Lux Radio Theatre - Jane Eyre

Summary

Podcast Summary: Lux Radio Theatre - Jane Eyre

Podcast: Harold's Old Time Radio
Episode Date: July 12, 2026
Stars: Ingrid Bergman (Jane Eyre), Robert Montgomery (Edward Rochester)
Host/Announcer: William Keeley

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Episode Overview

This special episode from Harold's Old Time Radio features the full classic radio adaptation of Jane Eyre, broadcast by the Lux Radio Theatre. The show dramatizes Charlotte Brontë’s iconic novel, weaving together gothic romance, mystery, and the resilience of a young woman, Jane, as she seeks belonging and love in 19th-century England.

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Key Discussion Points and Story Arcs

1. Introduction to Jane Eyre’s World (02:45–05:47)

• Setting: Yorkshire moors, early 19th-century England.
• Jane's Childhood: Orphaned and unwanted by her aunt, Jane is sent to the harsh religious school of Lowood.
• Key Moment: Mr. Brocklehurst, the rigid schoolmaster, humiliates Jane publicly:

  “In all the earth, there is no sight so terrible as a wicked child. But I promise, all wickedness will be driven from you here.” – Mr. Brocklehurst (04:04)

2. Jane's Independence and Arrival at Thornfield Hall (06:58–10:40)

• After 10 years at Lowood, Jane leaves to work as a governess at Thornfield Hall.
• Meets Mrs. Fairfax and Adele: Jane is greeted warmly by the housekeeper and meets Adele, her pupil, who describes Rochester as both kind and frightening.

3. First Encounter with Mr. Rochester (11:50–15:02)

• Jane meets Rochester when she accidentally startles his horse in the mist.
• Their initial exchange is tense and candid:

  “No wonder. You have rather the look of another world about you.” – Edward Rochester (13:49)

4. Strangest Nights and Unfolding Mystery at Thornfield (15:02–22:36)

• Jane hears disturbing laughter at night and later discovers a fire set in Rochester’s room.
• Rochester’s Trust in Jane: Jane saves him from the fire; he confides in her but asks her to remain silent about the strange events.

5. Building Relationship, Mystery Deepens (24:25–29:04)

• Rochester’s Absences and Return: Rumors of his connection to Blanche Ingram unsettle Jane.
• The Tower Mystery: Jane is warned away from the third-floor rooms, amplifying the sense of something sinister kept hidden.

6. A Confession of Love (38:00–41:41)

• Faced with the prospect of Rochester’s marriage to Blanche, Jane prepares to leave Thornfield.

• Emotional Climax:

  “Do you think because I am poor and obscure and plain that I am soulless and heartless? ... I have as much soul as you—and fully as much heart!” – Jane Eyre (40:48)

• Rochester reveals his love for Jane, not Blanche, and proposes:

  “Say, ‘Edward, I’ll marry you.’” – Edward Rochester (41:36) “Edward, I’ll marry you.” – Jane Eyre (41:38)

7. Revelation and Heartbreak (45:43–51:02)

• During the wedding ceremony, Jane learns that Rochester is already married—his wife, Bertha Mason, is alive but insane, locked in Thornfield’s tower.
• Consequences: Jane, devastated yet principled, leaves Rochester and Thornfield.

8. Jane’s Struggles and Independence (51:02–55:16)

• Jane experiences destitution, seeking shelter and work, eventually returning to Lowood where she works as a scullery maid.
• Rochester Searches for Jane: She learns he has left England, believing Jane lost to him forever.

9. Reunion and Resolution (55:16–58:57)

• Drawn back by dreams and longing, Jane returns to Thornfield—only to find it ruined by fire.
• She reunites with Rochester, now blind and broken but still deeply in love.

  “You think I won’t let you go? Oh, my darling.” – Edward Rochester (57:43)

• Love prevails; Jane stays, and Rochester gradually regains his sight. They have a child together, symbolizing hope and renewal.

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Notable Quotes and Memorable Moments

• Jane’s Strength:

  “If God had gifted me with wealth and beauty, I shouldn’t have made it as difficult for you to leave me as it is now for me to leave you.” – Jane Eyre (40:48)

• Rochester’s Emotional Declaration:

  “Jane, you strange, you almost unearthly thing. You that I love as my own family.” – Edward Rochester (41:19)

• Jane’s Principles:

  “We should be hurting ourselves.” – Jane Eyre on refusing to stay with Rochester unmarried (50:27)

• Bittersweet Reunion:

  “All you can feel now is pity. I won’t have your pity.” – Edward Rochester (57:25)

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Timestamps for Important Segments

• [02:45] – Jane Eyre’s narration and childhood
• [06:58] – Leaving Lowood and journey to Thornfield Hall
• [11:50] – Jane’s first meeting with Mr. Rochester
• [15:02] – Nighttime mysteries and first fire
• [24:25] – Aftermath of the fire and developing trust
• [29:04] – Rochester returns with guests, Blanche Ingram introduced
• [38:00] – Jane requests a reference, believes Rochester will wed Blanche
• [41:16] – Jane and Rochester’s love confession and proposal
• [46:05] – Wedding interrupted; Bertha revealed as Rochester’s wife
• [51:02] – Jane’s destitution after leaving Thornfield
• [55:16] – Jane returns, discovers Thornfield in ruins, reunites with Rochester
• [57:43] – Emotional reconciliation
• [58:57] – Hopeful future; birth of Jane and Rochester’s child

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Tone and Performance

The language is earnest, atmospheric, and emotional, true to Brontë's gothic novel. Ingrid Bergman brings a reserved yet passionate presence as Jane, while Robert Montgomery’s Rochester is gruff yet ultimately vulnerable.

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Final Thoughts

This faithful adaptation delivers the gothic intensity and emotional sweep of Jane Eyre: persecution, hope, secrets, and unwavering love. Listeners will feel transported to windswept Yorkshire and witness a romance that defies fate and convention, crowned by luminous performances and lush, evocative radio drama.

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Highly recommended for fans of classic literature, radio plays, and timeless love stories.

Transcript

[Announcer]

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[William Keeley (Producer/Announcer)]

Lux presents Hollywood. Lever Brothers Co. The makers of Lux Flakes bring you the Lux Radio Theater starring Ingrid Bergman and Robert Montgomery in Jane Eyre. Ladies and gentlemen, your producer, Mr. William Keeley.

[Narrator/Host]

Greetings from Hollywood, ladies and gentlemen. If you've ever visited the moors of Yorkshire with their threatening crags and weird mysterious fogs, their towering moss covered mansions steeped in age and legend, you'll realize why those Yorkshire moors have been the setting for so many strange and gripping dramas. Such dramas, for example, as tonight's immortal story Jane eyre, filmed by 20th Century Fox from Charlotte Bronte's famous novel Jane Eyre is truly a screen classic, calling for great actors to interpret it. And such are the players whom we have tonight. Robert Montgomery co starred with Ingrid Bergman in the title role. A biographer of the fabulous Bronte sisters, perhaps literature's most gifted family, describes them as being plainly and unfashionably dressed, with the exception of Charlotte, who had a taste for delicate lace shawls and mantles. Although how she cared for her fine fabrics without luxe flakes, the writer fails to mention. If Charlotte were alive today and doing her own housework, as she did in Yorkshire, I'm sure those new tiny diamonds of luxe would prove a helpful blessing to this family of geniuses. But back to 19th century England with act one of tonight's play, starring Ingrid Bergman as Jane Eyre and Robert Montgomery as Edward Rochester.

[Jane Eyre]

My name is Jane Eyre. I was born in 1820, a time of harsh change. Money and position were all that mattered. Charity was a cold and disagreeable word, and religion too often merely a mask to cover bigotry and meanness. As a child I had no one, only an aunt. I cannot remember that even once did she speak a single word of kindness to me. When I was 10, she sent me away to school to a place called Lawwood.

[Mr. Brocklehurst]

What do you want?

[Adele]

I am the new girl, sir. Jane Eyre.

[Mr. Brocklehurst]

You are aware of my identity, Eyre.

[Adele]

They told me you are Mr. Brocklehurst, sir.

[Mr. Brocklehurst]

That is correct. I am the supervisor of this institution.

[Adele]

Institution, sir?

[Mr. Brocklehurst]

Did I give you leave to question me?

[Adele]

No, sir.

[Mr. Brocklehurst]

Perhaps the word institution annoys you.

[Adele]

Excuse me, sir. I thought this was a school.

[Edward Rochester]

Lo.

[Mr. Brocklehurst]

It is a refuge, heir. A refuge for paupers and orphans who but for these portals are without homes. Here we give everything. In return, we demand nothing short of absolute obedience and humility.

[Adele]

I have tried to be a good girl, sir.

[Mr. Brocklehurst]

You have tried only to torment your poor aunt. From what she told and from what is readily observed, you're a wicked and worthless child.

[Adele]

That isn't so.

[Mr. Brocklehurst]

In all the earth, there is no sight so terrible as a wicked child. But I promise, all wickedness will be driven from you. Here.

[Mrs. Fairfax]

There.

[Adele]

Yes, sir.

[Mr. Brocklehurst]

Get to your knees. We shall pray together for the salvation of your soul.

[Jane Eyre]

That was my introduction to Lowood. It was like a prison. Dark and cold. But never so dark nor cold as Mr. Brocklehurst. His hand reached everywhere through those sombre walls and in the guise of christian charity, tormented body and soul alike. Two weeks after my arrival, he found cause to assemble all the children and ordered me to stand before them on a stool.

[Mr. Brocklehurst]

Jubils, observe this child. Be on guard against her. Shun her example and avoid her company. And you, the teachers, watch her well. Punish her body to save the soul, for already the evil one has found in her. A willing servant. She will remain on this tool for 12 hours. Return to your classes.

[Jane Eyre]

If we, who were children at Lorwood, did not flourish, at least we survived. True, we had nothing to cling to, save each other, but the very anguish that was low would bound us together still more closely. Life was bearable. I know because I was there for 10 years. Shortly after my 20th birthday, Mr. Brocklehurst sent for me.

[Mr. Brocklehurst]

This is a solemn moment, dear. Little did I imagine that the unregenerate child I received under this institution would in 10 short years become one of his teachers.

[Jane Eyre]

A teacher, sir?

[Mr. Brocklehurst]

The trustees have seen fit to bestow that honor upon you.

[Jane Eyre]

But I. I cannot accept the offer, sir.

[Mr. Brocklehurst]

And why not, pray?

[Jane Eyre]

I do not wish to stay at Lowood.

[Mr. Brocklehurst]

This is unheard of. The ingratitude.

[Jane Eyre]

I've had 10 years of harshness and drudgery, sir. For that I can have no gratitude.

[Mr. Brocklehurst]

Wilful. Stiff necked as ever, I see. We've been sadly deceived in you. And where do you intend to go?

[Jane Eyre]

Into the world, sir. I have never seen it.

[Mr. Brocklehurst]

You know how the world treats young paupers. Friendless, without connections.

[Jane Eyre]

I intend to find a position as a governess. I have advertised in a newspaper.

[Mr. Brocklehurst]

Doubtless you have been overwhelmed with demands for your services.

[Jane Eyre]

No, sir.

[Mr. Brocklehurst]

This is ridiculous. You have no talents. Your appearance is insignificant. I warn you, heir, if you persist in this folly, this haven will never again be open to you.

[Jane Eyre]

I am leaving Lawood, sir. My advertisement brought me a solitary answer. A letter signed by a Mrs. Fairfax. It bore the crest of Thornfield Hall. I was a whole day in reaching the estate. At the nearest village, a coachman met me, and for two hours we rode through the desolate moorlands. Then, in the deep shadows of evening, it loomed before me, ancient and huge, beyond anything I had visioned. Its great tower stretched into the darkness and its massive stone walls butted out into the misty gloom like the ramparts of a fortress. I had arrived at the Thornfield horn.

[Mrs. Fairfax]

You are Miss Eyre, my dear?

[Jane Eyre]

Yes, madam.

[Mrs. Fairfax]

I'm Mrs. Fairfax. Well, there's a nice cozy fire burning inside. Come warm yourself, child.

[Jane Eyre]

Thank you.

[Mrs. Fairfax]

I'm so glad you've come, Miss Eyre. Living here with no company but the servants. It's none too cheerful, I tell you. Only the postman and the butcher to have a word with. Say, since this hard weather is set

[Jane Eyre]

in, shall I have the pleasure of seeing Miss Fairfax tonight?

[Mrs. Fairfax]

Miss Fairfax? Oh, you mean Miss Adele.

[Jane Eyre]

Is it not your daughter to whom I shall be governess?

[Mrs. Fairfax]

Oh, gracious, no. Adele is French. You will see her in the morning. She's Mr. Edward's ward.

[Jane Eyre]

Mr. Edward?

[Mrs. Fairfax]

Mr. Edward Rochester, the owner of Thornfield. I'm only the housekeeper.

[Jane Eyre]

Will he wish to see me this evening?

[Mrs. Fairfax]

No, he is not here. He's very seldom at Thornfield. And then his visits are always sudden and unexpected and brief.

[Jane Eyre]

Oh, but this is such a beautiful home, Mrs. Fairfax. I mean, it is hard to understand why Mr. Rochester would choose to remain away.

[Mrs. Fairfax]

It is strange. But then, Mr. Ms. Eyre. Mr. Rochester is a strange man in many ways. Let me show you to your room.

[Jane Eyre]

Thank. I spent all the next day with Adele. A beautiful and charming child like myself. She, too, was an orphan. She won me over so quickly. That night, as I was making her ready for bed, she showed me one of her dolls.

[Adele]

This is Mimi, mademoiselle.

[Jane Eyre]

Such a beautiful dress she has, Adele.

[Adele]

Mama had it dressed like that. It is a dancing dress, mademoiselle. Mama was a beautiful dancer. I also can dance. Do you wish me to dance for you now, Adele?

[Jane Eyre]

This very moment.

[Adele]

Now you speak like Monsieur Rochester. For him, it is never the right moment.

[Jane Eyre]

Does that make you sad, Adele?

[Adele]

Sometimes. Mama said I love dancing.

[Jane Eyre]

I should like it too.

[Adele]

A great many gentlemen and ladies came to see Mama dance.

[Jane Eyre]

Where where was that?

[Adele]

In Paris. But when mama had to go to heaven, then Mr. Rochester came and brought me here. Mademoiselle, do you like Monsieur Rochester?

[Jane Eyre]

I have not yet met him.

[Adele]

That big, huge chair downstairs, that is his chair. He sits in it and stares into the fire and frowns.

[Jane Eyre]

But I'm sure he's very kind to you.

[Adele]

Oh, sometimes he brings me beautiful presents. But when he is angry, that is terrible. Oh, but do not be concerned, mademoiselle. Tonight I shall pray to God to make him be polite to you. So you will stay with me forever.

[Jane Eyre]

Thank you, Adele. Thank you.

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[Jane Eyre]

Later that week, quite early in the evening, went for a walk alone. It was cold and huge clouds of mist clung to the ground. It was like walking through a dream with a road ahead, inviting and invisible. There must have been a turn in the road, for I saw nothing and heard nothing until it was upon me. And then out of nowhere, there was a fearful clatter of roofs and a man frantically shouting and a boat, horse and rider crashed to the ground.

[Edward Rochester]

What the devil do you mean by that?

[Jane Eyre]

Oh, I'm so sorry. I must have frightened you. Horace, Can I do anything?

[Edward Rochester]

Apologies won't mend my ankle. Stand out of the way.

[Jane Eyre]

But you're hurt.

[Edward Rochester]

I told you to stand aside.

[Jane Eyre]

But I can't until I see that you're fit to ride.

[Edward Rochester]

Where are you from?

[Jane Eyre]

From Mr. Rochester's house, just below.

[Edward Rochester]

Do you know Mr. Rochester?

[Jane Eyre]

No, no, no, I've never met him.

[Edward Rochester]

You're not a Servant at the hall.

[Jane Eyre]

I'm the new governess.

[Edward Rochester]

The new governess?

[Jane Eyre]

Yes.

[Edward Rochester]

Well, if you're satisfied now that I've broken no bones, hand me my whip and get out of my way.

[Adele]

Here.

[Edward Rochester]

Thank you. Now, if you will kindly stand clear for a moment.

[Jane Eyre]

Yes, sir.

[Adele]

Yes.

[Jane Eyre]

Jane.

[Mrs. Fairfax]

Jane.

[Jane Eyre]

Yes, Mrs. Fairfax?

[Mrs. Fairfax]

Quickly, dear. He's been asking to see the new governess. Oh, Mr. Rochester, of course, rode in honest without warning and in such vile humor.

[Jane Eyre]

Where is he?

[Mrs. Fairfax]

Inside, before the fire in his chair.

[Jane Eyre]

Thank you.

[Edward Rochester]

Well, well, Miss Eyre. Have you no tongue?

[Jane Eyre]

I was waiting, sir, until I. I was spoken to.

[Edward Rochester]

Come here. Next time. When you see a man on a horse, don't run out in the middle of the road until he's passed.

[Jane Eyre]

I assure you, sir, it was not deliberate.

[Edward Rochester]

Sit down, Lucia. Where are you from?

[Jane Eyre]

Lowood Institution, sir.

[Edward Rochester]

What is that?

[Jane Eyre]

A charity school. I was there 10 years.

[Edward Rochester]

10 years in a charity school? You must be tenacious of life. No wonder. You have rather the look of another world about you. When you came on me in the mist, I found myself thinking of fairy tales. I'd half a mind to demand whether you'd bewitched my horse. Indeed, I'm not sure yet. Who are your parents?

[Jane Eyre]

I have none, sir.

[Edward Rochester]

And your home?

[Jane Eyre]

I have no homes.

[Edward Rochester]

Who recommended you here?

[Jane Eyre]

Mrs. Fairfax answered my advertisement.

[Edward Rochester]

I see. And you rushed here just in time to throw me off my horse. You play the piano?

[Jane Eyre]

Yes, a little.

[Edward Rochester]

I see. That's the established answer, isn't it? Go into the drawing room. I mean, if you please.

[William Keeley (Producer/Announcer)]

Go on.

[Edward Rochester]

Take a candle and leave the door open and play.

[Jane Eyre]

What do you wish me to play?

[Edward Rochester]

Anything. Anything you wish. That's enough. That's enough. You play a little, I see. Like any other girl. Perhaps better than some, but not. Well. Good night, Miss Eyre.

[Jane Eyre]

Good night. What sort of man was this master of Thornfield? So proud, so cynical, so unmannerly. Instinctively, I felt that his harsh mood had its source in some cruel cross of fate. I was soon to learn that this indeed was true. After he said good night, I went to my room. I had scarcely fallen asleep when I heard it. Like a voice in the. A nightmare. A wild, insane laughter. A woman's laughter that seemed to come from somewhere in the tower of Thornfield Hall. I opened my door. At the end of the long hall in front of the stone steps leading to the tower, I saw Mrs. Fairfax. She was talking to someone. Must be careful.

[Mrs. Fairfax]

I told you time and time again. They can be heard all over the house. I know. Yes. Good night. Oh, Jane. Did I disturb you, my dear?

[Jane Eyre]

No, there's nothing wrong.

[Mrs. Fairfax]

Wrong? Oh. Oh, dear. No, I. I was talking to Grace Poole. She's a person. We have to do the sewing. She does excellent work, but she's a little peculiar. Well, how did you get on with Mr. Rochester, my dear?

[Jane Eyre]

Why is he always so changeful and so abrupt?

[Mrs. Fairfax]

Well, he has his moods. But then allowances should be made.

[Jane Eyre]

Why, for him more than anyone else.

[Mrs. Fairfax]

Partly because that's his nature and partly because he has painful thoughts.

[Jane Eyre]

Mrs. Fairfax, I don't mean to be

[Mrs. Fairfax]

curious, but Emily troubles Jane. I think that's why he so seldom comes here to Thornfield. It has unpleasant associations for him. Good night, my dear.

[Jane Eyre]

Good night.

[Edward Rochester]

Sit down. Tell me, you. You have been here now, how long is it?

[Jane Eyre]

Eight days.

[Edward Rochester]

Eight days. You puzzle me a great deal. And from the way you stare at me and it's apparent that I also am something of a puzzled. You examine me, Miss Eyre. Do you find me handsome?

[Jane Eyre]

No, sir.

[Edward Rochester]

Indeed?

[Jane Eyre]

Well, I'm. I'm too blunt.

[Edward Rochester]

I beg you to turn away. Don't turn away. What does my face tell you? Am I a fool?

[Jane Eyre]

Oh, no, sir.

[Edward Rochester]

Is it the face of a kindly man?

[Jane Eyre]

Hardly that.

[Edward Rochester]

No, I'm not a kindly man. Although I did once have a sort of tenderness of heart. You doubt that? Please, I. I have been knocked about by fortune, Miss Eyre. She has kneaded me with her knuckles till now. I flatter myself I am as hard and as tough as an India rubber ball. With perhaps one small, sensitive point in the middle of the lump. Does that leave hope for me?

[Jane Eyre]

Hope for what, sir?

[Edward Rochester]

Of my transformation from India rubber back to flesh. You are silent, Miss Eyre. Keep your silence, then, and listen. What I want you to know is this. I do not wish to treat you as an inferior, but I've battled through a varied experience with many men of many nations. I've roamed over half the globe while you spent your whole life with one set of people in one house. Don't you agree that that gives me the right to be a little masterful?

[Jane Eyre]

You pay me £30 a year for receiving your orders. Do as you please, sir.

[Edward Rochester]

£30? I'd quite forgotten that. Yes. Well, on that mercenary ground, won't you agree to let me bully you a little?

[Jane Eyre]

No, sir. Only on the ground that you inquired of my feelings as your equal.

[Edward Rochester]

Good. And you'll not think me insolent?

[Jane Eyre]

I should never mistake informality for insult.

[Edward Rochester]

Now, where are you going?

[Jane Eyre]

It's time. Friedel's lessons.

[Edward Rochester]

You're afraid of me? You want to escape me. You look at me and you hesitate to smile, even to speak. Admit it, you're afraid.

[Jane Eyre]

I. I am bewildered, sir. I'm certainly not afraid.

[Adele]

Mademoiselle. Mademoiselle. It's time for my lesson.

[Jane Eyre]

You see? It is time, sir. I'm here, odelle.

[Adele]

Look at me, mademoiselle. You too, monsieur. See? It's the ballet dress you brought me.

[Mr. Brocklehurst]

Is it?

[Adele]

Do I not look beautiful, monsieur? See?

[Edward Rochester]

Go upstairs.

[Adele]

But, monsieur.

[Edward Rochester]

I said go upstairs.

[Jane Eyre]

Armadale.

[Edward Rochester]

Come with me, monsieur. I've not finished talking with you.

[Jane Eyre]

I. Go to your nursery, darling.

[Adele]

Yes, madame, Monsieur.

[Jane Eyre]

I'll come up in just a moment.

[Adele]

Yes.

[Edward Rochester]

Why are you looking at me like

[Jane Eyre]

that, Miss Eyre, I don't care what your past misfortunes were. You have no right to advance yourself upon the child.

[Edward Rochester]

You're quite right, of course. I was thinking only of myself. My own private memories and feelings. I'm a battleground where nature and circumstance tear at each other's throat. Nature intends me to be a good man, Miss Eyre. Circumstances decree otherwise. You may leave now.

[Jane Eyre]

Thank you.

[Edward Rochester]

I. I hope you will be happy here at Thornfield.

[Jane Eyre]

I hope so too, sir.

[Edward Rochester]

I'm glad.

[Jane Eyre]

Three nights later, I was again awakened by that awful laughter and a noise in the hall like the padding of running feet. I threw a robe over me, lit a candle and opened my door. I could see no one in the hall, but faintly I heard a sort of crackling noise. It seemed to come from his room. Mr. Rochester's. As I drew near his door, I saw it was partly opened, just a crack. But through it came a strange light. And then. Then suddenly I could see it.

[Mrs. Fairfax]

Smoke.

[Jane Eyre]

Smoke and fire. Mr. Rochester. Mr. Rochester.

[Edward Rochester]

It's out, miss. Miss A. The fire is out. Please open the window.

[William Keeley (Producer/Announcer)]

Look.

[Edward Rochester]

The fire seems only to have been at my bed. The bed curtains and the sheets.

[Jane Eyre]

I'll get Mrs. Fairfax.

[Edward Rochester]

What the devil you want to call her for? Let her sleep.

[Jane Eyre]

Someone started that fire.

[Narrator/Host]

Stay here.

[Jane Eyre]

I heard footsteps.

[Narrator/Host]

Stay here.

[Adele]

Why?

[Mrs. Fairfax]

Where are you going?

[Edward Rochester]

I won't be long. Stay here and be as quiet as you can.

[Jane Eyre]

He took a candle and walked quickly down the hall. The window of his room looked out upon the tower and through the vents in the tower hall I could see now and then a flicker of the candle as it mounted higher and higher up the winding stairs. There was something in the tower that had to do with the fire. The light from the candle seemed to cling to the top of the tower. And then. I don't know how Long later, it glimmered its way down again. There were footsteps in the hall and Mr. Rochester returned to his room. He closed the door and looked at me.

[Edward Rochester]

When you came out of your room tonight, when you saw the fire and awakened me, had you seen anything else, Miss Eyre?

[Adele]

No.

[Edward Rochester]

Did you hear anything?

[Mrs. Fairfax]

Yes.

[Jane Eyre]

Yes, A kind of laugh.

[Edward Rochester]

Kind of laugh. Had you heard it before?

[Jane Eyre]

It's once before. There's a strange woman living here.

[Edward Rochester]

Grace Poole? Yes. Grace Pool. Well, I can see what must be done. Meanwhile, say nothing about this to anyone.

[Jane Eyre]

Oh, Adele.

[Edward Rochester]

You need not be alarmed about it. I looked in the nursery just now. Adele is all right, thank heaven. She's asleep next to her head on the pillow, her dancing slippers, trying to console herself for my unkindness to her. The child has dancing in her blood and coquetry in the very marrow of her bones. She has shown you her doll, Miss Eyre.

[Jane Eyre]

Her dancing doll with a dress like her mother's.

[Edward Rochester]

Her mother was a dancer in the ballet at the Paris Opera. Adele is the image of her.

[Jane Eyre]

But she's dead. Adele's mother is dead.

[Edward Rochester]

That is what we tell her. The truth is not quite so touching.

[Jane Eyre]

Oh, she has had so little to love. I shall try to make up for that.

[Edward Rochester]

Are you always drawn to the loveless and unfriended?

[Jane Eyre]

When it is deserved.

[Edward Rochester]

Would you say that my life deserves saving?

[Jane Eyre]

I should be distressed if harm came to you, sir.

[Edward Rochester]

You should be distressed. What puny sort of sentiment is that? You saved my life tonight, Ms. Eyre.

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[NHTSA Public Service Announcer]

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[Edward Rochester]

I knew you would do me good in some way at some time.

[Jane Eyre]

If I did, I'm. I'm very happy.

[Edward Rochester]

Good night, Jane.

[Jane Eyre]

Good night, sir.

[William Keeley (Producer/Announcer)]

Act two of Jane Eyre will continue in a moment. Saint Libby, have you seen any real thrillers lately? I'd like one with plenty of gunplay, fist fights and a few chases thrown in.

[Announcer]

Then Columbia Pictures has just what the doctor ordered. Coroner Creek. In fact, Randolph Scott is in a fight sequence which is one of the greatest ever filmed. And besides, the picture has some of the most beautiful Western scenery in Technicolor.

[William Keeley (Producer/Announcer)]

I hope there's a girl in it too.

[Announcer]

Oh, well, naturally. She's Marguerite Chapman as the owner of the Coroner City Hotel. Marguerite has some elegant costumes, including ruffled petticoats that gave the wardrobe department quite a headache.

[William Keeley (Producer/Announcer)]

Sounds like a story.

[Announcer]

Well, in one scene in front of the hotel, some horses were tied to a horse trough. Several riders jumped on the horses and dashed off. But one forgot to untie his horse and overturned the trough. And poor Marguerite was a recipient of a very nice mud bath.

[William Keeley (Producer/Announcer)]

I'll bet Lux came to the rescue.

[Announcer]

That's right. Those tiny diamonds of Lux freshened the ruffled petticoats to just as quickly as they do the modern ones.

[William Keeley (Producer/Announcer)]

Luxe diamonds have certainly made a great hit with women.

[Announcer]

Why shouldn't they? There's nothing in the world just like them. They're so much faster and richer.

[William Keeley (Producer/Announcer)]

I imagine girls appreciate too, that the way luxe care keeps colors fresh longer.

[Announcer]

That's true. Tests prove colors stay lovely three times as long. So that's just like getting three pretty slips for the price of one. And that's a big help to the budget. In fact, luxing anything safe in water saves a pretty penny.

[William Keeley (Producer/Announcer)]

Here's your producer, William Keeley.

[Narrator/Host]

We raise our curtain on the second act of Jane Eyre. With Robert Montgomery as Edward Rochester and Ingrid Bergman as Jan.

[Jane Eyre]

There was no sleep for me. The balance of that night. The insane laughter, the fire, the story of poor little Adele. Each was a fragment of a tormenting and frightening puzzle. But most bewildering of all was the master of Thornfield Hall. This brooding, melancholy man, bitter and unpredictable as the winds that raised the across the neighboring moors. And like the winds, searching and longing endlessly. I was up early the next morning, but not early enough. Mr. Rochester was gone at breakfast, Mrs. Fairfax told me where.

[Mrs. Fairfax]

He said something about Milcott. Perhaps he's bound there. Perhaps not.

[Jane Eyre]

Milcott.

[Mrs. Fairfax]

Lady Ingram's estate. The other end of the county. She has a daughter Blanche Ingram and Mr. Rochester are old friends. Oh, Jane. You heard what happened during the night?

[Jane Eyre]

Yes, I was awake.

[Mrs. Fairfax]

Oh, it was just terrible. We might all have been burnt in our beds.

[Jane Eyre]

Did. Did Mr. Rochester tell you how the fire started?

[Mrs. Fairfax]

He said he was reading in bed and fell asleep. The wind blew the candle onto the bed curtain.

[Jane Eyre]

I. I see. If you'll excuse me, Mrs. Fairfax, I'll go up to Adele. But Adele was still sleeping. As I left her room, my eyes turned toward the tower staircase. Almost against my will, I walked to the ancient stone steps and started to climb halfway up, a great door bar the way, but it was open and I slipped past. At the top of the stairs was a. Was another door. But before I reached it, I came a sudden screaming and snarling, half human, half animal, and a thudding sound, as if a beast were tearing at the bars of its cage. I reeled on the stairs and started to descend, but the door behind me swung open and a voice rooted me to where I stood.

[Mrs. Fairfax]

What are you doing here?

[Jane Eyre]

Who. Who are you? They've told you who I am. Grace Poole.

[Mrs. Fairfax]

Never come up here. Never.

[Jane Eyre]

Why? What is there? What are you hiding? No one's allowed up here.

[Mrs. Fairfax]

Do you understand? No one.

[Adele]

Now go down.

[Mrs. Fairfax]

Go down.

[Jane Eyre]

And so for me, the mystery of the tower continued unsolved. Edward Rochester remained away, and the winter weeks dragged by. I found a measure of contentment in Adele's apparent fondness for me. And then, early in the spring, he returned. But he did not come alone. He descended suddenly upon us with a dozen guests, among them Lady Ingram and her daughter Blanche.

[Edward Rochester]

Well, come in, Jane. Let me look at you. You know I've been home for hours, but not a word out of you.

[Jane Eyre]

Why, you've been with your guests. I had no wish to disturb you.

[Edward Rochester]

What have you been doing while I've been away?

[Jane Eyre]

Teaching Adele.

[Edward Rochester]

Yes, and getting a good deal paler than you were. What's the matter?

[Jane Eyre]

Nothing.

[Edward Rochester]

You're depressed.

[William Keeley (Producer/Announcer)]

What about?

[Jane Eyre]

I'm not depressed, sir.

[Edward Rochester]

So depressed that a few words more and there will be tears in your eyes. No, they're there already, shining and swimming. Jane. Jane, you must tell me. What is it, Mr. Rochester, and what the devil?

[Mrs. Fairfax]

There's a gentleman to see you, sir.

[Edward Rochester]

Who is he?

[Mrs. Fairfax]

Mr. Mason, sir. Mr. Mason, he said of Spanish Town, Jamaica.

[Mr. Brocklehurst]

Mason?

[Edward Rochester]

Spanish. Take him to my study, Mrs. Fairfax.

[Mrs. Fairfax]

Yes, sir.

[Edward Rochester]

Jane, I wish I were on a quiet island with only you. Trouble and danger and hideous recollection far away.

[Jane Eyre]

Can I help you, sir?

[Edward Rochester]

If help is needed, I'll seek it. At your hands, I promise you that. Jane.

[Jane Eyre]

Yes?

[Edward Rochester]

If all the people gathered in that other room and came and spat on me, what would you do?

[Jane Eyre]

I'd turn them away if I could.

[Edward Rochester]

Or if I were to go to them and they turned away and left me alone, what then? Would you go with them?

[Jane Eyre]

I would stay with you, sir, to comfort me as well as I could.

[Edward Rochester]

Thank you, Jane.

[Jane Eyre]

I was the lord. A little more for Mr. Mason later that night. It was long past midnight. The whole house was sleeping when it happened again. That awful screaming from the tower aroused and frightened the guests lot. Poor Mr. Rochester. But he had a convenient explanation ready for them. It was one of the servants, he said. A servant having a bad dream.

[Edward Rochester]

That's all it was, a bad dream. And now, since these halls are inclined to be drafty, I suggest you all return to your rooms. Lady Ingram, you set the good example.

[Mrs. Fairfax]

Good night to you all again. Come, blanche. Oh, but I'm quite disappointed in you, Edward.

[Announcer]

I was so looking forward to seeing

[Mrs. Fairfax]

you shoot a robber.

[Announcer]

Weren't you, mother?

[Mrs. Fairfax]

Oh, less of your levity, blanche, and get back to bed. Goodness, it's almost morning. Good night, Edward. And good morning.

[Edward Rochester]

Sweet dreams, my courageous blanche. There will be no more disturbances, I promise you. Jane. Jane, are you awake?

[Jane Eyre]

Yes.

[Edward Rochester]

Come with me quickly.

[Jane Eyre]

We're going up there. To the tower?

[Edward Rochester]

Yes. You don't turn sick at the sight of blood, do you?

[Jane Eyre]

I've never been tried. I don't think so.

[Edward Rochester]

Give me your hand. It won't do to risk a faint. Your hand is warm and steady. Jane, what you see may shock and frighten and confuse you. I beg you not to seek an explanation, only to trust me. Can you do that?

[Jane Eyre]

I can do that. In the tower room was a bed. On it, bloody and unconscious, was a man. There was a door on the other side of the small room. It was secured with a heavy chain. From beyond it came a horrible sound, sobbing and scratching, and now and then the voice of grace Poole. But I had time neither to think nor become frightened.

[Edward Rochester]

Jane, I must get Dr. Rivers. This means leaving you alone here with this gentleman. You will sponge the blood as I do now. If he regains consciousness, do not speak to him on any account. Is that clear? Jane?

[Jane Eyre]

Yes.

[Edward Rochester]

Whatever happens, do not move from here or open that door. I'll be back as quickly as I can. There's your patient, Dr. Rivers. Jane, are you all right?

[Jane Eyre]

I'm all right. He has regained consciousness.

[Edward Rochester]

You have 20 minutes, doctor, for dressing the wound and getting the patient out of here. Yes. So you told me. Wait a minute, Mason.

[Mrs. Fairfax]

I'm.

[Edward Rochester]

I'm done for.

[Mr. Brocklehurst]

Edward.

[Edward Rochester]

That's nonsense. You've lost a little blood, that's all. She sank her teeth into me like a tiger.

[Mr. Brocklehurst]

It will be better if you don't

[Edward Rochester]

talk and let me get to work.

[Spin Quest Advertiser]

She said.

[Edward Rochester]

She drained my heart. Be silent, Mason. Oh, Jane.

[Jane Eyre]

Yes?

[Edward Rochester]

Go downstairs quietly Unbolt the side passage door. You'll find Dr. Rivers carriage down there. See that the driver is ready to leave the moment we come down.

[Jane Eyre]

Yes, sir.

[Edward Rochester]

Can I help you, doctor? No.

[Mr. Brocklehurst]

This will be painful, Mason. It can't be helped.

[Edward Rochester]

I told you not to come here, Mason. I. I thought I could do some good.

[NHTSA Public Service Announcer]

You thought.

[Edward Rochester]

You thought.

[Mr. Brocklehurst]

Lie still, please.

[Edward Rochester]

I tried so long to avoid exposure. I shall make very certain it doesn't come now. Dr. Rivers will take you to his home. You'll remain there until you're well.

[Mr. Brocklehurst]

Edward.

[Edward Rochester]

Yes?

[Mr. Brocklehurst]

Let her be taken care of.

[William Keeley (Producer/Announcer)]

Please. Let her be treated as tenderly as may be.

[Edward Rochester]

I'll do my best. And I have done it and will do it yet. Would to God there were an end to all this. They're gone, Jane. Mason and Dr. Rivers.

[Jane Eyre]

Yes. And it's daylight again.

[Edward Rochester]

I promised I'd turn to you for help. I didn't know it would be so soon.

[Jane Eyre]

I'm thankful I was here.

[Edward Rochester]

We. We could walk for a moment in the garden, Jane. It's so fresh and clean there.

[Jane Eyre]

Mr. Rochester will raise Poole. Live here still?

[Edward Rochester]

Yes. Grace Poole will stay. Don't ask for explanations. Just believe me when I tell you there are good reasons for it. You're my friend, Jane, aren't you?

[Jane Eyre]

I like to serve you in everything that's right.

[Edward Rochester]

And if I asked you to do something that was wrong, what then? I know the answer. Very quietly you'd say, oh, no, sir, that's impossible.

[Jane Eyre]

Would I?

[Edward Rochester]

Jane, imagine you were a young man, thoughtless and spoiled since childhood, and imagine yourself in a far off land. Conceive that you there commit a capital error, one that cuts you off from all possibility of human joys. And then suddenly imagine that fate offers you the chance of regeneration and true happiness. Are you justified in overleaping the obstacles of mere custom? Tell me, Jane. Are you justified?

[Jane Eyre]

How can I answer that? Every conscience must come to its own decision.

[Edward Rochester]

But if one can't come to a decision. If you're afraid that you may bring shame to what you most cherish or destroy what you most desire to protect. Oh, Jane, don't you curse me for plaguing you like this?

[Jane Eyre]

No, I don't curse.

[Edward Rochester]

Isn't your assurance I that your hand. Your fingers are cold. They were warmer last night. Jane, will you watch with me again another night?

[Jane Eyre]

Whenever I can be useful.

[Edward Rochester]

For instance, the night before I married. Will you sit with me then?

[Jane Eyre]

You're going to be married Sometime.

[Edward Rochester]

Why not?

[Jane Eyre]

But what makes you think. He's a mistake?

[Adele]

Monsieur Rochester, offer. Right before breakfast.

[Mrs. Fairfax]

Oh, what a place to be.

[Edward Rochester]

Oh, that's Adele, the delectable Ms. Ingram. Blanche.

[Mrs. Fairfax]

Edward, Is that you?

[Adele]

Uncle Edward, what do you mean by

[Mrs. Fairfax]

running off like this so early?

[Edward Rochester]

Excuse me, Jane. And what do you mean by rising so early?

[Mrs. Fairfax]

A correct host entertains his guests.

[Edward Rochester]

My dear Blanche, when will you learn? I was never correct and never will be. Come along. Well, why do you stop, Blanche? Or don't you know the rest of it?

[Announcer]

Edward, does that person wish to see you?

[Edward Rochester]

Person? Oh, come in. Miss Eyre.

[Jane Eyre]

I'm sorry, sir. I did not know you were occupied.

[Edward Rochester]

I'm sure Ms. Ingram will excuse me for a moment.

[Mrs. Fairfax]

Certainly. But don't forget, Edward, you promised to

[Announcer]

show me the estate.

[Jane Eyre]

Well, Jane, I overheard some of the guests after luncheon. They mention you were leaving with them in the morning. I wish to ask for a reference, sir.

[Edward Rochester]

Reference? What the deuce do you want a reference for?

[Jane Eyre]

So I might look for a new place. You as much as told me you are going to be married. Well, in which case, Adele would likely go off somewhere to school.

[Edward Rochester]

I see. Adele must go off to school and you must go to the devil, is that it?

[Jane Eyre]

I hope not.

[Edward Rochester]

When the time comes for you to get a new situation, I'll get one for you. Do you hear?

[Jane Eyre]

Very well. I may not see you again before you leave. Goodbye, Mr. Rochester.

[Edward Rochester]

Goodbye, Miss Eyre. Jane. Jane. Is that all? It seems so dry and stingy. Won't you do more than say goodbye? Oh, your hand. You'll shake my hand. Goodbye, Jane. And now you've seen it all, Blanche. The fields, the forests and now the garden.

[Mrs. Fairfax]

Oh, it's such a beautiful place, your thornfield.

[Edward Rochester]

As a dungeon, it serves its purpose.

[Mrs. Fairfax]

Dungeon? It's a paradise. A haven. A haven of peace and love.

[Edward Rochester]

Who's talking of love? Distraction is what a man needs. Distraction to keep him from peering too closely into the mysteries of his heart.

[Announcer]

I sometimes wonder if you have a heart, Edward.

[Edward Rochester]

Have I ever said anything to make you believe I have?

[Mrs. Fairfax]

Oh, Edward, are you never serious?

[Edward Rochester]

Never more than at this moment. Except perhaps when I'm eating my dinner.

[Mrs. Fairfax]

Really? You can be so revoltingly coarse at times.

[Edward Rochester]

Can I ever be anything else?

[Mrs. Fairfax]

Would I have Come to Thornfield if

[Jane Eyre]

I thought you could.

[Edward Rochester]

Well, now we have something to consider. First, Mr. Rochester is revoltingly coarse and ugly as sin.

[Mrs. Fairfax]

Edward, I am.

[Edward Rochester]

Secondly, he's extremely careful never to talk of love or marriage. However, and this is the third point, the Ingrams are somewhat impoverished, whereas the revolting Mr. Rochester has an assured income of £8,000 a year.

[Announcer]

Edward.

[Edward Rochester]

Now, in view of all this, what attitude shall Ms. Blanche be expected to take? From what I know of the world, I'd surmise she'd ignore the coarseness. Etc. Etc. Until such time as Mr. Rochester is safely hooked.

[Jane Eyre]

How dare you.

[Mrs. Fairfax]

No, no.

[Edward Rochester]

No horseplay.

[Mrs. Fairfax]

I've never been so insulted in my life.

[Edward Rochester]

Josh, I have just paid you the enormous compliment of being completely honest.

[Mrs. Fairfax]

You're a boronakur. Leave me at once.

[Edward Rochester]

My guests have gone, Jane. All gone. And we are alone again.

[Jane Eyre]

I will be leaving too, Mr. Rochester,

[Edward Rochester]

soon to forget me.

[Jane Eyre]

I will never forget forget you. You know that. But I see the necessity of going. It's like looking on the necessity of death.

[Edward Rochester]

Where do you see that necessity?

[Jane Eyre]

In your bride.

[Edward Rochester]

My bride? I have no bride.

[Jane Eyre]

But you will have.

[Edward Rochester]

Yes, I will. I will.

[Jane Eyre]

So you think I could stay here to become nothing to you? Do you think because I'm poor and obscure and plain that I'm soulless and heartless? I have as much soul as you and fully as much heart. And if God had gifted me with wealth and beauty, I shouldn't have made it as difficult for you to leave me as it is now for me to leave you. There. I've spoken my heart. Now let me go.

[Mr. Brocklehurst]

Jane.

[Edward Rochester]

Jane, you strange, you almost unearthly thing. You that I love as my own family. I have no love for Blanche. It's you I want. Answer me, Jane, quickly. Say, edward, I'll marry you. Say it. Say it, Jane. Say, edward, I'll marry you.

[Jane Eyre]

Edward, I'll marry you.

[Edward Rochester]

God forgive me, Edward. God forgive me.

[William Keeley (Producer/Announcer)]

We pause now for station identification. This is cbs, the Columbia broadcasting system.

[Narrator/Host]

Our stars will return with Act 3 of Jane Eyre in a moment.

[Mrs. Fairfax]

Hey everybody.

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[NHTSA Public Service Announcer]

This weekend, someone is walking their dog. Someone is crossing the street to their car. Someone's kid is riding a bike home. And they're counting on you to drive the speed limit. Speeding accounts for nearly 30% of traffic fatalities. And most of those crashes don't happen on the interstate. They happen on the streets where people live. Slow down. It's an act of care for the people around you. So remember, speeding catches up with you. Know the road and respect its limits. Presented by NHTSA now back to your podcast.

[Narrator/Host]

The last time I saw tonight's charming guest, Randy Stewart was at 20th Century Fox, where she gave a fine performance in my new picture, the street with no Name, a film based on incidents in the files of the FBI.

[Jane Eyre]

It was a privilege to work with

[Announcer]

you, Mr. Keeley, and especially to work on such an important story.

[Narrator/Host]

The Federal Bureau of Investigations certainly gave us splendid cooperation. And it was a great satisfaction to me that their director, Mr. Hoover, was so happy with the picture.

[Announcer]

Well, I hope Mr. Hoover will forgive me if I say that Mark Stevens is still my favorite G man.

[Narrator/Host]

He agreed that Mark gave a natural and thoroughly convincing performance. And I think that Richard Widmar does the finest acting job of his career.

[Announcer]

You know, Mr. Keeley, I. I didn't mind being killed off in that nightclub hold up scene in the street with no name. But all those trial falls on the floor were rough on my stockings.

[Narrator/Host]

As I recall, the wardrobe department was standing by with the replacements.

[Announcer]

Yes, but I didn't need them. Those stockings took the falls better than I did. The wardrobe girl said she was sure it was luxury care that made those stockings last. But isn't John Kennedy always saying something like that?

[William Keeley (Producer/Announcer)]

Indeed I am, Randy, because it's true. The new tiny diamonds of luxe practically work miracles with stockings. Actual tests prove that these new tiny diamonds make stockings last twice as long.

[Announcer]

Well, I've laid down the law at home. From now on, it's lux for all my stockings.

[William Keeley (Producer/Announcer)]

Women everywhere are really thrilled about these new tiny diamonds of lux. They're so much faster and richer, the suds last and last. You'll be surprised how much more they do for you, too. You know, they remove kinds of soil which other types of suds can't, and so leave things cleaner and fresher. Thanks for coming tonight, Randy Stewart. Back now to Mr. William Keeley.

[Narrator/Host]

the end of our play, there'll be an announcement of a special interest to the ladies in our audience. Here's Act 3 of Jane Eyre, starring Ingrid Bergman in the Title, role. And Robert Montgomery as Edward Rochester.

[Jane Eyre]

All my doubts, all the grim shadows that hung over Thornfield hall were shattered and gone. I loved and I was loved. Spring had come to the earth and spring had come to my heart. Two weeks later, Edward and I were in the little church in the village, my hand in his, as now it would be forever. The minister had started the marriage ceremony.

[Edward Rochester]

Be assured that if any persons are joined together otherwise than as the word

[Mr. Brocklehurst]

of God allows, then are they not joined by God.

[Edward Rochester]

Therefore, Edward Rochester and Eugene Eyre, if

[Mr. Brocklehurst]

either of you know any impediment why you may not lawfully be joined in matrimony, you do now confess it. Edward Rochester, wilt thou have this woman

[Edward Rochester]

to be thy wedded wife?

[Mrs. Fairfax]

Wait.

[William Keeley (Producer/Announcer)]

I declare the existence of an impediment.

[Edward Rochester]

Proceed with the ceremony. I cannot proceed. Mr. Rochester has a wife now living.

[Mr. Brocklehurst]

Who are you?

[Edward Rochester]

My name is Mason.

[William Keeley (Producer/Announcer)]

On the 20th of October, 1824, Edward

[Edward Rochester]

Rochester was married to my son, sister bertha Mason, at St. Mary's Church, Spanish town, Jamaica. The record of the marriage will be found in the register of that church. You swear you're speaking this?

[Mr. Brocklehurst]

I swear it.

[Edward Rochester]

My sister's living now at Thornfield Hall.

[Mr. Brocklehurst]

I've seen her there myself.

[Edward Rochester]

Parson, close your book. There will be no wedding today. Instead, I invite you to my house to meet Grace Pool's patient. My wife.

[Jane Eyre]

It seemed without end, the journey back to Thornfield Hall. On the way, we stopped to get Dr. Rivers. Edward insisted he come back with us. That is all I remember of the ride back. If words were spoken, I did not hear them. And then at length, I found myself with Grace Poole and the others standing again in the tower room. There was a rattle and unlocking of chains and a door opened and the wife of Edward Rochester stood before him, screaming. She flung herself upon him. Her eager hands clawed for his throat, but she had no time to do him harm. Grace Poole and the doctor sprang upon her when they returned and the door was shut again and the chains fastened. Only then did Edward speak to us.

[Edward Rochester]

The woman you have seen is my wife.

[Spin Quest Advertiser]

Mad.

[Edward Rochester]

The mad offspring of a mad family to whom the church and law bind me forever, without hope of divorce. And this is what I wish to have. This young girl who stands among you now, so grave and quiet at the mouth of hell. Look at the difference. And then judge me. Oh, I've gone. Jane. May I come in? Jane. I did not even know her. I was married at 19 in Spanish Town to a bride already courted for me. But I married her. Gross Groveling mole eyed blockhead that I was. Jane, do you hear me? I suffered all the agonies of a man bound to a wife. At once intemperate and unchaste. I watched her excesses drive her at last into madness. Then I brought her back to england, to Thornfield. Jane, I did everything that God and humanity demanded. Then I fled from this place. My fixed desire was to find a woman I could love. A contrast to the fury I had left here. And what did I find? An actress in Vienna, a milliner in Naples, a countess in Warsaw. Back in England, I rode again in sight of Thornfield. Someone. Someone was walking there in the mist. A strange, elfin like creature. She frightened my horse, then came up and gravely offered me help and her hand. And then later that evening.

[Adele]

Jane.

[Edward Rochester]

Jane, do you remember? I remember you came into that room. How shy you were. And yet how readily you answered my surly questioning. And then you smiled at me. And in that moment, I knew I had found you. Jane, can you forgive me?

[Jane Eyre]

I do forgive you.

[Edward Rochester]

And you can still love me.

[Jane Eyre]

I love you with all my heart. I can say it now, since it's for the last time.

[Edward Rochester]

Do you mean to go one way in the world and let me go another? Stay with me, Jane. We'd be hurting no one.

[Jane Eyre]

We should be hurting ourselves.

[Edward Rochester]

Would it be so wicked to be near me?

[William Keeley (Producer/Announcer)]

Would it?

[Jane Eyre]

Oh, I'm leaving, Edward. Surely you know that. I must.

[Edward Rochester]

You will not be my comforter, my rescue? You are, Jane. My deep love, my frantic prayer. Are they nothing to you?

[Jane Eyre]

Goodbye, Edward. God bless you. God keep you from harm and wrong.

[Edward Rochester]

Jane.

[Mr. Brocklehurst]

Jane.

[Jane Eyre]

I had only one place to go. Away from him. Anywhere that would be away from him. But without references, it was impossible to find employment. I soon intimately knew hunger and unsheltered nights. At last, without help or hope, I turned like a beaten dog back to Lawwood. Mr. Brocklehurst forgot his word never to open its doors to me again.

[Mr. Brocklehurst]

So you're back, heir Penitent. A humble, I suppose, pleading for mercy. And prepared as ever, I dare say, to return our favors with your accustomed deceit.

[Jane Eyre]

If there's a place for me here, I'm ready to beg for it.

[Mr. Brocklehurst]

You would like to become a teacher, heir?

[Jane Eyre]

Yes, sir.

[Mr. Brocklehurst]

We need no teachers. We have need of a girl in the scullery. Do you want it or not?

[Jane Eyre]

Yes. I'll stay.

[Mr. Brocklehurst]

Get in the kitchen then.

[Jane Eyre]

Yes.

[Mr. Brocklehurst]

Wait. Some months ago, I had repeated inquiries as to your whereabouts from a Mr. Edward Rochester. Obviously, I was unable to assist him.

[Jane Eyre]

I know no Edward Rochester.

[Mr. Brocklehurst]

I didn't ask you. Makes little difference if you do or not. In his last letter thanking me for my kindness, he said he was leaving England forever.

[Jane Eyre]

The summer passed. It was fall again. And then one day, the watchman's wife came looking for me.

[Mrs. Fairfax]

Jane, there's a gentleman to see you

[Jane Eyre]

outside in the court. I don't want to see him. I don't want to see anyone.

[Mrs. Fairfax]

I told him you'd come right out.

[Jane Eyre]

I tell him you were mistaken.

[Mrs. Fairfax]

Oh, girl, Girl. Living all to yourself. Killing yourself in this cheerless place. Send him away if you want, but at least see him.

[Jane Eyre]

Who is he?

[Mrs. Fairfax]

Dr. Rivers.

[Jane Eyre]

Thank you.

[Mr. Brocklehurst]

Jane. It is you.

[Jane Eyre]

Yes, Dr. Rivers.

[Mr. Brocklehurst]

But you look. Oh, forgive me. Have you been ill?

[Jane Eyre]

I mean, no rudeness. But you're not here to inquire about my health.

[Mr. Brocklehurst]

No, Jane. I'm here at the request of a friend.

[Jane Eyre]

How did you know I was at Lowood?

[Mr. Brocklehurst]

I didn't. But I've been trying to find you. I received a letter about you the other day. My friend asked if I in my journeys about.

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[Mr. Brocklehurst]

I would inquire after you. Well, I. I happen to see that villain Brocklehurst.

[Jane Eyre]

Have you answered your friend?

[Mr. Brocklehurst]

How could I, Jane, I've just found you.

[Jane Eyre]

You haven't found me, doctor. You tried, but no one knows where I am.

[Mr. Brocklehurst]

Edward is back in England, Jane. He's at Thornfield hall again. He searched for you everywhere.

[Jane Eyre]

I beg you to tell him nothing.

[Mr. Brocklehurst]

But why?

[Adele]

Jane?

[Jane Eyre]

No one knows better than you why.

[Mr. Brocklehurst]

Yes, it's for you to say Jane, if you'd rather I didn't answer him at all, well, then I would.

[Jane Eyre]

I would rather you didn't answer at all. Goodbye, doctor.

[Mr. Brocklehurst]

Goodbye. Jane.

[Edward Rochester]

Jane. Jane.

[Jane Eyre]

His voice. Night after night, I started to hear it.

[Lady Luck]

Jane.

[Jane Eyre]

I struggled to shut my ears from it, but I could not. It was like a soul in pain. A wild and urgent cry, more than I could bear. I would see him once again, speak with him again. And after that I neither knew nor cared what happened to me. All I knew was that I must go, and go quickly. I reached the estate, but Thornfield hall was no more. Fire had destroyed it all. I was staring at the pile of charred and blackened rubble when Mrs. Fairfax saw me. She came running from the gardener's cottage.

[Mrs. Fairfax]

Oh, Jane. Oh, my poor, poor girl.

[Jane Eyre]

What happened?

[Mrs. Fairfax]

It was she who did it. She killed Grace Poole as she slept and set fire to Thornfield, her laughing rouse. I ran to the nursery and carried Adele to the gardens. As I stood there, I heard the laugh again. She was on the roof. Mr. Edward was just coming from the house. He said nothing, but turned and ran back into the flames. I saw him get to the roof and make his way toward her. She saw him too. She ran to the edge and jumped. When we reached her, she was dead.

[Jane Eyre]

And Edward?

[Mrs. Fairfax]

Edward, as he was coming down the great staircase, fell. He was badly hurt.

[Edward Rochester]

Mrs. Fairfax?

[Mrs. Fairfax]

Yes, sir?

[Edward Rochester]

What the devil are you doing? The Dell is waiting for her supper.

[Mrs. Fairfax]

I'm coming. Sir.

[Edward Rochester]

There's someone with you. Who is it? Who are you?

[Mrs. Fairfax]

His eyes. He's.

[Jane Eyre]

He's blind.

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Edward.

[Jane Eyre]

I've come back.

[Mrs. Fairfax]

Edward.

[Edward Rochester]

Jane.

[Jane Eyre]

Jane.

[Edward Rochester]

Her small soft fingers. Her hair. Her little house or face.

[Jane Eyre]

And her heart, too.

[Edward Rochester]

Jane. All you can feel now is pity. I won't have your pity.

[Jane Eyre]

Oh, Edward.

[Edward Rochester]

You can't spend your life with the ruins of a man. You're young.

[Jane Eyre]

So don't send me away. Please don't send me away.

[Edward Rochester]

You think I won't let you go? Oh, my darling.

[Jane Eyre]

As the months went by, he came to see the heavens once more. To see first the glory of the sun and then the mild splendor of the moon. And at last, the evening star. And then one day, as our firstborn was put into his arms, he could see that the boy had his own eyes as they once were. Large and brilliant and black.

[William Keeley (Producer/Announcer)]

Before our stars return for their curtain calls. Here's Libby Collins with news for the ladies.

[Announcer]

Here's your chance to get more of the handsome silver plated teaspoons Lux offered before the war. They're original Rogers silver Plate. Made by the world's largest silversmiths, they're tops in quality and will give you years of service. A real value, you get three for only $0.50 with the opening tab from a box of Luxe.

[William Keeley (Producer/Announcer)]

They're the exclusive Allure pattern, especially designed for for Lux. With your spoons, you'll get an extra order blank so that you can order extra spoons and matching pieces.

[Announcer]

You'll be delighted with these spoons and just as delighted with the new tiny diamonds of luxe. Wonderful as luxe has always been, it's now better than ever. Richer, faster, perfect for stockings, lingerie, all nice washables.

[William Keeley (Producer/Announcer)]

Your Luxe dealer has order blanks and complete details for getting these spoons. Or mail the opening tab from a box of lux together with 50 cents in coin and your name and address to Lux, Wallingford, Connecticut. Order as many teaspoons as you like. Just send 50 cents and the opening tab from a box of Lux for every set of three.

[Announcer]

This offer is good only in the continental United States, including Alaska and Hawaii, and is subject to all state and local regulation.

[William Keeley (Producer/Announcer)]

I'll repeat, send 50 cents and the opening tab from a Luxe box for each set of three spoons to Lux, Wallingford, Connecticut. Send for them tomorrow. Sure. Here's your producer, William Keeley.

[Narrator/Host]

It's always a producer's dream to combine a great play with two such stars as Ingrid Bergman and Robert Montgomery, whom we bring back to the footlights for a curtain call. This being Flag Day, I might risk a pun and say you both came through with flying colors.

[Jane Eyre]

Thank you, Bill. And this being Flag Day throughout America, I'd like to remind you, listeners, of an important work that's being done to defend the principles for which that flag stands.

[Narrator/Host]

You mean the International Rescue and Relief Committee, of which you and Bob are National Committee members?

[Edward Rochester]

That's right, Bill. Although it's been going on now for 15 years, I don't think enough people know just what the International Rescue and Relief Committee is accomplishing.

[Narrator/Host]

Well, I've heard a great deal about the work it's done in providing for the displaced people of Europe.

[Jane Eyre]

In my native Sweden alone, we're caring for thousands of refugees who want to continue the fight for freedom and democracy.

[Edward Rochester]

And the same is true in France, Italy and Germany, every country where they're still working for democracy, which in the

[Narrator/Host]

long run will protect our freedom in America. And I'm sure our audience will be grateful to know that whatever you both receive for your performance here tonight is going to the International Rescue and Relief Committee.

[Edward Rochester]

Well, it's sort of our way of showing our gratitude for living in a country where they still hold free elections and political conventions such as are starting

[Narrator/Host]

to take place in Philadelphia next week with the Republican convention.

[Jane Eyre]

Incidentally, that does. What does that do to your next Monday evening broadcast?

[Narrator/Host]

BILL Next Monday, Lux is cooperating with the Columbia Broadcasting System by relinquishing this time. But the week following that, June 28, that is, we'll be on the air, of course, as usual.

[Edward Rochester]

Have you picked a play in stars for that date?

[Narrator/Host]

BILL Yes, a delightful musical that brings back two stars often requested by our audience. It's 20th Century Fox's current screen hit you Were Meant for me, starring Jean Crane and Dan Daly, a romantic and heartwarming comedy that features some of the most popular tunes of the nostalgic 1920s.

[Jane Eyre]

Well, that, that's worth waiting two weeks for. Bill we'll be listening on the 28th then. Good night.

[Edward Rochester]

Good night, Bill Good night.

[Narrator/Host]

It was a treat having you here. Lever Brothers company, the makers of Lux FL join me in inviting you to be with us again June 28th when the Lux Radio Theatre presents Dan Daly and Gene Crane in you Were Meant for Me. This is William Keeley saying good night to you from Hollywood.

[William Keeley (Producer/Announcer)]

Ingrid Bergman is currently appearing in the Enterprise production Arch of Triumph, co starred with Charles Boyer. Robert Montgomery will soon be seen co starred with Bette Davis in the Warner Brothers production June Bride. Heard in our cast tonight were Janet Scott as Mrs. Fairfax, Herbert Butterfield as Brocklehurst, Francis Robinson as Blanche and Marlene Ames, William Johnstone, Ann Carter, Stanley Waxman, Gloria Gordon, Regina Wallace, Norman Field and Martha Wentworth. Our music was directed by Lewis Silvers. And this is your announcer John Milton Kennedy reminding you to join us again on Monday, June 28th to hear you were Meant for Me with Gene Crane and Dan Daly. Stay tuned for my friend Irma which follows immediately over most of these stations. This is cbs, the Columbia broadcasting system.

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[NHTSA Public Service Announcer]

This weekend, someone is walking their dog. Someone is crossing the street to their car. Someone's kid is riding a bike home, and they're counting on you to drive the speed limit. Speeding accounts for nearly 30% of traffic fatalities. And most of those crashes don't happen on the interstate. They happen on the streets where people live. Slow down. It's an act of care for the people around you. So remember, speeding catches up with you. Know the road and respect its limits. Presented by nhtsa. Now back to your podcast.