
Abbott And Costello 48-05-05 The New Sheriff With Bela Lugosi
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Bud Abbott
Limu. Emu and Doug.
Liberty Mutual Announcer
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Lou Costello's Wife (possibly Betty)
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Liberty Mutual Announcer
That may have been too much feeling.
Bud Abbott
Only pay for what you need@libertymutual.com Liberty.
Lou Costello
Liberty.
Liberty Mutual Announcer
Liberty.
Lou Costello
Liberty.
Bud Abbott
Savings vary underwritten by Liberty Mutual Insurance Company Affiliates excludes Massachusetts.
Lou Costello
Hey, Abbott, what time is it?
Bud Abbott
It's time for the Abbott and Costello Show. We're on the air for ABC here in Hollywood.
Lou Costello
Well, what are we waiting for? Let's go with the Abbott and Costello Show.
Narrator/Announcer
Yes, it's the Abbott and Costello show, produced and transcribed in Hollywood. Tonight for your listening pleasure with Susan, the music of Maddie Malley. Hold on to your chairs, folks, for here they are, Bud Evan and Luke Costello.
Bud Abbott
Castella. Castella. You're late again.
Lou Costello
Well, I was watching the girls, admiring Lana Turner's new necklace.
Bud Abbott
Lana Turner has a new necklace?
Lou Costello
Yes, made out of her old wedding rings.
Bud Abbott
Hey, who is that girl you were out with last night?
Lou Costello
Ah, that's my. That's my new girl.
Bud Abbott
What's she like, Lou?
Lou Costello
What's she like? She likes bourbon, scotch, gin, rye, wine, snacks. Bourbon.
Bud Abbott
Look, where did you meet this girl?
Lou Costello
Oh, at the Palladium. I asked her for a dance.
Bud Abbott
Did you dance the foxtrot, the tango or the waltz?
Lou Costello
The one step.
Bud Abbott
The one step.
Lou Costello
One step. And I changed my mind about dancing with her.
Bud Abbott
Why? Wasn't she a good dancer?
Lou Costello
No, but she makes you forget about dancing. During intermission, when I took her home, I kissed her goodnight and got a real kick out of it.
Bud Abbott
She kisses that good?
Lou Costello
No, her father caught us. Right.
Bud Abbott
Instead of running around every night with a different girl, why don't you settle down and get married?
Lou Costello
Not me. Abbott. Getting married is like going to a cafeteria.
Bud Abbott
Like a cafeteria?
Lou Costello
Yeah, you grab what you want and pay for it.
Sam (Sound Effect or Minor Character)
It's Sam.
Lou Costello
But if you're fighting crime, you'll need a man like me. Appoint me sheriff and I'll go from house to house and pinch every cook.
Bud Abbott
No, no, not every cook. You mean you'll pinch every crook.
Lou Costello
You'll pinch what you like and I'll pinch what I like. Just tell the youth you pinch what you like and I'll pinch what I like.
Bud Abbott
You said that. You said that.
Sam (Sound Effect or Minor Character)
Ow.
Bud Abbott
Castella, why were you late tonight?
Lou Costello
Well, I overslept, Abbott. I had a very peculiar dream. I dreamed I was a pin cushion in a room full of balloon dancers and Am I mad?
Bud Abbott
Why are you mad?
Lou Costello
Well, I woke up just when things were beginning to pop. Right after next week, I'm gonna get my own room. I can't sleep with my brother Pat anymore. All night long he dreams he's Roy Rogers.
Bud Abbott
Why should that disturb you?
Lou Costello
He also dreams I'm triggered. Heaven. If you will appoint me Sheriff Vincino, I'll clean up the town. I'll mop up all the pool rooms. I'll clean out all the saloons. I'll scour the alleys. How can you do that on the side? I'm a street cleaner.
Bud Abbott
Castella, if I make you the new sheriff, you've got a lot of great men to follow. Listen to the records of the backgrounds. Sheriff Jones, redcoats, Northwest Mountain, 1931. Sheriff Brown, redcoats, Northwest Mounted, 1938.
Lou Costello
Sheriff Costello, sports coach Bullock, spaceman, 1975.
Bud Abbott
To do criminal work, you have to know something about the law. For instance, do you know how to put up a defense?
Lou Costello
Well, sure, all you have to. Could I have that again?
Bud Abbott
I said, do you know how to put up a defense?
Lou Costello
Why should I put up a defense? I already put up at the wall around my house. I also got at the hedge in the backyard. Why do I have to put up a defense?
Bud Abbott
No, no, Costello, when I say you put up a defense, I don't mean you put up a fence like you do when you put up a fence. I mean a defense like when you put up a defense.
Lou Costello
But I tinker you nuts. No. You think.
Bud Abbott
It'S no use. You wouldn't know how to act in a criminal investigation anyhow.
Lou Costello
Oh, is that so? I was down in a morgue yesterday to see a gangster that was killed. I lifted up the sheet and there he lay. The corpus delicatessen. That.
Bud Abbott
That dummy Corpus delicti. Not corpus delicatessen.
Lou Costello
This was a corpus delicatessen. He was stabbed with a salami. Right.
Lou Costello's Wife (possibly Betty)
Well, I knew you were cleaning up Encino, but you didn't have to dump that heap of rubbish here on the stage.
Lou Costello
Rubbish?
Lou Costello's Wife (possibly Betty)
Oh, pardon me. It's Costello.
Lou Costello
Honey.
Bud Abbott
I've appointed Costello as sheriff of Encino. He's going to chase all the criminals out of town.
Lou Costello's Wife (possibly Betty)
Well, buddy, you ought to put me on that job. You know, I'm a regular bloodhound.
Lou Costello
From the looks of your ears, you must be pot. Cocker spaniel too.
Lou Costello's Wife (possibly Betty)
I don't want to take any more insults from you, Costello. I can see through you. I've got eyes like a hawk and.
Lou Costello
A beak to match.
Bud Abbott
Costello. How dare you insult my Wife? She's beautiful. Why, before I married her, she had men falling in her feet.
Lou Costello
And why not? She was refereeing fights at the Legion Stadium.
Lou Costello's Wife (possibly Betty)
Oh, you pigeon puss. Popeyed penguin. When I was a girl living in the country, boys used to court me from 10 miles away.
Lou Costello
They had to. They were afraid to come any closer.
Bud Abbott
Pay no attention to money. Say, that's a pretty hat you're wearing, dear.
Lou Costello's Wife (possibly Betty)
I just bought it. Do you think I should wear it.
The Vampire Girl
To one side off the face?
Lou Costello
If you're smart, you'll wear it over your face.
Lou Costello's Wife (possibly Betty)
Oh, no life, no life. By the way, buddy, I got some new shoes too. Do you like them? They're pumps.
Lou Costello
On you they look good. Well, thanks, considering that your legs look like pump handles.
Lou Costello's Wife (possibly Betty)
Oh, how dare you. I have beautiful legs.
Lou Costello
You're bowling.
Bud Abbott
My wife is not bowling.
Lou Costello
She's the only woman in the world that can walk down a bowling alley while the game is on.
Sam (Sound Effect or Minor Character)
Oh, goodbye.
Bud Abbott
Costello, for selling my wife. I'm not going to make you sheriff of Encino. And I'm not going to give you this beautiful badge.
Lou Costello
Oh, please, Abbott, let me be the sheriff. I've always wanted a badge. Everybody's got a badge but me. A cop has a badge, a fireman has a badge. Even a little Boy Scout has a badge. Abbott, I've just gotta have a badge.
Bud Abbott
But why do you have to have a badge?
Lou Costello
I'm tired of holding up my pants with my teeth.
Bud Abbott
Oh, all right. I hereby appoint you Sheriff of Encino. Step forward and I'll pin this badge on your shirt.
Lou Costello
Thank you, Abbott. I mean, your honor.
Lou Costello's Wife (possibly Betty)
Abbott Costello.
Bud Abbott
Hold still, I'm tearing your shirt.
Lou Costello
I ain't wearing any shirt.
Bud Abbott
Come on, we're going over to the sheriff's office in Encina right now so you can start to work immediately. Well, Sheriff Costello, you can take over at once.
Lou Costello
I've got it at it. What man broke into your room? Yes, ma'. Am. I'll put it on the police radio right away. Calling all cars. Calling all cars. Go to 237 Mulberry St. An old maid found a burglar in her room. Proceed with caution. The old maid is armed.
Bud Abbott
Well, Costello, you're catching on to your job fast.
Lou Costello's Wife (possibly Betty)
Darling, I'm glad I found you here. I have news for you. I just picked up a cent.
Lou Costello
Here's nice sense more. Grab a bus and get out of town.
Bud Abbott
Cut that out, Costello. My wife may be in trouble.
Lou Costello's Wife (possibly Betty)
Oh, that's right, buddy dear, something terrible has just happened.
Lou Costello
What did I do? Find your birth certificate.
Bud Abbott
Costello, pay attention to my wife. As the Sheriff of Encino, it's your duty to hear her out.
Lou Costello
Well, if it'll make you happy, I'll throw her up.
Bud Abbott
Never mind him, dear. Let's hear your story.
Lou Costello's Wife (possibly Betty)
Well, for the last couple of nights there's been a lot of strange noises. Screams and gunshots coming from that empty house next door to us. Suddenly, at 2 o' clock in the morning, as I was standing by the stove making fudge.
Bud Abbott
What happened?
Lou Costello
What happened? Oh, she burned her fudge.
Lou Costello's Wife (possibly Betty)
No. I saw Mr. Mysterious man peering out of the attic window. He made an ugly face at me like this.
Lou Costello
No, no, don't do that.
Lou Costello's Wife (possibly Betty)
I haven't made the face yet.
Lou Costello
How can I tell?
Bud Abbott
Quiet, Gonzale. This may be more serious than you think.
Bela Lugosi
I'd like to see the sheriff.
Sam (Sound Effect or Minor Character)
Oh, that's him.
Lou Costello's Wife (possibly Betty)
That's the mysterious man.
Bud Abbott
Gazella, look, it's Bela Lugos.
Lou Costello
Gee.
Bud Abbott
Villa Lugosi. Just a minute, Costella. Mr. Lugosi, I am the chairman of the Committee for Crime Prevention in Encino. Now, just what is the nature of your complaint?
Bela Lugosi
Well, I put it in a simple language that even a moron can understand.
Bud Abbott
Step aside, Abbott.
Lou Costello
He's talking to me. Now listen, Lugosi, I'm the sheriff around here and I'm gonna ask you some questions. Now, what were those screams in your house at midnight?
Bela Lugosi
That was my business.
Lou Costello
And what about those gunshots?
Bela Lugosi
That's my business.
Lou Costello's Wife (possibly Betty)
Ask him about those dead bodies in.
Bela Lugosi
The basement is also my business.
Lou Costello
This guy is doing a heck of a business.
Bud Abbott
That settles it, Costello. You, a sheriff, will have to investigate and search Lugosi's house tonight at midnight.
Bela Lugosi
You be like the house, Costello. It's the only house in Encino where every room has a bat. And a strange man should suddenly appear with a long, sharp knife in his hand and offer to cut your throat. Yes, refuse him.
Lou Costello
Abbott. Take back the badge. I don't want to be sheriff anymore.
Narrator/Announcer
Get me out of here now. And that's only half the fun, folks. Just as many laughs yet to come. But first, listen to this.
Sam (Sound Effect or Minor Character)
Sam.
Narrator/Announcer
Susan Miller with Matty Malnack and his orchestra has a springtime story about the Dicky Bird song.
I
A dicky bird whispered haven't you heard? Spring is here Spring is here Spring is here A little crow sang a happy hello Favorite time of the year A little frog sang a song on his log Lose your blues Lose your blues Lose your blues and you and I fell in love in reply on hearing the dicky bird's news if you have to look around to find the reason for such a wonderful thing. You can blame it on the sentimental season. Falling in love is done in the sp. A bobolink looked at us with a wink. At a boy, at a girl. Nothing's wrong when you're in love. You go swinging along singing a dicky bird song. If you have to look around to find the reason for such a wonderful thing. You can blame it on the settlement of season. Falling in love is done in the spring the bobolinka looked at us with a wink. At a boy, at a girl. Nothing's wrong when you're in love. You'll go swinging along singing a dicky bird song, that's all.
Bud Abbott
Well, Costello, here we are at Bela Lugosi's house.
Lou Costello
Habit, Shuffle, Duck and that house.
Bud Abbott
But you've got to go in there. You're the sheriff. You've got to go in there and look for the trouble.
Lou Costello
Couldn't I look for it out here? There's more light.
Bud Abbott
Look at me. I'm not scared.
Sam (Sound Effect or Minor Character)
Shh.
Lou Costello
Abbott. I think I hear something. Or is it my imagination? Thank goodness it was only my imagination.
Bela Lugosi
Well, Sheriff Costello, I see you have come to investigate my house. Come in. I make myself a sandwich.
Lou Costello
What kind of a sandwich?
Bela Lugosi
It's a rattlesnake burger covered with pickled toads and diced bat wings.
Lou Costello
Do you put ketchup on it? What?
Bela Lugosi
To get heartburn? It's too bad you won't be here for breakfast. We are having shrouded wheat.
Lou Costello
Shrouded wheat? Abbot, look. There's a casket in the corner with rubber sheets in it.
Bud Abbott
Rubber sheets in it?
Bela Lugosi
Yes. I line all my caskets with rubber sheets to the rain time. Get in. Why, my beer is the dry beer.
Bud Abbott
Hey, Costello, look at that funny looking machine over there in the corner.
Bela Lugosi
That's my Sears machine. On that I manufacture robots.
Lou Costello
Get it, Abbott? Sears are robots.
Bud Abbott
One of you will soon be dead. One of you will soon be dead.
Lou Costello
Which one?
Bud Abbott
Don't be so choosy.
Lou Costello
Abbott. I'm getting out of here. I don't like the looks of this place. Look at the grandfather's clock in the corner.
Bud Abbott
Oh, lots of people have grandfather's clocks.
Lou Costello
With their grandfathers hanging in it like a pendle on them.
Bud Abbott
Never mind that, Costello. Question Lugosi about the house.
Lou Costello
Mr. Lugosi, where is the former owner of this house?
Bela Lugosi
Do you see that pile of freshly dug dirt in the corner?
Lou Costello
Yes, sir.
Bela Lugosi
Well, that's not a vegetable garden.
Lou Costello
That's strange. I thought I felt a draft on My neck. What's strange about that? I have no neck.
Bud Abbott
Mr. Lugosi, what are you whispering for?
Lou Costello
I was born in a library.
Bud Abbott
I had to stay there six months.
Lou Costello
How come?
Bela Lugosi
My father lost his card.
Bud Abbott
Hey, look Costello, there's a skeleton in this room.
Lou Costello
Abbott, there's two skeletons in this room.
Bud Abbott
Two skeletons?
Lou Costello
Yeah, I just jumped out of my stint. Hey Abbott, look. Lugosi has just disappeared through that wall. Pardon me. Abbott, I want to see somebody outside. Who? Me.
Bud Abbott
Come back here, Costello, you're scared. Why don't you sing? Go ahead and sing. It'll keep up your courage. Carry me back to old Virginie.
Lou Costello
You keep singing like that and they'll drag you back. Who are you? I'm a ghost. I'm the ghost of Richard the Lion Hearted.
Bela Lugosi
Who are you?
Lou Costello
I'm Costello, the chicken livered.
Bud Abbott
Mr. Ghost. Costello is a sheriff and we've got to investigate this house.
Lou Costello
Why don't you start in the cellar? Here, here, I'll open the door for you. You can go right down those stairs.
Bud Abbott
Costello, where are you? I'm down in the cello rabbit.
Lou Costello
But look out for that first step. It's a lulu.
Bud Abbott
It's all right, Castella. Here I am. I've turned on this flashlight and we'll take a look around.
Lou Costello
Abbott, quick, look over there. There's a body on the floor.
Bud Abbott
Is he dead?
Lou Costello
I can't tell. His head is missing. I'm getting out of here. Abbott.
Bud Abbott
Costello, what are we? Nicer men?
Lou Costello
I don't know about you, but I'm glad there's no cat around. Look, Mila Lagosa's back.
Bela Lugosi
Costello, it is indeed regrettable that you choose to prowl around in my cellar. I'm in a bloodthirsty mood. So far this week I've only killed nine people.
Lou Costello
This guy sounds like a California driver.
Bud Abbott
Just a minute, Lugosi. Costello is the sheriff of this town and you've got a dead man lying down here in your cellar.
Bela Lugosi
Yes, I know he lives here.
Lou Costello
But he's dead. He's dead I tell you. Why don't you throw him out? I can't.
Bela Lugosi
His rent is paid up until June 1st.
Bud Abbott
Come on, Costello, we've got to continue with the search.
Bela Lugosi
Well, go ahead with your search if you want me. I've been the morgue. Lying on my slab. That's where I'm happiest. I'm lying on my slab.
Lou Costello
Don't look now, Abbott, but I think he's a little slab. Happy?
Bud Abbott
Come on Costello, let's look in this room.
Sam (Sound Effect or Minor Character)
Open the Door.
Bud Abbott
Costello, what in the world was that?
Lou Costello
I don't know and I ain't getting down off this channel here to find out.
Bud Abbott
Come on down here, Costello. Hey, look, I just found a secret closet.
Lou Costello
Let's open it now.
Bud Abbott
Don't touch that door, Costello. Look at that sign. It says this closet has never been opened in over 175 years.
Lou Costello
I don't believe that. I'm gonna open it.
Lou Costello's Wife (possibly Betty)
To arms. To arms.
Bud Abbott
The British are coming.
Narrator/Announcer
The British are coming.
Bud Abbott
Costello. Costello, where are you?
Lou Costello
I'm hiding over here under this bed.
Bud Abbott
Come on, crawl out from under that bed.
Lou Costello
Okay, now. I wonder who put that piggy bank under here.
Bud Abbott
Hey, look, Costello, there's a panel sliding open in that wall.
The Vampire Girl
Ah, gentlemen, how can I ever thank you? You released me from a hypnotic spell that I've been under for over a thousand years.
Lou Costello
Oh, Abbott, she's beautiful. Tell me, miss, are you a mummy?
The Vampire Girl
Oh, no, I'm not even married.
Lou Costello
Gee, you're lovely. Where did you come from?
The Vampire Girl
I remember coming here on Noah's Ark with all the animals. They all came in pairs. The birds came in pairs, the rabbits came in pairs.
Bud Abbott
Did everything come in pairs?
Lou Costello
Everything but the worms. They come in apples.
The Vampire Girl
What are you two doing here?
Bud Abbott
Well, we're trying to solve the secrets of this house.
The Vampire Girl
I can help you. I know this house. I've got the inside.
Lou Costello
What you've got on the outside ain't bad either.
Bud Abbott
Be careful.
Lou Costello
Didn't have enough material, eh.
Bud Abbott
Lo?
Lou Costello
Lo?
Bud Abbott
Be careful. This girl is a vampire. She may be dangerous. And besides, she's a thousand years old.
Lou Costello
You ought to be able to handle a rabbit.
Bud Abbott
She's the same age as your wife.
The Vampire Girl
Which one of you gallant gentlemen open that panel and release me.
Lou Costello
I did.
The Vampire Girl
Ah. I'm going to reward you. Come, put your arms around me. I'm going to kiss you.
Lou Costello's Wife (possibly Betty)
There.
The Vampire Girl
How was that, Abbot?
Lou Costello
This kid is more than a thousand years old.
The Vampire Girl
Ah, you're very sweet. You remind me of an actor I used to go with 500 years ago.
Bud Abbott
Really? You went with an actor 500 years ago? What was his name?
Lou Costello
Al Johnson. What's that?
The Vampire Girl
Oh, it's. It's Lugosi coming back. He mustn't find me here. I've got to get back behind my panel. But before I go, you may take my hand and kiss it.
Lou Costello
Thank you. Thank you.
Bud Abbott
Costello, what are you doing?
Lou Costello
I'm kissing her hand.
Bud Abbott
But Costello, the girl is gone. She's gone back behind that panel.
Lou Costello
Now, wasn't she sweet? She gave me her hand. A kiss I've got her hand and I'm holding it in mine and she's gone now, isn't that.
Lou Costello's Wife (possibly Betty)
She's gone, Mom. I still got her hand up.
Lou Costello
What are you trying to do, wake up the living. Costello. Costello.
Bud Abbott
It's Belosi. He's coming towards us.
Bela Lugosi
Well, Sheriff Costello, I got to go now before I get into trouble with the police.
Bud Abbott
Are you afraid of the police because you killed those nine people last week?
Bela Lugosi
No, it's not there.
Bud Abbott
Are you afraid of the police because of the dastardly crimes you've committed?
Bela Lugosi
No, it's not there.
Bud Abbott
Then why are you afraid of the police?
Lou Costello
Yes, why? Why do you have to leave here so suddenly?
Bela Lugosi
I just remembered I left my car parked in a one hour zone and you know those Los Angeles cops. Good night, Mr. Costello.
Lou Costello
Good night, Mr. Lagosa.
Bud Abbott
Isn't he a lovely chap, Costello?
Lou Costello
Yes, he sure is. I'd like to have known him when he was alive. It.
Sam (Sound Effect or Minor Character)
Sam.
Narrator/Announcer
And now here are Evan and Costello with the final words.
Bud Abbott
Folks, the contest we are running on our Saturday morning Abbott and Tesla kids show now has a jackpot of over $29,000.
Lou Costello
Get out of this contest, folks. We believe it is the biggest contest ever and for the greatest cause.
Bud Abbott
The purpose is to combat juvenile delinquency.
Lou Costello
And by entering you can win a $5,000 mink code, a $5,000 airplane, a $3,000 trailer, a live baby elephant, thousands of dollars worth of diamonds and loads of other big prizes totaling over $29,000.
Bud Abbott
Listen Saturday morning over most of these stations. Good night, folks.
Narrator/Announcer
Listen each Wednesday night at this time for another great Abbott and Costello show, produced and transcribed in Hollywood by Charles Vanda and featuring Susan Miller and Matty Malnick's orchestra. This is Michael Roy saying goodbye until this same time next Wednesday. Be sure to stay tuned for the outstanding entertainment which follows throughout the evening on this ABC stat.
Sam (Sound Effect or Minor Character)
Sam.
Podcast: Harold's Old Time Radio
Air Date: October 4, 2025 (original episode from May 5, 1948)
Main Theme:
A comic horror caper unfolds as Lou Costello is appointed sheriff and sent to investigate mysterious goings-on at Bela Lugosi's spooky house. With classic Abbott and Costello banter, the episode blends slapstick, wordplay, and guest star Bela Lugosi’s macabre humor.
The comedic duo find themselves in a tongue-in-cheek crime caper, with Lou reluctantly named sheriff of Encino. Strange noises and eerie happenings next door lead to a haunted house adventure featuring Bela Lugosi, famous for his chilling horror roles. The episode is packed with running gags, zany misunderstandings, and fast-paced repartee.
Lou Costello [01:44]: "What's she like? She likes bourbon, scotch, gin, rye, wine, snacks. Bourbon."
Lou Costello [05:20]: “Why should I put up a defense? I already put up at the wall around my house. I also got at the hedge in the backyard. Why do I have to put up a defense?”
Lou Costello [08:08]: "I’m tired of holding up my pants with my teeth."
Bela Lugosi [11:06]: “That was my business.” (When grilled about screams, gunshots, and dead bodies.)
Bela Lugosi [11:26]: “And a strange man should suddenly appear with a long, sharp knife in his hand and offer to cut your throat … refuse him.”
Lou Costello [20:09]: “I can’t tell. His head is missing. I’m getting out of here, Abbott.”
The Vampire Girl [23:08]: “You released me from a hypnotic spell I’ve been under for over a thousand years.”
Lou Costello [24:09]: “Didn’t have enough material, eh?”
Bela Lugosi [26:25]: “I just remembered I left my car parked in a one hour zone and you know those Los Angeles cops. Good night, Mr. Costello.”
Faithful to the original Abbott and Costello formula—fast-paced, full of puns, slapstick, and quick-witted comebacks. Bela Lugosi’s dry, almost gleefully ominous delivery sends up his horror persona in a family-friendly roast.
If you love classic comedy, quick-fire wordplay, and a healthy dose of Halloween fun, this Golden Age radio episode is a wonderful example. The chemistry between Bud Abbott and Lou Costello keeps things rapid and absurd, and Bela Lugosi’s cameo is a comic treat for fans of classic monster movies.