
(96) Magic Island - The City Is Discovered
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Narrator
Far below the surface of the South Pacific Ocean, the Gregory party have spent their first night in Euclidea, the hidden city of the Euclidean scientists. Mrs. Gregory, her young daughter Joan, Captain Bradford and Jerry hall found very fine quarters assigned to them in the Euclidean city. They also found a splendid dinner served with Mrs. Gregory's own table linen and silver. They have just finished breakfast, which appeared mysteriously at the right moment as we find them. Now our four adventuring friends are seated around the breakfast table discussing their plans for the day.
Jerry
No, thanks. I couldn't eat another bite.
Narrator
I'm sure I couldn't, Jerry.
Mrs. Gregory
I think we all did very well for ourselves at this breakfast.
Joan
I agree with you, Mother. For people who have as much to fear in the future as we have, the present is indeed kind to us.
Jerry
Oh, I don't think we've got so much to fear. But I'll bet we've got plenty to see. For one thing, I'd like to see where all this food comes from.
Mrs. Gregory
Just what I was going to say, Jerry. I'd formed the opinion that Euclideans existed entirely on those condensed food tablets.
Narrator
Sure doesn't look much like that now. Fresh milk, fresh butter, and last night, all those fresh vegetables. Hmm. That's a different story from the way we lived up inside that island.
Joan
I think we may safely explore outside our quarters now. Captain Bradford.
Mrs. Gregory
Yes, Tex? I'm anxious to get started myself.
Jerry
Yeah, me too.
Narrator
Looks like that's the pleasure of the meeting. Then let's go.
Jerry
Oh, where do we start?
Joan
I would suggest we start by finding an outer door.
Mrs. Gregory
Yes, Joan dear. We'll have to leave this large room or group of rooms if we're going to get anywhere.
Narrator
No, all we need is a door.
Mrs. Gregory
While you're looking for that, I'll get some heavy wraps for Joan and myself.
Jerry
Well, you won't need them, Mrs. Gregory.
Mrs. Gregory
But if we're going outside, Mother, where
Joan
do you think outside will be? Have you forgotten that we are 200ft below the level of the ocean?
Narrator
Oh, yes, I'm afraid you Slipped a little air, Pat, Our doors is very reliable to be the same as indoors in this place.
Jerry
Sure it will. No matter where we go, we'll still be inside this underwater city.
Joan
I think we will find the door to the outer corridor is over there.
Mrs. Gregory
What makes you think that, Joan?
Joan
Our sleeping quarters and the dining room occupy nearly all of the other side. That should be the outer door.
Jerry
Well, it won't take long to find out.
Joan
Come on.
Narrator
And if one of these panels does prove to be the door, we still have the fun of opening it.
Jerry
Joan and I got a lot of doors open once just by. Hey, look.
Joan
Yes, Jerry? Another of the voice control doors.
Mrs. Gregory
And this is the beginning of another series of weird experiences, I suppose.
Narrator
Looks like it, Pat. But remember that these Euclideans are human. Just if they can stand it, so can we.
Jerry
Well, here we are, back in our disappearing hall again.
Joan
Yes, there is the elevator shaft through which we came.
Mrs. Gregory
And now our steps make no sound.
Narrator
More of the soundproofing. We'll just have to learn to take that sort of thing for granted and not lose any time speculating on it. Or we'll spend all our time doing that.
Jerry
Well, where do we go first?
Joan
I think we should continue along this corridor until we see something of interest.
Narrator
Then we've gone far enough now.
Mrs. Gregory
Yes, it's all interesting, but I'd prefer to see something a little different for a change. Let's keep on walking.
Jerry
Looks like our tunnel splits up pretty soon.
Joan
So it does, Jerry. Just ahead there are two corridors.
Narrator
Well, I guess we can choose the one we want to use. G47 said we could go anywhere we wanted to.
Mrs. Gregory
Isn't this floor sloping sharply downward?
Jerry
I'll say it is. Feels like we're walking downhill.
Joan
G47 said this was the highest level of the ocean floor city. We may have to descend some distance before we find anything worthy of our inspection.
Narrator
At least we'll have to go on down until we find a doorway to use getting out of this tunnel.
Jerry
Oh, here's the dividing line. Which way do we go?
Mrs. Gregory
Well, there's no way of deciding that. I can see if any of you have any preference. I'll gladly go with you.
Narrator
Makes no difference to me.
Jerry
I got it. Let's split up and try both of these tunnels.
Joan
Excellent. Jerry, you and I will take one side and mother and Captain Bradford the other.
Mrs. Gregory
No, I prefer we stayed together, child.
Jerry
Gee, Mrs. Gregory, nothing's going to happen to us. Old G47 said we'd be safe, didn't he?
Narrator
Yeah. Yes, if he can be depended on.
Joan
I think G47 does not have to trouble himself to the extent of telling anything other than the truth.
Mrs. Gregory
I suppose you're right. Our position is so obviously hopeless that none of the Euclideans would even bother to deceive us.
Jerry
Then you'll let Joan and me go on a sightseeing tour of our own?
Joan
Please, Mother.
Mrs. Gregory
What do you think, Tex?
Narrator
I don't see where there's anything going to hurt them. I'd say let the youngsters go, but set a time to meet us back at our own quarters.
Mrs. Gregory
Very well. But understand, Joan, and you, Jerry, that you're to come back to our own quarters in how long Tanks?
Narrator
Why not make it noon? I suppose they'll serve our lunch at noon, won't they, Joan?
Joan
I think so. Exactly at 12 noon.
Jerry
Okay, then. We'll meet you back here at noon. Come on, Joan.
Joan
We will be prompt. Have no fear of that, Mother.
Mrs. Gregory
We'll see that you are, Joan.
Joan
I'll worry if you're late.
Narrator
And don't ask too many questions. Try to keep either way as much as possible.
Jerry
Aye, aye, skipper. Well, here we go again, Joan.
Joan
I wonder if you and I will ever be able to sit down and enjoy. One thing at a time, Jerry.
Jerry
Well, what's the matter now?
Joan
Every moment since you came to Euclidia, we have been exploring this or searching for that or looking for something else. Are we to spend the rest of our lives in corridors looking for things always just beyond our reach?
Jerry
Well, golly, whiskers, Joan, we've got to find out all we can about this Euclidea place.
Joan
Why must we do it all so quickly? We will have ample time during our stay here.
Jerry
Oh, I know. You think we're going to be kept here until I've got a long gray beard that I keep falling over every time I take a step. But we won't be. We got away from here three times and we can do it again.
Joan
We got away from the island. It is not such a simple matter to escape from this place, I think.
Jerry
Oh, maybe not. But let's stop worrying about that and see what we can see.
Joan
I do not find this long tube of polished metal very interesting.
Jerry
Well, I do. For one thing, we are going down pretty fast, and we've been walking fast. I wonder how far down we can go.
Joan
We will be here long enough to learn the answer.
Jerry
Stop talking like that, Joan. We're not doing so bad.
Joan
Badly.
Jerry
All right, then, badly. We're not doing so.
Joan
That is not correct.
Jerry
I know it. I know it. But who cares? Now, forget crying about how long we're going to be here, and let's try to learn something.
Joan
A most excellent idea.
Jerry
Gee whiz.
Joan
The Commander. Precisely where did you come from? If your eyes were as active as your tongue, you would have noticed that I merely opened a panel in this wall and stepped into the corridor with you.
Jerry
Well, why don't you make a little noise once in a while when you do those things?
Joan
Sound is a useless disturbance where silence will serve. Is it permitted to ask questions, Commander? Naturally. You may ask as many questions as you wish.
Jerry
Will we get any answers?
Joan
That will depend entirely on the question. Where are we in relation to the main portion of the underwater city? We are just above it. A few steps along this passageway will bring you to the main entrance. You are free to proceed there if you wish.
Jerry
Come on, Joan. Let's go.
Joan
One moment, Jerry.
Jerry
Now, what's the matter?
Joan
There is one other question I should like to ask the commander.
Jerry
Well, looks like you're too late, Jerry.
Joan
She has gone.
Jerry
Just as quickly as she popped up, she popped out again.
Joan
Then let us proceed.
Jerry
Okay, let's also get going.
Joan
Jerry, why am I. Oh, never mind.
Jerry
Starting that grammar lesson again. I want to see what's behind that main entrance door the commander was talking about.
Joan
Nevertheless, I think my question was important.
Jerry
What was it?
Joan
I wanted to ask the Commander if the Euclidean living quarters were also along this corridor. If not, then what manner of room was it out of which she appeared?
Jerry
Well, I guess we'll find all that out when the time comes. But let's keep walking.
Joan
That main gate, that blank wall directly before us must be the entrance.
Jerry
Yeah. Everything here is a blank wall.
Joan
Do you see anything with which to open it?
Jerry
Not a thing. But I guess we can just. Oh, that's funny.
Joan
What is funny, Jerry?
Jerry
That blank wall. Why, a minute ago I could have reached out and touched it. And now it's a way up there ahead of us again.
Joan
I think you are mistaken, Jerry. That must be an illusion.
Jerry
Maybe, but the joke's on that wall. If it is, because the wall moved and it's still moving. Now, Jerry, now see for yourself. We're walking all the time, aren't we?
Joan
Just to be sure we are.
Jerry
And the wall's keeping ahead of us, isn't it?
Joan
At least we do not approach it rapidly.
Jerry
Yeah, Then the wall's going away from us.
Joan
But why should the wall do that?
Jerry
Don't ask me why. Things happen in this funny place. All I want to do is to get through a door, and I can't
Mrs. Gregory
even catch the blame thing, Jerry.
Joan
Yeah, I think I know how the illusion is being created. How our descent is so rapid, the angle of this floor so sharp, that what we supposed to be the end of the corridor was in reality part of the ceiling.
Jerry
Well, I guess you're right. This thing does slope down pretty fast. Boy, we must be a long way under the ocean now.
Joan
And I believe we are nearly to that door.
Jerry
That girl commander sure has wild ideas about how many steps there are in a few.
Joan
You are impatient.
Jerry
Okay, I'm impatient. But just the same, I want to get someplace.
Joan
Then your hope is about to be fulfilled.
Jerry
Looks like it now. All right, Joan, if that isn't a solid wall in front of us, then I never saw one.
Joan
I think we may safely enter no
Jerry
danger of Ryan's electricity.
Joan
The commander said we were free to use this doorway.
Jerry
Yeah, we're free to use it. But she didn't say anything about what would happen to us if we did use it.
Joan
Now, Jerry, you are being, as you say about me, scared of everything.
Jerry
I'll show you a thing or two. Well, maybe I will if I can find out where to take hold of this door.
Joan
Press upon it.
Jerry
I am pressing. Yeah, it moves up. Look, Joan, I'm just barely touching it with my hand. Just pushing up a little. And the whole end of the corridor is going right straight up.
Joan
Oh, Jerry, look away. Down there on the floor of this cavern.
Jerry
Gee, where's Jo?
Mrs. Gregory
Oh, boy.
Jerry
Golly whiskers.
Mrs. Gregory
Oh, boy.
Joan
We will go down and see it.
Jerry
Why, Joan, this. This is the biggest thing I ever saw in my life.
Joan
I believe it is the largest spectacle of its kind in the world. Never have I heard anyone describe anything of such magnitude.
Jerry
Yeah, it's big, too. You remember I told you about the Carlsbad Caverns, Those big caves in New Mexico back home?
Joan
Yes, Jerry, but were they as large as this?
Jerry
They don't even start to be as big as this. Why, Joan, that place down there, that room, I guess you'd call it. Must be a mile across.
Joan
Easily that, Jerry. And it is half that in height.
Jerry
Look at the light shining on those hanging things. I can never remember what they're called.
Joan
Those are stalactites. The lower ones are stalagmites.
Jerry
Oh. I thought you said you had never seen them before.
Joan
I have not, but I have learned about them.
Jerry
So have I, but that doesn't help me much when I try to remember what kind hang from the ceiling and which kind pile up from the floor.
Joan
The stalactites are suspended from the ceiling.
Jerry
Remember that? So you can tell me again, will you? I. Forget it. Boy, what a room this is.
Joan
Yes, Jerry, it is impressive. And I believe I see the entrances to similar rooms on all sides.
Jerry
Sure looks like it, Joan. This thing we're standing on is a balcony. A steel balcony built around this end of the cave. And we're pretty near halfway up the side. Hey, Joan. Joan.
Joan
What is it, Jerry? You are hurting my arm.
Jerry
Oh, sorry, but I got excited. Look, down on the floor of this cave right under us.
Joan
Yes. I do not understand what it is you wish me to observe.
Jerry
Trees. Green grass and big trees growing in this cave under the ocean. We must be 300ft down by now.
Joan
At least 300ft below the surface of the water.
Jerry
Now I know where they got all of that. Fresh cream and butter and fresh vegetables. There's cows down there, Joan. Cows and pastures and green grass and trees.
Joan
I see them. Is that so unexpected?
Jerry
Now look, Joan, don't act like that. You know as well as I do that green grass and trees don't grow like that in a dark cave under the water. They've got to have sunlight and fresh air.
Joan
This would seem to prove that you are wrong, Jerry. You can see the green vegetation and you can see the cows. And you have eaten fresh vegetables, milk, cream and butter that obviously came from here. Sometime I hope to make you realize that on Euclidea, things which cannot be done are done every day.
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Podcast: Harold's Old Time Radio
Episode: 96
Release Date: June 14, 2026
Main Characters: Mrs. Gregory, Joan (her daughter), Captain Bradford (Tex), Jerry Hall, Narrator, Commander
This episode transports listeners deep beneath the South Pacific Ocean, where the Gregory party—Mrs. Gregory, her daughter Joan, Captain Bradford (Tex), and Jerry Hall—begin their day inside Euclidea, an advanced, secret underwater city run by the mysterious Euclidean scientists. The storyline centers around the group's breakfast-room musings and their exploratory walk, culminating in an awe-inspiring discovery about Euclidea’s hidden wonders and the source of its remarkable hospitality.
The episode opens with the group finishing a bountiful breakfast, made curious by the quality and origins of the fresh food they've received in such an improbable location.
There’s surprise at finding fresh milk, butter, and vegetables—contrary to their assumption that only condensed food tablets would be available.
They encounter voice-controlled and soundproofed doors, which add to the surreal quality of their surroundings.
The group arrives at a junction and considers splitting up; ultimately, Joan and Jerry are allowed to explore separately, under orders to meet back at noon.
The pair discuss their never-ending explorations, with Joan philosophizing on patience and Jerry quipping about growing old in Euclidea.
An unexpected encounter with the mysterious Commander underscores the city’s strangeness and lack of privacy; her sudden entrances and exits are unsettling but informative.
The Commander reveals they are just above the city’s main portion and free to proceed to the main entrance.
Jerry notices the bizarre architecture as the corridor appears to lengthen—the product of an illusion caused by steep descent and clever construction.
Upon reaching the “main entrance,” they open a massive door to an immense underground cavern—a breathtaking sight filled with pastures, grass, and livestock.
The cavern impresses both with its size (comparable to the Carlsbad Caverns, but even grander) and its unnatural bounty: cattle, green grass, and full farming operations—all deep under the ocean.
The episode retains the brisk, adventurous spirit of radio’s Golden Age. Jerry’s American pluck and curiosity mix with Joan’s methodical and philosophical nature, while the adults exude parental caution. The banter swings between wide-eyed wonder, scientific skepticism, and subdued apprehension. The environment is described in vivid detail, evoking a sense of awe through old-time radio storytelling that revels in the fantastic and impossible.
This episode offers a self-contained taste of the Magic Island serial’s blend of science fiction intrigue, family drama, and 1930s adventure serial pacing. It’s a snapshot of classic radio’s power—to awe, surprise, and delight—using only dialogue and sound to paint an incredible scene: the secret heart of an underwater city where the rules of science seem to bend to the will of mysterious minds.