all star supporting cast. With her Butterfield as Mr. Lane. Hugh Studebaker as Laramie, Barton Yarbrough as Wild Bill Smith and other well known names. The famous First Nighter Orchestra is being conducted tonight by Frank Wirth. And now the house lights are about to dim. So let's prepare to enjoy ourselves.
Laramie
Curtain.
Billy Martin
First curtain.
Announcer
There's the signal for first curtain. The house lights are out and here's the play.
Billy Martin
And the skies are not cloudy all day. Well, folks, that's all for today. This here's Billy Martin A bringing you songs of the Old West. Singing them the way me and my buddies used to sing them around the camp fire far on the lone prairie.
Wild Bill Smith
You've been listening to Billy Martin, the Texas Troubadour, brought to you by Zippies. The breakfast food was vitamins A, B, sunshine, C, D, E, F.
Billy Martin
Oh, keep me away from the lone prairie. Come in. Ah, here I am, Mr. Lane.
Mr. Lane
Well, what do you want?
Billy Martin
Why, you sent for me.
Mr. Lane
I did? I mean, why, yes, I did.
Billy Martin
Yes, sir, of course.
Larry Keating
Your lucky day, isn't it?
Mr. Lane
A brand new contract with Zippy's at the salary of.
Billy Martin
Yes, sir.
Mr. Lane
$200 a week.
Billy Martin
200?
Mr. Lane
Gee, yes. Sit down, Brubaker.
Billy Martin
Brubaker? Mr. Lane, I'm not Brubaker.
Mr. Lane
You're not?
Billy Martin
No. He's the Zippy's news commentator. You know, news and views by Brubaker.
Mr. Lane
Then who are you?
Billy Martin
Billy Martin, the Texas Troubadour.
Mr. Lane
Oh, well, in that case, you're fired.
Billy Martin
What?
Mr. Lane
I'm sorry, my boy, but the Zippy's people have decided to cancel your show.
Billy Martin
Cancel? My, my gosh, Mr. Lane, why?
Mr. Lane
It didn't say. But just between you and me, I think it's your singing.
Billy Martin
You do?
Mr. Lane
Yes, Brubaker.
Larry Keating
Martin.
Mr. Lane
Martin. Have you ever been in Texas?
Billy Martin
Well, no, but I go to all the movies.
Mr. Lane
That's not enough. Have you seen a large brown envelope around here anywhere?
Billy Martin
One sticking out of your pocket?
Mr. Lane
Oh, yes. Well, now, here's a map of Texas with instructions for finding my ranch. The Bar X.
Billy Martin
You're going to Texas?
Mr. Lane
No, no. You are.
Billy Martin
I am?
Mr. Lane
Oh, yes. The Bar X is run by my niece, Anne. She went to Vassar. But if you spend two or three weeks there, my boy, get the feel of the west in your voice. I may convince Sippies they'd make a mistake.
Billy Martin
Hey, not a bad idea.
Mr. Lane
But no one must hear of this. Since you're well known, you'd better travel incognito.
Wild Bill Smith
Yeah, anything you say.
Mr. Lane
Use a common ordinary Jones or Smith. Smith will do. Yes, Smith. I'll get going. Smith. Martin and I'll write. And you're coming. You won't forget Forget Brubaker, my boy. I have a memory like an elephant.
Larry Keating
Good heavens.
Mr. Lane
10.
Billy Martin
15.
Mr. Lane
Had an appointment at 10. Have you seen my hat?
Billy Martin
Yes, it's on your head.
Miss Anne
Oh, Laramie.
Laramie
Good morning, Miss Anne.
Miss Anne
Morning, Laramie. Thought I'd find you down here in the stable.
Laramie
Yeah, I've been trying to get a hold on Diablo for almost an hour now.
Miss Anne
Laramie, I don't want you risking your neck. You're much too valuable to me as a foreman.
Laramie
Well, now, since you put it that way.
Miss Anne
Laramie, do you remember Judge Carver telling us about Wild Bill Smith?
Laramie
Wild Bill Smith? You mean the rodeo rider?
Miss Anne
Yes. The one who claims he can tame any horse alive.
Laramie
Rodeo rider, dad? Blame Fancy Pants. What about him?
Miss Anne
Well, he. He's coming to the Bar X.
Laramie
You coming here? What for?
Miss Anne
Well, someone has to break Diablo, So I wrote Mr. Smith, and he's agreed to take the job.
Laramie
What?
Miss Anne
Now, you be careful. They say he's shot eight men.
Laramie
What for?
Miss Anne
Just because he didn't like the way they lit the cigarette?
Laramie
Is that a fact, Ann?
Miss Anne
Laramie, I want you to put a cot down here by Diablo's stall.
Laramie
Of course, Miss Ann. You fixing a bunk down here in the stable?
Miss Anne
No, but Mr. Smith is. Judge Carver tells me that he won't sleep anywhere but with the horses.
Laramie
Well, I'll be.
Billy Martin
Yes.
Miss Anne
Mr. Smith must be quite a man. And I'll bet he's riding across Texas right now.
Billy Martin
The stars at night are big and bright deep in the heart of Texas. Ah, Texas. Beautiful Texas. Where men are men. Hey, that's right. Where men are men. Yeah. Mustn't forget. Well, howdy, ma' am. I sure am pleased to make your acquaintance.
Miss Anne
Yeah.
Laramie
That was a mighty fine supper, Miss Anne.
Miss Anne
Thank you. Beautiful night out, isn't it?
Laramie
Yep, she sure is. Sun's almost down.
Miss Anne
I just love these quiet Texas evenings.
Laramie
Yeah, so do that.
Miss Anne
Good heavens, what was that?
Laramie
Looky there. Coming up the road.
Miss Anne
A car.
Laramie
That's the yellowst car. I have a dead seat.
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Wild Bill Smith
Howdy, folks.
Miss Anne
Well, hello, Laramie. I wonder who.
Laramie
Well, we'll soon find out at State case stranger.
Billy Martin
Oh, this be the Bar X Beant.
Laramie
Be. Who be you?
Billy Martin
Well, I thought. Yeah, I mean, I reckon you always expecting me.
Miss Anne
Oh, are you Mr. Smith?
Billy Martin
Smith? Yeah. Why, sure, sure, I'm Smith.
Miss Anne
Well, welcome to Bar X, Mr. Smith.
Billy Martin
Oh, thanky. Thank you. I reckon you all are.
Miss Anne
Ms. Lane, Ann, Mr. Smith, this is Laramie, my foreman.
Billy Martin
Howdy, Laramie. I said, howdy, Laramie.
Laramie
Fancy prince, huh?
Miss Anne
Now, Laramie, don't mind him, Mr. Smith. It's just that, well, he doesn't like rodeo riders.
Wild Bill Smith
He don't?
Laramie
That bother you, Smith?
Billy Martin
Well, no, no, certainly not. Why should it?
Laramie
Well, what part of Texas you come from, Smith?
Billy Martin
Uh, well, I'm not.
Laramie
You talk the queerest lingo I ever heard.
Wild Bill Smith
Well, I'm from Dogged, if you ain't.
Laramie
Wearing the fanciest cow suit in this whole panhandle.
Billy Martin
Yeah, right pretty, ain't it?
Laramie
First purple chaps I ever seen.
Wild Bill Smith
Bought em at Macy's.
Billy Martin
Here, have a weed.
Laramie
Now, what did I want with the weed?
Miss Anne
He means a cigarette, Laramie.
Billy Martin
Why, sure. Cigarette.
Laramie
Well, now, that's right neighborly. Oh, no, you don't.
Billy Martin
I don't what?
Laramie
You don't trap me. Fixing to offer me a smoke that'll leave me have it, huh?
Billy Martin
Have what?
Miss Anne
Laramie, stop acting like a child and take Mr. Smith's suitcase down to his bunk.
Laramie
Well, if you say so, Ms. Ann. I don't know what the weather coming in.
Billy Martin
Well, holy smokes, what's eating him?
Miss Anne
Oh, say, you must be starved.
Billy Martin
Yeah, I sure am.
Miss Anne
Well, come on in the house. Unless you'd rather eat in the stable.
Billy Martin
Stable? No, no, the house will be fine.
Miss Anne
Good. You know, Mr. Smith, you don't look at all like the sort of person who sleeps with horses.
Billy Martin
I don't? Well, I'm sure glad of that.
Announcer
And the curtain comes down on the first act of a nice play. And the little theater off Times Square.
Mr. Lane
Smoking in the outer lobby or down the.
Announcer
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Larry Keating
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Operator
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Larry Keating
But, but, operator.
Operator
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Larry Keating
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Operator
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Larry Keating
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Operator
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Miss Anne
Magic.
Billy Martin
Chicago. Magic Touch.
Miss Anne
Denver.
Billy Martin
Magic Touch. Minneapolis.
Operator
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Larry Keating
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Larry Keating
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Billy Martin
Curtain.
Wild Bill Smith
Second curtain.
Announcer
The first nighters are hurrying down the aisles to their seats. The lights are dimmed. And here's the second act of oh, Bury Me Not.
Miss Anne
Let's sit out here on the porch swing, Mr. Smith.
Billy Martin
Sure. I'm afraid I wasn't much company during dinner, Ms. Lane, or.
Miss Anne
Oh, that's all right. I knew you must be tired after that long ride today.
Larry Keating
Yeah.
Miss Anne
Driving a car can be quite a chore. Especially when one's used to a horse.
Billy Martin
Well, I wouldn't know about that.
Miss Anne
About horses. Oh, go on, Mr. Smith.
Billy Martin
What do you mean?
Miss Anne
Well, it's no use being modest. You're quite a famous person in these parts.
Billy Martin
I am?
Miss Anne
Tell me something, Mr. Smith.
Billy Martin
Yeah?
Miss Anne
Is it true that you've killed eight men?
Billy Martin
Why, sure. At least. What? What did you say?
Miss Anne
I said. Oh, good heavens. You don't want to talk about it now, do you?
Billy Martin
Well, but, but, but.
Miss Anne
I'll bet you'd much rather turn in.
Billy Martin
Well, I am tired.
Miss Anne
Well, you wait right here. I'll get a lantern. Then we'll walk down to the stable.
Billy Martin
The stable?
Miss Anne
Yes.
Billy Martin
All the way down there in the dark?
Miss Anne
Certainly.
Billy Martin
Why?
Miss Anne
Well, because you were tired.
Billy Martin
Oh. Ooh, it's dark in here.
Miss Anne
I light the landing.
Billy Martin
So this is a stable.
Miss Anne
What did you say?
Wild Bill Smith
Nothing.
Billy Martin
Nothing. Say, Anne.
Miss Anne
Yes?
Billy Martin
What's that funny smell?
Miss Anne
Why, horses.
Billy Martin
Ooh. What's that?
Miss Anne
Just Diablo.
Billy Martin
Who's he?
Miss Anne
A pretty mean horse. But I'll bet the two of you wind up good friends.
Billy Martin
You don't say. Well, I'm willing if.
Wild Bill Smith
And he is.
Miss Anne
Mr. Smith, what part of Texas do you come from? Your accent goes on and off like an electric light.
Billy Martin
Well, I don't. Hey, look, there's a cot in here.
Miss Anne
Yes, that's right.
Billy Martin
And a suitcase. Well, it's. My gosh. Who's sleeping here?
Miss Anne
Why, you are, Mr. Smith.
Wild Bill Smith
What?
Miss Anne
We know you like to sleep in stables.
Billy Martin
You do?
Miss Anne
Judge Carver told us.
Billy Martin
He did?
Miss Anne
That's why we put your cot down here.
Billy Martin
It is?
Miss Anne
Yes. Well, I. I know. You're a child.
Billy Martin
Oh, no, no, no. I'm wide awake.
Miss Anne
Get a good night's rest.
Billy Martin
But, Ann.
Miss Anne
Because you'll need it in the morning.
Billy Martin
I will.
Miss Anne
Good night, Mrs. Smith.
Mr. Lane
Hey.
Billy Martin
Hey, Anne. Come in. Holy smokes. What's this all about? You tell him, dabo boy. Hey, you want to be friends, don't you?
Wild Bill Smith
Here, I'll scratch you on.
Larry Keating
Wow.
Billy Martin
Nasty disposition. Me sleep with.
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Billy Martin
Sam. Oh, no, I don't. Get my suitcase.
Miss Anne
What?
Billy Martin
I'll get. Get out of here and sleep in the car, boy. Safe now to get to running out Earth.
Laramie
Smith. Laramie had you tabbed all along.
Billy Martin
Hey, put away that gun.
Laramie
Go on, get back in that stable. Wild Bill.
Billy Martin
Wild Bill?
Laramie
Get go. You're riding that horse in the morning.
Billy Martin
I'm what? Like you Agreed, like those eyes. He's insane.
Laramie
Get in there, Wild Bill.
Billy Martin
Yeah, sure Laramie, sure. Anything you say. Hey, hey, what are you doing?
Laramie
You're not leaving. I'll take the keys from your car to make sure. But first I'm locking you up for the night.
Wild Bill Smith
There's a stable tumble weed. Ain't no sense of waking folks up this time in the morning.
Laramie
Who?
Wild Bill Smith
I'll find us a place to bunker. My name ain't Wild Bill's mate.
Billy Martin
Hey.
Announcer
Hey.
Mr. Lane
Let me out.
Wild Bill Smith
What's going on in that stable? What? Thanks. Thunder was you?
Billy Martin
Hey, who are you? Well, never mind, never mind. We've got to get out of here and get a sheriff fast.
Wild Bill Smith
Is there something, Wampa George, old son?
Billy Martin
There's an old nut running loose around here with a gun as big as a cannon.
Wild Bill Smith
Well, holy cow.
Billy Martin
Say his is that horse gentle?
Wild Bill Smith
Oh, sure is.
Billy Martin
Well, can both of us ride him?
Wild Bill Smith
He's built like a ox.
Billy Martin
Well then let's get going. But be quiet.
Wild Bill Smith
Oh, don't you worry none. I'll be just as quiet as a little old mouse.
Laramie
All right, Smith. This morning your time's come. Just as soon as I get out of that stable we're going to saddle that horse. Then we'll see just what kind of a fancy pants bronc bust it. Will I be stable doors wide open.
Mr. Lane
Smith.
Laramie
Smith. Where were you? He's gone. Cleared clean out. Why that dirty sneak and two headed Maverick. Wait til I get here with my gunsnot.
Wild Bill Smith
Darn near day bus. Sun's coming up.
Billy Martin
For the love of Pete, how far is it to this town of empty saddles?
Wild Bill Smith
Oh, just a might, Moore. You could see it if it wasn't with that big old cactus up ahead.
Billy Martin
Oh, can't this horse go any faster?
Wild Bill Smith
No. Mighty strong, mighty slow.
Billy Martin
Gosh.
Wild Bill Smith
Hey, just what was going on back there at Bar Ex?
Billy Martin
Well, I'm not sure myself.
Wild Bill Smith
Well, keep talking.
Billy Martin
Well, it was a pretty crazy idea from the start.
Wild Bill Smith
Go on.
Billy Martin
I feel silly even discussing it.
Wild Bill Smith
I'm listening.
Billy Martin
Well, it's all Mr. Lane's fault. You see, apparently Laramie doesn't know that my. That Martin's name is Martin.
Wild Bill Smith
Why don't he?
Billy Martin
Well, because Martin said his name was Smith.
Laramie
That's right.
Wild Bill Smith
Peculiar. Cause my name is Smith.
Billy Martin
Is that so? Well, you see, I guess Ann didn't tell Laramie that Smith's name is really Martin because Mr. Lane asked her to keep it Quiet.
Wild Bill Smith
Because this is kind of confusing, ain't it?
Billy Martin
Yeah. Yeah. Well, anyway, this crazy Laramie got the idea that Smith said he'd ride a wild horse.
Wild Bill Smith
Oh, is that the truth?
Billy Martin
Yeah. And get this. He called him Wild Bill.
Wild Bill Smith
Wild Bill?
Billy Martin
Yeah, isn't that silly?
Wild Bill Smith
Are you telling me that there's a coyote on that rancher claiming to be Wild Bill Smith? Well, why that churn headed sippy cat.
Laramie
I'll bother.
Mr. Lane
No, no, no, no, no.
Billy Martin
Why get excited?
Wild Bill Smith
Because I'm Wild Bill Smith.
Announcer
You are?
Billy Martin
You're Wild Bill.
Wild Bill Smith
I sure am. And I'll bet you your britches that there's some skunk back there aiming to get my job.
Billy Martin
Oh, holy smokes, I'm beginning.
Wild Bill Smith
And if I find him, I'm gonna stomp his heart out.
Billy Martin
You will?
Wild Bill Smith
Whoa there, tumbleweed.
Billy Martin
Whoa, wait a doing.
Wild Bill Smith
I'm going back where we come from.
Billy Martin
But the sheriff.
Wild Bill Smith
Sheriff nothing. I'm going to handle this myself. But there's a feller on the bar exclaiming to be Wild Bill Smith. And I'm taking you back to point him out to me so as I can kill him.
Announcer
And the dirt comes down to the second act of tonight's play of the little theater on time Square.
Miss Anne
Hunting downstairs, the outer lobby only feet.
Announcer
And now, ladies and gentlemen, may I suggest that you stop and listen. For here is Larry Keating.
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Larry Keating
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Billy Martin
Curtain. Last curtain.
Announcer
The first nighters are all in their seats ready for the last act. And there goes the curtain.
Laramie
Missed. Dog defy. Ain't getting blind in my old age.
Miss Anne
Laramie, what are you doing with that gun?
Laramie
Practicing.
Miss Anne
But why?
Laramie
Ms. Ann, there's a snake around here somewhere.
Miss Anne
A snake?
Laramie
Yep, a two legged one. Good heavens, where I wished I knowed.
Miss Anne
Laramie, I'm sure I don't know what you're talking about.
Laramie
Well, I do.
Miss Anne
Well, never mind that.
Billy Martin
Now.
Miss Anne
Listen to me. The strangest thing has happened. Mr. Smith has disappeared.
Laramie
You don't tell me.
Miss Anne
His bunk in the stable wasn't even slept in and he's nowhere on this ranch.
Laramie
Is that a fact?
Miss Anne
But his car's still here. Laramie, something dreadful may have happened to him. We've got to find him.
Laramie
Yep, we sure do.
Miss Anne
Heaven's sake, Laramie, put away that gun and come help me.
Laramie
Now, Ms. Ann, you. You ain't stuck on that two legged. On that hombre, are you?
Miss Anne
Stuck on him? Whatever gave you such an idea? Of course I'm not.
Laramie
Well, that's all I wanted.
Billy Martin
No.
Laramie
Cause if he comes crawling around here again, I'm going to shoot him on sight.
Wild Bill Smith
Well, it sure is a Bar X, ain't it?
Billy Martin
Yes, yes, it certainly is, ain't it?
Wild Bill Smith
Well, get down off this horse, Barney.
Billy Martin
Now wait.
Wild Bill Smith
Get down. Dat dummy.
Billy Martin
All right, I'm down.
Wild Bill Smith
Where's everybody at?
Billy Martin
Probably still asleep. Yeah, let's come back later.
Wild Bill Smith
I'm sleeping.
Billy Martin
Hey, what are you doing?
Wild Bill Smith
I'm gonna ring your supper gong over here by the door and get them all up.
Billy Martin
No, no, no, don't.
Wild Bill Smith
And then when this feller Smith that's claiming to be me shows up, you point him out and I'm gonna plug him.
Billy Martin
Oh, no, no. Now for God's sake, wait. You know what? I got a better idea.
Wild Bill Smith
Well, start the talk.
Billy Martin
Well, look, you hide in this little clump of bushes.
Wild Bill Smith
What for?
Billy Martin
Well, I'll go around to the front door and tell him that somebody wants him at the back door.
Wild Bill Smith
Oh, that's a good idea.
Announcer
Sure.
Billy Martin
Okay. Well now you keep out of sight.
Wild Bill Smith
Oh, I sure will.
Billy Martin
Oh, now to find somebody and explain what this is all about.
Miss Anne
Mr. Smith.
Billy Martin
Ann.
Miss Anne
Mr. Smith, where on earth have you been?
Billy Martin
Shh. Don't call me Smith.
Miss Anne
Why not?
Billy Martin
Because Smith's back there looking for Smith.
Miss Anne
What on earth are you talking about?
Billy Martin
No, not here. Now come on. But listen, Ann, listen, there's been a terrible mistake.
Miss Anne
Well, something strange is going on here. Well, you see, Laramie's been pregnant with his gun for the last hour.
Billy Martin
Huh?
Operator
Yes.
Miss Anne
He keeps saying something about being after a two legged snake.
Billy Martin
Oh, holy smoke. That'll be me.
Miss Anne
There he is now.
Billy Martin
Hurry Anna. Come on back this way.
Miss Anne
I'm hurrying.
Laramie
But why, it's me.
Billy Martin
Quick, come on around the back of the house.
Miss Anne
I wish someone to tell me.
Wild Bill Smith
Get your hands up high.
Miss Anne
Good heavens. Who's that? Smith.
Operator
What?
Billy Martin
Never mind. Never mind. Keep going.
Wild Bill Smith
Wait a minute, Warner. How come you didn't say Smith was a lady?
Billy Martin
I can't stop.
Laramie
Stop or I'll shoot.
Billy Martin
Oh, this is it. Okay, Laramie.
Laramie
Reach for the sky.
Wild Bill Smith
Who is that?
Billy Martin
Just do as he says.
Wild Bill Smith
Why, sure. It's got to drop on me.
Laramie
Get away from them fellas.
Miss Anne
Ms. Ann and now, Laramie.
Billy Martin
Laramie, I can explain everything.
Laramie
Don't talk, son.
Billy Martin
But, Laramie.
Laramie
I said. Be quiet, Smith.
Wild Bill Smith
I don't say a word.
Laramie
Who's talking to you, stranger? I said Smith.
Wild Bill Smith
Well, I'm Smith. I'm Wild Bill Smith.
Laramie
I was that again, stranger.
Miss Anne
You're Wild Bill Smith, the rodeo rider?
Wild Bill Smith
Well, I sure am.
Laramie
Then who?
Billy Martin
Well, I'll see you boys later.
Wild Bill Smith
Get back here, Matt. You mean he's the one?
Billy Martin
Listen. Now, listen, I can explain.
Miss Anne
Why, you.
Wild Bill Smith
You imposter, You Slow down, copperhead. I ought to plug you right on the spot.
Laramie
You keep out of it.
Miss Anne
Now. No shooting, Laramie.
Laramie
Oh, I'm not going to plug him.
Billy Martin
Oh, gee, thanks.
Laramie
No. I got me a better plan.
Billy Martin
Huh?
Laramie
Start walking toward the stable. Won't get what? Smith, can you saddle the meanest critter on four legs?
Wild Bill Smith
Oh, why, sure.
Billy Martin
Oh, no, no, you can't do that now. It's murder.
Laramie
Keep walking, buster.
Miss Anne
And imposter Smith.
Wild Bill Smith
Quiet.
Laramie
Well, here's the stable.
Billy Martin
Oh, no. Now, you don't know what you're doing. I can't ride that wild horse up talking, son.
Laramie
What?
Miss Anne
Laramie, look.
Laramie
It's a big truck. It's running this way.
Miss Anne
Well, who on earth. Why, it's.
Billy Martin
Holy smokes.
Mr. Lane
All right, Ben, get this equipment set up right away. No time to lose.
Miss Anne
Uncle Jack.
Billy Martin
Mr. Lane.
Mr. Lane
Well, well. Anne. Larry, of me.
Laramie
Sorry, Mr. Lane.
Mr. Lane
Martin, my boy. Say, what's going on here?
Billy Martin
They're just trying to kill me.
Mr. Lane
Well, I forbid it. I absolutely forbid it.
Laramie
But now, Mr. Lane.
Mr. Lane
Now, let me put away that gun at once.
Laramie
Well, you.
Billy Martin
You're the boss, boy. Mr. Lane, am I glad to see you.
Miss Anne
Uncle Jack, who is this person?
Wild Bill Smith
Yes, somebody tell me.
Mr. Lane
Didn't I write you? Why, this is Billy Martin, the Texas troop at all.
Miss Anne
The Texas troop? The radio singer?
Billy Martin
Sure.
Miss Anne
Why, Mr. Martin, why didn't you tell her?
Billy Martin
My gosh, I've been trying to.
Wild Bill Smith
Texas.
Mr. Lane
True, but I. Smith.
Wild Bill Smith
Now, why, shucking Smith. Mr. Morton, I sure am proud to know you. I listen at you every morning while I eat my zippies.
Laramie
Zippies?
Mr. Lane
Good heavens. Hurry. Not a second to lose.
Billy Martin
What's wrong?
Mr. Lane
A mistake. Terrible mistake. That's why I'm here.
Miss Anne
Why are you here, Martin?
Mr. Lane
I fired the wrong man. It was the other fellow, Brubakel, I was supposed to let go. For the love of. Come, come, come. Now, hurry. You go on the air in Good heavens, 10 minutes.
Billy Martin
What are you talking about?
Mr. Lane
You see that truck? That's portable radio equipment. It is here, my boy. From now on, you're going to broadcast from this ranch.
Billy Martin
My gosh, I am?
Miss Anne
Well, Mr. Martin.
Mr. Lane
And you have a brand new contract with Zippy's at $500 a week.
Billy Martin
Golly, I have?
Mr. Lane
Oh, my idea. Brilliant. Now, one thing more.
Miss Anne
What, Uncle Jack?
Mr. Lane
Is there a horse anywhere around?
Billy Martin
A horse?
Mr. Lane
Yes.
Laramie
There's Diablo.
Billy Martin
Oh, no, no, no, not him.
Wild Bill Smith
Well, there's old Tumb.
Billy Martin
Yeah, well, that's better. But why?
Mr. Lane
Sensational idea, my boy. For the first time in radio history, a singing cowboy broadcasting directly from a horse's back.
Wild Bill Smith
And the skies are not cloudy all day.
Laramie
Folks.
Billy Martin
That concludes this first broadcast from Old Tumblewood. But before I sign off, I'd like you to meet the prettiest gal in Texas. We had a little misunderstanding, folks, but. Well, I reckon it's all cleared up. What do you say, Miss Ann?
Miss Anne
I reckon. What would you say, Laramie?
Laramie
Well, I reckon it. What did you say, Mr. Lane?
Mr. Lane
I say the three of you move up a bit. I'm about to slide off the rear of this horse.
Announcer
That's it, ladies and gentlemen, the courteous job of the last act of another original Broadway play. It's bloody and Mr. Solea bowing to an enthusiastic little theater audience. If you want to hear a truly gripping play, one that will hold you spellbound for every minute of the performance, tune in next week for the drama entitled A Story Revised. Here's the kind of play that you hear too seldom. So join us next week, same time, same station. And in the meantime, ladies, remember that you'll never know how pretty you can be until you try magic Touch. And now we move out of the theater and into the street.
Wild Bill Smith
Here's your cab, Mr. First Nighter.
Announcer
Thank you. Good night.
Larry Keating
Campana's first night of program, starring Olin Soule and Barbara Luddy, is a copyrighted radio feature. Tonight's play was pure fiction and did not refer to real people or actual events. Why take chances? Scratching a skin that's irritated by eczema, hives or rash may cause infection. Don't scratch. Use DDD Prescription, a doctor's formula that brings quick, soothing relief from skin discomfort. Ask for DDD prescription at your drugstore trial bottle 35 cents the first nighter.
Billy Martin
Program came to you over CBS where.
Announcer
99 million people gather every week. The Columbia Broadcasting System.
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Mr. Lane
No purchase necessary.
Billy Martin
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Podcast Summary: Harold's Old Time Radio – "1st Nighter 1948-02-19 Oh Bury Me Not"
Episode Information:
In this premiere episode of "Harold's Old Time Radio," listeners are transported back to the Golden Age of Radio with the charming play "Oh Bury Me Not." Hosted by Larry Keating, the episode captures the essence of 1940s Broadway premieres, complete with live theater ambiance and engaging storytelling.
Larry Keating welcomes the audience to the Little Theater of Times Square, setting the stage for the opening night of "Oh Bury Me Not," a comedy that promises to be a hit. Keating describes the excitement surrounding the crucial first performance, where both public and critical reception will determine the play's success.
Larry Keating (00:35): "There's the house lights about to dim. So let's prepare to enjoy ourselves."
The announcer paints a vivid picture of a packed house eager to witness the antics of beloved characters like Barbara Luddy’s Anne La Texas and Olin Soule’s Billy Martin.
The play unfolds with Billy Martin, a city-bred cowboy crooner, interacting with various characters, including Mr. Lane, the stern theater manager, and Laramie, the foreman. Early tensions emerge as Mr. Lane dismisses Martin’s singing quality, threatening to cancel his show due to his performance.
Mr. Lane (04:00): "200?"
Billy Martin (04:06): "200?"
Mr. Lane (04:05): "You're not Brubaker."
The plot thickens when Mr. Lane assigns Billy Martin a mission to Texas to refine his singing, introducing a map to the Bar X ranch and the enigmatic Miss Anne. This directive sets Billy on a journey that intertwines humor with the challenges of adapting to the Old West.
As the first act concludes, the second act begins with renewed tensions. Miss Anne introduces Wild Bill Smith, a rodeo rider with a notorious reputation, to the ranch. A comedic rivalry ensues when both Billy Martin and Wild Bill claim to be the real Smith, leading to a series of misunderstandings and humorous confrontations.
Expressions of confusion and identity mix-ups are highlighted through witty dialogues:
Billy Martin (14:35): "Is it true that you've killed eight men?"
Wild Bill Smith (14:38): "Why, sure. At least."
The interplay between Billy and Wild Bill reaches a peak as accusations fly, and the characters grapple with their true identities amidst the backdrop of Texas' rugged landscape.
The tension escalates when Mr. Lane intervenes, revealing a mix-up in hiring and clarifying Billy Martin’s true role as the radio singer. This revelation leads to a twist where Mr. Lane assigns Billy a groundbreaking task—broadcasting from a horse's back, blending technology with tradition in a novel approach to radio entertainment.
Mr. Lane (29:03): "From now on, you're going to broadcast from this ranch."
Billy Martin (29:55): "My gosh, I am?"
The final scenes bring harmony as misunderstandings are resolved. Billy Martin embraces his new role, and Wild Bill Smith accepts his identity, leading to a heartfelt conclusion where relationships are mended, and the future of the radio show looks promising.
Billy Martin (30:34): "What do you say, Miss Ann?"
Miss Anne (31:04): "I reckon."
Mr. Lane's ingenious idea of combining a singing cowboy with live broadcasting from horseback is lauded, marking a successful integration of innovation and traditional charm.
Larry Keating on Premiere Night:
“It's theater time on Broadway and tonight we're to witness the biggest event on the Great White Way.” (00:35)
Mr. Lane’s Dismissal of Billy:
“Because Brubaker has decided to cancel your show.” (04:30)
Identity Confusion Between Billy and Wild Bill:
“You imposter, You Slow down, copperhead. I ought to plug you right on the spot.” (27:37)
Mr. Lane’s Innovative Idea:
“Sensational idea, my boy. For the first time in radio history, a singing cowboy broadcasting directly from a horse's back.” (30:16)
"Oh Bury Me Not" serves as a delightful homage to the era’s radio plays, blending humor, drama, and innovation. The narrative cleverly intertwines the themes of identity, adaptation, and the clash between modernity and tradition. Billy Martin’s journey from a city singer to a cowboy crooner encapsulates the transformative spirit of post-war America, while Mr. Lane’s visionary approach highlights the era’s fascination with technological advancements.
The play also reflects societal dynamics, portraying strong, independent characters like Miss Anne and the rugged determination of Wild Bill Smith. The comedic elements, especially the mistaken identities, provide levity while underscoring the importance of authenticity and self-discovery.
"1st Nighter 1948-02-19 Oh Bury Me Not" succeeds in capturing the magic of old-time radio, offering listeners a rich tapestry of storytelling that is both entertaining and evocative of a bygone era. With its engaging characters, clever plot twists, and memorable dialogues, this episode stands as a testament to the enduring appeal of radio theater.
For enthusiasts of classic radio dramas or newcomers seeking a nostalgic experience, this episode of Harold's Old Time Radio is a must-listen, promising laughter, suspense, and a heartfelt journey through the heart of Texas.