Lux Radio Theatre - Suspicion

Summary

Podcast Summary: Lux Radio Theatre - Suspicion

Podcast: Harold's Old Time Radio
Host: Harold's Old Time Radio
Episode: Lux Radio Theatre - Suspicion
Date: July 4, 2026

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Overview

This episode revives the classic 1940s Lux Radio Theatre adaptation of the suspense film Suspicion, featuring William Powell as Johnny and Olivia de Havilland as Lena. Skillfully dramatized, the episode delves into the emotional complexities of love, fear, and curiosity surrounding a young woman’s growing suspicion that her charming husband may be a murderer. The show blends romance and mystery, bringing Golden Age radio storytelling to modern audiences.

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Key Discussion Points and Insights

1. Introduction to Suspicion (01:04–02:59)

• Host/Announcer introduces the play’s themes: love, fear, and curiosity as core human interests:
  • “Two people very much in love, whose lives are shadowed by a dark fear and bitter curiosity. Out of this combination comes one of the most absorbing dramas of our time.”
    — Cecil B. DeMille, Producer (01:13)
• Listeners are encouraged to participate in Lux’s upcoming anniversary by suggesting future plays and stars.

2. The Courtship of Lena and Johnny (02:59–09:16)

• Lena and Johnny meet and are quickly drawn to each other, though hints of Johnny’s cavalier, mischievous nature and Lena’s naivety are established:
  • “What did you think I was trying to do, kill you?... You thought I was going to kiss you, didn't you?”
    — Johnny (03:41)
  • “Johnny, I hope I'm not saying the wrong thing, but I love you.”
    — Lena (08:45)
• The dynamic of Johnny’s playful sarcasm and Lena’s sincerity sets an early tone of ambiguity.

3. Marriage Begins and Early Tensions (09:16–13:00)

• Lena and Johnny marry impulsively. Johnny’s lack of financial responsibility and penchant for luxury becomes apparent:
  • “Didn't you have any money of your own?... I've been broke all my life.”
    — Johnny (11:23, 11:34)
• Lena realizes Johnny may have married her for her expected inheritance, and insists he must work rather than continue borrowing.

4. Escalating Suspicion and Financial Troubles (17:26–21:00)

• Johnny’s friend Beaky arrives, unwittingly revealing that Johnny’s gambling and financial irresponsibility extend beyond what Lena suspected.
• The mysterious disappearance of family heirloom chairs, which Johnny had sold, further seeds Lena’s doubts.

5. Increasing Paranoia and Unfolding Mystery (23:31–31:34)

• Lena learns Johnny lost his job due to mishandling money, which he never told her.
• A tense and foggy atmosphere builds as Johnny proposes a dubious real estate venture, roping Beaky in as financier. Lena suspects Johnny’s intentions may be more sinister:
  • “The money in his name. Murder. The cliffs overlooking the sea.”
    — Lena (36:08)
• The game of anagrams leading to the word “Murder” is a chilling moment, heightening Lena’s anxiety (35:08–36:12).

6. Turning Point: Death and Realization (39:01–46:00)

• The police report Beaky’s mysterious death in Paris, feeding Lena’s certainty that Johnny is dangerous. Johnny provides a plausible alibi but remains evasive.
• Lena is tormented by fear and suspicion, especially when discovering Johnny’s inquiry into her life insurance policy:
  • “Payment can only be made in the event of your wife's death.”
    — Insurance letter (48:04)
• A chilling domestic interplay suggests Johnny may be plotting her murder for financial gain. This is compounded by their friend Isabel’s comments about murder in fiction and real life (46:29–47:13).

7. Climactic Confrontation and Final Revelation (54:10–57:20)

• In a tense car ride along a cliff, Lena is convinced Johnny means to kill her:
  • “He’s going to kill me. The door is open. He’s going to kill me. The curve on the... The door will swing. He’s going to push me out.”
    — Lena (54:26)
• The climax diffuses as Johnny reveals his financial desperation and intent to face his failures, not to harm Lena:
  • “I went to Liverpool. I tried to borrow on your insurance, but it didn’t work... Do you think I’d have let some idiot give poor old Beaky that brandy if I had?”
    — Johnny (55:56, 56:07)
• Reconciliation occurs as Lena understands Johnny’s many faults are not criminal, and they choose to face the future together.

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Notable Quotes & Memorable Moments

• Early Tension and Deflection:
  “What did you think I was trying to do, kill you?” — Johnny (03:41)

• Naive Romance:
  “Johnny, I hope I'm not saying the wrong thing, but I love you.” — Lena (08:45)

• Bleak Humor:
  “You mustn't joke with me. I'm no good at joking. I don't know how to flirt.”
  — Lena (07:54)

• Rising Doubt:
  “Why did he lie to me?” — Lena (24:32)

• Cliffside Anagrams:
  “D-O-U-B-T. Doubt. Thank you, old girl... Murder. That’s better.”
  — Beaky/Lena (35:16, 35:42)

• Ultimate Fear:
  “He’s going to kill me. The door is open... Down and down. Over and over.”
  — Lena (54:26)

• Resolution and Honesty:
  “I went to Liverpool. I tried to borrow on your insurance, but it didn’t work... Do you think I’d have let some idiot give poor old Beaky that brandy if I had?”
  — Johnny (55:56, 56:07)

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Key Segment Timestamps

| Timestamp | Segment | Summary | |-----------|----------------------------------------------|-----------------------------------------------| | 01:04 | Introduction by Cecil B. DeMille | Introduction of themes and the play | | 02:59 | Start of "Suspicion" | Opening scene, Lena and Johnny meet | | 09:16 | Marriage and Honeymoon | Early marital struggles and Lena’s concern | | 17:26 | Beaky’s Arrival; Missing Chairs | Beaky exposes Johnny’s gambling/lies | | 23:31 | Lena's Suspicion Grows | Learning of Johnny’s lost job | | 35:08 | Anagrams Scene: "Murder" | Climax of mounting suspicion | | 39:01 | Police Information about Beaky’s Death | Official involvement heightens tension | | 46:29 | Isabel & Lena Discuss Murder in Fiction | Parallels between fiction and Lena’s reality | | 48:04 | Life Insurance Letter | Concrete evidence of Johnny’s intentions? | | 54:10 | Suspenseful Car Ride on the Cliff | Climactic confrontation; Lena’s ultimate fear | | 56:16 | Johnny’s Confession & Reconciliation | Resolution; misunderstanding revealed | | 57:20 | Curtain Call and Closing Comments | Cast reflections and next week’s preview |

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Tone & Atmosphere

The dialogue oscillates between playful romantic banter and chilling uncertainty, mirroring the shifting emotional ground of the story. Powell’s Johnny moves seamlessly from charm to defensiveness, while de Havilland’s Lena embodies innocence, doubt, and finally resolve. The period-correct formal speech, laced with biting wit and mounting anxiety, evokes classic 1940s suspense.

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Final Thoughts

This radio adaptation delivers psychological tension, ambiguity, and a gripping character study. The cast’s chemistry sets a dramatically suspenseful yet emotionally vulnerable stage, culminating in a satisfying (if morally ambiguous) resolution. The show’s legacy endures, providing a window into classic radio artistry.

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For listeners new and old, this dramatization of Suspicion captures the Golden Age of radio’s talent for suspense and nuanced emotion, reminding us why families once gathered weekly around the wireless.

Transcript

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[Narrator/Announcer]

Lux presents Hollywood. Deluxe Radio Theater brings you William Powell and Olivia de Havilland in Suspicion. Ladies and gentlemen, your producer, Mr. Cecil B. DeMille.

[Cecil B. DeMille]

Greetings from Hollywood, ladies and gentlemen. Not long ago, a noted editor sat down to figure out what he called the basic elements of human interest. That is, the things that interest people most and motivate their thoughts and actions. Love, of course, was at the top of the list. And close after love came fear. And then curiosity. Tonight, in the Lux Radio Theatre play, the RKO screen hit Suspicion. We have a mixture of these elements. Two people very much in love, whose lives are shadowed by a dark fear and bitter curiosity. And out of this combination comes what I think you'll agree is one of the most absorbing dramas of our time. And to do full justice to it, we have as our stars that able master of mystery, William Powell and the ever versatile and lovely Olivia de Havilland. In just a moment we'll start to satisfy your curiosity. But first, don't forget that we want you to satisfy our curiosity on an important matter. Our 10th anniversary celebration, four weeks from today. We'd like you to help us select the play and stars you want to hear on that eventful date, October 16th. Write your choice on a postcard. Address it to me at Post Office Box 9, Hollywood 28, California. Your suggestions and your interests are what makes the Lux Radio Theater a truly national institution. Just as your purchases of Lux toilet soap help raise this curtain for you every Monday night, so you really get two prizes in one package. A fine product and fine entertainment. The clock is pointing now to curtain time. And here's the first act of Suspicion. Starring William Powell as Johnny and Olivia de Havilland as Lena. With Charles Irwin as Beaky.

[Lena Aysgarth]

Let me go. Let me go.

[Johnny Aysgarth]

Don't be a little fool. What's the matter with you?

[Lena Aysgarth]

Let me go.

[Cecil B. DeMille]

On a hilltop overlooking the English countryside, the trees bend low before the moaning wind. Smoke gray clouds weave swiftly across a smoke gray sky. Against this sky are silhouetted the figures of a man and a woman. The man's arms are about her shoulders. She struggles wildly, frantically, then breaks away again. His arms reach out. Her hands are caught and held as in a vise.

[Johnny Aysgarth]

What did you think I was trying to do, kill you? Nothing less than murder could justify such a violent self defense. Look at you.

[Lena Aysgarth]

Let me go.

[Johnny Aysgarth]

Oh, I'm just beginning to understand. You thought I was going to kiss you, didn't you?

[Lena Aysgarth]

Weren't you?

[Beaky]

Of course not.

[Johnny Aysgarth]

I was merely reaching around you, trying

[Narrator/Announcer]

to fix your hair.

[Isabel]

What's wrong with my hair?

[Johnny Aysgarth]

Well, I'm glad you asked me that. It would have been extremely discourteous for me to bring the subject up.

[Isabel]

Are you serious?

[Johnny Aysgarth]

Of course I'm serious.

[Isabel]

You always give me the feeling that you're laughing at me.

[Johnny Aysgarth]

No, I give you my word.

[Isabel]

What's wrong with my hair?

[Johnny Aysgarth]

Let me show you. Don't back away. I'm not going to hurt you. Let me see. Yes, this will do it. What are you thinking of?

[Isabel]

A week ago, I'd never even seen you.

[Johnny Aysgarth]

Oh. Now here we are on a Sunday morning, missing church while I unbraid your hair.

[Isabel]

I think you've done enough fooling with my hair.

[Beaky]

Yeah.

[Johnny Aysgarth]

Got a mirror? You look splendid.

[Isabel]

I must be quite a novelty by contrast to the women you're photographed with.

[Lena Aysgarth]

Hmm?

[Isabel]

In the newspapers.

[Johnny Aysgarth]

Oh. Well, how do you like your hair? Don't screw your face up like that. You look like a monkey. What does your family call you? Monkey face.

[Isabel]

I'll have to go now. I shall be late for luncheon anyway. If my father saw me come home both late and beautiful, he might have a stroke.

[Johnny Aysgarth]

Are you sure Ms. Lena isn't in her room, Burton?

[Narrator/Announcer]

I knocked her just before I announced lunch.

[Lena Aysgarth]

She said she was going to church.

[Johnny Aysgarth]

Oh. What were you saying just before, my dear?

[Isabel]

About Lena. I do wish she'd get married, Stanley.

[Johnny Aysgarth]

I don't believe Lena will ever marry. She's not the marrying sort. Anyway, she's no need to worry. There'll be enough to take care of her.

[Isabel]

I suppose you're right. I'm afraid she is rather spinsterish.

[Beaky]

What's wrong with that?

[Narrator/Announcer]

The old maid's a respectable institution.

[Johnny Aysgarth]

And Lena has intellect and a fine, solid character.

[Lena Aysgarth]

Sorry I'm late.

[Isabel]

Oh, Lena, dear. Come and sit down.

[Johnny Aysgarth]

Oh, Lena.

[Isabel]

What kept you so long at church, dear? I didn't go to church. I went for a walk.

[Libby Collins]

A walk?

[Isabel]

With a man. A man? Yes. His name's John. John Aysgarth. Tom Aysgarth Boy.

[Johnny Aysgarth]

How did you meet him? Fitty. He's turned out so wild.

[Beaky]

Rough luck on Tom, what do you mean?

[Johnny Aysgarth]

Well, he was turned out of some club for cheating at cars, wasn't he?

[Isabel]

I don't know.

[Johnny Aysgarth]

I didn't ask him something unpleasant. Anyway, what's he doing down here?

[Isabel]

He's staying at Pen's Hayes. I shouldn't have thought Lord Middleham would have had him there if he'd ever been turned out of a club for cheating.

[Johnny Aysgarth]

Well, perhaps it was a woman. He was co respondent or something, I believe. Or ought to have been correspondent.

[Isabel]

Well, anyway, I'm going to see him again this afternoon. He's calling for me at three.

[Johnny Aysgarth]

Ms. Lena, you're wanted on the telephone.

[Isabel]

Oh, thank you. Bergen, Tanley. She seems quite excited. Do you suppose.

[Lena Aysgarth]

Hello?

[Isabel]

Oh, hello, Johnny.

[Lena Aysgarth]

What?

[Isabel]

Oh, yes, a long time ago.

[Lena Aysgarth]

When are you coming at?

[Isabel]

Oh, you can't. Oh, yes, of course, I understand. Yes, please write and thank you for calling.

[Lena Aysgarth]

Goodbye.

[Isabel]

Hello? Yes, this is Ms. Mclaydough. A telegram. Will you read it, please? I will.

[Lena Aysgarth]

See you. Yes.

[Isabel]

Thursday.

[Lena Aysgarth]

Yes, at beecham.

[Isabel]

Hunt ball sign, johnny.

[Lena Aysgarth]

Yes, I have it. Oh, johnny.

[Johnny Aysgarth]

I believe this is our dance, isn't it? Hello, monkey face.

[Isabel]

Hello.

[Johnny Aysgarth]

Hello, monkey face.

[Lena Aysgarth]

Hello, Johnny.

[Johnny Aysgarth]

Come on, we're getting out of here.

[Isabel]

But we can't.

[Johnny Aysgarth]

Of course we can. This way, monkey face.

[Lena Aysgarth]

Johnny, where are we going?

[Johnny Aysgarth]

Which is your car?

[Lena Aysgarth]

This is ridiculous.

[Isabel]

It's over there.

[Johnny Aysgarth]

Good. Come on. Tell me, have you ever been kissed in a car before?

[Isabel]

Johnny.

[Johnny Aysgarth]

Johnny. Watch.

[Lena Aysgarth]

You mustn't joke with me. I'm no good at joking. I don't know how to flirt.

[Johnny Aysgarth]

Well, I'm not joking. I'm serious. Have you ever been kissed in a car?

[Libby Collins]

Never.

[Johnny Aysgarth]

Would you like to be yes. Well, you're the first woman I've met who says yes when she means yes.

[Isabel]

What do the others say?

[Johnny Aysgarth]

I know. Anything but yes.

[Isabel]

But I kiss you.

[Johnny Aysgarth]

Well, usually.

[Lena Aysgarth]

Have there been?

[Johnny Aysgarth]

Have there been what, monkey face?

[Isabel]

Have there been many?

[Johnny Aysgarth]

I'm afraid so. Quite a few.

[Isabel]

Are you always frank with them like this?

[Johnny Aysgarth]

No, no, not particularly.

[Isabel]

Then why are you frank with me?

[Lena Aysgarth]

Because I'm different?

[Johnny Aysgarth]

No, it isn't that. I'm honest. Because with you I think it's the best way to get results.

[Isabel]

Johnny, I hope I'm not saying the wrong thing, but I love you.

[Johnny Aysgarth]

No, you haven't said the wrong thing. Monkey face. I think I'm falling in love with you too. But I don't quite like it. That's why I stayed away from you for a week. I was afraid of you. I never thought it would happen like this.

[Isabel]

Neither Did I,

[Inspector Hodgson]

Dear?

[Johnny Aysgarth]

Mother and Father. Johnny and I were married last night.

[Libby Collins]

Married?

[Johnny Aysgarth]

We're off for a month's honeymoon on the continent.

[Beaky]

Please forgive me. I love him very, very much.

[Johnny Aysgarth]

Just put those scripts there, darling. How do you like your new house?

[Isabel]

Oh, dar.

[Johnny Aysgarth]

Because if you don't like it, just blame it all on Mr. Bailey here. He rented the house while we were on our honeymoon.

[Inspector Hodgson]

Yes, sir.

[Johnny Aysgarth]

He even decorated the place. But if you do like it.

[Isabel]

Oh, I adore it. I'm mad about it.

[Johnny Aysgarth]

Ah, well, in that case, you are talking to the right man. Because I engaged Mr. Bailey. Didn't I, Mr. Bailey? Quite right, Mrs. Asgart.

[Lena Aysgarth]

Oh, Johnny, you're a genius.

[Inspector Hodgson]

Mr. Asgarth, I shall have to be getting along now. So what shall I do about the bill?

[Johnny Aysgarth]

Oh, just drop it on that pretty little table on your way out, old boy.

[Inspector Hodgson]

Oh, yes. Thank you, Mr. Haysgart.

[Johnny Aysgarth]

Thank you, Mr. Bailey.

[Isabel]

Oh, Johnny, I never dreamt I'd ever have such a gorgeous place.

[Lena Aysgarth]

Are you sure you can afford it?

[Johnny Aysgarth]

Yeah. Look, just press that button there on the phonograph. There we are. My dance, I believe.

[Isabel]

Oh, yes.

[Johnny Aysgarth]

Where are we?

[Isabel]

At the Hunt Ball, where else?

[Lena Aysgarth]

In Venice.

[Isabel]

Ann and Naples and Capri and Nice and Paris.

[Johnny Aysgarth]

Paris?

[Lena Aysgarth]

I beg your pardon, sir.

[Johnny Aysgarth]

Yes? Oh. Oh, darling, this is. Oh, I've forgotten your name.

[Isabel]

Ethel, sir.

[Johnny Aysgarth]

Oh, yes. Well, Ethel.

[Isabel]

A telegram for you, sir.

[Johnny Aysgarth]

Oh, thank you, Ethel. What do you think of Ethel?

[Lena Aysgarth]

Oh, she seems perfect.

[Beaky]

Hmm.

[Libby Collins]

Hmm.

[Isabel]

It isn't bad news, is it?

[Johnny Aysgarth]

Oh, no, no. It's from an old friend of mine. Stupid fellow. He wants a thousand pounds. You couldn't spare a thousand, could you?

[Isabel]

A thousand? What does he want it for?

[Johnny Aysgarth]

Hanged if I know. Probably because I borrowed it from him.

[Lena Aysgarth]

You borrowed it?

[Isabel]

Why?

[Johnny Aysgarth]

Because I was going on a honeymoon with the loveliest girl in the world. I wanted her to be happy.

[Isabel]

Didn't you have any money of your own?

[Johnny Aysgarth]

No, not a shilling.

[Lena Aysgarth]

But I thought. I had the impression.

[Isabel]

Johnny, are you.

[Lena Aysgarth]

Are you broke your face?

[Johnny Aysgarth]

I've been broke all my life.

[Isabel]

Why didn't you tell me? And whatever made you take this extravagant house?

[Johnny Aysgarth]

Well, I didn't think you'd want to live in a shack. A girl like you who's going to come into plenty of money someday.

[Isabel]

Wait a minute.

[Lena Aysgarth]

I can't quite get this into my head.

[Isabel]

Were you thinking of my inheritance when you. Oh, I don't know what to say.

[Johnny Aysgarth]

Oh, my darling, really. Isn't it silly to spend the best years of our lives waiting? Why not be comfortable now, Johnny, I'M

[Isabel]

just beginning to understand you.

[Lena Aysgarth]

You're a baby. Oh, I know.

[Isabel]

You can marry me for my money, but my income will never pay for all this.

[Libby Collins]

Never.

[Johnny Aysgarth]

Well, what about your father?

[Isabel]

But I couldn't possibly ask my father or even mother.

[Lena Aysgarth]

You saw how restrained she was when

[Isabel]

she met us at the station.

[Lena Aysgarth]

Anyway, you wouldn't actually want to live

[Isabel]

on your wife's allowance, would you?

[Beaky]

Of course not.

[Lena Aysgarth]

Do well, then.

[Johnny Aysgarth]

Well, I suppose if the worst comes to the worst and there was no other way out of it, well, I suppose I'd have to.

[Libby Collins]

What?

[Johnny Aysgarth]

Borrow some more? I haven't touched old Middleham yet. You ought to be good for a month or two's housekeeping.

[Isabel]

I think you must be mad.

[Johnny Aysgarth]

Oh, now, darling, let's not.

[Isabel]

Johnny, listen to me. Well, there's going to be no more borrowing.

[Johnny Aysgarth]

Well, what else is there to do?

[Lena Aysgarth]

You've got to go to work. Yes, work.

[Johnny Aysgarth]

You mean put on old clothes and go out with a shovel?

[Isabel]

Don't be flippant.

[Johnny Aysgarth]

What do you mean? I'm afraid you're a bit of a dreamer, darling. You realize that in order to be a plumber or a carpenter or an electrician. Darling, you haven't been around.

[Isabel]

There are all sorts of jobs, Johnny.

[Johnny Aysgarth]

Well, I'm broad minded.

[Narrator/Announcer]

Let's have some tea and talk it over.

[Johnny Aysgarth]

We can make out a list of jobs. Might be fun. Who's that? It's right there behind you, darling.

[Isabel]

Hello. Oh, hello, Mother.

[Lena Aysgarth]

Oh, yes, yes, it's wonderful.

[Isabel]

A most beautiful house. Would you tell father how badly I felt?

[Lena Aysgarth]

Oh, he is? Oh, wait. Wait a minute till I tell Johnny.

[Libby Collins]

Johnny.

[Beaky]

Yes?

[Lena Aysgarth]

Father is sending us a wedding present.

[Beaky]

No.

[Lena Aysgarth]

Mother told him how happy I looked and.

[Isabel]

Oh, I can't tell you how much this means to me.

[Johnny Aysgarth]

Me too.

[Lena Aysgarth]

Yes, Father.

[Johnny Aysgarth]

Yes, go on, ask him when he's sending it.

[Isabel]

It's coming right away by messenger.

[Johnny Aysgarth]

Well, invite them over for dinner and if you can slip it in, just say that we were in the throes of job hunting when he telephoned.

[Isabel]

Oh, Johnny, really, you are the linnet.

[Lena Aysgarth]

What, Father? Yes, Johnny and I were just discussing

[Isabel]

that very subject and he had several

[Lena Aysgarth]

interesting ideas on the kind of job

[Libby Collins]

he'd like to do.

[Isabel]

There's a messenger from General McLeod.

[Lena Aysgarth]

Oh, it's just come, Father. Hold on.

[Isabel]

Bring it in, Ethel. Yes, ma'.

[Beaky]

Am.

[Isabel]

I think I know what it is.

[Lena Aysgarth]

Oh, Johnny, you'll be thrilled. In here, please. Oh, it is. Oh, how wonderful. Johnny looks.

[Johnny Aysgarth]

What? What is the thing?

[Lena Aysgarth]

It's a chair, darling. A Queen Anne chair. Oh, we had them in the family

[Isabel]

before I was born.

[Lena Aysgarth]

Here's another one, ma'. Am.

[Johnny Aysgarth]

How many more, for heaven's sake?

[Lena Aysgarth]

Just these two, sir.

[Isabel]

He sent us both of them. Oh, Johnny. These are our first heirlooms to be handed down to our children and then to their children.

[Johnny Aysgarth]

Well, that's the thing to do with them all right.

[Lena Aysgarth]

I must tell him. Oh, Father, Father, you're so good to me that it makes me want to cry. Yes, you've made me very happy. Oh, you've made Johnny very happy too.

[Johnny Aysgarth]

Oh, yes.

[Lena Aysgarth]

Wait a minute, Father. He wants to say something to you.

[Johnny Aysgarth]

No, I don't.

[Isabel]

Say something very nice.

[Lena Aysgarth]

These chairs really belong in a museum.

[Isabel]

Go on.

[Narrator/Announcer]

Hello, General.

[Isabel]

Hey everybody.

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[Isabel]

of $45 for three months, $90 for

[Lady Luck]

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[Isabel]

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[Lady Luck]

Extra initial plan term only greater than 50 gigabytes. Me slow when network is busy. See terms.

[Johnny Aysgarth]

Yes, yes, but really, shouldn't you have sent them to a museum? Well, naturally, we're thrilled. A job? Oh yes, yes, Lena and I were just going into that. Well, I have several excellent opportunities. I just received a letter from my cousin, Captain Melbeck. He wants someone to manage his estate for him. I thought I'd take the job. Well, I'm glad you approved. Yes, yes, we'll get together soon. Goodbye, sir.

[Isabel]

That is a sib about Captain Malbeck, wasn't it?

[Johnny Aysgarth]

Was it? Listen to this letter. We'll give your idea the fullest consideration. Let me know if you would like to take the job. Yours sincerely, George Melbeck.

[Isabel]

Did you have this letter all the time I did. Why didn't you tell me?

[Johnny Aysgarth]

Because, dear, I never dreamed I'd be using it any more than I ever dreamed that we'd be receiving these two beautiful chairs.

[Lena Aysgarth]

Oh, good afternoon, ma'.

[Johnny Aysgarth]

Am.

[Isabel]

Hello, Ethel. Mr. A scarf at home yet? No, ma', am, but there's a gentleman waiting for him in the drawing room. Oh, thank you, Ethel.

[Beaky]

Hello. I say, nice place old Johnny's got here. Oh, I'm Vicky3. You must be old Johnny's wife.

[Isabel]

Yes, I am.

[Beaky]

Didn't he ever tell you about me?

[Lena Aysgarth]

Vicky? Oh, you're Vicky.

[Beaky]

I happen to be driving by. I thought I'd just pop in for a cup of tea.

[Isabel]

I've heard so much about you, Mr. Thwaite.

[Johnny Aysgarth]

Johnny told me about you, too.

[Beaky]

Ran into him at Newbury Races last week.

[Lena Aysgarth]

The races?

[Beaky]

Oh, put my foot into it as usual, eh? What I misses didn't he tell you?

[Isabel]

Well, Johnny has a job. He couldn't have been at the races. Besides, he's given up betting.

[Beaky]

Oh, he has, has he? But don't you believe it. Not Johnny. He's a great lad, he is. You mustn't mind Johnny cutting up. That's what makes him Johnny. Besides, he thinks you're a topper.

[Isabel]

Won't you sit down, Mr. Thwaite?

[Lena Aysgarth]

I'm sure, Johnny.

[Isabel]

Oh.

[Beaky]

Something wrong?

[Isabel]

Yes. There were two chairs here this morning before I left.

[Beaky]

Chairs? Disappeared, have they?

[Isabel]

Yes, apparently.

[Beaky]

Were they expensive?

[Isabel]

Yes, they were. They were museum pieces.

[Beaky]

Queen Anne, Johnny. He'll be the death of me. Don't you understand?

[Isabel]

No, I don't.

[Beaky]

I bet you 20 to 1 old Johnny has sold them.

[Isabel]

Sold them?

[Libby Collins]

What for?

[Johnny Aysgarth]

For money, of course.

[Beaky]

Fellow's got to pay his racing debts, hasn't he? You know these bookies don't trust a chap for long. Not a chap like Johnny, that is.

[Isabel]

I don't believe you. I don't believe a word you say.

[Beaky]

Oh, put my foot in it again, have I? My dear, you mustn't take it so seriously.

[Lena Aysgarth]

After all, it's Johnny.

[Beaky]

Wonderful chap, Johnny.

[Isabel]

Well, he couldn't have sold them. He wouldn't without asking me.

[Johnny Aysgarth]

Mrs. Hyde at home, Ethel.

[Lena Aysgarth]

Yes, sir.

[Beaky]

Here he comes. Now, don't tell him a word I've said, but if you want to see Johnny at his very best, you just say something about chairs.

[Johnny Aysgarth]

Vicky.

[Libby Collins]

Johnny.

[Inspector Hodgson]

How are you?

[Johnny Aysgarth]

All been well? Fine. What are you doing here?

[Beaky]

Just popped in to see you, old boy.

[Inspector Hodgson]

Good, good.

[Johnny Aysgarth]

Well, how's my little monkey face, hmm? What's the matter, darling?

[Lena Aysgarth]

Nothing.

[Isabel]

Why?

[Beaky]

You sure your Wife seems to be missing some chairs, old boy.

[Johnny Aysgarth]

Dickie, your pipe's not lit. Let me give you a match.

[Beaky]

Thanks, old boy. About those chairs, old bean.

[Johnny Aysgarth]

Huh?

[Beaky]

The missing chairs, old man.

[Johnny Aysgarth]

Oh, yes, yes, the chairs. Well, I suppose that American must have come for them this morning.

[Isabel]

What American?

[Johnny Aysgarth]

Oh, didn't I tell you, darling? Oh, so stupid of me. Well, he dropped by about a week ago. Friend of Melbeck's.

[Beaky]

Go on, old man.

[Johnny Aysgarth]

Well, anyway, he. He admired the chairs, offered a hundred apiece for them. Anybody would take that.

[Isabel]

I wouldn't.

[Johnny Aysgarth]

Oh, wouldn't you really, dear? Well, that never occurred to me.

[Isabel]

Why didn't you mention it?

[Johnny Aysgarth]

I'm sorry, darling. I thought I did.

[Isabel]

Oh, that's all right. They're gone. They're gone.

[Beaky]

They're gone. All right.

[Lena Aysgarth]

Shall we change for dinner?

[Johnny Aysgarth]

You're an angel. Hold on a minute.

[Beaky]

You say he offered you a hundred apiece for him?

[Johnny Aysgarth]

That's right.

[Beaky]

Let's have a look at the cheque.

[Johnny Aysgarth]

Oh, he'll send it along.

[Beaky]

I bet you £10 to a shilling you wouldn't dare. Let your wife pick up the telephone and ask old Melbeck or whatever his name is, if he ever saw this American.

[Isabel]

Are you implying that my husband is a liar, Mr. Thwait?

[Johnny Aysgarth]

Now, monkey face. Don't mind Beaky. He's only joking.

[Isabel]

Well, I prefer jokes on other subjects. Are you staying for dinner, Mr. Thwaite?

[Beaky]

Dinner? I'm spending the weekend unless you throw me out.

[Isabel]

Johnny's friends are always welcome as long as they remain Johnny's friends.

[Narrator/Announcer]

In a few minutes, Mr. DeMille and our stars William Powell and Olivia de Havilland will be back with act two of Suspicion. And now, Libby Collins, our Hollywood Reporter. Tell us, Libby, what's the latest?

[Isabel]

Hats, Mr. Kennedy. Hats.

[Libby Collins]

Something new and quite different in hats.

[Narrator/Announcer]

You mean the wind blown Hatless Vogue is out, Libby.

[Libby Collins]

It will be when women try on these new styles. Toques, they call them, with their close fitting trimmings of flowers or feathers. Well, they're so utterly feminine, no woman can resist them. And no man either, I might add.

[Narrator/Announcer]

If that's a toque you're wearing right now, Libby, I believe you.

[Libby Collins]

Why, thank you, Mr. Kennedy.

[Isabel]

You know, styles are going to be

[Libby Collins]

very soft and feminine this year. Frills and frou frou are the vogue. Irene Dunn, one of the loveliest and best dressed stars in Hollywood, has one of these little toques.

[Narrator/Announcer]

Seems to me, Libby, that kind of hat is bound to be a winner if it's combined with a soft, lovely complexion. A real luxe complexion.

[Libby Collins]

I should say so.

[Isabel]

In fact, this kind of hat is artful.

[Libby Collins]

It's actually designed to set off a nice complexion.

[Narrator/Announcer]

Well, Libby, Hollywood stars like Irene Dunn know just how to keep their skin soft. And with daily luxe toilet soap facials they can be sure their precious complexions get gentle cherishing care.

[Libby Collins]

Yes, those facials are quick and easy, but so effective.

[Narrator/Announcer]

Lovely luxe complexions everywhere are proof of that, Libby. And I'd like to point out that recent tests of Lux soap facials showed that actually three out of four complexions improved in a short time. So here's a Hollywood tip. For skin that's truly feminine, soft and appealing, why not use this gentle Soap recommended by 9 out of 10 famous screen stars? You'll find it's a beauty care that really works. If ever your dealer happens to be out of stock due to wartime conditions, he'll surely have more soon. Remember, luxe toilet soap is worth waiting for. And now Mr. DeMille returns to the microphone.

[Cecil B. DeMille]

Act two of Suspicion. Starring William Powell as Johnny and Olivia de Havilland as Lena. With Charles Irwin as Beaky.

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[Cecil B. DeMille]

A week has passed, but in Lena's mind there is still a dim shad of doubt, a faint indefinable fear. The dawning of suspicion. Now in the quiet main street of the town, she meets the local celebrity, a writer of mystery stories.

[Libby Collins]

Lena, dear.

[Lena Aysgarth]

Oh, hello, Isabel.

[Isabel]

I've just been admiring your display in the bookshop.

[Libby Collins]

Murder on the Footbridge. Yes, they're doing very well by it. How's Johnny?

[Isabel]

Oh, he's fine. He's nodded an admirer of yours.

[Lena Aysgarth]

I don't believe there's one of your

[Isabel]

stories he hasn't read.

[Libby Collins]

Splendid. By the way, have you seen Tellbrook's window?

[Isabel]

The antique shop?

[Libby Collins]

Not lately. Well, my dear, they've got the most beautiful things.

[Isabel]

Two lovely old Queen Anne chairs.

[Libby Collins]

I'd give my soul to own them.

[Isabel]

Chairs.

[Libby Collins]

Lovely.

[Lena Aysgarth]

Well, goodbye, dear.

[Libby Collins]

I'll see you for dinner soon.

[Isabel]

Yes, of course.

[Lena Aysgarth]

I'll phone you. Lena, the chairs. He said he'd Sold them to an American. He lied to me.

[Beaky]

Why?

[Lena Aysgarth]

Why did he lie to me?

[Beaky]

Hello, old girl. Back so soon?

[Isabel]

Beaky, I owe you an apology.

[Libby Collins]

Good.

[Beaky]

I mean, what for?

[Isabel]

I'll explain to you later.

[Beaky]

Oh, you seem to be rather hot under the collar. Must be about old Johnny. My dear, you mustn't be angry with Johnny. It's a waste of time. Now, if you want to get sore with me, that's different. I annoy everybody. Almost did.

[Cecil B. DeMille]

Lena.

[Johnny Aysgarth]

Beaky, where are you? Hello?

[Inspector Hodgson]

Hello.

[Johnny Aysgarth]

I. Don't move, either of you. I must watch the expressions on your faces.

[Beaky]

So, what have you got in those packages, old bee? Beaky.

[Johnny Aysgarth]

This is a red letter day, Nina. Look, do you remember that little necklace you admired in Regent Street? Here.

[Inspector Hodgson]

Well.

[Johnny Aysgarth]

And Beaky, here's a little present for you.

[Beaky]

What has it, old bean? Oh, shake.

[Johnny Aysgarth]

Darling, do you remember this coat? I saw the hungry eye you gave it the last time we were up in London. It's yours. Well, what you say, Johnny?

[Isabel]

I don't understand. What made you do all this?

[Johnny Aysgarth]

Oh, now, dear. Don't be angry, Johnny.

[Isabel]

I want to know what this is all about.

[Johnny Aysgarth]

Yes, what's it all about, old baby? One of my friends, I have the pleasure of announcing that the good old Couples run today and I happen to have backed the winner. A ten to one shot, ladies and gentlemen. And I had £200 on him.

[Beaky]

£200 at ten to one? Why, that's 2,000 quid.

[Johnny Aysgarth]

Darling, what's happened to your tongue? I suppose you disapprove of my betting. Oh, come on, darling, smile.

[Isabel]

Johnny, where did you get the £200?

[Beaky]

Why so girl, that's not a very tactful question.

[Isabel]

Where did you get it?

[Johnny Aysgarth]

Oh, you know very well there was no American. I got it for the chairs, of course.

[Isabel]

You sold the chairs to gamble all your money on a horse?

[Johnny Aysgarth]

Well, not exactly. I owed the bookies some money. I got the £200 to pay them off, but then along came this hot tip. Oh, darling, give us a smile.

[Narrator/Announcer]

Come on, old girl.

[Beaky]

Oh, I know what you tickle a chin and I'll make a noise like a duck.

[Johnny Aysgarth]

No, no good, biggie.

[Beaky]

No good, no.

[Johnny Aysgarth]

Oh, I forgot something. Darling, look. This is a receipt from a certain antique shop. Paid in full for a certain pair of chairs. They'll deliver within the hour.

[Lena Aysgarth]

Oh, Johnny.

[Johnny Aysgarth]

There, she's smiling.

[Beaky]

By Jove, so she is.

[Lena Aysgarth]

Oh, Johnny, darling.

[Beaky]

Well done, old bit. I say, what about celebrating?

[Narrator/Announcer]

Uh huh.

[Johnny Aysgarth]

Trust Beaky to say the right thing at the right time. Look at me. Darling happy?

[Beaky]

Yes, of course she is. Here you are, Lena. This is yours, old girl.

[Lena Aysgarth]

Thank you, Beaky.

[Beaky]

Here's yours, old bean. Ah, now for a tub.

[Johnny Aysgarth]

So wait a minute, Beaky.

[Beaky]

What are you drinking?

[Johnny Aysgarth]

Brandy.

[Beaky]

Oh, justice runs, old bean.

[Johnny Aysgarth]

Oh, you know that's not good for you.

[Beaky]

All right.

[Johnny Aysgarth]

Well, maybe just this once. Oh, thanks, monkey face. I drink to the last bet that will ever be made by Johnny Hazgot.

[Beaky]

The last bet, old bean. Bottoms up, eh,

[Johnny Aysgarth]

Dickie?

[Isabel]

What's the matter with him?

[Johnny Aysgarth]

Sit down, Dickie.

[Lena Aysgarth]

Here, Johnny, get some water, quick.

[Johnny Aysgarth]

No, it won't help.

[Narrator/Announcer]

I've seen this happen before.

[Johnny Aysgarth]

There's nothing much you can do about it.

[Lena Aysgarth]

Well, open his collar. He can't breathe.

[Johnny Aysgarth]

No use, darling.

[Narrator/Announcer]

It'll either kill him or it'll go away by itself.

[Cecil B. DeMille]

Sorry, old Bain.

[Johnny Aysgarth]

One of these days it will kill him.

[Libby Collins]

Oh, good afternoon, Mrs. Aysgart.

[Isabel]

Good afternoon. Is my husband in his office, Mr. Aysgart? Why, no. When do you expect him?

[Libby Collins]

Well, I really couldn't say.

[Isabel]

Perhaps you'd like to talk to Captain Melbeck. Yes, I would very much.

[Libby Collins]

Please, this way.

[Isabel]

Mrs. Aysgarth to see you, sir.

[Johnny Aysgarth]

Oh, come in.

[Narrator/Announcer]

Mrs. Aysgarth, what a pleasure to see you.

[Isabel]

Good afternoon, Captain Melbeck.

[Narrator/Announcer]

Do sit down.

[Isabel]

Thank you. Captain Melbeck, I don't want to impose on you, but you're Johnny's cousin as well as his employer. I thought I'd come in and see you.

[Narrator/Announcer]

Of course, I've been feeling very badly about Johnny ever since I had to discharge him.

[Isabel]

Discharge?

[Narrator/Announcer]

Now, don't worry, Mrs. Aysgarth. I told him I wouldn't prosecute.

[Isabel]

I don't understand.

[Narrator/Announcer]

I told him I wouldn't prosecute.

[Isabel]

What on earth are you talking about? When did you discharge him?

[Narrator/Announcer]

Six weeks ago. We had an unexpected audit. The account showed a deficit of £2,000. When I looked into Johnny's record. I'm terribly sorry, Mrs. Aysgoth.

[Johnny Aysgarth]

He should have told you.

[Isabel]

Johnny, I am leaving you. It is very important that we never see each other again.

[Johnny Aysgarth]

Lena. Yes, Ethel told me. She packed your grips?

[Isabel]

Yes.

[Johnny Aysgarth]

Then you heard.

[Isabel]

Yes, I've heard.

[Johnny Aysgarth]

I'm so sorry, darling. Terribly sorry. This telegram just came from the doctor. Tell us how it happened.

[Isabel]

Telegram?

[Johnny Aysgarth]

Deeply regret. Your father died early this morning from heart failure. Your mother wishes you'd come at once. Tired, darling?

[Beaky]

A little.

[Johnny Aysgarth]

It's been a nasty week for you. I'll be glad to get you home. Nina, you ever have any regrets you married me?

[Isabel]

Why do you ask that?

[Johnny Aysgarth]

Well, I was Thinking of the will seems pretty obvious that your father would have left you a lot more than his portrait if you'd been anybody else but Mrs. John Azgoth.

[Isabel]

Oh, is that what you meant?

[Johnny Aysgarth]

You haven't answered my question.

[Isabel]

What about you? Have you any regrets?

[Johnny Aysgarth]

Monkey Face, marrying you is the one thing I've never changed my mind about.

[Isabel]

Do you really mean that?

[Johnny Aysgarth]

Yes, I really mean that. I want nothing but to spend the rest of my life with you. And if you were to die first, I'd never.

[Isabel]

I were to die first.

[Johnny Aysgarth]

Well, listen, what about you?

[Isabel]

I couldn't stop loving you if I tried.

[Johnny Aysgarth]

Have you tried?

[Isabel]

Yes, once.

[Johnny Aysgarth]

When?

[Isabel]

And I found out you lost your job with Captain Melbeck.

[Johnny Aysgarth]

How long have you known?

[Isabel]

Since last Friday.

[Johnny Aysgarth]

Who told you?

[Isabel]

Captain Melbourne. I met him.

[Johnny Aysgarth]

Did he tell you why?

[Isabel]

No. Suppose you tell me why.

[Johnny Aysgarth]

Oh, well, we just didn't get along.

[Cecil B. DeMille]

I see.

[Johnny Aysgarth]

It's quite nice here. Shall we stop and look at the sea? See? Quite a drop off this cliff, wouldn't it?

[Isabel]

Why didn't you get along with Captain Milbeck?

[Johnny Aysgarth]

Oh, I don't know. He's a bit of an old phony. You know, Monkey Face, I've always had the notion that the secret of success is to start at the top. The way to make money is to think in a big way. Look at all this land, for instance. Look at the view from these cliffs. Now, why isn't something done about it? If I had £10,000, or still better, 20,000, I could start a development here.

[Isabel]

All you need is £20,000.

[Johnny Aysgarth]

No, but 30 next. 10,000 wouldn't hurt a bit. £30,000, that's all I need.

[Beaky]

£30,000. Think you could swing it for that, old bean?

[Johnny Aysgarth]

Of course. Now, you see, Beaky, this is the ground plan.

[Beaky]

Wonderful, old bean, ain't it? To put the large hotel up there on the cliff, eh?

[Johnny Aysgarth]

That's the.

[Lena Aysgarth]

Hello.

[Isabel]

What's going on in here, Monkey Face?

[Johnny Aysgarth]

We're organizing a real estate company. We're about to buy a very beautiful piece of land right by the sea.

[Beaky]

What a view. What sun, what air.

[Johnny Aysgarth]

Then we sell at a profit.

[Lena Aysgarth]

I see.

[Isabel]

But you. You need financing for all this?

[Cecil B. DeMille]

Of course.

[Isabel]

Well, have you found someone to put up the money?

[Beaky]

Of course.

[Lena Aysgarth]

Who? Me.

[Isabel]

Oh, I see.

[Johnny Aysgarth]

Well, the idea is mine, but the money is Beaky and the corporation. Well, Beaky borrows against some securities has in Paris. Now, the company is going to be in my name.

[Isabel]

Yes.

[Johnny Aysgarth]

Look, darling, let me show you how simple it is.

[Isabel]

Does Beaky understand it?

[Narrator/Announcer]

Oh, perfectly.

[Lena Aysgarth]

I think I beg your pardon, Mr. Ayscar?

[Johnny Aysgarth]

Yes, Ethel?

[Isabel]

You're wanted on the phone, sir.

[Johnny Aysgarth]

Oh, thank you, Ethel. Excuse me, Beaky.

[Beaky]

All right, old man.

[Isabel]

Now, Beaky, please explain it to me, will you?

[Beaky]

Well, you see, my dear girl, will you see me? We buy up this land and then we sell part of it. That gives us 100% profit. Then on the other part, we build something or other.

[Isabel]

Oh, yes, but from whom do you buy the land? To whom do you sell it?

[Beaky]

Well, that shouldn't be difficult.

[Isabel]

Do you think, Beaky, isn't it about time you grew up?

[Beaky]

I say, old girl, you're scolding.

[Isabel]

Yes, you need a scolding.

[Beaky]

Do I?

[Isabel]

Yes, you do.

[Beaky]

Shall I go and stand in the corner?

[Isabel]

Vicki, you're not being fair to Johnny.

[Inspector Hodgson]

I say.

[Beaky]

Oh, that's a bit thick, you know.

[Spinquest Announcer]

Why?

[Beaky]

He's the president of the whole valley thing. Machine gets a salary, writes his own checks.

[Isabel]

Yes, that's what I mean.

[Johnny Aysgarth]

What's wrong about that? Yes, what is wrong about it? Well, Lena.

[Beaky]

I say, Old Bin Lena's telling me you're a bit soft in the head. Is that it?

[Johnny Aysgarth]

Well, it sounded like that to me. Beaky, hadn't you better be changing for dinner?

[Beaky]

Right, old bean. I won't be a gypsy.

[Johnny Aysgarth]

What right have you to interfere in my affair?

[Isabel]

But I wasn't really. I was only.

[Johnny Aysgarth]

You were only what?

[Isabel]

Well, I was only trying to tell Beaky that he shouldn't leave everything to you. It's not as if you were both experienced businessmen.

[Johnny Aysgarth]

What the devil do you know about business?

[Lena Aysgarth]

Oh, very little.

[Johnny Aysgarth]

I only suppose, Beaky, you're taking me seriously.

[Narrator/Announcer]

You'd have ruined the whole scheme.

[Johnny Aysgarth]

Do you realize that?

[Lena Aysgarth]

Yes, but if it weren't good.

[Johnny Aysgarth]

Well, that's my business, not yours. If I say it's good, it's good. But I don't want any interference from

[Narrator/Announcer]

you or anyone else.

[Isabel]

Clear? Yes, that's clear. Yes.

[Lena Aysgarth]

Who is it?

[Isabel]

Yes, Johnny, I.

[Johnny Aysgarth]

Well, I thought you might like to know I'm calling off the real estate plan.

[Isabel]

Why? What happened?

[Narrator/Announcer]

Oh, I don't know.

[Johnny Aysgarth]

Perhaps the land isn't any good. Or perhaps I don't like the idea of risking Beaky's money. Or perhaps it's a stiff job and I'm too lazy. I don't know what it is, but

[Beaky]

every time I play anagrams, I can only make three letter words. D, O, U, B. D, O, U, B. No such word.

[Libby Collins]

Try this.

[Beaky]

D, O, U, B, T. Doubt. Thank you, old girl. Your turn. Here, Johnny. I don't see why you want to call off this real estate scheme.

[Johnny Aysgarth]

It's no good.

[Beaky]

The corporation's formed already. The money's been put up in your name, old boy.

[Johnny Aysgarth]

The deal's off, Beaky.

[Beaky]

Why do we have to drive all

[Johnny Aysgarth]

the way up there to look at it? Well, I won't be responsible for calling

[Narrator/Announcer]

the scheme off without first proving to

[Johnny Aysgarth]

you it's no good.

[Narrator/Announcer]

We're going up there early tomorrow morning.

[Johnny Aysgarth]

Take a look.

[Beaky]

Why are you so insistent?

[Johnny Aysgarth]

Because, as I told you, I won't be responsible.

[Beaky]

All right, old boy. What's that word you got there, Lena? N, U, L, D, E, R. No such word, is there? Try the R instead of the L. Murder. That's better.

[Isabel]

Murder.

[Beaky]

Charlie, I don't like going up there in the morning.

[Johnny Aysgarth]

Why do we have to go so early now, Beaky?

[Libby Collins]

Murder.

[Beaky]

Oh, well, we have to. Let's get on with the game. Your turn, old girl.

[Lena Aysgarth]

The money in his name. Murder. The cliffs overlooking the sea.

[Beaky]

I say, Lena, the edge of the cliff.

[Lena Aysgarth]

Stay away, Beaky.

[Beaky]

Lena, I say.

[Lena Aysgarth]

He'll put you off. He'll kill you. Murder. Murder. Murder.

[Johnny Aysgarth]

Lena, what's the matter?

[Beaky]

Lena?

[Johnny Aysgarth]

Give me a hand here. Bicky. She's fainted.

[Lena Aysgarth]

What time did Mr. A Scott leave?

[Isabel]

Why, about seven, ma'.

[Lena Aysgarth]

Am. And Mr. Thwaite went with him?

[Isabel]

Yes, ma'.

[Johnny Aysgarth]

Am.

[Lena Aysgarth]

Why didn't you wake me?

[Isabel]

Well, Mr. A. Scarth said not to disturb you. What car did they use?

[Lena Aysgarth]

Well, ma', am, I don't. What car? Which one?

[Isabel]

Listen. Oh, that's Mr. Eastgarth now, ma'.

[Beaky]

Am.

[Isabel]

He's back. He's come back.

[Johnny Aysgarth]

Morning, Leah.

[Isabel]

Johnny feeling better?

[Johnny Aysgarth]

What's the matter? You're white as a sheet.

[Lena Aysgarth]

Where.

[Isabel]

Where's Beaky?

[Johnny Aysgarth]

What?

[Beaky]

Hello, girl. How you feeling? Any better?

[Johnny Aysgarth]

Nina, what is it?

[Lena Aysgarth]

Oh, Johnny. Oh, darling, I'm so glad.

[Johnny Aysgarth]

Well, what's all this? I've only been away a few hours.

[Lena Aysgarth]

It seems like a thousand years.

[Beaky]

Yeah, seems like we had to meet two.

[Johnny Aysgarth]

Oh, shut up, Beaky. It was nothing.

[Libby Collins]

Nothing?

[Beaky]

I came vainer to lose my life. You call it nothing.

[Isabel]

You nearly lost your life.

[Beaky]

Came very close to it.

[Johnny Aysgarth]

Let's drop the subject.

[Lena Aysgarth]

No.

[Isabel]

Go on, Beaky. I want to hear about it.

[Lena Aysgarth]

Well?

[Beaky]

Very well. On top of a cliff. I was trying to turn my car near the A.

[Isabel]

Was Johnny in the car?

[Beaky]

No, he was a few feet away.

[Isabel]

Go on.

[Beaky]

Well, I didn't realize I was backing the car toward the edge, but I was. And if old Johnny hadn't taken a flying leap and grabbed the brake, I Should have been kingdom come by now.

[Lena Aysgarth]

Johnny saved your life. Oh, Johnny, I can never tell you what this means to me.

[Johnny Aysgarth]

To you, darling?

[Beaky]

Yes, it means a good bit to me, too. You know, I think the old fellow deserves a reward. How about a night out, Sports, celebrating on me all being.

[Johnny Aysgarth]

Oh, well, that's very kind of you, Vicky, but don't you have to go to Paris?

[Isabel]

Paris?

[Beaky]

Yes, yes, of course. I do my securities. I've got to go over there and cancel the arrangements for them. Why don't you come over with me?

[Johnny Aysgarth]

The cad seems to forget that I'm a married man, see? I tell you what I might do, Bicky. I might drive up as far as London with you. How about that monkey face?

[Beaky]

Yes, monkey face. I mean, Lena. You let him come?

[Lena Aysgarth]

Well, it seems to me that.

[Johnny Aysgarth]

Yes, I know a job. Well, it seems to me that I'll have much more chance of getting a job in London than I would around here.

[Beaky]

Yes, of course he would. Do let him, Lena.

[Isabel]

Well, I don't see very well how I can stop him.

[Beaky]

Good.

[Lena Aysgarth]

Misses Aar? Yes, Ethel?

[Isabel]

There's an Inspector Hodgson in the hall, ma'.

[Lena Aysgarth]

Am.

[Isabel]

He wants to see Mr. Aaron. Surely a nettle. Very good, ma'.

[Johnny Aysgarth]

Am.

[Lena Aysgarth]

Will you come this way, please, Sir?

[Inspector Hodgson]

Thank you. Mrs. Aysgoth?

[Beaky]

Yes?

[Inspector Hodgson]

My name's Hodgson. Inspector Hodgson from the county police.

[Isabel]

How do you do?

[Inspector Hodgson]

I understand your husband's not in, ma'.

[Beaky]

Am.

[Isabel]

No, he's been up in London for two days.

[Inspector Hodgson]

Perhaps you might be able to help us.

[Isabel]

Yes, of course.

[Inspector Hodgson]

I believe you know a Mr. Thwaite.

[Isabel]

Yes, he's a close friend of my husband.

[Inspector Hodgson]

Well, I don't know how to put it quite. Perhaps it would be easier if I showed you this in this afternoon's paper. Right here, ma'.

[Johnny Aysgarth]

Am.

[Isabel]

Englishman found Dead. An Englishman met with a mysterious death in a house in Paris. He is believed to be a Mr. Gordon Cochrane. Thwaite.

[Inspector Hodgson]

I'm sorry to have to do this, ma', am, but we're making inquiries for the Paris police. They found some papers on Mr. Thwaite's person which indicate he just formed a corporation with your husband.

[Isabel]

But what did the French police think caused the death?

[Inspector Hodgson]

Well, this is a copy of a telegram that we received from Paris. Thwaite visited the place in the company of another Englishman. On arrival, Thwaite ordered a bottle of brandy.

[Isabel]

Brandy?

[Inspector Hodgson]

According to one of the waiters, Thwaite's companion asked for the brandy to be served in large beakers. Apparently, as a result of a bet between the two men, Thwaite filled one of These beakers to the brim and drank it all. The other man was not present when the actual tragedy happened. I'm sorry, ma', am, but do you or your husband happen to know of any friend of Mr. Thwaite's who might have been there with him?

[Isabel]

No.

[Inspector Hodgson]

Then perhaps you could enlighten us about this corporation.

[Isabel]

Yes, I believe I can. My husband had planned a real estate development with him. Mr. Thwaite had gone to Paris to dissolve the corporation.

[Inspector Hodgson]

Thank you, ma'.

[Johnny Aysgarth]

Am.

[Inspector Hodgson]

That's all.

[Johnny Aysgarth]

Good day.

[Isabel]

Good day. He didn't go to Paris.

[Libby Collins]

He's in London.

[Isabel]

Johnny's in London. He's at the club.

[Lena Aysgarth]

He's got to be at the club.

[Isabel]

He didn't go to Paris.

[Lena Aysgarth]

He didn't. Hello, Hogarth Club.

[Isabel]

May I speak to Mr. Aysgarth, please? He left. Left? When? Yesterday morning. No, no, it doesn't matter. Thank you.

[Narrator/Announcer]

We pause now for station identification.

[Isabel]

Hey everybody.

[Lady Luck]

Lady luck here. And we're celebrating America's 250th birthday. Now, all summer long I'm going to be celebrating by playing on spinquest.com which is an American owned social casino. It obviously features over a thousand slot games and live blackjack, live craps, live bubble crafts. Head on over to spinquest.com get yourself a 30 coin pack for just 10 bucks.

[Spinquest Announcer]

Spin Quest is a free to play social casino or anywhere prohibitive it. Visit spinquest.com for more details.

[Narrator/Announcer]

This is CBS, the Columbia Broadcasting System. In a few minutes, Mr. DeMille and our stars William Powell and Olivia de Havilland will return in Act 3 of suspicion. And now here's a very reasonable question from an American housewife.

[Libby Collins]

Now that it seems likely the war

[Isabel]

in Europe may soon come to an end, why should I keep on saving my used cooking fats?

[Narrator/Announcer]

Why, Mrs. America? Because the need is still critical. Perhaps more critical than ever.

[Isabel]

But will fats be needed as urgently to manufacture war materials and medicines to

[Narrator/Announcer]

send abroad after Germany's defeat? There's still Japan. Remember this too. The Japs still have the fat they hold the countries from which we used to import about 1 billion pounds of fats and oils each year.

[Isabel]

A billion pounds?

[Libby Collins]

That's a lot of fat.

[Narrator/Announcer]

It is indeed enough to help manufacture the supplies of ammunition, medicines, parachutes and other war materials that must keep on going to our fighting men abroad. Remember too, our domestic production of fats is short. It has had to fall off during the war.

[Libby Collins]

Well, I guess I better keep that

[Isabel]

salvage tin handy on the stove, just

[Libby Collins]

as I've been doing.

[Narrator/Announcer]

You're doing a Necessary patriotic service. When you continue to save every drop of used kitchen fats and turn them into your butcher, every bit you throw away may deprive one of our men of some vital thing he needs. The war isn't over till our boys come home. We need to keep on doing everything we can to get them home sooner. Fats are essential materials of war. Don't waste them. Save them every day. Turn them into your butcher. Remember, he still gives you four cents a pound and two red ration points for every pound you turn in. That's the message your government sends you. Here's what Mr. Lee Marshall, Director of Distribution, War Food Administration, tells you. Saving used fats is not a glamorous task.

[Johnny Aysgarth]

It takes effort. But it is one that only you,

[Narrator/Announcer]

the American housewife, can perform for the country. We ask you to continue the wonderful job you are doing to help speed final victory. And now Mr. DeMille returns to the microphone.

[Cecil B. DeMille]

When the play is over, we hope you'll join us behind the scenes for an informal chat with our stars. Now here's Act 3 of Suspicion, starring William Powell as Johnny and Olivia de Havilland as Lena. In Lena's mind, the sharp sting of suspicion has given way to the dull, sickening ache of certainty. Certainty that her husband is a murderer. Returning to the house, he stands framed in the doorway, looking at her. She turns toward him with fear in her eyes.

[Johnny Aysgarth]

You've read about Beaky, have you? I was terribly fond of Beaky.

[Lena Aysgarth]

Were you?

[Johnny Aysgarth]

Yes. I loved that silly, generous, good hearted fool.

[Isabel]

Did you?

[Johnny Aysgarth]

Of course I did. Next to you, I loved him more than anybody in the world.

[Isabel]

Next to me.

[Johnny Aysgarth]

Oh, poor monkey face. Here I am thinking only of myself, forgetting about you. You liked him too, didn't you?

[Isabel]

I liked him very much. The police were here.

[Johnny Aysgarth]

What do they want?

[Isabel]

They wanted you to help them. They had a telegram from Paris and it seems there was an Englishman who made it a bet.

[Johnny Aysgarth]

Oh, yes, I know. The whole story was in the late edition. What else?

[Isabel]

The inspector wants you to phone him. He thought perhaps you could help identify this Englishman.

[Johnny Aysgarth]

What did you tell them? Did you mention the corporation?

[Isabel]

Naturally, I told him Beaky was planning to dissolve it.

[Johnny Aysgarth]

I wish you'd left all that to me.

[Narrator/Announcer]

Hello.

[Johnny Aysgarth]

Wichita Police Station, please. What else did you tell them?

[Isabel]

That's about all.

[Narrator/Announcer]

Hello?

[Johnny Aysgarth]

Hello, Inspector. This is John Azgoth. Yes? Well, I drove up to London with him Tuesday evening. Yes, I saw him off at Croydon Airport. No, no, I stayed in London until this afternoon at my club.

[Libby Collins]

Lena, how nice to see you. Sit down, dear.

[Isabel]

Isabelle.

[Lena Aysgarth]

You know, I couldn't put my light

[Isabel]

out until 3 this morning. I was so interested in your last book, I had to come over and talk to you about it.

[Libby Collins]

That's the nicest compliment I ever got.

[Isabel]

I was completely fascinated by the way your villain enticed his victim across the footbridge knowing his bridge had been sawn through.

[Libby Collins]

And he also knew his victim couldn't swim. Don't forget that.

[Isabel]

Well, what I want to know is this. Would you call that an actual murder?

[Libby Collins]

Well, from a moral standpoint, there's no question at all. It is murder.

[Isabel]

I suppose it is.

[Libby Collins]

What does Johnny think?

[Isabel]

Johnny? Oh, I haven't discussed it with him.

[Libby Collins]

I think he'd be interested. The same situation with this friend of his in Paris.

[Isabel]

The same.

[Libby Collins]

Well, that brandy business is just like my footprint. By the way, this brandy thing isn't new at all, you know.

[Lena Aysgarth]

It's been done before.

[Libby Collins]

Oh, yes, and in real life too. I have it here.

[Beaky]

A book called the Trial of Richard Palmer.

[Libby Collins]

Where is that book?

[Isabel]

The Trial of.

[Libby Collins]

Oh, I remember where it is. It's in your house.

[Isabel]

My house?

[Lena Aysgarth]

Yes.

[Libby Collins]

Johnny borrowed it a week ago.

[Isabel]

Hello?

[Johnny Aysgarth]

Hello. May I speak to Mr. Aysgarth, please?

[Isabel]

He isn't in. This is Mrs. Asart speaking.

[Johnny Aysgarth]

Oh, well, this is the guarantor's life insurance company.

[Isabel]

Yes.

[Johnny Aysgarth]

Would you tell Mr. Aysgarth that there's been a slight delay in replying to his inquiry, but we've written him fully and he should get our letter in the morning.

[Isabel]

Dear sir, replying to your inquiry regarding a loan of fire policy. We regret that such a loan cannot be granted. According to the terms of the policy. Payment can only be made in the event of your wife's death. If you.

[Johnny Aysgarth]

Morning, dear. Any letters for me? What's the matter?

[Isabel]

Nothing, darling.

[Johnny Aysgarth]

You're not shivering, are you?

[Isabel]

Oh, I have a bit of a chill.

[Johnny Aysgarth]

Cold in all this sunshine? Oh, my poor little shivering baby. How do you feel now? Better?

[Isabel]

Much.

[Johnny Aysgarth]

Good. What are we doing tonight?

[Isabel]

We're going to Isabel's to dine.

[Johnny Aysgarth]

Oh, what a bore. Well, let's get back to that new book of yours. Isabel, you mean to tell me that a fellow sits down at a piano, starts to strum, and in two seconds later he shot? Is that the idea?

[Lena Aysgarth]

Yes.

[Libby Collins]

A certain note on the piano was wired to a revolver concealed in the wall.

[Johnny Aysgarth]

Oh, I don't care much for that, Isabel. You're slipping, old girl.

[Libby Collins]

What's wrong with it?

[Johnny Aysgarth]

Too complicated. You're going to kill somebody. Do it simply.

[Isabel]

How would you do it simply, Johnny.

[Johnny Aysgarth]

Oh, I don't know, dear. Just use the most obvious method.

[Lena Aysgarth]

For instance?

[Johnny Aysgarth]

Well, poison. Just use the first one that came to my mind. Say arsenic.

[Libby Collins]

Arsenic can be traced in the body,

[Johnny Aysgarth]

of course, but it isn't always.

[Libby Collins]

No, it's very minute. There are probably hundreds of murders walking about.

[Isabel]

Johnny, do you suppose those murderers are happy?

[Johnny Aysgarth]

Well, I don't know. Why shouldn't they be? Well, anyway, Isabella, it seems to me that by now somebody would have discovered a poison that can't be traced.

[Lena Aysgarth]

But there.

[Johnny Aysgarth]

What about it?

[Libby Collins]

Isn't that an untraceable poison?

[Lena Aysgarth]

Nonsense.

[Libby Collins]

There's no such thing.

[Johnny Aysgarth]

Isabelle, you're hiding something from me.

[Isabel]

Johnny, you're locking up. What about Ethel?

[Johnny Aysgarth]

Well, it's Ethel's night off. She won't be back till morning.

[Isabel]

What about Cook?

[Johnny Aysgarth]

Have you forgotten? Cook's away on a holiday. Oh, darling, you're shivering again. You suppose you're catching cold?

[Isabel]

Yes, I. I think that's what it must be.

[Johnny Aysgarth]

Oh, well, we'll have to tuck you into bed to get you nice and warm. Come on.

[Lena Aysgarth]

No, Johnny, please. Please don't.

[Johnny Aysgarth]

What's the trouble, Johnny?

[Lena Aysgarth]

I'm in a state tonight. I. I don't know why, but I'd like to be alone. Would you mind sleeping in your dressing room?

[Johnny Aysgarth]

Of course I'd mind.

[Lena Aysgarth]

Please, Johnny, I. I haven't been sleeping very well lately.

[Johnny Aysgarth]

Oh, I understand. You used to sleep badly when I wasn't here.

[Beaky]

Now you.

[Johnny Aysgarth]

All right. That's the way you feel about it. Good night.

[Isabel]

Poison.

[Lena Aysgarth]

Arsenic. Poison. Untraceable in the event of your wife's death. Poison. The event of your wife's death. Your wife's death.

[Johnny Aysgarth]

Your wife's death. Come on, Nina. Wake up, dear. Feeling better?

[Beaky]

Yes.

[Isabel]

Yes.

[Libby Collins]

Hello, darling.

[Isabel]

Ms. Belle.

[Libby Collins]

I came over this morning. We were quite worried about you.

[Isabel]

Lena, this morning I. I've been asleep all day.

[Johnny Aysgarth]

The doctor gave you, darling. That's all you needed. Rest. I'll run down and tell Ethel to fix supper right back.

[Libby Collins]

He's one in a million, that Johnny

[Isabel]

of yours, isn't he?

[Libby Collins]

I warn you, if you leave me

[Isabel]

alone much longer with him, my career

[Lena Aysgarth]

will soon be over.

[Isabel]

You flirted with you, I suppose.

[Lena Aysgarth]

Flirted?

[Libby Collins]

Worse than that. He's worming all my secrets out of me.

[Isabel]

Did you tell him anything today?

[Libby Collins]

Did I? Oh, now, honestly, have you ever been able to deny Johnny anything?

[Isabel]

It was about that poison, wasn't it?

[Libby Collins]

Yes, it was. And if he writes a story on that one before I do. Lena, imagine a substance in daily use Anyone?

[Isabel]

Hey everybody.

[Lady Luck]

Lady luck here. And we're celebrating America's 250th birthday. Now all summer long I'm going to be celebrating by playing on finquest.com which is an American owned social casino. It obviously features over a thousand slot games and live blackjack, live craps, live bubble craps. Head on over to spinquest.com. get yourself a $30 coin pack for just 10 bucks.

[Spinquest Announcer]

Spin Quest is a free to play social casino void where prohibited. Visit spinquest.com for more details.

[Libby Collins]

Get it. And within a minute after taking. The victim's beautifully out of the way. And mind you, it's undetectable after death.

[Lena Aysgarth]

His whatever it is.

[Isabel]

Painful?

[Lena Aysgarth]

Not in the least.

[Libby Collins]

In fact, I should think it would

[Isabel]

be a most pleasant death.

[Johnny Aysgarth]

Lena, are you awake?

[Isabel]

Yes.

[Johnny Aysgarth]

I brought you a sandwich and a glass of milk. You might drink the milk before you go to sleep. I'll just leave it here. Good night, darling. Why don't you let me help you pack?

[Isabel]

Well, there's no need to.

[Johnny Aysgarth]

I. What's the matter with you this morning? You're still annoyed with me, aren't you?

[Isabel]

No, Johnny, really. I still don't feel well, that's all.

[Johnny Aysgarth]

And a few days at your mother's will do more good than staying at home.

[Lena Aysgarth]

Well, it's.

[Isabel]

It's not exactly that. Don't you understand? Mother telephoned me.

[Johnny Aysgarth]

She got on that phone awfully early, it seems to me.

[Isabel]

Well, Mother gets up early. I happened to mention that I was a bit nervy and before I knew it I'd agreed to spend a few days with her.

[Inspector Hodgson]

All right.

[Johnny Aysgarth]

I'll run down and get the car ready.

[Lena Aysgarth]

Oh, no, don't.

[Isabel]

I'll drive it myself.

[Johnny Aysgarth]

I prefer to drive you.

[Isabel]

You're going too fast, Johnny.

[Johnny Aysgarth]

Well, you want to get there, don't you?

[Lena Aysgarth]

Did you. Did you have to go by this road?

[Johnny Aysgarth]

Why not?

[Narrator/Announcer]

It's a short way, isn't it?

[Johnny Aysgarth]

There's the hotel site. Another thing I failed at.

[Lena Aysgarth]

He's going to kill me. That door is open. He's going to kill me. The curve on the. The door will swing. He's going to push me out. Down and down. Over and over. Murder. Down and down. Over and over.

[Johnny Aysgarth]

Get your hand off the door. Lena. Let me go.

[Lena Aysgarth]

Let me go.

[Beaky]

Lena.

[Libby Collins]

I'm back.

[Lena Aysgarth]

No.

[Johnny Aysgarth]

No. Lena.

[Narrator/Announcer]

Let me go.

[Johnny Aysgarth]

Lena, what's got into you?

[Lena Aysgarth]

Leave me alone. Leave me.

[Johnny Aysgarth]

Stop it. Stop it.

[Cecil B. DeMille]

You're in a pool.

[Johnny Aysgarth]

Stop it. I've had enough. How much do you think a man can bear? Listen to Me? You turned me out of your room.

[Narrator/Announcer]

You go running away to your mother's.

[Johnny Aysgarth]

Now you shrink away from me. So you hated me so. My wife, Leah.

[Narrator/Announcer]

You almost killed us both back there

[Johnny Aysgarth]

because you had to pull away from me. Even when I was reaching over to save you from falling out of the car. Well, you don't have to put up with me anymore.

[Lena Aysgarth]

Johnny, wait. Where are you going?

[Johnny Aysgarth]

First I'm taking on your mother's.

[Lena Aysgarth]

And then what?

[Cecil B. DeMille]

Don't worry.

[Johnny Aysgarth]

I won't bother you again.

[Lena Aysgarth]

Johnny? You mean you're going to. Johnny, why were you asking Isabel about that poison? What were you planning to do with Johnny? You were going to kill yourself. Oh, my darling.

[Johnny Aysgarth]

Yes, but I changed my mind. I'm going back to see it through prison time and.

[Lena Aysgarth]

You mean Malbec.

[Johnny Aysgarth]

That money you took, I can't pay it back. I made the last attempt to raise the money when I went away with Beaky.

[Isabel]

Paris.

[Johnny Aysgarth]

I went to Liverpool. I tried to borrow on your insurance, but it didn't work.

[Lena Aysgarth]

You mean you were in Liverpool when Beaky. Then you didn't go to Paris?

[Johnny Aysgarth]

Of course not. Do you think I'd have let some idiot give poor old Beaky that brandy if I had?

[Isabel]

Oh, Johnny, if only I'd known.

[Lena Aysgarth]

This is as much my fault as yours. I was only thinking of myself, not

[Isabel]

what you were going through.

[Lena Aysgarth]

If I'd really been close to you, you could have confided in me.

[Isabel]

But you were ashamed.

[Lena Aysgarth]

Oh, if I'd only understood. Oh, Johnny. It'll be different now. We'll make a difference.

[Johnny Aysgarth]

People don't change overnight. Lena. I'm no good.

[Lena Aysgarth]

Let's turn back, Johnny. Let's go home and see it all through together.

[Johnny Aysgarth]

No, that won't work.

[Lena Aysgarth]

It will work. I know it will. Johnny, please. You can't shut me out. Turn the car around and let's go home. Please, Johnny,

[Johnny Aysgarth]

get in the car.

[Lena Aysgarth]

Johnny, where are we going?

[Johnny Aysgarth]

We're turning back. We're going home.

[Cecil B. DeMille]

It's more than a matter of suspicion that tonight's performance will be long remembered by millions of listeners to the Lux Radio Theater. And for that we can thank our stars, William Powell and Olivia de Havilland.

[Johnny Aysgarth]

Thank you, Cecil. You gave us a great play when you picked Suspicion.

[Cecil B. DeMille]

You ought to be an authority on mysteries. But, Bill, one of the best bits of news I've heard is that you're going to do another picture in the Thin man series.

[Isabel]

But, Bill, for the Thin Man. Haven't you been putting on a little weight?

[Johnny Aysgarth]

Livy, how can you say that? I'm scared of my own shadow.

[Cecil B. DeMille]

You mean it looks as if a crowd were following you.

[Johnny Aysgarth]

What weight I have comes from my iron constitution. Every morning when I get up, I turn on those exercises over the radio and do them. No, my wife does. I watch her.

[Cecil B. DeMille]

Bill, I don't understand you. When I was your age, I used to think nothing of a 10 mile walk.

[Johnny Aysgarth]

I don't think much of it myself. But look, if you want to know, I'm on an A D diet.

[Libby Collins]

An A diet?

[Beaky]

What's that?

[Johnny Aysgarth]

A steak, a baked potato, a piece of pie.

[Libby Collins]

Sounds like army rations.

[Cecil B. DeMille]

Well, it goes to the front.

[Johnny Aysgarth]

Well, in spite of all you say about me, I'll confess you're looking as lovely as ever. Livy.

[Cecil B. DeMille]

Yes, isn't she?

[Johnny Aysgarth]

And now that I planted it for you. Cecil, you wouldn't like to tell us one of the reasons, would you?

[Cecil B. DeMille]

Me?

[Johnny Aysgarth]

No, no. Oh, come on. Plenty of fresh air, sunshine and luxe toilet soap. I'll say it for you, but there's

[Isabel]

no need to be modest about it, Phoebe. I use Lux toilet soap faithfully and it does wonders.

[Cecil B. DeMille]

Well, thank you, Olivia and I. I think we'd better take back all we said about Bill's figure. Or he'll dial us off his radio next Monday night.

[Isabel]

Not when he hears what's coming up, Phoebe.

[Johnny Aysgarth]

What do you have for next Monday, Cecil?

[Cecil B. DeMille]

A play I think you'll like. Will the RKO romantic comedy Lucky Partners. And our stars will be Donna Michi and Lucille Ball with Jack Carson. It's a story of two young people falling in love who stake their future on a horse race. When you gamble both love and horses, you're riding for plenty of excitement.

[Isabel]

But it sounds like Another entertaining evening, C.B. we'll be listening. Good night.

[Johnny Aysgarth]

Good night.

[Libby Collins]

Good night.

[Beaky]

Good night.

[Cecil B. DeMille]

I have a suspicion we'll be back soon. Our sponsor, the makers of Luxe Toilet Soap, join me in inviting you to be with us again next Monday night when the Lux Radio Theater presents Lucille Ball and Donna Meeche in Lucky Partners with Jack Carson. This is Cecil B. DeMille saying good night to you from Hollywood.

[Narrator/Announcer]

Next month, October 16th, the Lux Radio Theater celebrates its 10th anniversary on the air. We'd like you to share in this celebration by helping us select the play and stars you'd like most to hear. Send your suggestions on a postcard to CB DeMille, Post Office, Fox 9, Hollywood 28, California. Or use the ballot which your luxe toilet soap dealer will be glad to give you. Suspicion was presented through the courtesy of rko. Producers of Bride by mistake. Olivia de Havilland will soon be seen in her latest Warner Brothers picture, Devotion. William Powell appeared through the courtesy of Metro Goldwyn Mayer. Producers of the technicolor picture Kismet. Heard in tonight's play were Charles Irwin as Beaky, Lois Corbett, Vernon Steele, Gloria Gordon, Charles Seal, Dwayne Thompson, Eric Snowden and Claire Verdera. Our music was directed by Lewis Silvers. This program is broadcast to our fighting forces overseas seas through cooperation with the Armed Forces Radio Service. And now an announcement aimed straight at the fun loving hearts of America's people. Your beloved old friends Amos and Andy are returning to the air on Friday night. Yes, the boys are back again with their big cast in their grand half hour show. Their guest for Friday evening, John Charles Thomas, famous Metropolitan Opera star, will be a riot in his Amos and Andy roll. There will be super music and as you know, each broadcast is a complete episode. So see your paper for time and station and don't miss Amos and Andy on this Friday. This is your announcer John N. Kennedy reminding you to tune in again next Monday night to hear Lucky Partners with Don Ani, Lucille Ball and Jack Carson.

[Johnny Aysgarth]

Bry Spry Better, better cook with fry.

[Lena Aysgarth]

Cause you'll be a better, better cook

[Johnny Aysgarth]

with fry cakes, pies, fried foods Everything tastes better made with new easy mix fry shortening. So for light fluffy cakes, tender, flaky

[Narrator/Announcer]

pastry, crisp digestible fried foods.

[Lena Aysgarth]

Better, better, better, better Christmas fry.

[Narrator/Announcer]

This is cbs, the Columbia Broadcasting System.

[Bluff]

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