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Narrator/Captain Kennelly
21st Precinct. Sergeant Collins. Yes, ma'. Am. This is the police department. Stole your purse. Well, who. What's his name? Do you know him? You're in the muster room at the 21st Precinct. The nerve center. A call is coming through. You will follow by transcription the action taken pursuant to that cause from this minute until the final report is written in the 124 room at the 21st Precinct. All right, I'll tell you what. You're right around the corner. Why don't you just walk into the station house? You can tell us all about it. That's right. You come in here. 21st Precinct. It's just lines on the map of the city of New York. Most of the 173,000 people wedged into the 9/10 of a square mile between Fifth Avenue and the east river wouldn't know if you asked them that they lived or worked in the 21st. Whether they know it or not, the security of their homes, their persons and their property is the job of the men of the 21st Precinct. The 21st. 160 patrolmen, 11 sergeants and four lieutenants, of whom I'm the boss.
Grace Burgess
My name is Kennelly.
Narrator/Captain Kennelly
Frank Kennelly. I'm captain in command of the 21st. It was 8:20am I had just turned out the platoon for the day tour and was in my office changing from my uniform, about to go off duty after having been on the job since the previous afternoon. Come in. I'd like to see you a minute, Captain. Oh, come in, man. Well, what have you got? I don't know, really, Captain. Maybe just an idea. Jan, you let a girl 50 cents to get home last night. That's right. I saw the US 61 this morning. Yeah, that's right. I had them take a complaint from her. She didn't know whether the man intended to steal her purse or whether she left it in his car by mistake. What about her? Well, from the way she described the car and the man, I think he's wanted for homicide and Robbery in Philadelphia. He and the fellow he's with just happened to see a wanted flyer yesterday. Everything fits like a glove. Well, her name and address is in the UF61. You can send out and talk to her. I'm going to Captain right away. While I finish changing. Lieutenant Matt King, the detective commander, used my telephone to call upstairs to the 21st squad. He instructed detectives Louis Deluca and Ralph Scanlon to come to my office immediately. We went into the lieutenant's room and found that Lt. Harry L. Snyder, the desk officer during the 12 to 8 tour, had not yet left the house. In my office, the detectives got such additional information as Lt. Snyder, who also had spoken to the girl and I possessed. Then, as I left the station house, the two detectives started to drive to Brooklyn to seek her out. A half hour later, they parked their car on a busy street in the Borough hall section and walked toward the entrance to a beauty parlor. It had started to rain. Every time I come to Brooklyn, it pours. That's because you're a giant fan. They look a little bit busy. And this is where all the husband's money goes. That looks like the boss.
Grace Burgess
Good morning, gentlemen.
Narrator/Captain Kennelly
Morning. Does the Ms. Grace Burgess work here?
Grace Burgess
Why, yes, she does. But she's not allowed callers during working hours. None of my operators are allowed callers during working hours. I make that a strict rule.
Narrator/Captain Kennelly
We'd like to see her. We're police officers.
Grace Burgess
Police officers? Oh. What's she got on?
Narrator/Captain Kennelly
Well, she hasn't done anything. We just want to talk to her.
Grace Burgess
Well, if you want to talk to us, you must have done something.
Narrator/Captain Kennelly
Just want to talk to her.
Grace Burgess
Do you really have to?
Narrator/Captain Kennelly
Yes.
Grace Burgess
Well, all right. Oh, I'll tell you about something. You can talk to her in my office. It's right over there. Now, please don't make a mistreat and disturb any of my customers. I have a high class clientele.
Narrator/Captain Kennelly
There won't be any trouble.
Grace Burgess
Well, I'll bring her right away.
Narrator/Captain Kennelly
You'd think we were poisoned. Let's go in and wait, huh? This must be a nice business for the boss, I guess. I don't think the girls make too much come. Do all right with tips, I hear. You think this is going to amount to anything? Pretty thin. Well, you can't tell. It might be the right guy. We'll see fast enough, I guess.
Grace Burgess
Here she is. Go in, Grace.
Narrator/Captain Kennelly
Good morning.
Grace Burgess
Good morning. Now, don't keep her too long. Her book is full of appointments and I'll have to take Mrs. Terry myself.
Narrator/Captain Kennelly
No, we won't keep her long.
Grace Burgess
Oh, do you want me to stay? As a witness, I mean.
Narrator/Captain Kennelly
No. No, thank you. That won't be necessary.
Grace Burgess
Well, all right, if you say so.
Narrator/Captain Kennelly
We're sorry to disturb you at work, Ms. Burgess, but this may be important.
Grace Burgess
It's important. I guess it's all right.
Narrator/Captain Kennelly
I'm Detective Val Scanlon. This is Louis Deluca.
Grace Burgess
How you do?
Narrator/Captain Kennelly
We're from the 21st Squad in Manhattan.
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Oh.
Grace Burgess
Is it about what happened when I was there last night?
Narrator/Captain Kennelly
In a way, yes.
Grace Burgess
You see, that doesn't seem very important. It's not important enough to bring you all the way over to Brooklyn.
Narrator/Captain Kennelly
Well, it might have a connection with something important. You reported your purse was stolen last night. Now, would you mind telling us exactly how it happened?
Grace Burgess
Well, I didn't say it was stolen exactly. I just think you told the captain. It might have been a mistake.
Narrator/Captain Kennelly
Yeah, we know.
Grace Burgess
Have you got a cigarette? He doesn't let us carry them in our uniform pocket. Martha told the cat. Hank, I was in this bar last night by myself. Where? In Brooklyn, on Nelson Avenue. Michelle and I. He was alone, too. We started a little conversation.
Narrator/Captain Kennelly
He told you his name was Carl?
Grace Burgess
That's right, Carl. Carl Borg. Well, we got to talking, and one thing led to another, and he asked me if I'd like to go to a party. Party with a whole lot of people. Well, he seemed like a nice enough boy, and I didn't have anything to do, so I said yes. Well, the party turned out to be in New York.
Narrator/Captain Kennelly
Didn't that make any difference?
Grace Burgess
Well, I didn't find out about it till we were on our way. It was a pretty night, and I didn't mind the ride. Anyway, we got to the party and there were lots of people. Everybody's having a good time.
Narrator/Captain Kennelly
Do you remember where the party was? Where? In New York?
Grace Burgess
Well, I don't know the street names or anything. I don't know much about New York. Up around there on the east side someplace. So there were all these people, and we started to have a good time. Dancing, drinking. They had wonderful food, you know, that real fancy stuff imported. And they had champagne.
Narrator/Captain Kennelly
The report said you left early.
Grace Burgess
It wasn't really early, I guess, but it was. First I was having a good time like everybody else. And then this other fella, this Bob or Rob or something. It was his apartment, I think. Well, he started to get fresh. He wouldn't let me alone. So I said to Carl, come on, take me home. Well, Carl wanted to stay and so forth. And anyway, I finally talked him into going? Well, we got in his car, but as soon as he left the house, he tried to talk me into going back. Finally, I said I didn't want to, so he stopped the car and he practically kicked me out. Well, my purse was on the front seat. It was $14 and some change in it. I don't think he meant to steal it.
Narrator/Captain Kennelly
How did you get to the police station?
Grace Burgess
Well, I never sent him my name, and I was mad and wondering what to do. And finally I asked somebody where the police station was, and I walked over
Narrator/Captain Kennelly
there and told him.
Grace Burgess
What happened? Well, the captain was very nice. He left me 50 cents, and I got subway back to Brooklyn. Oh, I'd like to give you the 50 cents to pay back the captain. That was very nice of him. I was going to mail it today, but you can give it back. Will you?
Narrator/Captain Kennelly
Oh, sure.
Grace Burgess
But I don't understand why you had to come all the way to Brooklyn after I was only $14. $14 means a lot to me. But it wasn't a big crime. I don't even know if Kyle meant to take it. I don't think he did.
Narrator/Captain Kennelly
Well, all complaints on theft come to the detectives. And we saw your complaint this morning. We've been looking a long time for two fellas like that. No, this is Carl Brighter, but he answers the description you gave. And he drives the same kind of
Grace Burgess
car with the green body and the black top?
Narrator/Captain Kennelly
Yeah, that's right. Is this a picture of him?
Grace Burgess
Yeah. Yeah, that's him. He's a criminal. I didn't know it on him.
Narrator/Captain Kennelly
No way you could have known. Show her the other picture, Ron.
Grace Burgess
Nice of him, boy.
Narrator/Captain Kennelly
You recognize this one?
Grace Burgess
That's the one that tried to get rough with me. That Rob or Bob or something was his apartment we were at.
Narrator/Captain Kennelly
His name is Rick Nayland.
Grace Burgess
Almost got mixed up with some crowd, didn't I? What'd they do? What are they?
Narrator/Captain Kennelly
The two of them were wanted in Philadelphia. They stuck up a payroll messenger shot and killed them. Now, you think you could remember where that building was?
Grace Burgess
Oh, I don't know. I don't think so. I told you, I don't know New York very well.
Narrator/Captain Kennelly
Would you try to help us?
Grace Burgess
Yeah, if you want to. Now, if you can. He'll be awful sore.
Narrator/Captain Kennelly
Well, we'll see if we can fix it with her.
Grace Burgess
All right, you can fix it. I don't know. Look at the trouble a girl can almost get in. All I want was to have a good time. Gets to be a fine. How do you do you make a date with a boy, you have to ask him for his fingerprint.
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Grace Burgess
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Grace Burgess
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Grace Burgess
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Grace Burgess
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Narrator/Captain Kennelly
You are listening to 21st Precinct, a factual account of the way police work in the world's largest city. Back to 21st Precinct and Captain Frank Canelli. The two detectives telephone to their commanding officer, Lieutenant Matt King, and passed down the information they had obtained from the beauty operator, Grace Burgess. They were instructed to bring the girl to New York and make a search for the apartment house where she had attended the party the previous night. They did this and three hours later, at 1pm they parked their car in front of the station house, walked through the Musker Room and up the street stairs to the 21st Squad. All right. Let's wait right here, Miss Burgess.
Grace Burgess
What happens now? I'd like to know that much.
Narrator/Captain Kennelly
We still want to see if we can find that apartment house.
Grace Burgess
I don't know what more good I can do.
Narrator/Captain Kennelly
Oh, the lieutenant wants to talk to you. Oh, yeah, thanks. You want to see if he's busy learning? Yeah.
Grace Burgess
Listen.
Narrator/Captain Kennelly
What?
Grace Burgess
I'm hungry. Don't you think we're entitled to lunch?
Narrator/Captain Kennelly
I will get you lunch. Whitey. Lieutenant. Sideup? No, he's all alone in there. Thanks. Now. DeLuca. Lieutenant. Command line. Yes, sir. Now we've got that. Great. Burgess here. Did she locate the building for you? She hasn't any idea where it is. We rode around for two hours. Bring her in here. Yes, sir. Simon. Yeah. Okay. She's not much help at all. Right in there, Ms. Burgess?
Grace Burgess
Yeah.
Narrator/Captain Kennelly
Come in. Ms. Bridget.
Grace Burgess
Thank you very much.
Narrator/Captain Kennelly
Close the door, Scanlon. Yes, sir. Now, everybody move along. This is Lieutenant King. Ms. Grace Bridget. Hello.
Grace Burgess
I'm Sue.
Narrator/Captain Kennelly
Sit down, please.
Grace Burgess
Thanks.
Narrator/Captain Kennelly
I understand you weren't able to locate the house, Ms. Bridget.
Grace Burgess
It's too bad the right side is not.
Narrator/Captain Kennelly
She tried, Lieutenant. Yes, sir. We rode every street between 57 and 79th and 5th Avenue, the river. Nothing. Nothing.
Grace Burgess
That's not my fault. I told you, I don't know New York.
Narrator/Captain Kennelly
Did you locate the spot in which you get out of the car? Well, we're only guessing about that, Lieutenant. She doesn't remember which way she walked to get to the station house.
Grace Burgess
I don't remember.
Narrator/Captain Kennelly
But you didn't ride very long from the apartment house before you did get out?
Grace Burgess
No, it was only three or four blocks, maybe five. Listen, I'm getting very hungry. This is the bad scheme that those cooks. At least they fed me.
Narrator/Captain Kennelly
They have plenty to eat. All right, we'll go out and get
Grace Burgess
something to eat and plenty to drink. Champagne, all kinds of fancy liquor. Delicacies from all over the continent.
Narrator/Captain Kennelly
Well, we don't do quite as well as thieves, Ms. Burgess. But there's a nice spaghetti joint around the corner. That's where we're going if you want to come with us.
Grace Burgess
Sure. All right.
Narrator/Captain Kennelly
Now, Ms. Burgess, what kind of fancy liquor do they have there? Besides the champagne, I mean?
Grace Burgess
Well, whiskey, that Scotch whiskey from Scotland and something from Sweden or someplace. Somebody said I could really knock you for a loop, so I didn't try any.
Narrator/Captain Kennelly
Aquavit.
Grace Burgess
Blah. Aquavit, that's all this Rob or Bob drank? He said he did. Anything else ever? Yeah, just bottles of it. What have they got besides spaghetti in this place? Anything good?
Narrator/Captain Kennelly
Anything you want.
Grace Burgess
Well, that's nice. I had spaghetti last night. Think they might have a stake?
Narrator/Captain Kennelly
They might.
Grace Burgess
Well, I'm ready.
Narrator/Captain Kennelly
You have a nice lunch, Ms. Burgess. Then they'll take you back out to try to find that house.
Grace Burgess
Do we have to?
Narrator/Captain Kennelly
I think it'd be a good idea. The process of investigation is slow, painstaking and often fruitless. Detectives must often rely upon others who have neither an appreciation nor an understanding of the importance of the information being sought. But fortunately for the police, most citizens are willing to give all the time and effort they can spare, whether or not they grasp the implications. In this case, Detective Scanlon and Deluci take the witness to lunch and then return to the car. The weather had cleared some and they slowly cruised the street to the precinct across 60 seconds, the river. Back on 63rd to 5th Avenue, 64th, 65th. And on that town.
Grace Burgess
No, it's not on this. At least I don't think so.
Narrator/Captain Kennelly
Ralph, what do you say we'll go back to the spot where we put her out of the car? Yeah, okay.
Grace Burgess
I'm not even sure that's where he did that.
Narrator/Captain Kennelly
I thought you decided it was.
Grace Burgess
Yeah, but now I remember. I walked a couple of blocks before he saw that Paris store.
Narrator/Captain Kennelly
Which way, uptown or downtown?
Grace Burgess
Which way is uptown?
Narrator/Captain Kennelly
I guess it don't make any difference.
Grace Burgess
You don't have to get sore. Do you come all the way from Brooklyn to try to help you out.
Narrator/Captain Kennelly
No, we're not. Sorry.
Grace Burgess
Trying? We can't say I'm not trying.
Narrator/Captain Kennelly
Oh, we can't. After all, I don't know New York.
Grace Burgess
And it was dark then. I wasn't paying much attention.
Narrator/Captain Kennelly
Where we were going to expect me
Grace Burgess
to pick out a house I'd never been to on a street I never been to after all.
Narrator/Captain Kennelly
You want to try it again?
Grace Burgess
Ghost Socodie.
Narrator/Captain Kennelly
Now, look, when you left the house, can't you recall how many blocks you drove before you turned left like you said?
Grace Burgess
No, I can't really, but I'll say we can.
Narrator/Captain Kennelly
Yeah. Do you remember the kind of building it was? Was it brick? Brownstone one? Was there a street or was it a street level entrance?
Grace Burgess
I didn't notice. I could tell you all about the inside of the apartment. The living room was nice, and there was this lovely kitchen where they had the food and everything. All the bottles of champagne and the aqua vite. What do you call it?
Narrator/Captain Kennelly
Well, there's no sense worrying about the inside until we find the outside.
Grace Burgess
Well, I'm sorry, I can't remember. It's the first time I had champagne, you know. Maybe that's why I don't remember so well.
Narrator/Captain Kennelly
I wouldn't be surprised.
Grace Burgess
Are you insinuating?
Narrator/Captain Kennelly
No, just speculating.
Grace Burgess
That's different.
Narrator/Captain Kennelly
Does this block look familiar to you, Grace?
Grace Burgess
No, not a bit familiar.
Narrator/Captain Kennelly
Well, what do you say we take a turn up Lexington? Lunch? Okay, go ahead.
Grace Burgess
I didn't know New York before. I'm sure you're gonna know it now, don't you think?
Narrator/Captain Kennelly
Yes, I wouldn't be surprised at that either. The search for the apartment house continued all that afternoon and into the night. The detectives had no luck. In the meantime, Lt. King had taken other investigatory steps in an attempt to locate the two fugitives from Philadelphia who were thought to be someplace in the precinct. His immediate superior, Captain Robert Fleischer, detailed four detectives from the 6th Detective District to assist in the hunt. Two additional men from the Manhattan East Homicide Squad were sent to lend a hand at the turnout of the platoons for the night tour at 4pm and the late tour at midnight. The uniformed Officers of the 21st were given descriptions of the fugitives and shown their photographs. If they were holed up in the precinct and showed their faces on the street, it was more than possible that any One of the 150 men who patrolled every inch of the streets might spot them. At 7:45 the next morning, I came into the muster room to report the duty for my day tour. I walked around behind the desk where Lt. Pope was on duty as desk officer and signed the blotter. Then I passed the telephone switchboard where Sergeant Collins was on the job. Good morning, Captain. Sergeant, there's a few messages on your desk. All good. Listen. Excuse me, Captain. Yeah, go ahead. 21st Precinct, Sergeant Collins.
Grace Burgess
Yeah, all right.
Narrator/Captain Kennelly
Yes, sir. We'll take care of it. Park Avenue and 68. Yes, sir.
Grace Burgess
Thank you.
Narrator/Captain Kennelly
Dead dog on the street. Park Avenue and 68. Captain. Yes, sir. Any trace of those two Philadelphia fugitives? There must not be. Lt. King asked us to keep giving the descriptions to the men. All right. I'll be in my office now, Captain. Morning, man. You talked to the man about those two fugitives this morning? Yes, man. Sure. How are you doing, Willem? Yeah, not too good. The girl identifies the pictures of both of them. She's sure about them. Go ahead. But that's the only thing she is sure about. Had her out riding almost all day yesterday. She couldn't locate the building. She had no idea where it is. What else have you got working on it? Well, she may not be able to locate the house they're in, but we're pretty sure it's in the precinct. She was telling us about the party there. Champagne, all kinds of fancy food and liquor. Seems that One of them, Ms. Rick Nayland, has a taste for that Swedish liquor, Aqua Vit. Yeah, he had several bottles of it there, she said. Well, we know they were in Philadelphia before they got into the. They came to New York in a hurry. They certainly didn't carry that liquor with them. Must have bought it here. Aqua Vip. That stuff's not too common. No, sir. Well, I figured a liquor store might carry a bottle or two of it, but if somebody wants to order a case or more, they'd have to get it special. That's good, man. Might amount to something better. Captain. So we've got in another few minutes. I Turned out the platoon for the day, touring the men were given detailed descriptions of the Philadelphia fugitives and marched out of the station house to take over their posts. I went into my office and started on the paperwork. The signing of reports and reading of communications. As soon as the licensed package stores began to open for the day's business, detectives assigned to the job resumed their canvas in teams of two. They worked all day. No luck. Finally, at 5:00pm Detectives Scanlon and DeLuca walked into a package on 3rd Avenue near 73rd. Afternoon. Yes, sir. Would you like to look over our specials? Have you got a special? I'm sorry. This other gentleman was first. Where to get him? Oh, we're police officers. I'm Detective DeLuca, this is Detective Scanlon. What can I do for you? We're just checking up. We're looking for a fellow who might have bought a lot of Aquavita case. Maybe you sell a lot of this stuff?
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No.
Narrator/Captain Kennelly
He could sit on the shelf. This is not an aquavit drinking country. Have you sold any recently?
Grace Burgess
Me?
Narrator/Captain Kennelly
Yeah. A bottle here, a bottle there. I mean, by the cake to that fella you're looking for. Yeah. No. Well, wait a minute. Just because I didn't sell it don't mean it hasn't been sold. The boss could have sold it. Is he in? No, I'm just here alone right now. Tomorrow morning he's out playing golf. Great golf enthusiasm. What time will he be in? Well, you don't have to be in. If somebody wanted a case of Aquazine, we wouldn't have it in stock. Not in this store. We'd have to order it in from the distributor. So the customer would leave his order and we'd write it down in this book. When the merchandise came in, we'd phone him to come get us. Well, can you look? That's what I'm fixing to do. You'll just have the patience. But let's see. Would it have been this week? Yeah, probably. Y One case. Hell, disson. Good brand. Imported. That's safe. One case. It's 69.25. This stuff ain't cheap. What name did he give? Let's see. Robert Newfield. That could be Nayland. The initial tie up. Yeah. El Dorado 58098 there. Does it take an address? Why? They order the stuff when it comes in. We call them on the telephone. They come and get it. When was this order? Well, the order went in on Tuesday. It says it arrived here Wednesday afternoon.
Grace Burgess
They came and picked it up.
Narrator/Captain Kennelly
That's what it says. Who sell Them that looks like the boss is writing. He won't be here until tomorrow. Where can we get in touch with him? Well, about the 16th hole, I think we can check out the telephone number and get the address that way. Yeah. Let's hope there isn't another aquavit drinker around here. There ain't many. Take my word for it. That stuff gathers dust on the shelves. It's a long time between aquavit customers. They're scarce. Are they? We're going to make them even scarcer. This information was Telephoned immediately to Lieutenant King. The telephone number, El Dorado 58098 was checked out. The address listed turned out to be a brownstone house converted into Apartments on 74th street near Second Avenue. A plant was put on the building in order to avoid observation. The superintendent of the building was called on the telephone and asked to meet the King in a drugstore on the corner. He was taken to the lieutenant's car and questioned concerning the fugitives. He said that an apartment 2B had been subleased furnished to a Robert Newfield just 10 days earlier by a tenant who would be out of town for three months. In the 10 days he had seen Robert Newfield only once. The superintendent was shown the photograph of the killer, Richard Nayland. Although he said he thought it resembled a new occupant of the apartment, Robert Newfield, he would not make a positive identification. He was shown the picture of the other fugitive, Carl Brider. The superintendent could not remember ever having seen him. At 5:30pm Lt. King sent Detective Deluca to Brooklyn to get the girl, Grace Burgess, and bring her to the 21st Squad. Then with them he rode to the 74th street address.
Grace Burgess
I hope this isn't another wild goose case.
Narrator/Captain Kennelly
Believe me, you don't hope so any more than we do.
Grace Burgess
I have the steak tonight.
Narrator/Captain Kennelly
I gave the boy some silly excuse
Grace Burgess
when I broke it. Probably thought I was lying.
Narrator/Captain Kennelly
I will give you a letter.
Grace Burgess
Was it all right?
Narrator/Captain Kennelly
Slow down, Ladson. Third house in the corner.
Grace Burgess
Grace the grasshopper.
Narrator/Captain Kennelly
That's right.
Grace Burgess
Well, I have no reason to remember.
Narrator/Captain Kennelly
That's where you were to the party. Wouldn't you
Grace Burgess
listen? Is that door red? The front door of the house, I mean.
Narrator/Captain Kennelly
Yes, it's painted red.
Grace Burgess
Well, I do remember the building had a red front door. We mark at the time the car with a nice front door.
Narrator/Captain Kennelly
I said, when you went in, how many flights of stairs you go up?
Grace Burgess
Well, just inside and up one flight. If my memory serves me, was the
Narrator/Captain Kennelly
apartment toward the back or toward the street?
Grace Burgess
Huh? Well, which I was forgetting. I was fortunate to remember. I can't remember every. Oh, you know why?
Narrator/Captain Kennelly
What?
Grace Burgess
I do remember something. When we were going in, there was a lady coming out and she had the nicest old French pool you ever saw. Little bitty things, just as big. Very little dog. I remarked the call at the time. I never saw cuter dog.
Narrator/Captain Kennelly
What color was the dog?
Grace Burgess
Black, I think. Yeah, black.
Narrator/Captain Kennelly
All right, Le. Let's go back. Yes.
Grace Burgess
I can't say definitely. I can't say definitely.
Narrator/Captain Kennelly
You've been a lot of help, Ms. Burkin.
Grace Burgess
Have I?
Narrator/Captain Kennelly
A lot of help?
Grace Burgess
Yes.
Narrator/Captain Kennelly
After Lt. King returned to the precinct, he sent Detective DeLuca back to 74th street to talk once more to the superintendent of the building. The super confirmed that there was a tenant who owned a dog exactly as described by Grace Burgess. The plant was maintained on the building. Neither of the suspects was seen to enter or leave. There was no indication whether anyone was in the apartment being kept under surveillance. Because the fugitives were killers and both probably armed, it was decided to wait until early in the morning. In the meantime, the raid detail was organized. It consisted of six detectives from the 21st Squad, two from the 6th Detective District and four patrolmen from the 21st Precinct. I stayed on the job to go along with Lt. King. The pass key to the apartment was obtained from Super. And at 4am all the men were given their very first assignments with Detectives Buka, Scanlon and Howard. Lt. King and I walk toward the street entrance of the building. All right, captain, Let's go. Okay. Now what? Matt wanted to get a haircut today. I forgot. Did you? Okay. Why didn't get up to the top going? Yes. All right. 15. Here's the key line. Yes. Quiet. Okay. Good night. There's one on the couch. Sleeping camp?
Grace Burgess
Yes, sir.
Narrator/Captain Kennelly
That's the bedroom. Come on. There he is. On the bed. All right, Gill. He's out cold. Come on, on your feet. Let him. Right there. L. Yes. He's not going anyplace. Oh, he's full of this aqu. Stay with him. L. Captain. Coming. Okay. Scanlan? Yes, sir. He's passed out cold. Well, he's. The boy's all right. A good column. Yes, sir. Sure is. Well, Matt, there'll be some departmental recognition for this. There's one commendation the commissioner shouldn't forget. Which one is that, Captain? Aqua vive. 21st Precinct. Sergeant Collins. Who's trying to kill her? How old is the girl? 16. Well, it's hands. So it goes around the clock through the week, every day. Every year a police precinct in the city of New York is a flesh and blood merry go round. Anyone can catch the brass ring oh, the brass ring can catch anyone. 21st Precinct transcribed a factual account of the way the police work in the world's largest city. It presented with the official cooperation of the Patrolman's Benevolent association, an organization of more than 20,000 members of the Police Department, City of New York. Everett Sloan in the role of Captain Kennelly. Ken lynch as Lieutenant King. Featured in tonight's cast were Elspeth Eric, Evelyn Barden, John Sylvester, Eric Drexler, John Gibson, Joseph Julian and Jack Morrison. Written and directed by Stanley Nist. Produced for CBS Radio by John Ives. Bob Pfeiffer speaking.
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Harold's Old Time Radio
Date: Originally aired February 10, 1954
Podcast Release: February 22, 2026
Host: Harold's Old Time Radio
Length: ~28 minutes (excluding ads)
This episode presents a classic radio drama from the Golden Age of Radio, “21st Precinct,” depicting the gritty, day-to-day police work in mid-century New York City. The episode, “Case of the Drive,” follows Captain Frank Kennelly and his squad as they pursue two dangerous Philadelphia fugitives implicated in robbery and homicide. The investigation pivots on statements from Grace Burgess, a beauty operator whose misplaced purse leads detectives through a meticulous trail of interviews, canvasses, and ultimately, a stakeout.
The episode stands as a riveting example of methodical police work and the often mundane reality behind headline criminal cases, capturing the atmosphere and procedures of the era.
Grace’s rueful humor about dating and trust:
“You make a date with a boy, you have to ask him for his fingerprint.” [09:14]
Detective remarks on the pursuit:
“The process of investigation is slow, painstaking and often fruitless.” [13:31]
Storekeeper's take on Aquavit:
“That stuff gathers dust on the shelves. It's a long time between aquavit customers. They're scarce. Are they? We're going to make them even scarcer.” [21:44–21:52]
Final philosophical close:
“Anyone can catch the brass ring or the brass ring can catch anyone.” — Narrator/Captain Kennelly [27:58]
For listeners interested in police dramas, Golden Age radio, or New York City history, this episode strikes an engaging balance between suspense, character, and genuine police methodology.