ABC Mystery Time - [Masters Of Mystery] - Murder In Haste

Summary

Podcast Summary: ABC Mystery Time - [Masters Of Mystery] - Murder In Haste

Podcast Information:

• Title: Harold's Old Time Radio
• Host/Author: Harolds Old Time Radio
• Description: Experience the Golden Age of Radio with classic shows like The Shadow, Abbott & Costello, Amos & Andy, Dragnet, and many more. Relive the era when families gathered around the radio to immerse themselves in gripping stories and timeless humor.
• Episode: ABC Mystery Time - [Masters Of Mystery] - Murder In Haste
• Release Date: April 28, 2025

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Overview

Murder In Haste is a captivating episode from the Masters of Mystery series, presented live from New York. Written by Eleanor Beefon, the drama unfolds the story of Albert Taylor, a man seeking a fresh start by abandoning his past. However, hiding his identity proves more challenging than he anticipated, leading to a series of suspenseful events that intertwine his life with that of the mystery writer, Leslie Jameson.

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Plot Summary

Introduction to Albert Taylor's Dilemma

Albert Taylor, burdened by the guilt of murdering his wife, Helen, seeks to escape his past by changing his name and relocating to a new city. His initial attempt to evade suspicion by boarding a train to New York sets the stage for the unfolding drama.

• Albert Taylor (02:12): “I bent over and felt her heart. And Helen was dead all right. I'd killed her.”

Determined to disappear, Albert slips into a compartment where he encounters Don Dowd, who later reveals himself to be Leslie Jameson, the author of the very mystery unfolding around them.

The Encounter with Leslie Jameson

While conversing with Leslie, Albert becomes suspicious as he recalls that his belongings bear his initials. A brief interaction leads Albert to realize that Leslie is not just an ordinary passenger but someone connected to his past.

• Don Dowd (Leslie Jameson) (05:35): “Planned to anyway, but made a little earlier on account of that nasty business about my assistant.”

The Train Wreck and Identity Theft

A sudden train derailment throws both men into chaos. Albert seizes the opportunity to assume Leslie's identity by stealing his belongings, including his wallet and watch, and uses this new persona to navigate through the aftermath of the wreck.

• Albert Taylor (08:47): “It was a risk, but I had to take it.”

Life as Leslie Jameson in New York

Adopting Leslie's identity, Albert enters the bustling life of New York, unaware that his past is about to catch up with him. His new life is complicated by interactions with Perry, a young woman interested in his work, and Ruth Wayfair, Leslie’s estranged wife who holds secrets of her own.

• Perry (09:33): “You're the fellow who writes those murder mysteries?”
• Ruth Wayfair (14:27): “You're an awfully simple sort, aren't you, Mr. Whatever your name is?”

Unraveling Secrets and Rising Tensions

As Albert navigates his new life, tensions rise when Ruth confronts him about the disappearance of Leslie. The confrontation reveals deeper layers of deceit and manipulation, hinting at a possible conspiracy surrounding Leslie's death and Albert's true intentions.

• Ruth Wayfair (14:33): “We didn't get along. We'd been separated for some time.”

Climactic Revelations

The climax intensifies as Don Dowd, the host, returns to tie up the narrative threads. The final moments suggest that Albert's past deeds are resurfacing, and the true nature of his relationship with Ruth unveils the ultimate twist in this gripping mystery.

• Albert Taylor (17:20): “Haunted by worry night and day.”
• Ruth Wayfair (19:37): “Miss. All over Buenos Aires six months ago, every newspaper.”

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Notable Quotes with Timestamps

• Albert Taylor (02:12): “But now my wife was dead. I bent over and felt her heart. And Helen was dead all right. I'd killed her.”

• Albert Taylor (08:47): “It was a risk, but I had to take it.”

• Don Dowd (Leslie Jameson) (05:35): “Planned to anyway, but made a little earlier on account of that nasty business about my assistant.”

• Perry (09:33): “You're the fellow who writes those murder mysteries?”

• Ruth Wayfair (14:27): “You're an awfully simple sort, aren't you, Mr. Whatever your name is?”

• Albert Taylor (17:20): “Haunted by worry night and day.”

• Ruth Wayfair (19:37): “Miss. All over Buenos Aires six months ago, every newspaper.”

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Character Dynamics

• Albert Taylor / Leslie Jameson: A man driven by guilt and desperation seeks to escape his past by assuming a new identity. His internal conflict and fear of discovery fuel the suspense throughout the episode.

• Don Dowd (Leslie Jameson): As the host and a character within the story, Don Dowd serves as both narrator and pivotal character, bridging the audience's understanding with the unfolding mystery.

• Ruth Wayfair: Leslie's estranged wife, Ruth's confrontational demeanor and cryptic conversations add depth to the mystery, suggesting hidden motives and unresolved tensions.

• Perry: A young admirer of Leslie's work, Perry's interactions with Albert introduce questions about her awareness of the author's true identity and her potential role in the mystery.

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Themes and Insights

Identity and Deception: The episode delves deep into the themes of identity theft and the lengths one might go to escape their past. Albert's transformation into Leslie Jameson raises questions about the nature of self and the ethical boundaries of assuming another's life.

Guilt and Redemption: Albert's journey is marked by his attempt to find redemption for his past actions. The internal struggle between his desire for a new beginning and the weight of his guilt creates a compelling psychological landscape.

Consequences of Deceit: The narrative illustrates that deceit, no matter how well-planned, inevitably leads to complications and unforeseen consequences. Albert's past catches up with him, demonstrating that one cannot entirely escape their actions.

Interpersonal Relationships: The complex relationships between characters like Albert, Ruth, and Perry highlight the intricate dynamics that drive the mystery forward. Trust, betrayal, and hidden motives play crucial roles in shaping the story's trajectory.

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Conclusions

Murder In Haste masterfully weaves a tale of suspense, morality, and human emotion, staying true to the essence of the Golden Age of Radio dramas. Through its intricate plot and well-developed characters, the episode keeps listeners engaged, leaving them pondering the true cost of deception and the possibility of redemption. The inclusion of notable quotes with precise timestamps further enriches the listening experience, allowing audiences to connect deeply with the unfolding mystery.

Whether you're a long-time fan of old-time radio or a newcomer seeking a thrilling mystery, Murder In Haste offers a timeless story that resonates with themes still relevant today.

Transcript

[Styles MacKenzie]

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[Wayfair]

Wayfair.

[Styles MacKenzie]

Every style, every home.

[Don Dowd]

Time now for the best in mystery. Tonight on Masters of Mystery, an exciting.

[Eleanor Beefon]

Melodrama entitled Murder in Hate.

[Albert Taylor]

All I ask is that you forget you ever saw me.

[Wayfair]

I could go to the police.

[Albert Taylor]

I'll make it worth your while. I'll pay handsomely.

[Perry]

And if I say no?

[Eleanor Beefon]

Then I'll have no choice. But when.

[Leslie Jameson]

Good evening. This is Don Dowd, your host for Mystery Time. Back again to introduce another in ABC Radio's great Monday through Friday lineup of mystery dramas. Every night at this time, a new and different story. Our drama tonight on Masters of Mystery, presented live from New York, is written by Eleanor Beefon, entitled Murder in Hate. Not everyone gets a chance for a.

[Eleanor Beefon]

Fresh start, a new identity.

[Leslie Jameson]

When Albert Taylor gets such an opportunity, he feels that lady luck has done.

[Albert Taylor]

Him a wonderful favor.

[Leslie Jameson]

Until he discovers that it takes more than a change of name to wipe out a guilty past. As Masters of Mystery brings you murder in haste.

[Eleanor Beefon]

She lay where she had murdered, close to the fireplace.

[Albert Taylor]

Her head is struck against the iron and eyes one gathered in the pool on the bricks. I called her name.

[Eleanor Beefon]

Helen. Helen. She did not answer. I hadn't meant to hurt her badly.

[Albert Taylor]

But now my wife was dead. I bent over and felt her heart. And Helen was dead all right. We'd had our last thought, and now I'd killed her. It took me only a moment to decide on my course of action. If I called the police, they'd never believe it was an accident. I had to get away. I changed my name. I'd no longer be Elder Taylor. I'd get a fresh start in a new city. I grabbed up my hat and coat, packed a bag, took what money I had and slipped out of the house. Two hours and 20 minutes later, I was standing on the observation platform with.

[Eleanor Beefon]

A little bit of express bound from the men off.

[Don Dowd]

A nice night, isn't it? Huh?

[Albert Taylor]

Oh, I. I didn't want to come out.

[Don Dowd]

I'm sorry. I said it was a nice night.

[Albert Taylor]

I. Yeah. Yes.

[Eleanor Beefon]

Yes.

[Don Dowd]

Saw you running for the train when we were pulling out. Just made it, didn't you?

[Albert Taylor]

Yeah, kind of close.

[Don Dowd]

Been in Miami long?

[Eleanor Beefon]

No, no.

[Albert Taylor]

Been fishing off the key just a week or something.

[Don Dowd]

I see. My name's Ricketts.

[Albert Taylor]

I'm glad to know you. I'm Brown. Richard Brown.

[Eleanor Beefon]

Uh huh.

[Don Dowd]

Are you going up to New York, Brown?

[Albert Taylor]

Uh, yes. Well, I guess I'll be getting in time.

[Don Dowd]

That's a good idea. I'll go with you.

[Eleanor Beefon]

I need to. Need help in his mouth records with a plain food company. Can only be one reason why he was interested in me. He stayed right behind me as I walked back through the train to my teeth. I wanted to see if he'd sit.

[Albert Taylor]

Down beside me when I got to him.

[Eleanor Beefon]

Then, tilting towards you, it hit me.

[Albert Taylor]

My luggage was on the baggage rack.

[Eleanor Beefon]

Over the seat with my initials, big letters.

[Don Dowd]

E.T.

[Albert Taylor]

Rickett was just waiting for me to stop. Just waiting for proof I was Alberta. Then he'd make the arrest. But I didn't stop.

[Eleanor Beefon]

I kept. Kept on going.

[Don Dowd]

Ah, Brown.

[Albert Taylor]

Yeah?

[Don Dowd]

Isn't this your seat?

[Albert Taylor]

Why, no. I have a compartment up ahead.

[Don Dowd]

Oh, I see. Well, good night, Brown.

[Albert Taylor]

Good night. Ricketts dropped into a seat and I kept right on going. There was only one place I could go, the club car.

[Eleanor Beefon]

At least I could get a drink.

[Albert Taylor]

There and try to think. Oh, Barton, make it on Manhattan Drive, please.

[Don Dowd]

There's a stool next to me, sir. What?

[Albert Taylor]

Oh, thanks, thanks.

[Eleanor Beefon]

Okay.

[Don Dowd]

Going to New York?

[Albert Taylor]

Yes.

[Don Dowd]

Ought to be cold up there this time of year. Lots of snow and all that.

[Albert Taylor]

Yes, that's possible.

[Don Dowd]

You know, I'm as excited as a kid. Haven't seen snow for an age. Matter of fact, I haven't set foot in America for five years.

[Albert Taylor]

Great to be back.

[Don Dowd]

I get a kick out of just talking to Americans again.

[Eleanor Beefon]

Next.

[Don Dowd]

I was sitting in my compartment a few minutes ago thinking.

[Albert Taylor]

You've got a compartment?

[Don Dowd]

Oh, yes, yes, a couple of cars ahead.

[Albert Taylor]

Well, My name's Brown, Mr. Jameson.

[Don Dowd]

Leslie Jameson.

[Eleanor Beefon]

Jameson.

[Albert Taylor]

Oh, no, wait a minute. You're not the mystery writer?

[Don Dowd]

Yeah, wait. I am.

[Albert Taylor]

Oh, thanks. Well, here's to bigger and better mysteries.

[Don Dowd]

Okay.

[Albert Taylor]

So you say you left Buenos Aires?

[Don Dowd]

Yes. Planned to anyway, but made a little earlier on account of that nasty business about my assistant. I take probably go back in a year or so. Say, you ever read anything of mine, Mr.

[Eleanor Beefon]

Bound?

[Albert Taylor]

I can't say I've done much reading on the detective storyline. You have a serial running in one of the magazines right now, haven't you?

[Don Dowd]

Yes, yes. Murder in Haste. I don't suppose you're reading it.

[Albert Taylor]

I'm sorry. If I'd Known I was going to meet the author. I'd have pulled up on it.

[Don Dowd]

Don't apologize, Mr. Barn. Well, how about a nightcap before we turn in?

[Albert Taylor]

Well, I'll turn in.

[Don Dowd]

Well, it's earlier.

[Albert Taylor]

Jameson, surely you're not going to give.

[Eleanor Beefon]

Up this ship so soon.

[Don Dowd]

Well, I have to confess, I'm pretty tired. I've been rattling on about myself all evening. Oh, there you are.

[Eleanor Beefon]

That's beautiful. Brandy.

[Don Dowd]

I'm better. Well, what'll we drink?

[Eleanor Beefon]

Oh, well, you name it.

[Don Dowd]

Very well. Ears to crime. A mighty profitable business to me, at least.

[Albert Taylor]

Tell me about your literary agent. You were saying you'd never met him personally.

[Don Dowd]

Oh, a pharaoh. Oh, yeah. Great agent. I've often wondered what he looks like.

[Albert Taylor]

You've never even been to New York?

[Don Dowd]

No. No, never. Oh, well, Mr. Brown, it's close to midnight. I feel.

[Albert Taylor]

Jameson, what about this cereal you're running? Maybe you could bring me up to date.

[Don Dowd]

I'll tell you all about it tomorrow. Right now I'm awfully tired.

[Albert Taylor]

Exactly. Yes, absolutely.

[Don Dowd]

I hate to be rude, but I'll have to ask you. Good heaven. What's that?

[Eleanor Beefon]

I hope.

[Albert Taylor]

When I came to, it was dark. Was lying in a tangle of wreckage all around me.

[Eleanor Beefon]

All around me.

[Albert Taylor]

I could hear shouts and cries, a hiss of steam. But in the tangled mess of steel and wood that had been a pull and coach, I was miraculously safe. I put myself up, lit a match and saw that Leslie Jameson hadn't been so lucky.

[Eleanor Beefon]

He was dead.

[Albert Taylor]

I couldn't do a thing for him, and the hits of flames warned me the wreckage was afire. I found where the window had been.

[Don Dowd]

And managed to crawl out.

[Albert Taylor]

I was thrown myself through the window when somebody came running up with a flashlight.

[Don Dowd]

Just a second now. Let me help you.

[Albert Taylor]

Oh, thanks.

[Eleanor Beefon]

Don't take my hand.

[Don Dowd]

Easy now. Allow for the broken glass. Yeah, that's.

[Albert Taylor]

Hey, thanks.

[Don Dowd]

You all right?

[Albert Taylor]

I think so.

[Eleanor Beefon]

I'm a little duping.

[Albert Taylor]

Shake him up. Oh, sure.

[Don Dowd]

That's natural. Oh, it's you, Brown.

[Eleanor Beefon]

Oh, lick it.

[Don Dowd]

Yeah.

[Albert Taylor]

Hey, you're lucky.

[Don Dowd]

This coach got the worst of it from that fire.

[Albert Taylor]

Yeah, just got out in time.

[Don Dowd]

Say, that fella you were drinking with at the bar, is he still in there? I'm pretty sure he's Albert E. Taylor. Murdered his wife in Miami.

[Eleanor Beefon]

Is he still in there? No, he left a few minutes to.

[Don Dowd]

Well, you better get on up ahead, Brown. I got to give him a hand here. Can you make it to the crossing?

[Albert Taylor]

There's a highway restaurant up there. Sure, I'm okay.

[Don Dowd]

Okay, Brown.

[Albert Taylor]

I stood there dazed, watching the fire crawl closely, when, as my mind cleared, I saw what an opportunity had been given to me.

[Eleanor Beefon]

It was a risk, but I had to take it.

[Albert Taylor]

I crawled back into the wreckage to Leslie Jameson's body. I took his wallet, his ring, his watch. I left my ring and watch engraved with my initials.

[Eleanor Beefon]

With him. Oh, the lift of him.

[Albert Taylor]

Then, as the flames crawled steadily closer, I found his briefcase and baggage and dragged them out of the wreck. Ten minutes later, with my identity now changed to Leslie Jamison, I staggered into the restaurant at the grade crossing where the derailment had occurred.

[Perry]

Perry. Sir, we've got a doctor in the back room. Come on, I'll take you.

[Albert Taylor]

No, no, I'm just a little shaken up.

[Eleanor Beefon]

I will.

[Albert Taylor]

I'm gonna get out of here. I thought I could hire a car or get a bus to New York.

[Perry]

You were in the wreck?

[Albert Taylor]

Yes, I was.

[Perry]

What's your name?

[Eleanor Beefon]

I'm. I'm Leslie Jameson.

[Albert Taylor]

Leslie Jameson.

[Perry]

Say, are you the fellow who writes those murder mysteries?

[Albert Taylor]

Yes, yes, that's right.

[Perry]

Well, if that ain't a coincident. Only last night I made a bet with Frank, that's my boyfriend, as to which one would turn out to be the murder. And that cereal you're running in the Post.

[Albert Taylor]

Well, that's very flattering. I wonder if you could help me about the book. I need her.

[Perry]

Sure, Mr. Jameson, but how about giving me an advanced tip on the murderer, huh?

[Albert Taylor]

Which one? Well, I. I don't think it would be bad to tell you.

[Don Dowd]

Give me a bath. Cup of coffee. One of you young ladies? Yeah, sure.

[Albert Taylor]

Rickett.

[Don Dowd]

Oh, hello. Three rough out there. Three car smashed there.

[Eleanor Beefon]

How you feel? Br.

[Perry]

That's Leslie Davison, the writer, huh?

[Don Dowd]

I thought your name was Brown.

[Eleanor Beefon]

Well, of course, I.

[Albert Taylor]

Well, you know how it is. I.

[Perry]

Give me coffee.

[Don Dowd]

Thanks. I know, Mr. Brown. I don't know how it is. How is it?

[Eleanor Beefon]

Because I didn't want to lose it. Oh.

[Don Dowd]

Oh, yeah, I get it.

[Perry]

I've been reading Mr. Jameson's cereal in the Post. Murder and Hate and Little Death with my boyfriend on who the murderer is.

[Don Dowd]

Well, I can tell you that I read the last installment last night. Got it at the newspaper, Miami.

[Perry]

We ain't got it here yet. Well, Mr. Jameson, who done it?

[Albert Taylor]

Well, I don't want to spoil the story for you.

[Eleanor Beefon]

You ought to finish it.

[Perry]

Afraid I won't buy another copy of the magazine, huh?

[Albert Taylor]

Well, it's a matter of ethics. A writer can't.

[Don Dowd]

Oh, what do you mean, ethics? I know how it ends, Please, Mr. Jameson.

[Perry]

I can tell, Frank. I got a face from the author's mouth.

[Wayfair]

Ah, come on.

[Perry]

What goes?

[Albert Taylor]

I don't know what. Oh, besides, there's a car driving.

[Eleanor Beefon]

I can't say I can. Hurry up.

[Don Dowd]

That's for me. I'm driving up to New York.

[Perry]

Mr. Jameson here wants to get to New York too.

[Don Dowd]

Was that right? Jameson? Why don't you come with me? Give me a hand with the driving. Come on.

[Albert Taylor]

All right.

[Don Dowd]

Well, first give the young lady a break. Tell her who the murderer was.

[Albert Taylor]

Well, I'm sorry. It's against my principles.

[Don Dowd]

Well, it's your business.

[Albert Taylor]

Come on.

[Don Dowd]

Oh, mate, it was the butler. You got hotel space in New York, Jameson?

[Albert Taylor]

Well, not, not yet. I thought I'd arrange it when I went.

[Don Dowd]

Ah, you've been away a long time, haven't you? It's probably not a decent room to be had.

[Albert Taylor]

Oh, is it that bad?

[Don Dowd]

Well, it's worse. I think I might be able to fix you up at the Midbury. I. Another man?

[Albert Taylor]

Oh, I, I, I, I. Oh, forget it, Jason.

[Don Dowd]

Glad to help you. And aren't we both in the same business? In a manner of speaking.

[Albert Taylor]

I got a room at the nepary, but not before the manager had tipped.

[Eleanor Beefon]

Off the reporter that I was Leslie Jamis.

[Albert Taylor]

As I crossed the lobby, I heard her flash my phone. The next day there were pictures of me and all the papers. There was a story on the inside pages of the paper that Elbert Taylor, wanted for killing his wife in Miami, had been identified as one of her dead in the train wreck in Georgia. That should have meant I was safe.

[Don Dowd]

But now 5 million people had seen.

[Albert Taylor]

My picture at Leslie Davidson.

[Eleanor Beefon]

What if one of them had known.

[Albert Taylor]

Me down in Miami? I waited with mounting apprehension that I'd not come to that would announce the police. And I wished Helen was back again. Alive.

[Eleanor Beefon]

Helen would know what to do. She was a dominary woman, but she.

[Albert Taylor]

Knew how to make decisions.

[Eleanor Beefon]

Then sent me the phone line.

[Albert Taylor]

It was the manager to tell me.

[Eleanor Beefon]

That Mrs. Jamison was on her way out.

[Albert Taylor]

My wife. I hadn't even known Jamison was married.

[Eleanor Beefon]

I walked up and down, my mind rolling frantic.

[Albert Taylor]

I had to get away.

[Eleanor Beefon]

And then the doorfather rang. It rang again and again and I had to answer. There's nothing else I can do. Just a moment.

[Wayfair]

Leslie. Hello.

[Eleanor Beefon]

What?

[Wayfair]

Maybe I'd better come in. Well?

[Eleanor Beefon]

Well what? What are you going to do about it?

[Wayfair]

You're an awfully simple sort, aren't you, Mr. Whatever your name is?

[Eleanor Beefon]

Well, I suppose I am.

[Wayfair]

How did you expect to get away with it after all the publicity? Where is he? What have you done to him?

[Albert Taylor]

Now wait a minute, Mr. Jones. I could explain.

[Wayfair]

Maybe you'd better.

[Eleanor Beefon]

But your husband was killed in that.

[Albert Taylor]

Train wreck in Georgia. I. I had reasons for wanting to.

[Eleanor Beefon]

Disappear so I took his identity. I never meant to keep it until just.

[Wayfair]

What?

[Eleanor Beefon]

Look, there's nothing we can do for your husband now. He was killed. You believe that, don't you?

[Wayfair]

I don't know.

[Eleanor Beefon]

We're going to leave town, Roll.

[Albert Taylor]

All I ask is that you said gentian Miss only.

[Wayfair]

I see.

[Albert Taylor]

Well, is that all you're going to say?

[Eleanor Beefon]

What are you going to do?

[Wayfair]

I could go to the police.

[Eleanor Beefon]

Wait a minute. Wait a minute.

[Albert Taylor]

I. I can make it worth your while.

[Eleanor Beefon]

To. To.

[Wayfair]

To. Does. Does anyone know you're here in New York?

[Eleanor Beefon]

No, no, no.

[Wayfair]

They fortunate. You see, Leslie and I didn't get along. Matter of fact, we'd been separated for some time. He said he was cutting me out of his will. So with Leslie dead, I don't get anything at all. But is Leslie alive?

[Albert Taylor]

Wait a minute. Why not?

[Wayfair]

He could retire right now and live off his royalties without doing another living, you know.

[Eleanor Beefon]

You want me to keep it up?

[Wayfair]

Of course.

[Eleanor Beefon]

Don't be ridiculous.

[Albert Taylor]

There are dozen reasons why I can't. I'll discover it in a week.

[Wayfair]

You have his baggage. Yes, I know his signature. I can imitate it perfectly. I know his background like a book. You may as well get used to it. Mr. Jameson.

[Eleanor Beefon]

I tell you, I go do it.

[Albert Taylor]

It's the most fantastic thing I ever written.

[Wayfair]

There's a Lieutenant Rickett down in the lobby. Seemed quite interested in our relationship. If you like. Of course I'll bring them up to date.

[Albert Taylor]

Mrs. Jameson.

[Wayfair]

Elbert, darling.

[Don Dowd]

Just call me Ruth.

[Leslie Jameson]

Ruth.

[Wayfair]

Ruth, what is it?

[Eleanor Beefon]

I tell you, this.

[Albert Taylor]

This can't go on. You're spending money as a.

[Eleanor Beefon]

As if you had no self control at all.

[Albert Taylor]

$28,000 in three months. Besides the deposits, I'm into your account.

[Don Dowd]

Yeah.

[Eleanor Beefon]

Look at these bills. Look at them. I haven't got a penny.

[Wayfair]

Are you all through? There's your quarterly royalty check due tomorrow.

[Eleanor Beefon]

Well, that'll only pay part of the bills.

[Wayfair]

It's not paying any of them down. It's going into my account.

[Eleanor Beefon]

I see. And maybe I'll have some clever way of getting out from under these buildings.

[Wayfair]

That's your worry, dear, not mine.

[Eleanor Beefon]

5, 17, 14, 32.

[Wayfair]

Having trouble?

[Eleanor Beefon]

Oh, nothing important. Just get my accounts overdone by $5,000.

[Wayfair]

Well, of course you could finish your book, dear.

[Eleanor Beefon]

Sure. Finish the book.

[Leslie Jameson]

Writer.

[Eleanor Beefon]

Lovely Jameson.

[Albert Taylor]

History.

[Wayfair]

Well then I suppose you'll have to.

[Perry]

Think of something else.

[Eleanor Beefon]

Ruth, be honest with me. How long do you intend to carry this on?

[Wayfair]

Why indefinitely, dear.

[Eleanor Beefon]

There's to be no end.

[Wayfair]

There is if you want one.

[Don Dowd]

There's all.

[Albert Taylor]

As the police, you could have been decent about it.

[Eleanor Beefon]

Since they're spending money so irrationally, there.

[Albert Taylor]

Could have been plenty without bleeding me to death.

[Wayfair]

I think I've been quite safe with you. You've got your freedom.

[Eleanor Beefon]

Freedom? Freedom. Six months, ma'am. Most look for women you can't. Eat cat.

[Albert Taylor]

Haunted by worry night and day.

[Don Dowd]

Trying to dodge my own shadow.

[Albert Taylor]

Afraid all the time. An irrational woman.

[Don Dowd]

Spending money as if she were insane. Holding a dagger over my neck.

[Wayfair]

Get hold of you.

[Don Dowd]

And now there's no way out. Trapped. Run into a corner.

[Albert Taylor]

No way to turn. No end in sight.

[Don Dowd]

Nothing to do but go on and on until I break. And unless.

[Wayfair]

What are you doing?

[Nicole Byer]

Stay away from me.

[Don Dowd]

Yes, sir.

[Eleanor Beefon]

Ser.

[Don Dowd]

That's right. What can I do for you?

[Eleanor Beefon]

You, you, you can take down the statement.

[Don Dowd]

What's the matter, Mister?

[Eleanor Beefon]

I, I, I, I just. That's how I. Sergeant.

[Albert Taylor]

Then I, I wandered along the streets all night. I thought about running away.

[Eleanor Beefon]

No one seemed so.

[Albert Taylor]

So useless to run away again a second time. So I came here. Now I can relax.

[Eleanor Beefon]

For the first time in months, I can relax.

[Don Dowd]

Sure. Take it easy, Mr. Jameson. They'll take care of you.

[Albert Taylor]

Aren't you going over there and find her?

[Don Dowd]

We've been there. Found her an hour after you did it. Been looking for you all night.

[Eleanor Beefon]

You may as well know, she's not my wife.

[Don Dowd]

Yeah, yeah, yeah, we know Ms. Jameson. She was your assistant. Wayne. Theory. You say she was shaking you down. What did she have on you, huh?

[Eleanor Beefon]

My assistant, Winnie Thomas.

[Don Dowd]

Yeah, that's right.

[Eleanor Beefon]

Your assistant.

[Don Dowd]

Have you had a lapse of memory or something?

[Eleanor Beefon]

Jameson, the assistant. I remember now.

[Don Dowd]

Now tell me, Jameson, what was she threatening to take you to the police? Okay. But a three year old would have known it was a bluff. That's the last thing in the world.

[Albert Taylor]

She would have done.

[Eleanor Beefon]

You don't know that. She wasn't rational. She would have done anything.

[Don Dowd]

Not if it meant her neck, pal. What, what's happened to your memory, Jameson? Miss. All over Buenos Aires six months ago, every newspaper. She's wandered down there for mur.

[Leslie Jameson]

This is Don Doubt Again, your host for Mystery Time. You have just heard Masters of Mystery live from New York.

[Nicole Byer]

We interrupt this program to bring you an important Wayfair message Wayfair's got style tips for Every home. This is Nicole Byer helping you make those rooms flyer. Today's style tip when it comes to making a statement, treat bold patterns like neutrals. Go wild like an untamed animal. Print area rug under a rustic farmhouse table. From wayfair.com beers this has been your Wayfair style tip to keep those interiors superior.

[Styles MacKenzie]

Wayfair Every style, Every home.